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"In 'The Beyond' (1981), I tackle hell with an even more metaphysical elaboration than 'City of the Living De@d' (1980). My idea was to make an absolute film. It's a plotless film, there is no logic to it, just a succession of images." --- Lucio Fulci

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DepressedBergman

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25,343 просмотров • 9 месяцев назад •via X (Twitter)

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Lucio Fulci on why people misunderstood 'The Beyond' (1981) & the movies he thinks even idiots can understand: "I like 'The Beyond' (1981) very much because I think it was an interesting attempt. People who blame 'The Beyond' for its lack of story have not understood that it's a film of images, which must be received without any reflection. They say it is very difficult to interpret such a film, but it is very easy to interpret a film with threads: any idiot can understand Molinaro's 'La Cage aux Folles' (1978), or even Carpenter's 'Escape from New York' (1981), while 'The Beyond' or Argento's 'Inferno' (1980) are absolute films." (Lucio Fulci's interview to Starbust Magazine, 1982) P.S: On this day, 45 years ago, "The Beyond" (1981) was released in Italy.
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Lucio Fulci on why people misunderstood 'The Beyond' (1981) & the movies he thinks even idiots can understand: "I like 'The Beyond' (1981) very much because I think it was an interesting attempt. People who blame 'The Beyond' for its lack of story have not understood that it's a film of images, which must be received without any reflection. They say it is very difficult to interpret such a film, but it is very easy to interpret a film with threads: any idiot can understand Molinaro's 'La Cage aux Folles' (1978), or even Carpenter's 'Escape from New York' (1981), while 'The Beyond' or Argento's 'Inferno' (1980) are absolute films." (Lucio Fulci's interview to Starbust Magazine, 1982) P.S: On this day, 45 years ago, "The Beyond" (1981) was released in Italy.

DepressedBergman

63,442 просмотров • 3 месяцев назад

The producer of Lucio Fulci's "The New York Ripper" (1982), Fabrizio De Angelis was not content with the script provided by Gianfranco Clerici & Vincenzo Mannino. He had Dardano Sacchetti rewrite the script. Sacchetti stated that the film had initially involved a murderer suffering from progeria, that it was "a meditation on old age and human decadence. Lucio Fulci didn't understand it", and because of that, Sacchetti had to redo "the script in five days, not working on the structure or plot but on the situations, that is, the de@th scenes and the giallo mechanisms." Sacchetti also mentioned that much of the film's s* xual content came from Fulci, claiming that Fulci "nurtures a profound sad!sm towards women." Prior to the release of the film, Fulci discussed the production, describing it as "much less horror than my previous films, no zombies, but a human ki||er working in the dark." Fulci considered the movie as a tribute to Alfred Hitchcock, billing it as "Hitchcock Revisited, a fantastic film with a plot, violence and s* xuality." ("Splintered Visions: Lucio Fulci and His Films", Troy Howarth, 2015 & Wiki)
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The producer of Lucio Fulci's "The New York Ripper" (1982), Fabrizio De Angelis was not content with the script provided by Gianfranco Clerici & Vincenzo Mannino. He had Dardano Sacchetti rewrite the script. Sacchetti stated that the film had initially involved a murderer suffering from progeria, that it was "a meditation on old age and human decadence. Lucio Fulci didn't understand it", and because of that, Sacchetti had to redo "the script in five days, not working on the structure or plot but on the situations, that is, the de@th scenes and the giallo mechanisms." Sacchetti also mentioned that much of the film's s* xual content came from Fulci, claiming that Fulci "nurtures a profound sad!sm towards women." Prior to the release of the film, Fulci discussed the production, describing it as "much less horror than my previous films, no zombies, but a human ki||er working in the dark." Fulci considered the movie as a tribute to Alfred Hitchcock, billing it as "Hitchcock Revisited, a fantastic film with a plot, violence and s* xuality." ("Splintered Visions: Lucio Fulci and His Films", Troy Howarth, 2015 & Wiki)

DepressedBergman

24,947 просмотров • 16 дней назад

Living in San Francisco for four years after undergrad was one of the greatest pleasures of my life. I can’t think of a city more fit for Cinema. Bullitt, featuring Steve McQueen, is an inseparable part of SF’s history. A defining film for The Bay. What a film- what a city.
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Living in San Francisco for four years after undergrad was one of the greatest pleasures of my life. I can’t think of a city more fit for Cinema. Bullitt, featuring Steve McQueen, is an inseparable part of SF’s history. A defining film for The Bay. What a film- what a city.

Cinema Tweets

41,219 просмотров • 3 месяцев назад

Hugh Bonneville, "Before I talk about the fluff and wonderfulness of our lovely film" "What's about to happen in Gaza city is indefensible. The international community must to more to bring it to an end" "Downton Abbey is a lovely film. We are going to celebrate 15 glorious years tonight. It's a lovely film. We had a great time making it. It's a great love letter to the fans" ITV News presenter back in the studio, "Of course it's not about the politics, it's all about the film"
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Hugh Bonneville, "Before I talk about the fluff and wonderfulness of our lovely film" "What's about to happen in Gaza city is indefensible. The international community must to more to bring it to an end" "Downton Abbey is a lovely film. We are going to celebrate 15 glorious years tonight. It's a lovely film. We had a great time making it. It's a great love letter to the fans" ITV News presenter back in the studio, "Of course it's not about the politics, it's all about the film"

Farrukh

91,140 просмотров • 11 месяцев назад

Boogie Nights is an astonishing film & the fact this is Paul Thomas Anderson’s second film blows my mind. I have no idea how he got Burt Reynolds, a living legend, to sign on to this film. I wish Reynolds would’ve won the Oscar, it would’ve made for a great Hollywood story.
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Boogie Nights is an astonishing film & the fact this is Paul Thomas Anderson’s second film blows my mind. I have no idea how he got Burt Reynolds, a living legend, to sign on to this film. I wish Reynolds would’ve won the Oscar, it would’ve made for a great Hollywood story.

Cinema Tweets

346,148 просмотров • 11 месяцев назад

#WATCH | Mumbai: On her film Emergency, actress Kangana Ranaut says "There was a lot of struggle. You must have seen no one could ever make a film on Mrs Gandhi (Indira Gandhi)...There was a film 'Kissa Kursi Ka', Director of that film had to commit suicide and such a situation was created for him. We got the courage to do this film because there is freedom of speech today. We had to show this film to several communities. This film had to go through a lot of scrutiny. We have a lot of faith in our Constitution and the Censor Board and we are happy and eager to show this film to the world...I had no idea that I would have to go through all of this while making my film Emergency..."
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#WATCH | Mumbai: On her film Emergency, actress Kangana Ranaut says "There was a lot of struggle. You must have seen no one could ever make a film on Mrs Gandhi (Indira Gandhi)...There was a film 'Kissa Kursi Ka', Director of that film had to commit suicide and such a situation was created for him. We got the courage to do this film because there is freedom of speech today. We had to show this film to several communities. This film had to go through a lot of scrutiny. We have a lot of faith in our Constitution and the Censor Board and we are happy and eager to show this film to the world...I had no idea that I would have to go through all of this while making my film Emergency..."

ANI

72,526 просмотров • 1 год назад

Sexy Beast is constantly rotating in & out of my Letterboxd 4 & I really feel an obligation to post about this film frequently because more people need to see this movie. Jonathan Glazer directed the living hell out of this film. An all-time crime thriller if you ask me. See it!
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Sexy Beast is constantly rotating in & out of my Letterboxd 4 & I really feel an obligation to post about this film frequently because more people need to see this movie. Jonathan Glazer directed the living hell out of this film. An all-time crime thriller if you ask me. See it!

Cinema Tweets

81,876 просмотров • 3 месяцев назад

On this day, 66 years ago, Ingmar Bergman's "The Virgin Spring" (1960) was released in Sweden. Ingmar Bergman explaining why he thought "The Virgin Spring" (1960) wasn't a good film: "I want to make it quite plain that 'The Virgin Spring' (1960) must be regarded as an aberration. It's touristic, a lousy imitation of Kurosawa. At the time I'd thought it a good film, one hell of a fine film! I considered it one of my best films. Only much later did I discover it was all exterior scenery and no inner content. It was a washout."
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On this day, 66 years ago, Ingmar Bergman's "The Virgin Spring" (1960) was released in Sweden. Ingmar Bergman explaining why he thought "The Virgin Spring" (1960) wasn't a good film: "I want to make it quite plain that 'The Virgin Spring' (1960) must be regarded as an aberration. It's touristic, a lousy imitation of Kurosawa. At the time I'd thought it a good film, one hell of a fine film! I considered it one of my best films. Only much later did I discover it was all exterior scenery and no inner content. It was a washout."

DepressedBergman

113,706 просмотров • 6 месяцев назад

RIP Sam Neill (1947-2026) Sam Neill on why "The Piano" (1993) is an important movie in Cinema history: "I don’t think I can overestimate how important 'The Piano' (1993) is for me in hindsight. It sits on my funny old CV like a medal on my chest. It wasn’t my film. It was Jane Campion's. I wasn’t the star of the film. That was Holly Hunter. But there is honour to be found in the second fiddle. Or fourth. No one notices you much, you don’t get nominated for things. But you served. I was there in an important feminist film. I was there on the front line in an important New Zealand film. Neither of these labels does the film justice. It’s a work of art. And look, that tiny little figure in the fabric— see down there on the right—that’s me. It’s a film that will always have a place in cinema history. And I served in it." ("Did I Ever Tell You This: A Memoir", Sam Neill, 2023)
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RIP Sam Neill (1947-2026) Sam Neill on why "The Piano" (1993) is an important movie in Cinema history: "I don’t think I can overestimate how important 'The Piano' (1993) is for me in hindsight. It sits on my funny old CV like a medal on my chest. It wasn’t my film. It was Jane Campion's. I wasn’t the star of the film. That was Holly Hunter. But there is honour to be found in the second fiddle. Or fourth. No one notices you much, you don’t get nominated for things. But you served. I was there in an important feminist film. I was there on the front line in an important New Zealand film. Neither of these labels does the film justice. It’s a work of art. And look, that tiny little figure in the fabric— see down there on the right—that’s me. It’s a film that will always have a place in cinema history. And I served in it." ("Did I Ever Tell You This: A Memoir", Sam Neill, 2023)

DepressedBergman

338,175 просмотров • 28 дней назад

I know you'll be just as moved by Anuja as I was… I am and beyond thrilled to share that it's coming to Netflix on Feb 5! The film has been nominated for an Academy Award for Best Live Action Short Film. Watching Sajda and Ananya bring this powerful tale to life is an experience. Their performances are raw, honest, and utterly captivating. Anuja is more than just a film - it's a testament to the unbreakable bonds of sisterhood, the resilience of the human spirit, and the hope that carries us through even the darkest times. Don't miss it!" #AnujaTheFilm #AdamJGraves SuchitraMattaiArt #KrushanNaik Mindy Kaling Guneet Singh #Anitabhatia #michaelchristophergraves Shine Global London Flair PR Product of Culture #salaambaalaktrust Netflix India
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I know you'll be just as moved by Anuja as I was… I am and beyond thrilled to share that it's coming to Netflix on Feb 5! The film has been nominated for an Academy Award for Best Live Action Short Film. Watching Sajda and Ananya bring this powerful tale to life is an experience. Their performances are raw, honest, and utterly captivating. Anuja is more than just a film - it's a testament to the unbreakable bonds of sisterhood, the resilience of the human spirit, and the hope that carries us through even the darkest times. Don't miss it!" #AnujaTheFilm #AdamJGraves SuchitraMattaiArt #KrushanNaik Mindy Kaling Guneet Singh #Anitabhatia #michaelchristophergraves Shine Global London Flair PR Product of Culture #salaambaalaktrust Netflix India

PRIYANKA

245,734 просмотров • 1 год назад

The Blue Lagoon (1980) was filmed on Fiji’s remote Nanuya Levu, with the crew living in basic conditions. The film unknowingly made a scientific breakthrough: a species of iguana seen throughout the movie was actually unknown to biologists at the time. After seeing the film, herpetologist John Gibbons traveled to the island and officially identified the “Fiji Crested Iguana” in 1981.
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The Blue Lagoon (1980) was filmed on Fiji’s remote Nanuya Levu, with the crew living in basic conditions. The film unknowingly made a scientific breakthrough: a species of iguana seen throughout the movie was actually unknown to biologists at the time. After seeing the film, herpetologist John Gibbons traveled to the island and officially identified the “Fiji Crested Iguana” in 1981.

Movie Moments Analyst

76,049 просмотров • 5 месяцев назад

Ingmar Bergman talks about the drawbacks of using amateur/non-professional actors in movies: "Bergman: As long as something unambiguous is required of someone in a film, an amateur will do. But the moment something complex has to be expressed, an amateur is no use. Actors are trained to express complexities. Interviewer: Are you saying, categorically, that an amateur is incapable of expressing anything complex. Bergman: Yes, I am. You may be able to do it with the help of an amateur; but you can never get an amateur, on his own, to express something complex. This can be seen very clearly in the film I like more than any other, and which I suppose I must have seen a hundred times: De Sica’s 'Umberto D' (1952). There he uses the old professor— who was an amateur— admittedly with a dubbed voice, the voice of a professional actor. One sees clearly how situations arose when De Sica wanted him to express certain things— and it's more than he can manage. That's why the film becomes flat and slack in a few places, particularly at the end. I don’t think one could find a single instance of someone having got an amateur to express something complex. It’s simply beyond them. The moment I find I’m out of rapport with someone who’s got to do something in front of the camera, I’m utterly lost. The whole situation becomes idiotic. If I get an actor— and it has happened — who becomes petrified in front of the camera, falls into a cramp, can't remember what he's got to do, or panics for some other reason, the whole film becomes extraordinarily hard to clear up." ('Bergman on Bergman', Stig Björkman, Torsten Manns, Jonas Sima, translated by Paul Britten Austin, 1973) Clip from: Umberto D. (1952) Director: Vittorio De Sica
1:07

Ingmar Bergman talks about the drawbacks of using amateur/non-professional actors in movies: "Bergman: As long as something unambiguous is required of someone in a film, an amateur will do. But the moment something complex has to be expressed, an amateur is no use. Actors are trained to express complexities. Interviewer: Are you saying, categorically, that an amateur is incapable of expressing anything complex. Bergman: Yes, I am. You may be able to do it with the help of an amateur; but you can never get an amateur, on his own, to express something complex. This can be seen very clearly in the film I like more than any other, and which I suppose I must have seen a hundred times: De Sica’s 'Umberto D' (1952). There he uses the old professor— who was an amateur— admittedly with a dubbed voice, the voice of a professional actor. One sees clearly how situations arose when De Sica wanted him to express certain things— and it's more than he can manage. That's why the film becomes flat and slack in a few places, particularly at the end. I don’t think one could find a single instance of someone having got an amateur to express something complex. It’s simply beyond them. The moment I find I’m out of rapport with someone who’s got to do something in front of the camera, I’m utterly lost. The whole situation becomes idiotic. If I get an actor— and it has happened — who becomes petrified in front of the camera, falls into a cramp, can't remember what he's got to do, or panics for some other reason, the whole film becomes extraordinarily hard to clear up." ('Bergman on Bergman', Stig Björkman, Torsten Manns, Jonas Sima, translated by Paul Britten Austin, 1973) Clip from: Umberto D. (1952) Director: Vittorio De Sica

DepressedBergman

28,017 просмотров • 4 месяцев назад

.venkat prabhu: It’s very difficult to direct a commercial film. I thank Vijay sir, AGS & the whole team. I just narrated an idea and Vijay sir loved it & they immediately announced it. HIGHEST COLLECTION FOR AN INDIAN FILM IN 🇲🇾 IS THE GREATEST OF ALL TIME.🔥
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.venkat prabhu: It’s very difficult to direct a commercial film. I thank Vijay sir, AGS & the whole team. I just narrated an idea and Vijay sir loved it & they immediately announced it. HIGHEST COLLECTION FOR AN INDIAN FILM IN 🇲🇾 IS THE GREATEST OF ALL TIME.🔥

KARTHIK DP

97,127 просмотров • 6 месяцев назад

I was asked to make an opening AI film for the UP Summit, and with a slogan like “hell yeah!” I couldn’t resist going all in. #runway #aifilm #MidjourneyAI
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I was asked to make an opening AI film for the UP Summit, and with a slogan like “hell yeah!” I couldn’t resist going all in. #runway #aifilm #MidjourneyAI

S H U E T I

65,718 просмотров • 1 год назад

"It's an important conversation. We gotta have it." Just finished a Zoom interview with David Dastmalchian for LATE NIGHT WITH THE DEVIL. Asked him about the use of the 3 AI images in the film. Filming was a couple years ago. Premiered at SXSW in 2023. All prior to the strike.
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"It's an important conversation. We gotta have it." Just finished a Zoom interview with David Dastmalchian for LATE NIGHT WITH THE DEVIL. Asked him about the use of the 3 AI images in the film. Filming was a couple years ago. Premiered at SXSW in 2023. All prior to the strike.

Kevin McCarthy

1,479,291 просмотров • 2 лет назад

"Before I talk about the fluff and loveliness of our wonderful film, what's about to happen in Gaza is indefensible, the international community must do more to bring it to an end" Hugh Bonneville Presenter "Of course it's not about the politics, it's all about the film" #Gaza
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"Before I talk about the fluff and loveliness of our wonderful film, what's about to happen in Gaza is indefensible, the international community must do more to bring it to an end" Hugh Bonneville Presenter "Of course it's not about the politics, it's all about the film" #Gaza

Fintan McCarthy

195,146 просмотров • 11 месяцев назад

Edgar Wright explains why he watches "Raising Arizona" (1987) every time before making a new movie: "When I first saw "Raising Arizona" (1987) as a teenager, I watched it immediately again afterwards. I just couldn't quite believe that a comedy could be that stylish and that dense in terms of its visuals and in terms of its dialogue. So funny in so many different ways. I mean, I just think that film is a miracle. It's always a film that I look to when I'm about to make a movie. And certainly it was a movie that me and Simon Pegg talked a lot about before we made 'Shaun of the De@d' (2004). Even though it's not a horror film, there's a lot of things in that film in terms of the pace and the drive, the really inspired Shaun. [Like] the use of callbacks within the script. So, that movie is a huge inspiration to me." ("Four Favorites with Edgar Wright", Letterboxd, 2024)
1:10

Edgar Wright explains why he watches "Raising Arizona" (1987) every time before making a new movie: "When I first saw "Raising Arizona" (1987) as a teenager, I watched it immediately again afterwards. I just couldn't quite believe that a comedy could be that stylish and that dense in terms of its visuals and in terms of its dialogue. So funny in so many different ways. I mean, I just think that film is a miracle. It's always a film that I look to when I'm about to make a movie. And certainly it was a movie that me and Simon Pegg talked a lot about before we made 'Shaun of the De@d' (2004). Even though it's not a horror film, there's a lot of things in that film in terms of the pace and the drive, the really inspired Shaun. [Like] the use of callbacks within the script. So, that movie is a huge inspiration to me." ("Four Favorites with Edgar Wright", Letterboxd, 2024)

DepressedBergman

287,731 просмотров • 12 дней назад

War Of The Worlds came out during my early 20’s contrarian film snob phase, so I wrote it off as mid for a lot longer than I should have This is one of the best monster reveals in film history. It’s an absolute masterclass in building tension into terror.
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War Of The Worlds came out during my early 20’s contrarian film snob phase, so I wrote it off as mid for a lot longer than I should have This is one of the best monster reveals in film history. It’s an absolute masterclass in building tension into terror.

Miss Gender

698,659 просмотров • 1 год назад

"I have to say [my favourite film is] 'The Wizard of Oz' (1939). I saw it about ten times when I was little, because it was the only film my parents allowed me to see as a kid. I just love the magic of it." --- Heath Ledger
2:12

"I have to say [my favourite film is] 'The Wizard of Oz' (1939). I saw it about ten times when I was little, because it was the only film my parents allowed me to see as a kid. I just love the magic of it." --- Heath Ledger

DepressedBergman

28,248 просмотров • 6 месяцев назад