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Environment Artist muyu木鱼 successfully transforms an initial concept into the breathtaking Mountain stream path in Unreal Engine 5, using primarily Megascans assets. 💚 See the full project breakdown:

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Quixel

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15,725 görüntüleme • 11 ay önce •via X (Twitter)

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Stuck in Roots by Lighting Artist Karim Yasser is an environment made using Unreal Engine 5.5.1 which takes us deep into the woods 🌳 The creation of this project is rooted in Quixel Megascans assets, unique meshes made with Unreal's modelling tools, Lumen and Nanite. Through these tools, Karim was able to approach the project like a canvas to create a more stylized look with higher quality lighting on.
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Stuck in Roots by Lighting Artist Karim Yasser is an environment made using Unreal Engine 5.5.1 which takes us deep into the woods 🌳 The creation of this project is rooted in Quixel Megascans assets, unique meshes made with Unreal's modelling tools, Lumen and Nanite. Through these tools, Karim was able to approach the project like a canvas to create a more stylized look with higher quality lighting on.

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The dark forest Unreal Engine 5.2 Lumen Nanite Lighting HDR+Directional Light and volumetric fog. The terrain and path was created inside Unreal using sculpt tool and insert Quixel megascans assets and brushed trees from Biome Conifer, creepy trees created with Speedtree. More details 👇 #ue4 #ue5 #gameplay #realism #forest #UnrealEngine5 #lumen #horror #UnrealEngine #quixel #environment #forest #village #realtime #pbl #3d #videogames #videogame #megascans #forestpath #sky #cloudy #rtx4090 #nvidia #lake #overcast Unreal Engine Quixel SpeedTree 80 LEVEL
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The dark forest Unreal Engine 5.2 Lumen Nanite Lighting HDR+Directional Light and volumetric fog. The terrain and path was created inside Unreal using sculpt tool and insert Quixel megascans assets and brushed trees from Biome Conifer, creepy trees created with Speedtree. More details 👇 #ue4 #ue5 #gameplay #realism #forest #UnrealEngine5 #lumen #horror #UnrealEngine #quixel #environment #forest #village #realtime #pbl #3d #videogames #videogame #megascans #forestpath #sky #cloudy #rtx4090 #nvidia #lake #overcast Unreal Engine Quixel SpeedTree 80 LEVEL

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Testing new update with Sky Creator plugin with my forest scene New features have wind myst and blizzard settings Unreal Engine 5.2 #Lumen #Nanite #Quixel The terrain and path was created inside Unreal using sculp tool and insert Quixel megascans assets and brushed trees from Mawi Running on RTX4090 More details of project on Artstation 👇 Gameplay 4k Youtube 👇 #ue5 #ingame #realism #photoreal #forest #UnrealEngine5 #UnrealEngine #quixel #environment #forest #village #realtime #pbl #3d #ingame #videogames #videogame #megascans #forestpath #sky #cloudy #rtx4090 #nvidia #skycreator #WINTER #snow #blizzard #cold Unreal Engine Quixel 80 LEVEL ArtStation.com
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Testing new update with Sky Creator plugin with my forest scene New features have wind myst and blizzard settings Unreal Engine 5.2 #Lumen #Nanite #Quixel The terrain and path was created inside Unreal using sculp tool and insert Quixel megascans assets and brushed trees from Mawi Running on RTX4090 More details of project on Artstation 👇 Gameplay 4k Youtube 👇 #ue5 #ingame #realism #photoreal #forest #UnrealEngine5 #UnrealEngine #quixel #environment #forest #village #realtime #pbl #3d #ingame #videogames #videogame #megascans #forestpath #sky #cloudy #rtx4090 #nvidia #skycreator #WINTER #snow #blizzard #cold Unreal Engine Quixel 80 LEVEL ArtStation.com

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Marco Amati, an Unreal Engine VFX Compositor, shares a powerful R&D project focused on combining Gaea terrain masks with procedural logic for asset placement. See how he makes the procedural feel art-directed, driven by Quixel Megascans assets.
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Marco Amati, an Unreal Engine VFX Compositor, shares a powerful R&D project focused on combining Gaea terrain masks with procedural logic for asset placement. See how he makes the procedural feel art-directed, driven by Quixel Megascans assets.

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15,917 görüntüleme • 11 ay önce

Mountain Shrine by Environment Artist David Szieber is a serene Japanese mountain shrine environment built in Unreal Engine and Substance 3D Designer and is a personal tribute to traditional architecture. The project is a great reference for structure detailing, natural composition, and the use of warm lighting to build peaceful exploration spaces. "I was very pleased with the material layering system in Unreal as it helped me keep a very consistent look for my meshes throughout my project using only a small material library." - David Szieber
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Mountain Shrine by Environment Artist David Szieber is a serene Japanese mountain shrine environment built in Unreal Engine and Substance 3D Designer and is a personal tribute to traditional architecture. The project is a great reference for structure detailing, natural composition, and the use of warm lighting to build peaceful exploration spaces. "I was very pleased with the material layering system in Unreal as it helped me keep a very consistent look for my meshes throughout my project using only a small material library." - David Szieber

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The Seaside Sprout by Digital 3D Artist Travis Sindewald is a personal project inspired by the background images that usually accompany LoFi streams. The project used an Unreal Engine water plugin to help complete the calming coastal elements. "I set out to build a place that feels cozy and quiet, like something you’d see in a LoFi stream. At the same time, I challenged myself to blend a more painterly style with realistic lighting and materials. I mainly used Blender and Substance Designer while the water is using Unreal Engine 5 water plugin." - Travis Sindewald
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The Seaside Sprout by Digital 3D Artist Travis Sindewald is a personal project inspired by the background images that usually accompany LoFi streams. The project used an Unreal Engine water plugin to help complete the calming coastal elements. "I set out to build a place that feels cozy and quiet, like something you’d see in a LoFi stream. At the same time, I challenged myself to blend a more painterly style with realistic lighting and materials. I mainly used Blender and Substance Designer while the water is using Unreal Engine 5 water plugin." - Travis Sindewald

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This Roman Real-Time Environment is a project by Junior 3D Artist Davide Maddalo for presentation in Unreal Engine 5. Modelled mainly in Maya, the project was a practice in exploring the full real-time pipeline with a focus on how all aspects, from assets to lighting, work together. "One feature I found particularly useful while working on this environment was tri-planar mapping. I learned how it can help project textures consistently across surfaces without relying entirely on traditional UV mapping, which was especially useful for creating more flexible and natural-looking materials within the environment." - Davide Maddalo
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This Roman Real-Time Environment is a project by Junior 3D Artist Davide Maddalo for presentation in Unreal Engine 5. Modelled mainly in Maya, the project was a practice in exploring the full real-time pipeline with a focus on how all aspects, from assets to lighting, work together. "One feature I found particularly useful while working on this environment was tri-planar mapping. I learned how it can help project textures consistently across surfaces without relying entirely on traditional UV mapping, which was especially useful for creating more flexible and natural-looking materials within the environment." - Davide Maddalo

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Unreal Engine 5 helped solo dev Matt Newell create the photography-themed game Lushfoil Photography Sim 📷 Using Megascans, Distance fields, Contact Shadows and Virtual Textures, Newell was able to create an experience that rewards curiosity and allows for the capture of stunning photos in beautifully crafted environments:
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Unreal Engine 5 helped solo dev Matt Newell create the photography-themed game Lushfoil Photography Sim 📷 Using Megascans, Distance fields, Contact Shadows and Virtual Textures, Newell was able to create an experience that rewards curiosity and allows for the capture of stunning photos in beautifully crafted environments:

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One of our favourite things about this project, The Enigmatic Valley from 3D Environment Artist Abanob Atef, is how much joy he expressed in creating it 🏔️ Using the project as a means to try out new techniques, Abanob worked with everything from Megascans to custom shaders and Lumen. You can dig into the specifics over on his ArtStation:
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One of our favourite things about this project, The Enigmatic Valley from 3D Environment Artist Abanob Atef, is how much joy he expressed in creating it 🏔️ Using the project as a means to try out new techniques, Abanob worked with everything from Megascans to custom shaders and Lumen. You can dig into the specifics over on his ArtStation:

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The conveyance of emotion through dance was paramount in Ronin 161's Unreal Engine 5 short film La Dernière Danse 💃 The team utilized MetaHuman, Megascans, Motion Capture and more with UE to give the motion, characterization and gravity the piece needed. You can get a full behind the scenes on the project here:

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Jolan Huijskes explored the custom Blender and Unreal Engine 5 tools he developed for large-scale game environments, using them to build a fully playable world inspired by Saros. "This fan art project is an exploration of how environment art tools can be used to create large-scale levels for games with maximum control for Level Artists. I focused on tool development, composition, and art direction. In this article, I will explore how and why I developed these tools for my fan art project: Blender Fracture Generation (a tool to be released for free soon), Unreal Engine Array Tool, Unreal Engine Fracturing Tool, Unreal Engine PCG Scattering with Artist Control." Read the interview:
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Jolan Huijskes explored the custom Blender and Unreal Engine 5 tools he developed for large-scale game environments, using them to build a fully playable world inspired by Saros. "This fan art project is an exploration of how environment art tools can be used to create large-scale levels for games with maximum control for Level Artists. I focused on tool development, composition, and art direction. In this article, I will explore how and why I developed these tools for my fan art project: Blender Fracture Generation (a tool to be released for free soon), Unreal Engine Array Tool, Unreal Engine Fracturing Tool, Unreal Engine PCG Scattering with Artist Control." Read the interview:

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From green screen to Unreal Engine, VFX Artist Dean Yurke - Unreal Engine and VFX Filmmaking shares his secrets to master camera tracking. Learn how to to create an FBX camera track and EXR extraction in Fusion and then import into Unreal Engine 5’s sequencer for DIY Virtual Production - perfect for indie filmmakers and VFX artists! Watch the full video: #UnrealEngine #VirtualProduction #CameraTracking

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Last Yard by Environment Artist Tony Vo is their final project for their mentorship term at Think Tank Online 🚌 Over 4 months, Tony worked in Unreal Engine 5 on the project, which is based on concept art by Huihui Chen. One handy tip that Tony learned that saved time throughout development was to use Ctrl+B on any selected actor to instantly locate it within the content browser.
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Last Yard by Environment Artist Tony Vo is their final project for their mentorship term at Think Tank Online 🚌 Over 4 months, Tony worked in Unreal Engine 5 on the project, which is based on concept art by Huihui Chen. One handy tip that Tony learned that saved time throughout development was to use Ctrl+B on any selected actor to instantly locate it within the content browser.

Unreal Engine

14,487 görüntüleme • 1 yıl önce

Three Ghosts (🎧) This project started as a design exploration and I ended up exploring the environment myself (virtually) in Unreal Engine 5 as a metahuman. Head over my Youtube or Artstation to see more details and 4k! Links in bio.
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Three Ghosts (🎧) This project started as a design exploration and I ended up exploring the environment myself (virtually) in Unreal Engine 5 as a metahuman. Head over my Youtube or Artstation to see more details and 4k! Links in bio.

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🏆 Best of Term – Environment | Interior (Fall 2025) Gnomon Certificate in Digital Production student Chiao Lu created this photorealistic, modular game environment. She was inspired by rural mountain towns and local general stores in her home, Taiwan. This project taught Chiao how to set dress an environment & tell a story with a limited number of props. She also learned how to generate procedural assets with Houdini and Unreal Blueprints, which helped make the piece feel more lived in and organic. Congratulations, Chiao! Gnomon Course: Demo Reel 1 Instructors: Anton Napierala, Gabriel Cervantes Software: Autodesk Maya, Unreal Engine, Adobe Substance 3D Designer/Painter, SideFX Houdini, SpeedTree Concept: Original

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