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Eric Bischoff explained the Crow Sting storyline: "What I'm going to say in a long-winded way is that there was some pre-planning on this and a little bit of long-term planning "We knew we were going with this story once we embraced the idea of the nWo Sting. We...

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On This Day in WWE

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27,340 次观看 • 9 天前 •via X (Twitter)

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On This Day in WWE 的头像
On This Day in WWE9 天前

#OnThisDayInWWE 30 years ago at Fall Brawl '96: "That...!" "That is Sting!" "He was telling the truth!" But is that good enough for you, Lex Luger?

On This Day in WWE 的头像
On This Day in WWE9 天前

@HeyHeyItsConrad @Sting @GenuineLexLuger And in real life, Steve Borden was battling with the dark side Sting was struggling with a painkiller addiction and insomnia - an issue he couldn't overcome until 1998 when he broke down to his wife and confessed He's been sober since 💪

Singapore 的头像
Singapore9 天前

@EBischoff @HeyHeyItsConrad @Sting @GenuineLexLuger I wasn't sure if it was the real Sting until we saw the elevation of the Stinger Splashes

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Eric Bischoff said of this Sting promo, from #OnThisDayInWWE 30 years ago: "This is the downside sometimes of having unscripted promos... He was in the middle of his promo and he just got lost and was looking for any reason to bail. And that was the most convenient one "In this context, I think maybe one of the reasons saying he was struggling is because he was walking a very fine line, even in 1996. I mean, this whole thing had a very homophobic vibe to it "It's also an example of an interview that you would never hear today" 📺YouTube/83 Weeks with Eric Bischoff
1:33

Eric Bischoff said of this Sting promo, from #OnThisDayInWWE 30 years ago: "This is the downside sometimes of having unscripted promos... He was in the middle of his promo and he just got lost and was looking for any reason to bail. And that was the most convenient one "In this context, I think maybe one of the reasons saying he was struggling is because he was walking a very fine line, even in 1996. I mean, this whole thing had a very homophobic vibe to it "It's also an example of an interview that you would never hear today" 📺YouTube/83 Weeks with Eric Bischoff

On This Day in WWE

26,517 次观看 • 3 个月前

“The idea was, when he (Vincent D'Onofrio) decides to reveal himself they did a special version of his makeup that was very stretchable. What he does is he grabs the back of his head and he just starts tugging on it. The idea was he would pull it as far as he could, and then we would take over stretching the image, making it appear to be distorting in a way that it physically couldn’t. Then basically when I shot Vince I just kept urging him to pull harder, and harder, and harder until finally the final take he just pulled it until the makeup just ripped. We said, ‘Okay, we got it.’ That’s what’s in the show because it’s really tugging on his face the maximum it could be done, and then we just extended that. Helped by a little bit of editing we were able to put a ridiculously large CG creature inside of a human sized body, and we’re not seeing it all at one time, you kind of get away with the fact that, well maybe he was in there he was just hunched up.” – Eric Brevig, Men In Black visual effects supervisor.
0:26

“The idea was, when he (Vincent D'Onofrio) decides to reveal himself they did a special version of his makeup that was very stretchable. What he does is he grabs the back of his head and he just starts tugging on it. The idea was he would pull it as far as he could, and then we would take over stretching the image, making it appear to be distorting in a way that it physically couldn’t. Then basically when I shot Vince I just kept urging him to pull harder, and harder, and harder until finally the final take he just pulled it until the makeup just ripped. We said, ‘Okay, we got it.’ That’s what’s in the show because it’s really tugging on his face the maximum it could be done, and then we just extended that. Helped by a little bit of editing we were able to put a ridiculously large CG creature inside of a human sized body, and we’re not seeing it all at one time, you kind of get away with the fact that, well maybe he was in there he was just hunched up.” – Eric Brevig, Men In Black visual effects supervisor.

Horror4Kids

266,519 次观看 • 2 年前

Chris Finch on maximizing the roster and Anthony Edwards “I think we learned that like all star players they’re going to have the ball in their hands a lot, but he needs help that we can’t just burden him with having to make decisions and create for everybody else as well as himself. I think he can do that much better from the on-ball spot while still have some primary ballhandling responsibilities. The ball’s going to be in his hands. If you look at offense in the league right now, the natural point guard isn’t there. Many teams don’t have one. So their best players have the ball and initiate offense in some way. Ant’s a hard-wired scorer. That’s what he does. That’s what he does best, and we need to be able to set him up better. And I think his 3-point volume was down because we weren’t able to kind of get him off the ball in situations where he could benefit from what was going on in the offense, et cetera. And likewise, his kick-out rate was down because he was trying to score almost every single time he got to the paint, and we needed those kickouts. So it was a little bit of a yin and a yang from there. That’s one thing we learned about him throughout this season. We just need much toughness and connective tissue. That’s what you’re going to hear me say all summer, and that’s kind of going to help everybody.”
1:46

Chris Finch on maximizing the roster and Anthony Edwards “I think we learned that like all star players they’re going to have the ball in their hands a lot, but he needs help that we can’t just burden him with having to make decisions and create for everybody else as well as himself. I think he can do that much better from the on-ball spot while still have some primary ballhandling responsibilities. The ball’s going to be in his hands. If you look at offense in the league right now, the natural point guard isn’t there. Many teams don’t have one. So their best players have the ball and initiate offense in some way. Ant’s a hard-wired scorer. That’s what he does. That’s what he does best, and we need to be able to set him up better. And I think his 3-point volume was down because we weren’t able to kind of get him off the ball in situations where he could benefit from what was going on in the offense, et cetera. And likewise, his kick-out rate was down because he was trying to score almost every single time he got to the paint, and we needed those kickouts. So it was a little bit of a yin and a yang from there. That’s one thing we learned about him throughout this season. We just need much toughness and connective tissue. That’s what you’re going to hear me say all summer, and that’s kind of going to help everybody.”

Andrew Dukowitz

26,163 次观看 • 4 个月前

Julius Erving talking about playing with Charles Barkley: “I kept seeing his upside. He was hard-headed. He had something to say about everything. If he didn’t play as good as he can and well as he was capable of playing or whatever, then some of the things he did wouldn’t be tolerated. But they were tolerated because, you know, he was exceptional, man. He could rebound it, take it coast to coast, make play. And for his height to rebound the way that he did, it was incredible. It was kind of disruptive because we had won the championship the year before he got there. Then the year that he got there. We had to make room for him and he almost killed Marc Iavaroni cuz he was playing the four, Charles was like that’s my spot right there. This going back to violence in the game because the next man up. Me and you man. He get Iavaroni at his back. He back him all the way out to the top of the key” (Via All the Smoke)
1:24

Julius Erving talking about playing with Charles Barkley: “I kept seeing his upside. He was hard-headed. He had something to say about everything. If he didn’t play as good as he can and well as he was capable of playing or whatever, then some of the things he did wouldn’t be tolerated. But they were tolerated because, you know, he was exceptional, man. He could rebound it, take it coast to coast, make play. And for his height to rebound the way that he did, it was incredible. It was kind of disruptive because we had won the championship the year before he got there. Then the year that he got there. We had to make room for him and he almost killed Marc Iavaroni cuz he was playing the four, Charles was like that’s my spot right there. This going back to violence in the game because the next man up. Me and you man. He get Iavaroni at his back. He back him all the way out to the top of the key” (Via All the Smoke)

NBA Courtside

38,407 次观看 • 7 个月前

U.S. Brid. Gen Mark Kimmitt explains catastrophic US YPG policy fiasco in Syria: „We told the Turks and our policy that this relationship with the PKK with the YPG was going to be temporary. It was going to be transactional and it was going to be tactical. That was the American policy that time expressed numerous times. It didn't mean that we were long-term allies to the YPG. It meant that we had a specific purpose, for a specific time and at the end of that we were going to break apart.“
3:16

U.S. Brid. Gen Mark Kimmitt explains catastrophic US YPG policy fiasco in Syria: „We told the Turks and our policy that this relationship with the PKK with the YPG was going to be temporary. It was going to be transactional and it was going to be tactical. That was the American policy that time expressed numerous times. It didn't mean that we were long-term allies to the YPG. It meant that we had a specific purpose, for a specific time and at the end of that we were going to break apart.“

Hamparsum Hampikyan

185,153 次观看 • 2 年前

Orange Cassidy reveals that his brutal kicks spot with Sting wasn't rehearsed, that they just went for it: “I didn't tell Sting anything, and Sting just did it. He made our locker room better. He was a great leader, and for him to play with me was an honor. I didn't tell him to do anything. He's the one who did it. Blame him. Blame him for that.” (via Adam Barnard of The Sportster)
0:41

Orange Cassidy reveals that his brutal kicks spot with Sting wasn't rehearsed, that they just went for it: “I didn't tell Sting anything, and Sting just did it. He made our locker room better. He was a great leader, and for him to play with me was an honor. I didn't tell him to do anything. He's the one who did it. Blame him. Blame him for that.” (via Adam Barnard of The Sportster)

Drainmaker

442,959 次观看 • 11 个月前

Arteta on Lewis-Skelly: “I've been tough on him. He had a spectacular season last year when he jumped into the first team. He had some difficult moments after that, but he stayed very humble, very focused, aligned when we wanted to do and I knew he was ready. “He's been showing in training every day the opportunities that he had to play, he's done it and today he really stepped up and I thought he had an incredible performance. Reporter: What was the sort of thinking behind that and why do you think it's taken this long to play him there? Arteta: “Because probably I don't have a clue. Maybe I should have done it earlier, I don't know. But I have to do things when I believe that the player is ready, the team is ready and the opponent is the right one to play with him in that position. “We've done it today, it's the first time, it was a big risk because I knew what was going to happen. If it works, it's great. would have lost the game, what would have happened, how do you play a kid at this age in this scenario in a position he hasn't played all season. I knew that but I had the feeling it was the right game for him.”
1:09

Arteta on Lewis-Skelly: “I've been tough on him. He had a spectacular season last year when he jumped into the first team. He had some difficult moments after that, but he stayed very humble, very focused, aligned when we wanted to do and I knew he was ready. “He's been showing in training every day the opportunities that he had to play, he's done it and today he really stepped up and I thought he had an incredible performance. Reporter: What was the sort of thinking behind that and why do you think it's taken this long to play him there? Arteta: “Because probably I don't have a clue. Maybe I should have done it earlier, I don't know. But I have to do things when I believe that the player is ready, the team is ready and the opponent is the right one to play with him in that position. “We've done it today, it's the first time, it was a big risk because I knew what was going to happen. If it works, it's great. would have lost the game, what would have happened, how do you play a kid at this age in this scenario in a position he hasn't played all season. I knew that but I had the feeling it was the right game for him.”

Connor Humm

384,904 次观看 • 4 个月前

JD Vance gave his perspective on what happened with Zelenskyy on Friday: "For the first 25 or 30 minutes he tried to bend over backwards to be gracious and kind to Zelenskyy." "Even when he was needling him and saying things that I thought were untrue. The president tried to be diplomatic. That’s his natural instinct in that situation." Then when it really went off the rails is when I asked – a Polish journalist had asked a question... Something about my answer set him off. He came at me and than I went back at him and what I tried to do originally was try to defuse the situation a little bit." "We are having this meeting, there are 100 television cameras here. Let’s try to have this conversation private. Than the president as we kept on going back and forth, I tried again to say maybe we should have this conversation in private and the president was like actually I don’t want to have it in private anymore. I want to have this conversation for the American people to see. I think there was a certain sense of there was a lack of respect. A sense of entitlement."
2:26

JD Vance gave his perspective on what happened with Zelenskyy on Friday: "For the first 25 or 30 minutes he tried to bend over backwards to be gracious and kind to Zelenskyy." "Even when he was needling him and saying things that I thought were untrue. The president tried to be diplomatic. That’s his natural instinct in that situation." Then when it really went off the rails is when I asked – a Polish journalist had asked a question... Something about my answer set him off. He came at me and than I went back at him and what I tried to do originally was try to defuse the situation a little bit." "We are having this meeting, there are 100 television cameras here. Let’s try to have this conversation private. Than the president as we kept on going back and forth, I tried again to say maybe we should have this conversation in private and the president was like actually I don’t want to have it in private anymore. I want to have this conversation for the American people to see. I think there was a certain sense of there was a lack of respect. A sense of entitlement."

Gunther Eagleman™

857,997 次观看 • 1 年前

.DHH credits Marc Andreessen Marc Andreessen 🇺🇸 with helping him the most during the darkest time of his professional life: "It was during that rough going where Andreessen came in. We were a small company of 60 people and 20 took the offer and left. That's almost a third of the company that decided to leave and we got to a point where we were thinking that not many more have to leave before we need to worry about whether we can keep the lights on. And it was actually Tobi who then put me in contact with Marc Andreessen because Marc had been exposed to this phenomenon at some of his portfolio companies. And Marc gave us reassurance and a bunch of contacts. Marc said, "Do you need someone to come in to help do programming or help with operations or whatever?" And I was floored by the generosity because Marc and I haven't always seen eye to eye on things. Especially in terms of venture capital. He's been one of the main faces of venture capital for decades and I've been kind of critical at times. And it was just a realization that all those grievances we might have thought to be so big once upon a time were actually minuscule. We were fighting the white walkers on the other side of the wall and all our internal squabbles were going to be for nothing if those f*ckers got inside the wall and destroyed everything. And that felt like a real threat at the time. That could've happened. They could very well have just ripped the whole thing apart. And Marc clearly saw that that this was a collective, almost existential threat to the entire industry. If these activists were able to take over these institutions in the same way that they have taken over academia we would be f*cked and not just for a little while but potentially for decades. That couldn't stand. And Marc was incredibly helpful not just in terms of these contacts and introductions and so on but it was very powerful. When you have literally 40,000 people on Twitter calling you all the worst things in the world even the strongest individual might go for a second like "Holy sh*t. The mob is coming for me and there's no one else there." And there are other people there. Tobi was there. Marc was there. And it was incredibly helpful to give us the fortitude to go like "No do you know what? We're going to stick with it. We're not going to grovel. We're not going to apologize. We're not going to revert." And then what Marc also did was he gave me a syllabus for understanding the history of wokeness going all the way back to the '60s and beyond. That this didn't just come as lightning from a blue sky. This had an institutional grounding that was set in motion particularly in the '60s and the long march through the institutions, Herbert Marcuse and a lot of The Frankfurt School and all of these groups that had designs on how to reshape society and create the revolution they so dearly wanted, but with a timeline and a roadmap that was demarcated in decades. That it wasn't just like "Well we're going to put something together and then in two years something's going to happen." No they were sitting in the fucking '60s fantasizing about how to overthrow everything in the 2000s. It's actually incredible in a Dr. Evil sense of it but when you're on the receiving end of it it seemed a little less incredible and it was just difficult not knowing where's this coming from? Why is this happening all of a sudden? Well it wasn't happening all of a sudden. There was this long history of it and when you understood that history it made a lot more sense. We weren't just making a rejection for our little corner of the world. We were chipping in in the great civilizational battle of where this country was going to go, whether the white walkers beyond the wall were going to win. And we were like "No they're not going to f*cking win. Get them out of that f*cking wall. Take your goddamn spear and fire it with maximum velocity."
5:31

.DHH credits Marc Andreessen Marc Andreessen 🇺🇸 with helping him the most during the darkest time of his professional life: "It was during that rough going where Andreessen came in. We were a small company of 60 people and 20 took the offer and left. That's almost a third of the company that decided to leave and we got to a point where we were thinking that not many more have to leave before we need to worry about whether we can keep the lights on. And it was actually Tobi who then put me in contact with Marc Andreessen because Marc had been exposed to this phenomenon at some of his portfolio companies. And Marc gave us reassurance and a bunch of contacts. Marc said, "Do you need someone to come in to help do programming or help with operations or whatever?" And I was floored by the generosity because Marc and I haven't always seen eye to eye on things. Especially in terms of venture capital. He's been one of the main faces of venture capital for decades and I've been kind of critical at times. And it was just a realization that all those grievances we might have thought to be so big once upon a time were actually minuscule. We were fighting the white walkers on the other side of the wall and all our internal squabbles were going to be for nothing if those f*ckers got inside the wall and destroyed everything. And that felt like a real threat at the time. That could've happened. They could very well have just ripped the whole thing apart. And Marc clearly saw that that this was a collective, almost existential threat to the entire industry. If these activists were able to take over these institutions in the same way that they have taken over academia we would be f*cked and not just for a little while but potentially for decades. That couldn't stand. And Marc was incredibly helpful not just in terms of these contacts and introductions and so on but it was very powerful. When you have literally 40,000 people on Twitter calling you all the worst things in the world even the strongest individual might go for a second like "Holy sh*t. The mob is coming for me and there's no one else there." And there are other people there. Tobi was there. Marc was there. And it was incredibly helpful to give us the fortitude to go like "No do you know what? We're going to stick with it. We're not going to grovel. We're not going to apologize. We're not going to revert." And then what Marc also did was he gave me a syllabus for understanding the history of wokeness going all the way back to the '60s and beyond. That this didn't just come as lightning from a blue sky. This had an institutional grounding that was set in motion particularly in the '60s and the long march through the institutions, Herbert Marcuse and a lot of The Frankfurt School and all of these groups that had designs on how to reshape society and create the revolution they so dearly wanted, but with a timeline and a roadmap that was demarcated in decades. That it wasn't just like "Well we're going to put something together and then in two years something's going to happen." No they were sitting in the fucking '60s fantasizing about how to overthrow everything in the 2000s. It's actually incredible in a Dr. Evil sense of it but when you're on the receiving end of it it seemed a little less incredible and it was just difficult not knowing where's this coming from? Why is this happening all of a sudden? Well it wasn't happening all of a sudden. There was this long history of it and when you understood that history it made a lot more sense. We weren't just making a rejection for our little corner of the world. We were chipping in in the great civilizational battle of where this country was going to go, whether the white walkers beyond the wall were going to win. And we were like "No they're not going to f*cking win. Get them out of that f*cking wall. Take your goddamn spear and fire it with maximum velocity."

David Senra

525,691 次观看 • 1 个月前

Tyreek Hill says what makes Patrick Mahomes a great leader is he isn’t afraid to call out the entire offense and the star players on the details in front of everyone “Pat a different dude, and I'm going to tell you how he’s a different dude. I can't remember what year it was, but we was on a bad streak. All his supporting cast was playing bad. Me, Kelce, D-Rob, Sammy, we all was playing bad. This dude called the whole offense up. He called the whole offense up. This was like on a Tuesday, I believe. He called us all up. He cussed all of us the out.” “Me and Pat, we go back and forth, but that was a moment right there where he stood on business. And it was like, bro, I really respect this because he really just called out all his weapons individually.” “Pointed us out, looked us in the eyes and said, ‘Bro, Reek, you think you so fucking fast, but you can’t catch the damn ball. And you want to be the best receiver in the game?’ He was letting me have it. Then he went to Kelce. Then he went to D-Rob. Then he went to Sammy. Like, he went to all of us, calling us all out. And in that moment right there, I was like, yo, it’s go time now. That put so much, I don’t know what it put in my fuel, in my heart, bro.” “That next game, that's when we began to get things rolling. Because you never want to get called out by the leader of your team like that. You don't. You don’t. It's like, bro, I’m not going to let nobody down in this circle right here no more. And we started killing after that.” “And that’s one thing that our quarterback, he going to add, you know what I'm saying, too. Because with Pat, we all had a relationship with Pat. We all hang out. We all do stuff outside of football.” “Because we all trying to win. That's the best, we all trying to win, man. Being able to have them tough conversations is needed, I feel like, bro, because that got us better. When Pat did it, it made me want to kick his ass, but it made me want to get better, man.”
2:30

Tyreek Hill says what makes Patrick Mahomes a great leader is he isn’t afraid to call out the entire offense and the star players on the details in front of everyone “Pat a different dude, and I'm going to tell you how he’s a different dude. I can't remember what year it was, but we was on a bad streak. All his supporting cast was playing bad. Me, Kelce, D-Rob, Sammy, we all was playing bad. This dude called the whole offense up. He called the whole offense up. This was like on a Tuesday, I believe. He called us all up. He cussed all of us the out.” “Me and Pat, we go back and forth, but that was a moment right there where he stood on business. And it was like, bro, I really respect this because he really just called out all his weapons individually.” “Pointed us out, looked us in the eyes and said, ‘Bro, Reek, you think you so fucking fast, but you can’t catch the damn ball. And you want to be the best receiver in the game?’ He was letting me have it. Then he went to Kelce. Then he went to D-Rob. Then he went to Sammy. Like, he went to all of us, calling us all out. And in that moment right there, I was like, yo, it’s go time now. That put so much, I don’t know what it put in my fuel, in my heart, bro.” “That next game, that's when we began to get things rolling. Because you never want to get called out by the leader of your team like that. You don't. You don’t. It's like, bro, I’m not going to let nobody down in this circle right here no more. And we started killing after that.” “And that’s one thing that our quarterback, he going to add, you know what I'm saying, too. Because with Pat, we all had a relationship with Pat. We all hang out. We all do stuff outside of football.” “Because we all trying to win. That's the best, we all trying to win, man. Being able to have them tough conversations is needed, I feel like, bro, because that got us better. When Pat did it, it made me want to kick his ass, but it made me want to get better, man.”

Josh Chambers

600,621 次观看 • 3 天前

Mel Gibson about the Historical inaccuracies in "Braveheart" (1995): "Some people said that in telling the story we messed up history. It doesn't bother me because what I'm giving you is a cinematic experience, and I think films are there first to entertain, then teach, then inspire. There probably were historical inaccuracies--quite a few. But maybe there weren't, who's to say, because there was very little history about the man. It wasn't necessarily authentic. In some of the stuff I read about him, he wasn't as nice as he was on film. We romanticized it a bit, but that's the language of film--you have to make it cinematically acceptable. Actually, he was a monster--he always smelled of smoke because he was always burning people's villages down. He was like what the Vikings called a 'berserker'. But we kind of shifted the balance a bit, because somebody's got to be the good guy and somebody the bad guy, and every story has its own point of view. That was our bias." (Mel Gibson's interview to Daily Mail, 2009) P.S: On this day, 31 years ago, "Braveheart" (1995) premiered at the Seattle International Film Festival, USA.
1:34

Mel Gibson about the Historical inaccuracies in "Braveheart" (1995): "Some people said that in telling the story we messed up history. It doesn't bother me because what I'm giving you is a cinematic experience, and I think films are there first to entertain, then teach, then inspire. There probably were historical inaccuracies--quite a few. But maybe there weren't, who's to say, because there was very little history about the man. It wasn't necessarily authentic. In some of the stuff I read about him, he wasn't as nice as he was on film. We romanticized it a bit, but that's the language of film--you have to make it cinematically acceptable. Actually, he was a monster--he always smelled of smoke because he was always burning people's villages down. He was like what the Vikings called a 'berserker'. But we kind of shifted the balance a bit, because somebody's got to be the good guy and somebody the bad guy, and every story has its own point of view. That was our bias." (Mel Gibson's interview to Daily Mail, 2009) P.S: On this day, 31 years ago, "Braveheart" (1995) premiered at the Seattle International Film Festival, USA.

DepressedBergman

40,460 次观看 • 4 个月前

Steve Kerr on the heated back-and-forth with Draymond Green tonight that led to him going to the locker room and not playing in the final 20 minutes. "We got into it obviously... We had it out a little bit and he made his decision to go back to the locker room to cool off. That's all I'm gonna say about it. Everything is private." He didn't play the last 20 minutes, would you have gone back to him? "No. No. He wasn't going back in." Was that a decision by him or you? "He left. He went back to the locker room."
1:00

Steve Kerr on the heated back-and-forth with Draymond Green tonight that led to him going to the locker room and not playing in the final 20 minutes. "We got into it obviously... We had it out a little bit and he made his decision to go back to the locker room to cool off. That's all I'm gonna say about it. Everything is private." He didn't play the last 20 minutes, would you have gone back to him? "No. No. He wasn't going back in." Was that a decision by him or you? "He left. He went back to the locker room."

KNBR

1,412,468 次观看 • 9 个月前

Charlie Sheen says Nicolas Cage almost got them arrested while he was carrying 2 ounces of cocaine on a flight “They still had that curtain separating first class, so we'd pull the curtain back with the mic and say something really goofy and get a couple laughs” “Then the mic winds up in Cage's grip. He saw the tone that we had set, but chose to take it where he did. He impersonated the captain, that he's not feeling well and he's losing control of the airplane” “It was right out of the movies. You hear people start screaming. Like there's always that high pitched female scream in the movies, that happened” “We were in a panic and he didn't know the amount of cocaine I had on me. 2 ounces in a fat ziploc. Taped to the inside of my inner thigh” “The steward walks right up to him and points him right in the face and says, ‘Not cool mister. Not cool.’ And that was about 10 minutes before landing, so we kind of knew we might have company. But I still had a measure of goodwill with the passengers because nobody knew at that point I was a drug mule” “We are detained. Could get a lot worse. But it was that thing again where a couple guys were Cage fans, a couple guys were Sheen fans, and we could feel it start to turn in our favor, and that's when the first wave of relief hit. This is not going to be a life changing evening”
2:10

Charlie Sheen says Nicolas Cage almost got them arrested while he was carrying 2 ounces of cocaine on a flight “They still had that curtain separating first class, so we'd pull the curtain back with the mic and say something really goofy and get a couple laughs” “Then the mic winds up in Cage's grip. He saw the tone that we had set, but chose to take it where he did. He impersonated the captain, that he's not feeling well and he's losing control of the airplane” “It was right out of the movies. You hear people start screaming. Like there's always that high pitched female scream in the movies, that happened” “We were in a panic and he didn't know the amount of cocaine I had on me. 2 ounces in a fat ziploc. Taped to the inside of my inner thigh” “The steward walks right up to him and points him right in the face and says, ‘Not cool mister. Not cool.’ And that was about 10 minutes before landing, so we kind of knew we might have company. But I still had a measure of goodwill with the passengers because nobody knew at that point I was a drug mule” “We are detained. Could get a lot worse. But it was that thing again where a couple guys were Cage fans, a couple guys were Sheen fans, and we could feel it start to turn in our favor, and that's when the first wave of relief hit. This is not going to be a life changing evening”

dank

836,584 次观看 • 3 个月前

Elizabeth Olsen says her husband got down on one knee to propose and had to stand back up because the wooden dock hurt “My husband is incredibly neurotic, very uncomfortable all the time, always has something wrong with his anything, his coccyx, his pinky - but he actually has things wrong with him, but they’re always like this 1% odd thing and they have real diagnosis” “And so when we got engaged, we went to this place in Northern California in Inverness, and he was just so annoyed. There wasn’t a cheeseboard. He asked for a cheeseboard and we got there and I was like, ‘You’ve never cared this much about a cheeseboard before.’ And he was freaking out” “This place had a wood burning fireplace that was massive and he couldn’t start a fire and he was like, ‘What kind of man doesn’t know how to start a fire?’ He was just so mean to himself trying to figure out how to get this fire going. He was like, ‘It’s embarrassing if I had to ask someone to get a fire’” “And then it was 30 minutes later he proposed when we were outside, but he needed there to be a cheeseboard, fire going, in order for it to feel romantic or something” “He tried to go down on his knee, he’s going to hate me saying this, but it’s fine because he’s charming. But we were on this wood dock, so he goes down on his knee and he’s like, ‘Ow, sorry, this really hurts, back up’” “And it was just the two of us. There’s not a single photo. It was just so lovely. I loved it so much just because it was him and all of his like-”
1:30

Elizabeth Olsen says her husband got down on one knee to propose and had to stand back up because the wooden dock hurt “My husband is incredibly neurotic, very uncomfortable all the time, always has something wrong with his anything, his coccyx, his pinky - but he actually has things wrong with him, but they’re always like this 1% odd thing and they have real diagnosis” “And so when we got engaged, we went to this place in Northern California in Inverness, and he was just so annoyed. There wasn’t a cheeseboard. He asked for a cheeseboard and we got there and I was like, ‘You’ve never cared this much about a cheeseboard before.’ And he was freaking out” “This place had a wood burning fireplace that was massive and he couldn’t start a fire and he was like, ‘What kind of man doesn’t know how to start a fire?’ He was just so mean to himself trying to figure out how to get this fire going. He was like, ‘It’s embarrassing if I had to ask someone to get a fire’” “And then it was 30 minutes later he proposed when we were outside, but he needed there to be a cheeseboard, fire going, in order for it to feel romantic or something” “He tried to go down on his knee, he’s going to hate me saying this, but it’s fine because he’s charming. But we were on this wood dock, so he goes down on his knee and he’s like, ‘Ow, sorry, this really hurts, back up’” “And it was just the two of us. There’s not a single photo. It was just so lovely. I loved it so much just because it was him and all of his like-”

sara

724,512 次观看 • 25 天前

David Lynch on using Roy Orbison's "In Dreams" in Blue Velvet (1986), and Roy Orbison's reaction to the film: Chris Rodley: "I’ve always assumed that ‘In Dreams’ was conceived as an integral part of the movie from the beginning. It seems conceptually essential to the story’s intentions and mood. Is that true?" Lynch: "‘In Dreams’ came about while we were in production for Blue Velvet. Kyle MacLachlan and I were on our way down to Wilmington, North Carolina, from New York City. We were going through Central Park on our way to the airport when over the cab’s radio came ‘Crying’ by Roy Orbison, and I’m listening to this song and I said, ‘That! I’ve got to get that for Blue Velvet. When I got to Wilmington I sent somebody out to get Roy Orbison’s greatest hits. I played ‘Crying’ and then I played ‘In Dreams’, and as soon as I did, I forgot ‘Crying’. ‘In Dreams’ explained to me so much of what the film was all about. I immediately called Dennis Hopper and told him about the scene I had in mind and that he had to memorize this song. Dennis and Dean Stockwell are old friends. Dean got together with Dennis to help him work out the song and memorize the lyrics. I wonder why! [Laughs.] So we finally got to the day we were going to shoot the scene in Ben’s apartment where Dennis was going to sing the song. We were rehearsing and Dean said, ‘I’ll stand here and kind of help Dennis if he needs it.’ So we started playing the music and both Dennis and Dean began to sing ‘In Dreams’. All of a sudden Dennis stops singing and looks at Dean — who’s continuing to sing. Dennis is solidly in character and he is moved by Dean’s (Ben’s) singing. There was the scene in front of me. It was so perfect. Once it was decided Dean would be singing ‘In Dreams’, another strange thing happened. I was going to use a small candle-style table lamp as the microphone. Dean knew the microphone was going to be a lamp of some sort and when he went over to the area of Ben’s apartment where we were going to set the song, thinking he saw the prop light, he picked up a work light that was hanging on a nail on the wall. He turned it on and flipped the long cord like a microphone cord and obviously it couldn’t have been more perfect. The strange thing is no one on the crew put that work light there. No one knew where it came from. Who can say how it happens?" Rodley: "The use of ‘In Dreams’ in that scene revived Roy Orbison’s career, but what did he think of the movie and the use of his music in it?" Lynch: "When Roy first saw the movie he didn’t like it. His song ‘In Dreams’ meant another whole thing to him, and it was, like, a precious thing. I think some people he respected must have gotten him to see the movie again and reconsider his feelings. Roy told me that when he saw the movie the second time, he got past what the song was for him and then could appreciate the fact that it was working in another way." — "Lynch on Lynch" (1997), edited by Chris Rodley
0:29

David Lynch on using Roy Orbison's "In Dreams" in Blue Velvet (1986), and Roy Orbison's reaction to the film: Chris Rodley: "I’ve always assumed that ‘In Dreams’ was conceived as an integral part of the movie from the beginning. It seems conceptually essential to the story’s intentions and mood. Is that true?" Lynch: "‘In Dreams’ came about while we were in production for Blue Velvet. Kyle MacLachlan and I were on our way down to Wilmington, North Carolina, from New York City. We were going through Central Park on our way to the airport when over the cab’s radio came ‘Crying’ by Roy Orbison, and I’m listening to this song and I said, ‘That! I’ve got to get that for Blue Velvet. When I got to Wilmington I sent somebody out to get Roy Orbison’s greatest hits. I played ‘Crying’ and then I played ‘In Dreams’, and as soon as I did, I forgot ‘Crying’. ‘In Dreams’ explained to me so much of what the film was all about. I immediately called Dennis Hopper and told him about the scene I had in mind and that he had to memorize this song. Dennis and Dean Stockwell are old friends. Dean got together with Dennis to help him work out the song and memorize the lyrics. I wonder why! [Laughs.] So we finally got to the day we were going to shoot the scene in Ben’s apartment where Dennis was going to sing the song. We were rehearsing and Dean said, ‘I’ll stand here and kind of help Dennis if he needs it.’ So we started playing the music and both Dennis and Dean began to sing ‘In Dreams’. All of a sudden Dennis stops singing and looks at Dean — who’s continuing to sing. Dennis is solidly in character and he is moved by Dean’s (Ben’s) singing. There was the scene in front of me. It was so perfect. Once it was decided Dean would be singing ‘In Dreams’, another strange thing happened. I was going to use a small candle-style table lamp as the microphone. Dean knew the microphone was going to be a lamp of some sort and when he went over to the area of Ben’s apartment where we were going to set the song, thinking he saw the prop light, he picked up a work light that was hanging on a nail on the wall. He turned it on and flipped the long cord like a microphone cord and obviously it couldn’t have been more perfect. The strange thing is no one on the crew put that work light there. No one knew where it came from. Who can say how it happens?" Rodley: "The use of ‘In Dreams’ in that scene revived Roy Orbison’s career, but what did he think of the movie and the use of his music in it?" Lynch: "When Roy first saw the movie he didn’t like it. His song ‘In Dreams’ meant another whole thing to him, and it was, like, a precious thing. I think some people he respected must have gotten him to see the movie again and reconsider his feelings. Roy told me that when he saw the movie the second time, he got past what the song was for him and then could appreciate the fact that it was working in another way." — "Lynch on Lynch" (1997), edited by Chris Rodley

RadiantFilm

96,565 次观看 • 7 个月前

[WATCH] THE PRESIDENT WILL NOT RESIGN. When it comes to the President, there is always a distinctive role between him being the President of the party and the state. There are many factors that influence the state in terms of governance and stability. If the President is called upon by some to resign and he keeps quiet it can throw the state into a state of turmoil. I want to make it clear that the officials agreed with the President on his approach, he took us into confidence and explained the factors that led him to make that particular pronouncement. We believe that the President did the right thing in pronouncing in the best interest of South Africa that he will not be resigning. There was nothing in terms of the judgment that warranted the President to resign it was just mere calls made by individuals and political parties that wanted to throw our country into a state of turmoil, uncertainty and anxiety. So it was imperative that he focus on that. It was correct for him to tell the country that from where he is standing there is nothing in the judgement that states he has done any wrongdoing and what he is going to do with the options in front of him and he has made this public. The President will take the Section 89 Report on review based on the outcome of the judgment and the legal advice he has received. There are no daggers out for the President to resign just opportunistic elements. These elements do not know what they want, they want to impeach and want him to resign, they do know what they actually want. The veracity of the report has not been tested in any committee so they don’t have a basis for the President to resign.
6:07

[WATCH] THE PRESIDENT WILL NOT RESIGN. When it comes to the President, there is always a distinctive role between him being the President of the party and the state. There are many factors that influence the state in terms of governance and stability. If the President is called upon by some to resign and he keeps quiet it can throw the state into a state of turmoil. I want to make it clear that the officials agreed with the President on his approach, he took us into confidence and explained the factors that led him to make that particular pronouncement. We believe that the President did the right thing in pronouncing in the best interest of South Africa that he will not be resigning. There was nothing in terms of the judgment that warranted the President to resign it was just mere calls made by individuals and political parties that wanted to throw our country into a state of turmoil, uncertainty and anxiety. So it was imperative that he focus on that. It was correct for him to tell the country that from where he is standing there is nothing in the judgement that states he has done any wrongdoing and what he is going to do with the options in front of him and he has made this public. The President will take the Section 89 Report on review based on the outcome of the judgment and the legal advice he has received. There are no daggers out for the President to resign just opportunistic elements. These elements do not know what they want, they want to impeach and want him to resign, they do know what they actually want. The veracity of the report has not been tested in any committee so they don’t have a basis for the President to resign.

ANC SECRETARY GENERAL | Fikile Mbalula

22,015 次观看 • 4 个月前

“When I saw Jayson Tatum in the moment he did his “We Did It” he looked like he got it…. Its the culmination of all of the stuff to get there” Real shyt, when Jayson Tatum did the “We did it” moment that to me felt like it all clicked for him. It was a rush of visualizing all of the trials and tribulations over the years to get to this point. The C’s aint no microwave made team, this was a team that has been built and molded for years now. This is the process it takes to build championship DNA lord and they just getting started 💯
0:49

“When I saw Jayson Tatum in the moment he did his “We Did It” he looked like he got it…. Its the culmination of all of the stuff to get there” Real shyt, when Jayson Tatum did the “We did it” moment that to me felt like it all clicked for him. It was a rush of visualizing all of the trials and tribulations over the years to get to this point. The C’s aint no microwave made team, this was a team that has been built and molded for years now. This is the process it takes to build championship DNA lord and they just getting started 💯

Kevin Garnett

158,622 次观看 • 2 年前

Danny McBride reveals the surreal story of Kanye West asking him to star in his biopic "It was one of the most surreal encounters I've had in this career" "he called me out of nowhere. I didn't believe it was him. It was just like, he's like 'this is Ye' and I was like 'pfft, yeah right'" "he flew down there with one of his buddies and we just spent this afternoon cruising around on my friend's boat just talking about life and all this crazy stuff" "in your comedy you don't care and that's what I think the person has to play me has to have" "I didn't want to pander, but I also just wanted to have something so that he knew like, yeah, McBride listens to stuff that's kind of cool" "He's like, 'can we turn the music off? I'm just thinking about too much.' I was like, yeah, I don't know why my wife put music on. Such a bad idea"
2:11

Danny McBride reveals the surreal story of Kanye West asking him to star in his biopic "It was one of the most surreal encounters I've had in this career" "he called me out of nowhere. I didn't believe it was him. It was just like, he's like 'this is Ye' and I was like 'pfft, yeah right'" "he flew down there with one of his buddies and we just spent this afternoon cruising around on my friend's boat just talking about life and all this crazy stuff" "in your comedy you don't care and that's what I think the person has to play me has to have" "I didn't want to pander, but I also just wanted to have something so that he knew like, yeah, McBride listens to stuff that's kind of cool" "He's like, 'can we turn the music off? I'm just thinking about too much.' I was like, yeah, I don't know why my wife put music on. Such a bad idea"

Ruzy

81,942 次观看 • 24 天前

Wiz Khalifa says he rewrote his second verse for “See You Again” after Paul Walker's death, just one week before Furious 7 was released “It was right when he passed. He was filming for the movie, and they were like, ‘Something happened. We need to do a whole little redirection, and you're going to be a part of that” “So they're like, ‘This is the last scene of the movie. He's in the movie, but we're generating his face on a couple scenes. And this is going to be one of them where it's going to be him riding off into the sunset, but it's going to represent his departure’” “But by the time the movie had come out, it was like a week before the movie came out, they were like, ‘We need to finish the song, and we're going to shoot the video, and we just want you and Charlie Puth on there. Everybody else we don't want, so you need to write another verse.’ So I quickly came in there. I watched the scene, because I already did the first verse just based off what they told me it was going to be like. Then for the second verse, they were like watch the scene and write it based off that” “I watched the scene, wrote my verse real quick, recorded it, we shot the video the next week, and then it comes out with the movie. It's just supposed to be a soundtrack song, but as soon as it got on the radio, it went number one and stayed there for like 12 or 13 weeks. I never knew it was going to do all of that at all” “It's unfortunate that Paul Walker lost his life, and his legacy is always going to live on. I met his family and they loved it. But I think ‘See You Again’ connects because you can tell everybody goes through those losses, and you can feel that in those verses. I've taken losses, and I've personally felt what that feels like. So to be able to channel that through the music, tell his story, help his legacy live on, and also connect with other people who go through similar things, that was my main goal. That's what I knew I could do through my personal experiences, and I'm glad that the world”
2:32

Wiz Khalifa says he rewrote his second verse for “See You Again” after Paul Walker's death, just one week before Furious 7 was released “It was right when he passed. He was filming for the movie, and they were like, ‘Something happened. We need to do a whole little redirection, and you're going to be a part of that” “So they're like, ‘This is the last scene of the movie. He's in the movie, but we're generating his face on a couple scenes. And this is going to be one of them where it's going to be him riding off into the sunset, but it's going to represent his departure’” “But by the time the movie had come out, it was like a week before the movie came out, they were like, ‘We need to finish the song, and we're going to shoot the video, and we just want you and Charlie Puth on there. Everybody else we don't want, so you need to write another verse.’ So I quickly came in there. I watched the scene, because I already did the first verse just based off what they told me it was going to be like. Then for the second verse, they were like watch the scene and write it based off that” “I watched the scene, wrote my verse real quick, recorded it, we shot the video the next week, and then it comes out with the movie. It's just supposed to be a soundtrack song, but as soon as it got on the radio, it went number one and stayed there for like 12 or 13 weeks. I never knew it was going to do all of that at all” “It's unfortunate that Paul Walker lost his life, and his legacy is always going to live on. I met his family and they loved it. But I think ‘See You Again’ connects because you can tell everybody goes through those losses, and you can feel that in those verses. I've taken losses, and I've personally felt what that feels like. So to be able to channel that through the music, tell his story, help his legacy live on, and also connect with other people who go through similar things, that was my main goal. That's what I knew I could do through my personal experiences, and I'm glad that the world”

dank

39,598 次观看 • 2 个月前