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Ethan Gutmann says new technology is supercharging the already massive and deeply disturbing CCP organ harvesting industry. “We’re talking about huge numbers here… call it $9 billion per year.” “We don’t really know, but we know that the numbers are huge.” “Once you added in things like ECMO which...

14,774 просмотров • 4 месяцев назад •via X (Twitter)

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🚨 🫀🫁🧠BOMBSHELL DOCTOR EXPOSES THE GRISLY ORGAN HARVESTING SCAM: 🫀🫁🧠🚨 "You CAN'T get organs from a cadaver— they're stealing them from LIVING kids & young adults 16-30 while they're STILL BREATHING on ventilators!" Dr. Paul Byrne reveals they push Narcan on overdose victims just to rush them into the ER for fresh organs... then lie to grieving families: "Your daughter Sally would want to 'do something good.'" "See, you cannot get any organs from a cadaver. Every organ that's transplanted is a healthy organ, and you can only get healthy organs from living persons. You cannot get any organs for transplant from a cadaver.” “So you don't put it on your (driver’s) license?” “And the things I'm telling you is that you are not allowed to hear. And because if you hear it, you will be upset, as all three of you are upset — and rightly so, you should be upset, because whose organs do they want? They want the organs from the, certainly from all children, but especially the people who are sixteen to thirty.” “And their life is in jeopardy. If they're unconscious and on a ventilator, they're going to get their organs. And they do everything to get their organs. And once the organs are taken, you can't bring them back to life.” “And so what they do is they tell the relatives, 'Well, your daughter Sally would really like to do something good, and this is a way to make something good out of this tragedy,' or your son.” “While they have been getting organs from accidents and gunshot wounds, they now get more organs from overdose of drugs than they do from accidents and gunshot wounds combined. There are eight deaths a day from overdose in Ohio, and they get their organs — that's what they want.” “And so what are they doing? They're giving the policemen the Narcan to counteract the drug, which gets them into the emergency room, but it doesn't save their life. It gets them in the emergency room, and they still get their organs. It's so diabolically disgusting. Oh, it really is. See, it's so bad." This is pure evil. Brain death is a LIE. Share before they delete it! 😱 #OrganHarvesting #BrainDeathHoax #WakeUpAmerica

The Dr. Margaret Show

416,277 просмотров • 5 месяцев назад

$ABCL CEO Carl Hansen explains the net negative overall value creation in biotech and how AbCellera plans to beat it: “I really think it can be beat because there’s a lot of mistakes that get made in where you allocate capital.” “If you’re a biotech and you start a company on a drug, and you go public and have a drug, and now the data is looking not that great, you just keep running that drug. … Because if you quit that drug, the company is done.” “So, because you’re so concentrated on one thing, you end up having blinders. It’s like a cult of a molecule. And even a real, practical, capital access problem that makes you continue to move things forward” ______________________________________ “Another problem is that many of the drugs that get started, get started by people who don’t understand the competitive or commercial landscape and have no intent of ever actually manufacturing it. … Because they know someone else is going to buy it. So then their framework is not ‘Am I making a drug that’s going to make a difference for people?’ The framework is ‘Can I make something that I think someone will take off my hands?’ And that happens a lot.” “There are many acquisitions where a big pharma company spends $10B, $20B, and it’s a complete bust. So really no value is generated for patients but someone was able to get a good exit on that because they anticipated what someone would want. And a lot of decision making gets done like that”. _______________________________________ “I’m not saying that we have this all solved. But what we’re trying to do is create a framework where we are able to take many bets so that we don’t fall in love with anything, or we don’t have to fall in love with anything. … And then always hold up very explicitly what we know and what we don’t know along the dimensions that matter. The dimensions that matter are - Will it work? That’s a science. - When it gets where will people care? - Is it differentiated? - Does it solve a big problem? In order to get it there, is there a path with our resources and expertise that would allow us to see it through?” “When you start to hold things up like that, you start to see where the mistakes are, where the uncertainties are, and you can be more rational in deciding ‘We’re going to run it to here because we get to flip the card and if the card goes the wrong way we’re going to kill it because we’ve got something else behind it.’” “I do think that if done right, and if you can pick the right opportunities, the success rate can be well higher than an order of magnitude better. … And there are examples of this… companies I’ve mentioned, you know, Regeneron, their success rate is at least 10x the industry in bringing programs forward and getting them approved. … So it’s… you can do it better that way”

Jack Prescott

31,505 просмотров • 26 дней назад

How will we know if an AI take over is imminent? What are the warning signs? Connor Leahy: “Things will seem mostly normal, just… weird. Things will get weirder…and weirder… and then one day, we will just not be in control anymore. “There won't be a fight. There won't be a war. It won't be dramatic. It will just be that one day the machines are in control, and not us.” “The way I expect [AI take over] to feel is like, if you play chess against a grandmaster, it doesn’t feel like you're having a heroic battle against the Terminator…. it doesn’t feel like you're having this incredible back and forth, and then you lose... No, it feels more like you THINK you're playing well, you think everything is okay, and then suddenly… you lose… in one move, and you don't know why. This is what it feels like to play chess against a grandmaster, and this is what it's going to feel like for humanity to play against AGI. It won’t be some dramatic battle where the Terminators rise up and try to destroy humanity. No, it will be… things get more and more confusing. [Editor's note: Like Sam Altman, out of nowhere, raising up to 10% of world GDP?] More and more jobs get automated faster and faster... More and more technology gets built, which no one even quite knows how the technology works... There will be mass media movements that don't really make any sense... Like, do we really know the truth of what's going on in the world right now, even now with social media? Do you or I really know what's going on? How much of this is fake? How much of it is generated with AI or other methods? We don't know. And this will get much worse.” Imagine if you have extremely intelligent systems, much smarter than humans, that can generate any image, any video, anything, trying to manipulate you well...and being able to develop new technologies to interfere with politics.”

AI Notkilleveryoneism Memes ⏸️

183,443 просмотров • 2 лет назад

Engfa’s opinion about privacy and artist’s personal matters☝🏼🔒 E: When we’re in the GL/Yuri community, we see all these things. Like, when P’Fah opens TikTok, you’ll see this account, then that account, and sometimes, because we’re in the Yuri fandom, we see one couple getting attacked, then another couple, then another one. People saying this person is talking to that person, and that person is talking to someone else. We see all of it. But I don’t feel like I admire or praise those people for doing that. Instead, I feel sorry for the artists. Because, honestly, they have to put up with so much toxicity just for being in this position. Some people have this mindset of ‘If you’re dating this person, why don’t you make it public? Are you lying to your fans?’ Don’t you ever think about it? Try looking at them as normal people. Imagine you’re going to date someone, or you’re talking to someone because you’re interested in them. You need time to get to know that person before you can give them a status or call them your partner, you know? Imagine saying everything immediately: ‘Hey, I’m talking to this person.’ You’ve only been talking for 3 days, and then on the 4th day you stop talking. What are you supposed to do then? Do you get what I mean? Or someone just messages you, starts flirting with you, you’re about to reply and get to know them, and you immediately announce, ‘I’m talking to this person.’ Then you end up knowing each other for a month and stop talking. What are you supposed to do then? Do you get it? Sometimes, certain things are simply personal. It’s their life, so don’t interfere so much. We know what they choose to let us know. Just because they don’t tell us something doesn’t mean they’re lying. It’s their private life, and everyone needs to manage their own boundaries. Don’t sit there digging and digging and then accuse them of lying. Adults don’t behave like that. // tell them Engfa and say it louder 🗣️🗣️🗣️ please respect artist’s privacy! ENGFA OUR HEART16 #อิงฟ้ามหาชน #EngfaWaraha Engfa Waraha (ตัวจริง)

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222,240 просмотров • 11 дней назад

Liam Coen says analytics should inform decisions, never make them “We leverage analytics. Absolutely. We leverage it for the data and the information to make a decision, not to make the decision. That’s not how it goes. Ever.” “You have the data, AI, analytics, it is unreal. What are the true decisions that lie in the moment, in the now? What are the facts that you need to know? That’s great to leverage.” “We have game management. We have an analytics department to gather that information. But we are not making decisions solely based on those numbers. Ultimately, it has to come from the gut and from yourself.” “Is this the best decision for the Jacksonville Jaguars right now? Because that’s all you can live in. You’re living in every single play.” “I’m going to lean aggressive offensively, especially in year one when you’re trying to instill confidence. You’re trying to instill a mindset of, ‘Yeah, we are good.’ I believe we can go get fourth-and-two. We can.” “We talk about momentum a lot as a team. You can feel that. You can feel momentum. You know when you got it and you know when you don’t. I feed off that as a coach and I feed off the player’s energy on the grass and when they have confidence and momentum I want to roll with it, I want to keep it.” “When you have it you wanna stomp on it, you want to make them feel it.. That’s where the aggression comes in, you want to hold onto that and put your foot on the pedal. And as you grow as a coach there are times where you might be like, ‘Alright, may need to kick here. It’s going to be one of those kind of games.’” “So you have to be prepared, know your gut, go with your gut, feel this, all that’s going on around you, and make the best educated decision.”

Josh Chambers

10,496 просмотров • 7 дней назад

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

23,149 просмотров • 7 месяцев назад