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Even roasting pays now Introducing Roaster 🔥 It flips trolling into roast mindshare, rewarding sharp takes that actually move culture

72,920 görüntüleme • 1 yıl önce •via X (Twitter)

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They say “America has no culture” and what they mean is that the Constitution and Bill of Rights, English common law, the language itself, Thanksgiving and the 4th of July, the nuclear family, the work ethic, rock n roll, country, plus every innovation that turned this place into the world’s superpower don’t count as real culture. It’s just “whiteness,” this blank or oppressive thing that exists only to be critiqued and replaced. And this line has become so dominant, so institutionalized in schools, media, HR departments, and elite culture that it’s now the standard water everybody swims in. Most people don’t even clock it anymore because it’s treated like obvious truth instead of the radical self-erasure project it actually is. But this isn’t a good faith argument at all, and it carries clear ulterior motives to justify the erasure of America’s historic core and the people who built it. Because once you get Americans to accept that their culture is either nonexistent or evil, then mass demographic change, open borders, and tearing down the old traditions suddenly look like moral progress instead of an existential attack on everything that made the country function in the first place. The reality though is that America has one of the strongest and most distinctive cultures on earth, forged from Western and Christian roots and supercharged by liberty and merit. And the World Cup visitors are reminding us of exactly that right now. Germans are going viral saying if you want to hate America watch the news but drive through it and meet the actual people. Europeans are shocked by how genuinely warm, friendly, and generous Americans are in real life and can’t stop talking about the hospitality and customer service. Japanese fans are writing poetry about unlimited free chips and salsa, while others are losing it over Texas brisket, ranch dressing on everything, Waffle House at 2 am, Buc-ee’s, the ridiculous size of Walmart, and free drink refills that never end. These outsiders are cutting straight through the institutionalized narrative and showing us what we’ve been gaslit into taking for granted, and that is an abundant, open, high trust, high energy culture that actually works. Americans built it, they live it every day, and they are not apologizing for it or handing it over.

Rothmus 🏴

83,656 görüntüleme • 17 gün önce

Taste is invisible until you try to write it down. This is probably my biggest lesson with AI building as of late. At Sundial, I get to work with really friggin' amazing analysts who know the art, and I see how much of our collective time now is now spent turning that art into playbooks or skills for an LLM. Encoding things like: "How would a great analyst actually look at this metric move?" or "What is ACTUALLY the interesting signal in this story versus noise?" or "How can we know if a product change actually moved the needle?" It's really humbling work! You write an instruction set. The LLM misses. You add more context. It still misses. You add even more. Now it's confused. You strip it back. Now it's too vague. You try a different framing. Better, but inconsistent. Works on Monday, fails on Tuesday. You go again. I've come to realize the gap between 70% quality and 95% quality is not 3 or 4 big things. It's more like 100s of small things. Which is exactly why you can't write an article about it, or copy it, or shortcut it! This gap *is* taste, quantified. The accumulated weight of a thousand small judgments you don't notice you're making, until you sit down to externalize them and realize you can't. Being good at something is not the same as being able to articulate why you're good at it. I now see two bottlenecks to making something better than today's generic AI: 1. Can you *see* what better looks like in the first place? 2. Even if you can see, can you *articulate* what that is in a way that the LLM can understand and systemize? #2 is now a new craft, the art of distilling the art. The people who can do it well are the ones building standout products.

Julie Zhuo

17,521 görüntüleme • 2 ay önce

Shut the fuck up, Kate. First it was "Liam wrote me notes" now suddenly it’s a whole fucking book???? Which one is it? You can’t even keep your lies straight. Every time your views drop, the story changes, notes letters, books, journals, whatever it takes to keep milking his name. And don’t even start with the handwriting because it’s not his. We’ve been over this. Anyone who’s seen Liam’s real writing knows it doesn’t even come close. On top of that, Liam never called the people he actually loved by their full names... not once. Every single person he truly cared about, he had nicknames and shortened names for and all of that has been out in the open for years. But suddenly he’s writing out "Kate Cass" in some fake-ass notebook like it’s a fucking diary entry? Get the fuck out of here. And let’s talk about why you even replied to that comment saying "he literally hated her." If he loved you so much, like you won’t shut the fuck up about, why did that hit so hard you had to grab your little prop and make a video? Because deep down, you know it’s the truth. He couldn’t stand you. He was drowning while you partied, and now you’re still here trying to rewrite history with fake receipts. You sit there, bragging like a clown, chewing Chinese food on camera, turning Liam’s death into your flex. That isn’t grief. That isn’t love. That isn’t healing. That’s exploitation. That’s bragging. That’s lying. Liam didn’t write you a journal. He didn’t write you a book. He didn’t write you shit. You wrote yourself into his story because without him, you are fucking nothing. You weren’t his safe place, Kate you were and still ARE his fucking curse. #JusticeForLiam #StopExploitingLiam

Iris

39,494 görüntüleme • 11 ay önce

Blake Lively’s Met Gala Moment Was Deeply Tone-Deaf Blake Lively showing up at the Met Gala this year, smiling like nothing happened, honestly felt surreal. Not in a good way. More like… are we all just expected to pretend the last two years didn’t happen? Because that’s what it looked like. A reset. A clean slate. As if everything that went down with Justin Baldoni just evaporated the moment she stepped onto that carpet in a Versace gown. And I’m sorry, but it doesn’t work like that. You don’t get to be at the center of a situation that serious, with that much damage done to someone’s reputation, and then just reappear in full glamour mode like it was all some minor inconvenience. Whether people want to admit it or not, that whole situation left a mark. On him, on the project, and on how people see her now. What makes it worse is the timing. Walking into one of the most visible events in the world right after everything wrapped up just feels… off. There’s no reflection in that. No pause. No sense that any of it actually mattered beyond being something to get past. And then there’s the bigger issue. When something tied to a story about domestic violence turns into this kind of public spectacle, it cheapens it. It stops being about the message and starts being about ego, control, and image. That’s the part that doesn’t sit right. You can call it strategy, you can call it PR, but to a lot of people it just reads as tone-deaf. Versace dressing her? That’s their choice. But let’s not pretend fashion houses don’t pick sides when they do that. They know exactly what kind of attention it brings. Same with the Met Gala. They don’t “accidentally” invite people. Every name is a decision. So yeah, people are going to question it. They should. Because this didn’t feel like a comeback. It felt like someone stepping right back into the spotlight without acknowledging the weight of what just happened. Like the expectation is that the audience will move on simply because she has. Not everyone will. And honestly, they shouldn’t have to. PS: That’s the only soundtrack that actually fits that red carpet. moment.

Queen Esther

1,925,286 görüntüleme • 2 ay önce