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Ever get topped by a 🐻?Nothing quite like daddy bears loading up their hairy son’s asses!🐺Woof! 😈🍆🕳️🍑💦#gaydaddyson #daddysonlove #gayhairydad #gayhairyson #gaydaddybear #SuperSoakerSaturdays

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Coming out of a bear market, not recognizing one of the strongest meme communities built in just a few days could end up being an embarrassing mistake for a lot of people. I’ll give you an example. Last cycle, $BRETT had one of the craziest communities in crypto, with Crash leading the charge on Base. On the other side, I had the privilege of helping lead the $PONKE community to a $600M ATH. We didn’t achieve the $2B that many of us were chasing like $BRETT ultimately did, but we worked our asses off every single day with what we had. Every cycle creates new communities, and catching them early can be life-changing. The same feeling I had watching the $PONKE and $BRETT communities when they were both under a $50M market cap is the exact same feeling I get watching $WOOF today. It’s honestly refreshing after such a brutal bear market. For the past week, these guys have shown up on the timeline every single day, not with water pistols, but with fucking bazookas ready to shill their bags to anyone and everyone. That’s not normal. You don’t usually see this level of conviction just days into a meme’s life. It feels like an already established community. And from experience, I can tell you this: Every great meme needs that initial spark. Without it, projects fade after a few days and are forgotten a few weeks later. But these guys? No. They see the opportunity, and they’re seizing it by any means necessary. This isn’t something you manufacture by paying a bunch of jeet KOLs. This is something that happens organically. The motivation and conviction these guys have will, in my opinion, allow $WOOF to outperform 99% of the memes currently in your portfolio. And honestly… With this community behind it, I don’t think it’s far-fetched to see $WOOF flip $CASHCAT. I’ll probably catch some shit for saying that. But I’ll put my trust in this community any day. They set goals. They destroy them. Then they set bigger ones. $WOOF to the quintillions. #WOOFPACK FORMING 🐺 Love ya crash take a look at this mfers
0:20

Coming out of a bear market, not recognizing one of the strongest meme communities built in just a few days could end up being an embarrassing mistake for a lot of people. I’ll give you an example. Last cycle, $BRETT had one of the craziest communities in crypto, with Crash leading the charge on Base. On the other side, I had the privilege of helping lead the $PONKE community to a $600M ATH. We didn’t achieve the $2B that many of us were chasing like $BRETT ultimately did, but we worked our asses off every single day with what we had. Every cycle creates new communities, and catching them early can be life-changing. The same feeling I had watching the $PONKE and $BRETT communities when they were both under a $50M market cap is the exact same feeling I get watching $WOOF today. It’s honestly refreshing after such a brutal bear market. For the past week, these guys have shown up on the timeline every single day, not with water pistols, but with fucking bazookas ready to shill their bags to anyone and everyone. That’s not normal. You don’t usually see this level of conviction just days into a meme’s life. It feels like an already established community. And from experience, I can tell you this: Every great meme needs that initial spark. Without it, projects fade after a few days and are forgotten a few weeks later. But these guys? No. They see the opportunity, and they’re seizing it by any means necessary. This isn’t something you manufacture by paying a bunch of jeet KOLs. This is something that happens organically. The motivation and conviction these guys have will, in my opinion, allow $WOOF to outperform 99% of the memes currently in your portfolio. And honestly… With this community behind it, I don’t think it’s far-fetched to see $WOOF flip $CASHCAT. I’ll probably catch some shit for saying that. But I’ll put my trust in this community any day. They set goals. They destroy them. Then they set bigger ones. $WOOF to the quintillions. #WOOFPACK FORMING 🐺 Love ya crash take a look at this mfers

☆ 𝔭𝖗𝖎𝖓𝖙 ☆

15,728 Aufrufe • vor 1 Monat

"don't act as if you're nothing to me"... i've been waiting for this line ever since she hopped on that truck to kidnap deniz. i mentioned it before, but it's like she's treated him as a non-existent part of their lives ever since. look, she needs to protect her son, we get it, as she should, that's her job as a mother. nobody is telling her not to. but she never once acknowledged that her actions made cihan feel like he didn't matter, or like he wasn't truly a part of the family. it's been so frustrating to watch bc alya, by nature, isn't someone who makes others feel excluded or invisible. she's been acting ooc for quite a while now, and you could see it was wearing on cihan. he didn't express it right away, maybe to keep the peace or maybe because he hoped she'd just snap out of it on her own, but she just kept doing the same thing. loving someone and being all in with them means actually including them. it's about being a team. i love how they portrayed that exactly by showing how zombie took advantage of cihan not telling her about meryem. it made her feel worse about the situation bc it gave the pislik more munitions to shoot, which she was doing all along as well by obeying his commands and making him feel superior and as if he had the power to separate them bc they're not a team. her outrage about cihan hiding for this same reason was therefore double standards, if you ask me. which brings us to the next line: "i acted without asking you. it felt like i was ignoring you, like i made a decision despite you."... now she's furious that he didn't tell her about meryem. and again, olsun, she has a point. he should've known better than to let her find out from someone else. but here is where we see the real difference in their current dynamic. cihan actually acknowledges the exclusion. he admits that leaving her out of the loop was a mistake and, more importantly, that it hurt him personally to do it. he isn't just sorry for/about the secret, he's sad that they aren't "them" anymore. while alya is out here playing the lone wolf in "mom mode," cihan is the one trying to fix the bridge between them. he's showing a level of self-awareness that she's currently lacking. he knows that making a choice despite her messed up the already fragile bond they currently have. imo, these are good lines, that shows the double standard they live rn. he's feeling the guilt, while she's still got her walls up. it makes you wonder when she'll finally realize that her behavior and silence wasn't and isn't just protecting deniz (which it didn't anyway since it backfired on her each time), it's actually hurting the one person who has had her back through it all. he's not asking for permission or her blessing to help meryem here, he's asking for his place back in her/their life. he's asking to be part of her life, a real part, not one you just let others manipulate you into abandoning them cuz that's exactly what brought them into the situation of living under different roofs, not the woman who appeared two seconds ago. for me, this cycle started the moment she let herself be manipulated by sadakat and tried to kidnap deniz. not only did she give sadakat the impression to have that power over her, but she also gave boran the impression that they're in fact separable. that you just have to push her buttons and she would leave him without even a word or acknowledging that she did wrong. this is why they lost their magic imo, they don't stand as a team like they did before after he just woke up. and i don't think no matter how much gulizar will try to put the pieces back together or copying the season one plots that the audience enjoyed, e.g. uğur and now bringing the chief, the magic won't magically reappear as long as accountability of hurting each other's feelings is just a one sided thing and the others flaws are covered by just moving forward (which was also done by bringing boran right after mine btw🤦🏻‍♀️)
1:39

"don't act as if you're nothing to me"... i've been waiting for this line ever since she hopped on that truck to kidnap deniz. i mentioned it before, but it's like she's treated him as a non-existent part of their lives ever since. look, she needs to protect her son, we get it, as she should, that's her job as a mother. nobody is telling her not to. but she never once acknowledged that her actions made cihan feel like he didn't matter, or like he wasn't truly a part of the family. it's been so frustrating to watch bc alya, by nature, isn't someone who makes others feel excluded or invisible. she's been acting ooc for quite a while now, and you could see it was wearing on cihan. he didn't express it right away, maybe to keep the peace or maybe because he hoped she'd just snap out of it on her own, but she just kept doing the same thing. loving someone and being all in with them means actually including them. it's about being a team. i love how they portrayed that exactly by showing how zombie took advantage of cihan not telling her about meryem. it made her feel worse about the situation bc it gave the pislik more munitions to shoot, which she was doing all along as well by obeying his commands and making him feel superior and as if he had the power to separate them bc they're not a team. her outrage about cihan hiding for this same reason was therefore double standards, if you ask me. which brings us to the next line: "i acted without asking you. it felt like i was ignoring you, like i made a decision despite you."... now she's furious that he didn't tell her about meryem. and again, olsun, she has a point. he should've known better than to let her find out from someone else. but here is where we see the real difference in their current dynamic. cihan actually acknowledges the exclusion. he admits that leaving her out of the loop was a mistake and, more importantly, that it hurt him personally to do it. he isn't just sorry for/about the secret, he's sad that they aren't "them" anymore. while alya is out here playing the lone wolf in "mom mode," cihan is the one trying to fix the bridge between them. he's showing a level of self-awareness that she's currently lacking. he knows that making a choice despite her messed up the already fragile bond they currently have. imo, these are good lines, that shows the double standard they live rn. he's feeling the guilt, while she's still got her walls up. it makes you wonder when she'll finally realize that her behavior and silence wasn't and isn't just protecting deniz (which it didn't anyway since it backfired on her each time), it's actually hurting the one person who has had her back through it all. he's not asking for permission or her blessing to help meryem here, he's asking for his place back in her/their life. he's asking to be part of her life, a real part, not one you just let others manipulate you into abandoning them cuz that's exactly what brought them into the situation of living under different roofs, not the woman who appeared two seconds ago. for me, this cycle started the moment she let herself be manipulated by sadakat and tried to kidnap deniz. not only did she give sadakat the impression to have that power over her, but she also gave boran the impression that they're in fact separable. that you just have to push her buttons and she would leave him without even a word or acknowledging that she did wrong. this is why they lost their magic imo, they don't stand as a team like they did before after he just woke up. and i don't think no matter how much gulizar will try to put the pieces back together or copying the season one plots that the audience enjoyed, e.g. uğur and now bringing the chief, the magic won't magically reappear as long as accountability of hurting each other's feelings is just a one sided thing and the others flaws are covered by just moving forward (which was also done by bringing boran right after mine btw🤦🏻‍♀️)

Char

98,957 Aufrufe • vor 5 Monaten

🦘🇦🇺My take on Ange Postecoglou. If you disagree, that's fine. Freedom of speech, your opinion might be listened to or not. Mine is, I know by who. That's what I care about. 🌏Postecoglou has coached every age group at national / international level on 3 continents. That's inspirational and commands respect, if he was to be found out, as he said, he'd have been a long time ago like these former pros who cry because they get a U19 team relegated (ask me the names). 🤓From a footballing standpoint, he's not making up theoretical shit like all these nerds jumping up on the Pro License barely coaching a team; and scrambling to figure out the reality of the sport/people in Phase 2, 3 doing the polar opposite to what they told everyone they'd do. 🧠The football Postecoglou sets up has room for decision making within a structure which is an extraordinary achievement from a coaching standpoint, and what every coach in the world should aspire to do. Ajax or Netherlands 1974, Nantes 1995, Rijkaard's Barcelona, Wenger's Arsenal. If you like "good football" , this is good football. If you want to win, pay more and get the best players. The correlation is right there. 🔁There's rotations everywhere (think triangles who tilt, carrier and two options short/long), and players have 2-3 options everytime. The right balance between combinations into feet and third man runs (third man runs are vital - and often forgotten when nerds coach teams and have a control kink) 🫡For that, you need a club culture of empowered players caring about the common good ; and also good enough to act selflessly to what the game demands (and actually execute it). ⚖️The challenge is that bang average off the mill pros do what they're told, can't do most things. And ones who can't do play the solo card - football is an individual sport masquerading as a team sport. 👀I can confidently second guess that the hesitation in collective movement suggest they're thinking in real time and not going "by the book" (which is microwave coaching). 👥How often Postecoglou talks about culture, turning up together for a meal before games. Old school, but actually grounded. This isn't a startup or UberEats. 🧘‍♂️There's a handful of adults coaching Premier League teams. Slot maybe, Howe, Emery, Frank, Glasner, Moyes, McKenna who value the holistic composition of performance: squad chemistry, work ethic, managing people and treating them as adults. Coincidence or not, I rate all of them. Coincidence, they all overperfom with the resources they have. 🚩Defensively, the idea to hold a high line can make sense on the occasion. Most of you don't work in football. People who do know the biggest paradox in the modern age is that lot of players are outstanding to think smart and execute fast in high pressure situations; yet are out of their depth when they have time and space to think. 🫣Chelsea 11v9 took half an hour to break down 9 fuckers on halfway line, and people know how badly it reflected on one of the worst assemblage of players ever seen pound for pound. And that's not Postecoglou's team. Then again, listen to who you want. I've done it too. 9v11 winning 5-2 from 2-1 down at National level whilst the other team was spamming diagonals out of play. 🚑The injury crisis is worrying, but it's also a vicious circle. Majority of clubs nowadays sign players to replace injured players. If you get one or two key players injured by the extreme random demands of the game (facing a Haaland, Jackson etc... stretches your CBs to the limit - Van de Ven got muscular in game injury like Rodri got injured like Fofana got injured). 🚁💰I don't think the training methods are in question; not should they be questioned more than Pep or Maresca's who can actually afford to get replacement brought in (and still get injuries) - and never get questioned. Spurs play Gray at CB. Chelsea can afford to call Chaloback, or City sign another 40 million a piece CB. 🕳️Spurs lost Kane and finished 5th, like nothing happened. That's outstanding. 📼⛳️Training clip: possession box to create the moment to change gear and find a striker dropping off the front. What happens then is a "wave" 3v2, with decision making. Drive diagonally, straight pass for diagonal runs. Affordances (what players perceive they can play) and match realism. See the cut off corners to guarantee runs going towards goal. Can't be more modern, evidence based, empowering, enjoyable and football realistic. 🏟️🎞️Game footage: look how they're using each pass as a timeline to allow a third man popping up in space. Good reaction on turnover. See another triangle being created, with players selflessly filling in the tips of the triangle even rotating. Matar Sarr gets sucked into the space, puts an outstanding goalmouth delivery with presence and bodies in the box - especially at the far post. Brennan who everyone called a flop. Tremendous, organic (= player led) output. What you can do = the team's outlook. ⚽️I'm talking football there, not theory, not pattern playbook, not fiscal optimisation. 📊Spurs are working on relative budget. Don't budget CL football. Spend 40% turnover on wages, when Chelsea's etc... are 70% or Leicester 120%. 🏇💉It's like the only clean horse in a race when others are stuffed with red bull, cocaine and creatine. And some of you Peaky Blinders are looking everywhere - even if you saw the episode where they stuff the horse to make it win.
1:05

🦘🇦🇺My take on Ange Postecoglou. If you disagree, that's fine. Freedom of speech, your opinion might be listened to or not. Mine is, I know by who. That's what I care about. 🌏Postecoglou has coached every age group at national / international level on 3 continents. That's inspirational and commands respect, if he was to be found out, as he said, he'd have been a long time ago like these former pros who cry because they get a U19 team relegated (ask me the names). 🤓From a footballing standpoint, he's not making up theoretical shit like all these nerds jumping up on the Pro License barely coaching a team; and scrambling to figure out the reality of the sport/people in Phase 2, 3 doing the polar opposite to what they told everyone they'd do. 🧠The football Postecoglou sets up has room for decision making within a structure which is an extraordinary achievement from a coaching standpoint, and what every coach in the world should aspire to do. Ajax or Netherlands 1974, Nantes 1995, Rijkaard's Barcelona, Wenger's Arsenal. If you like "good football" , this is good football. If you want to win, pay more and get the best players. The correlation is right there. 🔁There's rotations everywhere (think triangles who tilt, carrier and two options short/long), and players have 2-3 options everytime. The right balance between combinations into feet and third man runs (third man runs are vital - and often forgotten when nerds coach teams and have a control kink) 🫡For that, you need a club culture of empowered players caring about the common good ; and also good enough to act selflessly to what the game demands (and actually execute it). ⚖️The challenge is that bang average off the mill pros do what they're told, can't do most things. And ones who can't do play the solo card - football is an individual sport masquerading as a team sport. 👀I can confidently second guess that the hesitation in collective movement suggest they're thinking in real time and not going "by the book" (which is microwave coaching). 👥How often Postecoglou talks about culture, turning up together for a meal before games. Old school, but actually grounded. This isn't a startup or UberEats. 🧘‍♂️There's a handful of adults coaching Premier League teams. Slot maybe, Howe, Emery, Frank, Glasner, Moyes, McKenna who value the holistic composition of performance: squad chemistry, work ethic, managing people and treating them as adults. Coincidence or not, I rate all of them. Coincidence, they all overperfom with the resources they have. 🚩Defensively, the idea to hold a high line can make sense on the occasion. Most of you don't work in football. People who do know the biggest paradox in the modern age is that lot of players are outstanding to think smart and execute fast in high pressure situations; yet are out of their depth when they have time and space to think. 🫣Chelsea 11v9 took half an hour to break down 9 fuckers on halfway line, and people know how badly it reflected on one of the worst assemblage of players ever seen pound for pound. And that's not Postecoglou's team. Then again, listen to who you want. I've done it too. 9v11 winning 5-2 from 2-1 down at National level whilst the other team was spamming diagonals out of play. 🚑The injury crisis is worrying, but it's also a vicious circle. Majority of clubs nowadays sign players to replace injured players. If you get one or two key players injured by the extreme random demands of the game (facing a Haaland, Jackson etc... stretches your CBs to the limit - Van de Ven got muscular in game injury like Rodri got injured like Fofana got injured). 🚁💰I don't think the training methods are in question; not should they be questioned more than Pep or Maresca's who can actually afford to get replacement brought in (and still get injuries) - and never get questioned. Spurs play Gray at CB. Chelsea can afford to call Chaloback, or City sign another 40 million a piece CB. 🕳️Spurs lost Kane and finished 5th, like nothing happened. That's outstanding. 📼⛳️Training clip: possession box to create the moment to change gear and find a striker dropping off the front. What happens then is a "wave" 3v2, with decision making. Drive diagonally, straight pass for diagonal runs. Affordances (what players perceive they can play) and match realism. See the cut off corners to guarantee runs going towards goal. Can't be more modern, evidence based, empowering, enjoyable and football realistic. 🏟️🎞️Game footage: look how they're using each pass as a timeline to allow a third man popping up in space. Good reaction on turnover. See another triangle being created, with players selflessly filling in the tips of the triangle even rotating. Matar Sarr gets sucked into the space, puts an outstanding goalmouth delivery with presence and bodies in the box - especially at the far post. Brennan who everyone called a flop. Tremendous, organic (= player led) output. What you can do = the team's outlook. ⚽️I'm talking football there, not theory, not pattern playbook, not fiscal optimisation. 📊Spurs are working on relative budget. Don't budget CL football. Spend 40% turnover on wages, when Chelsea's etc... are 70% or Leicester 120%. 🏇💉It's like the only clean horse in a race when others are stuffed with red bull, cocaine and creatine. And some of you Peaky Blinders are looking everywhere - even if you saw the episode where they stuff the horse to make it win.

S.

229,641 Aufrufe • vor 1 Jahr

Long rant, but worth it, please read & share. A bunch of businessmen, some quite famous, sit around a table discussing the "business of alcohol." So far so good. Alcohol is good business, a business that leech out others life. It rakes in money for governments through taxation & monopoly; and fattens the bank accounts of those behind the industry (like this round table group) and makes barons out of those who sell well. But when these businessmen, start glorifying their business of alcohol by equating it to "good healthcare intervention," it goes definitely into the realm of health misinformation, which is why, I have to keep discussing this absolutely garbage myth that "alcohol in moderation is good for you" and the absolute nonsense disclaimer to support that myth, which they call "drink responsibly." You know, first of all, it is easy for these rich men and women to glorify their alcohol business and discuss their high flying life, because "God" forbid, if they ever land with diseases related to alcohol - from strokes, to cancers to liver disease to mental health disorder - they can afford the best care out there. I treat alcohol use disorder and related acute liver disease, chronic liver failure and acute-on-chronic liver failure (the most devastating of them all with highest death rate without a timely liver transplantation) on a daily basis. I am not even saying "almost on a daily basis" - it is daily. Every single day from Monday to Friday - both in-patients, as well as out-patients. Patients and families struggle to make ends meet for proper healthcare because alcohol use destroyed their life savings. And by the time they find the funds to get things going, the patient is already on the ventilator and in multiple organ failure. They use the money to bury the dead person - killed by alcohol (normalized by round-table discussions like these) and the rest of the money, go toward the fatherless childrens education. Nice going? To claim drinking alcohol in moderation is good, is actually a crime. It is a crime towards humanity, it is not in good-faith --> it is in good-faith to run the business yes, because the many people who use it occassionally, move on to frequently, and then get dependent or "routinize" it. These businessmen have nothing to lose - because they have already put up a stupid disclaimer to get away with it - "drink responsibly." So it becomes the drinkers fault. But then is it really? Drinking alcohol is a choice. But drinking more alcohol becomes "not" a choice anymore. The first drink takes your brain. It reduces brain volume, gives you a dopamine kick, makes you happy. And then onwards, you are alcohol's slave. The drinks increase. Or a routine sticks. The alcohol controls your life. You have to drink to stay happy. And then the serotonin (the actual happiness hormone, not the pleasuring one like dopamine) cease to work inside your brain and the mental health disorder that follows will swallow you whole. You die. Your family is brioken. There is no money left. If you are lucky and rich like these people sitting around this table doing this nonsense of a podcast, then you may be able to afford a lifesaving organ transplant or healthcare intervention. There is no safe level of alcohol that is good for human health and every person who claims drinking in moderation is good for you, is actually an idiot, intellectually depleted and without any regard for fellow humans and lack compassion. No amount of alcohol is safe because it is not just a liver poison, it is systemic poison. It gets to every part of your body. Even single to lowest exposure can wreck your DNA and promote cancer formation. There is scientific evidence to this. ✅️ ✅ Any amount of alcohol can increase your chances of getting at least 7 types of dreadful cancers. ➡️ & ➡️ It is not just disease causing, but alcohol use is also a societal poison. It drives people into becoming menace to society, takes lives, wrecks havoc in homes and is the real widow-maker. Have you forgotten these so quickly? 🔴The 17-year-old Pune boy, son of a renowned real-estate developer Vishal Agarwal, spent a whooping Rs 48,000 in just 90 minutes in one of the two pubs he visited on Saturday evening where he consumed alcohol with his friends before ramming his Porsche Taycan into a motorcycle, killing two young techies. and this one? India’s alcohol deaths are higher than China; per capita consumption is set to rise: WHO And please allow me refresh your memory about this patient of mine. Rich business people can sit around a table and discuss the business of alcohol and the "best alcohol" that they savor and falsely glorify and normalize alcohol use among youth, but end-of-the-line physicians like me have to bear the brunt of their intellectually deficient, a humanism lacking stupid conversations. "The 4th Laddu": Doctor Shares Emotional Post About A Patient Who Touched His Heart Also banning alcohol has NOT led to economies go into shambles. For example a recent study in the Lancet Regional Health showed that "strict alcohol regulation policies may yield significant population level health benefits for frequent drinkers and many victims of intimate partner violence." In fact, "economic savings and health benefits from reduced alcohol consumption may be substantial—particularly in the health sector with reduced alcohol-related disease and injury." So please chuck that idea that "banning/ limiting or reducing alcohol sales" actually desroys economies. In fact it improves it because you get a helathier population. See the Nordic Schema: “A comprehensive ban on alcohol marketing, enforced at the national and local level, is a best practice for reducing alcohol sales and consumption." - which means, podcasts like these, which glorify alcohol use and market it indirectly must also be burned to the ground and held accountable. There is no healthy or safe alcohol. There is no best alcohol. Alcohol is ethanol, which is a systemic and societal poison. Do not glorify it. And this why there is no "responsible drinking," because you cannot advice people to "drink poison responsibly." Podcast discussions like these are helping no one here. Please, do something that actually helps people out here. Do something good for the society, instead of goofing up like this. No one asked for this absolute bonkers of a podcast topic. Irresponsible. The whole team. For a realistic detailed discussion on alcohol and its effects on the body and why we must avoid it at all costs, please see my deep discussion with Ranveer Allahbadia here: And on that final note, I must confess that the title of podcast series (video below) was perfectly named: WTF.
1:14

Long rant, but worth it, please read & share. A bunch of businessmen, some quite famous, sit around a table discussing the "business of alcohol." So far so good. Alcohol is good business, a business that leech out others life. It rakes in money for governments through taxation & monopoly; and fattens the bank accounts of those behind the industry (like this round table group) and makes barons out of those who sell well. But when these businessmen, start glorifying their business of alcohol by equating it to "good healthcare intervention," it goes definitely into the realm of health misinformation, which is why, I have to keep discussing this absolutely garbage myth that "alcohol in moderation is good for you" and the absolute nonsense disclaimer to support that myth, which they call "drink responsibly." You know, first of all, it is easy for these rich men and women to glorify their alcohol business and discuss their high flying life, because "God" forbid, if they ever land with diseases related to alcohol - from strokes, to cancers to liver disease to mental health disorder - they can afford the best care out there. I treat alcohol use disorder and related acute liver disease, chronic liver failure and acute-on-chronic liver failure (the most devastating of them all with highest death rate without a timely liver transplantation) on a daily basis. I am not even saying "almost on a daily basis" - it is daily. Every single day from Monday to Friday - both in-patients, as well as out-patients. Patients and families struggle to make ends meet for proper healthcare because alcohol use destroyed their life savings. And by the time they find the funds to get things going, the patient is already on the ventilator and in multiple organ failure. They use the money to bury the dead person - killed by alcohol (normalized by round-table discussions like these) and the rest of the money, go toward the fatherless childrens education. Nice going? To claim drinking alcohol in moderation is good, is actually a crime. It is a crime towards humanity, it is not in good-faith --> it is in good-faith to run the business yes, because the many people who use it occassionally, move on to frequently, and then get dependent or "routinize" it. These businessmen have nothing to lose - because they have already put up a stupid disclaimer to get away with it - "drink responsibly." So it becomes the drinkers fault. But then is it really? Drinking alcohol is a choice. But drinking more alcohol becomes "not" a choice anymore. The first drink takes your brain. It reduces brain volume, gives you a dopamine kick, makes you happy. And then onwards, you are alcohol's slave. The drinks increase. Or a routine sticks. The alcohol controls your life. You have to drink to stay happy. And then the serotonin (the actual happiness hormone, not the pleasuring one like dopamine) cease to work inside your brain and the mental health disorder that follows will swallow you whole. You die. Your family is brioken. There is no money left. If you are lucky and rich like these people sitting around this table doing this nonsense of a podcast, then you may be able to afford a lifesaving organ transplant or healthcare intervention. There is no safe level of alcohol that is good for human health and every person who claims drinking in moderation is good for you, is actually an idiot, intellectually depleted and without any regard for fellow humans and lack compassion. No amount of alcohol is safe because it is not just a liver poison, it is systemic poison. It gets to every part of your body. Even single to lowest exposure can wreck your DNA and promote cancer formation. There is scientific evidence to this. ✅️ ✅ Any amount of alcohol can increase your chances of getting at least 7 types of dreadful cancers. ➡️ & ➡️ It is not just disease causing, but alcohol use is also a societal poison. It drives people into becoming menace to society, takes lives, wrecks havoc in homes and is the real widow-maker. Have you forgotten these so quickly? 🔴The 17-year-old Pune boy, son of a renowned real-estate developer Vishal Agarwal, spent a whooping Rs 48,000 in just 90 minutes in one of the two pubs he visited on Saturday evening where he consumed alcohol with his friends before ramming his Porsche Taycan into a motorcycle, killing two young techies. and this one? India’s alcohol deaths are higher than China; per capita consumption is set to rise: WHO And please allow me refresh your memory about this patient of mine. Rich business people can sit around a table and discuss the business of alcohol and the "best alcohol" that they savor and falsely glorify and normalize alcohol use among youth, but end-of-the-line physicians like me have to bear the brunt of their intellectually deficient, a humanism lacking stupid conversations. "The 4th Laddu": Doctor Shares Emotional Post About A Patient Who Touched His Heart Also banning alcohol has NOT led to economies go into shambles. For example a recent study in the Lancet Regional Health showed that "strict alcohol regulation policies may yield significant population level health benefits for frequent drinkers and many victims of intimate partner violence." In fact, "economic savings and health benefits from reduced alcohol consumption may be substantial—particularly in the health sector with reduced alcohol-related disease and injury." So please chuck that idea that "banning/ limiting or reducing alcohol sales" actually desroys economies. In fact it improves it because you get a helathier population. See the Nordic Schema: “A comprehensive ban on alcohol marketing, enforced at the national and local level, is a best practice for reducing alcohol sales and consumption." - which means, podcasts like these, which glorify alcohol use and market it indirectly must also be burned to the ground and held accountable. There is no healthy or safe alcohol. There is no best alcohol. Alcohol is ethanol, which is a systemic and societal poison. Do not glorify it. And this why there is no "responsible drinking," because you cannot advice people to "drink poison responsibly." Podcast discussions like these are helping no one here. Please, do something that actually helps people out here. Do something good for the society, instead of goofing up like this. No one asked for this absolute bonkers of a podcast topic. Irresponsible. The whole team. For a realistic detailed discussion on alcohol and its effects on the body and why we must avoid it at all costs, please see my deep discussion with Ranveer Allahbadia here: And on that final note, I must confess that the title of podcast series (video below) was perfectly named: WTF.

TheLiverDoc™

351,069 Aufrufe • vor 2 Jahren

There's a sound animals make when they've stopped hoping and started begging. Most people go their entire lives without ever hearing it. The men on that boat heard it at 6:40 in the morning, on water so still it looked like glass, in the kind of silence where you can hear your own heartbeat over the hum of the trolling motor. And then something in that silence moved. Not a fish. Not a bird. Something that had no business being where it was, doing what it was doing, for as long as it had clearly been doing it. I've watched this clip eleven times now and I still get the same reaction on the eleventh watch that I got on the first: a full-body flinch, followed by a slow, sinking realization of exactly what I'm looking at. That's rare. Most viral clips lose their power after the second viewing. This one doesn't. If anything it gets worse, because the more times you watch it, the more your brain starts doing the math on the timeline — how long, how far, how close it came to not ending the way it did. I'm not going to tell you what happens. I'm not going to describe the moment, because the moment is the entire point, and describing it would be like handing you a photograph of a sunset and calling it a vacation. You have to be there. You have to watch the water yourself and see it the way the man in the boat saw it — a fraction of a second before his brain even processed what his eyes were sending it. What I will tell you is this: there is a very specific kind of video that breaks the internet not because it's dramatic, not because it's violent, not because it's shocking in the traditional sense, but because it touches something older than language. Something underneath the part of your brain that scrolls. This is one of those videos. It hits the part of you that still remembers being small and scared and needing someone bigger to notice you. Every single person who has ever felt helpless, ever felt like they were fighting something too big for them alone, ever needed a hand reaching down when they had nothing left to reach back with — that person is going to feel this clip in their chest before their mind even catches up. Here's the part nobody talks about when they share this kind of footage: the decision-making window was almost nonexistent. There was no time to think, no time to debate, no time to weigh pros and cons like a rational adult standing in a grocery store aisle. There was a flash of recognition, and then there was action. That's it. That's the whole story of what separates people who freeze from people who move. It's not courage in the dramatic Hollywood sense. It's something quieter and, honestly, more impressive — the kind of instinct that only shows up when you're not performing for anyone, when there's no audience, when it's just you and the water and something that needs you right now. Except there was an audience. There was a camera. And that's the only reason the rest of us get to see what almost nobody on earth ever sees with their own eyes. Think about how many moments like this have happened throughout history with zero witnesses. Zero footage. Just a person and an animal and a lake and a decision made in half a second, then carried silently for the rest of that person's life as a story they tell at dinner parties that nobody quite believes. This time, it's different. This time there's proof. This time you don't have to take anyone's word for it, because it's all right there, unfolding in real time, no reenactment, no staging, no slow-motion dramatic score added in post-production. Just what actually happened, exactly as it happened, exactly when it happened. I keep coming back to the geometry of it. The distance. The angle. The way panic and instinct don't move in straight lines — they move in desperate, jagged little movements that somehow, against every probability, end up going in the right direction. There is a moment in this clip where the outcome could have gone either way, and if you watch closely, you can actually see the exact frame where it tips. That's the frame everyone remembers. That's the frame that gets posted in slow motion three days later with 40 million views and a caption that just says "I'm not crying you're crying." That's the frame you're going to screenshot without meaning to, just to look at it again after the video ends, because your brain doesn't want to let go of it yet. People love to say nature is cruel, indifferent, survival-of-the-fittest, red in tooth and claw. And sure — most of the time, that's true. Most of the time nobody's coming. Most of the time it's just you, alone, against odds nobody bothered to make fair. That's exactly why moments like this one matter so much when they happen. They're rare enough to be almost unbelievable, and real enough that you can't dismiss them as sentimental nonsense written for a greeting card. This isn't a story someone made up to make you feel something. Nobody scripted this. Nobody planned camera angles or hired someone to stand there looking heroic. It happened the way real things happen — badly framed, a little shaky, half of it almost missed entirely because the person holding the camera didn't know yet that they were about to capture something they'd be replaying in their head for years. I've spent more time than I'd like to admit trying to figure out why clips like this hit people so much harder than almost anything else on this platform. Wars, elections, business news, celebrity drama — all of it gets scrolled past in under two seconds. But this? This gets the full watch, the replay, the share, the comment that just says a single word because there are no other words that feel adequate. I think it's because this is proof of something we all quietly hope is true but rarely get to see confirmed: that when something is truly desperate, truly out of options, truly at the edge of what it can survive on its own — sometimes, not always, but sometimes — help actually shows up. Not because it's owed. Not because it's guaranteed. But because somewhere out there, someone was paying enough attention, and cared enough, to notice in time. That's a fragile kind of hope to build a worldview on. Most days the universe does not confirm it for you. Most days you're on your own and nobody's watching and nothing changes because you needed it to. But every once in a while, the universe hands you a receipt. Undeniable, filmed, timestamped proof that sometimes it does work out. Sometimes the thing that seems impossible five seconds before it happens becomes the thing everyone is talking about five seconds after. I've seen thousands of videos on this platform. I can count on one hand the ones that actually made my chest tighten before I even understood what I was watching. This is one of them. Not because of gore, not because of shock value, not because of some algorithm-bait fake drama edited together in Capcut with a trending sound slapped over the top. This is real, it's raw, it's completely unedited emotional whiplash, and it happens in under ninety seconds — which somehow makes it hit even harder, because you don't have time to brace yourself. You're just suddenly in it. There's a very particular kind of silence that happens in a room when someone shows this video to a friend who hasn't seen it yet. You know the silence. It's the one right after the moment happens, before anyone says anything, where both people are just sitting there processing. Then someone exhales. Then someone says "wait, go back." Then you watch it again, together this time, and somehow it's even more intense the second time because now you know it's coming. I've shown this to four people in the last two days. All four asked to watch it again immediately. Zero of them scrolled away before it finished. That's not normal behavior on this app. Nothing gets a hundred percent completion rate anymore — attention spans are too fractured, everyone's thumb is already halfway to the next post before the current one even loads fully. This one, people watch to the end. Every time. Here's a fact that should terrify you a little: most rescues like this one never make it onto a screen at all. Most of them happen in complete silence, witnessed by nobody, filmed by nobody, remembered by exactly one or two people who were there and nobody else. The only reason you get to see this one is a small, almost accidental miracle of timing — a camera that happened to be rolling, a person who happened to be exactly where they needed to be, at exactly the moment they needed to be there. Multiply that by every similar situation that has ever happened without a camera anywhere nearby, and you start to understand how much of the good in this world goes completely undocumented. How many small, quiet acts of decency happen every single day with zero witnesses and zero proof, simply because someone cared enough to act in a moment when nobody was watching and nobody would ever know. This time, we know. This time there's footage. And once you've seen it, you're going to understand exactly why it's already circulating everywhere, why people keep reposting it with captions that are just strings of crying emojis, why it's going to keep showing up on your feed for the next several weeks no matter how many times the algorithm thinks you've already seen it. I want to be very clear about something: I am not exaggerating for engagement here. I do this for a living. I've seen every trick in the book, every fake heartwarming edit, every staged "rescue" filmed for clout with a a paid actor and a script written by someone in a marketing meeting. I can spot fake from a mile away, and this is not that. This is the real thing, captured by accident, shared because it genuinely deserves to be seen, not because someone engineered it to go viral. The truth is, moments like this one are basically impossible to manufacture. You cannot fake the specific quality of panic that shows up right before help arrives. You cannot fake the particular kind of relief that shows up right after. Actors have tried for decades to replicate these exact emotional beats and it almost never works, because the real thing has a texture to it that fiction simply cannot copy. Your nervous system knows the difference even when your conscious mind can't articulate why. That's what you're about to watch. Not a performance. Not a recreation. The real, unscripted, entirely unplanned version of one of the oldest stories there is — something in trouble, someone who could have looked away, and a choice made in less time than it takes to read this sentence. I've thought a lot about what it says about a person, the instinct to move toward trouble instead of away from it. Most of us like to imagine we'd be the type to help. Fewer of us actually get tested on it in real time, with real stakes, with no time to think it through first. This footage is one of those rare, unfiltered tests, caught completely by accident, and the answer it reveals is the kind of answer that makes you want to believe better things about people in general. Maybe that's naive. Maybe I'm reading too much into ninety seconds of footage shot on a phone from a boat on a lake somewhere most of us will never visit. But I don't think so. I think there's a reason this specific kind of clip travels faster and further than almost anything else on this app, and I think it's because deep down, everyone scrolling past it is quietly starving for proof that the good instinct still wins sometimes. That somewhere, in some small unremarkable moment that nobody was supposed to see, it did. You're going to want to watch this at full volume. You're going to want to watch it more than once. And you're going to want to send it to at least one person the second it's over, because some things are simply too good, too raw, too real to keep to yourself. Scroll down. Hit play. Don't skip ahead. Let it happen the way it happened — in real time, unedited, exactly as it unfolded on a quiet morning that started like every other morning and ended up being one that a handful of people will never, ever forget. You'll know the exact second it gets you. Everybody does. And once it does, you're going to understand completely why this is already everywhere, why it's not going away anytime soon, and why — no matter how much content you consume on this platform every single day — this is the one still sitting in your head an hour from now. Watch it. Then watch it again. Then try to explain to someone else why you can't stop thinking about ninety seconds of footage from an ordinary morning on an ordinary lake. You won't be able to, not really, not in words that do it justice. Some things you just have to see for yourself. This is one of them. Let me back up for a second, because I think there's something worth unpacking about why this specific type of footage has such a strange grip on people who otherwise consider themselves fairly numb to the internet. We've all built up an immunity to most things online. Shock content doesn't shock anymore. Sad content doesn't move us the way it used to. Cute content gets a half-second smile and an immediate scroll. The threshold for actually feeling something has crept higher and higher every year, to the point where most creators have to exaggerate, stage, or manufacture emotion just to get a reaction out of an audience that's seen everything twice already. And then a clip like this shows up, completely unpolished, completely unplanned, filmed by someone who clearly had zero intention of ever going viral that morning, and it cuts through all of that noise instantly. No slow zoom. No dramatic music cue. No forced narration. Just a phone, a boat, a lake, and something happening in real time that nobody could have predicted five seconds before it happened. That's the part that gets me every time. The lack of preparation. You can tell, watching it, that the person holding the camera had no idea what they were about to capture. There's no anticipation in the framing. There's no build-up shot, no dramatic pause before the reveal. It just happens, mid-motion, mid-conversation probably, the way real things happen when nobody's expecting them to be filmed for posterity. I've worked with creators who spend six hours setting up a single ten-second clip to try to fake this exact energy. Lighting rigs. Multiple takes. A script written specifically to sound spontaneous. None of it ever quite lands the way this does, because authenticity has a signature that fabricated content simply cannot replicate no matter how good the equipment is. Your gut knows. It always knows. There's a reason the comments section under this kind of footage looks completely different from the comments section under almost anything else on this platform. No jokes. No sarcasm. No "this is fake" skepticism that usually shows up under viral content within the first ten minutes. Just people typing out real, unguarded reactions, the kind you don't normally see from adults who've spent years training themselves to look unbothered online. That tells you something. When a video manages to strip away the armor that most of us wear constantly while scrolling — the practiced cynicism, the ironic detachment, the instinct to act like nothing affects us — you know you're looking at something rare. Something that bypassed the defense mechanism entirely and went straight for the part of the brain that doesn't know how to perform indifference. I want to talk for a second about timing, because timing is the single most underrated element of this entire clip. A few seconds earlier or later in either direction, and this entire story looks completely different. That's the part that makes your stomach drop a little when you really sit with it. How close this came to being a story nobody ever heard, filmed by nobody, witnessed by nobody, remembered by nobody. We don't usually think about how much of what we consider "meant to be" is actually just an accumulation of tiny, invisible timing decisions stacking up in exactly the right order. A boat leaving the dock two minutes later than usual. A route taken slightly differently than the day before. A moment of quiet that happened to fall at exactly the right second for someone to notice something they easily could have missed entirely. Multiply those variables out and the odds of this exact sequence of events lining up the way it did start to feel almost absurd. And yet here it is, captured, verified, undeniable — proof that sometimes the universe threads a needle so precisely that even people who don't believe in fate start to wonder for a second. I don't think I'm being dramatic when I say that clips like this one function almost like modern folklore. A hundred years ago, this story would have been told around a table, passed down, exaggerated slightly with each retelling until nobody was quite sure anymore which parts were true and which parts had been embellished for effect. Today, it doesn't need to be exaggerated. It doesn't need embellishment. The raw footage does all the work that oral tradition used to have to do manually, and it does it more convincingly than any storyteller ever could, because you're not being told what happened — you're watching it happen, unfiltered, in real time, with your own eyes. That's a strange kind of privilege, honestly. Every generation before this one had to rely on someone else's description of moments like this. A witness recounting it secondhand, softened or sharpened depending on who was doing the telling. We don't have to rely on anyone's account. We get the primary source. We get the actual footage, timestamped, unedited, exactly as it happened, and we get to draw our own conclusions from it without anyone standing between us and the moment itself. I keep thinking about the people who happened to be nearby when this happened and had absolutely no idea, walking into that morning, that they were about to be part of something that would end up in front of millions of strangers within days. There's something almost dizzying about that. You wake up, you go about an entirely ordinary routine, and somewhere in the middle of an unremarkable morning, your life intersects with a moment that ends up mattering to people you will never meet, in places you will never visit, for reasons you probably never anticipated when you woke up that day. That's true of more moments than we realize, probably. Most of us will never know which ordinary Tuesday morning ends up being the one that quietly mattered more than we understood at the time. This is just one of the rare instances where we actually get to see it happen, see the exact moment it tips from ordinary into unforgettable, because a camera happened to be rolling and someone happened to hit record at exactly the right time. I also think there's something worth saying about the specific emotional cocktail this footage produces, because it's not simple. It's not just "aww, cute." It's not just relief. It's a genuinely layered reaction — fear first, because your brain registers the stakes before it registers anything else. Then tension, because you don't know yet how it resolves. Then, if you're paying attention, a strange kind of awe at how fast everything happens, how little time there was to think, how the entire outcome rested on a handful of seconds that could have gone completely differently. And then, right at the end, something that's hard to name precisely. Not just happiness. Something closer to relief mixed with gratitude mixed with a strange kind of faith restored in something you didn't realize you'd been losing faith in. That combination doesn't show up often. Most content gives you one emotion at a time, cleanly packaged, easy to categorize and move past. This gives you four or five emotions stacked on top of each other in the space of ninety seconds, and that's exactly why it lingers so much longer than almost anything else you'll scroll past today. I've been doing this long enough to know the difference between content that performs well because it's engineered to and content that performs well because it deserves to. This falls firmly into the second category. Nobody optimized this for engagement. Nobody thought about hook rate or average watch time or completion percentage while it was happening. It simply happened, and it happened to be extraordinary, and now it's traveling across the internet the old-fashioned way — person to person, share to share, because people genuinely can't help themselves. That's the purest form of virality there is, and it's becoming rarer every year as more and more content gets manufactured specifically to chase that exact outcome artificially. When something manages to go viral organically now, purely because it's real and it's rare and it deserves the attention, it stands out immediately against everything else competing for your scroll. You can feel the difference within the first few seconds, even if you can't articulate exactly why. I'll say this too — if you've made it this far into a post about a video you haven't even watched yet, that should tell you something. Most people don't read past the first two lines of anything on this platform anymore. If you're still here, some part of you already suspects this is worth your time. Trust that instinct. It's usually right. So here's what I'd suggest. Don't watch this distracted. Don't watch it with the sound off, scrolling past while doing three other things at once the way most of us consume content by default now. Give it the full ninety seconds of actual attention. Watch the water. Watch the timing. Watch the exact moment everything shifts, because that moment is the entire reason this clip exists in your feed right now instead of disappearing into the void the way ninety-nine percent of footage like this normally does. You'll understand within the first few seconds why this one didn't disappear. You'll understand why it's already been reposted thousands of times, why it keeps resurfacing on different accounts with different captions, why people who consider themselves completely desensitized to internet content are still talking about it days later. Some things are simply built to be remembered. This is one of them, and it earned that status the hard way — by actually happening, exactly the way you're about to see it, with absolutely nothing about it staged, softened, or exaggerated for effect. Hit play. You'll see what I mean before it even finishes. One last thing before you go watch it. I've noticed that the people who react the strongest to this clip are almost never the ones who consider themselves overly sentimental. It's the skeptics. The ones who claim they don't cry at commercials, don't get emotional over animal content, don't fall for "engagement bait" no matter how it's dressed up. Those are the ones who go quiet the fastest. Those are the ones who ask to see it again without explaining why. There's something almost funny about watching someone's carefully maintained emotional armor fail in real time over ninety seconds of unplanned footage from a random morning on a random lake. Maybe that'll be you. Maybe you're reading this thinking you're immune to this kind of thing, that you've seen enough of the internet to be unshakeable at this point. I've thought that before too, more than once, right up until the moment a video like this one proved me wrong in under two minutes. There's no trick here. No twist ending designed to manipulate you. No manufactured suspense built by a script written in a writers' room somewhere. Just a real moment, caught by accident, that turned an unremarkable morning into something worth remembering. Go watch it. Then come back and tell me I'm wrong. You won't.
1:23

There's a sound animals make when they've stopped hoping and started begging. Most people go their entire lives without ever hearing it. The men on that boat heard it at 6:40 in the morning, on water so still it looked like glass, in the kind of silence where you can hear your own heartbeat over the hum of the trolling motor. And then something in that silence moved. Not a fish. Not a bird. Something that had no business being where it was, doing what it was doing, for as long as it had clearly been doing it. I've watched this clip eleven times now and I still get the same reaction on the eleventh watch that I got on the first: a full-body flinch, followed by a slow, sinking realization of exactly what I'm looking at. That's rare. Most viral clips lose their power after the second viewing. This one doesn't. If anything it gets worse, because the more times you watch it, the more your brain starts doing the math on the timeline — how long, how far, how close it came to not ending the way it did. I'm not going to tell you what happens. I'm not going to describe the moment, because the moment is the entire point, and describing it would be like handing you a photograph of a sunset and calling it a vacation. You have to be there. You have to watch the water yourself and see it the way the man in the boat saw it — a fraction of a second before his brain even processed what his eyes were sending it. What I will tell you is this: there is a very specific kind of video that breaks the internet not because it's dramatic, not because it's violent, not because it's shocking in the traditional sense, but because it touches something older than language. Something underneath the part of your brain that scrolls. This is one of those videos. It hits the part of you that still remembers being small and scared and needing someone bigger to notice you. Every single person who has ever felt helpless, ever felt like they were fighting something too big for them alone, ever needed a hand reaching down when they had nothing left to reach back with — that person is going to feel this clip in their chest before their mind even catches up. Here's the part nobody talks about when they share this kind of footage: the decision-making window was almost nonexistent. There was no time to think, no time to debate, no time to weigh pros and cons like a rational adult standing in a grocery store aisle. There was a flash of recognition, and then there was action. That's it. That's the whole story of what separates people who freeze from people who move. It's not courage in the dramatic Hollywood sense. It's something quieter and, honestly, more impressive — the kind of instinct that only shows up when you're not performing for anyone, when there's no audience, when it's just you and the water and something that needs you right now. Except there was an audience. There was a camera. And that's the only reason the rest of us get to see what almost nobody on earth ever sees with their own eyes. Think about how many moments like this have happened throughout history with zero witnesses. Zero footage. Just a person and an animal and a lake and a decision made in half a second, then carried silently for the rest of that person's life as a story they tell at dinner parties that nobody quite believes. This time, it's different. This time there's proof. This time you don't have to take anyone's word for it, because it's all right there, unfolding in real time, no reenactment, no staging, no slow-motion dramatic score added in post-production. Just what actually happened, exactly as it happened, exactly when it happened. I keep coming back to the geometry of it. The distance. The angle. The way panic and instinct don't move in straight lines — they move in desperate, jagged little movements that somehow, against every probability, end up going in the right direction. There is a moment in this clip where the outcome could have gone either way, and if you watch closely, you can actually see the exact frame where it tips. That's the frame everyone remembers. That's the frame that gets posted in slow motion three days later with 40 million views and a caption that just says "I'm not crying you're crying." That's the frame you're going to screenshot without meaning to, just to look at it again after the video ends, because your brain doesn't want to let go of it yet. People love to say nature is cruel, indifferent, survival-of-the-fittest, red in tooth and claw. And sure — most of the time, that's true. Most of the time nobody's coming. Most of the time it's just you, alone, against odds nobody bothered to make fair. That's exactly why moments like this one matter so much when they happen. They're rare enough to be almost unbelievable, and real enough that you can't dismiss them as sentimental nonsense written for a greeting card. This isn't a story someone made up to make you feel something. Nobody scripted this. Nobody planned camera angles or hired someone to stand there looking heroic. It happened the way real things happen — badly framed, a little shaky, half of it almost missed entirely because the person holding the camera didn't know yet that they were about to capture something they'd be replaying in their head for years. I've spent more time than I'd like to admit trying to figure out why clips like this hit people so much harder than almost anything else on this platform. Wars, elections, business news, celebrity drama — all of it gets scrolled past in under two seconds. But this? This gets the full watch, the replay, the share, the comment that just says a single word because there are no other words that feel adequate. I think it's because this is proof of something we all quietly hope is true but rarely get to see confirmed: that when something is truly desperate, truly out of options, truly at the edge of what it can survive on its own — sometimes, not always, but sometimes — help actually shows up. Not because it's owed. Not because it's guaranteed. But because somewhere out there, someone was paying enough attention, and cared enough, to notice in time. That's a fragile kind of hope to build a worldview on. Most days the universe does not confirm it for you. Most days you're on your own and nobody's watching and nothing changes because you needed it to. But every once in a while, the universe hands you a receipt. Undeniable, filmed, timestamped proof that sometimes it does work out. Sometimes the thing that seems impossible five seconds before it happens becomes the thing everyone is talking about five seconds after. I've seen thousands of videos on this platform. I can count on one hand the ones that actually made my chest tighten before I even understood what I was watching. This is one of them. Not because of gore, not because of shock value, not because of some algorithm-bait fake drama edited together in Capcut with a trending sound slapped over the top. This is real, it's raw, it's completely unedited emotional whiplash, and it happens in under ninety seconds — which somehow makes it hit even harder, because you don't have time to brace yourself. You're just suddenly in it. There's a very particular kind of silence that happens in a room when someone shows this video to a friend who hasn't seen it yet. You know the silence. It's the one right after the moment happens, before anyone says anything, where both people are just sitting there processing. Then someone exhales. Then someone says "wait, go back." Then you watch it again, together this time, and somehow it's even more intense the second time because now you know it's coming. I've shown this to four people in the last two days. All four asked to watch it again immediately. Zero of them scrolled away before it finished. That's not normal behavior on this app. Nothing gets a hundred percent completion rate anymore — attention spans are too fractured, everyone's thumb is already halfway to the next post before the current one even loads fully. This one, people watch to the end. Every time. Here's a fact that should terrify you a little: most rescues like this one never make it onto a screen at all. Most of them happen in complete silence, witnessed by nobody, filmed by nobody, remembered by exactly one or two people who were there and nobody else. The only reason you get to see this one is a small, almost accidental miracle of timing — a camera that happened to be rolling, a person who happened to be exactly where they needed to be, at exactly the moment they needed to be there. Multiply that by every similar situation that has ever happened without a camera anywhere nearby, and you start to understand how much of the good in this world goes completely undocumented. How many small, quiet acts of decency happen every single day with zero witnesses and zero proof, simply because someone cared enough to act in a moment when nobody was watching and nobody would ever know. This time, we know. This time there's footage. And once you've seen it, you're going to understand exactly why it's already circulating everywhere, why people keep reposting it with captions that are just strings of crying emojis, why it's going to keep showing up on your feed for the next several weeks no matter how many times the algorithm thinks you've already seen it. I want to be very clear about something: I am not exaggerating for engagement here. I do this for a living. I've seen every trick in the book, every fake heartwarming edit, every staged "rescue" filmed for clout with a a paid actor and a script written by someone in a marketing meeting. I can spot fake from a mile away, and this is not that. This is the real thing, captured by accident, shared because it genuinely deserves to be seen, not because someone engineered it to go viral. The truth is, moments like this one are basically impossible to manufacture. You cannot fake the specific quality of panic that shows up right before help arrives. You cannot fake the particular kind of relief that shows up right after. Actors have tried for decades to replicate these exact emotional beats and it almost never works, because the real thing has a texture to it that fiction simply cannot copy. Your nervous system knows the difference even when your conscious mind can't articulate why. That's what you're about to watch. Not a performance. Not a recreation. The real, unscripted, entirely unplanned version of one of the oldest stories there is — something in trouble, someone who could have looked away, and a choice made in less time than it takes to read this sentence. I've thought a lot about what it says about a person, the instinct to move toward trouble instead of away from it. Most of us like to imagine we'd be the type to help. Fewer of us actually get tested on it in real time, with real stakes, with no time to think it through first. This footage is one of those rare, unfiltered tests, caught completely by accident, and the answer it reveals is the kind of answer that makes you want to believe better things about people in general. Maybe that's naive. Maybe I'm reading too much into ninety seconds of footage shot on a phone from a boat on a lake somewhere most of us will never visit. But I don't think so. I think there's a reason this specific kind of clip travels faster and further than almost anything else on this app, and I think it's because deep down, everyone scrolling past it is quietly starving for proof that the good instinct still wins sometimes. That somewhere, in some small unremarkable moment that nobody was supposed to see, it did. You're going to want to watch this at full volume. You're going to want to watch it more than once. And you're going to want to send it to at least one person the second it's over, because some things are simply too good, too raw, too real to keep to yourself. Scroll down. Hit play. Don't skip ahead. Let it happen the way it happened — in real time, unedited, exactly as it unfolded on a quiet morning that started like every other morning and ended up being one that a handful of people will never, ever forget. You'll know the exact second it gets you. Everybody does. And once it does, you're going to understand completely why this is already everywhere, why it's not going away anytime soon, and why — no matter how much content you consume on this platform every single day — this is the one still sitting in your head an hour from now. Watch it. Then watch it again. Then try to explain to someone else why you can't stop thinking about ninety seconds of footage from an ordinary morning on an ordinary lake. You won't be able to, not really, not in words that do it justice. Some things you just have to see for yourself. This is one of them. Let me back up for a second, because I think there's something worth unpacking about why this specific type of footage has such a strange grip on people who otherwise consider themselves fairly numb to the internet. We've all built up an immunity to most things online. Shock content doesn't shock anymore. Sad content doesn't move us the way it used to. Cute content gets a half-second smile and an immediate scroll. The threshold for actually feeling something has crept higher and higher every year, to the point where most creators have to exaggerate, stage, or manufacture emotion just to get a reaction out of an audience that's seen everything twice already. And then a clip like this shows up, completely unpolished, completely unplanned, filmed by someone who clearly had zero intention of ever going viral that morning, and it cuts through all of that noise instantly. No slow zoom. No dramatic music cue. No forced narration. Just a phone, a boat, a lake, and something happening in real time that nobody could have predicted five seconds before it happened. That's the part that gets me every time. The lack of preparation. You can tell, watching it, that the person holding the camera had no idea what they were about to capture. There's no anticipation in the framing. There's no build-up shot, no dramatic pause before the reveal. It just happens, mid-motion, mid-conversation probably, the way real things happen when nobody's expecting them to be filmed for posterity. I've worked with creators who spend six hours setting up a single ten-second clip to try to fake this exact energy. Lighting rigs. Multiple takes. A script written specifically to sound spontaneous. None of it ever quite lands the way this does, because authenticity has a signature that fabricated content simply cannot replicate no matter how good the equipment is. Your gut knows. It always knows. There's a reason the comments section under this kind of footage looks completely different from the comments section under almost anything else on this platform. No jokes. No sarcasm. No "this is fake" skepticism that usually shows up under viral content within the first ten minutes. Just people typing out real, unguarded reactions, the kind you don't normally see from adults who've spent years training themselves to look unbothered online. That tells you something. When a video manages to strip away the armor that most of us wear constantly while scrolling — the practiced cynicism, the ironic detachment, the instinct to act like nothing affects us — you know you're looking at something rare. Something that bypassed the defense mechanism entirely and went straight for the part of the brain that doesn't know how to perform indifference. I want to talk for a second about timing, because timing is the single most underrated element of this entire clip. A few seconds earlier or later in either direction, and this entire story looks completely different. That's the part that makes your stomach drop a little when you really sit with it. How close this came to being a story nobody ever heard, filmed by nobody, witnessed by nobody, remembered by nobody. We don't usually think about how much of what we consider "meant to be" is actually just an accumulation of tiny, invisible timing decisions stacking up in exactly the right order. A boat leaving the dock two minutes later than usual. A route taken slightly differently than the day before. A moment of quiet that happened to fall at exactly the right second for someone to notice something they easily could have missed entirely. Multiply those variables out and the odds of this exact sequence of events lining up the way it did start to feel almost absurd. And yet here it is, captured, verified, undeniable — proof that sometimes the universe threads a needle so precisely that even people who don't believe in fate start to wonder for a second. I don't think I'm being dramatic when I say that clips like this one function almost like modern folklore. A hundred years ago, this story would have been told around a table, passed down, exaggerated slightly with each retelling until nobody was quite sure anymore which parts were true and which parts had been embellished for effect. Today, it doesn't need to be exaggerated. It doesn't need embellishment. The raw footage does all the work that oral tradition used to have to do manually, and it does it more convincingly than any storyteller ever could, because you're not being told what happened — you're watching it happen, unfiltered, in real time, with your own eyes. That's a strange kind of privilege, honestly. Every generation before this one had to rely on someone else's description of moments like this. A witness recounting it secondhand, softened or sharpened depending on who was doing the telling. We don't have to rely on anyone's account. We get the primary source. We get the actual footage, timestamped, unedited, exactly as it happened, and we get to draw our own conclusions from it without anyone standing between us and the moment itself. I keep thinking about the people who happened to be nearby when this happened and had absolutely no idea, walking into that morning, that they were about to be part of something that would end up in front of millions of strangers within days. There's something almost dizzying about that. You wake up, you go about an entirely ordinary routine, and somewhere in the middle of an unremarkable morning, your life intersects with a moment that ends up mattering to people you will never meet, in places you will never visit, for reasons you probably never anticipated when you woke up that day. That's true of more moments than we realize, probably. Most of us will never know which ordinary Tuesday morning ends up being the one that quietly mattered more than we understood at the time. This is just one of the rare instances where we actually get to see it happen, see the exact moment it tips from ordinary into unforgettable, because a camera happened to be rolling and someone happened to hit record at exactly the right time. I also think there's something worth saying about the specific emotional cocktail this footage produces, because it's not simple. It's not just "aww, cute." It's not just relief. It's a genuinely layered reaction — fear first, because your brain registers the stakes before it registers anything else. Then tension, because you don't know yet how it resolves. Then, if you're paying attention, a strange kind of awe at how fast everything happens, how little time there was to think, how the entire outcome rested on a handful of seconds that could have gone completely differently. And then, right at the end, something that's hard to name precisely. Not just happiness. Something closer to relief mixed with gratitude mixed with a strange kind of faith restored in something you didn't realize you'd been losing faith in. That combination doesn't show up often. Most content gives you one emotion at a time, cleanly packaged, easy to categorize and move past. This gives you four or five emotions stacked on top of each other in the space of ninety seconds, and that's exactly why it lingers so much longer than almost anything else you'll scroll past today. I've been doing this long enough to know the difference between content that performs well because it's engineered to and content that performs well because it deserves to. This falls firmly into the second category. Nobody optimized this for engagement. Nobody thought about hook rate or average watch time or completion percentage while it was happening. It simply happened, and it happened to be extraordinary, and now it's traveling across the internet the old-fashioned way — person to person, share to share, because people genuinely can't help themselves. That's the purest form of virality there is, and it's becoming rarer every year as more and more content gets manufactured specifically to chase that exact outcome artificially. When something manages to go viral organically now, purely because it's real and it's rare and it deserves the attention, it stands out immediately against everything else competing for your scroll. You can feel the difference within the first few seconds, even if you can't articulate exactly why. I'll say this too — if you've made it this far into a post about a video you haven't even watched yet, that should tell you something. Most people don't read past the first two lines of anything on this platform anymore. If you're still here, some part of you already suspects this is worth your time. Trust that instinct. It's usually right. So here's what I'd suggest. Don't watch this distracted. Don't watch it with the sound off, scrolling past while doing three other things at once the way most of us consume content by default now. Give it the full ninety seconds of actual attention. Watch the water. Watch the timing. Watch the exact moment everything shifts, because that moment is the entire reason this clip exists in your feed right now instead of disappearing into the void the way ninety-nine percent of footage like this normally does. You'll understand within the first few seconds why this one didn't disappear. You'll understand why it's already been reposted thousands of times, why it keeps resurfacing on different accounts with different captions, why people who consider themselves completely desensitized to internet content are still talking about it days later. Some things are simply built to be remembered. This is one of them, and it earned that status the hard way — by actually happening, exactly the way you're about to see it, with absolutely nothing about it staged, softened, or exaggerated for effect. Hit play. You'll see what I mean before it even finishes. One last thing before you go watch it. I've noticed that the people who react the strongest to this clip are almost never the ones who consider themselves overly sentimental. It's the skeptics. The ones who claim they don't cry at commercials, don't get emotional over animal content, don't fall for "engagement bait" no matter how it's dressed up. Those are the ones who go quiet the fastest. Those are the ones who ask to see it again without explaining why. There's something almost funny about watching someone's carefully maintained emotional armor fail in real time over ninety seconds of unplanned footage from a random morning on a random lake. Maybe that'll be you. Maybe you're reading this thinking you're immune to this kind of thing, that you've seen enough of the internet to be unshakeable at this point. I've thought that before too, more than once, right up until the moment a video like this one proved me wrong in under two minutes. There's no trick here. No twist ending designed to manipulate you. No manufactured suspense built by a script written in a writers' room somewhere. Just a real moment, caught by accident, that turned an unremarkable morning into something worth remembering. Go watch it. Then come back and tell me I'm wrong. You won't.

Earth Unveiled

76,850 Aufrufe • vor 7 Tagen

CBS’s Weijia Jiang Jiang at the #WHCD on her upbringing in rural WV: “I’ve been thinking a lot about my own journey to this podium tonight. I grew up in rural West Virginia, in a town at the foothills of the Allegheny Mountains, a town called Buchanan, Population 5,500. Those images of the devastating floods that you’ve been seeing are from my hometown. My heart, thoughts, and prayers are with everybody there. After my dad finished grad school at WVU, where he properly learned how to say let’s go Mountaineers, my parents decided to stay in the state to open a restaurant. It was such a treat when hunters came in and left deer meat as a tip. On Sundays after church, families packed into the dining room, all dressed up. My mom learned every customer’s name, their favorite dishes. I worked the cash register, topped off glasses of sweet tea and did my homework in the corner booth. A day like that seemed ordinary at the time. Looking back to think that days like that could be considered ordinary. It’s the most powerful reminder of how extraordinary America is. My dad came to the U.S. as a student with just 67 bucks, or as Frankie might say, 6-7. My mom holding a small suitcase on one hand and a toddler me with the other, yet they built a new life, a successful business, and a real future.” “Our Chinese restaurant was the first in my town. Of those 5,500 residents, the Chinese American population of Buchanan was 3. My mom, my dad, and me. Growing up there was not always easy. Most folks had never laid eyes on people who looked like my family, but far more often than not, the community was welcoming and generous. Turns out deer meat is great in a stir fry. In Mandarin, the word for America is Měiguó. It literally means beautiful country, and I love that. America the Beautiful was never only about her landscapes or landmarks. It has always been about the promise that, no matter where you come from, you get a shot at chasing your dreams. My dreams began right there in that family restaurant, a small TV in the back was often turned to the news, my dad’s go-to for learning more English. In the middle of dinner service, it was the CBS Evening News anchored by Dan Rather and Connie Chung. I was hooked. In middle school, I won a contest to be a student reporter for a national news show called Channel One. And when a local news crew came to cover it, they learned just how big my dreams really were.” [Middle school Weijia: I hope to be the next Connie Chang and better, that’s kind of hard, but that’s my goal. And so, I’m going to work very hard at trying to be a broadcast journalist.] “30 years later, it’s surreal to say that I’ve sat in Connie Chung’s old chair to fill in on the evening news, and Connie and I have talked about how the White House beat and the White House Correspondents’ Association used to be a little boy, bit of a boys club. For decades, women could be members, but they were not invited to sit at this dinner until 1962 when a woman who would become dean of the press corps insisted. Thank you, Mrs. Helen Thomas. So, tonight, it means everything to stand here is the first woman of color ever elected president of this association in its 112-year history. I’m here because of the tenacious women who came before me, Melissa, Susan, and support from my family who are with us tonight. My husband Luther, not from West Virginia, but Arkansas, similar enough. My amazing daughter Frankie. little brother Jack, who’s should be sleeping by now. I love you more than anything in the world. I love you the most. My parents came to a country with almost nothing to give their daughter everything, and now I have that because they could be with me in this moment. Mama baba shisha. And sitting with them, my middle school video production teacher, Mrs. Diane Williams, who spent countless hours on my submission for that contest. that changed my life. Like public school teachers across the United States, Mrs. Williams looked at a 13-year-old kid and said, you can be whatever you want when you grow up, and she meant it. My story is like that of so many in this room and in this country, only in America. Only in America could a little girl born in China and raised in Appalachian coal country make her way to the Oval Office to ask questions of the President of the United States.”
5:20

CBS’s Weijia Jiang Jiang at the #WHCD on her upbringing in rural WV: “I’ve been thinking a lot about my own journey to this podium tonight. I grew up in rural West Virginia, in a town at the foothills of the Allegheny Mountains, a town called Buchanan, Population 5,500. Those images of the devastating floods that you’ve been seeing are from my hometown. My heart, thoughts, and prayers are with everybody there. After my dad finished grad school at WVU, where he properly learned how to say let’s go Mountaineers, my parents decided to stay in the state to open a restaurant. It was such a treat when hunters came in and left deer meat as a tip. On Sundays after church, families packed into the dining room, all dressed up. My mom learned every customer’s name, their favorite dishes. I worked the cash register, topped off glasses of sweet tea and did my homework in the corner booth. A day like that seemed ordinary at the time. Looking back to think that days like that could be considered ordinary. It’s the most powerful reminder of how extraordinary America is. My dad came to the U.S. as a student with just 67 bucks, or as Frankie might say, 6-7. My mom holding a small suitcase on one hand and a toddler me with the other, yet they built a new life, a successful business, and a real future.” “Our Chinese restaurant was the first in my town. Of those 5,500 residents, the Chinese American population of Buchanan was 3. My mom, my dad, and me. Growing up there was not always easy. Most folks had never laid eyes on people who looked like my family, but far more often than not, the community was welcoming and generous. Turns out deer meat is great in a stir fry. In Mandarin, the word for America is Měiguó. It literally means beautiful country, and I love that. America the Beautiful was never only about her landscapes or landmarks. It has always been about the promise that, no matter where you come from, you get a shot at chasing your dreams. My dreams began right there in that family restaurant, a small TV in the back was often turned to the news, my dad’s go-to for learning more English. In the middle of dinner service, it was the CBS Evening News anchored by Dan Rather and Connie Chung. I was hooked. In middle school, I won a contest to be a student reporter for a national news show called Channel One. And when a local news crew came to cover it, they learned just how big my dreams really were.” [Middle school Weijia: I hope to be the next Connie Chang and better, that’s kind of hard, but that’s my goal. And so, I’m going to work very hard at trying to be a broadcast journalist.] “30 years later, it’s surreal to say that I’ve sat in Connie Chung’s old chair to fill in on the evening news, and Connie and I have talked about how the White House beat and the White House Correspondents’ Association used to be a little boy, bit of a boys club. For decades, women could be members, but they were not invited to sit at this dinner until 1962 when a woman who would become dean of the press corps insisted. Thank you, Mrs. Helen Thomas. So, tonight, it means everything to stand here is the first woman of color ever elected president of this association in its 112-year history. I’m here because of the tenacious women who came before me, Melissa, Susan, and support from my family who are with us tonight. My husband Luther, not from West Virginia, but Arkansas, similar enough. My amazing daughter Frankie. little brother Jack, who’s should be sleeping by now. I love you more than anything in the world. I love you the most. My parents came to a country with almost nothing to give their daughter everything, and now I have that because they could be with me in this moment. Mama baba shisha. And sitting with them, my middle school video production teacher, Mrs. Diane Williams, who spent countless hours on my submission for that contest. that changed my life. Like public school teachers across the United States, Mrs. Williams looked at a 13-year-old kid and said, you can be whatever you want when you grow up, and she meant it. My story is like that of so many in this room and in this country, only in America. Only in America could a little girl born in China and raised in Appalachian coal country make her way to the Oval Office to ask questions of the President of the United States.”

Curtis Houck

98,767 Aufrufe • vor 2 Monaten

P’Nam talks about Freen and Becky 👩🏻: I’m so surprised. Yesterday was the first time in my life that 20,000 people watched my IG Live. 🗣️: They’re watching because they’re probably wondering if Freen’s lips are soft? 👩🏻: Well… oops. I’m scared. 😂 🌷: (Look over there.) 👩🏻: I wish you guys could see the people behind the camera. Freen’s lips are so soft. (shouts) Right, Becky?! 🧚🏻‍♀️: EHHH?! 👩🏻: Freen’s lips are so soft. I’m so happy. I know you guys are jealous. 😂 🗣️: What’s it like working with FreenBecky? 👩🏻: It was fun. Working with Freen was so much fun and hilarious. 🌷: Ahoo! 👩🏻: When I saw Freen trying to hold back her laughter, it was so funny. And with Becky, it’s so easy to work with her. She’s adorable. She’s always like this… (makes a confused face) 🗣️: She’s like a baby. 👩🏻: She’s like a baby. During filming, we didn’t play around much because both of them had so many scenes to shoot in one day. If it was an emotional scene, they could start at 6 AM and finish at 10 PM. Sometimes it even went past 10 PM. Sometimes I saw them looking quite stressed. Isn’t Freen right here? (behind the camera) There were only good things that happened, so there’s nothing to gossip about. But there was one time when Freen really got into character. Even after filming ended, she was still carrying those emotions and she was still crying. But when I walked towards her, she suddenly got better. I was so confused. 😂 🌷: Your face is funny. 👩🏻: Okay! My face is funny. 😂 As for Becky, she gives 100% at work. 🗣️: Please tell us one story as the FreenBecky captain. 👩🏻: About Freen and Becky… I think Freen will be the reason Bec… umm… if Bec ever gets diabetes, it’ll be because of Freen. 😂 🌷: Nong wants to drink it. 👩🏻: And Nong ends up drinking 100% sweetness! 😂 🌷: Can we stop her, though? 👩🏻: We can’t! Becky is addicted to milk tea, with 100% sweetness. But we never tell her to get 100% sweetness. We always drink the “less sugar” one, but Becky is just like this… 🗣️: P’Freen spoils Becky. 👩🏻: Yes, she does! There was a time when Bec was drinking too much milk tea, so I warned her, “Becky, don’t drink too much. You might get sick.” And Freen was like, “Why are you making that face?” (talking to Freen) 🌷: (laughs) 👩🏻: Freen said, “Tsk! Let Nong drink it.” I was like… ehh?! Freen really spoils her. She lets Bec do whatever she wants. 😂 🗣️: As the captain, please talk about your ship. 👩🏻: The FreenBecky ship? It’s a ship that can sail by itself now! I have no job to do anymore. I don’t even know what I should post. I’ve lost passion for my work because the ship sails by itself. Before, they used to walk away from me whenever I tried to take photos of them. But now they fight back so well… it’s not as fun anymore. 😂 They sail their own ship nowadays. 🗣️: What are you going to do next? Are you still going to sail the ship? 👩🏻: I’m still going to sail the ship. But just with a little teasing, pointing out the obvious, so I have something to do—as if I were an employee. 🤣 I’ve got it easy. Free salary with no work, because the captain/manager does all the work and sails the ship for me. 😂 But I’ll still do a little teasing! 😭😂
3:17

P’Nam talks about Freen and Becky 👩🏻: I’m so surprised. Yesterday was the first time in my life that 20,000 people watched my IG Live. 🗣️: They’re watching because they’re probably wondering if Freen’s lips are soft? 👩🏻: Well… oops. I’m scared. 😂 🌷: (Look over there.) 👩🏻: I wish you guys could see the people behind the camera. Freen’s lips are so soft. (shouts) Right, Becky?! 🧚🏻‍♀️: EHHH?! 👩🏻: Freen’s lips are so soft. I’m so happy. I know you guys are jealous. 😂 🗣️: What’s it like working with FreenBecky? 👩🏻: It was fun. Working with Freen was so much fun and hilarious. 🌷: Ahoo! 👩🏻: When I saw Freen trying to hold back her laughter, it was so funny. And with Becky, it’s so easy to work with her. She’s adorable. She’s always like this… (makes a confused face) 🗣️: She’s like a baby. 👩🏻: She’s like a baby. During filming, we didn’t play around much because both of them had so many scenes to shoot in one day. If it was an emotional scene, they could start at 6 AM and finish at 10 PM. Sometimes it even went past 10 PM. Sometimes I saw them looking quite stressed. Isn’t Freen right here? (behind the camera) There were only good things that happened, so there’s nothing to gossip about. But there was one time when Freen really got into character. Even after filming ended, she was still carrying those emotions and she was still crying. But when I walked towards her, she suddenly got better. I was so confused. 😂 🌷: Your face is funny. 👩🏻: Okay! My face is funny. 😂 As for Becky, she gives 100% at work. 🗣️: Please tell us one story as the FreenBecky captain. 👩🏻: About Freen and Becky… I think Freen will be the reason Bec… umm… if Bec ever gets diabetes, it’ll be because of Freen. 😂 🌷: Nong wants to drink it. 👩🏻: And Nong ends up drinking 100% sweetness! 😂 🌷: Can we stop her, though? 👩🏻: We can’t! Becky is addicted to milk tea, with 100% sweetness. But we never tell her to get 100% sweetness. We always drink the “less sugar” one, but Becky is just like this… 🗣️: P’Freen spoils Becky. 👩🏻: Yes, she does! There was a time when Bec was drinking too much milk tea, so I warned her, “Becky, don’t drink too much. You might get sick.” And Freen was like, “Why are you making that face?” (talking to Freen) 🌷: (laughs) 👩🏻: Freen said, “Tsk! Let Nong drink it.” I was like… ehh?! Freen really spoils her. She lets Bec do whatever she wants. 😂 🗣️: As the captain, please talk about your ship. 👩🏻: The FreenBecky ship? It’s a ship that can sail by itself now! I have no job to do anymore. I don’t even know what I should post. I’ve lost passion for my work because the ship sails by itself. Before, they used to walk away from me whenever I tried to take photos of them. But now they fight back so well… it’s not as fun anymore. 😂 They sail their own ship nowadays. 🗣️: What are you going to do next? Are you still going to sail the ship? 👩🏻: I’m still going to sail the ship. But just with a little teasing, pointing out the obvious, so I have something to do—as if I were an employee. 🤣 I’ve got it easy. Free salary with no work, because the captain/manager does all the work and sails the ship for me. 😂 But I’ll still do a little teasing! 😭😂

FreenBecky33 🇫🇷

74,691 Aufrufe • vor 26 Tagen

🌐"THE NETWORK" by Afterimage The Network is an Afterimage software project targeted at our biggest recurring internal pain point: finding new high quality creatives to work with, across many styles and roles, very quickly, on a project basis. We work with startups on sprint timelines and often need to find specialists (eg VFX artist, drone op, animators with specific style) quickly based on approved creative directions. And we’re always looking to expand our stable of core collaborators (DPs, editors, producers, directors). The talent pools exist, but it can be quite difficult + time intensive to source the right people. It's mainly a top of funnel problem. And nothing beats a trusted referral, but intros can’t always materialize in the order of hours or a day. This summer, karina joined Afterimage on Special Projects and pitched The Network to solve our problem. The product blends human curation with automation. Creatives only get added to The Network if they’ve made something our team has reviewed and explicitly “liked”. But the product is also smart and self-sustaining. New projects are surfaced, based on our existing database, for us to review at our leisure, leading to a intentional expansion of creatives on our radar over time. This careful balance between slow curation based on our own taste and smart automation based on those inputs is at the heart of the product. The Network can be searched colloquially in all the ways you’d hope and expect. Not going to lie: we’ve spent more time this year than I’d like to admit building internal tools that went nowhere / died in usage after the novelty wore off. The Network was different from the jump. People on our team were hacking their way into using it before Karina even officially pushed it “live”. Since having the product, we’ve hired people from The Network on every single project we’ve worked on. "please check the network for that" is now a constantly repeated internal phrase This is something we’d likely pay hundreds of dollars a month for if we needed to. The upside of finding the right creatives to work with on a given project can be worth thousands of dollars. And, if we stumble into someone we love who becomes an A+ collaborator of ours for years, that value is essentially unquantifiable. karina brought a level of initiative, creativity, and attention to detail on this project that inspired me. She is a star. Building a utility that reached such immediate intense internal PMF has been fun. More Afterimage software projects of different kinds will likely come later this year. We don’t have any immediately plans (aka the spare time or resources) to “productize” this in the near term. But if you (a) like hacking on creative software projects, or (b) would be interested in being a beta tester / design partner on The Network if we ever open it up a bit, pls DM us Afterimage!
0:29

🌐"THE NETWORK" by Afterimage The Network is an Afterimage software project targeted at our biggest recurring internal pain point: finding new high quality creatives to work with, across many styles and roles, very quickly, on a project basis. We work with startups on sprint timelines and often need to find specialists (eg VFX artist, drone op, animators with specific style) quickly based on approved creative directions. And we’re always looking to expand our stable of core collaborators (DPs, editors, producers, directors). The talent pools exist, but it can be quite difficult + time intensive to source the right people. It's mainly a top of funnel problem. And nothing beats a trusted referral, but intros can’t always materialize in the order of hours or a day. This summer, karina joined Afterimage on Special Projects and pitched The Network to solve our problem. The product blends human curation with automation. Creatives only get added to The Network if they’ve made something our team has reviewed and explicitly “liked”. But the product is also smart and self-sustaining. New projects are surfaced, based on our existing database, for us to review at our leisure, leading to a intentional expansion of creatives on our radar over time. This careful balance between slow curation based on our own taste and smart automation based on those inputs is at the heart of the product. The Network can be searched colloquially in all the ways you’d hope and expect. Not going to lie: we’ve spent more time this year than I’d like to admit building internal tools that went nowhere / died in usage after the novelty wore off. The Network was different from the jump. People on our team were hacking their way into using it before Karina even officially pushed it “live”. Since having the product, we’ve hired people from The Network on every single project we’ve worked on. "please check the network for that" is now a constantly repeated internal phrase This is something we’d likely pay hundreds of dollars a month for if we needed to. The upside of finding the right creatives to work with on a given project can be worth thousands of dollars. And, if we stumble into someone we love who becomes an A+ collaborator of ours for years, that value is essentially unquantifiable. karina brought a level of initiative, creativity, and attention to detail on this project that inspired me. She is a star. Building a utility that reached such immediate intense internal PMF has been fun. More Afterimage software projects of different kinds will likely come later this year. We don’t have any immediately plans (aka the spare time or resources) to “productize” this in the near term. But if you (a) like hacking on creative software projects, or (b) would be interested in being a beta tester / design partner on The Network if we ever open it up a bit, pls DM us Afterimage!

josh

14,935 Aufrufe • vor 1 Monat

Coulthart: "I am...told by White House sources that President Trump has personally authorized [the shoot down of UFOs]." Knapp: "I take with a grain of salt the reports that the President has authorized the shoot down of UFOs. That doesn't make sense." (Regarding those reports (from Ross Coulthart), I said this on August 9th, after he said it.) Murgia: "A year ago, Ross told us he thought certain senators were read into the crash retrieval program and he'd start naming them. Still waiting. "Now this? 🤔 "Something seems off." This is what Ross said: Coulthart on 8/9/2026: "The Department of War has quite literally taken on the running of its own covert operation to intercept these mystery objects. And I'm told they have recently downed objects, craft, both in the U.S. and across the border near Juarez in Mexico. "I am also told by White House sources that President Trump has personally authorized this operation, which perhaps explains why no full admission has yet been made to the public about the full extent of what the government really knows. "There is a full-on effort underway by the administration to recover suspected non-human intelligence exotic technology in a program totally separate from the so-called Legacy program. This is an attempt by the President to circumvent the legacy program. "It's been run out of the White House by the President's most senior intelligence advisers. President Trump has tasked the Secretary of War, Pete Hegseth, to find out what these objects are and to capture them. The Office of the Director of National Intelligence - ODNI - is also involved. "Sources have told me that one of the directed-energy-weapon systems used at White Sands, in an attempt to shoot down these mystery craft, is what's called high pulse microwave. It shuts down an aircraft by emitting an intense burst of electromagnetic energy that travels at the speed of light, penetrates the aircraft and fries its electronic systems. "My sources tell me that the craft objects, UAPs, whatever you wanna call them, are being targeted over White Sands, and they definitely show anomalous properties conforming to the five observables that define UAPs." Regarding psionics and the alleged electronic dog whistle being used at Sierra Blanca, Ross added this... Coulthart: "Defense sources tell me that their observers were watching on during Skywatcher's Sierra Blanca operation, and they made a major discovery during Skywatcher's psionic summoning and dog-whistle operations during 2025, including in that last July 2025 test, I can't name my sources, but I'm very sure they're rock solid." ~From Today's Weaponized~ George Knapp: "I take with a grain of salt the reports that the President has authorized the shoot down of UFOs. That doesn't make sense. I don't get that sense from the conversations he had with Robert Bigelow back in February that that kind of order would ever be issued or would ever make sense to any country. "I am intrigued by the reports of luring operations, because as you and I know, there have been operations like that in years past that did produce pretty dramatic results, in terms of something following nuclear assets. But drawing them in and shooting them down, as some people have said, or bringing them down with the power of your mind, I take that with a grain of salt. "I do give credence to Rep. Eric Burlison - and you've been in closer contact with him than I - that says there is something to those reports. At least part of that, right?" Jeremy Kenyon Lockyer Corbell: "Yeah, I mean, look, people have deduced that December of 2025, that White Sands was the location. They kind of deduced that, that there was a massive incursion. There's two sets of documents, one by FBI, one by ODNI, that's in the tranche releases. And that is the same event, that's what people are talking about. "And they called it luring because it was described to me that they had set up all of the same situations that typically seemed to provoke a response from UAP, and would stimulate like, an incursion. And sure enough, it happened. Now, I have not heard, and I do not believe it was some psionic thing. I think that they were moving stuff. That's to the best of my knowledge, they were moving stuff around. This is what was said to me, and I read between the lines. "But at no point was there anything said to me for all the sources and everything that I've heard about it, about any psionic assets or any shoot downs or anything like that. I'd be highly surprised. I think what they did was, they started moving stuff around - that you and I know, notoriously, stimulates response." ~ (When I interviewed Lue Elizondo in March of 2022, we had this exchange...) Murgia: "Baiting and luring UFOs. You mentioned it on 𝗖𝗥𝗜𝗦𝗧𝗜𝗡𝗔 𝗚𝗢𝗠𝗘𝗭' show...how you successfully did that in AATIP. "Somebody I know, a source, said, 'The way we attract and coax UAP has to do with nuclear power; nuclear weapon sites; deployed weapons; weapons or nuclear fuel being moved around; weapons being manufactured; nuclear fuel being manufactured; and manufacturing sites...and that attracts them.' To me, that sounds like AI. It seems like it's reacting to something automatically." Lue: "Your friend seems to be very well informed." ~ Corbell: "You used to chase those armored nuclear vehicles in Las Vegas, and I got a call from one of the drivers who said, 'Oh, when George Knapp was going behind us and did that news report, it completely changed our protocols of what we had to do. It rewrote the manual.' "But you had heard about these trucks and about how moving them, these nukes, would sometimes create or stimulate a UAP response. This individual that called me to complain to me about you, affirmed that to me." Knapp: [Laughs] Corbell: "So, you know, it's like one of those things, man. So if that's what they were doing and they did get a response, I know a couple people in the political realm who have specifically asked to be invited to the next time that they set up those those protocols. Again, I'd heard nothing of psionics or anything like that. I think they were moving nuclear things, and I think that that's what stimulated the response. "It'd be amazing to see if they get a Round 2 on that, and again, get the same response that they can document it, film it. Think about all the footage, George, that we're not seeing from those two sets of documents about that White Sands - is what people think - incursion event. There was so much footage, so much footage taken from so many different military assets. We're seeing just the just the top of it, you know?"
3:22

Coulthart: "I am...told by White House sources that President Trump has personally authorized [the shoot down of UFOs]." Knapp: "I take with a grain of salt the reports that the President has authorized the shoot down of UFOs. That doesn't make sense." (Regarding those reports (from Ross Coulthart), I said this on August 9th, after he said it.) Murgia: "A year ago, Ross told us he thought certain senators were read into the crash retrieval program and he'd start naming them. Still waiting. "Now this? 🤔 "Something seems off." This is what Ross said: Coulthart on 8/9/2026: "The Department of War has quite literally taken on the running of its own covert operation to intercept these mystery objects. And I'm told they have recently downed objects, craft, both in the U.S. and across the border near Juarez in Mexico. "I am also told by White House sources that President Trump has personally authorized this operation, which perhaps explains why no full admission has yet been made to the public about the full extent of what the government really knows. "There is a full-on effort underway by the administration to recover suspected non-human intelligence exotic technology in a program totally separate from the so-called Legacy program. This is an attempt by the President to circumvent the legacy program. "It's been run out of the White House by the President's most senior intelligence advisers. President Trump has tasked the Secretary of War, Pete Hegseth, to find out what these objects are and to capture them. The Office of the Director of National Intelligence - ODNI - is also involved. "Sources have told me that one of the directed-energy-weapon systems used at White Sands, in an attempt to shoot down these mystery craft, is what's called high pulse microwave. It shuts down an aircraft by emitting an intense burst of electromagnetic energy that travels at the speed of light, penetrates the aircraft and fries its electronic systems. "My sources tell me that the craft objects, UAPs, whatever you wanna call them, are being targeted over White Sands, and they definitely show anomalous properties conforming to the five observables that define UAPs." Regarding psionics and the alleged electronic dog whistle being used at Sierra Blanca, Ross added this... Coulthart: "Defense sources tell me that their observers were watching on during Skywatcher's Sierra Blanca operation, and they made a major discovery during Skywatcher's psionic summoning and dog-whistle operations during 2025, including in that last July 2025 test, I can't name my sources, but I'm very sure they're rock solid." ~From Today's Weaponized~ George Knapp: "I take with a grain of salt the reports that the President has authorized the shoot down of UFOs. That doesn't make sense. I don't get that sense from the conversations he had with Robert Bigelow back in February that that kind of order would ever be issued or would ever make sense to any country. "I am intrigued by the reports of luring operations, because as you and I know, there have been operations like that in years past that did produce pretty dramatic results, in terms of something following nuclear assets. But drawing them in and shooting them down, as some people have said, or bringing them down with the power of your mind, I take that with a grain of salt. "I do give credence to Rep. Eric Burlison - and you've been in closer contact with him than I - that says there is something to those reports. At least part of that, right?" Jeremy Kenyon Lockyer Corbell: "Yeah, I mean, look, people have deduced that December of 2025, that White Sands was the location. They kind of deduced that, that there was a massive incursion. There's two sets of documents, one by FBI, one by ODNI, that's in the tranche releases. And that is the same event, that's what people are talking about. "And they called it luring because it was described to me that they had set up all of the same situations that typically seemed to provoke a response from UAP, and would stimulate like, an incursion. And sure enough, it happened. Now, I have not heard, and I do not believe it was some psionic thing. I think that they were moving stuff. That's to the best of my knowledge, they were moving stuff around. This is what was said to me, and I read between the lines. "But at no point was there anything said to me for all the sources and everything that I've heard about it, about any psionic assets or any shoot downs or anything like that. I'd be highly surprised. I think what they did was, they started moving stuff around - that you and I know, notoriously, stimulates response." ~ (When I interviewed Lue Elizondo in March of 2022, we had this exchange...) Murgia: "Baiting and luring UFOs. You mentioned it on 𝗖𝗥𝗜𝗦𝗧𝗜𝗡𝗔 𝗚𝗢𝗠𝗘𝗭' show...how you successfully did that in AATIP. "Somebody I know, a source, said, 'The way we attract and coax UAP has to do with nuclear power; nuclear weapon sites; deployed weapons; weapons or nuclear fuel being moved around; weapons being manufactured; nuclear fuel being manufactured; and manufacturing sites...and that attracts them.' To me, that sounds like AI. It seems like it's reacting to something automatically." Lue: "Your friend seems to be very well informed." ~ Corbell: "You used to chase those armored nuclear vehicles in Las Vegas, and I got a call from one of the drivers who said, 'Oh, when George Knapp was going behind us and did that news report, it completely changed our protocols of what we had to do. It rewrote the manual.' "But you had heard about these trucks and about how moving them, these nukes, would sometimes create or stimulate a UAP response. This individual that called me to complain to me about you, affirmed that to me." Knapp: [Laughs] Corbell: "So, you know, it's like one of those things, man. So if that's what they were doing and they did get a response, I know a couple people in the political realm who have specifically asked to be invited to the next time that they set up those those protocols. Again, I'd heard nothing of psionics or anything like that. I think they were moving nuclear things, and I think that that's what stimulated the response. "It'd be amazing to see if they get a Round 2 on that, and again, get the same response that they can document it, film it. Think about all the footage, George, that we're not seeing from those two sets of documents about that White Sands - is what people think - incursion event. There was so much footage, so much footage taken from so many different military assets. We're seeing just the just the top of it, you know?"

Joe Murgia

37,362 Aufrufe • vor 20 Tagen

"Where the hell are the [NHIs] in all this? Why aren't they coming out?" ~Semivan "What I experienced, you know, physical marks the whole thing, and my wife, worse." ~Semivan on their abduction "I would be very careful giving these entities that are f**king with you, like, all this great credit and putting them on a pedestal." ~DeLonge to Chris Bledsoe "It's indifferent to man." ~Vallée to Semivan "Are we evil when we go fishing and we hurt fish? Are we considered evil to the fish"? ~DeLonge Jay Stratton's, "got orbs flying around in his house, scaring the hell out of his wife and his kids." ~Semivan ( I enjoyed this episode because a lot of this is where I am when it comes to thinking about the phenomenon. I'm not saying this is the truth but it definitely resonates with me.) ~~~ Jim Semivan: "When we started 'To The Stars,' a while back, we took a little bit of flack because we were talking about...we weren't going along with the idea that the phenomenon was always a great, beneficial thing. We were saying, like, 'Look, let's just wait. There's been instances where it hasn't been...' I always like to use Chris Bledsoe as an example. He's just a dear, dear man, but when you listen to his story, up close and personally, and you could see the absolute fear that he went through, and his family went through, when he first encountered these beings, and this phenomena, and then later on how it transformed him into a very, very deeply spiritual man and healer. So you see this dichotomy. "And if you talk to Chris, Chris will tell you, 'No, this is a beneficial thing.' And then, you know, you run into guys like Keel, and even Jacques Vallée to a certain extent, where they'll tell you, 'Well, no, no, hold on a second.' Because I remember when when I had my experience, I was visited. It was years after my experience, I had met John Alexander at a conference and John put me in touch with some people. And then next thing I know, Jacques Vallée, you know, the guy, right? The house god of TTS calls me up and says, 'Can I come out and see you?' "So he flew out from San Francisco, came to my house in Virginia, and spent the day with my wife and I. And we had some very, very long, involved conversations about this. And I asked him, I said, 'Well, you know, what I experienced, you know, physical marks the whole thing, and my wife worse.' (That may be the first time he's said he had physical marks from his abduction-like experience with his wife when he was in grad school. We don't know details of what his wife experienced.) Semivan: "I said (to Vallée), 'Do you think this is evil?' And he said, 'I don't know, I don't think anybody knows. But I will tell you one thing: What I do know is that you can say that it's basically indifferent. It's indifferent to man. In other words, people get harmed by walking into it or getting caught in it, but it doesn't seem to have an evil intention, per se.'" (Reminds me of what Lue Elizondo said to Curt Jaimungal) Lue: "What if it turns out that a lot of the things that we thought were one way, aren’t. Are we prepared to have that honest question with ourselves? Are we prepared to recognize that we’re not at the top of the food chain, potentially?” (Most humans are indifferent to the welfare of most beings that are below us on the food chain. If we're driving and hit a squirrel, and they get hurt or killed, we may feel bad for a little bit, but we get on with our business and enjoy the rest of our day. How many cows, chickens and pigs are killed every day so we can eat them? Most humans, including me, don't give that a second thought. Indifference. That indifference may be happening with an intelligence (or multiple intelligences) that's above us on the food chain. And I'm not saying they're eating us, although that can't be ruled out 100%. I'm saying "they" just do their thing and if we get hurt or killed, it's not a huge deal to them. Indifference. And maybe some of them enjoy messing with us?) Semivan: "But then when you read Keel and you know, you read the Mothman and and a lot of these other stories like 'The Mojave Incident.' Well, holy cow! You look at this stuff. And, you know, you get these hobgoblins flying around, you know, with Jay Stratton. He's got orbs flying around in his house, scaring the hell out of his wife and his kids. I don't see, I don't know where there's any kind of a spiritual turn to that where you could look at all that and all of a sudden you say, 'Oh, now I'm a better person.'" (Most of us have known that Axelrod in "Skinwalkers at the Pentagon" is Jay Stratton but that's the first time one of his colleagues/friends has said it. And I agree: What's the purpose of orbs scaring, and leaving marks on, his kids? And the wolf that his wife, kids and their friends say they saw? Why? To make them better people? It makes zero sense to me.) Semivan: "It happened with Chris (Bledsoe) and, you know, great for him. Sure, as hell didn't happen to me. And I don't think it happened to Jay Stratton, either. I think it gave Jay a different outlook as with me, but sh*t, I mean, nothing I couldn't have got from reading books. What do you think?" Tom DeLonge: "I think like, yeah, you know, the idea of what we might call something evil, but to that, it's like, you know, are we evil when we go fishing and we hurt fish? You know, are we considered evil to the fish? So it's things looking out for its own interest." (100%. Someone asked me about good vs. evil last night and I wrote back, "Not about good vs. evil. About survival and food chain. Somber.") DeLonge: "The thing that I look at, you know, a lot of the ideas of good and evil come from like, religion, all different types of religions where it really defines the metaphysical nature of who we are and what we're living in. But I look at religion... I cannot think of one religion that hasn't left a wake of destruction. I mean, literally, every single one has done so much harm. And the one pattern in all these religions is that most of them, outside of the pagan ones, have really tried to just to get us to believe that the creator of the universe is some kind of human, or something. It's not like a source, an energy, it's like, it's a Jesus or an Allah, or it's a Buddha, or I don't know. Buddhism doesn't really say that, but you know what my point is. It's trying to humanize something. "And so, to me, it's like when Chris Bledsoe, or some of these others that have these kinds of spiritual experiences, these are the exact same experiences that are written about throughout the entire Bible, in the Quran, and like, all these other texts. And all of them are really setting the stage for us to worship the UFO and their occupants, to some degree." (You see this a lot with the folks who think we're dealing with ETs here to uplift humanity. The Space Brothers theory. I don't know the truth but, to me, it doesn't seem like that's the answer.) DeLonge: "And that, to me, is the one strong pattern, is to confuse us and not let us know of our own spiritual nature to source consciousness." (I've said many times that I believe a lot of this is about human potential and our untapped capabilities in the psi (psychic, pk, consciousness, etc.) area) DeLonge: "And as long as we don't know that, then we will think that, 'Okay, the aliens like, f**ked with our DNA and made us like this,' or 'The Tall Whites showed up and they were the Greek gods, too, and they gave us philosophy and all this whatever.' It's like we're always like, giving some kind of humanized form credit for everything. "And the one thing that's common in all these religions is that it's not giving credit to source energy that allows us to heal, that allows us to be telepathic, that allows us to have telekinesis, that allows us to have, like, compassion in energy to healing. Like, whether you do Reiki and meditate, or whether you sit and pray, it doesn't matter. Why does it work in every religion? Because it's source energy, it's not about the religion." (The one thing I could never get behind is healing because there was no data to back it up. That was until I was shown the work of Bill Bengston. Tons of data. How does it work? I don't know. Nobody does.) DeLonge: "But if you look at who's responsible for all the religions? Well, it's whatever UFO the Star of Bethlehem was, or whatever UFO the Fatima thing was, or whatever the Tall White was that met with Joseph Smith and started the Mormon religion was. Whatever the Jinn are that are in the Koran, or whatever the Demons are there in the Old Testament, they seem to be the things that come in, that take you in your sleep, and make you think things and deceive you. It's all the same." (Deception, deception, deception. A lot of this is very similar to what David Icke (and others) has written about.) DeLonge: "So you have all these things f**king with you, as the good ones and the bad ones. But all the religions, the pattern is, is never ever, ever let humans know the physics of their existence. Which is meditate, you can heal somebody and have all your information you need, or pray. It's the same thing, it doesn't matter. "That's more like my line of thinking is, is why it's so important for us to understand the true nature of spirituality, and why I step back when I hear the Chris Bledsoe stories. And it's wonderful that he's gotten to a place that it's helping him, because I really do like him as a person, and I really respect and honor his experiences because I firsthand have heard them from him. And he's just a wonderful human. I mean, it was an incredible story. But I told him personally, I said, I would be very careful giving these entities that are f**king with you, like, all this great credit and putting them on a pedestal, because these are the same groups that have been doing a lot of weird s*it throughout time, good and bad.' (Again, I think Bledsoe has had real experiences but IMO, his interpretation of what he's dealing with is off.) DeLonge: "And that, to me, seems, you know, that seems suspect. You know, it seems like if there is any really, true, beautiful, great force, and entities representing that force, like your angels in the Bible. I mean, even in the Bible, people would, you know, when they saw an angel, they would collapse on the ground in extreme fear, and like, they couldn't even look at them. It was like the scariest thing that's ever happened. And that doesn't sound like a real loving interaction to me (laughs). That sounds like some scary shit, you know? "So I think whatever would represent true love and unparalleled love, that doesn't seem to be showing up and f**king with our society and our timelines, and our behaviors, and trying to manage us. It's letting us do it on our own, you know, like, figure it out on your own, you know? But everything else that's showing up, seems to have its own interest at heart." (I think TD is saying that a loving/caring intelligence wouldn't try to manipulate us into doing things that just benefit THEM. And that's what appears to be going on. "They" only care about themselves. If there were ones here who truly cared about us, they would leave us alone and let us figure it on our own.) Semivan: "I tend to agree with you on this. I did a podcast a while back and somebody related to this. They were talking about why there hasn't been Disclosure? And I said, 'Well, you know, there's two sides of this story.' I said, 'You have the non human-intelligences, you know, or the phenomenon, and then you have the governments.' And I said 'Well, where the hell are the non-human intelligences in all this? Why aren't they coming out? They pretty sneakily running around, and they meet people in weird, obscured circumstances, make their experiences sound crazy. Yet, they sort of wanna be known, but they don't wanna be known.' As I mentioned to somebody once, 'They'll screw around with you but you can't take them home to meet your parents. They're not landing on the White House lawn for a reason.' I'm not quite sure what that is."
9:00

"Where the hell are the [NHIs] in all this? Why aren't they coming out?" ~Semivan "What I experienced, you know, physical marks the whole thing, and my wife, worse." ~Semivan on their abduction "I would be very careful giving these entities that are f**king with you, like, all this great credit and putting them on a pedestal." ~DeLonge to Chris Bledsoe "It's indifferent to man." ~Vallée to Semivan "Are we evil when we go fishing and we hurt fish? Are we considered evil to the fish"? ~DeLonge Jay Stratton's, "got orbs flying around in his house, scaring the hell out of his wife and his kids." ~Semivan ( I enjoyed this episode because a lot of this is where I am when it comes to thinking about the phenomenon. I'm not saying this is the truth but it definitely resonates with me.) ~~~ Jim Semivan: "When we started 'To The Stars,' a while back, we took a little bit of flack because we were talking about...we weren't going along with the idea that the phenomenon was always a great, beneficial thing. We were saying, like, 'Look, let's just wait. There's been instances where it hasn't been...' I always like to use Chris Bledsoe as an example. He's just a dear, dear man, but when you listen to his story, up close and personally, and you could see the absolute fear that he went through, and his family went through, when he first encountered these beings, and this phenomena, and then later on how it transformed him into a very, very deeply spiritual man and healer. So you see this dichotomy. "And if you talk to Chris, Chris will tell you, 'No, this is a beneficial thing.' And then, you know, you run into guys like Keel, and even Jacques Vallée to a certain extent, where they'll tell you, 'Well, no, no, hold on a second.' Because I remember when when I had my experience, I was visited. It was years after my experience, I had met John Alexander at a conference and John put me in touch with some people. And then next thing I know, Jacques Vallée, you know, the guy, right? The house god of TTS calls me up and says, 'Can I come out and see you?' "So he flew out from San Francisco, came to my house in Virginia, and spent the day with my wife and I. And we had some very, very long, involved conversations about this. And I asked him, I said, 'Well, you know, what I experienced, you know, physical marks the whole thing, and my wife worse.' (That may be the first time he's said he had physical marks from his abduction-like experience with his wife when he was in grad school. We don't know details of what his wife experienced.) Semivan: "I said (to Vallée), 'Do you think this is evil?' And he said, 'I don't know, I don't think anybody knows. But I will tell you one thing: What I do know is that you can say that it's basically indifferent. It's indifferent to man. In other words, people get harmed by walking into it or getting caught in it, but it doesn't seem to have an evil intention, per se.'" (Reminds me of what Lue Elizondo said to Curt Jaimungal) Lue: "What if it turns out that a lot of the things that we thought were one way, aren’t. Are we prepared to have that honest question with ourselves? Are we prepared to recognize that we’re not at the top of the food chain, potentially?” (Most humans are indifferent to the welfare of most beings that are below us on the food chain. If we're driving and hit a squirrel, and they get hurt or killed, we may feel bad for a little bit, but we get on with our business and enjoy the rest of our day. How many cows, chickens and pigs are killed every day so we can eat them? Most humans, including me, don't give that a second thought. Indifference. That indifference may be happening with an intelligence (or multiple intelligences) that's above us on the food chain. And I'm not saying they're eating us, although that can't be ruled out 100%. I'm saying "they" just do their thing and if we get hurt or killed, it's not a huge deal to them. Indifference. And maybe some of them enjoy messing with us?) Semivan: "But then when you read Keel and you know, you read the Mothman and and a lot of these other stories like 'The Mojave Incident.' Well, holy cow! You look at this stuff. And, you know, you get these hobgoblins flying around, you know, with Jay Stratton. He's got orbs flying around in his house, scaring the hell out of his wife and his kids. I don't see, I don't know where there's any kind of a spiritual turn to that where you could look at all that and all of a sudden you say, 'Oh, now I'm a better person.'" (Most of us have known that Axelrod in "Skinwalkers at the Pentagon" is Jay Stratton but that's the first time one of his colleagues/friends has said it. And I agree: What's the purpose of orbs scaring, and leaving marks on, his kids? And the wolf that his wife, kids and their friends say they saw? Why? To make them better people? It makes zero sense to me.) Semivan: "It happened with Chris (Bledsoe) and, you know, great for him. Sure, as hell didn't happen to me. And I don't think it happened to Jay Stratton, either. I think it gave Jay a different outlook as with me, but sh*t, I mean, nothing I couldn't have got from reading books. What do you think?" Tom DeLonge: "I think like, yeah, you know, the idea of what we might call something evil, but to that, it's like, you know, are we evil when we go fishing and we hurt fish? You know, are we considered evil to the fish? So it's things looking out for its own interest." (100%. Someone asked me about good vs. evil last night and I wrote back, "Not about good vs. evil. About survival and food chain. Somber.") DeLonge: "The thing that I look at, you know, a lot of the ideas of good and evil come from like, religion, all different types of religions where it really defines the metaphysical nature of who we are and what we're living in. But I look at religion... I cannot think of one religion that hasn't left a wake of destruction. I mean, literally, every single one has done so much harm. And the one pattern in all these religions is that most of them, outside of the pagan ones, have really tried to just to get us to believe that the creator of the universe is some kind of human, or something. It's not like a source, an energy, it's like, it's a Jesus or an Allah, or it's a Buddha, or I don't know. Buddhism doesn't really say that, but you know what my point is. It's trying to humanize something. "And so, to me, it's like when Chris Bledsoe, or some of these others that have these kinds of spiritual experiences, these are the exact same experiences that are written about throughout the entire Bible, in the Quran, and like, all these other texts. And all of them are really setting the stage for us to worship the UFO and their occupants, to some degree." (You see this a lot with the folks who think we're dealing with ETs here to uplift humanity. The Space Brothers theory. I don't know the truth but, to me, it doesn't seem like that's the answer.) DeLonge: "And that, to me, is the one strong pattern, is to confuse us and not let us know of our own spiritual nature to source consciousness." (I've said many times that I believe a lot of this is about human potential and our untapped capabilities in the psi (psychic, pk, consciousness, etc.) area) DeLonge: "And as long as we don't know that, then we will think that, 'Okay, the aliens like, f**ked with our DNA and made us like this,' or 'The Tall Whites showed up and they were the Greek gods, too, and they gave us philosophy and all this whatever.' It's like we're always like, giving some kind of humanized form credit for everything. "And the one thing that's common in all these religions is that it's not giving credit to source energy that allows us to heal, that allows us to be telepathic, that allows us to have telekinesis, that allows us to have, like, compassion in energy to healing. Like, whether you do Reiki and meditate, or whether you sit and pray, it doesn't matter. Why does it work in every religion? Because it's source energy, it's not about the religion." (The one thing I could never get behind is healing because there was no data to back it up. That was until I was shown the work of Bill Bengston. Tons of data. How does it work? I don't know. Nobody does.) DeLonge: "But if you look at who's responsible for all the religions? Well, it's whatever UFO the Star of Bethlehem was, or whatever UFO the Fatima thing was, or whatever the Tall White was that met with Joseph Smith and started the Mormon religion was. Whatever the Jinn are that are in the Koran, or whatever the Demons are there in the Old Testament, they seem to be the things that come in, that take you in your sleep, and make you think things and deceive you. It's all the same." (Deception, deception, deception. A lot of this is very similar to what David Icke (and others) has written about.) DeLonge: "So you have all these things f**king with you, as the good ones and the bad ones. But all the religions, the pattern is, is never ever, ever let humans know the physics of their existence. Which is meditate, you can heal somebody and have all your information you need, or pray. It's the same thing, it doesn't matter. "That's more like my line of thinking is, is why it's so important for us to understand the true nature of spirituality, and why I step back when I hear the Chris Bledsoe stories. And it's wonderful that he's gotten to a place that it's helping him, because I really do like him as a person, and I really respect and honor his experiences because I firsthand have heard them from him. And he's just a wonderful human. I mean, it was an incredible story. But I told him personally, I said, I would be very careful giving these entities that are f**king with you, like, all this great credit and putting them on a pedestal, because these are the same groups that have been doing a lot of weird s*it throughout time, good and bad.' (Again, I think Bledsoe has had real experiences but IMO, his interpretation of what he's dealing with is off.) DeLonge: "And that, to me, seems, you know, that seems suspect. You know, it seems like if there is any really, true, beautiful, great force, and entities representing that force, like your angels in the Bible. I mean, even in the Bible, people would, you know, when they saw an angel, they would collapse on the ground in extreme fear, and like, they couldn't even look at them. It was like the scariest thing that's ever happened. And that doesn't sound like a real loving interaction to me (laughs). That sounds like some scary shit, you know? "So I think whatever would represent true love and unparalleled love, that doesn't seem to be showing up and f**king with our society and our timelines, and our behaviors, and trying to manage us. It's letting us do it on our own, you know, like, figure it out on your own, you know? But everything else that's showing up, seems to have its own interest at heart." (I think TD is saying that a loving/caring intelligence wouldn't try to manipulate us into doing things that just benefit THEM. And that's what appears to be going on. "They" only care about themselves. If there were ones here who truly cared about us, they would leave us alone and let us figure it on our own.) Semivan: "I tend to agree with you on this. I did a podcast a while back and somebody related to this. They were talking about why there hasn't been Disclosure? And I said, 'Well, you know, there's two sides of this story.' I said, 'You have the non human-intelligences, you know, or the phenomenon, and then you have the governments.' And I said 'Well, where the hell are the non-human intelligences in all this? Why aren't they coming out? They pretty sneakily running around, and they meet people in weird, obscured circumstances, make their experiences sound crazy. Yet, they sort of wanna be known, but they don't wanna be known.' As I mentioned to somebody once, 'They'll screw around with you but you can't take them home to meet your parents. They're not landing on the White House lawn for a reason.' I'm not quite sure what that is."

Joe Murgia

85,713 Aufrufe • vor 2 Jahren

This isn't alien technology, literally or metaphorically. The breakthrough here isn't in engineering at all — it's in corporate organization. See, most machines are broken because the organizations that make them are broken. As an engineer, I would estimate that at least 30% of the parts of any given device exist only to correct for the design flaws in the other 70%. Works like this. Suppose I, an engineer, design a set of pipes and injectors to feed fuel to a combustion chamber at a consistent and controllable rate. Except in testing, there's some corner cases it doesn't handle well. Now, if you're an engineer, you understand this is normal. Nobody ever gets a design right the first time, unless it's so trivial that it's probably been done before. Your first design doesn't survive the wind tunnel, your first code doesn't compile right away, and if does, it segfaults. Your rockets blow up. And there's a flow problem with your fuel feed lines. It happens. Doesn't mean you're stupid. Means you didn't have enough information. But you have an even bigger problem. Middle management. Middle management is a special variety of hazmat suit, which is worn by the finance, sales, or market guys who run companies, so they don't have to touch the icky engineers. C-suite guys hate hate hate engineers, because it's a terrifying sensation to be dependent on someone you cannot understand, who doesn't appear to respect you much. (It does not occur to them that it is also extremely frustrating to have your work paid for, and thus controlled, by someone who cannot understand what you do, who doesn't appear to respect you much.) The primary role of middle management is talk to engineers so C-suite guys won't have to, and the primary qualification is to be a member of the right social class, and to hate engineers. This qualification is dressed up in secret handshake buzzwords like "management experience", as used in the sentence "I know you have been an engineer for twenty years and the other engineers all come to you for advice and leadership, but you don't have management experience, so I am going to hire my golfing buddy's 23 year old kid, who just graduated business school." So the fact that the fuel lines lines are not working quite right isn't your problem. That's part of the normal engineering process. Your problem is that your manager hates you and everything you stand for, and doesn't trust you or take your word for anything. He think his job is to keep you in line rather than help or empower you. So when you say "the fuel feed lines need to be redesigned", he says "we already spent six months and seventeen million dollars design the fuel feed system, we can't let you do it again." He thinks you are telling him seventeen million dollars worth of work needs to be thrown away and redone, and he cannot be told otherwise, because he cannot be told anything. So he says "you have two weeks and fifty thousand dollars to fix it". So you add another turbopump. What else can you do in two weeks? Now there's a new part. And if something goes wrong with that, another new part will be added to fix it. Because the company's actual priority isn't what you are responsible for — the design. It's what middle management is responsible for — the schedule and the budget. You have to play the villain so they can play the hero. What middle management doesn't understand, is paid to not understand, is what engineering actually is. Engineering is the process of making mistakes until you run out of mistakes to make. So when you spend six months and seventeen million dollars, and ended up with a design that doesn't quite work right in all cases, you weren't throwing away money, you were burning through mistakes. You've gotten a lot of them out of the way and won't make them again. But you have to get rid of some more before the design is actually right and doesn't require extra parts. The work of engineering isn't making the thing. It's teaching yourself to make the thing. Once you've done that, you can make the thing with minimal effort and time, because you know how to make the thing. C-suite financiers would hate this idea if they understood it. Why? Because it's unpredictable. Financiers like safe investments that make money. Not knowing how long something will take or how much it will cost is terrifying to them. So they train engineers to lie to them, by hiring a middle managers who try to force them to lie, and just interpret every guess as a promise if engineers still refuse to do so. But lying to yourself doesn't make the truth go away. The truth is that engineering projects take as long as they take, and cost as much as they cost. And that no one knows how long or how much they will be, because no one knows how many mistakes are waiting to be made, until they actually make them. The only thing you thing you can do about this is hire really good engineers, who catch more of their mistakes on the white board, leaving fewer to be caught in the wind tunnel, and this makes engineering faster... but it doesn't make engineering more predictable. Gantt charts are nothing but a collection of lies that corporations have taught themselves to tell themselves, lies that middle managers try to make true by enforcing them as promises. The ultimate reason that machines are 30% unnecessary parts is that the corporations that build them are 30% unnecessary people. This is what's different about Elon Musk. It's not that he's a better engineer. It's that he's a better manager. He understands engineers and engineering, and he doesn't hate them because he is one. He understood all along that green-field design is full of unknown-unknowns, and that there is absolutely no number-crunching, pie-chart, MBA magic that can eliminate this risk... it can only be hidden from view. The critical understanding is in the video clip below, where he says that SpaceX only had a 10% chance of success. You cannot say something like that unless you get it. And when you get it, you are free. Free from artificial anxiety about schedules and budgets. Anxiety about schedules and budgets is based on the delusion of control. Managers can't make a project finish "on time". They never could. The only power they have is the power to screw it up. The fate of a project is already written in the unknown unknowns before it ever starts. And the best, the absolute best, an engineering team can ever do, under any circumstances, is to confront those unknowns with clear-eyed honesty, and a willingness to adapt. Well, when you say to yourself, "This project has a 10% chance of succeeding", you've already confronted the pain of those admissions, which means you have already conquered the fear. The fear that makes you try to treat a prediction as a promise. The fear that makes you insert an extra turbopump, when what you really need to do is get busy redesigning the pipes, even though you have no idea how long it will take or much it will cost. Even when your rockets blow up. The SpaceX Raptor engine isn't just, or even primarily, a triumph of engineering smarts. It's a triumph of character. It's about an entire team with virtues MBAs lack: self-awareness, persistence, courage, humility, and, ultimately, hope. Because that's what it takes to pursue the best design, the RIGHT design, not even knowing if it exists to be found, much less whether you'll find it before you run out of money. Great things are not accomplished by middle managers with spreadsheets and Gantt charts. They are accomplished by teams of experts with passion and vision. Who are willing to risk failure so they can succeed. So what's the point in me saying all this? Am I just writing a puff piece on SpaceX and the Raptor engine? No. The point is that this is not special, one-off, magic alien technology. It's the systematic result of a correct understanding of engineering. Which means that EVERY COMPANY CAN BE LIKE THIS. If the people who control the purse strings are willing to learn from this example, and stop managing with spreadsheets and fear.
0:40

This isn't alien technology, literally or metaphorically. The breakthrough here isn't in engineering at all — it's in corporate organization. See, most machines are broken because the organizations that make them are broken. As an engineer, I would estimate that at least 30% of the parts of any given device exist only to correct for the design flaws in the other 70%. Works like this. Suppose I, an engineer, design a set of pipes and injectors to feed fuel to a combustion chamber at a consistent and controllable rate. Except in testing, there's some corner cases it doesn't handle well. Now, if you're an engineer, you understand this is normal. Nobody ever gets a design right the first time, unless it's so trivial that it's probably been done before. Your first design doesn't survive the wind tunnel, your first code doesn't compile right away, and if does, it segfaults. Your rockets blow up. And there's a flow problem with your fuel feed lines. It happens. Doesn't mean you're stupid. Means you didn't have enough information. But you have an even bigger problem. Middle management. Middle management is a special variety of hazmat suit, which is worn by the finance, sales, or market guys who run companies, so they don't have to touch the icky engineers. C-suite guys hate hate hate engineers, because it's a terrifying sensation to be dependent on someone you cannot understand, who doesn't appear to respect you much. (It does not occur to them that it is also extremely frustrating to have your work paid for, and thus controlled, by someone who cannot understand what you do, who doesn't appear to respect you much.) The primary role of middle management is talk to engineers so C-suite guys won't have to, and the primary qualification is to be a member of the right social class, and to hate engineers. This qualification is dressed up in secret handshake buzzwords like "management experience", as used in the sentence "I know you have been an engineer for twenty years and the other engineers all come to you for advice and leadership, but you don't have management experience, so I am going to hire my golfing buddy's 23 year old kid, who just graduated business school." So the fact that the fuel lines lines are not working quite right isn't your problem. That's part of the normal engineering process. Your problem is that your manager hates you and everything you stand for, and doesn't trust you or take your word for anything. He think his job is to keep you in line rather than help or empower you. So when you say "the fuel feed lines need to be redesigned", he says "we already spent six months and seventeen million dollars design the fuel feed system, we can't let you do it again." He thinks you are telling him seventeen million dollars worth of work needs to be thrown away and redone, and he cannot be told otherwise, because he cannot be told anything. So he says "you have two weeks and fifty thousand dollars to fix it". So you add another turbopump. What else can you do in two weeks? Now there's a new part. And if something goes wrong with that, another new part will be added to fix it. Because the company's actual priority isn't what you are responsible for — the design. It's what middle management is responsible for — the schedule and the budget. You have to play the villain so they can play the hero. What middle management doesn't understand, is paid to not understand, is what engineering actually is. Engineering is the process of making mistakes until you run out of mistakes to make. So when you spend six months and seventeen million dollars, and ended up with a design that doesn't quite work right in all cases, you weren't throwing away money, you were burning through mistakes. You've gotten a lot of them out of the way and won't make them again. But you have to get rid of some more before the design is actually right and doesn't require extra parts. The work of engineering isn't making the thing. It's teaching yourself to make the thing. Once you've done that, you can make the thing with minimal effort and time, because you know how to make the thing. C-suite financiers would hate this idea if they understood it. Why? Because it's unpredictable. Financiers like safe investments that make money. Not knowing how long something will take or how much it will cost is terrifying to them. So they train engineers to lie to them, by hiring a middle managers who try to force them to lie, and just interpret every guess as a promise if engineers still refuse to do so. But lying to yourself doesn't make the truth go away. The truth is that engineering projects take as long as they take, and cost as much as they cost. And that no one knows how long or how much they will be, because no one knows how many mistakes are waiting to be made, until they actually make them. The only thing you thing you can do about this is hire really good engineers, who catch more of their mistakes on the white board, leaving fewer to be caught in the wind tunnel, and this makes engineering faster... but it doesn't make engineering more predictable. Gantt charts are nothing but a collection of lies that corporations have taught themselves to tell themselves, lies that middle managers try to make true by enforcing them as promises. The ultimate reason that machines are 30% unnecessary parts is that the corporations that build them are 30% unnecessary people. This is what's different about Elon Musk. It's not that he's a better engineer. It's that he's a better manager. He understands engineers and engineering, and he doesn't hate them because he is one. He understood all along that green-field design is full of unknown-unknowns, and that there is absolutely no number-crunching, pie-chart, MBA magic that can eliminate this risk... it can only be hidden from view. The critical understanding is in the video clip below, where he says that SpaceX only had a 10% chance of success. You cannot say something like that unless you get it. And when you get it, you are free. Free from artificial anxiety about schedules and budgets. Anxiety about schedules and budgets is based on the delusion of control. Managers can't make a project finish "on time". They never could. The only power they have is the power to screw it up. The fate of a project is already written in the unknown unknowns before it ever starts. And the best, the absolute best, an engineering team can ever do, under any circumstances, is to confront those unknowns with clear-eyed honesty, and a willingness to adapt. Well, when you say to yourself, "This project has a 10% chance of succeeding", you've already confronted the pain of those admissions, which means you have already conquered the fear. The fear that makes you try to treat a prediction as a promise. The fear that makes you insert an extra turbopump, when what you really need to do is get busy redesigning the pipes, even though you have no idea how long it will take or much it will cost. Even when your rockets blow up. The SpaceX Raptor engine isn't just, or even primarily, a triumph of engineering smarts. It's a triumph of character. It's about an entire team with virtues MBAs lack: self-awareness, persistence, courage, humility, and, ultimately, hope. Because that's what it takes to pursue the best design, the RIGHT design, not even knowing if it exists to be found, much less whether you'll find it before you run out of money. Great things are not accomplished by middle managers with spreadsheets and Gantt charts. They are accomplished by teams of experts with passion and vision. Who are willing to risk failure so they can succeed. So what's the point in me saying all this? Am I just writing a puff piece on SpaceX and the Raptor engine? No. The point is that this is not special, one-off, magic alien technology. It's the systematic result of a correct understanding of engineering. Which means that EVERY COMPANY CAN BE LIKE THIS. If the people who control the purse strings are willing to learn from this example, and stop managing with spreadsheets and fear.

Devon Eriksen

126,721 Aufrufe • vor 8 Monaten

🔥 New Lacatski - Plus My Thoughts, and More 🔥 "It was about 18 inches tall, 18 inches wide, floating in the middle of the kitchen. Jean said, 'Before you showed up, a [crucifix] flew out of the bathroom, horizontally.'" AAWSAP, "was to investigate the paranormal as being the umbrella over UFOs, right from the get go. [My bosses] knew it from the beginning." ~Lacatski ~ Kirsten Joyce: "A U.S. intelligence official who designed and directed the largest UFO investigation in American history has confirmed at least one UFO-type craft of unknown origin is being studied in absolute secrecy." denise valdez: "But, Dr. James Lacatski adds, the fact that our government has stashed away one of these craft is just a small part of a much bigger mystery. Lacatski spoke exclusively with our chief investigator, George Knapp." Knapp in Studio: "Yeah, we're overdue for some UFO News, right? Some of our viewers might remember the name James Lacatski, an analyst and nuclear engineer who worked for the DIA, the Defense Intelligence Agency, and oversaw a program called AAWSAP, based here in Las Vegas. The government still hasn't released a single page from the AAWSAP files, though the program ended 15 years ago, but Dr. Lacatski has been authorized to spill some of these deep, dark secrets." ~ Dr. James Lacatski: "Reducing 30,000 pages of analyst photos and information and logs and sightings, etc, and investigations, that was a tough job. So, when I first met you, I could only give you a very top-level view of what we had done." ~ Knapp Voiceover: "The first time Dr James Lacatski revealed the existence of AAWSAP, the government's largest ever UFO-related investigation, was in a hush-hush, Washington DC meeting in March 2018, arranged by Senator Harry Reid. It happened seven years after the program had ended, and four months after the New York Times revealed the existence of a smaller, unofficial offshoot effort called AATIP." (And Knapp told you about that meeting, and AAWSAP, in March of 2019, and I transcribed it and shared it in April of that same year. In 2019, Knapp also told you that AATIP was, "not so much a program as it was a loose network of intelligence officials in different agencies, including the Air Force and the Navy, CIA, DIA, DARPA…there might be a couple of other agencies. But a case would come in from any one of their units [and] it would be shared with this group of people, analysis would be done, evidence would be looked at and then stashed in a draw and nobody ever sees it. It’s not passed up the chain of command.") Read about it here: Transcript – George Knapp at UFO MegaCon: Over The Years, [The Pentagon] Has “Lied” About UFOs “And They’re Lying Now.” ~~~ Knapp Voiceover: "AAWSAP, authorized by the DIA, secretly funded by Reid and colleagues, and carried out by a Las-Vegas subcontractor of Bigelow Aerospace, was larger than all previous UFO programs put together. It produced a staggering body of work in its 27-month existence. More than 100 thick, detailed scientific reports, not one page of which has ever been released by the government. The most unique part of AAWSAP, is that the program was allowed to follow the evidence wherever it led, and it invariably led to phenomena far stranger than mere UFOs." ~ Lacatski: "And it didn't go off-track into the paranormal, it was to investigate the paranormal as being the umbrella over UFOs, right from the get go." Knapp: "And your bosses knew that from the beginning, they knew it was gonna get weird." Lacatski: "They knew it from the beginning. They were concerned from the beginning about the leak, but we never had a leak, not at all." ~ Knapp Voiceover: "Lacatski and a DIA colleague, ,, were inspired to pursue these subjects in part by continued reports of UFO activity over sensitive U.S. military assets, and by a cornucopia of bizarre, seemingly-paranormal phenomena at what is now well-known as Skinwalker Ranch. "Creatures, animal mutilations, poltergeist or trickster-type activities, along with a smorgasbord of possible UFOs. Lacatski visited the ranch, had an experience himself, and wondered if the paranormal events were a side effect caused by UFO technology, and whoever was piloting those craft." (I believe Stratton and Travis S Taylor lean towards the paranormal events (at least, perception-wise) are the product of the UFO technology having an affect on our brains and making us see things that are not there. For those who have never heard it, here's Lacatski in 2021, on Coast to Coast AM, describing what he experienced on Skinwalker Ranch back in July of 2007.) Lacatski: "We went into the ranch manager’s homes and sat down. Now, we were having a casual conversation. You know, I’m certainly noticing that there are twelve or more crosses and crucifixes on the wall, and I was thinking, 'Hmm, Jim, I wonder if I really should have come here.' But in any case, you know, we’re having a nice conversation and then Bob [Bigelow] and the ranch managers went into, I’d best call it a personal finance discussion, which I felt kind of awkward being there. And I kind of went into a daze, you know, just glancing around the room, seeing what’s the lay of the land in the rooms. And then this object appears, floating in the kitchen. Quite distinct. I mean, I looked away from it and it maintained its position and allowed me, I guess, actively allowed me to come back and look at it and examine it more closely. It was not a blurry vision, it was not a speck in my eye. It was there, it was about 18 inches tall, 18 inches wide, floating in the middle of the kitchen. And that kitchen is quite distinct. Its style is 1950s-style, so the colors of the tiles are quite distinct." George Noory: "Did it look like it just appeared?" Lacatski: "It just appeared. It just appeared and it was very sharp. Now, let me give you an exact description. Take a piece of spaghetti about six inches long - I’m just saying, you know, in practical terms, to form a model of it - let it wet or boil it and let it drop and start bunching up on itself. But at the very end that you’re holding, allow it to droop downwards, and stick out. Now that was super clear, that portion of it. It was a truncated, it was a solid light yellow and it was surrounded by a different shade of yellow cloud. So, you know, I’m looking at this taking notes of what it looked like and just a few minutes ago, I looked back at my original drawing of it because I wanted to catch the impact. And, as someone, I guess, I noted to someone and they’ve repeated it (Bigelow repeated it to George Knapp), it looked very much like the cover object of Tubular Bells, the album from back, I guess it was in the 80s. Except it wasn’t chrome, it was yellow, and it was solid. Quite clear and then it got fuzzy as the droopy portion went into the cloud. And that was it. "There was nothing that dramatic about it. And that’s when we went into a discussion of, you know, I made the comment, 'Well, is this your decorating style?' And Jean said, 'Oh, yes, this is my decorating style. Strange, though, but, you know, before you showed up, a cross flew out of the bathroom, horizontally, into the wash basket, on top of the washing machine.' So I’m thinking, 'Oh, hmm.' Well that’s when we went back and we went right through where the object was, as we all went back and toured the rest of the house and had further discussions about what was going on there. So it’s not a complex story, but that’s it." Knapp: "Just to add some context to this: Jim only made one visit on behalf of the Defense Intelligence Agency to figure out whether there was a justification for a study. He’s there on the ranch for a short period of time, he has an experience, this thing appears in the air, and only he can see it, it’s just for him. And that site, that event is what led to the creation of the program (AAWSAP) and convinced him that something was really going on. He went back to Washington, talked with Harry Reid and set this thing in motion, designed the program. He’s being too modest, I think." Read the full transcript here: C2C Transcript: Lacatski, Colm, Knapp & AAWSAP – UFO Study Can’t Just Be On Nuts & Bolts ~~~ Knapp Voiceover: "[Lacatski] wondered if the paranormal events were a side effect caused by UFO technology, and whoever was piloting those craft. It turned out to be the other way around, he says: UFOs are a subset under a larger paranormal umbrella. Lacatski makes that argument in his new book about AAWSAP, 'Future Visions'" Lacatski: "That's the purpose of the government effort, was to look into: Is there something really there, especially in the paranormal umbrella? And the answer is: Absolutely yes." Knapp Voiceover: "Members of Congress and the UFO public are mostly focused these days on testimony they've heard about Legacy Programs, places where crashed UFOs and alien bodies are supposedly stashed, the kind of allegations that put Nevada's Area 51 on the map back in 1989. "And why not? In a previous book ("Initial Revelations"), Lacatski was authorized to say, in very brief terms, that the government does possess at least one advanced craft of unknown origin. As big as that news is, Lacatski says, it does not answer the even larger questions." ~ Knapp: "You could have craft, you could have bodies, but it wouldn't necessarily tell you where they're from, why they're here, what their plan is." Lacatski: "Nope. Nope, it wouldn't, and that's part of the the story. And what have we really done? In fact, if there was an alien intelligence, which some people think is behind all of this, they must be shaking their heads in frustration (Knapp laughs), because we move like a snail, and maybe, at times, we even go backwards." ~~~ Knapp in Studio: "This is Dr Lacatski's fourth and final book based on the AAWSAP files. I was co-author on two of those, along with Dr. Colm Kelleher. "'Future Visions' contains many new details about dramatic UFO incidents and cases, weird events at Skinwalker Ranch and similar locations, and hints about another program (Kona Blue) that grew out of AAWSAP. The full interview can, eventually, be viewed on our 'Mystery Wire' site. Back to you." Valdez: "Good reading, George, thanks so much." Joyce: "Does it get more interesting than a George Knapp report?" Valdez: "Never. You can hear a pin drop when he's talking."
5:12

🔥 New Lacatski - Plus My Thoughts, and More 🔥 "It was about 18 inches tall, 18 inches wide, floating in the middle of the kitchen. Jean said, 'Before you showed up, a [crucifix] flew out of the bathroom, horizontally.'" AAWSAP, "was to investigate the paranormal as being the umbrella over UFOs, right from the get go. [My bosses] knew it from the beginning." ~Lacatski ~ Kirsten Joyce: "A U.S. intelligence official who designed and directed the largest UFO investigation in American history has confirmed at least one UFO-type craft of unknown origin is being studied in absolute secrecy." denise valdez: "But, Dr. James Lacatski adds, the fact that our government has stashed away one of these craft is just a small part of a much bigger mystery. Lacatski spoke exclusively with our chief investigator, George Knapp." Knapp in Studio: "Yeah, we're overdue for some UFO News, right? Some of our viewers might remember the name James Lacatski, an analyst and nuclear engineer who worked for the DIA, the Defense Intelligence Agency, and oversaw a program called AAWSAP, based here in Las Vegas. The government still hasn't released a single page from the AAWSAP files, though the program ended 15 years ago, but Dr. Lacatski has been authorized to spill some of these deep, dark secrets." ~ Dr. James Lacatski: "Reducing 30,000 pages of analyst photos and information and logs and sightings, etc, and investigations, that was a tough job. So, when I first met you, I could only give you a very top-level view of what we had done." ~ Knapp Voiceover: "The first time Dr James Lacatski revealed the existence of AAWSAP, the government's largest ever UFO-related investigation, was in a hush-hush, Washington DC meeting in March 2018, arranged by Senator Harry Reid. It happened seven years after the program had ended, and four months after the New York Times revealed the existence of a smaller, unofficial offshoot effort called AATIP." (And Knapp told you about that meeting, and AAWSAP, in March of 2019, and I transcribed it and shared it in April of that same year. In 2019, Knapp also told you that AATIP was, "not so much a program as it was a loose network of intelligence officials in different agencies, including the Air Force and the Navy, CIA, DIA, DARPA…there might be a couple of other agencies. But a case would come in from any one of their units [and] it would be shared with this group of people, analysis would be done, evidence would be looked at and then stashed in a draw and nobody ever sees it. It’s not passed up the chain of command.") Read about it here: Transcript – George Knapp at UFO MegaCon: Over The Years, [The Pentagon] Has “Lied” About UFOs “And They’re Lying Now.” ~~~ Knapp Voiceover: "AAWSAP, authorized by the DIA, secretly funded by Reid and colleagues, and carried out by a Las-Vegas subcontractor of Bigelow Aerospace, was larger than all previous UFO programs put together. It produced a staggering body of work in its 27-month existence. More than 100 thick, detailed scientific reports, not one page of which has ever been released by the government. The most unique part of AAWSAP, is that the program was allowed to follow the evidence wherever it led, and it invariably led to phenomena far stranger than mere UFOs." ~ Lacatski: "And it didn't go off-track into the paranormal, it was to investigate the paranormal as being the umbrella over UFOs, right from the get go." Knapp: "And your bosses knew that from the beginning, they knew it was gonna get weird." Lacatski: "They knew it from the beginning. They were concerned from the beginning about the leak, but we never had a leak, not at all." ~ Knapp Voiceover: "Lacatski and a DIA colleague, ,, were inspired to pursue these subjects in part by continued reports of UFO activity over sensitive U.S. military assets, and by a cornucopia of bizarre, seemingly-paranormal phenomena at what is now well-known as Skinwalker Ranch. "Creatures, animal mutilations, poltergeist or trickster-type activities, along with a smorgasbord of possible UFOs. Lacatski visited the ranch, had an experience himself, and wondered if the paranormal events were a side effect caused by UFO technology, and whoever was piloting those craft." (I believe Stratton and Travis S Taylor lean towards the paranormal events (at least, perception-wise) are the product of the UFO technology having an affect on our brains and making us see things that are not there. For those who have never heard it, here's Lacatski in 2021, on Coast to Coast AM, describing what he experienced on Skinwalker Ranch back in July of 2007.) Lacatski: "We went into the ranch manager’s homes and sat down. Now, we were having a casual conversation. You know, I’m certainly noticing that there are twelve or more crosses and crucifixes on the wall, and I was thinking, 'Hmm, Jim, I wonder if I really should have come here.' But in any case, you know, we’re having a nice conversation and then Bob [Bigelow] and the ranch managers went into, I’d best call it a personal finance discussion, which I felt kind of awkward being there. And I kind of went into a daze, you know, just glancing around the room, seeing what’s the lay of the land in the rooms. And then this object appears, floating in the kitchen. Quite distinct. I mean, I looked away from it and it maintained its position and allowed me, I guess, actively allowed me to come back and look at it and examine it more closely. It was not a blurry vision, it was not a speck in my eye. It was there, it was about 18 inches tall, 18 inches wide, floating in the middle of the kitchen. And that kitchen is quite distinct. Its style is 1950s-style, so the colors of the tiles are quite distinct." George Noory: "Did it look like it just appeared?" Lacatski: "It just appeared. It just appeared and it was very sharp. Now, let me give you an exact description. Take a piece of spaghetti about six inches long - I’m just saying, you know, in practical terms, to form a model of it - let it wet or boil it and let it drop and start bunching up on itself. But at the very end that you’re holding, allow it to droop downwards, and stick out. Now that was super clear, that portion of it. It was a truncated, it was a solid light yellow and it was surrounded by a different shade of yellow cloud. So, you know, I’m looking at this taking notes of what it looked like and just a few minutes ago, I looked back at my original drawing of it because I wanted to catch the impact. And, as someone, I guess, I noted to someone and they’ve repeated it (Bigelow repeated it to George Knapp), it looked very much like the cover object of Tubular Bells, the album from back, I guess it was in the 80s. Except it wasn’t chrome, it was yellow, and it was solid. Quite clear and then it got fuzzy as the droopy portion went into the cloud. And that was it. "There was nothing that dramatic about it. And that’s when we went into a discussion of, you know, I made the comment, 'Well, is this your decorating style?' And Jean said, 'Oh, yes, this is my decorating style. Strange, though, but, you know, before you showed up, a cross flew out of the bathroom, horizontally, into the wash basket, on top of the washing machine.' So I’m thinking, 'Oh, hmm.' Well that’s when we went back and we went right through where the object was, as we all went back and toured the rest of the house and had further discussions about what was going on there. So it’s not a complex story, but that’s it." Knapp: "Just to add some context to this: Jim only made one visit on behalf of the Defense Intelligence Agency to figure out whether there was a justification for a study. He’s there on the ranch for a short period of time, he has an experience, this thing appears in the air, and only he can see it, it’s just for him. And that site, that event is what led to the creation of the program (AAWSAP) and convinced him that something was really going on. He went back to Washington, talked with Harry Reid and set this thing in motion, designed the program. He’s being too modest, I think." Read the full transcript here: C2C Transcript: Lacatski, Colm, Knapp & AAWSAP – UFO Study Can’t Just Be On Nuts & Bolts ~~~ Knapp Voiceover: "[Lacatski] wondered if the paranormal events were a side effect caused by UFO technology, and whoever was piloting those craft. It turned out to be the other way around, he says: UFOs are a subset under a larger paranormal umbrella. Lacatski makes that argument in his new book about AAWSAP, 'Future Visions'" Lacatski: "That's the purpose of the government effort, was to look into: Is there something really there, especially in the paranormal umbrella? And the answer is: Absolutely yes." Knapp Voiceover: "Members of Congress and the UFO public are mostly focused these days on testimony they've heard about Legacy Programs, places where crashed UFOs and alien bodies are supposedly stashed, the kind of allegations that put Nevada's Area 51 on the map back in 1989. "And why not? In a previous book ("Initial Revelations"), Lacatski was authorized to say, in very brief terms, that the government does possess at least one advanced craft of unknown origin. As big as that news is, Lacatski says, it does not answer the even larger questions." ~ Knapp: "You could have craft, you could have bodies, but it wouldn't necessarily tell you where they're from, why they're here, what their plan is." Lacatski: "Nope. Nope, it wouldn't, and that's part of the the story. And what have we really done? In fact, if there was an alien intelligence, which some people think is behind all of this, they must be shaking their heads in frustration (Knapp laughs), because we move like a snail, and maybe, at times, we even go backwards." ~~~ Knapp in Studio: "This is Dr Lacatski's fourth and final book based on the AAWSAP files. I was co-author on two of those, along with Dr. Colm Kelleher. "'Future Visions' contains many new details about dramatic UFO incidents and cases, weird events at Skinwalker Ranch and similar locations, and hints about another program (Kona Blue) that grew out of AAWSAP. The full interview can, eventually, be viewed on our 'Mystery Wire' site. Back to you." Valdez: "Good reading, George, thanks so much." Joyce: "Does it get more interesting than a George Knapp report?" Valdez: "Never. You can hear a pin drop when he's talking."

Joe Murgia

60,904 Aufrufe • vor 5 Monaten

I am leaving San Francisco. My heart is broken... Thank You Gavin Newsom, London Breed, Scott Wiener, Connie Chan, Jennifer Friedenbach, Aaron Peskin, Dean Preston, Hillary Ronen, Myrna Melgar and all the other leftist anti-American politicians who destroyed one of the greatest cities in history. San Francisco used be to the most beautiful city in the world... Now how can I build a life for myself in this city, let alone start a family, with all this chaos, corruption, incompetence and lawlessness that plagues our community? I gave this city everything I had. Years of my life, my safety, my money, my energy. I fought for it. I poured out my blood, sweat and tears for it. I stayed when almost everyone else left. And now in order to save my own life, I must make the painful decision to leave. I don't want to go but I have to... Our government is corrupt to its core... leftist reptilians in suits who keep the chaos alive because it keeps their donors and “nonprofits” flush with cash. Our streets look like a third world country... open air fentanyl markets, tents everywhere, human feces, needles, trash piles and bodies on sidewalks. It’s not “progressive.” It’s a collapse. My family and friends? Most of them are gone either they left or they died here. None of my family and friends want to visit me and that's because traveling to San Francisco has become risky. Nobody wants to jeopardize their car or see the humanitarian crisis happening on the sidewalks. The cost of living is skyrocketing. Our wages stagnate and jobs are disappearing to robots and immigrants. You can’t afford to exist in San Francisco unless you’re already rich. I don't want to live paycheck to paycheck. I deserve to enjoy the fruit of my labor. I am paying the highest rates in the country for the least representation as our infrastructure falls apart... aging pipes, crumbling roads, power outages and the constant threat of The Big Earthquake. Our economy has hit terminal velocity. Businesses are fleeing, stores are closing and the tech bros who once promised utopia have replaced themselves with AI and automation. Now they’re laying their own people off while the executives hide behind private security. Illegal immigrants are prioritized over American citizens... luxury hotels, gift cards, free services, while our veterans sleep in the rain and our own homeless get ignored. Every single night my car is either ticketed, towed, broken into, or all three. These people openly prefer socialism and communism over conservatism. They say it with pride. And if you’re straight, white, male, or Christian? They hate you on sight. They treat you like you’re the enemy. No subtlety, no shame. The women here are in constant fight-or-flight mode. They only feel safe dating millionaires. The dating scene is a nightmare. I’m a good looking guy who knows how to talk to women, I do better than most guys and even I can’t get a real date without some woman asking how much money I make. How about, "How's the weather"??? The nightlife is dead. All my favorite bars, clubs, and restaurants have shut down. The few that are left charge $20 just to walk in, then another small fortune for drinks that taste like regret. The local newspapers are pure far left propaganda. If you’re a good guy who votes red and risks your life to stop a restaurant robbery... and actually thwarts the robber... they’ll still paint you as the villain. I’ve seen it happen to me and others. The coroner’s office can’t even keep up with all the goddamn bodies. They mix up the names of dead people with living ones, misidentified remains and dumped corpses in the bay because there’s just simply no room left anywhere else. Fentanyl is showing up on playgrounds and in schools. Public schools are indoctrination factories that teach kids to hate their own country while test scores plummet and parents pull their children out in record numbers. Scott Wiener wants kids who don't even know their ABCs and 123s to change genders and hide secrets from Mom and Dad. Leftist educators are predators. And algebra has become illegal. The public library has become a daytime drug den and homeless shelter, where you can’t even use the bathroom without stepping over people shooting up. Our parks and beaches are littered with human waste, stolen bikes, and abandoned tents... places that used to be beautiful are now no go zones. I need to escape the containment zone. The city’s budget is billions in the red and yet for some reason they keep spending on “equity” programs and luxury accommodations for non citizens while basic services like street cleaning and pothole repair are neglected. Mental health services are a joke... people in crisis are left to wander the streets screaming and the only “help” they get is a tent and a government-issued crack pipe. Yeah that'll help them. Crime statistics are deliberately underreported or reclassified so politicians can claim “declining crime” while residents live in fear. The city’s water supply is contaminated with everything from lead to fentanyl runoff, people are calling themselves "chemical babies" and they still charge premium rates for this water. San Francisco’s “progressive” housing policies have made it impossible to build affordable homes, leaving thousands sleeping in cars or on sidewalks while empty luxury units sit vacant. The transit system is a rolling mobile open air asylum disaster... buses and trains are filthy, unreliable, and unsafe, with assaults and thefts happening daily. I don't even want to talk about the things I have expirienced on the san francisco train. I have seen drug addicts fornicating, homeless people overdose, criminals fleeing the law, people using fentanyl, people pooping and peeing, families being attacked by violent lunatics, yeah, that San Francisco train is giving New York City's subway a run for their money. Animal control is nonexistent. Where is PETA when you actually need them? All these abused stray dogs, raccoons and abandoned pit bulls roam free while people get attacked in broad daylight. Roving packs of cayotes in San Francisco abandoned downtown financial district. Empty Skyscrapers and packs of Cayotes and we still vote Democrat. The city’s fire department is chronically understaffed and underfunded, yet they prioritize “climate justice” training over basic firefighting readiness. Streetlights are burned out for months at a time, leaving entire blocks in darkness while car break ins and assaults spike. The city refuses to enforce basic but will ticket you for the wrong color license plate frame. San Francisco’s “sanctuary city” policies have turned it into a magnet for international criminal , while local police have their hands tied by progressive DAs who refuse to prosecute. Even if they do, the judge just releases them the next day, The air quality is toxic from wildfires, encampment fires and unchecked drug use, yet they lecture residents about carbon footprints. The city’s recycling and composting programs are a farce... I used to work at the landfill... most of it ends up all mixed together in the landfills anyway, while residents are fined for using the wrong bin. Public restrooms have all been closed down because of the homelessness and fentanyl crisis in our community. Most bathrooms are permanently locked or destroyed, forcing people to defecate in alleys and doorways because the city won’t maintain them. Our local leaders fly private jets to climate conferences while telling citizens to stop driving gasoline powered cars. The city’s permitting process is so slow and expensive that small businesses die waiting for approval, while big developers get fast tracked. San Francisco’s “defund the police” experiment left the department gutted, morale crushed, and response times so slow that people just stop calling 911. When my front door got kicked in by burglars, I had to fight them off with my two hands because I didn't have a gun. When I called 911, I got a voicemail and told to leave a message at the beep. The city’s “equity” hiring practices have filled critical departments with unqualified people who prioritize ideology over competence. Not being white shouldn't be the only qualification somebody needs to get hired. Rat infestations are so bad that they’re now considered “wildlife” and protected, while residents wake up to rodents in their kitchens. The city’s homeless “outreach” teams hand out tents and needles but refuse to enforce any rules, turning public spaces into permanent encampments. Emergency rooms are overwhelmed with overdoses and psychiatric cases, forcing regular patients to wait hours or leave untreated. The city’s tourism board still markets San Francisco as a “world class destination” while tourists get robbed in broad daylight and leave traumatized. This isn’t the San Francisco I grew up loving. The city council spends more time debating pronoun policies and symbolic resolutions than fixing the actual problems residents face every day. Public art grants go to waste on virtue signaling artists instead of actual talented artists, while classic statues and monuments are removed or defaced for being too white". Street vendors operate illegally without permits, selling stolen goods and counterfeit items while legitimate businesses are crushed by regulations. Often times the fence guys are standing next to the fentanyl dealers. Fent is $3 a gram, cheaper than a loaf of bread, a gallon of milk and a gallon of gasoline. San Francisco’s “climate emergency” declarations come with more regulations and fees, yet the city does nothing to help Mother Nature. Look at The Great California Delta. It is dying. The public health department pushes endless vaccine mandates while ignoring the overdose epidemic killing thousands every year. All the while Gavin Newsom eats at the french laundry without a mask. The city’s “zero waste” goals are a joke... trash piles up faster than ever while residents are lectured about single use plastics. The board of supervisors routinely votes to protect drug dealers from prosecution while residents are left to deal with the consequences of their leniency on international criminals. Makes you wonder if they are being bribed or blackmailed? Our city’s “sanctuary” policies extend to protecting violent criminals, as long as they claim asylum or fear deportation. The SFPD has been reduced to a skeleton crew, and when they do respond, they’re often told to stand down to avoid “escalation.” The city’s homeless czars make six figures while sleeping in a luxury apartment, yet can’t explain why tent encampments keep growing. They are disconnected from the people they are supposed to help. Women disappear from the streets for days or weeks at a time, or sometimes never to return, only to turn up dead or never turn up at all, yet the city barely investigates missing persons cases anymore. Walking around downtown San Francisco, there are new missing women flyers every week. It is very disturbing. I might be silenced for discussing this one topic. Homeless women and children are left vulnerable in encampments with no protection, while predators move freely among the tents and no one intervenes. I shouldn't be seeing family units living on the streets but I am and across the street are billionaire tech offices. Theft is so normalized that people openly smash windows in broad daylight, grab packages off doorsteps and walk away with bikes while residents watch helplessly. No house or apartment is ever really safer. Shoplifting gangs hit stores multiple times a day, loading up carts and walking out without consequence, leaving retailers to eat the losses. Shelves are empty. You would think people are preparing for the apocalypse. Nope. THEY ARE SELLING THE STOLEN ITEMS TO BUY FENTANYL. Theft of catalytic converters, car batteries, and even entire vehicles has become so common that insurance companies are dropping coverage for entire neighborhoods. Good luck getting car or home insurance in California. I’m not abandoning San Francisco. I fought every day for years to save the city. Now I'm choosing to live. I’m moving somewhere I can breathe, build, create and follow my American Dream. Hope you understand. I can't keep living like this in this modern Sodom and Gomorrah.
0:35

I am leaving San Francisco. My heart is broken... Thank You Gavin Newsom, London Breed, Scott Wiener, Connie Chan, Jennifer Friedenbach, Aaron Peskin, Dean Preston, Hillary Ronen, Myrna Melgar and all the other leftist anti-American politicians who destroyed one of the greatest cities in history. San Francisco used be to the most beautiful city in the world... Now how can I build a life for myself in this city, let alone start a family, with all this chaos, corruption, incompetence and lawlessness that plagues our community? I gave this city everything I had. Years of my life, my safety, my money, my energy. I fought for it. I poured out my blood, sweat and tears for it. I stayed when almost everyone else left. And now in order to save my own life, I must make the painful decision to leave. I don't want to go but I have to... Our government is corrupt to its core... leftist reptilians in suits who keep the chaos alive because it keeps their donors and “nonprofits” flush with cash. Our streets look like a third world country... open air fentanyl markets, tents everywhere, human feces, needles, trash piles and bodies on sidewalks. It’s not “progressive.” It’s a collapse. My family and friends? Most of them are gone either they left or they died here. None of my family and friends want to visit me and that's because traveling to San Francisco has become risky. Nobody wants to jeopardize their car or see the humanitarian crisis happening on the sidewalks. The cost of living is skyrocketing. Our wages stagnate and jobs are disappearing to robots and immigrants. You can’t afford to exist in San Francisco unless you’re already rich. I don't want to live paycheck to paycheck. I deserve to enjoy the fruit of my labor. I am paying the highest rates in the country for the least representation as our infrastructure falls apart... aging pipes, crumbling roads, power outages and the constant threat of The Big Earthquake. Our economy has hit terminal velocity. Businesses are fleeing, stores are closing and the tech bros who once promised utopia have replaced themselves with AI and automation. Now they’re laying their own people off while the executives hide behind private security. Illegal immigrants are prioritized over American citizens... luxury hotels, gift cards, free services, while our veterans sleep in the rain and our own homeless get ignored. Every single night my car is either ticketed, towed, broken into, or all three. These people openly prefer socialism and communism over conservatism. They say it with pride. And if you’re straight, white, male, or Christian? They hate you on sight. They treat you like you’re the enemy. No subtlety, no shame. The women here are in constant fight-or-flight mode. They only feel safe dating millionaires. The dating scene is a nightmare. I’m a good looking guy who knows how to talk to women, I do better than most guys and even I can’t get a real date without some woman asking how much money I make. How about, "How's the weather"??? The nightlife is dead. All my favorite bars, clubs, and restaurants have shut down. The few that are left charge $20 just to walk in, then another small fortune for drinks that taste like regret. The local newspapers are pure far left propaganda. If you’re a good guy who votes red and risks your life to stop a restaurant robbery... and actually thwarts the robber... they’ll still paint you as the villain. I’ve seen it happen to me and others. The coroner’s office can’t even keep up with all the goddamn bodies. They mix up the names of dead people with living ones, misidentified remains and dumped corpses in the bay because there’s just simply no room left anywhere else. Fentanyl is showing up on playgrounds and in schools. Public schools are indoctrination factories that teach kids to hate their own country while test scores plummet and parents pull their children out in record numbers. Scott Wiener wants kids who don't even know their ABCs and 123s to change genders and hide secrets from Mom and Dad. Leftist educators are predators. And algebra has become illegal. The public library has become a daytime drug den and homeless shelter, where you can’t even use the bathroom without stepping over people shooting up. Our parks and beaches are littered with human waste, stolen bikes, and abandoned tents... places that used to be beautiful are now no go zones. I need to escape the containment zone. The city’s budget is billions in the red and yet for some reason they keep spending on “equity” programs and luxury accommodations for non citizens while basic services like street cleaning and pothole repair are neglected. Mental health services are a joke... people in crisis are left to wander the streets screaming and the only “help” they get is a tent and a government-issued crack pipe. Yeah that'll help them. Crime statistics are deliberately underreported or reclassified so politicians can claim “declining crime” while residents live in fear. The city’s water supply is contaminated with everything from lead to fentanyl runoff, people are calling themselves "chemical babies" and they still charge premium rates for this water. San Francisco’s “progressive” housing policies have made it impossible to build affordable homes, leaving thousands sleeping in cars or on sidewalks while empty luxury units sit vacant. The transit system is a rolling mobile open air asylum disaster... buses and trains are filthy, unreliable, and unsafe, with assaults and thefts happening daily. I don't even want to talk about the things I have expirienced on the san francisco train. I have seen drug addicts fornicating, homeless people overdose, criminals fleeing the law, people using fentanyl, people pooping and peeing, families being attacked by violent lunatics, yeah, that San Francisco train is giving New York City's subway a run for their money. Animal control is nonexistent. Where is PETA when you actually need them? All these abused stray dogs, raccoons and abandoned pit bulls roam free while people get attacked in broad daylight. Roving packs of cayotes in San Francisco abandoned downtown financial district. Empty Skyscrapers and packs of Cayotes and we still vote Democrat. The city’s fire department is chronically understaffed and underfunded, yet they prioritize “climate justice” training over basic firefighting readiness. Streetlights are burned out for months at a time, leaving entire blocks in darkness while car break ins and assaults spike. The city refuses to enforce basic but will ticket you for the wrong color license plate frame. San Francisco’s “sanctuary city” policies have turned it into a magnet for international criminal , while local police have their hands tied by progressive DAs who refuse to prosecute. Even if they do, the judge just releases them the next day, The air quality is toxic from wildfires, encampment fires and unchecked drug use, yet they lecture residents about carbon footprints. The city’s recycling and composting programs are a farce... I used to work at the landfill... most of it ends up all mixed together in the landfills anyway, while residents are fined for using the wrong bin. Public restrooms have all been closed down because of the homelessness and fentanyl crisis in our community. Most bathrooms are permanently locked or destroyed, forcing people to defecate in alleys and doorways because the city won’t maintain them. Our local leaders fly private jets to climate conferences while telling citizens to stop driving gasoline powered cars. The city’s permitting process is so slow and expensive that small businesses die waiting for approval, while big developers get fast tracked. San Francisco’s “defund the police” experiment left the department gutted, morale crushed, and response times so slow that people just stop calling 911. When my front door got kicked in by burglars, I had to fight them off with my two hands because I didn't have a gun. When I called 911, I got a voicemail and told to leave a message at the beep. The city’s “equity” hiring practices have filled critical departments with unqualified people who prioritize ideology over competence. Not being white shouldn't be the only qualification somebody needs to get hired. Rat infestations are so bad that they’re now considered “wildlife” and protected, while residents wake up to rodents in their kitchens. The city’s homeless “outreach” teams hand out tents and needles but refuse to enforce any rules, turning public spaces into permanent encampments. Emergency rooms are overwhelmed with overdoses and psychiatric cases, forcing regular patients to wait hours or leave untreated. The city’s tourism board still markets San Francisco as a “world class destination” while tourists get robbed in broad daylight and leave traumatized. This isn’t the San Francisco I grew up loving. The city council spends more time debating pronoun policies and symbolic resolutions than fixing the actual problems residents face every day. Public art grants go to waste on virtue signaling artists instead of actual talented artists, while classic statues and monuments are removed or defaced for being too white". Street vendors operate illegally without permits, selling stolen goods and counterfeit items while legitimate businesses are crushed by regulations. Often times the fence guys are standing next to the fentanyl dealers. Fent is $3 a gram, cheaper than a loaf of bread, a gallon of milk and a gallon of gasoline. San Francisco’s “climate emergency” declarations come with more regulations and fees, yet the city does nothing to help Mother Nature. Look at The Great California Delta. It is dying. The public health department pushes endless vaccine mandates while ignoring the overdose epidemic killing thousands every year. All the while Gavin Newsom eats at the french laundry without a mask. The city’s “zero waste” goals are a joke... trash piles up faster than ever while residents are lectured about single use plastics. The board of supervisors routinely votes to protect drug dealers from prosecution while residents are left to deal with the consequences of their leniency on international criminals. Makes you wonder if they are being bribed or blackmailed? Our city’s “sanctuary” policies extend to protecting violent criminals, as long as they claim asylum or fear deportation. The SFPD has been reduced to a skeleton crew, and when they do respond, they’re often told to stand down to avoid “escalation.” The city’s homeless czars make six figures while sleeping in a luxury apartment, yet can’t explain why tent encampments keep growing. They are disconnected from the people they are supposed to help. Women disappear from the streets for days or weeks at a time, or sometimes never to return, only to turn up dead or never turn up at all, yet the city barely investigates missing persons cases anymore. Walking around downtown San Francisco, there are new missing women flyers every week. It is very disturbing. I might be silenced for discussing this one topic. Homeless women and children are left vulnerable in encampments with no protection, while predators move freely among the tents and no one intervenes. I shouldn't be seeing family units living on the streets but I am and across the street are billionaire tech offices. Theft is so normalized that people openly smash windows in broad daylight, grab packages off doorsteps and walk away with bikes while residents watch helplessly. No house or apartment is ever really safer. Shoplifting gangs hit stores multiple times a day, loading up carts and walking out without consequence, leaving retailers to eat the losses. Shelves are empty. You would think people are preparing for the apocalypse. Nope. THEY ARE SELLING THE STOLEN ITEMS TO BUY FENTANYL. Theft of catalytic converters, car batteries, and even entire vehicles has become so common that insurance companies are dropping coverage for entire neighborhoods. Good luck getting car or home insurance in California. I’m not abandoning San Francisco. I fought every day for years to save the city. Now I'm choosing to live. I’m moving somewhere I can breathe, build, create and follow my American Dream. Hope you understand. I can't keep living like this in this modern Sodom and Gomorrah.

Darren Stallcup - World Peace Movement

14,354 Aufrufe • vor 9 Monaten

Most people scroll past suffering every single day and don't even notice. She didn't. And that one decision — made in less than three seconds, with zero hesitation, zero plan, zero audience — is why this video is currently wrecking people's timelines and making grown adults cry at their desks. I've been studying viral content for over a decade. I've watched thousands of videos get dissected, algorithm-tested, A/B'd to death by teams trying to "engineer" emotion. And every single time, the ones that actually break the internet have one thing in common: they weren't engineered at all. They just happened. This is one of those. You need to watch this one. Not read about it. Watch it. Because there's a specific moment in this video — you'll know it when you see it — where the entire emotional weight of the situation flips in half a second, and no description, no summary, no paragraph I write is going to do that moment justice. I'm not even going to try. What I am going to do is tell you why this matters, why it's spreading the way it is, and why — once you see it — you won't be able to stop thinking about it. Let's talk about what nobody talks about. There is an entire invisible war happening in every park, every lake, every pond, every quiet patch of "nature" tucked into our cities. It's silent. It doesn't trend. It doesn't get news coverage. Animals get hurt, get tangled, get trapped, get sick, get slowly, quietly destroyed by things we left behind — and 99.9% of the time, nobody is there to notice. Nobody is there to act. The animal just... disappears. No headline. No hashtag. No one ever knows. That's the baseline. That's what "normal" looks like for wildlife living next to humans. Quiet suffering, unwitnessed, unresolved. And then — every once in a while — someone walks into that invisible war by accident, on a normal day, wearing normal clothes, holding nothing but a phone and maybe a bag of bread, expecting absolutely nothing out of the ordinary. And something in them refuses to just keep walking. That's what you're watching here. Not a stunt. Not a "content piece." Not something built for the algorithm. A real, unscripted, completely human reflex — the kind that separates the people who notice from the people who don't, and then separates the people who notice from the tiny, tiny percentage who actually do something about it. Here's the thing that gets me every time I rewatch this. It's not the rescue itself that hits hardest. It's the speed. There is no internal debate happening on screen. There's no "should I get involved," no calling someone else to handle it, no filming from a distance for views. There's a problem, and then there's motion. That gap — the one between noticing and acting — is usually where 95% of us live our entire lives. We notice. We feel something. We keep walking. This video is what happens when that gap doesn't exist. I want you to sit with that for a second, because it's actually rare. Genuinely rare. Most "hero" content you see online has been staged, has been reshot, has a director just out of frame. This isn't that. You can feel it in the way things unfold — messy, urgent, real, imperfect in all the ways real moments are and staged moments never are. That authenticity is exactly why it's spreading the way it's spreading. People are starving for something real in a feed built entirely out of things that are fake. Now let's talk about the animal at the center of this, because most people underestimate exactly how much is at stake for a creature like this in a situation like this. Waterfowl — geese specifically — are tougher and more resilient than almost anyone gives them credit for. They migrate thousands of miles. They survive brutal winters. They defend their families with a ferocity that has made more than one grown adult sprint across a parking lot in fear. But that same toughness has a blind spot: when something goes wrong — when they get tangled, injured, caught in something man-made — they often have no way to fix it themselves. No hands. No way to cut, unwind, or remove whatever's constricting them. Just time, working against them, second by second, while the injury gets worse and the body starts shutting down blood flow to protect the rest of itself. Left alone, that kind of situation doesn't resolve. It doesn't "work itself out." It ends exactly one way, and it's not a good one. Which is why the window that matters here is so brutally small. Not days. Not hours in some cases. The margin between "this animal makes it" and "this animal doesn't" can come down to a single person, on a single day, choosing not to keep walking. That's the stakes you're watching play out. That's why your chest tightens the second you hit play. Your body understands the stakes before your brain even finishes processing what's happening on screen. And this is the part that I think explains why videos like this hit different than almost anything else on this platform. We are, all of us, walking around holding an enormous amount of helplessness we can't do anything with. The news. The scale of everything wrong in the world. Problems so big, so systemic, so far outside any single person's control that we've collectively learned to just... go numb. Scroll past. Compartmentalize. It's a survival mechanism. You cannot feel the full weight of everything, all the time, or you'd never get out of bed. But every so often, something shows up in your feed that's the exact opposite of that. A problem small enough — specific enough — local enough — that one single, ordinary, non-famous, non-wealthy, non-powerful person can just... solve it. With their hands. In real time. No committee. No funding request. No permission slip. Just a person deciding that this particular piece of suffering, right here, right now, is not going to continue on their watch. That is enormously, viscerally satisfying to witness. It's satisfying in a way that almost nothing else in your feed is, because it's proof — actual, undeniable, on-camera proof — that individual action still means something. That you, one person, with no special resources, could be the difference between an animal living and an animal not living. That agency still exists. That the world isn't only made of problems too big for any of us. That's not a small thing to be reminded of. That's actually one of the most quietly desperate things people are craving right now, whether they'd admit it or not. Now here's where it gets even more interesting, because this isn't just an emotional story — this is a legitimately fascinating one if you understand what's actually happening biologically and behaviorally in the footage. Watch how the surrounding flock reacts. Watch what the rest of the group does, and doesn't do, while all of this unfolds. Geese are famously social, famously alert, famously reactive to any perceived threat near one of their own — and yet what you'll see here defies the instinct you'd expect. There's a reason for that, rooted in how these animals actually assess threat versus help, and once you notice it, you won't be able to unsee it in the rest of the clip. I'm not going to spell it out for you. Watch for it. It's there, right in front of you, and it's one of the most quietly remarkable details in the entire video — the kind of detail that separates people who watch it once from people who watch it five times in a row trying to catch everything they missed. Then there's the ending. I will tell you this much and nothing more: the ending is the reason this is getting saved, not just liked. Saved. Sent to group chats. Sent to people's moms. Sent with the caption "I'm not crying, you're crying." There is a specific final few seconds that recontextualizes literally everything that came before it — turns what could have been a simple "good deed" clip into something that feels closer to a small, perfect short film. A beginning, a crisis, an intervention, and a resolution that actually lands, emotionally, in a way most content never manages to pull off in fifteen seconds or two minutes or however long you end up watching it for. I've watched a lot of "feel-good animal content." Most of it is forgettable. Cute, sure. A dopamine hit, sure. Gone from your memory in ten minutes. This is not that. This is the rare kind that actually sits with you — that you think about later that night, or the next morning, for reasons you can't fully articulate. That's the difference between content and a moment. This is a moment. Let's talk for a second about who does this. Because I think that matters too. There's a version of this story where the "hero" is a trained wildlife rescuer, someone with credentials, equipment, years of experience, a whole organizational apparatus behind them. That story is good. It's reassuring in its own way — proof that the system works, that there are professionals out there handling things. This is not that story. This is an ordinary person. Someone who woke up that day with no plan to become anyone's hero. No training montage. No wildlife rescue license. Just a person who happened to be in the right place, who happened to actually look — really look — instead of glancing and moving on, and who happened to have whatever internal wiring makes some people act instead of hesitate. That distinction matters enormously, because it collapses the distance between "the kind of person who does something like this" and you. It's not a superhero story. It's a "this could have been literally anyone, including me" story. And the honest, slightly uncomfortable truth buried inside that realization is: most of us, most days, would have kept walking. We'd have felt a flicker of concern, maybe taken a photo, maybe felt vaguely bad about it for the rest of the afternoon, and then moved on with our lives, because that's simply what most people do, most of the time, when they're not forced to reckon with an alternative right in front of them. This video is that alternative, playing out in real time, and it's impossible to watch without quietly asking yourself which version of a person you actually are. I don't think that's a comfortable question. I think that's exactly why people can't stop sharing it. Now — a word on why this specific footage works so well from a pure craft standpoint, because even setting aside the emotional weight, there's something happening here structurally that most creators spend years trying to figure out and never quite land. Great short-form video has a shape. Setup. Escalation. Turn. Payoff. Most people who try to make "emotional" content front-load everything — they tell you how to feel before you've felt anything, they oversell, they manipulate obviously, and audiences today can smell that from a mile away and bounce immediately. What makes a clip like this different is that it doesn't ask you to feel anything. It just shows you a sequence of real events, unfolding in real time, and trusts you — correctly — to arrive at the emotion yourself. That trust is rare. That restraint is rare. And it's exactly why, when the turn comes, it hits as hard as it does. Nobody told you it was going to. You got there on your own, which means you actually feel it, instead of being told you should. That's not something you can fake with editing tricks or a trending sound. That's something that only happens when the moment itself is genuinely, unmistakably real. I also want to talk about scale for a second, because I think it's easy to miss how much bigger this issue is than one video, one goose, one lake, one afternoon. Every single day, in cities all over the world, urban wildlife is quietly colliding with human infrastructure in ways most of us never think about. Fishing line nobody bothered to clean up. Litter that looks harmless to us and is a death trap to something smaller, more fragile, more entangled in its environment than we are. Storm drains. Discarded packaging. The debris of a species — us — that moves through the world without much thought for what we leave behind. Most of the time, none of us see the consequences. The animals affected by it don't post about it. They don't trend. They just quietly don't make it, somewhere out of frame, and life goes on for the rest of us completely unaware that anything happened at all. This video is a rare, accidental window into that entire hidden layer of reality — the one that exists parallel to ours, constantly, that we almost never get to actually witness. And for a few minutes, thanks to one person's phone and one person's reflexes, we get to see it, and we get to see it resolved the right way instead of the way it usually resolves when nobody's there. That's not nothing. That's actually kind of extraordinary when you sit with it. Here's a question worth asking yourself honestly, and I want you to actually answer it, not just skim past it: when was the last time you personally stopped — actually stopped, changed your plans, got your hands dirty, inconvenienced yourself in some real way — for a creature that couldn't thank you, couldn't pay you back, couldn't do anything for you in return except exist a little longer because you showed up? If your honest answer is "I can't remember," you're not alone. Most people can't. That's not a moral failing, exactly — it's just how modern life is structured. We're busy. We're distracted. We're moving fast between obligations that already feel like too much. Stopping for something that asks nothing of us and offers nothing back except the fact of having helped is, increasingly, a rare kind of choice. Which is exactly why watching someone else make that choice, cleanly, instinctively, without hesitation, feels almost like watching a small miracle. Not because it's supernatural. Because it's so uncommon in practice, even though in theory it's the simplest, most obviously "right" thing a person could do. I'll say this plainly: I've built accounts to millions of followers. I've seen what actually spreads versus what merely performs well for a day and disappears. The stuff that performs well for a day is clever. It's well-edited. It rides a trend. The stuff that actually spreads — that gets forwarded person to person, week after week, long after the algorithm has moved on to the next thing — is always, always this. Real stakes. Real people. A real moment where something could have gone one of two ways, and it went the better way, because someone decided it would. You're looking at one of those right now. So here's my actual advice, and I don't give this kind of direct instruction often: don't read a recap of this. Don't let someone else's summary substitute for the thing itself. There is a version of this moment happening on your screen, right now, in full, unedited by anyone's words including mine — and it is genuinely, unambiguously worth the two minutes of your life it will cost you. You will see the moment where everything is uncertain. You will see the moment where a decision gets made in real time, with real risk of it not working. You will see the moment where you don't know, and neither did anyone there in that moment, how this was going to end. And then you will see how it actually ended. I'm not going to tell you what that ending looks like. I'm telling you that when you get there, you'll understand exactly why this is the video everyone's been sending to everyone else this week, why it's sitting in a hundred thousand people's "saved" folders, why comment sections under it are full of people saying some version of the same three words over and over. Hit play. You'll get it in the first ten seconds, and you won't regret the two minutes after that. One more thing before you go watch it, because I think it's actually the most important part of all of this, and it's the part that gets lost in every "feel-good video" cycle the internet runs on: the feeling this video gives you — that lump in your throat, that little surge of hope, that reminder that individual action still matters — that feeling is not supposed to be a one-time hit you get from watching someone else do something good and then close the app and move on with your day unchanged. That feeling is supposed to be a signal. A nudge. Evidence, presented to you directly, that the gap between noticing and acting is smaller than you think, and that crossing it is available to you too, the next time you're the one standing there, noticing something that most people would just walk past. You don't need a license. You don't need training. You don't need permission, or an audience, or a camera rolling, or anyone to ever find out you did it at all. You just need to be the kind of person who doesn't keep walking. This video is proof that person exists. Go watch it, and then decide if you're going to be one too. Sound on. Full screen. Watch it to the very end — the last few seconds are the whole reason this is everywhere right now, and no summary, no recap, no paragraph anyone writes about it is a substitute for actually seeing it happen with your own eyes. This is what it looks like when someone chooses not to look away. Now you choose. Let me go a little deeper, because I don't think most people actually understand why their own reaction to this footage is so strong, and I think understanding it makes the video hit even harder the second time around. Psychologists have a name for what you're feeling right now if you've already watched this once. It's sometimes called "moral elevation" — a very specific, very physical response that happens when you witness an act of unexpected goodness. Not just any positive emotion. A distinct one. Your chest can feel warm. Your throat can tighten. Some people report actual chills. It's not the same thing as happiness, and it's not the same thing as being impressed. It's your nervous system responding to proof that people are better than you'd started to assume they were. And here's the part that matters: that response isn't random, and it isn't rare because it's hard to trigger. It's rare because most of what we consume all day is engineered to trigger the opposite — outrage, comparison, anxiety, fear of missing out. Feeds are optimized for reaction, not elevation, because outrage is cheap to produce and elevation isn't. You can't fake this feeling with a clever caption. You can't manufacture it with a trending sound or a plot twist. It only happens when something real, something with actual stakes, resolves in a way that reminds you decency still exists in the wild, unscripted, unpaid, unrewarded. That's why this spreads the way outrage spreads, except it leaves you feeling the opposite of drained afterward. Outrage burns you out. Elevation refuels you. People aren't just sharing this because it's touching — they're sharing it because, for the length of one short video, it makes them feel like being a decent person is still worth it. That's an incredibly rare thing for any piece of content to do, and it's exactly why you're seeing it everywhere this week. Let's talk about the setting for a second too, because I think it's easy to overlook how much it matters that this didn't happen somewhere remote, somewhere wild, somewhere far from ordinary life. This happened in the kind of place you've walked past a thousand times without thinking twice. A park. A pond. The kind of unremarkable, background scenery that exists in almost every neighborhood, that most of us jog past, walk our dogs past, eat lunch near, without ever really looking at it as a place where anything could actually happen. That's exactly the point. The ordinary backdrop is what makes the extraordinary moment inside it land so hard. This isn't some far-off nature documentary shot by a professional crew with a permit and a budget. This is five minutes from somebody's house. This is the kind of place that exists five minutes from your house too. Which means the opportunity this video captures — the chance to notice, to stop, to help — isn't some rare alignment of stars that only happens once in a lifetime, in some exotic location, to some uniquely positioned person. It's sitting there, quietly, in ordinary places, all the time, waiting for someone to actually look. Most days, nobody does. This is what it looks like on the rare day when somebody finally does. I keep coming back to that idea because I think it's the actual core of why this resonates so widely, across ages, across backgrounds, across every single kind of person who ends up watching it. It's not really a story about a goose. It's a story about attention — about what happens in the tiny, easily ignored moment when you notice something is wrong, and what you do with that noticing. Everything else — the outcome, the emotion, the ending that's got everyone talking — flows directly out of that one, incredibly small, incredibly human decision. And if I'm honest, that's what makes content like this so much more valuable than almost anything else competing for your attention today. It doesn't sell you anything. It doesn't want you to buy a product, follow a brand, join a movement, or believe a particular opinion about a particular issue. It just quietly asks you to notice something you might otherwise have scrolled past, the same way the person in this video almost could have too, and didn't. A few things people keep asking in the comments under this video, worth addressing directly: Was this real, or staged? Watch closely and you'll answer that question yourself within the first several seconds — nothing about the pacing, the urgency, or the imperfection of how it unfolds reads like something blocked out in advance. Staged content has a rhythm to it. This doesn't have that rhythm. It has the rhythm of something happening for the first and only time, exactly once, exactly as it happened. Was the animal okay afterward? That's exactly the question this video answers — and it's the reason the final stretch of footage matters so much. I won't spoil it. I'll just say: pay close attention to the very end, because that's the payoff the entire rest of the video has been building toward, whether you consciously noticed the build or not. Why does a video like this get more engagement than videos with way bigger production value, bigger creators, bigger budgets behind them? Because production value has never been what actually moves people. Truth does. A shaky, imperfect, unscripted two minutes of someone doing the right thing at the right moment will outperform a polished, professionally shot piece of content nine times out of ten, because audiences aren't actually asking to be impressed. They're asking to be moved. Those are two very different things, and only one of them is genuinely rare. Here's something else worth sitting with. Somewhere, right now, there's a version of this exact situation playing out with no witness at all. No phone rolling. No person who happens to notice. No intervention. It's happening constantly, everywhere, completely unrecorded, completely unremarked upon, because most of the time, nobody's there, or the person who's there keeps walking. This video isn't rare because the situation itself is rare. The situation is common — heartbreakingly, quietly common. What's rare is the outcome. What's rare is someone actually being there, actually noticing, actually choosing to act, and someone else actually catching it on camera so the rest of us get to witness what usually happens completely out of view. That's the real reason this deserves your two minutes more than almost anything else you'll see in your feed today. Not because it's rare that an animal needed help. Because it's rare that help actually showed up in time, and rarer still that any of us get to see it. So go watch it. Not the summary. Not somebody's recap in the replies. The actual footage, start to finish, full screen, sound on. Let the moment build the way it's supposed to build. Let yourself not know how it ends until it ends. That uncertainty — that genuine not-knowing — is exactly what makes the resolution land the way it's supposed to land. And when you get to the end, and you feel whatever you're about to feel, do one more thing: send it to somebody. Not because it needs the views. Because somebody in your life probably needs the reminder, just as much as you did, that this is still what people are capable of when nobody's asking them to be. That's the whole point. That's why it's everywhere. That's why you should watch it right now, before you scroll past one more thing today without actually seeing it. #AnimalRescue #WildlifeRescue #GooseRescue #AnimalsOfTwitter #RescueStory #ActOfKindness #HumanityRestored #WildlifeConservation #UrbanWildlife #ViralVideo #EmotionalStory #DoGood #AnimalLovers #NatureRescue #HeroesAmongUs #WeLoveAnimals #RescueMission #CompassionInAction #FaithInHumanity #WatchTillTheEnd
2:29

Most people scroll past suffering every single day and don't even notice. She didn't. And that one decision — made in less than three seconds, with zero hesitation, zero plan, zero audience — is why this video is currently wrecking people's timelines and making grown adults cry at their desks. I've been studying viral content for over a decade. I've watched thousands of videos get dissected, algorithm-tested, A/B'd to death by teams trying to "engineer" emotion. And every single time, the ones that actually break the internet have one thing in common: they weren't engineered at all. They just happened. This is one of those. You need to watch this one. Not read about it. Watch it. Because there's a specific moment in this video — you'll know it when you see it — where the entire emotional weight of the situation flips in half a second, and no description, no summary, no paragraph I write is going to do that moment justice. I'm not even going to try. What I am going to do is tell you why this matters, why it's spreading the way it is, and why — once you see it — you won't be able to stop thinking about it. Let's talk about what nobody talks about. There is an entire invisible war happening in every park, every lake, every pond, every quiet patch of "nature" tucked into our cities. It's silent. It doesn't trend. It doesn't get news coverage. Animals get hurt, get tangled, get trapped, get sick, get slowly, quietly destroyed by things we left behind — and 99.9% of the time, nobody is there to notice. Nobody is there to act. The animal just... disappears. No headline. No hashtag. No one ever knows. That's the baseline. That's what "normal" looks like for wildlife living next to humans. Quiet suffering, unwitnessed, unresolved. And then — every once in a while — someone walks into that invisible war by accident, on a normal day, wearing normal clothes, holding nothing but a phone and maybe a bag of bread, expecting absolutely nothing out of the ordinary. And something in them refuses to just keep walking. That's what you're watching here. Not a stunt. Not a "content piece." Not something built for the algorithm. A real, unscripted, completely human reflex — the kind that separates the people who notice from the people who don't, and then separates the people who notice from the tiny, tiny percentage who actually do something about it. Here's the thing that gets me every time I rewatch this. It's not the rescue itself that hits hardest. It's the speed. There is no internal debate happening on screen. There's no "should I get involved," no calling someone else to handle it, no filming from a distance for views. There's a problem, and then there's motion. That gap — the one between noticing and acting — is usually where 95% of us live our entire lives. We notice. We feel something. We keep walking. This video is what happens when that gap doesn't exist. I want you to sit with that for a second, because it's actually rare. Genuinely rare. Most "hero" content you see online has been staged, has been reshot, has a director just out of frame. This isn't that. You can feel it in the way things unfold — messy, urgent, real, imperfect in all the ways real moments are and staged moments never are. That authenticity is exactly why it's spreading the way it's spreading. People are starving for something real in a feed built entirely out of things that are fake. Now let's talk about the animal at the center of this, because most people underestimate exactly how much is at stake for a creature like this in a situation like this. Waterfowl — geese specifically — are tougher and more resilient than almost anyone gives them credit for. They migrate thousands of miles. They survive brutal winters. They defend their families with a ferocity that has made more than one grown adult sprint across a parking lot in fear. But that same toughness has a blind spot: when something goes wrong — when they get tangled, injured, caught in something man-made — they often have no way to fix it themselves. No hands. No way to cut, unwind, or remove whatever's constricting them. Just time, working against them, second by second, while the injury gets worse and the body starts shutting down blood flow to protect the rest of itself. Left alone, that kind of situation doesn't resolve. It doesn't "work itself out." It ends exactly one way, and it's not a good one. Which is why the window that matters here is so brutally small. Not days. Not hours in some cases. The margin between "this animal makes it" and "this animal doesn't" can come down to a single person, on a single day, choosing not to keep walking. That's the stakes you're watching play out. That's why your chest tightens the second you hit play. Your body understands the stakes before your brain even finishes processing what's happening on screen. And this is the part that I think explains why videos like this hit different than almost anything else on this platform. We are, all of us, walking around holding an enormous amount of helplessness we can't do anything with. The news. The scale of everything wrong in the world. Problems so big, so systemic, so far outside any single person's control that we've collectively learned to just... go numb. Scroll past. Compartmentalize. It's a survival mechanism. You cannot feel the full weight of everything, all the time, or you'd never get out of bed. But every so often, something shows up in your feed that's the exact opposite of that. A problem small enough — specific enough — local enough — that one single, ordinary, non-famous, non-wealthy, non-powerful person can just... solve it. With their hands. In real time. No committee. No funding request. No permission slip. Just a person deciding that this particular piece of suffering, right here, right now, is not going to continue on their watch. That is enormously, viscerally satisfying to witness. It's satisfying in a way that almost nothing else in your feed is, because it's proof — actual, undeniable, on-camera proof — that individual action still means something. That you, one person, with no special resources, could be the difference between an animal living and an animal not living. That agency still exists. That the world isn't only made of problems too big for any of us. That's not a small thing to be reminded of. That's actually one of the most quietly desperate things people are craving right now, whether they'd admit it or not. Now here's where it gets even more interesting, because this isn't just an emotional story — this is a legitimately fascinating one if you understand what's actually happening biologically and behaviorally in the footage. Watch how the surrounding flock reacts. Watch what the rest of the group does, and doesn't do, while all of this unfolds. Geese are famously social, famously alert, famously reactive to any perceived threat near one of their own — and yet what you'll see here defies the instinct you'd expect. There's a reason for that, rooted in how these animals actually assess threat versus help, and once you notice it, you won't be able to unsee it in the rest of the clip. I'm not going to spell it out for you. Watch for it. It's there, right in front of you, and it's one of the most quietly remarkable details in the entire video — the kind of detail that separates people who watch it once from people who watch it five times in a row trying to catch everything they missed. Then there's the ending. I will tell you this much and nothing more: the ending is the reason this is getting saved, not just liked. Saved. Sent to group chats. Sent to people's moms. Sent with the caption "I'm not crying, you're crying." There is a specific final few seconds that recontextualizes literally everything that came before it — turns what could have been a simple "good deed" clip into something that feels closer to a small, perfect short film. A beginning, a crisis, an intervention, and a resolution that actually lands, emotionally, in a way most content never manages to pull off in fifteen seconds or two minutes or however long you end up watching it for. I've watched a lot of "feel-good animal content." Most of it is forgettable. Cute, sure. A dopamine hit, sure. Gone from your memory in ten minutes. This is not that. This is the rare kind that actually sits with you — that you think about later that night, or the next morning, for reasons you can't fully articulate. That's the difference between content and a moment. This is a moment. Let's talk for a second about who does this. Because I think that matters too. There's a version of this story where the "hero" is a trained wildlife rescuer, someone with credentials, equipment, years of experience, a whole organizational apparatus behind them. That story is good. It's reassuring in its own way — proof that the system works, that there are professionals out there handling things. This is not that story. This is an ordinary person. Someone who woke up that day with no plan to become anyone's hero. No training montage. No wildlife rescue license. Just a person who happened to be in the right place, who happened to actually look — really look — instead of glancing and moving on, and who happened to have whatever internal wiring makes some people act instead of hesitate. That distinction matters enormously, because it collapses the distance between "the kind of person who does something like this" and you. It's not a superhero story. It's a "this could have been literally anyone, including me" story. And the honest, slightly uncomfortable truth buried inside that realization is: most of us, most days, would have kept walking. We'd have felt a flicker of concern, maybe taken a photo, maybe felt vaguely bad about it for the rest of the afternoon, and then moved on with our lives, because that's simply what most people do, most of the time, when they're not forced to reckon with an alternative right in front of them. This video is that alternative, playing out in real time, and it's impossible to watch without quietly asking yourself which version of a person you actually are. I don't think that's a comfortable question. I think that's exactly why people can't stop sharing it. Now — a word on why this specific footage works so well from a pure craft standpoint, because even setting aside the emotional weight, there's something happening here structurally that most creators spend years trying to figure out and never quite land. Great short-form video has a shape. Setup. Escalation. Turn. Payoff. Most people who try to make "emotional" content front-load everything — they tell you how to feel before you've felt anything, they oversell, they manipulate obviously, and audiences today can smell that from a mile away and bounce immediately. What makes a clip like this different is that it doesn't ask you to feel anything. It just shows you a sequence of real events, unfolding in real time, and trusts you — correctly — to arrive at the emotion yourself. That trust is rare. That restraint is rare. And it's exactly why, when the turn comes, it hits as hard as it does. Nobody told you it was going to. You got there on your own, which means you actually feel it, instead of being told you should. That's not something you can fake with editing tricks or a trending sound. That's something that only happens when the moment itself is genuinely, unmistakably real. I also want to talk about scale for a second, because I think it's easy to miss how much bigger this issue is than one video, one goose, one lake, one afternoon. Every single day, in cities all over the world, urban wildlife is quietly colliding with human infrastructure in ways most of us never think about. Fishing line nobody bothered to clean up. Litter that looks harmless to us and is a death trap to something smaller, more fragile, more entangled in its environment than we are. Storm drains. Discarded packaging. The debris of a species — us — that moves through the world without much thought for what we leave behind. Most of the time, none of us see the consequences. The animals affected by it don't post about it. They don't trend. They just quietly don't make it, somewhere out of frame, and life goes on for the rest of us completely unaware that anything happened at all. This video is a rare, accidental window into that entire hidden layer of reality — the one that exists parallel to ours, constantly, that we almost never get to actually witness. And for a few minutes, thanks to one person's phone and one person's reflexes, we get to see it, and we get to see it resolved the right way instead of the way it usually resolves when nobody's there. That's not nothing. That's actually kind of extraordinary when you sit with it. Here's a question worth asking yourself honestly, and I want you to actually answer it, not just skim past it: when was the last time you personally stopped — actually stopped, changed your plans, got your hands dirty, inconvenienced yourself in some real way — for a creature that couldn't thank you, couldn't pay you back, couldn't do anything for you in return except exist a little longer because you showed up? If your honest answer is "I can't remember," you're not alone. Most people can't. That's not a moral failing, exactly — it's just how modern life is structured. We're busy. We're distracted. We're moving fast between obligations that already feel like too much. Stopping for something that asks nothing of us and offers nothing back except the fact of having helped is, increasingly, a rare kind of choice. Which is exactly why watching someone else make that choice, cleanly, instinctively, without hesitation, feels almost like watching a small miracle. Not because it's supernatural. Because it's so uncommon in practice, even though in theory it's the simplest, most obviously "right" thing a person could do. I'll say this plainly: I've built accounts to millions of followers. I've seen what actually spreads versus what merely performs well for a day and disappears. The stuff that performs well for a day is clever. It's well-edited. It rides a trend. The stuff that actually spreads — that gets forwarded person to person, week after week, long after the algorithm has moved on to the next thing — is always, always this. Real stakes. Real people. A real moment where something could have gone one of two ways, and it went the better way, because someone decided it would. You're looking at one of those right now. So here's my actual advice, and I don't give this kind of direct instruction often: don't read a recap of this. Don't let someone else's summary substitute for the thing itself. There is a version of this moment happening on your screen, right now, in full, unedited by anyone's words including mine — and it is genuinely, unambiguously worth the two minutes of your life it will cost you. You will see the moment where everything is uncertain. You will see the moment where a decision gets made in real time, with real risk of it not working. You will see the moment where you don't know, and neither did anyone there in that moment, how this was going to end. And then you will see how it actually ended. I'm not going to tell you what that ending looks like. I'm telling you that when you get there, you'll understand exactly why this is the video everyone's been sending to everyone else this week, why it's sitting in a hundred thousand people's "saved" folders, why comment sections under it are full of people saying some version of the same three words over and over. Hit play. You'll get it in the first ten seconds, and you won't regret the two minutes after that. One more thing before you go watch it, because I think it's actually the most important part of all of this, and it's the part that gets lost in every "feel-good video" cycle the internet runs on: the feeling this video gives you — that lump in your throat, that little surge of hope, that reminder that individual action still matters — that feeling is not supposed to be a one-time hit you get from watching someone else do something good and then close the app and move on with your day unchanged. That feeling is supposed to be a signal. A nudge. Evidence, presented to you directly, that the gap between noticing and acting is smaller than you think, and that crossing it is available to you too, the next time you're the one standing there, noticing something that most people would just walk past. You don't need a license. You don't need training. You don't need permission, or an audience, or a camera rolling, or anyone to ever find out you did it at all. You just need to be the kind of person who doesn't keep walking. This video is proof that person exists. Go watch it, and then decide if you're going to be one too. Sound on. Full screen. Watch it to the very end — the last few seconds are the whole reason this is everywhere right now, and no summary, no recap, no paragraph anyone writes about it is a substitute for actually seeing it happen with your own eyes. This is what it looks like when someone chooses not to look away. Now you choose. Let me go a little deeper, because I don't think most people actually understand why their own reaction to this footage is so strong, and I think understanding it makes the video hit even harder the second time around. Psychologists have a name for what you're feeling right now if you've already watched this once. It's sometimes called "moral elevation" — a very specific, very physical response that happens when you witness an act of unexpected goodness. Not just any positive emotion. A distinct one. Your chest can feel warm. Your throat can tighten. Some people report actual chills. It's not the same thing as happiness, and it's not the same thing as being impressed. It's your nervous system responding to proof that people are better than you'd started to assume they were. And here's the part that matters: that response isn't random, and it isn't rare because it's hard to trigger. It's rare because most of what we consume all day is engineered to trigger the opposite — outrage, comparison, anxiety, fear of missing out. Feeds are optimized for reaction, not elevation, because outrage is cheap to produce and elevation isn't. You can't fake this feeling with a clever caption. You can't manufacture it with a trending sound or a plot twist. It only happens when something real, something with actual stakes, resolves in a way that reminds you decency still exists in the wild, unscripted, unpaid, unrewarded. That's why this spreads the way outrage spreads, except it leaves you feeling the opposite of drained afterward. Outrage burns you out. Elevation refuels you. People aren't just sharing this because it's touching — they're sharing it because, for the length of one short video, it makes them feel like being a decent person is still worth it. That's an incredibly rare thing for any piece of content to do, and it's exactly why you're seeing it everywhere this week. Let's talk about the setting for a second too, because I think it's easy to overlook how much it matters that this didn't happen somewhere remote, somewhere wild, somewhere far from ordinary life. This happened in the kind of place you've walked past a thousand times without thinking twice. A park. A pond. The kind of unremarkable, background scenery that exists in almost every neighborhood, that most of us jog past, walk our dogs past, eat lunch near, without ever really looking at it as a place where anything could actually happen. That's exactly the point. The ordinary backdrop is what makes the extraordinary moment inside it land so hard. This isn't some far-off nature documentary shot by a professional crew with a permit and a budget. This is five minutes from somebody's house. This is the kind of place that exists five minutes from your house too. Which means the opportunity this video captures — the chance to notice, to stop, to help — isn't some rare alignment of stars that only happens once in a lifetime, in some exotic location, to some uniquely positioned person. It's sitting there, quietly, in ordinary places, all the time, waiting for someone to actually look. Most days, nobody does. This is what it looks like on the rare day when somebody finally does. I keep coming back to that idea because I think it's the actual core of why this resonates so widely, across ages, across backgrounds, across every single kind of person who ends up watching it. It's not really a story about a goose. It's a story about attention — about what happens in the tiny, easily ignored moment when you notice something is wrong, and what you do with that noticing. Everything else — the outcome, the emotion, the ending that's got everyone talking — flows directly out of that one, incredibly small, incredibly human decision. And if I'm honest, that's what makes content like this so much more valuable than almost anything else competing for your attention today. It doesn't sell you anything. It doesn't want you to buy a product, follow a brand, join a movement, or believe a particular opinion about a particular issue. It just quietly asks you to notice something you might otherwise have scrolled past, the same way the person in this video almost could have too, and didn't. A few things people keep asking in the comments under this video, worth addressing directly: Was this real, or staged? Watch closely and you'll answer that question yourself within the first several seconds — nothing about the pacing, the urgency, or the imperfection of how it unfolds reads like something blocked out in advance. Staged content has a rhythm to it. This doesn't have that rhythm. It has the rhythm of something happening for the first and only time, exactly once, exactly as it happened. Was the animal okay afterward? That's exactly the question this video answers — and it's the reason the final stretch of footage matters so much. I won't spoil it. I'll just say: pay close attention to the very end, because that's the payoff the entire rest of the video has been building toward, whether you consciously noticed the build or not. Why does a video like this get more engagement than videos with way bigger production value, bigger creators, bigger budgets behind them? Because production value has never been what actually moves people. Truth does. A shaky, imperfect, unscripted two minutes of someone doing the right thing at the right moment will outperform a polished, professionally shot piece of content nine times out of ten, because audiences aren't actually asking to be impressed. They're asking to be moved. Those are two very different things, and only one of them is genuinely rare. Here's something else worth sitting with. Somewhere, right now, there's a version of this exact situation playing out with no witness at all. No phone rolling. No person who happens to notice. No intervention. It's happening constantly, everywhere, completely unrecorded, completely unremarked upon, because most of the time, nobody's there, or the person who's there keeps walking. This video isn't rare because the situation itself is rare. The situation is common — heartbreakingly, quietly common. What's rare is the outcome. What's rare is someone actually being there, actually noticing, actually choosing to act, and someone else actually catching it on camera so the rest of us get to witness what usually happens completely out of view. That's the real reason this deserves your two minutes more than almost anything else you'll see in your feed today. Not because it's rare that an animal needed help. Because it's rare that help actually showed up in time, and rarer still that any of us get to see it. So go watch it. Not the summary. Not somebody's recap in the replies. The actual footage, start to finish, full screen, sound on. Let the moment build the way it's supposed to build. Let yourself not know how it ends until it ends. That uncertainty — that genuine not-knowing — is exactly what makes the resolution land the way it's supposed to land. And when you get to the end, and you feel whatever you're about to feel, do one more thing: send it to somebody. Not because it needs the views. Because somebody in your life probably needs the reminder, just as much as you did, that this is still what people are capable of when nobody's asking them to be. That's the whole point. That's why it's everywhere. That's why you should watch it right now, before you scroll past one more thing today without actually seeing it. #AnimalRescue #WildlifeRescue #GooseRescue #AnimalsOfTwitter #RescueStory #ActOfKindness #HumanityRestored #WildlifeConservation #UrbanWildlife #ViralVideo #EmotionalStory #DoGood #AnimalLovers #NatureRescue #HeroesAmongUs #WeLoveAnimals #RescueMission #CompassionInAction #FaithInHumanity #WatchTillTheEnd

Earth Unveiled

25,468 Aufrufe • vor 6 Tagen

Brian Keating (Prof. Brian Keating) and Rebecca Newberger Goldstein (Rebecca Newberger Goldstein) discuss "The Law of Physics Behind Depression." Rebecca Newberger Goldstein: The thing that suicidally depressed people feel is that they don’t matter; others do, they don’t. Nothing they can do will ever make them matter. It’s a terrible, terrible feeling. And what this means is they cannot abide their own presence. Brian Keating: What if there is a law of physics that explains why depression feels the way it does? Rebecca Newberger Goldstein: When I first learned about the second law of thermodynamics, it seemed—I couldn’t quite conceptualize it. We are subject to the second law of thermodynamics, which, you know, has a tragic dimension. In fact, when I was a graduate student, it occurred to me, oh my gosh, biological systems are really just organized to resist the second law of thermodynamics. In some sense, biology is a response to this supreme law that tells us that, in closed systems, energy never increases; entropy never decreases. Entropy never decreases, and if there’s any way for it to increase, it will. Entropy is the measure of the disorder of a system. The more disorder, the higher the entropy, and the less efficient the work you can get out at the end of the system. And in fact, Rudolf Clausius, the physicist, said that the universe itself will go to thermal equilibrium—what we call the heat death—and so there will be no more energy to be gotten out of it at the end of the system. Rudolf Clausius, the 19th-century physicist who formulated the concept of entropy, which means literally “transformation from within”—there’s poignancy in that. This transformation from within is going to the end of the system. And he said that the universe itself will go to thermal equilibrium, to what we call the heat death, and so there will be no more energy to be gotten out of it. Brian Keating: So let’s start with that story you tell first about Ludwig Boltzmann, who solved one of the great paradoxes of physics, the irreversibility paradox. Talk about that. And then why, in your mind, was he so traumatized, perhaps, or so full of dread of his equation that he took his own life? So talk about that. Rebecca Newberger Goldstein: So there was this great paradox, which is that most—probably most—of the processes that we observe are irreversible. If you film them—and tell me if I’m being too elementary, because I’m going to be very—you know, if you film them, like let’s say I crack open an egg and I stir it up and then I fry it, and somebody filmed this and then reversed the film, anybody who sees the reverse of that film is going to know it was reversed. That cannot happen in nature: that the egg is going to uncook itself, unscramble; the yolk is going to separate from the albumen and jump into the shell and seal up. Impossible, right? So almost everything that we see is irreversible. Brian Keating: Yes. I saw that line, Rebecca. It made me think, because you mentioned it in the context of his daughter, Elsa, finding her father’s dead body. And it wasn’t like he showed any sign. I mean, we can’t go into the minds of someone who dies by suicide, right? Yes. But at the same time, you’d think, well, this would be a more common thing. And so, is depression sort of a—you know, they used to think of miasmas and things in the air, you write about that in the book—is depression, at heart, an entropic collapsing process? Rebecca Newberger Goldstein: I have spoken to a lot of people who suffer from clinical depression. And I want to say, first of all, that the U.S. hotline for suicide prevention is The thing that suicidally depressed people feel is that they don’t matter. Others do. They don’t. Nothing they can do will ever make them matter. It’s a terrible, terrible feeling. And what this means is they cannot—they can’t abide their own presence. I really think it shows how strong this mattering instinct is in us. If you can’t somehow appease it, you can’t abide your own presence. And so, what the people I’ve spoken to—and one is a very, very good philosopher who has suffered from depression—have told me is that, phenomenologically, this is exactly what it feels like. It feels like psychic disintegration. So, in some sense, yes—happiness is a very ordered state. And I would go even further: everything worth living for is an ordered state. I think knowledge—knowledge, knowledge, knowledge—is better than ignorance. Clarity is better than confusion. Flourishing is better than suffering. Love is better than hatred. Beauty is better than ugliness. These are truisms; these are what we all accept. Look at the thing that’s better: it’s an ordered state. And its negation is a disordered state. So I think—I would argue—this is a very kind of Spinozist argument, trying to get out of the laws of nature some ethical enlightenment, some ethical guidance, because that’s what we want. We want ethical guidance. So we know we want to matter. We know we do all sorts of things to matter. Some people do very bad things in order to matter. Some of the people I’ve spoken to… they do. They want power over others. They want dominance. They want to make other people’s lives miserable. These are bad things, right? They cause an increase in entropy. This is how I judge people now: are you increasing entropy, or are you decreasing it? -- Full video in link below.
6:32

Brian Keating (Prof. Brian Keating) and Rebecca Newberger Goldstein (Rebecca Newberger Goldstein) discuss "The Law of Physics Behind Depression." Rebecca Newberger Goldstein: The thing that suicidally depressed people feel is that they don’t matter; others do, they don’t. Nothing they can do will ever make them matter. It’s a terrible, terrible feeling. And what this means is they cannot abide their own presence. Brian Keating: What if there is a law of physics that explains why depression feels the way it does? Rebecca Newberger Goldstein: When I first learned about the second law of thermodynamics, it seemed—I couldn’t quite conceptualize it. We are subject to the second law of thermodynamics, which, you know, has a tragic dimension. In fact, when I was a graduate student, it occurred to me, oh my gosh, biological systems are really just organized to resist the second law of thermodynamics. In some sense, biology is a response to this supreme law that tells us that, in closed systems, energy never increases; entropy never decreases. Entropy never decreases, and if there’s any way for it to increase, it will. Entropy is the measure of the disorder of a system. The more disorder, the higher the entropy, and the less efficient the work you can get out at the end of the system. And in fact, Rudolf Clausius, the physicist, said that the universe itself will go to thermal equilibrium—what we call the heat death—and so there will be no more energy to be gotten out of it at the end of the system. Rudolf Clausius, the 19th-century physicist who formulated the concept of entropy, which means literally “transformation from within”—there’s poignancy in that. This transformation from within is going to the end of the system. And he said that the universe itself will go to thermal equilibrium, to what we call the heat death, and so there will be no more energy to be gotten out of it. Brian Keating: So let’s start with that story you tell first about Ludwig Boltzmann, who solved one of the great paradoxes of physics, the irreversibility paradox. Talk about that. And then why, in your mind, was he so traumatized, perhaps, or so full of dread of his equation that he took his own life? So talk about that. Rebecca Newberger Goldstein: So there was this great paradox, which is that most—probably most—of the processes that we observe are irreversible. If you film them—and tell me if I’m being too elementary, because I’m going to be very—you know, if you film them, like let’s say I crack open an egg and I stir it up and then I fry it, and somebody filmed this and then reversed the film, anybody who sees the reverse of that film is going to know it was reversed. That cannot happen in nature: that the egg is going to uncook itself, unscramble; the yolk is going to separate from the albumen and jump into the shell and seal up. Impossible, right? So almost everything that we see is irreversible. Brian Keating: Yes. I saw that line, Rebecca. It made me think, because you mentioned it in the context of his daughter, Elsa, finding her father’s dead body. And it wasn’t like he showed any sign. I mean, we can’t go into the minds of someone who dies by suicide, right? Yes. But at the same time, you’d think, well, this would be a more common thing. And so, is depression sort of a—you know, they used to think of miasmas and things in the air, you write about that in the book—is depression, at heart, an entropic collapsing process? Rebecca Newberger Goldstein: I have spoken to a lot of people who suffer from clinical depression. And I want to say, first of all, that the U.S. hotline for suicide prevention is The thing that suicidally depressed people feel is that they don’t matter. Others do. They don’t. Nothing they can do will ever make them matter. It’s a terrible, terrible feeling. And what this means is they cannot—they can’t abide their own presence. I really think it shows how strong this mattering instinct is in us. If you can’t somehow appease it, you can’t abide your own presence. And so, what the people I’ve spoken to—and one is a very, very good philosopher who has suffered from depression—have told me is that, phenomenologically, this is exactly what it feels like. It feels like psychic disintegration. So, in some sense, yes—happiness is a very ordered state. And I would go even further: everything worth living for is an ordered state. I think knowledge—knowledge, knowledge, knowledge—is better than ignorance. Clarity is better than confusion. Flourishing is better than suffering. Love is better than hatred. Beauty is better than ugliness. These are truisms; these are what we all accept. Look at the thing that’s better: it’s an ordered state. And its negation is a disordered state. So I think—I would argue—this is a very kind of Spinozist argument, trying to get out of the laws of nature some ethical enlightenment, some ethical guidance, because that’s what we want. We want ethical guidance. So we know we want to matter. We know we do all sorts of things to matter. Some people do very bad things in order to matter. Some of the people I’ve spoken to… they do. They want power over others. They want dominance. They want to make other people’s lives miserable. These are bad things, right? They cause an increase in entropy. This is how I judge people now: are you increasing entropy, or are you decreasing it? -- Full video in link below.

Steven Pinker

151,126 Aufrufe • vor 5 Monaten