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Ever tried explaining a bold creative campaign or an expressive branding concept using just boring text posts? Yeah, not fun. As someone who spends way more time building things than figuring out motion design, I wanted to showcase this contemporary art-poster style animation ("Room to Grow") with its hyper-condensed...

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Ridoy AI

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57,611 görüntüleme • 3 gün önce •via X (Twitter)

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Hospitality venues wanting to book live music or manage entertainment usually get stuck dealing with an endless headache of spreadsheets and late invoices. As someone who can't edit videos to save my life, I threw my SaaS concept into Pexo and chatted my way into the product video below—complete with warm blush aesthetics, clean geometric typography, and smooth scene transitions. This time, I used Pexo. Pexo is an AI video creation tool where you can just chat with it to make videos. Tell it what you want, how to tweak the visuals—plain English works fine. Even someone like me with zero editing experience can jump right in. First, a bit of background. I usually build products, not videos. This time, I wanted to properly introduce JAM JUICE—the world's first entertainment operating system for hospitality pros—only to realize the real hassle isn't writing the copy, it's the video. I don't know AE. And I sure don't want to burn my evenings learning editing just to drop one clean promo. I tossed the concept into Pexo and told it: Make me a warm, clean SaaS promo for hospitality professionals—keep scene changes under 3 seconds and make it look professional. It didn't spit out a video right away. First, it aligned with me. Soft blush background, charcoal typography, coral-pink keywords, and precise pacing. Feels like hashing out requirements with someone who actually knows motion design. I fired back a few sentences in plain English. Once confirmed, it went off and ran with it. What came back was the finished 19-second editorial piece. Text sync, smooth transitions, and a gorgeous color palette—all there. No dragging footage into a timeline. For someone who just wants to explain their product clearly, that's a game-changer. You can keep chatting after that. If an animation drags, tell it to tighten up. Never touched the timeline the whole way. The one below is what came out of chatting with the platform concept. If you've got a fresh SaaS product, want an intro video, but don't feel like learning editing first—give Pexo a shot.
0:18

Hospitality venues wanting to book live music or manage entertainment usually get stuck dealing with an endless headache of spreadsheets and late invoices. As someone who can't edit videos to save my life, I threw my SaaS concept into Pexo and chatted my way into the product video below—complete with warm blush aesthetics, clean geometric typography, and smooth scene transitions. This time, I used Pexo. Pexo is an AI video creation tool where you can just chat with it to make videos. Tell it what you want, how to tweak the visuals—plain English works fine. Even someone like me with zero editing experience can jump right in. First, a bit of background. I usually build products, not videos. This time, I wanted to properly introduce JAM JUICE—the world's first entertainment operating system for hospitality pros—only to realize the real hassle isn't writing the copy, it's the video. I don't know AE. And I sure don't want to burn my evenings learning editing just to drop one clean promo. I tossed the concept into Pexo and told it: Make me a warm, clean SaaS promo for hospitality professionals—keep scene changes under 3 seconds and make it look professional. It didn't spit out a video right away. First, it aligned with me. Soft blush background, charcoal typography, coral-pink keywords, and precise pacing. Feels like hashing out requirements with someone who actually knows motion design. I fired back a few sentences in plain English. Once confirmed, it went off and ran with it. What came back was the finished 19-second editorial piece. Text sync, smooth transitions, and a gorgeous color palette—all there. No dragging footage into a timeline. For someone who just wants to explain their product clearly, that's a game-changer. You can keep chatting after that. If an animation drags, tell it to tighten up. Never touched the timeline the whole way. The one below is what came out of chatting with the platform concept. If you've got a fresh SaaS product, want an intro video, but don't feel like learning editing first—give Pexo a shot.

SafwonWith_AI

23,547 görüntüleme • 3 gün önce

(Yes i know the movement is exaggerated, its just to show the motion, it also doeant move like jello when in vr) -Left is before, Right is after- Ok wall of text time for the nerds Literally everything is the same on both sides except the position of 1 bone (made sure that even after adjusting, the collider would still be in the same spot) The reason for this change is because she wanted to be able to clap her ass in vr, and last time i did this all i did was add a toggle for a hidden bone that moved, and its angle would trigger the sound. Which was because that with my previous position, the cheeks could never really meet in the middle when in motion unless you just pushed them together with your hands, and i wanted to just have the sound actually be triggered by them colliding with each other This is also the first time ive used endbones to help drive the movement, so now thanks to that and all my previous experimenting with squishing as well, I can now get bones to move exactly how i want them to move when in natural motion. And i know a lot of people are gonna ask me to teach them how or explain my thought process but i literally just go off feeling lmao. Like, i just kinda visualize in my head how i want the motion to look, and then i just kinda know where to put everything, so im not even sure how to even start explaining rip. I have the things that artist want where they can just make the shit in their head exactly how they envisioned it lol I have a few more ideas i want to try, so we'll see if theyre good enough to get a tweet lol Thank you for coming to my ted talk
0:18

(Yes i know the movement is exaggerated, its just to show the motion, it also doeant move like jello when in vr) -Left is before, Right is after- Ok wall of text time for the nerds Literally everything is the same on both sides except the position of 1 bone (made sure that even after adjusting, the collider would still be in the same spot) The reason for this change is because she wanted to be able to clap her ass in vr, and last time i did this all i did was add a toggle for a hidden bone that moved, and its angle would trigger the sound. Which was because that with my previous position, the cheeks could never really meet in the middle when in motion unless you just pushed them together with your hands, and i wanted to just have the sound actually be triggered by them colliding with each other This is also the first time ive used endbones to help drive the movement, so now thanks to that and all my previous experimenting with squishing as well, I can now get bones to move exactly how i want them to move when in natural motion. And i know a lot of people are gonna ask me to teach them how or explain my thought process but i literally just go off feeling lmao. Like, i just kinda visualize in my head how i want the motion to look, and then i just kinda know where to put everything, so im not even sure how to even start explaining rip. I have the things that artist want where they can just make the shit in their head exactly how they envisioned it lol I have a few more ideas i want to try, so we'll see if theyre good enough to get a tweet lol Thank you for coming to my ted talk

Pixel

27,240 görüntüleme • 1 yıl önce

I tried MiniMax Design (H3) to see how it handles real content creation. The workflow is simple. You just write a prompt or drop in an image, and it turns that into a dynamic video with motion, framing, and scene depth. No timeline to manage. No editing setup. No back and forth. What stood out to me: • Text to video and image to video both feel smooth. • It handles motion, camera angles, and flow on its own. • Output is fast, usually within seconds. • Works well for reels, quick ads, storytelling, and idea testing. It removes the hardest part: starting from scratch and turns your ideas into content in minutes. Instead of thinking, “How do I make this video?” You start with, “What do I want to create?” That shift alone makes it worth exploring. Try it here: #Hailuo
0:10

I tried MiniMax Design (H3) to see how it handles real content creation. The workflow is simple. You just write a prompt or drop in an image, and it turns that into a dynamic video with motion, framing, and scene depth. No timeline to manage. No editing setup. No back and forth. What stood out to me: • Text to video and image to video both feel smooth. • It handles motion, camera angles, and flow on its own. • Output is fast, usually within seconds. • Works well for reels, quick ads, storytelling, and idea testing. It removes the hardest part: starting from scratch and turns your ideas into content in minutes. Instead of thinking, “How do I make this video?” You start with, “What do I want to create?” That shift alone makes it worth exploring. Try it here: #Hailuo

Manish Kumar Shah

27,680 görüntüleme • 5 ay önce

Gemini Omni's motion control is f*cking cracked i just figured out how to turn 1 reference video into 50+ AI videos with the exact same movements... you have a video of someone eating, dancing, using a product, doing whatever complex motion you need. you feed it to Gemini Omni and it recreates that exact motion with a completely new AI character in literally one prompt i've tested this against Kling motion control and it's not even close. Kling falls apart the moment you try anything complex. eating scenes look weird, hand movements get mangled, anything multi-step breaks down completely. Gemini Omni handles all of it if you're still using kling motion control or paying creators to split test your videos, this replaces that entire workflow here's the thing though. you can't just prompt this out of the box. if you try to do motion transfer with default prompting you're going to get errors or the motion won't transfer properly. there's a specific prompting method that makes it work every time so i packaged up the whole system.. here's what you're getting: > full step by step video breakdown > how to find the best reference videos to use > the exact prompting system that allows for motion control transfer so you never get errors > the workflow for batching this out at scale (1 video → 50+) RT + reply "MOTION" and i'll send it over (must follow so i can dm)
0:13

Gemini Omni's motion control is f*cking cracked i just figured out how to turn 1 reference video into 50+ AI videos with the exact same movements... you have a video of someone eating, dancing, using a product, doing whatever complex motion you need. you feed it to Gemini Omni and it recreates that exact motion with a completely new AI character in literally one prompt i've tested this against Kling motion control and it's not even close. Kling falls apart the moment you try anything complex. eating scenes look weird, hand movements get mangled, anything multi-step breaks down completely. Gemini Omni handles all of it if you're still using kling motion control or paying creators to split test your videos, this replaces that entire workflow here's the thing though. you can't just prompt this out of the box. if you try to do motion transfer with default prompting you're going to get errors or the motion won't transfer properly. there's a specific prompting method that makes it work every time so i packaged up the whole system.. here's what you're getting: > full step by step video breakdown > how to find the best reference videos to use > the exact prompting system that allows for motion control transfer so you never get errors > the workflow for batching this out at scale (1 video → 50+) RT + reply "MOTION" and i'll send it over (must follow so i can dm)

Miko

61,633 görüntüleme • 2 ay önce

just tried the latest life hack from Kolo💚 and it genuinely changed how i use crypto. instead of swapping usdt to vnd every time i need to spend, or dealing with p2p rates and transfers, i now just load usdt once into my kolo card and forget about it. from there i can pay anywhere ... grab, coffee, supermarket, netflix, even small street vendors .. using apple pay or the virtual card like normal money. and the best part? i still get 2% btc cashback on every single purchase automatically. no more stress about exchange rates. no more “wait, i need to transfer first”. no more hidden fees eating my stack. this small life hack makes crypto feel like actual usable money instead of just numbers on a screen. i’ve been doing this for the past 2 weeks and honestly don’t want to go back to the old way. what’s your favorite life hack with kolo so far? or what feature do you want them to build next? drop it below 👇
0:10

just tried the latest life hack from Kolo💚 and it genuinely changed how i use crypto. instead of swapping usdt to vnd every time i need to spend, or dealing with p2p rates and transfers, i now just load usdt once into my kolo card and forget about it. from there i can pay anywhere ... grab, coffee, supermarket, netflix, even small street vendors .. using apple pay or the virtual card like normal money. and the best part? i still get 2% btc cashback on every single purchase automatically. no more stress about exchange rates. no more “wait, i need to transfer first”. no more hidden fees eating my stack. this small life hack makes crypto feel like actual usable money instead of just numbers on a screen. i’ve been doing this for the past 2 weeks and honestly don’t want to go back to the old way. what’s your favorite life hack with kolo so far? or what feature do you want them to build next? drop it below 👇

Trathoa

10,945 görüntüleme • 4 ay önce

for this video wanted to see how far i could get with claude code no premiere or after effects allowed this would've taken 15 min using those traditional tools instead i prompted the entire edit and described all effects through natural language it wound up being an incredibly terrible user experience that took me 4 hours and burned through a ton of tokens 😂 shot in ibiza on a $50 camera i got on amazon by my guy Wut
0:17

for this video wanted to see how far i could get with claude code no premiere or after effects allowed this would've taken 15 min using those traditional tools instead i prompted the entire edit and described all effects through natural language it wound up being an incredibly terrible user experience that took me 4 hours and burned through a ton of tokens 😂 shot in ibiza on a $50 camera i got on amazon by my guy Wut

figge

18,392 görüntüleme • 4 ay önce

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?
0:16

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?

Lee Robinson

148,937 görüntüleme • 1 yıl önce

I’m 2he, a 16-year-old creator from Africa. Over the last year, I’ve been obsessed with AI content creation, but most of the tools I wanted to use were too expensive. Instead of giving up, I started using Grok, the best affordable option available to me. Today, I create everything using just my phone and Grok. I am more than capable to create contents like these with my phone but thanks to you guys I am thinking of buying a computer so that I can create faster. I am passionate about combining AI, anime and storytelling. With my main objective of building out a Anime AI studio eventually in the future. One video at a time. With your support as my validation, also for my parents, I can dedicate more focus towards achieving my dreams. After these last blessed hours, all of us at home are awake past our bedtimes and my siblings were helping me to create a tiktok so I can share my creations further. Whilst I kept going with the content. Thank you 2he community, this is just the beggining! Thank you for following me and my journey.
0:10

I’m 2he, a 16-year-old creator from Africa. Over the last year, I’ve been obsessed with AI content creation, but most of the tools I wanted to use were too expensive. Instead of giving up, I started using Grok, the best affordable option available to me. Today, I create everything using just my phone and Grok. I am more than capable to create contents like these with my phone but thanks to you guys I am thinking of buying a computer so that I can create faster. I am passionate about combining AI, anime and storytelling. With my main objective of building out a Anime AI studio eventually in the future. One video at a time. With your support as my validation, also for my parents, I can dedicate more focus towards achieving my dreams. After these last blessed hours, all of us at home are awake past our bedtimes and my siblings were helping me to create a tiktok so I can share my creations further. Whilst I kept going with the content. Thank you 2he community, this is just the beggining! Thank you for following me and my journey.

2he

20,037 görüntüleme • 3 ay önce

Last week I booked a last-minute flight and stay in Cabo less than 12 hours to take-off because I was freezing my ass off at home, feeling like a “hostage” to the market. I forgot my swimming trunks and had to buy 2 of them for an eye-watering $450 USD (still wtf’ing at Grand Velas boutique)… And STILL, it was much cheaper than sitting around grinding it out when the market wasn’t there for me. Trading is one of the few professions where you can literally lose vacations/cars/houses etc AND, more importantly, TIME simultaneously while “working”. And so, I often think to myself if I’m so willing to part ways with my trading PNL, then why not just spend that on something tangible. I remember one of my biggest losing days in 2021, I decided to just buy the watch I wanted instead of waiting to feel “good” about my PNL. Our perspectives warp when we stare at numbers and desensitize ourselves to the true ups and downs. Whenever I spend the money it grounds me, “this is what this is worth”. Whenever I’m able to tip generously, especially in areas where the dollar goes farther, I feel more connected to my pursuit of trading for a living. Serendipitously making someone’s day with an outlier tip is one of my favorite things to do. Extremely hard working people who don’t get appreciated often, meanwhile we lose their salaries in pajamas… it’s madness. I just want to point out that I know people feel it, but don’t act on it. Try to exercise some of your freedoms as a trader and realize it’s okay to step away whenever you want and you don’t need permission to just do what you want when you want. You’ll probably come to so similar conclusions for yourself.
0:10

Last week I booked a last-minute flight and stay in Cabo less than 12 hours to take-off because I was freezing my ass off at home, feeling like a “hostage” to the market. I forgot my swimming trunks and had to buy 2 of them for an eye-watering $450 USD (still wtf’ing at Grand Velas boutique)… And STILL, it was much cheaper than sitting around grinding it out when the market wasn’t there for me. Trading is one of the few professions where you can literally lose vacations/cars/houses etc AND, more importantly, TIME simultaneously while “working”. And so, I often think to myself if I’m so willing to part ways with my trading PNL, then why not just spend that on something tangible. I remember one of my biggest losing days in 2021, I decided to just buy the watch I wanted instead of waiting to feel “good” about my PNL. Our perspectives warp when we stare at numbers and desensitize ourselves to the true ups and downs. Whenever I spend the money it grounds me, “this is what this is worth”. Whenever I’m able to tip generously, especially in areas where the dollar goes farther, I feel more connected to my pursuit of trading for a living. Serendipitously making someone’s day with an outlier tip is one of my favorite things to do. Extremely hard working people who don’t get appreciated often, meanwhile we lose their salaries in pajamas… it’s madness. I just want to point out that I know people feel it, but don’t act on it. Try to exercise some of your freedoms as a trader and realize it’s okay to step away whenever you want and you don’t need permission to just do what you want when you want. You’ll probably come to so similar conclusions for yourself.

Brian Lee

58,894 görüntüleme • 7 ay önce

Hey friends! I’m Angelina – an autistic goth girl who’s just trying to figure out this wild world one day at a time. By day I’m an IT professional (yes, the one keeping your tech from exploding), and by night I lose myself in creating moody, emotional AI art that feels like little pieces of my heart on the screen. Two things you’ll spot in almost every piece: my real septum piercing and the permanent stainless steel collar I wear every single day. They’re not just accessories — they’re quiet symbols of who I am, and they show up because they matter to me. If you’re into alternative beauty, creative tech, or art that’s dark, dreamy, and a little vulnerable… I think you might actually love hanging out here. I’d genuinely love it if you stuck around, dropped a comment, told me what you think, or just vibed with the art. New here? Hit that follow button and join me on this little creative journey — I promise it’s warm, weird, and welcoming. Can’t wait to connect with you!
0:10

Hey friends! I’m Angelina – an autistic goth girl who’s just trying to figure out this wild world one day at a time. By day I’m an IT professional (yes, the one keeping your tech from exploding), and by night I lose myself in creating moody, emotional AI art that feels like little pieces of my heart on the screen. Two things you’ll spot in almost every piece: my real septum piercing and the permanent stainless steel collar I wear every single day. They’re not just accessories — they’re quiet symbols of who I am, and they show up because they matter to me. If you’re into alternative beauty, creative tech, or art that’s dark, dreamy, and a little vulnerable… I think you might actually love hanging out here. I’d genuinely love it if you stuck around, dropped a comment, told me what you think, or just vibed with the art. New here? Hit that follow button and join me on this little creative journey — I promise it’s warm, weird, and welcoming. Can’t wait to connect with you!

AngryAngel81

13,038 görüntüleme • 5 ay önce

So much of my time here I have spend dreaming. Dreaming for the day that has now arrived. For years I spend my days grinding to fulfill a promise made by a 25 year old right after having the biggest night of his life. Midnight夏季Breeze sold out in 30 minutes. And for someone who had less then 5000$ in the bank, suddenly making 1.5 million dollars was kind of insane. Euphoric I said "v2 will come for those who hold a breeze" Little did I know how much that single promise would affect my life. I have spend majority of my late 20s painting this world. And been very critical of what this space is about. I wanted to be a voice you could rely on. Someone that shows up, is approachable, but also be the change I'd want to see. Everyday looked the same for me, make coffee, walk dog, turn on pc, paint until dinner, walk the dog again. I sometimes quite literally went insane. The pressure was high. I had to make this project real. And there was always so much to do. Art direct, animate, color grade , composite, 3d , sound effects , music, development, management like countless hats to wear all the time. The Vision however, called me. There was no way I was gonna give up, or quit. Though every vibre in me wanted to. My health , my personal life, they demanded it. But I did not stop. And that persistence has let to today. It has let to an industry that doesn't care. A timeline that can only talk about something if its $ related. And a world that is more chaotic then ever before. And amidst it all, I fulfilled my promise. Fragments of the Lonely Road is here. And I do not think you will ever understand what it means. But, I do know, that this art. This project. This vision. It has been worth it. So now, if you made it all the way down here. I want you to rally. I want you to make noise. I want you to share with the world what this is about. I want you to be the storm that says, "shit can be different". And I will be the wave, and show, why that's the case. GM. STAY BREEZY AND... (you say it in the comments!)
0:19

So much of my time here I have spend dreaming. Dreaming for the day that has now arrived. For years I spend my days grinding to fulfill a promise made by a 25 year old right after having the biggest night of his life. Midnight夏季Breeze sold out in 30 minutes. And for someone who had less then 5000$ in the bank, suddenly making 1.5 million dollars was kind of insane. Euphoric I said "v2 will come for those who hold a breeze" Little did I know how much that single promise would affect my life. I have spend majority of my late 20s painting this world. And been very critical of what this space is about. I wanted to be a voice you could rely on. Someone that shows up, is approachable, but also be the change I'd want to see. Everyday looked the same for me, make coffee, walk dog, turn on pc, paint until dinner, walk the dog again. I sometimes quite literally went insane. The pressure was high. I had to make this project real. And there was always so much to do. Art direct, animate, color grade , composite, 3d , sound effects , music, development, management like countless hats to wear all the time. The Vision however, called me. There was no way I was gonna give up, or quit. Though every vibre in me wanted to. My health , my personal life, they demanded it. But I did not stop. And that persistence has let to today. It has let to an industry that doesn't care. A timeline that can only talk about something if its $ related. And a world that is more chaotic then ever before. And amidst it all, I fulfilled my promise. Fragments of the Lonely Road is here. And I do not think you will ever understand what it means. But, I do know, that this art. This project. This vision. It has been worth it. So now, if you made it all the way down here. I want you to rally. I want you to make noise. I want you to share with the world what this is about. I want you to be the storm that says, "shit can be different". And I will be the wave, and show, why that's the case. GM. STAY BREEZY AND... (you say it in the comments!)

Dutchtide.eth

23,959 görüntüleme • 11 ay önce

Back when I had nothing… I was a nobody to most people. TBH, my parents didn't even see me getting to where I am today. It's just the truth, the chips were stacked for my sister. Not me. But it's just not the reality today. However, there was ONE person in my life that didn’t see me that way. My significant other saw something in me before a lot of things. Before all my wins. Before the $. Before any proof. And honestly… that means a lot to me, if not the most of all. I’ve always been wired a little different. I’m a mix of finance, engineering, and tech, with a sprinkle of obsession. I learned and studied from the best. Warren Buffett for how to invest. Elon Musk for work ethic and where the future is going. And once I saw it… I went all in. Bc when you truly understand what you own… you don’t need 20 bets. What you really need is conviction and just a few bets. That’s how I approached everything in my life. All the way from Apple… to Tesla… to 𝕏… to xAI… and now SpaceX. I believe I have an eye for spotting the best entrepreneurs and companies early, before it becomes obvious to everyone. And when I see it, I back it 100%. That’s just who I am. I don’t need a big circle. I’ve already got my day ones. I don’t need approval. I grew up my whole life with doubt and hate, so what’s one more? At this point, the levels are just too different. And yeah… it's true, it actually gets harder to make new friends when you’re moving like this. So I stay loyal to the ones who were there when I had nothing. I made it with Apple - youngest in, youngest out. Then I made it with Tesla… while people were laughing, doubting, calling me crazy, telling me I was going to go bankrupt with Elon. Fast forward to today, now I'm heading into something even bigger. If the story plays out the way it’s shaping up… SpaceX could have the largest IPO in history this year. The company is talking about raising over $75B… at a $1.75-$2 trillion valuation. For context… the biggest IPO ever - Saudi Aramco - raised about $29B. This would be more than double that. Let that sink in deep. To me this is more than just an investment. This is owning a piece of the future of space, energy, AI... extending the light of consciousness forward in case something happens to Earth. People can call me crazy. People can call me cocky. Arrogant. But the people that actually know me know the truth - I’m just real AF. I say what I believe, and I stand on it. And I genuinely don’t care what people think. I have two middle fingers always held high for those kind of people. That’s probably why I’ve been able to win the way I have. My significant other tells me to slow down sometimes. And I get it. But for me… What’s the point of life if you play it safe? If you see an opportunity that can change everything… and you just sit back? That’s not me. I’d rather go all in on something I believe in… live with intensity… take the hits… and actually feel alive and live life with fulfillment. Laugh if you want, doubt if you want. Some play it safe, a few go all in. You can call it risky. You can call it stupid. You can call it crazy. I call it living. Bc at the end of the day, I'd rather go all in on something I believe in and fail... than spend my life wondering "what if."
0:18

Back when I had nothing… I was a nobody to most people. TBH, my parents didn't even see me getting to where I am today. It's just the truth, the chips were stacked for my sister. Not me. But it's just not the reality today. However, there was ONE person in my life that didn’t see me that way. My significant other saw something in me before a lot of things. Before all my wins. Before the $. Before any proof. And honestly… that means a lot to me, if not the most of all. I’ve always been wired a little different. I’m a mix of finance, engineering, and tech, with a sprinkle of obsession. I learned and studied from the best. Warren Buffett for how to invest. Elon Musk for work ethic and where the future is going. And once I saw it… I went all in. Bc when you truly understand what you own… you don’t need 20 bets. What you really need is conviction and just a few bets. That’s how I approached everything in my life. All the way from Apple… to Tesla… to 𝕏… to xAI… and now SpaceX. I believe I have an eye for spotting the best entrepreneurs and companies early, before it becomes obvious to everyone. And when I see it, I back it 100%. That’s just who I am. I don’t need a big circle. I’ve already got my day ones. I don’t need approval. I grew up my whole life with doubt and hate, so what’s one more? At this point, the levels are just too different. And yeah… it's true, it actually gets harder to make new friends when you’re moving like this. So I stay loyal to the ones who were there when I had nothing. I made it with Apple - youngest in, youngest out. Then I made it with Tesla… while people were laughing, doubting, calling me crazy, telling me I was going to go bankrupt with Elon. Fast forward to today, now I'm heading into something even bigger. If the story plays out the way it’s shaping up… SpaceX could have the largest IPO in history this year. The company is talking about raising over $75B… at a $1.75-$2 trillion valuation. For context… the biggest IPO ever - Saudi Aramco - raised about $29B. This would be more than double that. Let that sink in deep. To me this is more than just an investment. This is owning a piece of the future of space, energy, AI... extending the light of consciousness forward in case something happens to Earth. People can call me crazy. People can call me cocky. Arrogant. But the people that actually know me know the truth - I’m just real AF. I say what I believe, and I stand on it. And I genuinely don’t care what people think. I have two middle fingers always held high for those kind of people. That’s probably why I’ve been able to win the way I have. My significant other tells me to slow down sometimes. And I get it. But for me… What’s the point of life if you play it safe? If you see an opportunity that can change everything… and you just sit back? That’s not me. I’d rather go all in on something I believe in… live with intensity… take the hits… and actually feel alive and live life with fulfillment. Laugh if you want, doubt if you want. Some play it safe, a few go all in. You can call it risky. You can call it stupid. You can call it crazy. I call it living. Bc at the end of the day, I'd rather go all in on something I believe in and fail... than spend my life wondering "what if."

Teslaconomics

29,404 görüntüleme • 6 ay önce

I honestly didn’t expect this part of the AI design workflow to work this smoothly. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. I started by creating a poster concept in Dreamina. The image looked finished, but I wanted to edit the individual elements instead of recreating everything. So I gave the poster to GPT-6 Astra and had it call Photoshop to separate the design into editable layers — background, text, objects, and visual elements all became independent pieces. This is the part that surprised me: AI doesn’t just help make the design anymore, it can help turn the final image back into a real design file. Dreamina makes exploring different poster concepts much easier with its competitive pricing, then Astra helps take them into the editing stage. #Dreamina #DreaminaPartner
0:10

I honestly didn’t expect this part of the AI design workflow to work this smoothly. Turns out GPT-6 Astra + Dreamina Seedance 2.5 is an actual pipeline. I started by creating a poster concept in Dreamina. The image looked finished, but I wanted to edit the individual elements instead of recreating everything. So I gave the poster to GPT-6 Astra and had it call Photoshop to separate the design into editable layers — background, text, objects, and visual elements all became independent pieces. This is the part that surprised me: AI doesn’t just help make the design anymore, it can help turn the final image back into a real design file. Dreamina makes exploring different poster concepts much easier with its competitive pricing, then Astra helps take them into the editing stage. #Dreamina #DreaminaPartner

Vipin Gautam (Viipin I Gautam)

45,029 görüntüleme • 13 gün önce

A few days ago Jerod McDaniel shared a quote along the lines of “horses made for war don’t dance well at weddings” I think there are a lot of people like myself that know how plants… or livestock.. or a pasture or even building a house or pouring concrete work. We just want to do what we do. The weather worked out well this year for this. We’re going to be 👍 I could grow about anything, but I like to do it my own way. I sometimes wish I didn’t have to predict or guess what people will do… or markets… and the all the corresponding things that entails. I know you can’t just do your craft, but sometimes you want to just immerse yourself in something you have a more complete understanding of. I watch people like Adam Chappell do this with cotton. Zack Smith come up with farmonius designs Intergrazing livestock. We could do so much cool shit, if only we could just have the local markets, infrastructure… if the average person could have that connection and means to trade with the local farm / farmer that just wanted to just do it…be him or herself Maybe I left you hanging with the main idea here. I think there are a lot of different people who are really good at different things, but many of us have to sand off our edges that give us our edge. I love to think in the lens of the 🌱
2:34

A few days ago Jerod McDaniel shared a quote along the lines of “horses made for war don’t dance well at weddings” I think there are a lot of people like myself that know how plants… or livestock.. or a pasture or even building a house or pouring concrete work. We just want to do what we do. The weather worked out well this year for this. We’re going to be 👍 I could grow about anything, but I like to do it my own way. I sometimes wish I didn’t have to predict or guess what people will do… or markets… and the all the corresponding things that entails. I know you can’t just do your craft, but sometimes you want to just immerse yourself in something you have a more complete understanding of. I watch people like Adam Chappell do this with cotton. Zack Smith come up with farmonius designs Intergrazing livestock. We could do so much cool shit, if only we could just have the local markets, infrastructure… if the average person could have that connection and means to trade with the local farm / farmer that just wanted to just do it…be him or herself Maybe I left you hanging with the main idea here. I think there are a lot of different people who are really good at different things, but many of us have to sand off our edges that give us our edge. I love to think in the lens of the 🌱

Jason Mauck

16,829 görüntüleme • 1 yıl önce

MY REVIEW OF Youknowwazgood Dog shit. All of it smoked funky as hell, I could tell this wasn’t properly grown, dried or cured. After the homie blamed me, my rolling, my papers and my environment for the cause, i knew he was on some bullshit. I left some of the Cranberry Z out to smoke to test any and all theory, shit dried out in less than 2 hours, to dust. I tried to communicate with him, he doesn’t do returns he said, i even offered to fly it out personally, that wouldn’t do. So instead of wasting your money with him or his dumbass reps who are clearly not giving a fuck about the quality or how it misrepresents his brand and all brands for that matter. There’s a few big shops on X that sell his work, if I were you, I’d stay clear, if they sell you boof one time, they’ll do it again💯🫡 But remember, apparently this was my fault and my environment caused this so be sure to slap some reviews up for wherever your jars land. And to the homie Youknowwazgood, shame on you. If you think it ends here, good luck.
0:20

MY REVIEW OF Youknowwazgood Dog shit. All of it smoked funky as hell, I could tell this wasn’t properly grown, dried or cured. After the homie blamed me, my rolling, my papers and my environment for the cause, i knew he was on some bullshit. I left some of the Cranberry Z out to smoke to test any and all theory, shit dried out in less than 2 hours, to dust. I tried to communicate with him, he doesn’t do returns he said, i even offered to fly it out personally, that wouldn’t do. So instead of wasting your money with him or his dumbass reps who are clearly not giving a fuck about the quality or how it misrepresents his brand and all brands for that matter. There’s a few big shops on X that sell his work, if I were you, I’d stay clear, if they sell you boof one time, they’ll do it again💯🫡 But remember, apparently this was my fault and my environment caused this so be sure to slap some reviews up for wherever your jars land. And to the homie Youknowwazgood, shame on you. If you think it ends here, good luck.

Don Hushlelini

30,528 görüntüleme • 7 ay önce

Not my usual look, but I tried a maid outfit for fun:) I think I look a little more serious than cute though. Hi, I’m Rina. I’m 27, and I work at a Japanese izakaya. 🍺 Because of my job, I spend a lot of time talking with different people and hearing all kinds of stories. Here, I share little moments from my everyday life, things I’ve been thinking about, and a side of me that I don’t usually show. If you’d like to see more, or if you’re interested in a personalized request, you can find the details through the link in my profile. Take your time and have a look around.
0:11

Not my usual look, but I tried a maid outfit for fun:) I think I look a little more serious than cute though. Hi, I’m Rina. I’m 27, and I work at a Japanese izakaya. 🍺 Because of my job, I spend a lot of time talking with different people and hearing all kinds of stories. Here, I share little moments from my everyday life, things I’ve been thinking about, and a side of me that I don’t usually show. If you’d like to see more, or if you’re interested in a personalized request, you can find the details through the link in my profile. Take your time and have a look around.

Rina

19,948 görüntüleme • 28 gün önce

$44k this month not the result i expected, but maybe the month i really needed. turned 18 and finally made the decision to stop school and put trading / other hustles first. is it the right choice? who knows. i see people in this space with 7 figs+ still going to university and working a normal job on the side, and i got deep deep respect for that. because even i believe you’re not truly ‘’safe’’ until 8 figs+ so this isn’t me saying school or a job is wrong. i just know myself, and i’d rather live with failing than live with the thought that i never fully tried. at 17 i already lost more money than most people my age ever touched. it hurt, but it taught me lessons i’ll carry for life. it taught me how fast money can come, how fast it can leave, and how different people act when it’s involved. that’s also the crazy part about memecoins. your age doesn’t matter, your background doesn’t matter, your degree doesn’t matter. if you can see things early and actually put in the hours instead of thinking this shit just comes to you, this space can genuinely change your life. And the last thing I want to say is thank you to everyone supporting my deploys. Me and my team give every launch 100%, onto MUCH more runners in June.
0:12

$44k this month not the result i expected, but maybe the month i really needed. turned 18 and finally made the decision to stop school and put trading / other hustles first. is it the right choice? who knows. i see people in this space with 7 figs+ still going to university and working a normal job on the side, and i got deep deep respect for that. because even i believe you’re not truly ‘’safe’’ until 8 figs+ so this isn’t me saying school or a job is wrong. i just know myself, and i’d rather live with failing than live with the thought that i never fully tried. at 17 i already lost more money than most people my age ever touched. it hurt, but it taught me lessons i’ll carry for life. it taught me how fast money can come, how fast it can leave, and how different people act when it’s involved. that’s also the crazy part about memecoins. your age doesn’t matter, your background doesn’t matter, your degree doesn’t matter. if you can see things early and actually put in the hours instead of thinking this shit just comes to you, this space can genuinely change your life. And the last thing I want to say is thank you to everyone supporting my deploys. Me and my team give every launch 100%, onto MUCH more runners in June.

Jesse

22,499 görüntüleme • 3 ay önce

HTML Artifacts are a big part of how I work with agents now. Artifacts can be more than just static files. When combined with agents, they can take action or help you take action. This unlocks all kinds of interesting ways to work with agents. This is clearly the future. Check out this writing and scheduler artifact I built in a few minutes. It uses a bit of HTML and JS. All the data is in markdown (Obsidian vaults), so the agent can access and modify it at any time. No DB needed. No sophisticated functionalities. The agent decides all that for me based on the skills, context, and memory it has access to. The best part about this simple stack is that all the important information stays with me. This has allowed me to build a recursive self-improving system and automations that can better tap into coding agents like Codex or Claude Code. I could have paid or built an entire app for scheduling posts, and there are so many of them out there. But I don't need to. I've realized a simple artifact does the job. And the simplicity of it is actually an advantage. Very little maintenance for very high returns on personalization, time, and efficiency. The other benefit of this is that I can add features as I please. That level of personalization feels magical, and we should all be pursuing more of it. All of this just keeps compounding. Of course, this example is just about writing. But I have similar artifacts for research, design, experimentation, evaluation, and so much more. And no, I didn't actually publish the post example I shared in the clip. It was just for demonstration purposes. I actually spend more time than this when writing together with agents. Lastly, having built my own agent orchestrator tool has made me realize that simplifying the tool stack is a superpower. If you are curious about how all this works, I will do a live session next week:
0:16

HTML Artifacts are a big part of how I work with agents now. Artifacts can be more than just static files. When combined with agents, they can take action or help you take action. This unlocks all kinds of interesting ways to work with agents. This is clearly the future. Check out this writing and scheduler artifact I built in a few minutes. It uses a bit of HTML and JS. All the data is in markdown (Obsidian vaults), so the agent can access and modify it at any time. No DB needed. No sophisticated functionalities. The agent decides all that for me based on the skills, context, and memory it has access to. The best part about this simple stack is that all the important information stays with me. This has allowed me to build a recursive self-improving system and automations that can better tap into coding agents like Codex or Claude Code. I could have paid or built an entire app for scheduling posts, and there are so many of them out there. But I don't need to. I've realized a simple artifact does the job. And the simplicity of it is actually an advantage. Very little maintenance for very high returns on personalization, time, and efficiency. The other benefit of this is that I can add features as I please. That level of personalization feels magical, and we should all be pursuing more of it. All of this just keeps compounding. Of course, this example is just about writing. But I have similar artifacts for research, design, experimentation, evaluation, and so much more. And no, I didn't actually publish the post example I shared in the clip. It was just for demonstration purposes. I actually spend more time than this when writing together with agents. Lastly, having built my own agent orchestrator tool has made me realize that simplifying the tool stack is a superpower. If you are curious about how all this works, I will do a live session next week:

elvis

18,374 görüntüleme • 4 ay önce