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Everything was going perfectly… until the waiter accidentally exposed him. Sir, same order as always? Bro went from romantic date to explaining his entire life in 3 seconds Prompt: Create a 15-second ultra-realistic cinematic romantic comedy scene set inside an elegant, expensive restaurant at night. The scene should begin... like a sophisticated romantic movie and gradually turn into an awkward comedy. Scene 1 — The Perfect Date (0–4s) A young man in his mid-20s is sitting across from his crush at a luxurious upscale restaurant. He is dressed perfectly, clearly trying to impress her. Warm candlelight, elegant décor, soft background music, beautifully plated food, and romantic cinematic lighting. They are smiling and having a great conversation. The guy looks confident and happy, clearly thinking the date is going perfectly. Scene 2 — The Waiter Arrives (4–8s) A confident waiter approaches their table with a familiar smile. He looks directly at the guy and casually says: “Sir, same order as always?” The guy's smile immediately disappears. He freezes. His crush looks at him suspiciously. She asks: “You've been here before?” He nervously shakes his head. “No.” The waiter suddenly realizes his mistake. He looks embarrassed and says: “Oh… sorry. Wrong person.” The guy visibly relaxes. His crush also smiles and the romantic atmosphere returns. Scene 3 — The Second Punchline (8–12s) The waiter starts walking away, then suddenly stops. He turns back toward the guy. “Oh, one more thing…” The guy looks nervous again. The waiter casually adds: “You still owe us money from last time.” The guy's face completely drops. His crush slowly turns toward him in disbelief. Scene 4 — Final Reaction (12–15s) The guy desperately tries to explain himself: “I can explain.” His crush folds her arms and gives him a suspicious look. The waiter walks away completely unaware of the chaos he just caused. End on the guy's awkward expression as the romantic music abruptly stops. Visual style: high-end romantic comedy film, ultra-realistic actors, elegant restaurant interior, warm cinematic lighting, shallow depth of field, natural facial expressions, subtle camera movements, realistic waiter interaction, strong comedic timing, believable dialogue delivery, polished 4K cinematography. Important:The first half should genuinely feel like a beautiful romantic date. The comedy should come entirely from the waiter's innocent mistake and the increasingly awkward situation. No subtitles, no text overlays, no watermark.show more

Zoraiz Ai

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17,756 Aufrufe • vor 4 Tagen •via X (Twitter)

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Rainy morning, unexpected rescue. Sometimes kindness finds you. Created with Seedance 2.5. Prompt: Create a 15-second ultra-realistic cinematic emotional video set on a rainy morning. Maintain the same young woman and the same small kitten consistently throughout every scene. Natural acting, realistic physics, detailed rain, cinematic lighting, smooth camera movement, shallow depth of field, realistic facial expressions, and seamless scene transitions. Scene 1 — Breakfast on a Rainy Morning (0–3s) Inside a cozy modern home during early morning. A young woman with long straight dark hair is sitting at a dining table, peacefully eating breakfast. Warm natural morning light enters through the large window. Her breakfast, a cup of tea/coffee, and simple tableware are visible. Outside the window, the sky is dark and rain is beginning to fall. The atmosphere feels calm and cozy. Camera: Medium cinematic shot, slowly pushing toward the woman. Scene 2 — She Notices the Rain (3–5s) The woman suddenly hears the sound of heavy rain. She pauses while eating and looks toward the window. The camera moves closer to her face as she notices the rain falling heavily outside. Raindrops cover the glass, with a realistic rainy neighborhood visible in the background. Camera: Close-up on her face, then rack focus from her face to the rain-covered window. Scene 3 — The Kitten Is Trapped (5–7s) Cut to outside. A tiny fluffy kitten is stranded in a corner beside a wall and some plants. The kitten is completely soaked by the rain, shivering and looking frightened. Water is flowing across the ground and rain is falling heavily around it. The kitten tries to move but is trapped in the narrow sheltered corner. Camera: Low-angle close-up of the wet kitten, with cinematic rain droplets and realistic fur detail. Scene 4 — The Rescue (7–10s) The woman quickly grabs an umbrella and runs outside. She kneels beside the frightened kitten, carefully reaches toward it, and gently picks it up. She protects the kitten from the rain with the umbrella and wraps it in a soft cloth or her jacket. Camera: Dynamic handheld cinematic movement following her outside, then a close-up as she gently lifts the kitten. Scene 5 — Bringing the Kitten Home (10–13s) She carries the kitten back inside her warm home. The scene transitions from the cold blue rainy exterior to a warm, cozy interior. She places the kitten gently on a soft towel and carefully dries its wet fur. The kitten begins to relax and feel safe. Camera: Smooth tracking shot following her through the doorway, followed by a warm close-up of the woman drying the kitten. Scene 6 — Happy Ending (13–15s) The kitten is now warm, dry, and safe. The woman gently holds it against her chest and smiles with relief. The kitten looks comfortable and calm in her arms. Warm morning light fills the room while rain continues softly outside the window. Camera: Emotional close-up, slow cinematic push-in, ending on the woman and kitten together. Visual Style Ultra-realistic cinematic photography, emotional storytelling, realistic human movement, realistic kitten behavior, detailed wet fur, natural skin texture, physically accurate rain and water reflections, soft morning light, realistic interior lighting, shallow depth of field, subtle film grain, high dynamic range, smooth camera transitions, premium cinematic color grading. Audio Soft realistic rain ambience, gentle breakfast sounds, distant thunder, footsteps on wet ground, umbrella opening, subtle emotional background music, soft kitten meows, and warm peaceful music during the final scene. Negative Prompt No cartoon style, no animation, no distorted faces, no changing character appearance, no extra fingers, no deformed hands, no duplicate kitten, no duplicate people, no unnatural movements, no floating objects, no unrealistic rain, no exaggerated expressions, no sudden camera jumps, no text, no subtitles, no watermark, no logos.

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Ahmad Faraz

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Manzi Willy

20,594 Aufrufe • vor 2 Monaten

Stop thinking safe. Start imagining free. Grok Imagine. Wild. Fearless. Uncontained. Try it. Prompt: Ultra-realistic cinematic forest video, 1:1 square, 10 seconds, 24fps. A young girl around 10 to 12 years old with long dark brown hair, subtle center part, multiple thin braids woven along the crown and sides, natural face, calm expression, wearing a loose dark charcoal-black medieval fantasy cloak or simple long-sleeve forest tunic, walks slowly through a sun-dappled woodland beside a large realistic grey wolf. The wolf is tall, thick-furred, natural proportions, grey and cream coat, intelligent calm eyes, walking closely beside her like a companion. Scene begins as a medium close shot. The girl stands beside the wolf in a lush green forest with soft golden sunlight filtering through the trees, shallow depth of field, cinematic bokeh, earthy forest floor with leaves. She looks down gently, then slightly toward the wolf. The wolf faces camera first, then turns its head naturally toward her. The camera slowly drifts sideways and slightly forward in a smooth handheld-cinematic way. The girl softly smiles, then raises her hand and gently pets the wolf’s head once in a tender, natural motion. Keep movements slow, elegant, and realistic. Hair moves subtly. No sudden gestures. After the petting moment, transition into a wider side-profile shot as the girl and wolf begin walking together from left to right through the forest path. Her dark cloak sways naturally as she walks. The wolf keeps pace beside her. Camera tracks with them smoothly in profile. Warm natural light, realistic woodland colors, soft contrast, magical but grounded realism, premium film look, highly detailed fur, realistic anatomy, realistic child proportions, realistic walking motion, realistic forest textures, intimate emotional companionship.

Mario Nawfal

38,793 Aufrufe • vor 5 Monaten

A confident businesswoman, timeless elegance, and a luxurious modern interior come together to create a cinematic visual that feels both sophisticated and inspiring. Every frame is designed with realistic lighting, smooth camera movement, and premium fashion aesthetics. Created this 14-second cinematic businesswoman story using Seedance 2.0 on WaveSpeedAI. Prompt: A stunning young businesswoman stands in a luxurious, sunlit modern kitchen with white marble countertops, sleek cabinetry, and minimalist interior design. She wears a perfectly tailored navy blazer and matching pencil skirt over a crisp white blouse, carrying a small black leather handbag with gold hardware. Her dark brown hair is styled in a soft low bun with loose face-framing curls. She looks down with a gentle, confident smile, then slowly raises her gaze toward the camera while elegantly adjusting her handbag. She takes a few graceful steps forward with natural body movement, relaxed shoulders, and poised posture. Warm golden-hour sunlight streams through the large windows, creating soft highlights and cinematic shadows. The camera begins with a medium shot and performs a slow cinematic dolly-in, maintaining shallow depth of field with creamy background bokeh. Ultra-realistic skin texture, subtle facial expressions, realistic fabric physics, natural hand movements, smooth walking animation, premium luxury lifestyle aesthetic, photorealistic, HDR, 4K, 24fps, soft color grading, high-end commercial fashion advertisement, stable camera, no flickering, no distortion, no extra fingers, no artifacts.

A confident businesswoman, timeless elegance, and a luxurious modern interior come together to create a cinematic visual that feels both sophisticated and inspiring. Every frame is designed with realistic lighting, smooth camera movement, and premium fashion aesthetics. Created this 14-second cinematic businesswoman story using Seedance 2.0 on WaveSpeedAI. Prompt: A stunning young businesswoman stands in a luxurious, sunlit modern kitchen with white marble countertops, sleek cabinetry, and minimalist interior design. She wears a perfectly tailored navy blazer and matching pencil skirt over a crisp white blouse, carrying a small black leather handbag with gold hardware. Her dark brown hair is styled in a soft low bun with loose face-framing curls. She looks down with a gentle, confident smile, then slowly raises her gaze toward the camera while elegantly adjusting her handbag. She takes a few graceful steps forward with natural body movement, relaxed shoulders, and poised posture. Warm golden-hour sunlight streams through the large windows, creating soft highlights and cinematic shadows. The camera begins with a medium shot and performs a slow cinematic dolly-in, maintaining shallow depth of field with creamy background bokeh. Ultra-realistic skin texture, subtle facial expressions, realistic fabric physics, natural hand movements, smooth walking animation, premium luxury lifestyle aesthetic, photorealistic, HDR, 4K, 24fps, soft color grading, high-end commercial fashion advertisement, stable camera, no flickering, no distortion, no extra fingers, no artifacts.

liana

11,321 Aufrufe • vor 26 Tagen

[Throwback] Kobayashi Arata,a professional dancer, give detailed abt taehyung’s dance abilities on Fire and Dynamite 👤Whenever I see Taetae dance, I got the impression that he is a groove-type dancer. He has good detail and dances like he is riding the music. I like dances that convey the dancer's own vibe that only they have, and Taetae's dance is like that. His neck's trajectory is continuously moving back and forth. It's a professional's technique. His dance is very professional. It's very difficult to grab the rhythm in a simple way, but Taetae has a very good sense for that. Even when he isn't moving, the texture of his dance movements are very exquisite.The way he dances to his heart's content is wonderfully cool. The way he feels the sound (music) is expressed through the movement of his neck. The way he burns his feelings into the music is at a very professional level. One more thing to mention, the way he approaches a certain melody is always very outstanding and beautiful. You can see his great sense for dancing in his ad-libs, besides the set choreography. The neck is the part of the body that can express rhythm, so it especially requires skill. Taetae uses his neck extremely well. People at a high level of dancing can draw a hot response from just moving their neck a little. A great dancer knows that just a simple neck movement can look really cool. 1 speculate that Taetae is a dancer who knows this. The way he paces himself is no joke. The reason he can comfortably maintain the rhythm with his whole body is because he properly feels the music inside his body His dance has a mature charm. It's something different than the brilliance and dynamism that can be seen from the outside. From an angle that surpasses all that, he expresses how he perceives the beauty of the dance. He is the type that enthralls others by actually enjoying the music himself. He is like a miso soup made by a first-class chef. It doesn't make sense how smooth he is. (All of his movements are very smooth.) People, who enjoy music itself in the first place, look cool with the way they ride the rhythm. He dances as if he has surrendered himself to the sound (music), and as if he is submerged in the music. He is able to feel the rhythm with his whole body. Taetae's hidden details, in which he accomplishes things like they're nothing, make my heart beat. It's a difficult thing to do. You can't do this just by learning it. He has a good sense for dancing. The way he dances is very smart. In conclusion, Taetae is at an extremely high level of dance. From the little details that are hard to catch at first glance, to his dance skills that read the music, making it feel like a "professional dance" style and feel, can all be seen in the ad-libs as well. These parts all depend on the individual's sense for dance. What can be seen from here is that Taetae has a good sense of understanding and feeling sound(music), and i really want to become someone like that too. 28min video: trans cr: KTHbase/KTH_FanBase

[Throwback] Kobayashi Arata,a professional dancer, give detailed abt taehyung’s dance abilities on Fire and Dynamite 👤Whenever I see Taetae dance, I got the impression that he is a groove-type dancer. He has good detail and dances like he is riding the music. I like dances that convey the dancer's own vibe that only they have, and Taetae's dance is like that. His neck's trajectory is continuously moving back and forth. It's a professional's technique. His dance is very professional. It's very difficult to grab the rhythm in a simple way, but Taetae has a very good sense for that. Even when he isn't moving, the texture of his dance movements are very exquisite.The way he dances to his heart's content is wonderfully cool. The way he feels the sound (music) is expressed through the movement of his neck. The way he burns his feelings into the music is at a very professional level. One more thing to mention, the way he approaches a certain melody is always very outstanding and beautiful. You can see his great sense for dancing in his ad-libs, besides the set choreography. The neck is the part of the body that can express rhythm, so it especially requires skill. Taetae uses his neck extremely well. People at a high level of dancing can draw a hot response from just moving their neck a little. A great dancer knows that just a simple neck movement can look really cool. 1 speculate that Taetae is a dancer who knows this. The way he paces himself is no joke. The reason he can comfortably maintain the rhythm with his whole body is because he properly feels the music inside his body His dance has a mature charm. It's something different than the brilliance and dynamism that can be seen from the outside. From an angle that surpasses all that, he expresses how he perceives the beauty of the dance. He is the type that enthralls others by actually enjoying the music himself. He is like a miso soup made by a first-class chef. It doesn't make sense how smooth he is. (All of his movements are very smooth.) People, who enjoy music itself in the first place, look cool with the way they ride the rhythm. He dances as if he has surrendered himself to the sound (music), and as if he is submerged in the music. He is able to feel the rhythm with his whole body. Taetae's hidden details, in which he accomplishes things like they're nothing, make my heart beat. It's a difficult thing to do. You can't do this just by learning it. He has a good sense for dancing. The way he dances is very smart. In conclusion, Taetae is at an extremely high level of dance. From the little details that are hard to catch at first glance, to his dance skills that read the music, making it feel like a "professional dance" style and feel, can all be seen in the ad-libs as well. These parts all depend on the individual's sense for dance. What can be seen from here is that Taetae has a good sense of understanding and feeling sound(music), and i really want to become someone like that too. 28min video: trans cr: KTHbase/KTH_FanBase

❀ ✿

46,199 Aufrufe • vor 1 Jahr

"Walter always said the Fourth of July was for everyone else. His daughter used to invite him inside before the fireworks started, close the curtains, turn the television up, and pretend she wasn’t watching his hands. Walter hated that part most. He didn’t want pity. He didn’t want people whispering around him. He wanted to sit on his own porch, in his own chair, and act like the noise didn’t still reach places in him he couldn’t explain. He had come home from Vietnam a long time ago, but some nights never seemed as far away as they should have. Most days, Walter was steady. He mowed his lawn, fixed the loose rail by the steps, and waved at every neighbor who passed. Loud sudden sounds were the one thing that could still pull the room out from under him. That night, the first fireworks started before it was fully dark. Walter stayed outside anyway. He sat on the porch steps with his cap low over his face, trying to breathe through each burst like he’d done so many times before. Duke watched him from the walkway. The black shepherd mix had been with Walter for three years. He knew the small things: the way Walter’s shoulders tightened before he said he was fine, the way his fingers curled when the noise got too close, the way silence after a loud boom sometimes scared him more than the boom itself. Another firework cracked over the neighborhood, and Walter covered his face with both hands. Duke came up the steps slowly. He didn’t crowd him. He just walked close enough, waited a second, then rested his head on Walter’s knee. Walter’s hand dropped almost right away. He touched Duke’s ear, then the side of his neck, and his breathing started to slow. The fireworks kept going behind them, lighting the street in red and white, but Walter wasn’t alone with the sound anymore. After a while, he leaned forward and held Duke with both arms. “Good boy,” he whispered. Duke stayed there until the noise moved farther away. What has your dog done when they somehow knew you needed them?

"Walter always said the Fourth of July was for everyone else. His daughter used to invite him inside before the fireworks started, close the curtains, turn the television up, and pretend she wasn’t watching his hands. Walter hated that part most. He didn’t want pity. He didn’t want people whispering around him. He wanted to sit on his own porch, in his own chair, and act like the noise didn’t still reach places in him he couldn’t explain. He had come home from Vietnam a long time ago, but some nights never seemed as far away as they should have. Most days, Walter was steady. He mowed his lawn, fixed the loose rail by the steps, and waved at every neighbor who passed. Loud sudden sounds were the one thing that could still pull the room out from under him. That night, the first fireworks started before it was fully dark. Walter stayed outside anyway. He sat on the porch steps with his cap low over his face, trying to breathe through each burst like he’d done so many times before. Duke watched him from the walkway. The black shepherd mix had been with Walter for three years. He knew the small things: the way Walter’s shoulders tightened before he said he was fine, the way his fingers curled when the noise got too close, the way silence after a loud boom sometimes scared him more than the boom itself. Another firework cracked over the neighborhood, and Walter covered his face with both hands. Duke came up the steps slowly. He didn’t crowd him. He just walked close enough, waited a second, then rested his head on Walter’s knee. Walter’s hand dropped almost right away. He touched Duke’s ear, then the side of his neck, and his breathing started to slow. The fireworks kept going behind them, lighting the street in red and white, but Walter wasn’t alone with the sound anymore. After a while, he leaned forward and held Duke with both arms. “Good boy,” he whispered. Duke stayed there until the noise moved farther away. What has your dog done when they somehow knew you needed them?

Crazy Moments

20,666 Aufrufe • vor 1 Monat

Created on seedance 2.0 Prompt: A cinematic, atmospheric scene in a dimly lit, empty underground parking garage at night. A young East Asian woman with long dark hair, wearing an olive-green oversized jacket and cargo pants, walks slowly away from the camera down the center of a wide parking lane, holding a white plastic bag in her right hand. The environment is cool-toned with concrete pillars, fluorescent tube lights on the ceiling casting harsh shadows, and painted arrows on the glossy floor. She approaches a parked dark green/teal luxury sedan on the right side. She stops beside the car, raises her arm, and hangs the white plastic bag on the side mirror or door handle. She then turns slightly toward the camera, leans against the car for a moment, pulls out her phone with both hands, and looks down at the screen with a focused, slightly uneasy expression. Suddenly, a eerie supernatural moment: a translucent, ghostly pale female figure with long black hair and a white dress materializes in the background behind her. The woman looks up from her phone in shock as the ghost stands motionless, staring. Quick motion blur and dramatic tension as she reacts. Moody horror-thriller style, realistic lighting, subtle film grain, cool blue-cyan color grading, slow deliberate camera movement following her from behind then panning slightly to the side. 12-second duration, high detail, cinematic." This prompt captures the full sequence from the provided video frames while being optimized for AI video tools. You can adjust details like aspect ratio (16:9), style (more horror, more realistic), or camera movement as needed.

Created on seedance 2.0 Prompt: A cinematic, atmospheric scene in a dimly lit, empty underground parking garage at night. A young East Asian woman with long dark hair, wearing an olive-green oversized jacket and cargo pants, walks slowly away from the camera down the center of a wide parking lane, holding a white plastic bag in her right hand. The environment is cool-toned with concrete pillars, fluorescent tube lights on the ceiling casting harsh shadows, and painted arrows on the glossy floor. She approaches a parked dark green/teal luxury sedan on the right side. She stops beside the car, raises her arm, and hangs the white plastic bag on the side mirror or door handle. She then turns slightly toward the camera, leans against the car for a moment, pulls out her phone with both hands, and looks down at the screen with a focused, slightly uneasy expression. Suddenly, a eerie supernatural moment: a translucent, ghostly pale female figure with long black hair and a white dress materializes in the background behind her. The woman looks up from her phone in shock as the ghost stands motionless, staring. Quick motion blur and dramatic tension as she reacts. Moody horror-thriller style, realistic lighting, subtle film grain, cool blue-cyan color grading, slow deliberate camera movement following her from behind then panning slightly to the side. 12-second duration, high detail, cinematic." This prompt captures the full sequence from the provided video frames while being optimized for AI video tools. You can adjust details like aspect ratio (16:9), style (more horror, more realistic), or camera movement as needed.

liana

12,075 Aufrufe • vor 1 Monat

Seedance2.0 × パルクール Prompt ↓ A hyper-realistic, 8K resolution, adrenaline-fueled single-take POV action sequence. The camera is chest-mounted on a man wearing camouflage joggers and worn-out black-and-white sneakers. He stands on the dizzying edge of a rusted skyscraper, 1000 feet above a crystalline turquoise ocean. No clouds, no haze—just a sheer, terrifying vertical drop into the deep blue. [The Initial Freefall] The sequence begins with a sudden, heart-stopping leap into a 20-meter vertical freefall. The camera points directly at his feet as the sea surface rushes toward the lens. A deafening, high-pitched whistling 'Hyuo' wind screams past the microphone. Just before the impact, he catches a lower rusted horizontal bar with both hands—white wristband visible—and swings his body forward to land on a tiny vertical pole. [The Rhythmic Jumps & The Near-Death Slip] He immediately begins a rhythmic series of high-speed jumps: Jump 1: A clean, agile spring to a second vertical pole 2 meters away. Jump 2: A rapid leap to a thin, rusted horizontal pipe. Jump 3 (The Slip): As he jumps toward the third vertical pole, his right sneaker completely misses the mark and slides off the rusted metal. The camera tilts violently over the edge, staring straight down at the 1000-foot abyss. He lets out a sharp, panicked gasp. For a terrifying second, his body leans into the void, but he desperately claws at the pole with his fingers, his boots scrambling against the side until he manages to hook his leg and haul himself back up. Jump 4: Still trembling, he forces a frantic, heavy-breathing leap to the next bar to keep the momentum. Jump 5: A final, explosive long-distance jump to a swaying metal platform. He lands with a heavy, jarring metallic 'Clang', his body hunching low, gripping the vibrating metal for dear life. [The Ending] The camera remains in a low, fetal position on the final bar, shaking from the adrenaline. No dialogue. The audio is a visceral layer of the aggressive 'Hyuo' wind, his intense, ragged, and rapid gasping for air, and a loud, thumping heartbeat that resonates as if inside his chest. The harsh midday sun glints off the ocean waves far below, creating a blinding, beautiful, yet lethal glare. Cinematic materials, fluid 120fps motion, hyper-detailed rust and skin textures.

Seedance2.0 × パルクール Prompt ↓ A hyper-realistic, 8K resolution, adrenaline-fueled single-take POV action sequence. The camera is chest-mounted on a man wearing camouflage joggers and worn-out black-and-white sneakers. He stands on the dizzying edge of a rusted skyscraper, 1000 feet above a crystalline turquoise ocean. No clouds, no haze—just a sheer, terrifying vertical drop into the deep blue. [The Initial Freefall] The sequence begins with a sudden, heart-stopping leap into a 20-meter vertical freefall. The camera points directly at his feet as the sea surface rushes toward the lens. A deafening, high-pitched whistling 'Hyuo' wind screams past the microphone. Just before the impact, he catches a lower rusted horizontal bar with both hands—white wristband visible—and swings his body forward to land on a tiny vertical pole. [The Rhythmic Jumps & The Near-Death Slip] He immediately begins a rhythmic series of high-speed jumps: Jump 1: A clean, agile spring to a second vertical pole 2 meters away. Jump 2: A rapid leap to a thin, rusted horizontal pipe. Jump 3 (The Slip): As he jumps toward the third vertical pole, his right sneaker completely misses the mark and slides off the rusted metal. The camera tilts violently over the edge, staring straight down at the 1000-foot abyss. He lets out a sharp, panicked gasp. For a terrifying second, his body leans into the void, but he desperately claws at the pole with his fingers, his boots scrambling against the side until he manages to hook his leg and haul himself back up. Jump 4: Still trembling, he forces a frantic, heavy-breathing leap to the next bar to keep the momentum. Jump 5: A final, explosive long-distance jump to a swaying metal platform. He lands with a heavy, jarring metallic 'Clang', his body hunching low, gripping the vibrating metal for dear life. [The Ending] The camera remains in a low, fetal position on the final bar, shaking from the adrenaline. No dialogue. The audio is a visceral layer of the aggressive 'Hyuo' wind, his intense, ragged, and rapid gasping for air, and a loud, thumping heartbeat that resonates as if inside his chest. The harsh midday sun glints off the ocean waves far below, creating a blinding, beautiful, yet lethal glare. Cinematic materials, fluid 120fps motion, hyper-detailed rust and skin textures.

GENEL | AIを用いた動画制作

24,201 Aufrufe • vor 4 Monaten

➡️ The ZANU fighter was just defeated by a 60-year old guy. 😌 This guy, Themba Gorimbo, had the support of most Zimbabweans when he entered the UFC, because – what a great achievement and representation for our country! 👏🏾👏🏾🙌🏾 🇿🇼 Then, he made the quintessential error that many shallow Zimbabweans who find fame MAKE – he involved himself in regime politics ... because he saw it as a way to make a quick fortune. 💰💰 He started to ride high on ARROGANCE, and use his platform to insult and mock the opposition movement while promoting ED and ZANU PF regularly. He is especially known for stalking Winky D, and posting negative comments and mockeries about him, in order to please his ZANU masters. He thought that if he placed himself on the buttered side 🧈🍞 – the OPPRESSOR’S side - then he would be on the fast track to wealth, freebies and trinkets. 💵 Amateur mistake. When you’re a professional athlete there is no upside to playing politics. 🤷🏾‍♂️ You’ll just alienate many supporters unnecessarily, and attract controversy. You also draw negative attention to yourself internationally. MMA is a global sport and UFC is the pinnacle of the sport. So then he started losing supporters and attracting criticism ... but continued on his arrogant high horse, believing that his commitment to ZANU would pay off. Then when was CHOKED OUT in his last fight and lost consciousness in front of the entire world 😴- he thereafter had a "Damascus moment" when he realized that HUNDREDS OF THOUSANDS of UFC fans around the world were joyous about his humiliation! 😃 Especially when at one point he enjoyed widespread support and a growing fanbase - even the Rock had given him a house in the early days ... before Gorimbo showed himself to be an arrogant, toxic chump. 🤦🏾‍♂️ Then after being choked out he tried to “CHANGE” and win people over again, and started becoming anti-Zanu, etc. And it has worked for some people, but for a lot of OTHER people, including me (who was initially a HUGE fan), the damage had been done... 🙅🏾‍♂️ I always support Zimbabwean athletes and teams PASSIONATELY 🇿🇼 – but this guy has shown his true colours, and I find him to be unsavoury... He’s someone who tried to use his platform to benefit from the REGIME. He supported OPPRESSION and mocked the suffering of Zimbabweans, and efforts of the opposition. He is NOT a good guy. 😏 He is only now pretending to be in support of the PEOPLE because he has seen how supporting dictators will negatively affect his MMA career. It actually may be too late for him to redeem himself because even on the MMA twitterverse, I see a LOT of people from around the world posting negatively about his arrogance. They are also calling him a SCAMMER because of the library he had said he was building “in his village” and apparently people donated money, but there is ZERO library in existence 🤔- and when he has been pressed to explain he has been saying to critics that he built ¾ of the library and then he had to tear it down for some reason... 👀 I will always view him as a “ZANU fighter” because that’s what he proudly was for a long time, and has now realized his miscalculation ... and trying to pretend to be otherwise. Anyway, good luck to him. Because these days KARMA is visiting him.

➡️ The ZANU fighter was just defeated by a 60-year old guy. 😌 This guy, Themba Gorimbo, had the support of most Zimbabweans when he entered the UFC, because – what a great achievement and representation for our country! 👏🏾👏🏾🙌🏾 🇿🇼 Then, he made the quintessential error that many shallow Zimbabweans who find fame MAKE – he involved himself in regime politics ... because he saw it as a way to make a quick fortune. 💰💰 He started to ride high on ARROGANCE, and use his platform to insult and mock the opposition movement while promoting ED and ZANU PF regularly. He is especially known for stalking Winky D, and posting negative comments and mockeries about him, in order to please his ZANU masters. He thought that if he placed himself on the buttered side 🧈🍞 – the OPPRESSOR’S side - then he would be on the fast track to wealth, freebies and trinkets. 💵 Amateur mistake. When you’re a professional athlete there is no upside to playing politics. 🤷🏾‍♂️ You’ll just alienate many supporters unnecessarily, and attract controversy. You also draw negative attention to yourself internationally. MMA is a global sport and UFC is the pinnacle of the sport. So then he started losing supporters and attracting criticism ... but continued on his arrogant high horse, believing that his commitment to ZANU would pay off. Then when was CHOKED OUT in his last fight and lost consciousness in front of the entire world 😴- he thereafter had a "Damascus moment" when he realized that HUNDREDS OF THOUSANDS of UFC fans around the world were joyous about his humiliation! 😃 Especially when at one point he enjoyed widespread support and a growing fanbase - even the Rock had given him a house in the early days ... before Gorimbo showed himself to be an arrogant, toxic chump. 🤦🏾‍♂️ Then after being choked out he tried to “CHANGE” and win people over again, and started becoming anti-Zanu, etc. And it has worked for some people, but for a lot of OTHER people, including me (who was initially a HUGE fan), the damage had been done... 🙅🏾‍♂️ I always support Zimbabwean athletes and teams PASSIONATELY 🇿🇼 – but this guy has shown his true colours, and I find him to be unsavoury... He’s someone who tried to use his platform to benefit from the REGIME. He supported OPPRESSION and mocked the suffering of Zimbabweans, and efforts of the opposition. He is NOT a good guy. 😏 He is only now pretending to be in support of the PEOPLE because he has seen how supporting dictators will negatively affect his MMA career. It actually may be too late for him to redeem himself because even on the MMA twitterverse, I see a LOT of people from around the world posting negatively about his arrogance. They are also calling him a SCAMMER because of the library he had said he was building “in his village” and apparently people donated money, but there is ZERO library in existence 🤔- and when he has been pressed to explain he has been saying to critics that he built ¾ of the library and then he had to tear it down for some reason... 👀 I will always view him as a “ZANU fighter” because that’s what he proudly was for a long time, and has now realized his miscalculation ... and trying to pretend to be otherwise. Anyway, good luck to him. Because these days KARMA is visiting him.

Bhudhi Ghivhi

66,746 Aufrufe • vor 9 Monaten

For eleven years the same dog lived at the end of the same six-foot chain in the same bare dirt yard, through eleven Tennessee summers and eleven freezing winters, never once setting a paw inside a house — and on the night they finally brought him in and showed him a real bed, the old dog just stood at the edge of it and shook, because he had no idea a thing that soft could possibly be meant for him. His name, the neighbors said, was Boone. For more than a decade he'd been a "yard dog" — chained to a stake behind a rented house, given food when someone remembered, a plastic barrel for shelter, and nothing else. No walks. No vet. No hand that reached for him except to refill a bowl. He wore a circle of bare dirt into the ground from pacing the only distance his chain allowed. When the family moved out and left him behind, a neighbor finally called it in. By the time the rescue got there, Boone was matted, heartworm-positive, his neck thick with scar tissue where the chain had worn him for years. He flinched at raised hands. But he didn't growl. He just lowered his head, the way dogs do when they've decided the world is something that happens to them. The woman who took him in — a rescue fosterer named Dana who'd seen a lot of hard cases — said she'd never forget that first night. She unclipped the lead inside her warm house and Boone didn't move. He stood on the kitchen tile like he was waiting to be told he'd made a mistake. She led him to the spare room where she'd put a thick dog bed by the radiator, and he just looked at it. Then he looked at her. Then back at the bed, as if the two things — soft place and for me — couldn't possibly belong in the same thought. "Go on, sweet boy," she whispered, patting the cushion. "It's yours. It's all yours." He put one cautious paw on it. Then another. He turned in a slow, disbelieving circle the way dogs do when they're about to lie down — a thing he'd maybe never done on anything but cold dirt — and then he sank into that soft bed and let out a groan that came up from somewhere eleven years deep. And then the old dog who had spent his whole life on a chain began to cry. Not howl. Cry — that low, broken sound — while Dana sat on the floor beside him with her hand on his side and wept right along with him. "You're never going back out there," she told him. "Never again. You're home now." Boone is heartworm-free now. He has a fenced yard he's allowed to leave, a couch he's not supposed to be on but always is, and a bed by the radiator that he still circles in disbelief every single night before he lies down — like he's making sure, one more time, that it's really his.

For eleven years the same dog lived at the end of the same six-foot chain in the same bare dirt yard, through eleven Tennessee summers and eleven freezing winters, never once setting a paw inside a house — and on the night they finally brought him in and showed him a real bed, the old dog just stood at the edge of it and shook, because he had no idea a thing that soft could possibly be meant for him. His name, the neighbors said, was Boone. For more than a decade he'd been a "yard dog" — chained to a stake behind a rented house, given food when someone remembered, a plastic barrel for shelter, and nothing else. No walks. No vet. No hand that reached for him except to refill a bowl. He wore a circle of bare dirt into the ground from pacing the only distance his chain allowed. When the family moved out and left him behind, a neighbor finally called it in. By the time the rescue got there, Boone was matted, heartworm-positive, his neck thick with scar tissue where the chain had worn him for years. He flinched at raised hands. But he didn't growl. He just lowered his head, the way dogs do when they've decided the world is something that happens to them. The woman who took him in — a rescue fosterer named Dana who'd seen a lot of hard cases — said she'd never forget that first night. She unclipped the lead inside her warm house and Boone didn't move. He stood on the kitchen tile like he was waiting to be told he'd made a mistake. She led him to the spare room where she'd put a thick dog bed by the radiator, and he just looked at it. Then he looked at her. Then back at the bed, as if the two things — soft place and for me — couldn't possibly belong in the same thought. "Go on, sweet boy," she whispered, patting the cushion. "It's yours. It's all yours." He put one cautious paw on it. Then another. He turned in a slow, disbelieving circle the way dogs do when they're about to lie down — a thing he'd maybe never done on anything but cold dirt — and then he sank into that soft bed and let out a groan that came up from somewhere eleven years deep. And then the old dog who had spent his whole life on a chain began to cry. Not howl. Cry — that low, broken sound — while Dana sat on the floor beside him with her hand on his side and wept right along with him. "You're never going back out there," she told him. "Never again. You're home now." Boone is heartworm-free now. He has a fenced yard he's allowed to leave, a couch he's not supposed to be on but always is, and a bed by the radiator that he still circles in disbelief every single night before he lies down — like he's making sure, one more time, that it's really his.

DE GOLDSMITH🪙🪙🪙⭐ ⭐⭐

535,920 Aufrufe • vor 7 Tagen

A welfare check on a quiet street turned into something Sheriff Daniel Hayes will never forget. Neighbors hadn't seen the young mother at 214 Willow Lane for two days. They told dispatch a baby had been crying on and off, then suddenly everything went silent. Silence was what worried them most. Hayes, a 20-year veteran, arrived expecting a routine knock and a tired parent who simply hadn't answered the door. He knocked hard and announced himself. No movement. No sound. He forced the door open and stepped inside, calling out as he moved down the hallway. The air felt heavy. A faint smell of heat and stillness hung in the rooms. In the back bedroom, he found a baby girl lying in her crib. She was weak and dehydrated, but her eyes were open. When she saw him, she didn't cry. She just stared. "You've been around a long time, haven't you?" he said softly as he moved closer. In the next room, he found her mother. She had passed away in her sleep from a sudden medical event. Later reports estimated she had been gone for at least 36 hours. The baby had been alone the entire time. Training took over first. Hayes checked her breathing and pulse, then called for medical assistance. After that, he carried her outside to the front porch, away from the scene inside. He lowered himself into an old wooden chair and held her carefully against his chest. "It's alright," he murmured. "I'm here now. You're not alone right now." The child's small fingers wrapped weakly around his shirt. Her head rested under his chin as he waited for the ambulance. "You held on so long," he whispered. "We're going to get you warm. We're going to." His partner captured the moment from a distance. The photo shows a seasoned sheriff sitting on a porch, cradling a baby as tears fall down his face. Years of experience hadn't prepared him for the weight of that afternoon. The girl, later named Lily, recovered at the hospital. Hayes and his wite opened their home to her while relatives were located. When her grandparents were finally found, the handoff was quiet and full of emotion. Now she visits every month. The uniform that carried her out of that house is no longer just a symbol of authority to her family. Some calls end when the report is filed. Others change a life long after the sirens fade.

A welfare check on a quiet street turned into something Sheriff Daniel Hayes will never forget. Neighbors hadn't seen the young mother at 214 Willow Lane for two days. They told dispatch a baby had been crying on and off, then suddenly everything went silent. Silence was what worried them most. Hayes, a 20-year veteran, arrived expecting a routine knock and a tired parent who simply hadn't answered the door. He knocked hard and announced himself. No movement. No sound. He forced the door open and stepped inside, calling out as he moved down the hallway. The air felt heavy. A faint smell of heat and stillness hung in the rooms. In the back bedroom, he found a baby girl lying in her crib. She was weak and dehydrated, but her eyes were open. When she saw him, she didn't cry. She just stared. "You've been around a long time, haven't you?" he said softly as he moved closer. In the next room, he found her mother. She had passed away in her sleep from a sudden medical event. Later reports estimated she had been gone for at least 36 hours. The baby had been alone the entire time. Training took over first. Hayes checked her breathing and pulse, then called for medical assistance. After that, he carried her outside to the front porch, away from the scene inside. He lowered himself into an old wooden chair and held her carefully against his chest. "It's alright," he murmured. "I'm here now. You're not alone right now." The child's small fingers wrapped weakly around his shirt. Her head rested under his chin as he waited for the ambulance. "You held on so long," he whispered. "We're going to get you warm. We're going to." His partner captured the moment from a distance. The photo shows a seasoned sheriff sitting on a porch, cradling a baby as tears fall down his face. Years of experience hadn't prepared him for the weight of that afternoon. The girl, later named Lily, recovered at the hospital. Hayes and his wite opened their home to her while relatives were located. When her grandparents were finally found, the handoff was quiet and full of emotion. Now she visits every month. The uniform that carried her out of that house is no longer just a symbol of authority to her family. Some calls end when the report is filed. Others change a life long after the sirens fade.

Gabriele Corno

209,993 Aufrufe • vor 1 Tag

"A welfare check on a quiet street turned into something Sheriff Daniel Hayes will never forget. Neighbors hadn't seen the young mother at 214 Willow Lane for two days. They told dispatch a baby had been crying on and off, then suddenly everything went silent. Silence was what worried them most. Hayes, a 20-year veteran, arrived expecting a routine knock and a tired parent who simply hadn't answered the door. He knocked hard and announced himself. No movement. No sound. He forced the door open and stepped inside, calling out as he moved down the hallway. The air felt heavy. A faint smell of heat and stillness hung in the rooms. In the back bedroom, he found a baby girl lying in her crib. She was weak and dehydrated, but her eyes were open. When she saw him, she didn't cry. She just stared. "You've been around a long time, haven't you?" he said softly as he moved closer. In the next room, he found her mother. She had passed away in her sleep from a sudden medical event. Later reports estimated she had been gone for at least 36 hours. The baby had been alone the entire time. Training took over first. Hayes checked her breathing and pulse, then called for medical assistance. After that, he carried her outside to the front porch, away from the scene inside. He lowered himself into an old wooden chair and held her carefully against his chest. "It's alright," he murmured. "I'm here now. You're not alone right now." The child's small fingers wrapped weakly around his shirt. Her head rested under his chin as he waited for the ambulance. "You held on so long," he whispered. "We're going to get you warm. We're going to." His partner captured the moment from a distance. The photo shows a seasoned sheriff sitting on a porch, cradling a baby as tears fall down his face. Years of experience hadn't prepared him for the weight of that afternoon. The girl, later named Lily, recovered at the hospital. Hayes and his wife opened their home to her while relatives were located. When her grandparents were finally found, the handoff was quiet and full of emotion. Now she visits every month. The uniform that carried her out of that house is no longer just a symbol of authority to her family. Some calls end when the report is filed. Others change a life long after the sirens fade.

"A welfare check on a quiet street turned into something Sheriff Daniel Hayes will never forget. Neighbors hadn't seen the young mother at 214 Willow Lane for two days. They told dispatch a baby had been crying on and off, then suddenly everything went silent. Silence was what worried them most. Hayes, a 20-year veteran, arrived expecting a routine knock and a tired parent who simply hadn't answered the door. He knocked hard and announced himself. No movement. No sound. He forced the door open and stepped inside, calling out as he moved down the hallway. The air felt heavy. A faint smell of heat and stillness hung in the rooms. In the back bedroom, he found a baby girl lying in her crib. She was weak and dehydrated, but her eyes were open. When she saw him, she didn't cry. She just stared. "You've been around a long time, haven't you?" he said softly as he moved closer. In the next room, he found her mother. She had passed away in her sleep from a sudden medical event. Later reports estimated she had been gone for at least 36 hours. The baby had been alone the entire time. Training took over first. Hayes checked her breathing and pulse, then called for medical assistance. After that, he carried her outside to the front porch, away from the scene inside. He lowered himself into an old wooden chair and held her carefully against his chest. "It's alright," he murmured. "I'm here now. You're not alone right now." The child's small fingers wrapped weakly around his shirt. Her head rested under his chin as he waited for the ambulance. "You held on so long," he whispered. "We're going to get you warm. We're going to." His partner captured the moment from a distance. The photo shows a seasoned sheriff sitting on a porch, cradling a baby as tears fall down his face. Years of experience hadn't prepared him for the weight of that afternoon. The girl, later named Lily, recovered at the hospital. Hayes and his wife opened their home to her while relatives were located. When her grandparents were finally found, the handoff was quiet and full of emotion. Now she visits every month. The uniform that carried her out of that house is no longer just a symbol of authority to her family. Some calls end when the report is filed. Others change a life long after the sirens fade.

Crazy Moments

965,638 Aufrufe • vor 1 Monat

The Issa thread PART 1: The Ronaldinho Scam Let's first take a look at Parsa Abbasie’s Career Timeline Beginning as “sphex” he would scam people for Fortnite gift cards on streams. This is where he found his love of ripping people off and later used this name to transition to grifting SMMA and dropshipping courses. He made a big step up in his career after this, finding a way to get hired by Andrew Tate / Andrew Tate. This was huge for him and is what his entire brand was built on prior to crypto. He used to grift on money twitter as a sales and marketing aficionado before he made the shift into crypto scamming. The hook he had was that he was claimed to be Tate’s “top sales guy” when in reality he was probably just Tate’s bottom. He began working for Tate at a time when a majority of Andrew’s income was from trafficking Eastern European women under the age of 18 and forcing them to do sex acts on webcams. So we can see he had a very strong moral base to work off of. When he could no longer make monopoly money off his fake job he used the “G” boyfriend connections he made through his time with Tate to begin his crypto career. Let's take a look at the Pencil Neck Cabal (all pics will be in thread): Sam Patel - Seen pictured alone on a boat with him in the video below (sus) and one of his day ones and closest partner in crime Harry.XBT - You can watch 2 of his cringe tiktoks below, one of which alludes to a $240M crypto as you can see the crew renting cars and flexing their money acquired through stolen funds as well Louie H - He is the blonde guy you can see in the videos above and also goes by Hermes. Seems to have enemies based off the tweet below. Attaching his instagram as well as a pic of his LinkedIn below Jayden Mellor - Big piece of the puzzle. Another day 1 and his father Will Mellor would NOT want the world to know his son has affiliations with Issa. Will is a big deal in the UK, he’s a popular actor from line of duty, works in media, etc. More on Will Mellor - Issa and his goon squad’s scams go all the way back to 2023 when his speciality was HARD RUGGING presales. They would sign up KOLs with large amounts of supply and HARD rug them instantly, ask cheatcoiner.eth about it as he had fell victim before. There were too many of these instances to count, but they all shrinks into comparison to their greatest masterpiece: The Ronaldinho launch on BNB. Depicted below you can see the sussy squad driving around with Ronaldinho and taking pics with him as if he’s some circus animal. They got their practice rounds in prior then executed a swift and VIOLENT rug with Ronaldinho. Ronaldinho post launching the coin: The coin peaked at $400m FDV and is now sitting at near zero. Let that sink in. If you visit Issa's (now privated) twitter, you will see him gloating about his experience in the markets and dropping platitudes nobody asked for. He acts as if he's a market wizard when the reality of the matter is that he's a thief. And now he spends his days at Jumeriah Beach Residence (JBR) in Dubai whilst racing around rented cars and flexing rented watches off the money he stole from YOU.

Rosa Parks 🇺🇸

274,390 Aufrufe • vor 7 Monaten

A truck driver in Australia once won $250,000 on a scratch card while pretending to win a scratch card for a TV news crew. He didn’t know the ticket was real until he scratched the last panel. He turned to the camera, completely flat, and said, “I just won $250,000. I’m not joking.” Then, holding his chest, “I think I’ll have another heart attack.” The “another” was the part most viewers missed. A year earlier Bill Morgan had been in a serious accident, developed a heart condition from it, had an allergic reaction to the medication that was supposed to fix it, and his heart had stopped for 14 minutes and 38 seconds. Paramedics revived him. He slipped into a coma. His family was told to prepare to turn off life support after 12 days. The day they were going to make the decision, he woke up. Fully himself with no brain damage. Within twelve months he got engaged, found work again, bought a $5 scratch card on a whim, and won a Toyota Corolla worth around $30,000 Australian dollars. That was the win that brought Nine News out to film him. They asked him to re-enact the car-winning moment in the same shop. He picked a fresh ticket off the counter at random for the re-creation. Scratched it. Won the jackpot. The cameraman thought he was acting until he saw the numbers. The shop staff opened champagne. Bill called his fiancée from the counter and told her they could now buy a house. She later said, on camera herself, “I just hope he hasn’t used all his good luck up.” She’s been with him for 27 years. They still live in the house. He’s in his mid-sixties, retired due to ongoing heart issues and arthritis, and he still walks down to the same kind of corner shop every week and buys a $5 scratch ticket. He doesn’t expect to win again. “I’ve had a bonus of 22 years,” he says. “Even if I’m not real well I shuffle down the road and smell the roses, look at the sun, and think about how lucky I am.”

A truck driver in Australia once won $250,000 on a scratch card while pretending to win a scratch card for a TV news crew. He didn’t know the ticket was real until he scratched the last panel. He turned to the camera, completely flat, and said, “I just won $250,000. I’m not joking.” Then, holding his chest, “I think I’ll have another heart attack.” The “another” was the part most viewers missed. A year earlier Bill Morgan had been in a serious accident, developed a heart condition from it, had an allergic reaction to the medication that was supposed to fix it, and his heart had stopped for 14 minutes and 38 seconds. Paramedics revived him. He slipped into a coma. His family was told to prepare to turn off life support after 12 days. The day they were going to make the decision, he woke up. Fully himself with no brain damage. Within twelve months he got engaged, found work again, bought a $5 scratch card on a whim, and won a Toyota Corolla worth around $30,000 Australian dollars. That was the win that brought Nine News out to film him. They asked him to re-enact the car-winning moment in the same shop. He picked a fresh ticket off the counter at random for the re-creation. Scratched it. Won the jackpot. The cameraman thought he was acting until he saw the numbers. The shop staff opened champagne. Bill called his fiancée from the counter and told her they could now buy a house. She later said, on camera herself, “I just hope he hasn’t used all his good luck up.” She’s been with him for 27 years. They still live in the house. He’s in his mid-sixties, retired due to ongoing heart issues and arthritis, and he still walks down to the same kind of corner shop every week and buys a $5 scratch ticket. He doesn’t expect to win again. “I’ve had a bonus of 22 years,” he says. “Even if I’m not real well I shuffle down the road and smell the roses, look at the sun, and think about how lucky I am.”

Lemma the Optimist

122,513 Aufrufe • vor 3 Monaten