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Seedance2.0 × パルクール Prompt ↓ A hyper-realistic, 8K resolution, adrenaline-fueled single-take POV action sequence. The camera is chest-mounted on a man wearing camouflage joggers and worn-out black-and-white sneakers. He stands on the dizzying edge of a rusted skyscraper, 1000 feet above a crystalline turquoise ocean. No clouds, no haze—just...

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GENEL | AIを用いた動画制作

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24,201 views • 3 months ago •via X (Twitter)

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Prompt : The camera cranes over the mountain rim to a sheer cliff ; the lone rider speeds his motorcycle forward, the launching into the void; he soars above the abyss as the camera tilts with him, sky and ocean colliding below, then the bike goes down first in freefall while the hero dives slowly and then, a parachute snapping open against the roaring backdrop of stone and sea.
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Prompt : The camera cranes over the mountain rim to a sheer cliff ; the lone rider speeds his motorcycle forward, the launching into the void; he soars above the abyss as the camera tilts with him, sky and ocean colliding below, then the bike goes down first in freefall while the hero dives slowly and then, a parachute snapping open against the roaring backdrop of stone and sea.

Umesh

13,803 views • 4 months ago

Prompt : the camera cranes over the mountain rim to a sheer cliff ; the lone rider speeds his motorcycle forward, the launching into the void; he soars above the abyss as the camera tilts with him, sky and ocean colliding below, then the bike goes down first in freefall while the hero dives slowly and then, a parachute snapping open against the roaring backdrop of stone and sea.
0:10

Prompt : the camera cranes over the mountain rim to a sheer cliff ; the lone rider speeds his motorcycle forward, the launching into the void; he soars above the abyss as the camera tilts with him, sky and ocean colliding below, then the bike goes down first in freefall while the hero dives slowly and then, a parachute snapping open against the roaring backdrop of stone and sea.

Umesh

51,907 views • 9 months ago

Prompt : The camera cranes fast over the mountain rim to a sheer cliff; the lone rider guns his motorcycle forward, launching rapidy into the void; he soars above the abyss as the camera tilts with him, sky and ocean colliding below; high in the air, a faint, shimmering seam opens in the sky—quiet, uncanny, barely there—then blossoms into a subtle portal that pulls the rider; the motorcycle drops first in freefall, tumbling toward the rocks, while the hero is gently drawn upward and slips through the wavering aperture; the portal seals itself with a soft ripple, leaving only the roar of wind and sea.
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Prompt : The camera cranes fast over the mountain rim to a sheer cliff; the lone rider guns his motorcycle forward, launching rapidy into the void; he soars above the abyss as the camera tilts with him, sky and ocean colliding below; high in the air, a faint, shimmering seam opens in the sky—quiet, uncanny, barely there—then blossoms into a subtle portal that pulls the rider; the motorcycle drops first in freefall, tumbling toward the rocks, while the hero is gently drawn upward and slips through the wavering aperture; the portal seals itself with a soft ripple, leaving only the roar of wind and sea.

Umesh

20,256 views • 8 months ago

Prompt : The shot opens tight on a weather-carved face, wind tearing at his coat as he stands on a jagged cliff. The camera eases over his shoulder and tilts down, following his line of sight. We descend past the crumbling lip into the void, the frame widening to reveal cliffs dropping away. The ocean roars into view, violent surf detonating against rock. The move continues into a high overhead, locking into an aerial top-down that frames the lone figure at the precipice as waves explode below.
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Prompt : The shot opens tight on a weather-carved face, wind tearing at his coat as he stands on a jagged cliff. The camera eases over his shoulder and tilts down, following his line of sight. We descend past the crumbling lip into the void, the frame widening to reveal cliffs dropping away. The ocean roars into view, violent surf detonating against rock. The move continues into a high overhead, locking into an aerial top-down that frames the lone figure at the precipice as waves explode below.

Umesh

146,794 views • 9 months ago

Seedance Pro 2.0 - Fighting a colossal mechanical beast Prompt used 👇 A dense industrial refinery during a thunderstorm, metal catwalks and pipes forming a maze above a sea of fire and steam. The masked ronin, lit by flashing warning lights, confronts a colossal mechanical beast with hydraulic limbs and a furnace burning in its chest. The camera barrels after the ronin as he sprints along swaying catwalks, the structure groaning and buckling under the monster’s weight. Sparks and steam constantly obscure the frame as the beast’s limbs smash through railings and tanks, causing explosions that hurl the camera off-axis. Quick, shaky close-ups capture the ronin sliding under swinging metal arms and using chains and cables to slingshot himself upward. In the final movement, the camera chases him in a dizzying upward spiral as he climbs the creature’s back, then cuts to a wide but still trembling shot as he plunges his sword into the furnace chest, sending a pillar of flame skyward that silhouettes his figure against the stormy sky.
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Seedance Pro 2.0 - Fighting a colossal mechanical beast Prompt used 👇 A dense industrial refinery during a thunderstorm, metal catwalks and pipes forming a maze above a sea of fire and steam. The masked ronin, lit by flashing warning lights, confronts a colossal mechanical beast with hydraulic limbs and a furnace burning in its chest. The camera barrels after the ronin as he sprints along swaying catwalks, the structure groaning and buckling under the monster’s weight. Sparks and steam constantly obscure the frame as the beast’s limbs smash through railings and tanks, causing explosions that hurl the camera off-axis. Quick, shaky close-ups capture the ronin sliding under swinging metal arms and using chains and cables to slingshot himself upward. In the final movement, the camera chases him in a dizzying upward spiral as he climbs the creature’s back, then cuts to a wide but still trembling shot as he plunges his sword into the furnace chest, sending a pillar of flame skyward that silhouettes his figure against the stormy sky.

Dheepan Ratnam

98,575 views • 5 months ago

Seedance 2.0 Takeshi's Castle (Roller Game version) prompt 🎎 Authentic 1980s Japanese television game show broadcast footage, realistic recreation of original Takeshi's Castle ENG camera footage, natural handheld camera with subtle shake and tracking, broadcast video noise, analog grain, limited dynamic range and color saturation of the era, slight color bleeding on highlights, chaotic energetic atmosphere of the original show. No reference images provided. Generate the entire scene from the text description. 0-3s: [Wide handheld tracking shot from the side] A determined young Japanese male contestant in his mid-20s, short black hair, wearing a bright orange tracksuit with white stripes, white sneakers and a white headband, sprints confidently from the wooden starting platform onto the first of several large spinning cylindrical logs floating over a murky pond. He runs with pumping arms and focused expression as the log begins to rotate slowly beneath his feet, causing his body to wobble slightly. Water ripples and splashes lightly around the base of the logs. 3-6s: [Dynamic medium tracking shot moving alongside] He leaps to the second spinning log at a slightly higher level, landing with bent knees to absorb the impact. The faster-rotating drum spins his feet out from under him; he flails his arms dramatically to regain balance, torso leaning left then right, face shifting from concentration to surprise. The log's wet surface glistens as he struggles to stay upright. 6-9s: [Closer side profile action shot with motion blur] Pushing forward to the third log, his right foot slips on the spinning wet wood. He lurches forward violently, arms windmilling, body twisting as he tries to recover by crouching low. His left leg dips into the water creating a splash, but he pulls it out and continues with desperate momentum, the rotating cylinder throwing off his rhythm. 9-12s: [Dynamic tracking shot from a three-quarter angle] He attempts a running jump to the next log but the combined spin and his forward speed causes him to lose all balance. His body tilts backward sharply, legs kicking in the air, arms reaching out for nothing as he begins to fall off the side of the log. 12-15s: [Impact focused shot with water dynamics] The contestant falls backward off the spinning log into the pond with a huge explosive splash, water shooting up around his body. He submerges briefly, then resurfaces gasping and flailing, completely soaked, as the logs continue their relentless spinning in the background. His expression is one of shocked defeat mixed with the show's signature comedic failure. High fidelity recreation of 1980s analog broadcast video, visible natural grain and broadcast noise, realistic motion characteristics of old ENG cameras, coherent but slightly imperfect physics and movement as seen in original Takeshi's Castle episodes, era-accurate color response and limited dynamic range, stable character with the natural imperfections of analog footage, no modern digital sharpness or artifacts.
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Seedance 2.0 Takeshi's Castle (Roller Game version) prompt 🎎 Authentic 1980s Japanese television game show broadcast footage, realistic recreation of original Takeshi's Castle ENG camera footage, natural handheld camera with subtle shake and tracking, broadcast video noise, analog grain, limited dynamic range and color saturation of the era, slight color bleeding on highlights, chaotic energetic atmosphere of the original show. No reference images provided. Generate the entire scene from the text description. 0-3s: [Wide handheld tracking shot from the side] A determined young Japanese male contestant in his mid-20s, short black hair, wearing a bright orange tracksuit with white stripes, white sneakers and a white headband, sprints confidently from the wooden starting platform onto the first of several large spinning cylindrical logs floating over a murky pond. He runs with pumping arms and focused expression as the log begins to rotate slowly beneath his feet, causing his body to wobble slightly. Water ripples and splashes lightly around the base of the logs. 3-6s: [Dynamic medium tracking shot moving alongside] He leaps to the second spinning log at a slightly higher level, landing with bent knees to absorb the impact. The faster-rotating drum spins his feet out from under him; he flails his arms dramatically to regain balance, torso leaning left then right, face shifting from concentration to surprise. The log's wet surface glistens as he struggles to stay upright. 6-9s: [Closer side profile action shot with motion blur] Pushing forward to the third log, his right foot slips on the spinning wet wood. He lurches forward violently, arms windmilling, body twisting as he tries to recover by crouching low. His left leg dips into the water creating a splash, but he pulls it out and continues with desperate momentum, the rotating cylinder throwing off his rhythm. 9-12s: [Dynamic tracking shot from a three-quarter angle] He attempts a running jump to the next log but the combined spin and his forward speed causes him to lose all balance. His body tilts backward sharply, legs kicking in the air, arms reaching out for nothing as he begins to fall off the side of the log. 12-15s: [Impact focused shot with water dynamics] The contestant falls backward off the spinning log into the pond with a huge explosive splash, water shooting up around his body. He submerges briefly, then resurfaces gasping and flailing, completely soaked, as the logs continue their relentless spinning in the background. His expression is one of shocked defeat mixed with the show's signature comedic failure. High fidelity recreation of 1980s analog broadcast video, visible natural grain and broadcast noise, realistic motion characteristics of old ENG cameras, coherent but slightly imperfect physics and movement as seen in original Takeshi's Castle episodes, era-accurate color response and limited dynamic range, stable character with the natural imperfections of analog footage, no modern digital sharpness or artifacts.

TechHalla

126,913 views • 12 days ago

Created with Seedance 2.0 Prompt: A cinematic, dramatic scene where a young man finds a cursed, organic-looking scythe embedded in black volcanic rock. The scythe is dark and twisted, dripping with a blood-like liquid, with a single glowing red eye blinking at its center. The man reaches out and grabs the handle. As he holds it, a dark, red, vein-like corruption quickly spreads up his arm, consuming his body. He screams in intense pain as his flesh transforms into a terrifying, muscular demon with black horns, glowing red volcanic cracks running across its chest, and sharp teeth. The camera zooms out as the newly transformed demon raises the scythe, roaring toward the stormy, overcast sky amidst a barren, rocky landscape with distant lava fire.
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Created with Seedance 2.0 Prompt: A cinematic, dramatic scene where a young man finds a cursed, organic-looking scythe embedded in black volcanic rock. The scythe is dark and twisted, dripping with a blood-like liquid, with a single glowing red eye blinking at its center. The man reaches out and grabs the handle. As he holds it, a dark, red, vein-like corruption quickly spreads up his arm, consuming his body. He screams in intense pain as his flesh transforms into a terrifying, muscular demon with black horns, glowing red volcanic cracks running across its chest, and sharp teeth. The camera zooms out as the newly transformed demon raises the scythe, roaring toward the stormy, overcast sky amidst a barren, rocky landscape with distant lava fire.

Zyrella

26,335 views • 1 month ago

Created with PixVerse V6 on BudgetPixel AI Title : From Blueprint to Reality Style: Ultra-realistic, cinematic, emotional, 4K, shallow depth of field, realistic lighting, smooth camera movements, detailed architecture, cinematic color grading. Full Prompt: A highly realistic cinematic 15-second video. The scene begins inside a modest room during golden hour. A young man in casual clothes sits at a wooden desk beside a window. Warm sunlight falls across the table, illuminating a detailed blueprint of his dream house. The room is quiet except for the soft sound of birds and a gentle breeze moving the curtains. The camera slowly moves over the blueprint, showing detailed floor plans and sketches. The young man touches the drawing with his fingers, imagining his future home. Suddenly, the blueprint begins to glow with soft golden light. Tiny particles rise into the air, and the room slowly fades away. In a magical transition, the young man finds himself standing at the entrance of the exact house from the blueprint. The camera circles around him as he looks at the beautiful modern home with large glass windows, a green lawn, and warm interior lighting. He slowly walks inside, seeing the spacious living room, elegant furniture, and sunlight entering through the windows. He walks toward the balcony and looks around in disbelief. His eyes fill with happiness and pride. The camera pulls back to reveal the entire house at sunset while he smiles, realizing his dream has become reality. Ultra-realistic textures, cinematic lens flare, volumetric sunlight, realistic shadows, smooth motion, 4K quality. Scene Timing 0–4 sec: Young man studying the blueprint in his room. 4–7 sec: Blueprint glows and magical transition begins. 7–11 sec: He arrives inside the dream house. 11–15 sec: He explores the home and smiles with joy. Voice Over (English) "Every dream starts as a simple drawing... a vision held in our hearts. One moment, it was only lines on paper. The next, I was standing inside the life I always imagined. Dreams become real when we dare to believe in them."
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Created with PixVerse V6 on BudgetPixel AI Title : From Blueprint to Reality Style: Ultra-realistic, cinematic, emotional, 4K, shallow depth of field, realistic lighting, smooth camera movements, detailed architecture, cinematic color grading. Full Prompt: A highly realistic cinematic 15-second video. The scene begins inside a modest room during golden hour. A young man in casual clothes sits at a wooden desk beside a window. Warm sunlight falls across the table, illuminating a detailed blueprint of his dream house. The room is quiet except for the soft sound of birds and a gentle breeze moving the curtains. The camera slowly moves over the blueprint, showing detailed floor plans and sketches. The young man touches the drawing with his fingers, imagining his future home. Suddenly, the blueprint begins to glow with soft golden light. Tiny particles rise into the air, and the room slowly fades away. In a magical transition, the young man finds himself standing at the entrance of the exact house from the blueprint. The camera circles around him as he looks at the beautiful modern home with large glass windows, a green lawn, and warm interior lighting. He slowly walks inside, seeing the spacious living room, elegant furniture, and sunlight entering through the windows. He walks toward the balcony and looks around in disbelief. His eyes fill with happiness and pride. The camera pulls back to reveal the entire house at sunset while he smiles, realizing his dream has become reality. Ultra-realistic textures, cinematic lens flare, volumetric sunlight, realistic shadows, smooth motion, 4K quality. Scene Timing 0–4 sec: Young man studying the blueprint in his room. 4–7 sec: Blueprint glows and magical transition begins. 7–11 sec: He arrives inside the dream house. 11–15 sec: He explores the home and smiles with joy. Voice Over (English) "Every dream starts as a simple drawing... a vision held in our hearts. One moment, it was only lines on paper. The next, I was standing inside the life I always imagined. Dreams become real when we dare to believe in them."

Yashal Ai

13,850 views • 16 days ago

Seedance 2.0 Test text to video Prompt: [Shot 1: Frontal Menacing Shot] A medium shot of a SWAT officer in full tactical gear, gas mask, and helmet. He is pointing his assault rifle directly at the camera lens (breaking the fourth wall). He is shouting with visible intensity: "LET THE HOSTAGE GO! DROP THE WEAPON NOW!" [Shot 2: The Threat] Cut to a medium shot of the killer in a dirty tank top, holding a woman in a chokehold. He has a pistol pressed to her head. He is sweating and manic, screaming at the off-screen officer: "STAY BACK! I'LL KILL HER! I SWEAR I'LL DO IT!" [Shot 3: Over-the-Shoulder Resolution] The camera is positioned directly behind the SWAT officer's right shoulder. We see the back of his helmet and his rifle in the foreground. In the distance (mid-ground), the killer is still visible holding the girl. The killer screams one last time: "I'M GONNA DO IT!" after The officer's rifle kicks back with a single sho and hit head enemy. The killer falls instantly. The girl is left standing, shocked but safe. Technical Style: High-shutter speed action, realistic muzzle flashes, handheld camera shake, 24fps, English dialogue.
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Seedance 2.0 Test text to video Prompt: [Shot 1: Frontal Menacing Shot] A medium shot of a SWAT officer in full tactical gear, gas mask, and helmet. He is pointing his assault rifle directly at the camera lens (breaking the fourth wall). He is shouting with visible intensity: "LET THE HOSTAGE GO! DROP THE WEAPON NOW!" [Shot 2: The Threat] Cut to a medium shot of the killer in a dirty tank top, holding a woman in a chokehold. He has a pistol pressed to her head. He is sweating and manic, screaming at the off-screen officer: "STAY BACK! I'LL KILL HER! I SWEAR I'LL DO IT!" [Shot 3: Over-the-Shoulder Resolution] The camera is positioned directly behind the SWAT officer's right shoulder. We see the back of his helmet and his rifle in the foreground. In the distance (mid-ground), the killer is still visible holding the girl. The killer screams one last time: "I'M GONNA DO IT!" after The officer's rifle kicks back with a single sho and hit head enemy. The killer falls instantly. The girl is left standing, shocked but safe. Technical Style: High-shutter speed action, realistic muzzle flashes, handheld camera shake, 24fps, English dialogue.

Marco "Shikoba"

234,753 views • 5 months ago

Seedance 2.0 on Nsketch AI Prompt: Speeder chase across a cliff city (single continuous shot) From a monumental cliffside city carved into stone, the camera dives toward a tiny streak of light ripping along a narrow ledge-road. Lock-on: a speeder hugging the wall at insane speed. The camera slingshots ahead, whips back, then drops tight to the rear thrusters: heat haze, grit snapping off the ledge, warning lights flashing. A collapsing balcony rains debris; the rider snaps a last-inch swerve under a falling arch, then threads through hanging laundry lines and open windows in one fluid line. The camera darts through the same openings, staying glued to the motion. One final bend and sudden calm: the camera blasts outward into a reveal of the city opening onto a boundless waterfall-fed valley, mist turning into rainbow.The rainbow mist lingers for half a second — serenity — then a SHADOW slices across it. From above, two black pursuit speeders dive through the mist, engines screaming. The camera tilts up just as the lead speeder banks hard off the cliff edge, skimming inches above the waterfall’s roaring drop. Spray explodes across the lens but never cuts. The camera rolls with the rider as they plunge straight down the waterfall face — not falling, but riding the vertical air current. Thrusters flare blue-white, stabilizers flickering. Pursuit crafts follow, firing pulse shots that streak through the mist like comets. The rider kicks sideways into a cavern hidden behind the waterfall curtain. The camera punches through liquid light into darkness — bioluminescent moss ignites along the cave walls, revealing an ancient tunnel carved by forgotten hands. Water drips in slow motion as the speed never drops. The camera swings low beneath the speeder, hugging the water-slick stone. Sparks burst as the underside grazes rock. Ahead: a broken bridge spanning a massive underground chasm. No slowdown. The rider guns it. The camera races ahead, flips 180° mid-air as the speeder launches the gap. For a breathless second, only void below — a bottomless abyss glowing faintly with magma veins. Mid-jump, one pursuer clips the edge and spirals down, vanishing into the darkness. The second clears it. Landing hard, the rider blasts toward a vertical shaft of daylight spearing down from above. The tunnel narrows — ancient gears and colossal stone mechanisms begin turning, triggered by the intrusion. Rotating rings. Crushing slabs.
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Seedance 2.0 on Nsketch AI Prompt: Speeder chase across a cliff city (single continuous shot) From a monumental cliffside city carved into stone, the camera dives toward a tiny streak of light ripping along a narrow ledge-road. Lock-on: a speeder hugging the wall at insane speed. The camera slingshots ahead, whips back, then drops tight to the rear thrusters: heat haze, grit snapping off the ledge, warning lights flashing. A collapsing balcony rains debris; the rider snaps a last-inch swerve under a falling arch, then threads through hanging laundry lines and open windows in one fluid line. The camera darts through the same openings, staying glued to the motion. One final bend and sudden calm: the camera blasts outward into a reveal of the city opening onto a boundless waterfall-fed valley, mist turning into rainbow.The rainbow mist lingers for half a second — serenity — then a SHADOW slices across it. From above, two black pursuit speeders dive through the mist, engines screaming. The camera tilts up just as the lead speeder banks hard off the cliff edge, skimming inches above the waterfall’s roaring drop. Spray explodes across the lens but never cuts. The camera rolls with the rider as they plunge straight down the waterfall face — not falling, but riding the vertical air current. Thrusters flare blue-white, stabilizers flickering. Pursuit crafts follow, firing pulse shots that streak through the mist like comets. The rider kicks sideways into a cavern hidden behind the waterfall curtain. The camera punches through liquid light into darkness — bioluminescent moss ignites along the cave walls, revealing an ancient tunnel carved by forgotten hands. Water drips in slow motion as the speed never drops. The camera swings low beneath the speeder, hugging the water-slick stone. Sparks burst as the underside grazes rock. Ahead: a broken bridge spanning a massive underground chasm. No slowdown. The rider guns it. The camera races ahead, flips 180° mid-air as the speeder launches the gap. For a breathless second, only void below — a bottomless abyss glowing faintly with magma veins. Mid-jump, one pursuer clips the edge and spirals down, vanishing into the darkness. The second clears it. Landing hard, the rider blasts toward a vertical shaft of daylight spearing down from above. The tunnel narrows — ancient gears and colossal stone mechanisms begin turning, triggered by the intrusion. Rotating rings. Crushing slabs.

Zara

17,702 views • 3 months ago

A man is literally saved by the Cross of Jesus Christ. In the video, the rider is descending a snow-covered mountain peak at high speed. As he approaches the summit, he loses control and crashes directly into a large summit cross. The lines of his parachute snag onto the arms of the cross, abruptly stopping his momentum. This literal catch prevents him from tumbling over the edge and down the sheer, rocky drop-off on the other side of the mountain. For many who watch the clip, the presence and placement of the cross at that exact moment is nothing short than an act of divine intervention and a miraculous rescue.
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A man is literally saved by the Cross of Jesus Christ. In the video, the rider is descending a snow-covered mountain peak at high speed. As he approaches the summit, he loses control and crashes directly into a large summit cross. The lines of his parachute snag onto the arms of the cross, abruptly stopping his momentum. This literal catch prevents him from tumbling over the edge and down the sheer, rocky drop-off on the other side of the mountain. For many who watch the clip, the presence and placement of the cross at that exact moment is nothing short than an act of divine intervention and a miraculous rescue.

Trad West

31,228 views • 3 months ago

"AI cannot do that" is beginning to sound less certain by the day. Prompt : An epic 15-second ancient war field under harsh daylight, with bronze armor flashing, sand and dust storms rolling low, spears colliding, and cavalry breaking through infantry lines. A royal archer stands on a broken stone platform in side silhouette. The camera starts in a wide horizontal track far across the battlefield, passing waves of fighters before reaching him as he pulls and releases. The arrow bursts forward. The camera tracks beside it from a horizontal side angle, close enough to see the shaft trembling as it slices through dust and sunlight. It races toward a wounded commander kneeling in the open, helmet fallen off, unable to move. The arrow closes fast, every frame increasing tension. Final epic ending: just before impact, a massive armored guard lunges into frame and slams his shield in front of the commander. The arrow drives deep into the shield face with violent force, stopping a breath away from the man behind it. The guard drops to one knee under the impact while the saved commander looks up in disbelief.
0:15

"AI cannot do that" is beginning to sound less certain by the day. Prompt : An epic 15-second ancient war field under harsh daylight, with bronze armor flashing, sand and dust storms rolling low, spears colliding, and cavalry breaking through infantry lines. A royal archer stands on a broken stone platform in side silhouette. The camera starts in a wide horizontal track far across the battlefield, passing waves of fighters before reaching him as he pulls and releases. The arrow bursts forward. The camera tracks beside it from a horizontal side angle, close enough to see the shaft trembling as it slices through dust and sunlight. It races toward a wounded commander kneeling in the open, helmet fallen off, unable to move. The arrow closes fast, every frame increasing tension. Final epic ending: just before impact, a massive armored guard lunges into frame and slams his shield in front of the commander. The arrow drives deep into the shield face with violent force, stopping a breath away from the man behind it. The guard drops to one knee under the impact while the saved commander looks up in disbelief.

Umesh

30,350 views • 2 months ago

Prompt : A realistic cinematic scene opens high in the Swiss Alps at midnight. A dense web of rail lines glows under pale blue moonlight reflecting off endless snowfields. A high-speed express train tears through a mountain junction, sparks flying from the tracks against walls of packed ice. The camera drops from above and latches onto the frost-covered roof of the train, racing forward along the length of the carriages, freezing wind tearing at the lens, snow crystals streaking past like tiny stars. It reaches a ventilation grate and punches downward through the metal seamlessly into a first-class cabin warm with amber light. Inside, quiet warmth. A couple sits shoulder to shoulder, each wearing one earbud from the same pair of wired headphones. Neither speaks. She stares out the frosted window. He stares at her reflection in it. A faint smile sits on his face that he doesn't know is there. The white cord hangs between them in a gentle arc, swaying with the train's rhythm like a lifeline neither wants to unplug. The camera pushes forward past their tangled silhouette, along the fogged window where her fingertip has traced a small lopsided heart in the condensation, past the swaying wine bottle, through the cabin wall, through the next cabin where passengers sleep bundled in coats and scarves, breath barely visible in the cooler air, and continues through the far exterior wall — emerging outside in one unbroken motion, the full train now revealed stretching behind the camera, every window a different shade of warmth and darkness against the blue-black alpine night. The camera rises and pulls far back to reveal the train crossing a moonlit viaduct, a frozen glacial valley shimmering below, jagged peaks dusted in ice glowing on the horizon like ancient teeth of the earth. End on a wide aerial shot, the train now a ribbon of golden light threading between glacier and stone. Silence except for the distant rhythmic clatter of wheels on rail joints, fading like a heartbeat slowing to sleep.
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Prompt : A realistic cinematic scene opens high in the Swiss Alps at midnight. A dense web of rail lines glows under pale blue moonlight reflecting off endless snowfields. A high-speed express train tears through a mountain junction, sparks flying from the tracks against walls of packed ice. The camera drops from above and latches onto the frost-covered roof of the train, racing forward along the length of the carriages, freezing wind tearing at the lens, snow crystals streaking past like tiny stars. It reaches a ventilation grate and punches downward through the metal seamlessly into a first-class cabin warm with amber light. Inside, quiet warmth. A couple sits shoulder to shoulder, each wearing one earbud from the same pair of wired headphones. Neither speaks. She stares out the frosted window. He stares at her reflection in it. A faint smile sits on his face that he doesn't know is there. The white cord hangs between them in a gentle arc, swaying with the train's rhythm like a lifeline neither wants to unplug. The camera pushes forward past their tangled silhouette, along the fogged window where her fingertip has traced a small lopsided heart in the condensation, past the swaying wine bottle, through the cabin wall, through the next cabin where passengers sleep bundled in coats and scarves, breath barely visible in the cooler air, and continues through the far exterior wall — emerging outside in one unbroken motion, the full train now revealed stretching behind the camera, every window a different shade of warmth and darkness against the blue-black alpine night. The camera rises and pulls far back to reveal the train crossing a moonlit viaduct, a frozen glacial valley shimmering below, jagged peaks dusted in ice glowing on the horizon like ancient teeth of the earth. End on a wide aerial shot, the train now a ribbon of golden light threading between glacier and stone. Silence except for the distant rhythmic clatter of wheels on rail joints, fading like a heartbeat slowing to sleep.

Umesh

56,614 views • 4 months ago

That's Mariyappan Thangavelu. Just few hours back he won India's 🇮🇳 first ever Gold Medal in High Jump at World Para Athletics. Media won't share stories of such incredible athletes. But should know more about him. At the age of 5, he met with an accident where a drunk bus driver ran over his right leg that permanently disabled his knee. His school physical education teacher encouraged him to try high jump and he excelled at it. Comes from a humble background, he was was raised by a single mother working as a daily wage labourer and vegetable seller to support the family. Despite this setback, he completed his schooling and earned a bachelor's degree in business administration. At the 2016 Rio Paralympics, he won the gold medal for India. In 2020 Tokyo Paralympics he could have won the gold again but the rains made the conditions difficand settled for a silver. He is a Padma Shri and Arjuna Award winner. And won the Dhyan Chand Khel Ratna award in 2020 which is India's highest sporting honor. He used all his prize money to buy a paddy field for his mother and built a better house for his family. Mariyappan believes that his right deformed big toe helps him to get the leap. “This is what gives me leverage when I jump,” he says. “It is my God.” India is a country of amazing sporting talent. But we also need to be a country to celebrate all sports athletes. Everyone doesn't get brand deals and sponsors. The only fuel for these athletes is their grit and determination. Our only job is to cheer them and share their stories.
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That's Mariyappan Thangavelu. Just few hours back he won India's 🇮🇳 first ever Gold Medal in High Jump at World Para Athletics. Media won't share stories of such incredible athletes. But should know more about him. At the age of 5, he met with an accident where a drunk bus driver ran over his right leg that permanently disabled his knee. His school physical education teacher encouraged him to try high jump and he excelled at it. Comes from a humble background, he was was raised by a single mother working as a daily wage labourer and vegetable seller to support the family. Despite this setback, he completed his schooling and earned a bachelor's degree in business administration. At the 2016 Rio Paralympics, he won the gold medal for India. In 2020 Tokyo Paralympics he could have won the gold again but the rains made the conditions difficand settled for a silver. He is a Padma Shri and Arjuna Award winner. And won the Dhyan Chand Khel Ratna award in 2020 which is India's highest sporting honor. He used all his prize money to buy a paddy field for his mother and built a better house for his family. Mariyappan believes that his right deformed big toe helps him to get the leap. “This is what gives me leverage when I jump,” he says. “It is my God.” India is a country of amazing sporting talent. But we also need to be a country to celebrate all sports athletes. Everyone doesn't get brand deals and sponsors. The only fuel for these athletes is their grit and determination. Our only job is to cheer them and share their stories.

Dilip Kumar

183,900 views • 2 years ago

Prompt : A realistic cinematic scene begins in a vast open field under a warm golden sky during late afternoon. A man dressed in a dark suit stands in the foreground, holding a modern recurve bow. His posture is steady and focused, breath controlled, eyes locked on a distant archery target placed far on the horizon. The environment feels quiet and expansive, with subtle wind moving the grass and soft sunlight creating long shadows. As he releases the string, the arrow launches forward with a sharp snap. The camera immediately accelerates and locks onto the arrow mid flight. The camera tracks directly behind and slightly beside the arrow, maintaining perfect alignment as it cuts through the air. Motion blur surrounds the background while the arrow remains sharp and centered. The sound of rushing wind intensifies as the arrow travels straight and true. The target grows rapidly larger. In the final seconds, the camera closes in tightly as the arrow strikes the bull’s eye dead center. End on an extreme close up of the arrow embedded in the red center, vibrating slightly, with crisp impact sound and dramatic silence.
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Prompt : A realistic cinematic scene begins in a vast open field under a warm golden sky during late afternoon. A man dressed in a dark suit stands in the foreground, holding a modern recurve bow. His posture is steady and focused, breath controlled, eyes locked on a distant archery target placed far on the horizon. The environment feels quiet and expansive, with subtle wind moving the grass and soft sunlight creating long shadows. As he releases the string, the arrow launches forward with a sharp snap. The camera immediately accelerates and locks onto the arrow mid flight. The camera tracks directly behind and slightly beside the arrow, maintaining perfect alignment as it cuts through the air. Motion blur surrounds the background while the arrow remains sharp and centered. The sound of rushing wind intensifies as the arrow travels straight and true. The target grows rapidly larger. In the final seconds, the camera closes in tightly as the arrow strikes the bull’s eye dead center. End on an extreme close up of the arrow embedded in the red center, vibrating slightly, with crisp impact sound and dramatic silence.

Umesh

296,008 views • 5 months ago

We’ve seen guys like Judge, Stanton, Wells and others tinker with their stances to get into a better hitting position to attack strikes in the zone. When a guy like Volpe has struggled to hit consistently for his first 3 years, is constantly late on mid-velocity heaters in the middle of the zone and is constantly off-balance when he misses the off-speed stuff; you think to take a look at his pre-pitch habits especially what he’s doing with his hands and stride, and consider eliminating some of the unnecessary movements to simplify things and be ready to attack a pitch in the strike zone sooner. Volpe starts with his hands high above his head with some waggle to probably keep his hands moving and stay in rhythm, then as he strides he drops his hands into the slot while he loads, then wraps his hands behind him as he strides and keeps his weight back on his backside. That front foot needs to get down early as he gets his hands back to be ready to smoke something in the zone. Why hasn’t someone suggested dropping his hands pre-pitch in his stance to get them into the slot early, keep them back to prevent wrapping, and cut out one less moving part to get him better ready to attack pitches in the zone? He can even still have some waggle back there if he prefers to keep his hands moving. In theory if his hands are down and back already, all he needs to do is get his front foot down in time? It’s worth a try lol
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We’ve seen guys like Judge, Stanton, Wells and others tinker with their stances to get into a better hitting position to attack strikes in the zone. When a guy like Volpe has struggled to hit consistently for his first 3 years, is constantly late on mid-velocity heaters in the middle of the zone and is constantly off-balance when he misses the off-speed stuff; you think to take a look at his pre-pitch habits especially what he’s doing with his hands and stride, and consider eliminating some of the unnecessary movements to simplify things and be ready to attack a pitch in the strike zone sooner. Volpe starts with his hands high above his head with some waggle to probably keep his hands moving and stay in rhythm, then as he strides he drops his hands into the slot while he loads, then wraps his hands behind him as he strides and keeps his weight back on his backside. That front foot needs to get down early as he gets his hands back to be ready to smoke something in the zone. Why hasn’t someone suggested dropping his hands pre-pitch in his stance to get them into the slot early, keep them back to prevent wrapping, and cut out one less moving part to get him better ready to attack pitches in the zone? He can even still have some waggle back there if he prefers to keep his hands moving. In theory if his hands are down and back already, all he needs to do is get his front foot down in time? It’s worth a try lol

JL

329,513 views • 10 months ago

In this viral January 2026 clip, a man returns home early from a trip or a night out. He films himself walking through his front door, narrating that he had a "weird feeling." The camera follows him into the living room, where he finds his girlfriend and his best friend (often identified in the video as someone he�s known since childhood) sitting together in a way that is unmistakably intimate. The "chaos" is the lack of noise. There is no screaming; instead, the man just stands there filming in total silence. The friend�s reaction is what made the video go viral: he doesn't run or hide, but instead puts his head in his hands, unable to look the man in the eye. The video ends with the man saying, "I invited you into my home," before the camera cuts to black.
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In this viral January 2026 clip, a man returns home early from a trip or a night out. He films himself walking through his front door, narrating that he had a "weird feeling." The camera follows him into the living room, where he finds his girlfriend and his best friend (often identified in the video as someone he�s known since childhood) sitting together in a way that is unmistakably intimate. The "chaos" is the lack of noise. There is no screaming; instead, the man just stands there filming in total silence. The friend�s reaction is what made the video go viral: he doesn't run or hide, but instead puts his head in his hands, unable to look the man in the eye. The video ends with the man saying, "I invited you into my home," before the camera cuts to black.

Viral Incident

23,946 views • 4 months ago

RHP/1B Trace Phillips (Middle Tennessee Baseball) is an interesting draft-eligible sophomore on which to keep close tabs. Last spring, he hit .304/.360/.547 with 8 2B, 13 HR and 47 RBIs, but it’s his ability on the mound that's the root of his buzz. Phillips' back of the baseball card numbers last season are modest, but there is more to it than meets the eye. At 6'3" and 185-lbs, Phillips has an athletic, high-waisted frame. In the box, he has a simple setup with an ear-high handset and the bat horizontal above his back shoulder. Phillips has a slight load in which he has a noticeable barrel tip and a small stride. He moves well in the box and has some scissor action with his back leg. Phillips’ pure hit tool is fringey, but he has plus raw power and has shown the ability to drive the baseball to all fields. Max EV last spring of 109.4, if he's able to lift the ball more it will lead to a more impressive power output. Phillips’ current prospect status is largely driven by his ability on the mound. His numbers were unimpressive last season, but he took a step forward this fall. There’s some low hanging fruit to clean up in his delivery, but he has a short, whippy arm stroke and attacks from a low-three quarters slot with plenty of arm speed. Phillips’ FB has been up to 96 with ride through the zone (particular life at the top), though his best pitch is a high-70s-to-low-80s CH. He does a nice job of killing spin on it, and It averaged almost 15 MPH off his fastball this fall. It’s a plus pitch that flashes both fade to the arm side as well late tumble. Phillips completes his arsenal with a mid-80s slider that flashed above-average this fall with sharp, two-plane tilt. Both his changeup and slider profile as legitimate swing-and-miss offerings. Another positive development with Phillips this fall is that his strike-throwing took a step in the right direction. Mid-4th-6th round type this July. (📽️: Middle Tennessee Baseball)
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RHP/1B Trace Phillips (Middle Tennessee Baseball) is an interesting draft-eligible sophomore on which to keep close tabs. Last spring, he hit .304/.360/.547 with 8 2B, 13 HR and 47 RBIs, but it’s his ability on the mound that's the root of his buzz. Phillips' back of the baseball card numbers last season are modest, but there is more to it than meets the eye. At 6'3" and 185-lbs, Phillips has an athletic, high-waisted frame. In the box, he has a simple setup with an ear-high handset and the bat horizontal above his back shoulder. Phillips has a slight load in which he has a noticeable barrel tip and a small stride. He moves well in the box and has some scissor action with his back leg. Phillips’ pure hit tool is fringey, but he has plus raw power and has shown the ability to drive the baseball to all fields. Max EV last spring of 109.4, if he's able to lift the ball more it will lead to a more impressive power output. Phillips’ current prospect status is largely driven by his ability on the mound. His numbers were unimpressive last season, but he took a step forward this fall. There’s some low hanging fruit to clean up in his delivery, but he has a short, whippy arm stroke and attacks from a low-three quarters slot with plenty of arm speed. Phillips’ FB has been up to 96 with ride through the zone (particular life at the top), though his best pitch is a high-70s-to-low-80s CH. He does a nice job of killing spin on it, and It averaged almost 15 MPH off his fastball this fall. It’s a plus pitch that flashes both fade to the arm side as well late tumble. Phillips completes his arsenal with a mid-80s slider that flashed above-average this fall with sharp, two-plane tilt. Both his changeup and slider profile as legitimate swing-and-miss offerings. Another positive development with Phillips this fall is that his strike-throwing took a step in the right direction. Mid-4th-6th round type this July. (📽️: Middle Tennessee Baseball)

Peter Flaherty III

10,928 views • 1 year ago

Created on seedance 2.0 Prompt:Hyper-realistic cinematic super-speed fight scene inside a massive abandoned industrial warehouse at night. Moonlight streams through broken factory windows, illuminating drifting dust and smoke. Rusted steel pillars, hanging chains, and scattered metal crates fill the dark industrial space. A dark warrior stands silently in the center as multiple enemies rush toward him from all directions. In an instant, he disappears. A violent burst of shadow energy explodes outward as the warrior teleports at extreme speed. Dark shadow trails and ghost-like afterimages remain in the air as he reappears behind an enemy and delivers a devastating punch that sends the attacker flying across the warehouse. Before the body hits the ground, the warrior vanishes again — teleporting across the battlefield in rapid flashes of shadow. Multiple shadow afterimages appear simultaneously, showing the path of his super-speed movement. He moves faster and faster, appearing above enemies, beside them, behind them — striking with powerful kicks and crushing blows. Each teleport creates a swirl of black smoke-like energy and flickering shadow fragments. Enemies try to surround him, but the warrior becomes almost impossible to track. The camera captures brief slow-motion moments as he reappears mid-air, delivering a spinning kick that launches an enemy into a steel pillar. Shockwaves ripple across the dusty floor. Chains swing violently from the ceiling. Metal crates shatter as enemies crash into them. The battlefield fills with streaks of shadow energy and fading afterimages from his super-speed teleportation. The camera smoothly tracks and circles the fight in a continuous cinematic shot, emphasizing the warrior’s impossible speed and supernatural movement. Epic dark atmosphere, hyper-realistic combat choreography, ultra detailed armor, shadow teleportation effects, extreme super speed movement, dramatic cinematic lighting, IMAX action movie style, 8K ultra realism.
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Created on seedance 2.0 Prompt:Hyper-realistic cinematic super-speed fight scene inside a massive abandoned industrial warehouse at night. Moonlight streams through broken factory windows, illuminating drifting dust and smoke. Rusted steel pillars, hanging chains, and scattered metal crates fill the dark industrial space. A dark warrior stands silently in the center as multiple enemies rush toward him from all directions. In an instant, he disappears. A violent burst of shadow energy explodes outward as the warrior teleports at extreme speed. Dark shadow trails and ghost-like afterimages remain in the air as he reappears behind an enemy and delivers a devastating punch that sends the attacker flying across the warehouse. Before the body hits the ground, the warrior vanishes again — teleporting across the battlefield in rapid flashes of shadow. Multiple shadow afterimages appear simultaneously, showing the path of his super-speed movement. He moves faster and faster, appearing above enemies, beside them, behind them — striking with powerful kicks and crushing blows. Each teleport creates a swirl of black smoke-like energy and flickering shadow fragments. Enemies try to surround him, but the warrior becomes almost impossible to track. The camera captures brief slow-motion moments as he reappears mid-air, delivering a spinning kick that launches an enemy into a steel pillar. Shockwaves ripple across the dusty floor. Chains swing violently from the ceiling. Metal crates shatter as enemies crash into them. The battlefield fills with streaks of shadow energy and fading afterimages from his super-speed teleportation. The camera smoothly tracks and circles the fight in a continuous cinematic shot, emphasizing the warrior’s impossible speed and supernatural movement. Epic dark atmosphere, hyper-realistic combat choreography, ultra detailed armor, shadow teleportation effects, extreme super speed movement, dramatic cinematic lighting, IMAX action movie style, 8K ultra realism.

Nawal

16,383 views • 19 days ago