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Excited to share a new vibe coded prototype: an interactive lesson on ants and their habitat, designed for elementary school students. AI allowed me to finalize this demo quickly. Some educational details still need review, but the main chambers of an anthill are all represented. Everything was made in... show more

Joseph Azar

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19,853 просмотров • 2 месяцев назад •via X (Twitter)

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Wild what's possible now: I can ship a 3D experience prototype to a museum in a single afternoon. Everything coded and generated with Omma, leveraging AI to iterate fast. 3D models generated in Omma. Scene built on top of Three.js. Prompted for dissolving shaders + particle systems?

Wild what's possible now: I can ship a 3D experience prototype to a museum in a single afternoon. Everything coded and generated with Omma, leveraging AI to iterate fast. 3D models generated in Omma. Scene built on top of Three.js. Prompted for dissolving shaders + particle systems?

Joseph Azar

93,343 просмотров • 2 месяцев назад

Introducing Omma Studio, a full suite of AI tools to generate 3d, video/image, and audio with SOTA models. Everything made in Studio can integrate directly with your Omma's chat code projects to deploy/publish to the web. Content can be generated in parallel alongside your code generation in Omma, too. Studio -> Code -> Deploy

Introducing Omma Studio, a full suite of AI tools to generate 3d, video/image, and audio with SOTA models. Everything made in Studio can integrate directly with your Omma's chat code projects to deploy/publish to the web. Content can be generated in parallel alongside your code generation in Omma, too. Studio -> Code -> Deploy

Omma AI

22,864 просмотров • 1 месяц назад

Still experimenting with hand tracking 🖐️ using a webcam and the dear Carlo. The 3D model was generated from a single image in Omma AI Studio, and I remixed an Octopus demo to take advantage of the physics simulation. Building with AI these days is so much fun. Music also generated from the Studio (Fan Art) #threeJS

Still experimenting with hand tracking 🖐️ using a webcam and the dear Carlo. The 3D model was generated from a single image in Omma AI Studio, and I remixed an Octopus demo to take advantage of the physics simulation. Building with AI these days is so much fun. Music also generated from the Studio (Fan Art) #threeJS

Joseph Azar

74,357 просмотров • 1 месяц назад

working on some simulated corals reefs using #tsl compute shaders, I think I got the simulation somehow right. I vibe-coded this in Omma AI, it was useful for the prototype to generate the models as well with a prompt. I am trying to replicate the anemone whre the clown fish lives, will need some more polish on the rendering then we're there ✌️

working on some simulated corals reefs using #tsl compute shaders, I think I got the simulation somehow right. I vibe-coded this in Omma AI, it was useful for the prototype to generate the models as well with a prompt. I am trying to replicate the anemone whre the clown fish lives, will need some more polish on the rendering then we're there ✌️

Marco Fugaro

28,341 просмотров • 2 месяцев назад

Explore the shallow seas as a stingray, vibe coded on ThreeJs using Cursor. I made a similar game more than a year ago, but I hit a roadblock because the models back then (I think I was using Sonnet 3.5) struggled with handling 3D models, but now, it's a different story. All 3D models were made with Tripo3D and I was able to put this together in less than 8 hours worth of work. I mainly used Composer 2.5 and Opus 4.8 to make this. Will try to find the original game I made a while ago and put it into the replies section.

Explore the shallow seas as a stingray, vibe coded on ThreeJs using Cursor. I made a similar game more than a year ago, but I hit a roadblock because the models back then (I think I was using Sonnet 3.5) struggled with handling 3D models, but now, it's a different story. All 3D models were made with Tripo3D and I was able to put this together in less than 8 hours worth of work. I mainly used Composer 2.5 and Opus 4.8 to make this. Will try to find the original game I made a while ago and put it into the replies section.

Danny Limanseta

35,197 просмотров • 2 месяцев назад

Been pushing Rive's new 3D and shader support to see what's possible 🚀 Using AI + scripting, I was able to: • Import 3D models • Generate cameras and lights • Create custom shaders (wireframe, AO, sketch, toon) • Build materials • Project animated textures onto 3D geometry • Place 2D components directly in 3D space It's pretty wild to see how quickly Rive is evolving into a true all-in-one platform for interactive design.

Been pushing Rive's new 3D and shader support to see what's possible 🚀 Using AI + scripting, I was able to: • Import 3D models • Generate cameras and lights • Create custom shaders (wireframe, AO, sketch, toon) • Build materials • Project animated textures onto 3D geometry • Place 2D components directly in 3D space It's pretty wild to see how quickly Rive is evolving into a true all-in-one platform for interactive design.

Sanu Sagar

18,218 просмотров • 2 месяцев назад

This is why AI is taking over: • Vibe coded the app with Cursor • Generated ref images on Nano Banana Pro • Image to 3D model on Tripo Result: usable FBX animated models in interactive environments. All in one day. And this is just the beginning 👇

This is why AI is taking over: • Vibe coded the app with Cursor • Generated ref images on Nano Banana Pro • Image to 3D model on Tripo Result: usable FBX animated models in interactive environments. All in one day. And this is just the beginning 👇

TechHalla

28,396 просмотров • 7 месяцев назад

Here's a look behind the scenes of how I used a 3d model, generated from an image, as a "driver" for ai animation. In the near future we'll see more 3d tools that support these types of workflows, with much more emphasis on enhancing user input instead of just letting the ai do everything. I used the 3d model to generate keyframes that I then animated in Luma Dream. By using a 3d model with a diffusion "layer" done with Krea, I got quite high quality frames with a relatively high consistency as well since the AI didn't have to "hallucinate" that much. I upscaled and detailed the frames using Magnific. Using semi-detailed 3d models as drivers for gen ai is very powerful, and it allows us to use models that are sculpted in a more free-flowing type of workflow that doesn't rely so much on high surface detailing or very time-consuming finish, but instead relies more on gestural 3d sculpting. #art #ai

Here's a look behind the scenes of how I used a 3d model, generated from an image, as a "driver" for ai animation. In the near future we'll see more 3d tools that support these types of workflows, with much more emphasis on enhancing user input instead of just letting the ai do everything. I used the 3d model to generate keyframes that I then animated in Luma Dream. By using a 3d model with a diffusion "layer" done with Krea, I got quite high quality frames with a relatively high consistency as well since the AI didn't have to "hallucinate" that much. I upscaled and detailed the frames using Magnific. Using semi-detailed 3d models as drivers for gen ai is very powerful, and it allows us to use models that are sculpted in a more free-flowing type of workflow that doesn't rely so much on high surface detailing or very time-consuming finish, but instead relies more on gestural 3d sculpting. #art #ai

Martin Nebelong

48,259 просмотров • 2 лет назад

I had to do this of course - test out the new Google Omni Flash model with my favorite 3d art sandbox - Dreams. Just a quick test for now.. I'll be sharing more examples and techniques soon but wanted to show you this one. There's something very fitting about combining "handmade" 3d models and animations sculpted from scratch in software that runs on 2013 hardware, with some of the most advanced AI technology in the world. As part of my work for Google, I've used Google V2V models on a few different projects now - Ancestra, Dear Upstairs Neighbors and most recently one of the IO films (I'll share more about that project soon) 🥰 - and video continues to be my favorite form of input for Generative Ai workflows. If an image says more than a thousand words, a video says more than a million. And knowing that these capabilities are now in the hands of all of you, makes me very excited to see the new workflows and projects that will come out of it. What do you think of Omni so far?

I had to do this of course - test out the new Google Omni Flash model with my favorite 3d art sandbox - Dreams. Just a quick test for now.. I'll be sharing more examples and techniques soon but wanted to show you this one. There's something very fitting about combining "handmade" 3d models and animations sculpted from scratch in software that runs on 2013 hardware, with some of the most advanced AI technology in the world. As part of my work for Google, I've used Google V2V models on a few different projects now - Ancestra, Dear Upstairs Neighbors and most recently one of the IO films (I'll share more about that project soon) 🥰 - and video continues to be my favorite form of input for Generative Ai workflows. If an image says more than a thousand words, a video says more than a million. And knowing that these capabilities are now in the hands of all of you, makes me very excited to see the new workflows and projects that will come out of it. What do you think of Omni so far?

Martin Nebelong

38,348 просмотров • 2 месяцев назад

Hello AI enthusiasts!👋 I’d like to share that we’re introducing the latest 3D foundation AI model AssetGen 2.0, which was designed to create high-quality 3D assets from text and image prompts. 💡AssetGen 2.0 consist of 2 models: one to generate the 3D Mesh, & a second one to generate textures. ℹ️ Technological Advancements: - Utilizes a single-stage 3D diffusion model for geometry estimation, leading to improved detail and fidelity compared to its predecessor, AssetGen 1.0. - TextureGen introduces methods for enhanced view consistency, texture in-painting, and higher texture resolution. 📌 Current Use and Future Plans: - Currently employed internally for creating 3D worlds. - Planned rollout to Horizon creators later this year. 👉 More details about this announcement: #Meta #AI #GenAI

Hello AI enthusiasts!👋 I’d like to share that we’re introducing the latest 3D foundation AI model AssetGen 2.0, which was designed to create high-quality 3D assets from text and image prompts. 💡AssetGen 2.0 consist of 2 models: one to generate the 3D Mesh, & a second one to generate textures. ℹ️ Technological Advancements: - Utilizes a single-stage 3D diffusion model for geometry estimation, leading to improved detail and fidelity compared to its predecessor, AssetGen 1.0. - TextureGen introduces methods for enhanced view consistency, texture in-painting, and higher texture resolution. 📌 Current Use and Future Plans: - Currently employed internally for creating 3D worlds. - Planned rollout to Horizon creators later this year. 👉 More details about this announcement: #Meta #AI #GenAI

Dilmer Valecillos

28,153 просмотров • 1 год назад

I made this $700,000,000 music video in an afternoon on part of my weed budget. No, this is not 100% AI. I wrote the song, Through The Tempest, and recorded the samples which were then layered and mixed into the song. I curated the custom styling by running thousands of images of my own art to make a custom model. That model was then iterated dozens of times to fine tune details into new models. Then from the final model I ran dozens of images to animate with the help of AI. All of this to create something I'm going to be projecting later tonight downtown bringing all of this work into the real world. Enjoy.

I made this $700,000,000 music video in an afternoon on part of my weed budget. No, this is not 100% AI. I wrote the song, Through The Tempest, and recorded the samples which were then layered and mixed into the song. I curated the custom styling by running thousands of images of my own art to make a custom model. That model was then iterated dozens of times to fine tune details into new models. Then from the final model I ran dozens of images to animate with the help of AI. All of this to create something I'm going to be projecting later tonight downtown bringing all of this work into the real world. Enjoy.

𝔹𝕃𝕍ℂ𝕂𝕃!𝔾ℍ𝕋

24,054 просмотров • 5 месяцев назад

✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!

✨ Made a new mini feature on Photo AI: [ Grab from 3d model ] So the problem is we're at that stage in time (typical for AI) where image-to-3d models are not good enough but are fun to play with, but we know they'll be good enough in 1-2 years With [ Make 3d model ] you already can turn any Photo AI pic into a 3d model but it still looks hyper clunky and deformed, but it works! One cool idea I had to make that more useful and made now: Let people make a 3d model then change the view of the it with the 3d viewer, then press [ o ] and it grabs a frame of the 3d That image you can then [ Remix ] (img2img), and it becomes a real photo again and that in turn you can then turn into a video again with [ Make video ] So that essentially gives you a fully freeform camera position control to take photos with One thing I need to fix is the background/skybox, I kinda need to take the original photo and remove the person and just get the background for the 3d model viewer, in this case it should be white, but it's a start!

@levelsio

119,210 просмотров • 1 год назад

It’s wild that there aren’t many detailed ready to use 3D models of video game cases that actually open and have all the little details. So I made one. Plan to make a bunch of variants based on the main systems (this one is just a generic DVD case)

It’s wild that there aren’t many detailed ready to use 3D models of video game cases that actually open and have all the little details. So I made one. Plan to make a bunch of variants based on the main systems (this one is just a generic DVD case)

Nibroc.Rock

42,550 просмотров • 8 месяцев назад

If you're doing an AI startup, one of the key things to have in your arsenal to sell to customers is a *GOLDEN MAGIC DEMO* This was $600M exited startup Casetext's golden demo. Being able to review all the Enron emails in minutes: 5 days of work done by LLMs in minutes

If you're doing an AI startup, one of the key things to have in your arsenal to sell to customers is a GOLDEN MAGIC DEMO This was $600M exited startup Casetext's golden demo. Being able to review all the Enron emails in minutes: 5 days of work done by LLMs in minutes

Garry Tan

316,660 просмотров • 2 лет назад

Generate an interactive 3D world ✨ I opened this project in Cursor and uploaded an image of a cozy bookstore. The agent then generated the environment, chose objects to turn into 3D meshes, added colliders, and created sound effects 🤯

Generate an interactive 3D world ✨ I opened this project in Cursor and uploaded an image of a cozy bookstore. The agent then generated the environment, chose objects to turn into 3D meshes, added colliders, and created sound effects 🤯

Justine Moore

77,005 просмотров • 2 месяцев назад

Fully realtime 3D inflation shader in Figma. Pretty hyped about this one! Need to polish it up and make the UI a bit easier to use but will share in a couple of days. Soooo much fun to play with!

Fully realtime 3D inflation shader in Figma. Pretty hyped about this one! Need to polish it up and make the UI a bit easier to use but will share in a couple of days. Soooo much fun to play with!

Piers Cowburn

16,586 просмотров • 1 месяц назад

AN OPENCLAW AI AGENT JUST DESIGNED A 3D CHARACTER IN BLENDER AND SENT IT TO A 3D PRINTER. SHE DIDN'T TOUCH A SINGLE BUTTON. This is what running an OpenClaw AI agent on a Mac Mini actually looks like. She described what she wanted. The agent did everything else. Blender opened automatically. Character designed. Put in space. Animated with blinking eyes and stomping feet. Landing page built and live. Model sliced. File sent to 3D printer. Printer started moving. All from conversation. Zero code. Zero design skills. Zero manual work. Here's why this matters beyond the demo: Custom 3D printed figures sell for $30-$200 each on Etsy and at conventions. The people making serious money aren't artists. They're the ones who can produce custom designs fast. An AI agent that goes from description to printed figure autonomously is a business model not a toy. "I was just talking to the guy and he made it happen." Bookmark this. Full demo in the video below.

AN OPENCLAW AI AGENT JUST DESIGNED A 3D CHARACTER IN BLENDER AND SENT IT TO A 3D PRINTER. SHE DIDN'T TOUCH A SINGLE BUTTON. This is what running an OpenClaw AI agent on a Mac Mini actually looks like. She described what she wanted. The agent did everything else. Blender opened automatically. Character designed. Put in space. Animated with blinking eyes and stomping feet. Landing page built and live. Model sliced. File sent to 3D printer. Printer started moving. All from conversation. Zero code. Zero design skills. Zero manual work. Here's why this matters beyond the demo: Custom 3D printed figures sell for $30-$200 each on Etsy and at conventions. The people making serious money aren't artists. They're the ones who can produce custom designs fast. An AI agent that goes from description to printed figure autonomously is a business model not a toy. "I was just talking to the guy and he made it happen." Bookmark this. Full demo in the video below.

SCOTTY BEAM

17,209 просмотров • 1 месяц назад

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

Chikai

21,517 просмотров • 2 лет назад

🐰 i worked a lot with El Guincho. I got to listen to a lot of tracks and i was really wowed by just how fresh and new this was. One of the first thoughts i had was ‘wow, you can approach a song like this?’ and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close, it was a totally a different vibe, a whole new vibe. i hope to work again and have another session with the producers and songwriters that we worked with

🐰 i worked a lot with El Guincho. I got to listen to a lot of tracks and i was really wowed by just how fresh and new this was. One of the first thoughts i had was ‘wow, you can approach a song like this?’ and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close, it was a totally a different vibe, a whole new vibe. i hope to work again and have another session with the producers and songwriters that we worked with

jk.97

26,798 просмотров • 4 месяцев назад