Загрузка видео...

Не удалось загрузить видео

На главную

Exploding with raw intensity, “Violet” stands as one of the defining tracks by Hole. Performed live in Philadelphia in 1999, the track captures the band’s fierce energy and confrontational edge at the height of their late 90s era.

Batfox_Pictures's profile picture

Batfox Pictures

9,814 subscribers

58,618 просмотров • 2 месяцев назад •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

Exploding with raw intensity in the late 90s, “Blind” saw Korn deliver one of their most defining tracks, appearing on Korn, released October 1994. Captured here at UNO Lakefront Arena in 1998, the performance reflects the band’s aggressive sound at the height of their rise.
4:33

Exploding with raw intensity in the late 90s, “Blind” saw Korn deliver one of their most defining tracks, appearing on Korn, released October 1994. Captured here at UNO Lakefront Arena in 1998, the performance reflects the band’s aggressive sound at the height of their rise.

Batfox Pictures

17,353 просмотров • 2 месяцев назад

On Celebrity Skin, released September 1998, “Celebrity Skin” marked a defining moment for Hole, showcasing a more polished, melodic direction. Performed here in Philadelphia in 1999, the track captures the band’s evolution during their late 90s era.
2:53

On Celebrity Skin, released September 1998, “Celebrity Skin” marked a defining moment for Hole, showcasing a more polished, melodic direction. Performed here in Philadelphia in 1999, the track captures the band’s evolution during their late 90s era.

Batfox Pictures

12,403 просмотров • 2 месяцев назад

Appearing on Pills ’n’ Thrills and Bellyaches, released November 1990, “Loose Fit” became one of the defining tracks for Happy Mondays. Performed here on Top of the Pops in 1991, the track captures the band’s loose, groove driven sound at the height of the Madchester era.
2:43

Appearing on Pills ’n’ Thrills and Bellyaches, released November 1990, “Loose Fit” became one of the defining tracks for Happy Mondays. Performed here on Top of the Pops in 1991, the track captures the band’s loose, groove driven sound at the height of the Madchester era.

Batfox Pictures

26,024 просмотров • 2 месяцев назад

Taken as a B side from “Don’t Look Back in Anger” in 1995, “Cum on Feel the Noize” was recorded by Oasis as a cover of the Slade classic. Performed here on Later… with Jools Holland in 1995, the track captures the band’s raw, high energy sound at the height of Britpop.
3:48

Taken as a B side from “Don’t Look Back in Anger” in 1995, “Cum on Feel the Noize” was recorded by Oasis as a cover of the Slade classic. Performed here on Later… with Jools Holland in 1995, the track captures the band’s raw, high energy sound at the height of Britpop.

Batfox Pictures

46,186 просмотров • 2 месяцев назад

By 1997, “Insomnia” had become one of the defining dance tracks of the decade, pushing Faithless into global recognition. Performed here on Later… with Jools Holland, the track captures the hypnotic, late night energy that made it an enduring club anthem.
4:53

By 1997, “Insomnia” had become one of the defining dance tracks of the decade, pushing Faithless into global recognition. Performed here on Later… with Jools Holland, the track captures the hypnotic, late night energy that made it an enduring club anthem.

Batfox Pictures

100,497 просмотров • 2 месяцев назад

Dominating the charts in 1981, “Don’t You Want Me” became the breakthrough hit for The Human League. Performed here on Top of the Pops in 1982, the track captures the band’s polished, electronic sound at the height of the synth-pop era.
3:25

Dominating the charts in 1981, “Don’t You Want Me” became the breakthrough hit for The Human League. Performed here on Top of the Pops in 1982, the track captures the band’s polished, electronic sound at the height of the synth-pop era.

Batfox Pictures

35,939 просмотров • 2 месяцев назад

Appearing on Suede, released March 1993, “Animal Nitrate” became one of the breakthrough singles for Suede. Performed here at The Brit Awards in 1993, the track captures the band’s provocative edge during their early rise.
3:17

Appearing on Suede, released March 1993, “Animal Nitrate” became one of the breakthrough singles for Suede. Performed here at The Brit Awards in 1993, the track captures the band’s provocative edge during their early rise.

Batfox Pictures

22,844 просмотров • 2 месяцев назад

30 years ago today, Manic Street Preachers released ‘Everything Must Go’. From ‘A Design For Life’ and ‘Kevin Carter’ through to the title track itself, the album became a landmark moment in the band’s story and one of the defining British records of the 90s. Watch a storming version of ‘Everything Must Go’ performed live at Cardiff’s Millennium Stadium in 1999 via the band’s official YouTube channel:
0:29

30 years ago today, Manic Street Preachers released ‘Everything Must Go’. From ‘A Design For Life’ and ‘Kevin Carter’ through to the title track itself, the album became a landmark moment in the band’s story and one of the defining British records of the 90s. Watch a storming version of ‘Everything Must Go’ performed live at Cardiff’s Millennium Stadium in 1999 via the band’s official YouTube channel:

Manic Street Preachers

25,819 просмотров • 1 месяц назад

Back in 1995, “(It’s Good) to Be Free” captures Oasis in their earliest surge, originally released as a B side to “Whatever” in 1994. Performed here on The White Room, the track reflects the band’s raw energy and swagger during their rapid rise.
3:12

Back in 1995, “(It’s Good) to Be Free” captures Oasis in their earliest surge, originally released as a B side to “Whatever” in 1994. Performed here on The White Room, the track reflects the band’s raw energy and swagger during their rapid rise.

Batfox Pictures

26,217 просмотров • 2 месяцев назад

Emerging in the early 90s before Britpop took hold, “Bang” saw Blur deliver one of their earliest singles, appearing on Leisure, released August 1991. Performed here on Top of the Pops, the track captures the band’s initial Madchester influenced sound.
2:56

Emerging in the early 90s before Britpop took hold, “Bang” saw Blur deliver one of their earliest singles, appearing on Leisure, released August 1991. Performed here on Top of the Pops, the track captures the band’s initial Madchester influenced sound.

Batfox Pictures

19,649 просмотров • 2 месяцев назад

Opening a new chapter in 1993, “Serve the Servants” saw Nirvana set the tone for their final studio album, appearing on In Utero, released September 1993. The track captures the band’s raw, stripped back sound at the height of their creative tension.
3:21

Opening a new chapter in 1993, “Serve the Servants” saw Nirvana set the tone for their final studio album, appearing on In Utero, released September 1993. The track captures the band’s raw, stripped back sound at the height of their creative tension.

Batfox Pictures

16,731 просмотров • 2 месяцев назад

Commanding the Woodstock ’99 stage with pure intensity, “Ruff Ryders’ Anthem” saw DMX deliver one of the festival’s most unforgettable performances, appearing on It’s Dark and Hell Is Hot, released May 1998. The track captures his raw energy at the height of his rise.
3:28

Commanding the Woodstock ’99 stage with pure intensity, “Ruff Ryders’ Anthem” saw DMX deliver one of the festival’s most unforgettable performances, appearing on It’s Dark and Hell Is Hot, released May 1998. The track captures his raw energy at the height of his rise.

Batfox Pictures

107,532 просмотров • 2 месяцев назад

From their appearance on The Old Grey Whistle Test in 1986, Bigmouth Strikes Again captures The Smiths during the run of The Queen Is Dead. Released that year as a single, the song reached number 26 on the UK Singles Chart and became one of the band’s most recognisable tracks. Driven by Johnny Marr’s rapid, layered guitar work and Morrissey’s self-referential lyric, it reflected the sharper, more confrontational edge of the band’s mid-80s peak, with performances like this placing them firmly at the centre of British alternative music.
3:21

From their appearance on The Old Grey Whistle Test in 1986, Bigmouth Strikes Again captures The Smiths during the run of The Queen Is Dead. Released that year as a single, the song reached number 26 on the UK Singles Chart and became one of the band’s most recognisable tracks. Driven by Johnny Marr’s rapid, layered guitar work and Morrissey’s self-referential lyric, it reflected the sharper, more confrontational edge of the band’s mid-80s peak, with performances like this placing them firmly at the centre of British alternative music.

Batfox Pictures

21,873 просмотров • 6 месяцев назад

Later… with Jools Holland in 2002 features The Libertines as they deliver “Boys in the Band”, released on Up the Bracket that same year. One of the defining tracks from their debut, it captured the raw energy of their early rise.
3:38

Later… with Jools Holland in 2002 features The Libertines as they deliver “Boys in the Band”, released on Up the Bracket that same year. One of the defining tracks from their debut, it captured the raw energy of their early rise.

Batfox Pictures

259,430 просмотров • 3 месяцев назад

Exploding from the underground into wider success, “Dammit” saw Blink-182 deliver their breakthrough track, appearing on Dude Ranch, released June 1997. Captured here at Shoreline Amphitheatre in 1999, the performance reflects the band’s raw, high energy pop punk sound.
2:28

Exploding from the underground into wider success, “Dammit” saw Blink-182 deliver their breakthrough track, appearing on Dude Ranch, released June 1997. Captured here at Shoreline Amphitheatre in 1999, the performance reflects the band’s raw, high energy pop punk sound.

Batfox Pictures

25,980 просмотров • 2 месяцев назад

Breaking through on the global stage in 1992, “Alive” saw Pearl Jam deliver one of their defining anthems, appearing on Ten, released August 1991. Captured here at Pinkpop, the performance reflects the band’s raw, emotional energy during the early grunge era.
5:12

Breaking through on the global stage in 1992, “Alive” saw Pearl Jam deliver one of their defining anthems, appearing on Ten, released August 1991. Captured here at Pinkpop, the performance reflects the band’s raw, emotional energy during the early grunge era.

Batfox Pictures

27,812 просмотров • 2 месяцев назад

Still riding the momentum of their late 90s breakthrough, “Nookie” saw Limp Bizkit ignite Rock am Park in 2001, appearing on Significant Other, released June 1999. The performance reflects the band’s high energy, crowd driven sound at their peak.
6:45

Still riding the momentum of their late 90s breakthrough, “Nookie” saw Limp Bizkit ignite Rock am Park in 2001, appearing on Significant Other, released June 1999. The performance reflects the band’s high energy, crowd driven sound at their peak.

Batfox Pictures

15,078 просмотров • 2 месяцев назад

Top of the Pops in 1986 captures The Housemartins as they deliver “Happy Hour”, released that same year. One of their defining hits, it captured the band’s upbeat, socially aware style.
2:07

Top of the Pops in 1986 captures The Housemartins as they deliver “Happy Hour”, released that same year. One of their defining hits, it captured the band’s upbeat, socially aware style.

Batfox Pictures

119,788 просмотров • 3 месяцев назад

The Who 🎩🪄 Pinball Wizard (1969) Performed on This Is Tom Jones. One of the defining tracks of classic rock, driven by Pete Townshend’s songwriting and the explosive chemistry of the band’s classic lineup. #TheWho
2:57

The Who 🎩🪄 Pinball Wizard (1969) Performed on This Is Tom Jones. One of the defining tracks of classic rock, driven by Pete Townshend’s songwriting and the explosive chemistry of the band’s classic lineup. #TheWho

Music Jim 🎩🪄

15,265 просмотров • 1 месяц назад

On Top of the Pops, Pulp perform “Common People”, released on Different Class in 1995. One of the defining tracks of the Britpop era, it captured the band’s sharp social commentary.
3:57

On Top of the Pops, Pulp perform “Common People”, released on Different Class in 1995. One of the defining tracks of the Britpop era, it captured the band’s sharp social commentary.

Batfox Pictures

15,465 просмотров • 3 месяцев назад