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Explore all 9 participating commercial venues in Sanya’s Passport Friendly Initiative. Follow the interactive map to unlock perks, duty-free shopping, and lifestyle hubs across the city! ·No.1 Harbour City / Big Pineapple Shopping Mall ·Sanya International Duty Free Shopping Complex ·Sanya Joy City ·CNSC Duty Free (Sanya) ·Hainan Tourism... show more
26,085 次观看 • 27 天前 •via X (Twitter)
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![深藏不漏的本地视频生成大师 Gary 用黑白深度+精准分镜提示词复刻了陶阿狗君的创意换装视频 我用 Minimax H3 + gary的黑白深度，微调了一下提示词，就用新的模特复现了 复刻的具体步骤： 1. 准备好模特的人物三视图 2. 生成四个场景下的人物参考图，可以用 gpt image 2.5 换人 3. 稍微调整提示词里对原来模特的特征锁定，按照新模特重写 4. 用新的提示词 + 参考图片 + 黑白深度视频交给 Minimax H3 生成 微调后的提示词👇 defines Rei's opening outfit only: a fitted black satin mini dress with thin spaghetti straps, a lace-trimmed V-neckline, a small front bow with trailing ribbons, off-the-shoulder lace ruffle sleeves, a ruched bodice, a ruffled lace hem, bare legs and black pointed-toe stiletto pumps. Preserve the dress's silhouette, materials and front/back construction as shown. Use this outfit for the white-studio opening only; do not reproduce the character-sheet layout. defines her Paris outfit, front-facing presentation pose, drink, sunglasses, city map and UI. defines her Rome outfit, front/three-quarter presentation pose, props, city map and UI. defines her Cairo outfit, presentation pose, shopping bags, city map and UI. defines her Sydney outfit, front-facing finishing pose, city map and UI. is an unmodified slightly turned standard face crop from the original Rei character card. It is the highest-priority facial identity reference for ALL outfits: preserve its eye shape and spacing, eyelids, nose, lips and natural proportions without beautification. Pictures 2–5 supply new city outfits and environments, never a substitute face. This is the same adult woman in different clothes throughout the entire video. is a black-and-white relative-depth reference for body movement, camera pullback and chronological timing only. Depth brightness represents distance, not skin color or face detail. Render natural full color using the pictures. A featureless face in the depth map must not become the back of Rei's head. Use the scene pictures to resolve which way her face and chest point after each turn. Generate ONE continuous 12-second vertical video. The timed Shot labels below are successive phases of this one output, not instructions to insert camera cuts. Keep the reference timeline at its original speed. Do not compress the opening to make room for the cities. Only Rei rotates during transformation; the camera must not orbit her. A back view is a brief passing orientation during a spin, never a held destination pose. Each completed transformation reveals her face and the FRONT of the new outfit, as in its corresponding picture. Change clothing, handheld props, city map and city-name UI together; do not change only the background while leaving the previous outfit. Shot 1 [0.00–2.50 seconds]: White studio and opening black sailor uniform from . Rei looks at the phone held in front of her chest. Follow the opening camera pullback in . Her torso remains generally facing the camera; allow the original small phone and head gestures. This interval contains no full-body spin, no location pin yet, no city background and no wardrobe change. Shot 2 [2.50–3.15 seconds]: The red location pin appears above Rei. This event ONLY adds the pin. She continues looking at her phone in the white studio, still wearing the opening black sailor uniform. The pin does not trigger a spin or a scene change. Do not begin the transformation here. Shot 3 [3.15–4.05 seconds]: Follow the small preparatory side pivot in , then return toward the camera-facing starting orientation while holding the phone. This is the preparatory movement, not the rapid transformation spin. Retain the opening black sailor uniform, white background and red pin throughout this interval. No Paris map or summer outfit before 4.05 seconds. Shot 4 [4.05–6.00 seconds]: At 4.05 seconds begin the rapid transformation rotation following . Pass continuously through the side and back orientations without pausing. Around 4.25 seconds, during this rotation, change together into the Paris outfit, drink, sunglasses, map and navigation UI from . By 4.50 seconds complete the rotation and reveal Rei FACING THE CAMERA, with her face and the front of her navy-and-ivory striped top visible. From 4.50 to 6.00 seconds remain in this front/three-quarter FRONT presentation, with the drink and sunglasses gesture from . The cream full-length trousers, striped top and red neck scarf replace the opening black sailor uniform completely. No back-facing hold, no phone, no opening black sailor uniform during the Paris presentation. The top search bar and bottom location card both read 巴黎. Shot 5 [6.00–8.00 seconds]: Begin the next reference turn at 6.00 seconds. Around 6.25 seconds change outfit, props, city and UI to Rome from . Complete the turn by 6.55 seconds into a front/three-quarter FRONT view showing Rei's face, sage-green midi dress with brown belt. Until 8.00 seconds use the Rome pose with the paper guide and warm Trajan column and Roman Forum map. Both city labels read 罗马. Back-facing frames occur only while the turn is in progress; no stopped back view after the turn. Shot 6 [8.00–10.00 seconds]: Begin the next reference turn at 8.00 seconds. Around 8.25 seconds change together to the ivory linen shirt, beige full-length trousers, ochre scarf, shopping bags, Cairo map and UI from . By 8.55 seconds reveal her face and the front of the ivory linen shirt. Hold the front/three-quarter presentation with natural small movements until 10.00 seconds. Both city labels read 开罗. Keep the Cairo outfit and map together; do not introduce previous clothes or Sydney early. Shot 7 [10.00–12.00 seconds]: Begin the final reference turn at 10.00 seconds. Around 10.25 seconds replace the Cairo clothes and shopping bags, city and labels with the Sydney sky-blue overshirt, white T-shirt, navy knee-length shorts and white sneakers, Sydney Tower map and UI from . By 10.55 seconds face the camera with the white T-shirt beneath the sky-blue overshirt visible, hands raised and one leg bent backward as in . Keep this front-facing Sydney presentation with subtle natural movement through 12.00 seconds. Both city labels read 悉尼. No additional spin, destination or wardrobe change after this final reveal. Keep Rei's facial identity, natural body proportions, hair and bangs throughout. Clothing changes must not alter her face, age, body shape, hair color or hair length. Do not reproduce character-sheet panels, extra people, face closeups or depth-map gray colors. Do not reproduce the blank faces in Picture 1's full-body clothing views; Rei must have her normal face whenever her face is visible. Keep the city UI style consistent; update both location labels at each city change. No generated speech or music. The angle in Picture 6 describes identity only, NOT a fixed head pose. Face direction, expression, head tilt, hand gestures and full body movement follow Video 1, with each completed city presentation matching its corresponding scene picture. In Paris the sunglasses are opaque black and fully cover both eyes and eye sockets. Keep the sunglasses on throughout the Paris presentation. At the Rome transformation, switch to the accessories shown in Picture 3.](https://image.24vids.com/tw-2101904919540429295/amplify_video_thumb/2101901822952976384/img/enwE2APiSSfU8iWS.jpg)
 is casually organizing her small apartment kitchen and dining area alone. (Image) provides only her face and hairstyle; She is the only person who appears throughout. @[Image 1](image_1) The environment is a compact, lived-in apartment kitchen connected to a small dining space. The room feels naturally cluttered but comfortable: a few grocery bags near the counter, dishes drying beside the sink, a half-open cabinet, a small wooden dining table with a ceramic mug and unopened mail, a dish towel hanging unevenly from the oven handle, a refrigerator covered with a few small magnets and handwritten notes, and a couple of reusable shopping bags resting near the doorway. Warm orange evening sunlight enters through partially open blinds, creating realistic patches of light across the floor and countertops. Her behavior is quiet, casual, and completely unperformed. She is simply doing ordinary household chores when she unexpectedly notices something behind the refrigerator. The sequence should feel like an authentic personal phone recording rather than a professionally produced commercial or cinematic scene. SHOT 1 — 0–2s: She wipes down the kitchen counter with a slightly damp cloth while casually moving a few everyday objects out of the way. The camera is handheld from a slightly low side angle, as if someone casually holding a phone while standing nearby. The framing is imperfect and slightly tilted. She quietly hums under her breath while cleaning. Audio: cloth rubbing against the countertop, faint refrigerator hum, distant neighborhood ambience. SHOT 2 — 2–4s: As she reaches toward the floor to pick up a reusable shopping bag, she notices something small wedged behind the refrigerator. She pauses and leans down to see it better. The camera quickly tilts downward and moves closer with a natural handheld wobble. She quietly says: "어? 저게 뭐야?" ("Huh? What's that?") Audio remains completely live and imperfect. SHOT 3 — 4–6s: She crouches beside the refrigerator and reaches one hand into the narrow gap behind it. She struggles slightly to reach the object, shifting her body and pulling the shopping bag out of the way. Her sweatshirt naturally wrinkles and moves with her body. The camera moves closer from above her shoulder, briefly losing focus before refocusing on her hand. She murmurs: "잠깐만…" ("Wait a second…") SHOT 4 — 6–8s: She finally manages to pull the object free. It is an old pair of wired earphones tangled into a small knot, clearly something she had forgotten months ago. She holds them in front of her and looks genuinely confused for a moment. She turns the earphones over in her fingers, inspecting them naturally. She says softly: "이게 왜 여기 있어?" ("Why is this here?") No exaggerated reaction. SHOT 5 — 8–10s: Close handheld shot from slightly below eye level. She suddenly recognizes the earphones and gives a small, genuine laugh. Her expression changes from confusion to amused realization. She says: "아… 예전에 쓰던 거네." ("Ah… these are the ones I used to use.") The camera gently drifts closer, with realistic smartphone autofocus briefly shifting between her face and the earphones. SHOT 6 — 10–13s: She looks around the messy kitchen and realizes there are still several things left to organize. She gives a tiny tired sigh, places the old earphones on the dining table beside the mug, then picks up the cloth again. She quietly mutters with a faint smile: "정리할 게 왜 이렇게 많아…" ("Why is there so much to clean up…") She immediately continues wiping the counter. SHOT 7 — 13–15s: The camera slowly backs away toward the entrance of the apartment, still handheld and slightly shaky. She continues casually cleaning the kitchen without acknowledging the camera. The warm evening sunlight remains visible through the blinds while the apartment feels naturally quiet and lived-in. The final moment should feel completely ordinary, as though the recording simply happened to capture a tiny unexpected discovery during a normal evening.](https://image.24vids.com/tw-2098681428280279512/amplify_video_thumb/2098680497874558976/img/tQhlcGHdAXltqLl0.jpg)
