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Extreme close-up – intense pussy squirting and soaking everything 💦 #Squirting #IntenseSquirt #PussyCloseUp #Soaking #WetPussy #NSFW #XXX

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#justSQUIRTit

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93,847 次观看 • 3 天前 •via X (Twitter)

NSFW#Squirting#IntenseSquirt#PussyCloseUp#Soaking#WetPussy#NSFW#XXX
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안나 ☆

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🚨 EYEWITNESS DROPS NUCLEAR CONFIRMATION: Charlie Kirk SHOT POINT-BLANK in the CHEST – TWO SHOOTERS PROVEN! A front-row eyewitness—standing RIGHT IN FRONT of Charlie Kirk on his RIGHT SIDE— just shattered the official "single shooter from behind" BS. This guy's account? Straight fire. He watched in HORROR as Kirk took a DEADLY STRETCH SHOT STRAIGHT TO THE HEART and the Wound BLEEDS Through Shirt. His words: "Like, it was a stretch shot to the heart. And look right, right where his heart is. It started going red. He fell back and went to his side. Then I look down at the crowd. And look like the crowd all went to the knees really fast." Crowd DROPS like dominoes—no trampling, no chaos from a "lone gunman" scramble. Eyewitness hit the deck too: "I, kind of, did go to my knees as fast everybody, cause I wanted to see if anyone who was close to the shooter would be trampling all over that person. And I saw nothing like that at all... They were just not moving." Then? Panic pushes him backstage. Blood SOAKING his shirt from the CHEST— not just neck. This lines up PERFECTLY with the palm gun shooter we've been screaming about. TWO SHOOTERS: One from behind (neck?), one from FRONT (heart-piercing kill shot). Cover-up much? Official story crumbling FAST. Who silenced Kirk? Deep State? Foreign ops? Drop your takes BELOW— this is the thread that pulls it all together!
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🚨 EYEWITNESS DROPS NUCLEAR CONFIRMATION: Charlie Kirk SHOT POINT-BLANK in the CHEST – TWO SHOOTERS PROVEN! A front-row eyewitness—standing RIGHT IN FRONT of Charlie Kirk on his RIGHT SIDE— just shattered the official "single shooter from behind" BS. This guy's account? Straight fire. He watched in HORROR as Kirk took a DEADLY STRETCH SHOT STRAIGHT TO THE HEART and the Wound BLEEDS Through Shirt. His words: "Like, it was a stretch shot to the heart. And look right, right where his heart is. It started going red. He fell back and went to his side. Then I look down at the crowd. And look like the crowd all went to the knees really fast." Crowd DROPS like dominoes—no trampling, no chaos from a "lone gunman" scramble. Eyewitness hit the deck too: "I, kind of, did go to my knees as fast everybody, cause I wanted to see if anyone who was close to the shooter would be trampling all over that person. And I saw nothing like that at all... They were just not moving." Then? Panic pushes him backstage. Blood SOAKING his shirt from the CHEST— not just neck. This lines up PERFECTLY with the palm gun shooter we've been screaming about. TWO SHOOTERS: One from behind (neck?), one from FRONT (heart-piercing kill shot). Cover-up much? Official story crumbling FAST. Who silenced Kirk? Deep State? Foreign ops? Drop your takes BELOW— this is the thread that pulls it all together!

Project Constitution

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Highly animated face — furrowed brows, focused squint, dramatic determination turning to exhaustion. - **Pizza Delivery Guy - Tom (main actor on street/scooter)**: Late teens/early 20s lanky male, long blue hair, huge expressive brown eyes, long nose, very animated facial expressions (surprise, determination, panic, relief). Wears white helmet with spinning yellow propeller on to, light blue leather with text el.cine at back, white pants, sneakers. Fast, exaggerated movements. - **Customer (final shot)**: Large, middle-aged stern woman, brown hair, heavy eyebrows, downturned mouth, wearing beige suit jacket, white shirt, dark trousers. Standing in doorway with impatient/annoyed expression. SHOT 1 (0:00–0:02) – Cinematic fast motion, dramatic low angle with subtle Dutch tilt and intense push-in: fast push from kitchen wide shot to close up on the Pizza Chef’s face in the bustling kitchen. He grips the large pepperoni pizza on a metal tray with raw, over-the-top determination — brows dramatically furrowed into deep angry V-shapes, eyes sharply narrowed with a fierce glint and slight crazy wideness at the edges, teeth gritted in heroic effort, dramatic sweat beads flying off his forehead. Bright orange flames explode upward from the pizza in the foreground with massive sparks and heat waves licking toward his face. Dynamic camera orbits left while pushing in for maximum tension, subtle motion blur on the flames. Background shows chaotic kitchen with stacked pizza boxes, glowing ovens, and flying embers. SHOT 2 (0:02–0:04) – Medium close-up, eye-level: Chef lifts the flaming pizza higher with both hands, leans forward, eyes wide with concentration as flames lick upward toward his face. 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SHOT 7 (0:12–0:14) – Wide action shot, eye-level: Chef lands in a wide stance, spins the flaming pizza on one hand like a basketball, then dramatically throws it forward toward the open doorway with full body power, flames trailing, quick push in and follow the close up of the flying pizza in slow motion SHOT 8 (0:14–0:16) – Medium shot on street, eye-level: Pizza Delivery Guy stands outside the shop holding an empty pizza box, looking down at his watch with bored expression, propeller on helmet slowly spinning. SHOT 9 (0:16–0:18) – Medium close-up, eye-level: Chef (partially visible inside doorway) throws the flaming pepperoni pizza directly toward the Delivery Guy. Delivery Guy looks up with wide-eyed shock. SHOT 10 (0:18–0:20) – Medium shot, eye-level: slow motion, close up of the flaming pizza flies straight into the open pizza box held by the Delivery Guy. Flames whoosh past his face as he catches it perfectly. SHOT 11 (0:20–0:22) – Close-up on Delivery Guy’s face: His eyes go extremely wide in surprise, mouth open, propeller spinning faster, and talk excitedly SHOT 12 (0:22–0:24) – Extreme close-up on smartphone screen held in hand: Red digital timer clearly shows “00:30” counting down. SHOT 13 (0:24–0:26) – Close-up on Delivery Guy’s face: Expression changes from shock to intense determination — eyebrows lowered, mouth set in a smirk, eyes focused. SHOT 14 (0:26–0:50 end) – Wide tracking shot from behind, fast-paced: Delivery Guy jumps on his purple scooter and speeds away down the sunny city street, pizza box secured on the back. Camera follows as he weaves between cars, jumps over red-and-white construction barriers, rides up stairs, does rooftop jumps, and finally stops smoothly in front of a house. He turns with a confident smile as the stern Customer opens the door and stares at him and says with an angry tone “you are late” cut to Tom smiling awkwardly and scratch the back of his head, he takes the pizza from his back and suddenly he slide and fall down on the ground Cinematic 3D CGI animation style, highly exaggerated comedic action, perfect continuity of the flaming pizza and characters, dynamic camera movements exactly matching the original video’s pacing, framing, and energetic tone. Photorealistic 3D render quality, 1080p, 24fps.
0:25

just copy the prompt below and paste on Utopai the PAI agent turns it into script, create storyline, generate clips and edit all by itself prompt: High-energy 3D CGI animated comedy short, Pixar quality, ultra-detailed character animation, exaggerated physics, vibrant colors, warm orange kitchen lighting with glowing flames, bright daylight city streets, dynamic camera work with fast pans, tilts and dramatic angles, subtle motion blur on fast movements, comedic timing and expressions, upbeat energetic music with whooshes and impacts. **Main Character Casting Descriptions:** - **Pizza Chef - Jack (main actor in kitchen)**: Early 50s energetic male, messy silver hair, large prominent nose, thick expressive eyebrows, sharp intense eyes, fair skin with slight blush from heat. Wears white double-breasted chef jacket, wear white chef hat with text “el.cine” in front, gree neckerchief. Highly animated face — furrowed brows, focused squint, dramatic determination turning to exhaustion. - **Pizza Delivery Guy - Tom (main actor on street/scooter)**: Late teens/early 20s lanky male, long blue hair, huge expressive brown eyes, long nose, very animated facial expressions (surprise, determination, panic, relief). Wears white helmet with spinning yellow propeller on to, light blue leather with text el.cine at back, white pants, sneakers. Fast, exaggerated movements. - **Customer (final shot)**: Large, middle-aged stern woman, brown hair, heavy eyebrows, downturned mouth, wearing beige suit jacket, white shirt, dark trousers. Standing in doorway with impatient/annoyed expression. SHOT 1 (0:00–0:02) – Cinematic fast motion, dramatic low angle with subtle Dutch tilt and intense push-in: fast push from kitchen wide shot to close up on the Pizza Chef’s face in the bustling kitchen. He grips the large pepperoni pizza on a metal tray with raw, over-the-top determination — brows dramatically furrowed into deep angry V-shapes, eyes sharply narrowed with a fierce glint and slight crazy wideness at the edges, teeth gritted in heroic effort, dramatic sweat beads flying off his forehead. Bright orange flames explode upward from the pizza in the foreground with massive sparks and heat waves licking toward his face. Dynamic camera orbits left while pushing in for maximum tension, subtle motion blur on the flames. Background shows chaotic kitchen with stacked pizza boxes, glowing ovens, and flying embers. SHOT 2 (0:02–0:04) – Medium close-up, eye-level: Chef lifts the flaming pizza higher with both hands, leans forward, eyes wide with concentration as flames lick upward toward his face. SHOT 3 (0:04–0:06) – Medium shot, eye-level, dynamic pan: Chef dramatically spins the flaming pizza on the peel in a huge fiery arc above his head, left hand on forehead in dramatic pose, right arm extended. Flames trail in a perfect circle. SHOT 4 (0:06–0:08) – Low-angle dramatic shot looking up: Chef tosses the flaming pizza high into the air with both hands. The camera follows the spinning fiery pizza as it arcs toward the ceiling tiles. SHOT 5 (0:08–0:10) – Extreme low-angle on ceiling: The flaming pizza spins in a perfect circle of fire against the tiled ceiling, sparks flying. SHOT 6 (0:10–0:12) – Wide dynamic shot, low angle: Chef does a full acrobatic flip in mid-air, upside-down, catching the flaming pizza behind his back while still in the air. SHOT 7 (0:12–0:14) – Wide action shot, eye-level: Chef lands in a wide stance, spins the flaming pizza on one hand like a basketball, then dramatically throws it forward toward the open doorway with full body power, flames trailing, quick push in and follow the close up of the flying pizza in slow motion SHOT 8 (0:14–0:16) – Medium shot on street, eye-level: Pizza Delivery Guy stands outside the shop holding an empty pizza box, looking down at his watch with bored expression, propeller on helmet slowly spinning. SHOT 9 (0:16–0:18) – Medium close-up, eye-level: Chef (partially visible inside doorway) throws the flaming pepperoni pizza directly toward the Delivery Guy. Delivery Guy looks up with wide-eyed shock. SHOT 10 (0:18–0:20) – Medium shot, eye-level: slow motion, close up of the flaming pizza flies straight into the open pizza box held by the Delivery Guy. Flames whoosh past his face as he catches it perfectly. 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He turns with a confident smile as the stern Customer opens the door and stares at him and says with an angry tone “you are late” cut to Tom smiling awkwardly and scratch the back of his head, he takes the pizza from his back and suddenly he slide and fall down on the ground Cinematic 3D CGI animation style, highly exaggerated comedic action, perfect continuity of the flaming pizza and characters, dynamic camera movements exactly matching the original video’s pacing, framing, and energetic tone. Photorealistic 3D render quality, 1080p, 24fps.

el.cine

12,990 次观看 • 2 个月前

This Animation turned out cool 🔥 Seedance 2.0 on Higgsfield Full open-sourced prompts and assets below Prompt: Generation 1 Aoi = Image 1 · Kaijin = Image 2 · Mio = Image 3 · Ren = Image 4 · Classroom = Image 5 All shots take place in the Classroom Shot 1 (0–3s) — Low static shot. Aoi slumped on the tiled floor between the desk rows, overcast daylight from the tall windows right, overturned desks and scattered notebooks around her, sweat soaking her bangs, neckerchief pulled loose, hand pressed to her stomach, breath ragged. Wall clock ticking. Shot 2 (3–5s) — Tight close-up on Aoi's hand on the tile, fingernails darkening and lengthening into claws, veins raising black under the skin, a pink flush blooming beneath the flesh; ragged breathing turning to wet clicking. Shot 3 (5–8s) — Rapid three-frame cut, Aoi becoming Kaijin: spine erupting through the blouse in a row of ivory spines; jaw splitting as bone-white plate sheets over the skull; a second eyelid tearing open on the collarbone, grey iris rolling into place. Hard cuts, wet cracking, cold blue-grey light on pink tissue. Shot 4 (8–10s) — Fast vertical tilt up Kaijin rising hunched to full height, shredded sailor collar and blue neckerchief hanging off its shoulder, central eye fixing forward, ivory horns catching window light, tiles splitting under its claws, guttural roar against the green chalkboard. Shot 5 (10–12s) — Camera in the dim corridor. Mio and Ren sprinting toward the wooden door on the left, scythe and hammer in hand; they burst through into the grey daylight and freeze, Mio recognizing the sailor collar on Kaijin. Mio (Japanese, low): 「遅かった。」 ("We're late.") Shot 6 (12–13.5s) — Low dutch angle. Ren charging first, hammer swinging into Kaijin's leg; whip-pan as the counterblow throws him sideways through a desk into the corkboard wall, papers scattering off the pins. Shot 7 (13.5–15s) — Close-up slow motion, Mio vaulting the wreckage, hook connecting across Kaijin's forearm, hot pink ichor spraying in thick suspended arcs against the window light — freeze on the ichor mid-air. Generation 2 Aoi = Image 1 · Kaijin = Image 2 · Mio = Image 3 · Ren = Image 4 · Classroom = Image 5 Last frame = Image Shot 8 (15–17s) — Wide static two-anchor frame. Kaijin backhands Mio toward the cracking chalkboard as Ren is swatted into a row of desks opposite; both impacts land in the same beat. Ren (Japanese, groaning): 「まだやれる…お前は?」 ("Still good… you?") Mio (Japanese, pushing up): 「当然。」 ("Obviously.") Shot 9 (17–19s) — Floor-level tracking, Kaijin's clawed feet splitting tiles as it stalks toward Mio, central eye dilating, torso eyes blinking out of sync, desks shoved aside, pages lifting in the draft. Shot 10 (19–21s) — Close-up on Ren rising, blood at his temple, hammer up into a two-handed grip, eyes locked on Kaijin's exposed ribs. Shot 11 (21–23s) — Extreme close-up slow motion, hammer head into the ribs, bone-white shards and hot pink fluid bursting frame by frame, Kaijin staggering off-balance. Shot 12 (23–25s) — Fast orbit around Mio and Ren flanking the staggered Kaijin from opposite sides, hook and hammer both rising, overcast light streaking the lens. Shot 13 (25–28s) — Slow motion, Mio driving the hook into Kaijin's shoulder joint and wrenching down with a full-throated scream, burst of hot pink; Ren's hammer follows a half-beat later into the same joint; the mass folds and collapses face-first, torn sailor collar settling in the pink pool. Shot 14 (28–30s) — Pull back to wide. Mio and Ren standing over the corpse, chests heaving, weapons hanging loose; Mio staring at the blue neckerchief in the ichor; a notebook page drifts down past frame — hold, cut to black.
0:29

This Animation turned out cool 🔥 Seedance 2.0 on Higgsfield Full open-sourced prompts and assets below Prompt: Generation 1 Aoi = Image 1 · Kaijin = Image 2 · Mio = Image 3 · Ren = Image 4 · Classroom = Image 5 All shots take place in the Classroom Shot 1 (0–3s) — Low static shot. Aoi slumped on the tiled floor between the desk rows, overcast daylight from the tall windows right, overturned desks and scattered notebooks around her, sweat soaking her bangs, neckerchief pulled loose, hand pressed to her stomach, breath ragged. Wall clock ticking. Shot 2 (3–5s) — Tight close-up on Aoi's hand on the tile, fingernails darkening and lengthening into claws, veins raising black under the skin, a pink flush blooming beneath the flesh; ragged breathing turning to wet clicking. Shot 3 (5–8s) — Rapid three-frame cut, Aoi becoming Kaijin: spine erupting through the blouse in a row of ivory spines; jaw splitting as bone-white plate sheets over the skull; a second eyelid tearing open on the collarbone, grey iris rolling into place. Hard cuts, wet cracking, cold blue-grey light on pink tissue. Shot 4 (8–10s) — Fast vertical tilt up Kaijin rising hunched to full height, shredded sailor collar and blue neckerchief hanging off its shoulder, central eye fixing forward, ivory horns catching window light, tiles splitting under its claws, guttural roar against the green chalkboard. Shot 5 (10–12s) — Camera in the dim corridor. Mio and Ren sprinting toward the wooden door on the left, scythe and hammer in hand; they burst through into the grey daylight and freeze, Mio recognizing the sailor collar on Kaijin. Mio (Japanese, low): 「遅かった。」 ("We're late.") Shot 6 (12–13.5s) — Low dutch angle. Ren charging first, hammer swinging into Kaijin's leg; whip-pan as the counterblow throws him sideways through a desk into the corkboard wall, papers scattering off the pins. Shot 7 (13.5–15s) — Close-up slow motion, Mio vaulting the wreckage, hook connecting across Kaijin's forearm, hot pink ichor spraying in thick suspended arcs against the window light — freeze on the ichor mid-air. Generation 2 Aoi = Image 1 · Kaijin = Image 2 · Mio = Image 3 · Ren = Image 4 · Classroom = Image 5 Last frame = Image Shot 8 (15–17s) — Wide static two-anchor frame. Kaijin backhands Mio toward the cracking chalkboard as Ren is swatted into a row of desks opposite; both impacts land in the same beat. Ren (Japanese, groaning): 「まだやれる…お前は?」 ("Still good… you?") Mio (Japanese, pushing up): 「当然。」 ("Obviously.") Shot 9 (17–19s) — Floor-level tracking, Kaijin's clawed feet splitting tiles as it stalks toward Mio, central eye dilating, torso eyes blinking out of sync, desks shoved aside, pages lifting in the draft. Shot 10 (19–21s) — Close-up on Ren rising, blood at his temple, hammer up into a two-handed grip, eyes locked on Kaijin's exposed ribs. Shot 11 (21–23s) — Extreme close-up slow motion, hammer head into the ribs, bone-white shards and hot pink fluid bursting frame by frame, Kaijin staggering off-balance. Shot 12 (23–25s) — Fast orbit around Mio and Ren flanking the staggered Kaijin from opposite sides, hook and hammer both rising, overcast light streaking the lens. Shot 13 (25–28s) — Slow motion, Mio driving the hook into Kaijin's shoulder joint and wrenching down with a full-throated scream, burst of hot pink; Ren's hammer follows a half-beat later into the same joint; the mass folds and collapses face-first, torn sailor collar settling in the pink pool. Shot 14 (28–30s) — Pull back to wide. Mio and Ren standing over the corpse, chests heaving, weapons hanging loose; Mio staring at the blue neckerchief in the ichor; a notebook page drifts down past frame — hold, cut to black.

Lex

34,375 次观看 • 1 个月前

Donald Trump has officially TERMINATED the security detail for Anthony Fauci It can’t end there, we need accountability for those who coordinated the Covid Pandemic - Department of Health Admitted Anthony Fauci was ILLEGALLY APPOINTED along with 14 other people - Those 14 people were in large part responsible for sweeping mandates of control issued from December, 2021 to March of 2023 - These are people who were not supposed to have control, taking control and telling the whole country what they had to do during this time - They spent $26 billion when they didn't have the legal right to If people were adversely affected by the choices of the Department of HHS, this should open up a lot of lawsuits against the United States government. This includes businesses that had to close, people that had extreme distress, whether it be physical or emotional. None of this should have happened, it was all ILLEGAL. We were lied to about everything, those who coordinated this need to go to prison
6:20

Donald Trump has officially TERMINATED the security detail for Anthony Fauci It can’t end there, we need accountability for those who coordinated the Covid Pandemic - Department of Health Admitted Anthony Fauci was ILLEGALLY APPOINTED along with 14 other people - Those 14 people were in large part responsible for sweeping mandates of control issued from December, 2021 to March of 2023 - These are people who were not supposed to have control, taking control and telling the whole country what they had to do during this time - They spent $26 billion when they didn't have the legal right to If people were adversely affected by the choices of the Department of HHS, this should open up a lot of lawsuits against the United States government. This includes businesses that had to close, people that had extreme distress, whether it be physical or emotional. None of this should have happened, it was all ILLEGAL. We were lied to about everything, those who coordinated this need to go to prison

Wall Street Apes

423,322 次观看 • 1 年前