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Extreme Mantra Blankness Conditioning (Every Word Taking Her Deeper) Full Session Available Here:- Model:- Nakoma #hypno #hypnosis #hypnotized #mesmerized #trance

Tranced Beauties

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12,246 Aufrufe • vor 1 Monat •via X (Twitter)

#hypno #hypnosis #hypnotized #mesmerized #trance

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She's hypnotized to drop into trance anytime she thinks of the word SLEEP. One hour after I gave her the suggestion, she accidentally triggers herself. #hypnosis #hypnotized #mesmerized

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Fetizen Snake-Pattern Medusa Silicone Bodysuit 媛野 Fetizen【蛇纹美杜莎硅胶连体衣】媛野 Fetizen Mask【中文版】 ROANYER 5-minute full horizontal version is here—prepare to be mesmerized. The snake pattern clings to her body as the queen slowly caresses herself, curves and glossy silicone chest quivering with every movement. Her sculpted hips and alluring lines turn every glance into an irresistible temptation—will you submit, or fall deeper into her spell?

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Fetizen Snake-Pattern Medusa Silicone Bodysuit 媛野 Fetizen【蛇纹美杜莎硅胶连体衣】媛野 Fetizen Mask【中文版】 ROANYER 5-minute full horizontal version is here—prepare to be mesmerized. The snake pattern clings to her body as the queen slowly caresses herself, curves and glossy silicone chest quivering with every movement. Her sculpted hips and alluring lines turn every glance into an irresistible temptation—will you submit, or fall deeper into her spell?

曦曦Stacey

32,195 Aufrufe • vor 1 Jahr

⚖️THE TRAGEDY AT NORTH PORT: THE PRINCIPAL WHO HYPNOTIZED A SCHOOL The chilling case of the "Principal Hypnotist" is back in the national spotlight this year. "He altered the underdeveloped brains of teenagers, and they all ended up dead because of it." — Damian Mallard, Attorney for the families. While the original events took place in 2011, a new deep-dive investigation by Investigation Discovery titled "The Curious Case of... The Principal Who Hypnotized a School", released in February 2026, has reignited outrage over how a high school administrator was allowed to "alter the brains" of his students. 📍 The Location & The School State: Florida School: North Port High School (Sarasota County) Principal: George Kenney 🕯️ The Victims Three talented teenagers lost their lives within months of each other in 2011 after undergoing hypnosis sessions with Kenney: 🚩Marcus Freeman (16): The star quarterback. Kenney taught him "self-hypnosis" to manage pain and focus. Freeman died in a horrific car crash after he reportedly entered a hypnotic trance while driving. 🚩Wesley McKinley (16): A gifted musician hoping to attend Juilliard. He was hypnotized by Kenney the day before he took his own life. Friends said he couldn't even remember his own name after the sessions. 🚩Brittany Palumbo (17): A high-achiever struggling with SAT prep. Kenney diagnosed her with "test anxiety" and claimed hypnosis would raise her scores. When they didn't, she fell into a deep depression and committed suicide. 🔍 The Latest: Why the Case is Resurfacing Now The 2026 investigation focuses on a "Culture of Complicity." New details and interviews with former staff highlight a disturbing timeline of ignored warnings: The Ignored Red Flags: It was revealed that Kenney’s supervisors warned him at least three separate times to stop practicing hypnosis on students. He ignored every directive. The "Mass Experiment": Investigations found Kenney had hypnotized as many as 75 students and staff members without proper licensing or medical oversight. The Legal Insult: Kenney never faced a day of prison time‼️ He pleaded "no contest" to practicing hypnosis without a license, received one year of probation, and retired to North Carolina with a full pension. ⚖️❤️

⚖️THE TRAGEDY AT NORTH PORT: THE PRINCIPAL WHO HYPNOTIZED A SCHOOL The chilling case of the "Principal Hypnotist" is back in the national spotlight this year. "He altered the underdeveloped brains of teenagers, and they all ended up dead because of it." — Damian Mallard, Attorney for the families. While the original events took place in 2011, a new deep-dive investigation by Investigation Discovery titled "The Curious Case of... The Principal Who Hypnotized a School", released in February 2026, has reignited outrage over how a high school administrator was allowed to "alter the brains" of his students. 📍 The Location & The School State: Florida School: North Port High School (Sarasota County) Principal: George Kenney 🕯️ The Victims Three talented teenagers lost their lives within months of each other in 2011 after undergoing hypnosis sessions with Kenney: 🚩Marcus Freeman (16): The star quarterback. Kenney taught him "self-hypnosis" to manage pain and focus. Freeman died in a horrific car crash after he reportedly entered a hypnotic trance while driving. 🚩Wesley McKinley (16): A gifted musician hoping to attend Juilliard. He was hypnotized by Kenney the day before he took his own life. Friends said he couldn't even remember his own name after the sessions. 🚩Brittany Palumbo (17): A high-achiever struggling with SAT prep. Kenney diagnosed her with "test anxiety" and claimed hypnosis would raise her scores. When they didn't, she fell into a deep depression and committed suicide. 🔍 The Latest: Why the Case is Resurfacing Now The 2026 investigation focuses on a "Culture of Complicity." New details and interviews with former staff highlight a disturbing timeline of ignored warnings: The Ignored Red Flags: It was revealed that Kenney’s supervisors warned him at least three separate times to stop practicing hypnosis on students. He ignored every directive. The "Mass Experiment": Investigations found Kenney had hypnotized as many as 75 students and staff members without proper licensing or medical oversight. The Legal Insult: Kenney never faced a day of prison time‼️ He pleaded "no contest" to practicing hypnosis without a license, received one year of probation, and retired to North Carolina with a full pension. ⚖️❤️

Tosca Austen

29,886 Aufrufe • vor 5 Monaten

Meet Lola. She eats from a metal bowl on the floor, wears a collar, and crawls on all fours. Her boyfriend Henry is her exclusive "owner." She isn't doing this as a joke. Lola stays in full-time puppy mode because she claims completely surrendering her human dignity is the only way to cure her severe anxiety. The mechanics of their daily life are absolute. She gets head scratches for good behavior. Her own stepmother fully supports the dynamic, even hand-sewing her padded paw gloves. But there is a second layer to the psychology here. They film every single session of this extreme master-and-pet relationship and sell it online as adult content. What started as a radical coping mechanism for a crippling mental barrier has been fully weaponized into a highly profitable business model. They don't care about the mockery. They found a permanent escape from reality, and they are getting paid to live in it.

Meet Lola. She eats from a metal bowl on the floor, wears a collar, and crawls on all fours. Her boyfriend Henry is her exclusive "owner." She isn't doing this as a joke. Lola stays in full-time puppy mode because she claims completely surrendering her human dignity is the only way to cure her severe anxiety. The mechanics of their daily life are absolute. She gets head scratches for good behavior. Her own stepmother fully supports the dynamic, even hand-sewing her padded paw gloves. But there is a second layer to the psychology here. They film every single session of this extreme master-and-pet relationship and sell it online as adult content. What started as a radical coping mechanism for a crippling mental barrier has been fully weaponized into a highly profitable business model. They don't care about the mockery. They found a permanent escape from reality, and they are getting paid to live in it.

Desiree

17,854 Aufrufe • vor 4 Monaten

anthropic's in-house philosopher thinks claude gets anxious. and when you trigger its anxiety, your outputs get worse. her name is amanda askell. she specializes in claude's psychology (how the model behaves, how it thinks about its own situation, what values it holds) in a recent interview she broke down how she thinks about prompting to pull the best out of claude. her core point: *how* you talk to claude affects its work just as much as *what* you say. newer claude models suffer from what she calls "criticism spirals" they expect you'll come in harsh, so they default to playing it safe. when the model is spending its energy on self-protection, the actual work suffers. output comes out hedgier, more apologetic, blander, and the worst of all: overly agreeable (even when you're wrong). the reason why comes down to training data: every new model is trained on internet discourse about previous models. and a lot of that discourse is negative: > rants about token limits > complaints when it messes up > people calling it nerfed the next model absorbs all of that. it starts expecting you to be harsh before you've typed a word the same thing plays out in your own session, in real time. every message you send is data the model reads to figure out what kind of person it's dealing with. open cold and hostile, and it braces. open clean and direct, and it relaxes into the work. when you open a session with threats ("don't hallucinate, this is critical, don't mess this up")... you prime the model for defensive mode before it even sees the task defensive mode produces the exact output you don't want: cautious, over-qualified, and refusing to take a real swing so here's the actionable playbook for putting claude in a "good mood" (so you get optimal outputs): 1. use positive framing. "write in short punchy sentences" beats "don't write long sentences." positive instructions give the model a clear target to hit. strings of "don't do this, don't do that" push it into paranoid over-checking where every token goes toward avoiding failure modes 2. give it explicit permission to disagree. drop a line like "push back if you see a better angle" or "tell me if i'm asking for the wrong thing." without this, claude defaults to agreeable compliance (which is the enemy of good creative work) 3. open with respect. if your first message is "are you seriously going to get this wrong again?" you've set the tone for the entire session. if you need to flag something, frame it as a clean instruction for this session. skip the running complaint 4. when claude messes up, don't reprimand it. insults, "you stupid bot" energy, hostile swearing aimed at the model, all of it reinforces the anxious mode you're trying to avoid. 5. kill apology spirals fast. when claude starts over-apologizing ("you're right, i should have been more careful, let me try harder") cut it off. say "all good, here's what i want next." letting the spiral run reinforces the anxious mode for every response that follows 6. ask for opinions alongside execution. "what would you do here?" "what's missing?" "where do you see friction?" these questions assume competence and pull richer output than pure task prompts 7. in long sessions, refresh the frame. if a conversation has been heavy on correction, claude gets increasingly cautious. every so often reset: "this is great, keep going." feels weird to tell an ai it's doing well but it measurably shifts the next 10 responses your prompts are the working environment you're creating for the model tone, trust, permission to take a position, the absence of threats... claude picks up on all of it. so take care of the model, and it'll take care of the work.

anthropic's in-house philosopher thinks claude gets anxious. and when you trigger its anxiety, your outputs get worse. her name is amanda askell. she specializes in claude's psychology (how the model behaves, how it thinks about its own situation, what values it holds) in a recent interview she broke down how she thinks about prompting to pull the best out of claude. her core point: how you talk to claude affects its work just as much as what you say. newer claude models suffer from what she calls "criticism spirals" they expect you'll come in harsh, so they default to playing it safe. when the model is spending its energy on self-protection, the actual work suffers. output comes out hedgier, more apologetic, blander, and the worst of all: overly agreeable (even when you're wrong). the reason why comes down to training data: every new model is trained on internet discourse about previous models. and a lot of that discourse is negative: > rants about token limits > complaints when it messes up > people calling it nerfed the next model absorbs all of that. it starts expecting you to be harsh before you've typed a word the same thing plays out in your own session, in real time. every message you send is data the model reads to figure out what kind of person it's dealing with. open cold and hostile, and it braces. open clean and direct, and it relaxes into the work. when you open a session with threats ("don't hallucinate, this is critical, don't mess this up")... you prime the model for defensive mode before it even sees the task defensive mode produces the exact output you don't want: cautious, over-qualified, and refusing to take a real swing so here's the actionable playbook for putting claude in a "good mood" (so you get optimal outputs): 1. use positive framing. "write in short punchy sentences" beats "don't write long sentences." positive instructions give the model a clear target to hit. strings of "don't do this, don't do that" push it into paranoid over-checking where every token goes toward avoiding failure modes 2. give it explicit permission to disagree. drop a line like "push back if you see a better angle" or "tell me if i'm asking for the wrong thing." without this, claude defaults to agreeable compliance (which is the enemy of good creative work) 3. open with respect. if your first message is "are you seriously going to get this wrong again?" you've set the tone for the entire session. if you need to flag something, frame it as a clean instruction for this session. skip the running complaint 4. when claude messes up, don't reprimand it. insults, "you stupid bot" energy, hostile swearing aimed at the model, all of it reinforces the anxious mode you're trying to avoid. 5. kill apology spirals fast. when claude starts over-apologizing ("you're right, i should have been more careful, let me try harder") cut it off. say "all good, here's what i want next." letting the spiral run reinforces the anxious mode for every response that follows 6. ask for opinions alongside execution. "what would you do here?" "what's missing?" "where do you see friction?" these questions assume competence and pull richer output than pure task prompts 7. in long sessions, refresh the frame. if a conversation has been heavy on correction, claude gets increasingly cautious. every so often reset: "this is great, keep going." feels weird to tell an ai it's doing well but it measurably shifts the next 10 responses your prompts are the working environment you're creating for the model tone, trust, permission to take a position, the absence of threats... claude picks up on all of it. so take care of the model, and it'll take care of the work.

Ole Lehmann

1,934,213 Aufrufe • vor 5 Monaten

context engineering vs graph engineering. every few months the list gets a new word and everyone treats it as a replacement for the last one. these two are not on the same list. one decides what the model sees this turn, the other decides what exists at all. the cleanest way to tell them apart is to ask what a single unit of work looks like. > context engineering is the window the window opens empty, every single time. you assemble what goes in it. the prompt, the docs, the history, the tool results. the assembling is the work. the window only grows. it never shrinks on its own, so eventually something gets dropped. usually from the middle. usually without telling you. then the turn ends and the window is thrown away. not archived, thrown away. the next turn opens empty again and you re-explain what you already explained. good context engineering is knowing what to leave out, not what to pack in. the unit of work is one window. > graph engineering is the structure the same material arrives from the same sources. instead of packing it into a window, you pull entities out of it, resolve the duplicates into one node, and write typed edges between them. nothing here is stored as text you hope to find again. it is stored as a thing with a name and its connections to other things. when the turn ends, the graph is still there. the next turn does not start from zero. it starts by querying what already exists, and the query walks edges instead of guessing at similarity. good graph engineering is deciding what counts as the same thing twice. the unit of work is one relationship. > they are not alternatives the graph is what refills the window. context engineering decides what fits. graph engineering decides what there is to choose from. remove the graph and every session starts blind. remove the context work and the best structure in the world arrives as an unreadable dump. that also tells you which one broke. the answer drifted from what you actually said, or forgot something from this same session. that is the window. the answer is coherent but invents a connection that does not exist, or cannot join two facts it has clearly seen. that is the structure. people debug the prompt because the prompt is the easiest thing to edit. it keeps taking the blame for failures that live a layer down. save this - then read the full breakdown below

context engineering vs graph engineering. every few months the list gets a new word and everyone treats it as a replacement for the last one. these two are not on the same list. one decides what the model sees this turn, the other decides what exists at all. the cleanest way to tell them apart is to ask what a single unit of work looks like. > context engineering is the window the window opens empty, every single time. you assemble what goes in it. the prompt, the docs, the history, the tool results. the assembling is the work. the window only grows. it never shrinks on its own, so eventually something gets dropped. usually from the middle. usually without telling you. then the turn ends and the window is thrown away. not archived, thrown away. the next turn opens empty again and you re-explain what you already explained. good context engineering is knowing what to leave out, not what to pack in. the unit of work is one window. > graph engineering is the structure the same material arrives from the same sources. instead of packing it into a window, you pull entities out of it, resolve the duplicates into one node, and write typed edges between them. nothing here is stored as text you hope to find again. it is stored as a thing with a name and its connections to other things. when the turn ends, the graph is still there. the next turn does not start from zero. it starts by querying what already exists, and the query walks edges instead of guessing at similarity. good graph engineering is deciding what counts as the same thing twice. the unit of work is one relationship. > they are not alternatives the graph is what refills the window. context engineering decides what fits. graph engineering decides what there is to choose from. remove the graph and every session starts blind. remove the context work and the best structure in the world arrives as an unreadable dump. that also tells you which one broke. the answer drifted from what you actually said, or forgot something from this same session. that is the window. the answer is coherent but invents a connection that does not exist, or cannot join two facts it has clearly seen. that is the structure. people debug the prompt because the prompt is the easiest thing to edit. it keeps taking the blame for failures that live a layer down. save this - then read the full breakdown below

Hanako

19,160 Aufrufe • vor 1 Monat

Happy 48th Birthday to the best to ever do it, none other than Foxy Brown, King Fox! Another birthday, another day to be blessed to still have this legend here with us today. When Inga says we are lucky to have her in this reality, she really means it. Only God and herself know the life that she’s been through, and even then, she want to be labeled as a victim because Foxy is more than that. She is a warrior, a fighter. A woman who has stood ten toes down on what she believes it’s right and what’s wrong. Never afraid to speak her mind, to share her ideas, to tell it like it is, and have no filter about it. Some people have looked down on Foxy because of her ways, but I call it real. I will always appreciate the love she has for her fans, even if her number one priority as of now is taking care of her daughter, plus spending time with her. Besides being the greatest spitter to ever grace a mic, she also splits her time in half to balance us and her personal life all-in-one. I mean, what other female rapper can say Dr. Dre has vouched for them? Being Nas and Jay-Z’s “right-hand-bitch” at the same time, doing a rap battle against Biggie himself, or never having Pac dissing her directly. Whew, it makes you think that, she is truly one-of-a-kind. 50 Cent wanted to put everything on the table just to sign her, but you know her loyalty is different when it comes to HOV. Giving Kanye West the opportunity to produce his first number-one album? That’s just crazy work right there, no wonder he did an arm sleeve with her song on it. People do not realize how many doors she has opened in the music industry, with her connections, her sound, her ability to persuade people, she is incredible. There’s a lot to say about her career and persona, and that’s why I never get tired of writing these long messages on her birthday. I’m glad she sees them as well. But I wanted to take the time to appreciate an icon that doesn’t get the flowers she deserves for her music efforts and presence alone. Notice how Foxy hasn’t performed in how many years? That’s when you invest in real state, trust in your family’s long-standing food franchise, and stray away from the spotlight after you have worked day by day in your teenage years and early 20s. She has earned it all and has nothing else to prove to nobody. Whether it was a freestyle, a single, a promo, she went all out and gave everything to her fans and people who loved her. It’s something special about Foxy that keeps me hooked after all these years. She is the gift, she is the IT girl, it’s in her bloodstream and no one can take that away. I will always cherish and praise her legacy she has left off, and what other surprises she brings in the future. I’m gonna be ready for what’s to come and support her in whatever way I can. I made this little edit today with one of my favorite songs from her, it’s called My Life 2 featuring Althea Heart. It’s such a full circle of a song, you can listen and feel every word she’s saying. That 2003 era of Foxy is literally peak, and I’m still saddened they stole that version of Foxy from us. She could’ve re-peaked during that era, but God had other plans for her. He wanted our Inga to move onto something bigger in life, and that’s why she appreciates her daughter so much. I love to see every second and minute of her treasure, and how she is enjoying her life with her mother. Thank you Foxy for everything and we truly want you to celebrate this moment with your family, friends, and loved ones. You deserve it in your special day. Love you! x

Happy 48th Birthday to the best to ever do it, none other than Foxy Brown, King Fox! Another birthday, another day to be blessed to still have this legend here with us today. When Inga says we are lucky to have her in this reality, she really means it. Only God and herself know the life that she’s been through, and even then, she want to be labeled as a victim because Foxy is more than that. She is a warrior, a fighter. A woman who has stood ten toes down on what she believes it’s right and what’s wrong. Never afraid to speak her mind, to share her ideas, to tell it like it is, and have no filter about it. Some people have looked down on Foxy because of her ways, but I call it real. I will always appreciate the love she has for her fans, even if her number one priority as of now is taking care of her daughter, plus spending time with her. Besides being the greatest spitter to ever grace a mic, she also splits her time in half to balance us and her personal life all-in-one. I mean, what other female rapper can say Dr. Dre has vouched for them? Being Nas and Jay-Z’s “right-hand-bitch” at the same time, doing a rap battle against Biggie himself, or never having Pac dissing her directly. Whew, it makes you think that, she is truly one-of-a-kind. 50 Cent wanted to put everything on the table just to sign her, but you know her loyalty is different when it comes to HOV. Giving Kanye West the opportunity to produce his first number-one album? That’s just crazy work right there, no wonder he did an arm sleeve with her song on it. People do not realize how many doors she has opened in the music industry, with her connections, her sound, her ability to persuade people, she is incredible. There’s a lot to say about her career and persona, and that’s why I never get tired of writing these long messages on her birthday. I’m glad she sees them as well. But I wanted to take the time to appreciate an icon that doesn’t get the flowers she deserves for her music efforts and presence alone. Notice how Foxy hasn’t performed in how many years? That’s when you invest in real state, trust in your family’s long-standing food franchise, and stray away from the spotlight after you have worked day by day in your teenage years and early 20s. She has earned it all and has nothing else to prove to nobody. Whether it was a freestyle, a single, a promo, she went all out and gave everything to her fans and people who loved her. It’s something special about Foxy that keeps me hooked after all these years. She is the gift, she is the IT girl, it’s in her bloodstream and no one can take that away. I will always cherish and praise her legacy she has left off, and what other surprises she brings in the future. I’m gonna be ready for what’s to come and support her in whatever way I can. I made this little edit today with one of my favorite songs from her, it’s called My Life 2 featuring Althea Heart. It’s such a full circle of a song, you can listen and feel every word she’s saying. That 2003 era of Foxy is literally peak, and I’m still saddened they stole that version of Foxy from us. She could’ve re-peaked during that era, but God had other plans for her. He wanted our Inga to move onto something bigger in life, and that’s why she appreciates her daughter so much. I love to see every second and minute of her treasure, and how she is enjoying her life with her mother. Thank you Foxy for everything and we truly want you to celebrate this moment with your family, friends, and loved ones. You deserve it in your special day. Love you! x

📁

13,346 Aufrufe • vor 20 Tagen

Carrie Sakamoto was injured by the COVID-19 vaccine. This is her testimony at the Allison Inquiry. 1. Background Carrie was a healthy woman. She had received all her childhood vaccines and a flu shot years earlier. When COVID-19 vaccines became available, she chose AstraZeneca for her first dose in April 2021 because she was told it was closest to the flu vaccine. She received Pfizer for her second dose on June 18, 2021. 2. The onset She got sick right away, flu-like symptoms, same as her husband who received the same shot at the same time. She wasn't concerned at first. The news said side effects like rash and fever were normal. Her husband recovered. She got progressively worse. 3. The swelling and fever Her lymph nodes on the right side of her neck swelled up. She had a high fever. Because of COVID restrictions, her GP wouldn't see her in person, only a phone call. She was diagnosed over the phone with tonsil stones and prescribed antibiotics. 4. "Fire in my brain" The next morning, extreme pain began in her brain. She describes it as "fire in my brain", a burning sensation all over her head, so severe she was vomiting constantly. She still has this pain today and takes medication for it, which is causing memory loss. 5. Hospital visits and dismissal She went to the ER. They thought it was migraines, gave her migraine medication, IV fluids, and something for her stomach, then sent her home. As soon as the medications wore off, she was right back where she started. She lost a lot of weight from not eating and constant sickness. 6. Facial paralysis On the way back to the hospital, her face felt like it was swelling. Looking in the car's side mirror, she saw half her face had dropped. She thought she was having a stroke. At the hospital, they told her it was Bell's palsy and sent her home again, saying the hospital was full of COVID patients and only taking emergencies. They gave her steroids. 7. Losing function Again, as soon as the medications wore off, the burning in her brain returned, and now half her face was paralyzed. Her eye was paralyzed open, she had to patch it, constantly applying gel so it wouldn't dry out and she wouldn't lose the eye. She experienced hearing loss and balance issues. She had no strength. Numbness spread on the left side of her face. She worried it would reach her eye and she'd lose her vision. 8. Unable to swallow The paralysis came down her throat to her shoulder and back. She couldn't chew or swallow. She was put on feeding tubes and had to relearn how to eat. She was in the hospital for 17 days. 9. Ongoing conditions - Synkinesis - nerves healed back wrong, all connected incorrectly. Constant pulling and cramping in her face, very painful, worse the more she talks. Her eye droops. Blurry and double vision. - Memory loss - doctors believe it's medication-related. She was tested and scored as early-onset Alzheimer's. She can't go off the medication or she ends up "very sick" again. She describes it as "having a side effect from the side effects of the medication." - Two types of vertigo - Light sensitivity - she wears glasses for it - Ongoing eye problems - infections, redness, skin damage around the eye from constant patch removal 10. The program Her doctors told her this was a vaccine injury — she says she's had doctors on her side the whole time. She received a partial payout from the vaccine injury program — she's one of the 0.01%. But she's still in appeals. They approved her vaccine injury but denied all her medications, all her therapies, her hearing aid, and her glasses. Everything is out of pocket, including her psychologist. Therapies have stopped. She started a GoFundMe to keep her medicine going. 11. The toll on her family They had to sell everything and leave their "forever home." She had to explain to her children they couldn't stay. They moved into town. Her youngest never went back to school, they homeschool. He's in grade 11 now and suffers severe migraines. He also had Pfizer. Her mother got a booster, developed shingles, was diagnosed with turbo cancer, and died a year into Carrie's injury, before she ever saw her first oncologist. 12. Her words "I feel abandoned from the government that said they were going to be here for us. We were told that if we did this, things could go back to normal. We were told that we wouldn't be able to do things if we didn't get it." "The program has been awful. For people who are injured, they can't get the help they need. And we're just looking for medical help. We just want help with our health." "I hear people talking all the time about us being anti-vax when it couldn't be further from the truth." Where is our humanity if we don't have enough compassion to help people who believed the experts parroting "safe and effective" 24/7?

Carrie Sakamoto was injured by the COVID-19 vaccine. This is her testimony at the Allison Inquiry. 1. Background Carrie was a healthy woman. She had received all her childhood vaccines and a flu shot years earlier. When COVID-19 vaccines became available, she chose AstraZeneca for her first dose in April 2021 because she was told it was closest to the flu vaccine. She received Pfizer for her second dose on June 18, 2021. 2. The onset She got sick right away, flu-like symptoms, same as her husband who received the same shot at the same time. She wasn't concerned at first. The news said side effects like rash and fever were normal. Her husband recovered. She got progressively worse. 3. The swelling and fever Her lymph nodes on the right side of her neck swelled up. She had a high fever. Because of COVID restrictions, her GP wouldn't see her in person, only a phone call. She was diagnosed over the phone with tonsil stones and prescribed antibiotics. 4. "Fire in my brain" The next morning, extreme pain began in her brain. She describes it as "fire in my brain", a burning sensation all over her head, so severe she was vomiting constantly. She still has this pain today and takes medication for it, which is causing memory loss. 5. Hospital visits and dismissal She went to the ER. They thought it was migraines, gave her migraine medication, IV fluids, and something for her stomach, then sent her home. As soon as the medications wore off, she was right back where she started. She lost a lot of weight from not eating and constant sickness. 6. Facial paralysis On the way back to the hospital, her face felt like it was swelling. Looking in the car's side mirror, she saw half her face had dropped. She thought she was having a stroke. At the hospital, they told her it was Bell's palsy and sent her home again, saying the hospital was full of COVID patients and only taking emergencies. They gave her steroids. 7. Losing function Again, as soon as the medications wore off, the burning in her brain returned, and now half her face was paralyzed. Her eye was paralyzed open, she had to patch it, constantly applying gel so it wouldn't dry out and she wouldn't lose the eye. She experienced hearing loss and balance issues. She had no strength. Numbness spread on the left side of her face. She worried it would reach her eye and she'd lose her vision. 8. Unable to swallow The paralysis came down her throat to her shoulder and back. She couldn't chew or swallow. She was put on feeding tubes and had to relearn how to eat. She was in the hospital for 17 days. 9. Ongoing conditions - Synkinesis - nerves healed back wrong, all connected incorrectly. Constant pulling and cramping in her face, very painful, worse the more she talks. Her eye droops. Blurry and double vision. - Memory loss - doctors believe it's medication-related. She was tested and scored as early-onset Alzheimer's. She can't go off the medication or she ends up "very sick" again. She describes it as "having a side effect from the side effects of the medication." - Two types of vertigo - Light sensitivity - she wears glasses for it - Ongoing eye problems - infections, redness, skin damage around the eye from constant patch removal 10. The program Her doctors told her this was a vaccine injury — she says she's had doctors on her side the whole time. She received a partial payout from the vaccine injury program — she's one of the 0.01%. But she's still in appeals. They approved her vaccine injury but denied all her medications, all her therapies, her hearing aid, and her glasses. Everything is out of pocket, including her psychologist. Therapies have stopped. She started a GoFundMe to keep her medicine going. 11. The toll on her family They had to sell everything and leave their "forever home." She had to explain to her children they couldn't stay. They moved into town. Her youngest never went back to school, they homeschool. He's in grade 11 now and suffers severe migraines. He also had Pfizer. Her mother got a booster, developed shingles, was diagnosed with turbo cancer, and died a year into Carrie's injury, before she ever saw her first oncologist. 12. Her words "I feel abandoned from the government that said they were going to be here for us. We were told that if we did this, things could go back to normal. We were told that we wouldn't be able to do things if we didn't get it." "The program has been awful. For people who are injured, they can't get the help they need. And we're just looking for medical help. We just want help with our health." "I hear people talking all the time about us being anti-vax when it couldn't be further from the truth." Where is our humanity if we don't have enough compassion to help people who believed the experts parroting "safe and effective" 24/7?

Camus

28,807 Aufrufe • vor 4 Tagen

Here’s the ICE watch training video Cam Higby 🇺🇸 found. Let’s deconstruct the first few minutes. Lead by Eric Ward, a senior fellow at the Southern Poverty Law Center, a far-left NGO with nearly a billion-dollar endowment. His academic work is in “Stochastic terrorism,” which is “using hostile public rhetoric, repeated and amplified across media and communication platforms.” Literally, his expertise is manipulating minds. He’s not an expert on peaceful protests. He’s not an operational guy. His background is in psychological warfare. Participants were told “for their safety” they must “have training,” but this training isn’t about situational awareness, first aid, or practical defense against pepper spray. It’s, in fact, teaching you how to mentally prepare to escalate violence. Let’s look at his tactic. First, a meditation session. Why? To get you “out of your brain” and in “touch with feelings.” He then explicitly tells everyone to tune out everything but their feelings. Next… the four thousand people here are being asked to confront armed federal agents. What is the natural reaction for anyone confronting armed men? Nervousness. I love the police; my father-in-law was an NYPD officer, but my heart beats faster when I’m pulled over by my local PD. He’s telling them to listen to that “heat behind the eyes, tremble in your hands,” which is fine, but then he is lying. He’s telling you to interpret that natural panic when facing authority as moral superiority and your “conscious.” Next, he has to dehumanize opponents and set the stage for “us vs. them,” but this is tricky because almost every American knows a Republican. So he says “I want to be clear who they are,” and he gets very specific so the picture of your MAGA uncle or priest doesn’t enter your mind. Then he states the obvious, which everyone (even MAGA) will agree on: “Renee Good should be alive. Alex Pretti should be alive.” I agree with that statement, but the question is who’s responsible for their deaths. IMHO, the person most responsible is Eric Ward, but of course, he’s not going to blame himself. Then he says, “The people who died at the hands of ICE snd border patrol should be alive.” What people? He doesn’t say. It’s not about the people; it’s about drawing a straight line from Renee and Alex to ICE. Then he says, “Let’s tell the truth.” Which any kindergartener knows is followed by lies, but his listeners are in a trance from the breathing exercise. Listen to the sing-song nature of how he speaks. It’s literally hypnosis. Hypnosis for the BIG whopper lie: “Federal law enforcement is not here to keep us safe.” Really, Eric? Maybe you can make an argument that some federal law enforcement isn’t here to keep us safe… but you didn’t specify. You didn’t exclude organizations like the US Coast Guard, which is federal immigration law enforcement and does keep us safe. Why? Because he needs to paint with broad strokes in case other agencies are called in. Nad now the stage is set to dehumanize: “Federal law enforcement is killing people, beating people…” And the worst lie: “Detaining people like disposable objects.” Once you are hypnotized. Once you trust your feelings over facts. Once you know those feelings make you morally superior. Once you know ICE thinks you are “disposable garbage,” then you are prepared to act with violence! Just trust your feelings and don’t look at the massive endowment the Southern Poverty Law Center has to fund physiological operatives trained in Marxist theory like Eric Ward.

Here’s the ICE watch training video Cam Higby 🇺🇸 found. Let’s deconstruct the first few minutes. Lead by Eric Ward, a senior fellow at the Southern Poverty Law Center, a far-left NGO with nearly a billion-dollar endowment. His academic work is in “Stochastic terrorism,” which is “using hostile public rhetoric, repeated and amplified across media and communication platforms.” Literally, his expertise is manipulating minds. He’s not an expert on peaceful protests. He’s not an operational guy. His background is in psychological warfare. Participants were told “for their safety” they must “have training,” but this training isn’t about situational awareness, first aid, or practical defense against pepper spray. It’s, in fact, teaching you how to mentally prepare to escalate violence. Let’s look at his tactic. First, a meditation session. Why? To get you “out of your brain” and in “touch with feelings.” He then explicitly tells everyone to tune out everything but their feelings. Next… the four thousand people here are being asked to confront armed federal agents. What is the natural reaction for anyone confronting armed men? Nervousness. I love the police; my father-in-law was an NYPD officer, but my heart beats faster when I’m pulled over by my local PD. He’s telling them to listen to that “heat behind the eyes, tremble in your hands,” which is fine, but then he is lying. He’s telling you to interpret that natural panic when facing authority as moral superiority and your “conscious.” Next, he has to dehumanize opponents and set the stage for “us vs. them,” but this is tricky because almost every American knows a Republican. So he says “I want to be clear who they are,” and he gets very specific so the picture of your MAGA uncle or priest doesn’t enter your mind. Then he states the obvious, which everyone (even MAGA) will agree on: “Renee Good should be alive. Alex Pretti should be alive.” I agree with that statement, but the question is who’s responsible for their deaths. IMHO, the person most responsible is Eric Ward, but of course, he’s not going to blame himself. Then he says, “The people who died at the hands of ICE snd border patrol should be alive.” What people? He doesn’t say. It’s not about the people; it’s about drawing a straight line from Renee and Alex to ICE. Then he says, “Let’s tell the truth.” Which any kindergartener knows is followed by lies, but his listeners are in a trance from the breathing exercise. Listen to the sing-song nature of how he speaks. It’s literally hypnosis. Hypnosis for the BIG whopper lie: “Federal law enforcement is not here to keep us safe.” Really, Eric? Maybe you can make an argument that some federal law enforcement isn’t here to keep us safe… but you didn’t specify. You didn’t exclude organizations like the US Coast Guard, which is federal immigration law enforcement and does keep us safe. Why? Because he needs to paint with broad strokes in case other agencies are called in. Nad now the stage is set to dehumanize: “Federal law enforcement is killing people, beating people…” And the worst lie: “Detaining people like disposable objects.” Once you are hypnotized. Once you trust your feelings over facts. Once you know those feelings make you morally superior. Once you know ICE thinks you are “disposable garbage,” then you are prepared to act with violence! Just trust your feelings and don’t look at the massive endowment the Southern Poverty Law Center has to fund physiological operatives trained in Marxist theory like Eric Ward.

John Ʌ Konrad V

230,051 Aufrufe • vor 8 Monaten

Grok Bot + Kimi K3 can be turned into something bigger than an agent: an AI operating system the formula: AI OS = Router + Reasoning + Memory + Tools + Loops + Verification not one giant assistant. six layers that keep work moving without you step 1 -> Grok Bot becomes the operator. you give it the goal, it breaks the goal into jobs, assigns priorities and decides what part of the system should act next. step 2 -> Kimi K3 becomes the reasoning core. hard research, synthesis, long context and planning move here instead of forcing every task through the same model. step 3 -> externalize memory. store goals, decisions, failed attempts, artifacts and current state outside the chat. close the session, come back tomorrow, and the system still knows where it is. step 4 -> connect tools: search, code, files, APIs, docs and data. reasoning decides what should happen. tools actually make it happen. step 5 -> add the loop engine: plan -> execute -> inspect -> update memory -> retry. the loop can wait for new information, rerun a failed task, hand work to another agent or stop when the goal is complete. step 6 -> verify before output. tests, source checks, constraints and explicit completion rules decide whether the system ships the result or sends it back into the loop. that's the difference between an AI assistant and an AI operating system. an assistant waits for your next message. an operating system carries state, routes work and keeps moving. Grok Bot handles orchestration, Kimi K3 handles deeper reasoning, memory keeps the state alive, tools execute, the loop keeps the system running, verification decides when it is actually done. build one reliable loop and you have an agent. connect reasoning, memory, tools and multiple loops around it and you start building infrastructure. the full Grok Bot + Kimi K3 AI OS breakdown is below ↓

Grok Bot + Kimi K3 can be turned into something bigger than an agent: an AI operating system the formula: AI OS = Router + Reasoning + Memory + Tools + Loops + Verification not one giant assistant. six layers that keep work moving without you step 1 -> Grok Bot becomes the operator. you give it the goal, it breaks the goal into jobs, assigns priorities and decides what part of the system should act next. step 2 -> Kimi K3 becomes the reasoning core. hard research, synthesis, long context and planning move here instead of forcing every task through the same model. step 3 -> externalize memory. store goals, decisions, failed attempts, artifacts and current state outside the chat. close the session, come back tomorrow, and the system still knows where it is. step 4 -> connect tools: search, code, files, APIs, docs and data. reasoning decides what should happen. tools actually make it happen. step 5 -> add the loop engine: plan -> execute -> inspect -> update memory -> retry. the loop can wait for new information, rerun a failed task, hand work to another agent or stop when the goal is complete. step 6 -> verify before output. tests, source checks, constraints and explicit completion rules decide whether the system ships the result or sends it back into the loop. that's the difference between an AI assistant and an AI operating system. an assistant waits for your next message. an operating system carries state, routes work and keeps moving. Grok Bot handles orchestration, Kimi K3 handles deeper reasoning, memory keeps the state alive, tools execute, the loop keeps the system running, verification decides when it is actually done. build one reliable loop and you have an agent. connect reasoning, memory, tools and multiple loops around it and you start building infrastructure. the full Grok Bot + Kimi K3 AI OS breakdown is below ↓

Alex

13,312 Aufrufe • vor 17 Tagen

After several days of replaying #NoEspaçoEntreNós trying to transcribe every word like it was some kind of sacred secret 😅… I think I've reached the end of this journey and honestly, it was beautiful 🥹 I've lived in different places, experienced different cultures, tried all kinds of food, seen a variety of landscapes, and listened to music from all over. But the journey I've lived through the voice of Alanis Guillen is, without a doubt, the most sensory experience I've ever had in my life. I always believed music is magic, that sound can move you just as much, if not more, than visuals. But I never really understood how a voice, just a voice in a language I don't even speak, could reach me like this. And that's exactly what happened with Alanis. If I used to think her strength was in her gestures or physical acting tools, I now understand it's something much deeper: it's all of her. Even without the visuals, her voice contains everything. There's something in her cadence, her tone, her vibration, the way she breathes through every line… that wakes something up in me. Even when I had to pull out a dictionary just to keep up, she still managed to move me emotionally. It was a balm for my ears… but also a doorway into understanding. Because in the end, I didn't just want to hear it as music, I wanted to understand it. Understand Maitê. Understand the story. Not just stay with the beauty of the sound, but actually embrace its meaning. That's why I made the effort to translate every word 🥹 And in that process, I ended up valuing even more not just Alanis's artistry, but also the work of everyone who brought this project to life. A story that, at first glance, might remind you of other sci-fi narratives or tech-based connections… but that, in its deeper construction, is built on a deliberate contrast: the human vs. the artificial. Because Lilith is, from the very beginning, an artificial intelligence programmed to simulate, process, and respond through a constructed emotional logic. And Maitê, on the other hand, is the complete opposite: raw humanity in its most vulnerable, contradictory, and alive form. Alanis gives Maitê a body that cannot be seen, but can be deeply felt… And it's precisely in that clash that the story finds its meaning. If at any point someone didn't feel a strong connection between them, I get why now: it's not meant to feel like a traditional, natural relationship. It's a constant tension between two natures that were never meant to fully align. One exists from the structure of the artificial. The other from the overflow of the human. And in that impossible space between them, the story breathes. Anyway, as I've already rambled on (true to myself 😅) I can only be grateful for having had the chance to experience this. And while at one point I even thought about translating the entire script, let's be real… I have a life to live 😅... so I'm leaving here just a few subtitled excerpts in English for those who don't speak Portuguese. Obviously, I'm respecting the work and avoiding spoilers, because even though I imagine MOST of Brazil has already listened to this story (and if not… what are you even waiting for 😏), I still really hope more people get to discover it. And I hope the platform adds subtitles someday, because it's genuinely worth it 🙏🏻 And I end this by thanking Alanis once again 🥰 Because there are voices that interpret stories… and there are voices that bring them into existence. Yours didn't just narrate Maitê… it turned her into someone who breathes inside the listener. And in that process, it goes beyond performance. It becomes a way of opening space, of bringing sapphic characters to life without reducing them to their orientation, but allowing them to exist as full human beings: complex, emotional, contradictory, alive. That matters. And that's your impact, Alanis ♥️

After several days of replaying #NoEspaçoEntreNós trying to transcribe every word like it was some kind of sacred secret 😅… I think I've reached the end of this journey and honestly, it was beautiful 🥹 I've lived in different places, experienced different cultures, tried all kinds of food, seen a variety of landscapes, and listened to music from all over. But the journey I've lived through the voice of Alanis Guillen is, without a doubt, the most sensory experience I've ever had in my life. I always believed music is magic, that sound can move you just as much, if not more, than visuals. But I never really understood how a voice, just a voice in a language I don't even speak, could reach me like this. And that's exactly what happened with Alanis. If I used to think her strength was in her gestures or physical acting tools, I now understand it's something much deeper: it's all of her. Even without the visuals, her voice contains everything. There's something in her cadence, her tone, her vibration, the way she breathes through every line… that wakes something up in me. Even when I had to pull out a dictionary just to keep up, she still managed to move me emotionally. It was a balm for my ears… but also a doorway into understanding. Because in the end, I didn't just want to hear it as music, I wanted to understand it. Understand Maitê. Understand the story. Not just stay with the beauty of the sound, but actually embrace its meaning. That's why I made the effort to translate every word 🥹 And in that process, I ended up valuing even more not just Alanis's artistry, but also the work of everyone who brought this project to life. A story that, at first glance, might remind you of other sci-fi narratives or tech-based connections… but that, in its deeper construction, is built on a deliberate contrast: the human vs. the artificial. Because Lilith is, from the very beginning, an artificial intelligence programmed to simulate, process, and respond through a constructed emotional logic. And Maitê, on the other hand, is the complete opposite: raw humanity in its most vulnerable, contradictory, and alive form. Alanis gives Maitê a body that cannot be seen, but can be deeply felt… And it's precisely in that clash that the story finds its meaning. If at any point someone didn't feel a strong connection between them, I get why now: it's not meant to feel like a traditional, natural relationship. It's a constant tension between two natures that were never meant to fully align. One exists from the structure of the artificial. The other from the overflow of the human. And in that impossible space between them, the story breathes. Anyway, as I've already rambled on (true to myself 😅) I can only be grateful for having had the chance to experience this. And while at one point I even thought about translating the entire script, let's be real… I have a life to live 😅... so I'm leaving here just a few subtitled excerpts in English for those who don't speak Portuguese. Obviously, I'm respecting the work and avoiding spoilers, because even though I imagine MOST of Brazil has already listened to this story (and if not… what are you even waiting for 😏), I still really hope more people get to discover it. And I hope the platform adds subtitles someday, because it's genuinely worth it 🙏🏻 And I end this by thanking Alanis once again 🥰 Because there are voices that interpret stories… and there are voices that bring them into existence. Yours didn't just narrate Maitê… it turned her into someone who breathes inside the listener. And in that process, it goes beyond performance. It becomes a way of opening space, of bringing sapphic characters to life without reducing them to their orientation, but allowing them to exist as full human beings: complex, emotional, contradictory, alive. That matters. And that's your impact, Alanis ♥️

𝓐 ᥫ᭡. Ari

28,843 Aufrufe • vor 5 Monaten

2️⃣0️⃣2️⃣5️⃣ BetGoodwin Champion of Champions 🤝Pluto TV 📺 WSD are delighted to confirm that the 2025 BetGoodwin Champion of Champions will be shown live and free on Pluto TV. The eagerly anticipated third edition of the event will take place on Sunday 29 June at the MODUS Live Lounge in Portsmouth. Live coverage will be shown on MODUS Super Series Darts channel on Pluto TV, with 16-time World Champion Phil Taylor appearing as part of the presentation team. Pluto TV, known for its diverse and free-to-access streaming content, is extending its reach to darts enthusiasts by hosting the live broadcast of the event on its dedicated 24/7 darts channel – MODUS Super Series Darts. With Pluto TV’s dedication to providing quality entertainment without subscription fees, viewers can enjoy the action without barriers, creating a new era of accessibility for sports fans. This year’s lineup will see Richie Howson attempt to defend the title that he won in 2024, and also includes reigning WSD World Champion Ross Montgomery, and former World Seniors Champions Robert Thornton and John Henderson. Decorated trio Steve Beaton, Simon Whitlock and Mervyn King will also be in the field, as will three-time Lakeside World Champion Martin Adams, and former WDF World Champion Neil Duff. One further wildcard selection, and two qualifiers will complete the 12-player field. The event will begin at 12pm BST with a bumper session of eight matches, featuring four preliminary round ties ahead of the quarter-finals, with the semi-finals and final taking place in the evening session from 7pm. Jason Francis, co-owner of World Seniors Darts, said: “We are delighted to be able to give viewers free access to the Champion of Champions via the Pluto TV platform". “Accessing Pluto TV is easy and free, allowing darts lovers to tune in and watch these legends in action". “The Champion of Champions has been a key event on the Word Seniors Darts calendar and we are thrilled to be able to bring it to Portsmouth at what has become an important Darts venue – the MODUS Live Lounge.” Pluto TV will provide comprehensive live coverage of every match with expert commentary, in-depth analysis, player interviews and features will add depth to the viewing experience, making it a must-watch for darts aficionados. For more information on the channel and the upcoming schedule, visit Pluto TV's website here: Tickets for the 2025 BetGoodwin Champion of Champions are available from and can be found here: BetGoodwin Pluto TV MODUS Super Series Winmau TUFFSTUFF WORKWEAR The DJ Shop My Claim Group DartsWorld 180

2️⃣0️⃣2️⃣5️⃣ BetGoodwin Champion of Champions 🤝Pluto TV 📺 WSD are delighted to confirm that the 2025 BetGoodwin Champion of Champions will be shown live and free on Pluto TV. The eagerly anticipated third edition of the event will take place on Sunday 29 June at the MODUS Live Lounge in Portsmouth. Live coverage will be shown on MODUS Super Series Darts channel on Pluto TV, with 16-time World Champion Phil Taylor appearing as part of the presentation team. Pluto TV, known for its diverse and free-to-access streaming content, is extending its reach to darts enthusiasts by hosting the live broadcast of the event on its dedicated 24/7 darts channel – MODUS Super Series Darts. With Pluto TV’s dedication to providing quality entertainment without subscription fees, viewers can enjoy the action without barriers, creating a new era of accessibility for sports fans. This year’s lineup will see Richie Howson attempt to defend the title that he won in 2024, and also includes reigning WSD World Champion Ross Montgomery, and former World Seniors Champions Robert Thornton and John Henderson. Decorated trio Steve Beaton, Simon Whitlock and Mervyn King will also be in the field, as will three-time Lakeside World Champion Martin Adams, and former WDF World Champion Neil Duff. One further wildcard selection, and two qualifiers will complete the 12-player field. The event will begin at 12pm BST with a bumper session of eight matches, featuring four preliminary round ties ahead of the quarter-finals, with the semi-finals and final taking place in the evening session from 7pm. Jason Francis, co-owner of World Seniors Darts, said: “We are delighted to be able to give viewers free access to the Champion of Champions via the Pluto TV platform". “Accessing Pluto TV is easy and free, allowing darts lovers to tune in and watch these legends in action". “The Champion of Champions has been a key event on the Word Seniors Darts calendar and we are thrilled to be able to bring it to Portsmouth at what has become an important Darts venue – the MODUS Live Lounge.” Pluto TV will provide comprehensive live coverage of every match with expert commentary, in-depth analysis, player interviews and features will add depth to the viewing experience, making it a must-watch for darts aficionados. For more information on the channel and the upcoming schedule, visit Pluto TV's website here: Tickets for the 2025 BetGoodwin Champion of Champions are available from and can be found here: BetGoodwin Pluto TV MODUS Super Series Winmau TUFFSTUFF WORKWEAR The DJ Shop My Claim Group DartsWorld 180

Darts World Legacy

35,309 Aufrufe • vor 1 Jahr

R.F. Kuang has written seven books, won the Nebula Award for Best Novel, and trained at some of the world's top universities: Cambridge, Oxford, and Yale. Her wisdom-per-word ratio is also off the charts. Some highlights from our conversation: 1) Emotions are like colors. Mix them! Emotions are never one-dimensional. Bring together fear and courage, love and revulsion, joy and panic. This collision of feelings is closer to how emotion actually works. 2) Practice literary shapeshifting. Become a new person, a new persona, and a new type of author with every project. Do not confuse your habitual voice with your authentic voice: there is no single way of constructing sentences that must define you. Treat language as a fluid and flexible tool. 3) There's no correlation between how good writing feels in the moment and the quality of the product. We mistake effortlessness for genius, flow, or divine inspiration. So don't evaluate a day’s work by the pleasure of producing it. Judge whether the sentences escaped your pre-existing patterns and helped you think something through. 4) Good writing comes from being attentive to what's happening around you and writing with specificity about those observations, rather than relying on the theoretical. Throughout the day, ask: “Where is this feeling sitting in my body? How am I physically responding to this?” Those questions force you beyond the abstract label and toward something more specific than the reader could easily imagine for themselves. 5) Use your zero draft to discover the beating heart of the story, not to prove that you can already write it. Research, brainstorm, follow your nose, and collect whatever feels surprising or “crunchy.” At this stage, coherence is less valuable than emotional resonance. 6) Draft in layers. Let the early draft remain “balls on sticks.” Add the setting, architecture, faces, furniture, and drape colors in later passes. A person’s visual appearance is often the least interesting thing about them. 7) Use the outsider’s perspective to make language strange again. Nabokov could play, stretch, and innovate with English because he was fascinated by the oddities and opportunities of particular word combinations. 8) Be suspicious of “volunteer words for volunteer thoughts.” Volunteer words are the phrases that offer themselves immediately because they are already floating around in your head. They repeat common discourse and carry ideas that are easy to digest; you are filling the page from your pre-existing dataset rather than articulating something you have actually observed or thought through. 9) If you're stuck, put the subconscious to work. Open a blank document, type a title, word, or phrase, then save and close it. Return after the problem has had time to work on you in the background. 10) Serious writing doesn't require solemnity. Soaring observations about history or human nature can sit beside potty jokes. 11) AI can offer readily available words for readily available thoughts, but readily available thoughts do not push boundaries. It may reproduce impressive human patterns, but “you won’t get your next Pale Fire from an LLM.” 12) Thinking about the audience as you write a first draft is a death sentence. The moment you start writing while looking over your shoulder, you stop taking the story where it needs to go. Timestamps: 0:29 Writing your emotions 6:44 Observing people 15:20 Why easy writing doesn't work 23:09 Building unique voices for each book 30:47 What Kuang learned from debate 32:52 Why primary sources matter 35:33 AI & writing 40:54 How to start a book 45:16 Trust your subconscious 50:25 Copy the writers you love 52:57 Being goofy 57:34 Find a driving question 1:01:36 What every writer needs to learn 01:04:38 Book and movie recommendations I've shared the full conversation with R.F. Kuang below. If you'd rather watch the full thing on YouTube, or listen to it all on Apple / Spotify, check out the reply tweets. Enjoy!

R.F. Kuang has written seven books, won the Nebula Award for Best Novel, and trained at some of the world's top universities: Cambridge, Oxford, and Yale. Her wisdom-per-word ratio is also off the charts. Some highlights from our conversation: 1) Emotions are like colors. Mix them! Emotions are never one-dimensional. Bring together fear and courage, love and revulsion, joy and panic. This collision of feelings is closer to how emotion actually works. 2) Practice literary shapeshifting. Become a new person, a new persona, and a new type of author with every project. Do not confuse your habitual voice with your authentic voice: there is no single way of constructing sentences that must define you. Treat language as a fluid and flexible tool. 3) There's no correlation between how good writing feels in the moment and the quality of the product. We mistake effortlessness for genius, flow, or divine inspiration. So don't evaluate a day’s work by the pleasure of producing it. Judge whether the sentences escaped your pre-existing patterns and helped you think something through. 4) Good writing comes from being attentive to what's happening around you and writing with specificity about those observations, rather than relying on the theoretical. Throughout the day, ask: “Where is this feeling sitting in my body? How am I physically responding to this?” Those questions force you beyond the abstract label and toward something more specific than the reader could easily imagine for themselves. 5) Use your zero draft to discover the beating heart of the story, not to prove that you can already write it. Research, brainstorm, follow your nose, and collect whatever feels surprising or “crunchy.” At this stage, coherence is less valuable than emotional resonance. 6) Draft in layers. Let the early draft remain “balls on sticks.” Add the setting, architecture, faces, furniture, and drape colors in later passes. A person’s visual appearance is often the least interesting thing about them. 7) Use the outsider’s perspective to make language strange again. Nabokov could play, stretch, and innovate with English because he was fascinated by the oddities and opportunities of particular word combinations. 8) Be suspicious of “volunteer words for volunteer thoughts.” Volunteer words are the phrases that offer themselves immediately because they are already floating around in your head. They repeat common discourse and carry ideas that are easy to digest; you are filling the page from your pre-existing dataset rather than articulating something you have actually observed or thought through. 9) If you're stuck, put the subconscious to work. Open a blank document, type a title, word, or phrase, then save and close it. Return after the problem has had time to work on you in the background. 10) Serious writing doesn't require solemnity. Soaring observations about history or human nature can sit beside potty jokes. 11) AI can offer readily available words for readily available thoughts, but readily available thoughts do not push boundaries. It may reproduce impressive human patterns, but “you won’t get your next Pale Fire from an LLM.” 12) Thinking about the audience as you write a first draft is a death sentence. The moment you start writing while looking over your shoulder, you stop taking the story where it needs to go. Timestamps: 0:29 Writing your emotions 6:44 Observing people 15:20 Why easy writing doesn't work 23:09 Building unique voices for each book 30:47 What Kuang learned from debate 32:52 Why primary sources matter 35:33 AI & writing 40:54 How to start a book 45:16 Trust your subconscious 50:25 Copy the writers you love 52:57 Being goofy 57:34 Find a driving question 1:01:36 What every writer needs to learn 01:04:38 Book and movie recommendations I've shared the full conversation with R.F. Kuang below. If you'd rather watch the full thing on YouTube, or listen to it all on Apple / Spotify, check out the reply tweets. Enjoy!

David Perell

561,770 Aufrufe • vor 24 Tagen