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Firstly, I agree with this video—why would UMG have a problem with kendrick and Pusha T being on the same album?🤔 Secondly, maybe UMG is just trying to maximize profits off this beef. Why waste Kendrick and Pusha on the same diss when they can drop separately and double... the drama—and the dollars? Both still have one more diss in the chamber to shove down our throats before the public finally checks out. Also—let’s be real. Roc Nation might be managing Pusha now, but UMG is still the distributor behind his music. They’re playing both sides, just under different banners🤣 And, of course, they’ll milk the moment heavily when the SZA tour hits Toronto. Drake Drake Drake—always the centerpiece😏show more

industrypolitics

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10,675 görüntüleme • 1 yıl önce •via X (Twitter)

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Rap Rhetoric profil fotoğrafı

Rap Rhetoric1 yıl önce

For people that pretend it’s a frivolous lawsuit they sure do seems nervous eh? 😂 crazy people are so blinded by hate they ignore these signs.

industrypolitics profil fotoğrafı

industrypolitics1 yıl önce

We already know the restrictions placed on Drake. I swear, this level of hate directed at him is unbelievable and should be studied 😅it makes no sense. But I think that when you're young, wealthy, and exceptionally talented, there will always be haters—driven by jealousy.

Seven Eleven Records profil fotoğrafı

Seven Eleven Records1 yıl önce

Discover fresh lo-fi, chill songs, and beats from rising artists 🔥🎧 - updated weekly to keep you in the flow. 🎵 Listen now and vibe with us! #Spotifyplaylist ⬇️

Jokerbrad🃏 profil fotoğrafı

Jokerbrad🃏1 yıl önce

Great Video Love The Breakdown that’s some of the same thinking I had once that rhetoric was spewed from the other side Definitely spot on 💯

industrypolitics profil fotoğrafı

industrypolitics1 yıl önce

I feel ya! His videos are long, and I love how he deep dives 💯🦉

stevonajlovingme❤️🌺 profil fotoğrafı

stevonajlovingme❤️🌺1 yıl önce

I agree!💯 they also played their hand by showing they do have the leverage to censor lyrics!

industrypolitics profil fotoğrafı

industrypolitics1 yıl önce

Yes, I agree. That was one big takeaway from this week. It was very eye-opening. I had to edit the post twice😅thank you👑 for catching that mistake. I appreciate you🦉

Mainecrypto profil fotoğrafı

Mainecrypto1 yıl önce

They need to send an invoice to drake

407Siah profil fotoğrafı

407Siah1 yıl önce

Y’all need some inner peace lol they not taking shots at Drake y’all just paranoid

Shawn P profil fotoğrafı

Shawn P1 yıl önce

UMG didn’t clear the a story of Adidon, he released it on SoundCloud because they wouldn’t have and that comes to drakes point about “not like us”.

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dj akademiks reacts to Pusha T revealing that Def Jam attempted to censor a Kendrick Lamar verse on their forthcoming album. Is this connected to the ongoing lawsuit between Drake and Universal Music Group (UMG)

dj akademiks reacts to Pusha T revealing that Def Jam attempted to censor a Kendrick Lamar verse on their forthcoming album. Is this connected to the ongoing lawsuit between Drake and Universal Music Group (UMG)

joebuddenclips/fanpage

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Joe Budden Podcast discusses the recent GQ interview with Clipse, where Pusha T revealed that Def Jam attempted to censor a Kendrick Lamar verse on their forthcoming album. Is this connected to the ongoing lawsuit between Drake and Universal Music Group (UMG)

Joe Budden Podcast discusses the recent GQ interview with Clipse, where Pusha T revealed that Def Jam attempted to censor a Kendrick Lamar verse on their forthcoming album. Is this connected to the ongoing lawsuit between Drake and Universal Music Group (UMG)

joebuddenclips/fanpage

125,906 görüntüleme • 1 yıl önce

So this whole ugly beef really started because Kendrick was given the Big 3 moment and he publicly rejected it with “it’s just big me.” Kendrick was just refusing a hierarchy. Now there is rumors of Kendrick being on a J. Cole album with Drake after all this supposed “culture war.” So what was the point of all that division? all that moral grandstanding? I guess it was just about positioning. I believe, the industry needed a counterweight to Drake, someone they can market as the “pure” alternative, and Kendrick was it. Here’s why I think Drizzy should never do a project with Kendrick nearby: When Drake shows up- he brings the world with him-streams, playlists, headlines, and attention. If Drake were on an album with Kendrick, Drake would activate the culture, but the story would become “Kendrick outshined him,” even if Drake made the actual hits. That’s how narratives work. Drake would create the success, and Kendrick would get the credit, just like what happened in the beef. That power trip beef by UMG was all about narrative laundering. So Drake staying away is the smart move. Without Drake, Kendrick has to stand on his music alone, no giant spotlight, no built-in villain, no automatic attention from being next to the biggest star in the genre. Look at that Playboi Carti project: no Drake, no real peak, no lasting impact. And that’s exactly what Kendrick’s team doesn’t want tested, again. At the end of the day, it’s simple: Drake doesn’t need Kendrick to win. Kendrick needs Drake to matter. And that imbalance is what this whole “beef” was really built on. 🦉

So this whole ugly beef really started because Kendrick was given the Big 3 moment and he publicly rejected it with “it’s just big me.” Kendrick was just refusing a hierarchy. Now there is rumors of Kendrick being on a J. Cole album with Drake after all this supposed “culture war.” So what was the point of all that division? all that moral grandstanding? I guess it was just about positioning. I believe, the industry needed a counterweight to Drake, someone they can market as the “pure” alternative, and Kendrick was it. Here’s why I think Drizzy should never do a project with Kendrick nearby: When Drake shows up- he brings the world with him-streams, playlists, headlines, and attention. If Drake were on an album with Kendrick, Drake would activate the culture, but the story would become “Kendrick outshined him,” even if Drake made the actual hits. That’s how narratives work. Drake would create the success, and Kendrick would get the credit, just like what happened in the beef. That power trip beef by UMG was all about narrative laundering. So Drake staying away is the smart move. Without Drake, Kendrick has to stand on his music alone, no giant spotlight, no built-in villain, no automatic attention from being next to the biggest star in the genre. Look at that Playboi Carti project: no Drake, no real peak, no lasting impact. And that’s exactly what Kendrick’s team doesn’t want tested, again. At the end of the day, it’s simple: Drake doesn’t need Kendrick to win. Kendrick needs Drake to matter. And that imbalance is what this whole “beef” was really built on. 🦉

industrypolitics

55,197 görüntüleme • 6 ay önce

Drake has been in 3 public beefs and in both Pusha T and Meek Mill beefs there was no label involvement. The reason why there’s a lawsuit with UMG is because the label got involved in promoting Kendrick’s smear campaign to defame him with pedophile allegations. It’s that simple.

Drake has been in 3 public beefs and in both Pusha T and Meek Mill beefs there was no label involvement. The reason why there’s a lawsuit with UMG is because the label got involved in promoting Kendrick’s smear campaign to defame him with pedophile allegations. It’s that simple.

Akademiks TV

415,719 görüntüleme • 1 yıl önce

🚨 Damizza breaks down the botting era in streaming — and why Drake is the perfect case study. When an artist gets TOO BIG, the label (UMG) has to negotiate with them… and it flips the power dynamic. 👉 This is the SAME tension at the heart of Drake’s lawsuit vs. UMG.

🚨 Damizza breaks down the botting era in streaming — and why Drake is the perfect case study. When an artist gets TOO BIG, the label (UMG) has to negotiate with them… and it flips the power dynamic. 👉 This is the SAME tension at the heart of Drake’s lawsuit vs. UMG.

a - p o x

17,509 görüntüleme • 10 ay önce

Pusha T and N.O.R.E. are now beefing over Drake and Pharrell Williams?👀🤯🔥🥩 N.O.R.E. recently unloaded on Pusha T after Pusha took issue with something N.O.R.E. said on air and it spiraled into a pretty revealing snippet about loyalty, ego, and the broader Drake vs. Pusha T saga. During an appearance on the Brilliant Idiots podcast with Charlamagne Tha God and Andrew Schulz, N.O.R.E. revisited an old moment from when he hosted Pharrell Williams on Drink Champs. He had asked Pharrell to pick a side between Pusha and Drake two MCs with a long-standing feud rooted in some of hip-hop’s most notorious diss tracks and Pharrell responded by basically saying he liked both. That was enough to set Pusha off, according to N.O.R.E. N.O.R.E. recounts that Pusha called him pissed off afterward, essentially saying, “How could Pharrell not pick me? Drake would’ve chosen me.” N.O.R.E.’s take was that it wasn’t some hush-hush phone call between two guys with a personal problem this beef had been public for years, a “schoolyard” spectacle that wasn’t private by any stretch. He stressed that talking about it wasn’t off-record. He even laughed about it, saying he’d only shut up to let Pusha vent because the whole thing stemmed from Pharrell not answering the loyalty question the way Pusha expected. According to N.O.R.E., that reaction so intense over a producer not picking sides was wild to him, especially given how public the Pusha-Drake beef has always been. Pusha T’s camp didn’t just sit quiet, either. Afterward, Pusha reportedly questioned why N.O.R.E. would put the conversation out there, implying it should have stayed between the people involved despite the fact that the beef between him and Drake has been one of hip-hop’s most public feuds for years. For extra context: Pusha T and Drake’s beef dates back over a decade and has included some of the genre’s most crazy moments including Pusha revealing Drake’s son in “The Story of Adidon” back in 2018, a diss move that upended Drake’s public image and is still tied to how people see their beef.

Pusha T and N.O.R.E. are now beefing over Drake and Pharrell Williams?👀🤯🔥🥩 N.O.R.E. recently unloaded on Pusha T after Pusha took issue with something N.O.R.E. said on air and it spiraled into a pretty revealing snippet about loyalty, ego, and the broader Drake vs. Pusha T saga. During an appearance on the Brilliant Idiots podcast with Charlamagne Tha God and Andrew Schulz, N.O.R.E. revisited an old moment from when he hosted Pharrell Williams on Drink Champs. He had asked Pharrell to pick a side between Pusha and Drake two MCs with a long-standing feud rooted in some of hip-hop’s most notorious diss tracks and Pharrell responded by basically saying he liked both. That was enough to set Pusha off, according to N.O.R.E. N.O.R.E. recounts that Pusha called him pissed off afterward, essentially saying, “How could Pharrell not pick me? Drake would’ve chosen me.” N.O.R.E.’s take was that it wasn’t some hush-hush phone call between two guys with a personal problem this beef had been public for years, a “schoolyard” spectacle that wasn’t private by any stretch. He stressed that talking about it wasn’t off-record. He even laughed about it, saying he’d only shut up to let Pusha vent because the whole thing stemmed from Pharrell not answering the loyalty question the way Pusha expected. According to N.O.R.E., that reaction so intense over a producer not picking sides was wild to him, especially given how public the Pusha-Drake beef has always been. Pusha T’s camp didn’t just sit quiet, either. Afterward, Pusha reportedly questioned why N.O.R.E. would put the conversation out there, implying it should have stayed between the people involved despite the fact that the beef between him and Drake has been one of hip-hop’s most public feuds for years. For extra context: Pusha T and Drake’s beef dates back over a decade and has included some of the genre’s most crazy moments including Pusha revealing Drake’s son in “The Story of Adidon” back in 2018, a diss move that upended Drake’s public image and is still tied to how people see their beef.

Diverse Mentality

103,340 görüntüleme • 6 ay önce

Here come the army of bots-dissecting and performing CPR for kendrick on every Drake drop. Just look at them playing possum with each other-acting, skirting around 'Nokia' and '$$$4U- album. Only one truth slipped through: radio play still decides who hits #1 or not. UMG controls the system- but Drake has the real people, and thats something they can’t manufacture. PND & Drake =classic🔥🔥

Here come the army of bots-dissecting and performing CPR for kendrick on every Drake drop. Just look at them playing possum with each other-acting, skirting around 'Nokia' and '$$$4U- album. Only one truth slipped through: radio play still decides who hits #1 or not. UMG controls the system- but Drake has the real people, and thats something they can’t manufacture. PND & Drake =classic🔥🔥

industrypolitics

11,244 görüntüleme • 1 yıl önce

This beef between #Kendrick and #Drake could be completely orchestrated by the elites. 🥩 I mean two of the top artist on the same label? Why now? 🤔 I may have some answers to this.

This beef between #Kendrick and #Drake could be completely orchestrated by the elites. 🥩 I mean two of the top artist on the same label? Why now? 🤔 I may have some answers to this.

The Maverick Approach

324,853 görüntüleme • 2 yıl önce

🎤 DJ Akademiks Breaks Down Pusha T’s Comments on Diss Tracks Last night on stream, DJ Akademiks reacted to Pusha T’s recent interview where Push said he’s done with diss tracks because they allegedly “don’t work like they used to.” 📉 Pusha T’s Take Pusha T claims diss records no longer hold weight: •Back then, a diss could end careers •Today, they only feed online discourse •He says the stakes are low, conflict feels pointless, and he’s past that era •Push says he doesn’t even want to make music with people right now, let alone diss them 🎙️ Akademiks Responds Ak wasted NO time calling cap: 1. “Push, you’re only talked about when you drop a diss.” Ak says Pusha T’s biggest cultural moments weren’t albums they were beefs: •The Drake “Story of Adidon” moment •Sneak disses toward Wayne, Kanye, and Travis Scott •Daytona was fire, but the world talked more about the disses. 2. Diss records were never about ending careers. Ak argues diss tracks historically adjust hierarchy they don’t erase superstars. •Drake didn’t stop after “Adidon” •Jay-Z didn’t fall off after “Ether” •Careers only died when the entire industry joined in (like Ja Rule) 3. “Y’all are one trick ponies.” Ak says Push and Kendrick can’t replace Drake because: •They don’t make music for women •They don’t have hits on hits •They’re not as versatile •They don’t drop consistently •They don’t play the fame game or carry the culture year round 4. To beat Drake, you need a ‘Super Drake.’ Ak’s argument: “You can’t destroy a regime without having a new regime ready.” Drake didn’t stay #1 off rap alone he stayed #1 off versatility, consistency, pop appeal, vulnerability, and nonstop presence. 5. “Never hate the guy with more if you won’t work as hard.” Ak says Kendrick and Push hate the machine Drake built, but won’t do the same work to compete with it — which is why Drake remains untouched. 🔥 Ak’s Closing Message •Diss tracks still matter. •Beef still moves culture. •But you need hits, visibility, and range to replace the guy you’re trying to take down. And in 2024–25, nobody has that full package besides Drake. 💭 My Opinion Diss tracks and beefs don’t work like they used to because labels no longer control every single outlet. Back in the 90s and early 2000s, artists relied on the industry for radio, TV, press, and distribution. Today, social media gives every artist their own platform, their own fanbase, and their own lanes to survive even during beef. Artists don’t disappear anymore because the old gatekeepers don’t have that kind of control.

🎤 DJ Akademiks Breaks Down Pusha T’s Comments on Diss Tracks Last night on stream, DJ Akademiks reacted to Pusha T’s recent interview where Push said he’s done with diss tracks because they allegedly “don’t work like they used to.” 📉 Pusha T’s Take Pusha T claims diss records no longer hold weight: •Back then, a diss could end careers •Today, they only feed online discourse •He says the stakes are low, conflict feels pointless, and he’s past that era •Push says he doesn’t even want to make music with people right now, let alone diss them 🎙️ Akademiks Responds Ak wasted NO time calling cap: 1. “Push, you’re only talked about when you drop a diss.” Ak says Pusha T’s biggest cultural moments weren’t albums they were beefs: •The Drake “Story of Adidon” moment •Sneak disses toward Wayne, Kanye, and Travis Scott •Daytona was fire, but the world talked more about the disses. 2. Diss records were never about ending careers. Ak argues diss tracks historically adjust hierarchy they don’t erase superstars. •Drake didn’t stop after “Adidon” •Jay-Z didn’t fall off after “Ether” •Careers only died when the entire industry joined in (like Ja Rule) 3. “Y’all are one trick ponies.” Ak says Push and Kendrick can’t replace Drake because: •They don’t make music for women •They don’t have hits on hits •They’re not as versatile •They don’t drop consistently •They don’t play the fame game or carry the culture year round 4. To beat Drake, you need a ‘Super Drake.’ Ak’s argument: “You can’t destroy a regime without having a new regime ready.” Drake didn’t stay #1 off rap alone he stayed #1 off versatility, consistency, pop appeal, vulnerability, and nonstop presence. 5. “Never hate the guy with more if you won’t work as hard.” Ak says Kendrick and Push hate the machine Drake built, but won’t do the same work to compete with it — which is why Drake remains untouched. 🔥 Ak’s Closing Message •Diss tracks still matter. •Beef still moves culture. •But you need hits, visibility, and range to replace the guy you’re trying to take down. And in 2024–25, nobody has that full package besides Drake. 💭 My Opinion Diss tracks and beefs don’t work like they used to because labels no longer control every single outlet. Back in the 90s and early 2000s, artists relied on the industry for radio, TV, press, and distribution. Today, social media gives every artist their own platform, their own fanbase, and their own lanes to survive even during beef. Artists don’t disappear anymore because the old gatekeepers don’t have that kind of control.

Cousin Tino ™️

43,151 görüntüleme • 7 ay önce

Glasses Malone FINALLY snatched the lil’ training wheels off & aired out the FULL CLIP on Drake vs Kendrick AND Drake vs UMG on “The Lunch Hour” podcast yesterday… If the Drake stans & fanboys cosplayin’ as “media” really loved The Canadian 🦉… y’all would be BEGGIN’ that man to log off, touch grass, & avoid the same type ending that’s been the ONLY ending in the music biz since the music biz existed…. But I digress….

Glasses Malone FINALLY snatched the lil’ training wheels off & aired out the FULL CLIP on Drake vs Kendrick AND Drake vs UMG on “The Lunch Hour” podcast yesterday… If the Drake stans & fanboys cosplayin’ as “media” really loved The Canadian 🦉… y’all would be BEGGIN’ that man to log off, touch grass, & avoid the same type ending that’s been the ONLY ending in the music biz since the music biz existed…. But I digress….

THE BIG HOMIES BIG HOMIE

112,263 görüntüleme • 11 ay önce

If you don't have youtube and need to log in to watch, full upload here... Drake is going to WAR with UMG! But I think we misunderstood Drake's real intentions in his battle with Kendrick Lamar...Mal might've accidentally revealed that Drake wanted to bait Kendrick into the NLU allegations when he said Drake said screw the rules and went personal despite an apparent agreement to not "take it there." I even have evidence from his lyrics on Scary Hours For All The Dogs edition that point to Drake knowing this UMG hit was coming before Like That was even dropped! I think he wanted to bait Kendrick so he could set himself up for a lawsuit settlement with UMG that would allow him to receive a record settlement that would fund his move to go independent! If Drake knew UMG would set him up, and then devised a plan to flip the script... call me crazy, but that sounds like the PLOT TWIST we all pondered! There's a LOT OF EVIDENCE, this isn't just some theory based solely off the Mal clip, so check it out and let me know if I'm on to something...

If you don't have youtube and need to log in to watch, full upload here... Drake is going to WAR with UMG! But I think we misunderstood Drake's real intentions in his battle with Kendrick Lamar...Mal might've accidentally revealed that Drake wanted to bait Kendrick into the NLU allegations when he said Drake said screw the rules and went personal despite an apparent agreement to not "take it there." I even have evidence from his lyrics on Scary Hours For All The Dogs edition that point to Drake knowing this UMG hit was coming before Like That was even dropped! I think he wanted to bait Kendrick so he could set himself up for a lawsuit settlement with UMG that would allow him to receive a record settlement that would fund his move to go independent! If Drake knew UMG would set him up, and then devised a plan to flip the script... call me crazy, but that sounds like the PLOT TWIST we all pondered! There's a LOT OF EVIDENCE, this isn't just some theory based solely off the Mal clip, so check it out and let me know if I'm on to something...

Rap Rhetoric

48,233 görüntüleme • 1 yıl önce

It seems Kendrick might have had a mole in his camp and that Drake was the one who was tapped in. Either Kendrick team directly or his label workers cause we know there was whistleblowers at UMG letting Drake know about the shady plays. Haha, Kendrick said what if OVO was working for me and by that he snitched on himself by indirectly saying he had the label giving him the keys. Now as things become more clear, this shit is starting to flip. Don’t worry, Kendrick is free to do / say whatever, the real war is with UMG.

It seems Kendrick might have had a mole in his camp and that Drake was the one who was tapped in. Either Kendrick team directly or his label workers cause we know there was whistleblowers at UMG letting Drake know about the shady plays. Haha, Kendrick said what if OVO was working for me and by that he snitched on himself by indirectly saying he had the label giving him the keys. Now as things become more clear, this shit is starting to flip. Don’t worry, Kendrick is free to do / say whatever, the real war is with UMG.

Hip-Hop Unison

82,628 görüntüleme • 11 ay önce

🚨 Akademiks explains why UMG keeps taking down Drake clips/videos across Twitter & allegedly refused to fully “whitelist” his music on YouTube Ak says Drake’s music rights are handled through IFPI as part of his deal with Universal… claiming UMG aggressively monetizes EVERY Drake upload because his catalog generates too much money to let content spread freely Ak also alleges Drake’s team asked UMG to loosen restrictions after seeing Kendrick content freely circulate during the beef… but says UMG essentially chose to monetize everything instead “Not Universal when it comes to Drake. They look at it like… this is the bag.”

🚨 Akademiks explains why UMG keeps taking down Drake clips/videos across Twitter & allegedly refused to fully “whitelist” his music on YouTube Ak says Drake’s music rights are handled through IFPI as part of his deal with Universal… claiming UMG aggressively monetizes EVERY Drake upload because his catalog generates too much money to let content spread freely Ak also alleges Drake’s team asked UMG to loosen restrictions after seeing Kendrick content freely circulate during the beef… but says UMG essentially chose to monetize everything instead “Not Universal when it comes to Drake. They look at it like… this is the bag.”

CY Chels

47,044 görüntüleme • 1 ay önce

DJ Akademiks explains why he thinks it would be unwise for Kendrick Lamar to surprise drop an album on the same day Drake is dropping "ICEMAN" 👀 "I think it would be the worst decision of his life... It would only degrade Kendrick as never being greater than Drake, but just only being the person to compete with Drake. He has to get out of that." (Via VladTV)

DJ Akademiks explains why he thinks it would be unwise for Kendrick Lamar to surprise drop an album on the same day Drake is dropping "ICEMAN" 👀 "I think it would be the worst decision of his life... It would only degrade Kendrick as never being greater than Drake, but just only being the person to compete with Drake. He has to get out of that." (Via VladTV)

HotNewHipHop

187,189 görüntüleme • 2 ay önce

Odell Beckham Jr. shares his thoughts on the Drake & Kendrick beef, and why he sides more with Drake: “At the end of the day, we’re talking about Drake. He’s the one… It’s always been more love this way. I don’t have no hate for nobody, but he was my boy”

Odell Beckham Jr. shares his thoughts on the Drake & Kendrick beef, and why he sides more with Drake: “At the end of the day, we’re talking about Drake. He’s the one… It’s always been more love this way. I don’t have no hate for nobody, but he was my boy”

ALMIGHTEE.

403,533 görüntüleme • 10 ay önce

Tory Lanez says Drake's legal battle with UMG is to start a revolution, and he says he didn't diss Kendrick on the DDG song, but he wishes he was in Drake's shoes to battle Kendrick Lamar "what Drake is doing... he's really doing this for the rest of us artists... and you feel like he's doing this because he lost the battle but being a man that knows him... hes like a war general... it wasn't a Kendrick diss it was an anybody diss... I love to compete... sometimes I wish I could have jumped in Drizzy's shoes and did the beef for him..." (via Full Send Podcast)

Tory Lanez says Drake's legal battle with UMG is to start a revolution, and he says he didn't diss Kendrick on the DDG song, but he wishes he was in Drake's shoes to battle Kendrick Lamar "what Drake is doing... he's really doing this for the rest of us artists... and you feel like he's doing this because he lost the battle but being a man that knows him... hes like a war general... it wasn't a Kendrick diss it was an anybody diss... I love to compete... sometimes I wish I could have jumped in Drizzy's shoes and did the beef for him..." (via Full Send Podcast)

Victor Baez | Club Ambition

2,467,703 görüntüleme • 1 yıl önce

🚨 Akademiks breaks down why Drake, Kendrick & J. Cole aren’t in “traditional” record deals and how their paths split Ak explains Drake renegotiated years ago and now owns a portion of his masters, which is why releases list OVO first, then licensed exclusively to Republic/UMG. Drake still operates inside the major-label system because he’s chasing $600M–$1B-level leverage. Ak says Kendrick and Cole took a different route with distribution style deals, more ownership, less traditional label dependence while Drake stays partially “inside” the machine to maximize scale.

🚨 Akademiks breaks down why Drake, Kendrick & J. Cole aren’t in “traditional” record deals and how their paths split Ak explains Drake renegotiated years ago and now owns a portion of his masters, which is why releases list OVO first, then licensed exclusively to Republic/UMG. Drake still operates inside the major-label system because he’s chasing $600M–$1B-level leverage. Ak says Kendrick and Cole took a different route with distribution style deals, more ownership, less traditional label dependence while Drake stays partially “inside” the machine to maximize scale.

CY Chels

233,534 görüntüleme • 5 ay önce