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Floyd Mayweather reveals why he wrote an $18,000,000 check “Those are quick little temporary checks. I told them, ‘Give me 12,’ because if anybody knows about business, you don't keep that type of money in a regular account” “I wired the money to the account and went straight to...

711,663 Aufrufe • vor 4 Monaten •via X (Twitter)

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Shaq reveals how he spent the first $1,000,000 he made in 30 minutes on accident “​​I received a million dollars from a card deal, and I had always wanted a black Mercedes-Benz. So I got the check. Actually, I didn’t even look at the check. I just took it to the bank and signed the papers. I didn’t even realize the check actually said $650,000 and all that. But we’ll get back to that.” “I went straight to the dealership. I had no negotiating skills. I said, ‘How much is this Benz?’ The dude said, ‘$150,000.’ So in my mind, $1 million minus $150,000, I’m still rich. I’ve still got $850,000 left.” “So I get the Benz and go home showing it off to my dad. My dad says, ‘Man, I wish I had one of these.’ I said, ‘You know what? Come on.’ So we jump in the car, go back to the dealership, and I get him the exact same Benz. Now $850,000 minus $150,000, I’ve still got $700,000 left. I’m rich.” “We come back home, and then my mom says the same thing. So we go get her a Benz too, about $100,000. Now in my mind I’ve still got $600,000 left.” “After I take care of them, now I’ve got to go get the jewelry and the rings. I buy about 20 draft suits. I rent this high-rise apartment in San Antonio for a year. I don’t even know why I did it for a year because I wasn’t even staying there. But I just paid it all up front.” “A couple days later, the bank manager called me in. He said, ‘Mr. O’Neal, I don’t want you to be like all these athletes who get money and then go broke.’ I’m like, ‘Yeah, yeah, yeah, yeah.’ Then he showed me the bank statement.” “I saw FICA on there, and FICA had taken so much money. I’d heard all these horror stories about agents stealing money and accountants stealing money, so I looked at the banker and said, ‘Who the hell is FICA?’” “He said, ‘Mr. O’Neal, you need to educate yourself.’ After that I said, ‘You know what? I need to slow down.’ And that’s a true story.”

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George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

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577,039 Aufrufe • vor 7 Monaten