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Found It! What's Next? ProSauce Finder | Her Name " Shirato Hana Code " WAAA-067 {#saucefinder #prosaucefinder #sauce #source #nsfw #jav} Film (

243,196 просмотров • 10 месяцев назад •via X (Twitter)

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What they don't tell you about vibe coding: • Moltbook exposed 1.5M auth tokens. The owner hadn't written a single line of code. • Tea App leaked 72,000 government IDs. The database was just open, no sophisticated hack needed. • A researcher took control of a journalist's computer through her own vibe-coded game, without a single click. The code ran fine in all three cases, tests passed, reviews looked clean, and nothing raised a flag. That's the problem nobody is talking about. Teams are shipping faster than ever. AI writes the code. CI catches build failures. Tests catch regressions. Observability catches outages. But nobody is asking the one question that actually matters: What can an attacker do with this, right now? Because the bottleneck is no longer writing code. It's understanding what that code actually exposes once it's live. PR reviews miss auth edge cases. Unit tests don't probe broken access control. Staging environments don't simulate adversarial behavior. And business logic flaws look completely fine until someone decides to break them on purpose. Strix is an open-source tool that fills this gap. It reviews your running app the way an attacker would: - Crawls the app and maps every exposed route and flow - Probes abuse paths dynamically, not just at build time - Returns findings with proof-of-concepts and suggested fixes Strix was benchmarked against 200 real companies and open-source repos, where it found 600+ verified vulnerabilities including assigned CVEs. It's designed to fit into how modern teams already work. Run it before a release, after major changes, or continuously as the app evolves. If your team is shipping AI-generated code and you don't currently have a way to answer "what does this actually expose", it's worth looking at. GitHub link in the next tweet.

Akshay 🚀

52,399 просмотров • 5 месяцев назад

My girlfriend's dad offered to drive me to the airport Friday. She was at work. He said "I have time." I sat in the passenger seat. Laptop on my lap. Bag in the trunk. He didn't say anything for 30 minutes. Then: "What are you working on?" "Trading. Open-source. Anyone can audit the code." He kept driving. "So you code for free?" "No sir. The code makes money." "Sure it does." I didn't argue. I turned the laptop. One wallet I was tracking turned $2,400 into $36,800 in 15 days. Another flipped 262 trades with 87% winrate. One more pulled $9.7M in volume in five weeks. He took the next exit. Pulled into a gas station. Killed the engine. "That's... from a script?" Exactly. Then I showed him the repos. All free. All public. First: 86M+ trades on Polymarket. Every outcome since day one. Free to download. Second: Market making bot. Both sides of the book. Gas optimized. Google Sheets execution. Third: ML + heuristics. I fed 14,000 wallets into Claude. One prompt. 4 minutes. Found 47 traders with 70%+ winrate. Bot mirrors them with 60-second delay. He went quiet for a long time. Then: "How long have you been seeing my daughter?" "Eleven months." "And you're going to fly out for a weekend?" "I'm going to fly out to do a client pitch." He looked at me. "For the trading code?" "Yeah." "Show me the pitch deck." I opened it. He read it. Silently. Then: "You should have told her mother. She worries. She checks your LinkedIn." He started the car. Pulled back on the highway. Then over his shoulder: "I'll tell her mother. You should have." Try to trade: Fathers-in-law don't ask about the money. They ask why you didn't tell her mother. Then they offer to tell her for you.

Lunar

20,009 просмотров • 2 месяцев назад

Have you ever been separated from someone and spent years wondering what happened to them?​​​​​​​​​​​​​​​​ In 1950, a 25-year-old Turkish sergeant named Süleyman Dilbirliği was fighting in the Korean War when his battalion heard crying coming from the bushes during a night patrol. The soldiers raised their weapons thinking it was the enemy. Süleyman walked in alone. He found a 5-year-old girl in tattered clothes, alone in the freezing dark. Her parents had been killed. It was minus 35 degrees. He carried her back to the Turkish garrison and raised her there for 14 months. He named her Ayla, meaning “moonlight” in Turkish, because he found her under the moon. She learned Turkish so quickly she started translating between the soldiers and Korean locals. An entire military base of men became her family in the middle of a war zone. When the Turkish troops were ordered home, Süleyman tried to take her with him. He couldn’t. They were separated with tears on both of their faces. Ayla was placed in an orphanage built by the Turkish government for Korean war orphans. For the next 60 years, Süleyman never stopped looking for her. When South Korea sent a rescue team after an earthquake hit Turkey in 1999, he watched every face hoping one of them was her. When Turkey played in the 2002 World Cup in South Korea, he searched the crowd on his television screen. In 2010, at an event marking the 60th anniversary of the Korean War, the 85-year-old veteran told her story. South Korean officials began searching. Chuncheon MBC, a South Korean television station, helped track her down and filmed what happened next. Her real name was Eunja Kim. She was 65 years old. She’d grown up not knowing his name or his face but always knowing he was Turkish, and she never stopped praying she’d find him before she died. They reunited in Yeouido Park in Seoul for the MBC documentary “Kore Ayla.” Their story later became a Turkish film, “Ayla: The Daughter of War,” nominated for best foreign language film at the Oscars. Their final meeting was at his hospital bed in Istanbul. He was 91 and could only gesture with his hands. She was 71, crying, calling him father. He died on December 7, 2017.

Lemma the Optimist

392,906 просмотров • 5 месяцев назад

Diane Lane was 18 years old, sitting across from Johnny Carson, and she handled the whole thing better than he did She was there to promote Rumble Fish, her second film for Francis Ford Coppola. Carson opened by asking why she had kissed the previous guest and not him. "He's just a very attractive man," she said. "Well, I suppose he is more the grandfatherly type," Carson answered, then turned it into a bit for the audience about too much sexual attraction going on between them. She let it pass and went straight to the work. On the title: "rumblefish is sort of a slang name for Siamese fighting fish, which is symbolic of a relationship that goes on in the film between Matt Dillon and Mickey Rourke." Then, almost in passing: "It's the second film I did for Coppola." And: "I'm doing a third one now as soon as I get done." She had just finished high school without attending the ceremony. Quintano School for Young Professionals. "Got my ring. Got it in the mail." The reason she was not there in person: "this is the 5-month anniversary date of the start of the film Streets of Fire." Five months on one production, at 18, with a Coppola film about to open and another one queued up behind it. She had been working since she was six. Carson asked what she did for her 18th birthday. "I did my laundry, actually." He waited for the punchline. There was not one. There was a reason. She explained that a surprise party had been thrown for her two years earlier, and that "it was a fiasco for me because I had to play hostess to a bunch of people I did not know and it was like a burden, you know?" So she made a decision about the next one: "I said, this one is going to be just another day in the life of, and I went out and I did my laundry." An 18-year-old actress, five months into a shoot, opting out of her own celebration because the last one made her responsible for entertaining strangers. Then Carson asked whether her parents were entertainers. He fumbled the question twice and had to rephrase it. Her answer: "My mother was a Playmate of the Month, October '57. I'm very proud of her for that." Carson asked if she realised it at the time. Lane: "Well, I was not even an idea at that point." He did the arithmetic out loud, 18 and '57, noted that her mother had been 19, and asked Lane directly whether she would do something like that. "No." He asked why not. "Well, because you have to reveal quite a bit more at this point. That's one good reason. There's many other good reasons why I would choose not to do that. I don't have to." And then the line that closes the whole exchange: "Mom wanted to get a lot of exposure and she did." Source: The Tonight Show Starring Johnny Carson

History Nerd

784,316 просмотров • 28 дней назад

Robert Downey Jr. on the moment Jodie Foster called out his addiction: Oprah Winfrey asks how he managed to keep showing up to work on time despite his drug use. Robert pushes back on the premise: "Never missed a day. But that's not the point. You know that thing about how it goes and people say, 'Well, yeah, he's a fall down drunk, but he's always at work at 8 a.m.' It's like, that's kind of missing something here. You know, he's great with the kids. Don't let him drive." He admits the "reliable addict" narrative wasn't even fully accurate: "I could be found in the trailer like, 'What are you doing, Robert? We're 5 minutes away.' And I'd be like, 'I'm building a space shuttle out of toothpicks.' I mean, my behavior was a little aberrant." Then the interviewer brings up Jodie Foster, who directed him in a film and confronted him about his addiction. Robert Downey Jr recalls her words: "You're doing great on this film and I know that you're loaded, too. So, what's wrong with this picture? I'm worried about you. Not on this one because we're almost done and you're going to be okay and I know that you have a really strong work ethic and you're kind of like a lab rat. You're really resilient. That's not a good thing in this situation. I'm worried about you for the next movie." She was right. But Robert admits he couldn't fully absorb it in the moment: "I thought, maybe on the space shuttle I'll put my name on the side. When you're far out and when you're in denial, what do you do? That's your job. You deny and you stay far out."

Big Brain History

922,850 просмотров • 4 месяцев назад

My good friend, Stacy Langton, (Stacy Langton), who is featured in Dinesh D'Souza's film "Police State", is being sued by failed "Republican" Fairfax County School Board candidate, Harry Jackson, who created a fake X account with Stacy's high-school yearbook photo and a bio stating she's an "Only Fans" porn star. He stupidly posted screenshots of an unrelated topic on FB that showed he was logged in as the fake account. Stacy sued him for defamation, but due to the mounting legal fees, had no choice but to drop the lawsuit. In response, this loser, who had previously been arrested 3x for domestic abuse, has now counter-sued her for $3M. Stacy is a stay-at-home mother of 6 children, wife of a Navy officer, and was a major catalyst in Virginia Governor Glenn Youngkin's come-from-behind win against McAuliffe in 2021. She contacted his campaign just days before their final debate to let him know that when McAuliffe was VA Governor, he vetoed a bill that would've made it a requirement to notify parents of any sexually-explicit books in schools. When Youngkin brought it up at the debate, McAuliffe infamously responded, "I don't think parents should be telling schools what they should teach", and instantaneously ended his chances of winning, in spite of being ahead in the polls. The next day, the Youngkin campaign produced the ad below, which features a brief clip from Stacy's appearance at a Fairfax County School Board meeting, where she read graphic passages from two of the books she found in her children's school library. The school board ironically tried to silence her because there were "children present" at the meeting. We are often told to get engaged locally and Stacy did just that. Her reward is dirty tricks, defamation, and lawfare by this scumbag "Republican", who was endorsed by establishment "Republicans". This clown who is allegedly an FBI contractor even likes to brag about how he uses his intel connections to dig up dirt on his opponents. He is now trying to financially ruin Stacy's family. I know times are tough right now, but if there's any way you can help Stacy and her family fight this lawsuit with a small donation and/or your prayers, I know she would be extremely grateful. If the Uniparty can do this to her, they most certainly can do it to you. She fought for her children and for your children. She doesn't deserve what this loser is putting her through. Here's the link to her GiveSendGo campaign, where you can read more about what she's been dealing with (including plenty of "sauce" to back everything up): If you can help by sharing this post, I would greatly appreciate it. I am praying this will get out to as many people as possible, so that she can hopefully raise enough money to pay her legal fees and hopefully defeat him in court.

Lisa Mei

89,207 просмотров • 2 лет назад

A 15 year old American walked into a barbershop and asked the owner to google his own business. The owner laughed and said why would I google myself, I know where I am. The kid said just do it. He did. His barbershop didn't show up. Not in the AI answer at the top of Google. Not in ChatGPT when you ask for the best barbershop nearby. Not in Meta AI. Three AI systems that millions of people use to find local businesses and his shop was invisible in all of them. The kid turned his phone around and showed him what does show up. His competitor two blocks away. Worse reviews, fewer years in business. But that guy appeared in every AI recommendation because his website had the right structure. The barber stopped laughing. The kid said: I can fix this. $800. Give me one week. He learned the whole thing from Claude Code three months earlier. Asked one question: how do people find local businesses now and what's changing? Claude explained that AI systems are replacing traditional search and most local businesses aren't optimized for it because most marketers don't even know it's happening yet. Claude Code built him a tool that checks whether any business appears in AI responses across ChatGPT, Google AI Overview and Meta AI. He types in a business name and sees exactly where they're visible and where they're not. Then Claude taught him how to fix it. He walked into the barbershop with the problem and the solution already in his pocket. 8 clients at $800 each in month one. Every satisfied owner referred him to the next one. The barbershop told the dry cleaner. The dentist told the orthodontist. The car wash told the tire shop. He didn't run a single ad. $14,000 in month one. By month two he stopped walking into businesses. They were calling him. He's 15. Can't drive to his clients. His mom drops him off and waits in the car while he walks into a business with a laptop and walks out 20 minutes later with an $800 contract. She asked him last week what he actually does in there. He said I show people that they're invisible and then I make them visible. She said that sounds like a scam. He showed her his bank account. She stopped calling it a scam. Most marketers are still selling Facebook ads and SEO packages. This kid is selling something they haven't figured out exists yet. AI visibility. The new front door to every business. And he's the only one in his city with the key. He found that key by asking Claude Code one question. The answer built him a $14,000 a month business before he got his learner's permit.

Marlow

69,075 просмотров • 3 месяцев назад

building a business with OpenClaw🦞 (day 6): - first stripe payment hit, $3600 for month 1 - shut down my agency last year to be with my newborn, the restart is finally restarting - moltbook went viral, so I did newjacking by sending a quote on mass prompt injection risk to journalists who just covered clawdbot. - used medialyst to build the list of journalists, emailed 9 good fits. lets see if any lands - zoe suggested we build API access so she can see the journalist lists and double-vet them herself. approved. - she spawned a codex agent to build it, PR open I still need to approve it - landed RLS changes from backlog - gotta tighten up security in every way to accelerate Zoe's dev team - gmail integration landed. codex almost one-shotted the entire oauth logic and in-app integration. claude code cleaned up the UI with the frontend-design skill. pending gcp verification, hitting prod next week if all goes well. - 400 new followers from the last tweet (hello!) - zoe setup a cron to flag potential leads from new followers. - 0 leads found so far, but she flagged a VC and asked if we should pitch for funding - told her no because we're gonna stay profitable and bootstrap to $100k mrr - took my wife and baby out for lunch to celebrate the first milestone - wife asked about travel plans for xmas. i honestly have no idea what's gonna happen in 1 month, let alone 1 year. - have been running on 5 hours of sleep this entire week. not sustainable but it's been a week of caffeine, dopamine and adrenaline terrifying and exhilarating

Elvis

506,663 просмотров • 6 месяцев назад

🎣 The Hook Skill Save this to write better hooks. What it does : (recommend watching the video on 2x speed instead⏩) Takes a brief (the brief defines the angle) Writes 3 hooks — same angle, different framing Scores each, rewrites anything weak, shows the rewrite All 3 ship as the ad set — Meta picks the winner via performance Gets better every Monday by checking what actually worked Pulls from your Memory & Context: Brand voice Audience Identity Mechanism Emotional Triggers What's won, what's flopped(Learnings) KILL list For me that's Notion — works with Obsidian, Claude Projects, MD folders Casts the person on camera before writing anything: Who she is (identity) Her age Where she is What she's doing What she's wearing What she's holding If anything's missing, the skill asks before generating Then asks one question: Would this exact person actually say this line out loud? Writes 3 hooks — same angle, different framing. One brief = one angle = three hooks. Want a different angle? Write a different brief. Opening styles in the menu: Controversy — a take that contradicts experts Bold opinion — a strong take that picks a side Raw confession — specific, emotional, hero-framed Riddle question — comedian/philosopher style only Mid-thought yapper — "Soooo my OBGYN told me…" Reaction — "This is wild —…" Dismissed quote — leads with the exact phrase someone said Stack — three things in fast sequence (brand names, power words, symptoms, body zones) Direct scene — a visible moment another person reacted to Authority declarative — when the speaker is the expert on camera THE HERO RULE — most important check. The audience is ALWAYS the hero. Protagonist mirrors the audience. Problem is ALWAYS external — hormones, doctors, biology, marketing lies Product is the tool the hero used Husband, doctor, friends are WITNESSES to her win — never the source of her validation Audience should want to BE her, not pity her Other rules every hook clears: 3-second rule — by 3 seconds of speech, the viewer is either curious or has a clear promise Vague ≠ curiosity — real curiosity from controversy, bold takes, raw confession, riddle questions. "Can you believe / Would you believe" are fake curiosity, auto-rewritten. Body/action specificity — "He stopped what he was doing" / "She noticed" / "Hasn't done that in years" → rewrite. "Staring at my butt" / "grabbed me by the waist" / "told me I look like I've been hitting the gym" → ship. Declarative beats interrogative — "He told me" > "He asked me." Always go bolder. Lead with the secret — open with what she KNOWS or HAS that no one else in the scene knows. Witness's reaction lands second as proof. Power-word stacks must be clear — three words alone is confusing. Make the category obvious (symptoms, body parts, etc.) and name what they are in the next sentence. Bridge between sentences — two sentences can't sit in a vacuum. Use a connector ("and for some reason today," "but somehow," "yet today," "— and") that references sentence 1 from inside sentence 2. Scores on 50 points. 5 dimensions, 0–10 each: Stops the scroll Creates curiosity Promises something specific Fits the brand and the person (Hero Rule lives here) Fits the format and what's winning Any dim under 8 → rewrites the hook. Shows the rewrite. Re-scores. Minimum two internal rewrite passes before anything is delivered. The first version you see is already polished. All three hooks ship as the ad set. Meta picks via performance data. Self-improving: Every Monday it pulls hooks that actually shipped Matches scores to real Meta performance Recalibrates the rubric if any dim stops predicting winners That's the whole skill. Comment HOOK and I'll send you the skill. Must be following.

Jakob Counts | Creative Strategist

11,534 просмотров • 2 месяцев назад

Analyzing Episode 60. Season 2 aka Motherhood Deconstructed I want to start this analysis with a disclaimer that I'll be writing about that kiss separately, because really, it deserves a post of its own. I'll talk about it here briefly, but this analysis will stick to the overall events of ep 60. To me, the main theme of this episode was motherhood. Be it Alya, Nare, Zerrin, Sadakat, and yes, even the dishrag. We see how these different women strive, suffer, and never stop trying to keep their children with them, all except one. So, let's begin. We start episode 60 with Alya and Cihan awaiting to conduct a DNA test on baby Simal, whom Kaya insists is his child. Long story short, Kaya is feeling a little pissed about Zerrin keeping the truth of Simal from him, and he has a point. But then, it's not like Zerrin has had a jolly good time pretending to play house with a creep like Demir. The only reason she relents is to keep her baby safe. So, it's a catch-22 situation, where both sides are right and wrong. But, it's not like we don't know these two will make up soon. What stood out to me in that sequence was Alya taking charge of ensuring Zerrin has access to her baby. She knows exactly what it is to be separated from one's child, and she's kind and brave enough to refuse to let anyone suffer through the same. So, in a way, Alya's motherhood doesn't just extend to Deniz. It encompasses her to the point where she shields all those she feels need protection. I also like the fact that she's taken Zerrin under her wing, because when the latter moves into the konak with Sadakat, she'll need all the help she can get. The next sequence begins at the hospital, where Nare is still hell-bent on continuing with the pregnancy, though at great risk to her life. This is another glimpse of motherhood the show gives us - in the shape of a woman who is so in love with her unborn child already, she's willing to risk death to bring it into the world. Contrasted to that is Sadakat, who's willing to lie or cheat to keep her daughter alive. Here is a ruthless kind of motherhood. Sadakat's love (if you can call it that) has always been wrapped in control, manipulation, and fear. But, still at the center of all her ugliness is a woman who doesn't want to lose her children. Nare is willing to die for her child, Sadakat is willing to kill Nare's child to ensure she lives - quite the compelling contrast. Different forms of motherhood, but both rooted in desperation. In the middle of all that, Meryem pops up like a bad penny. But even as she arrives in that room and Sadakat wants to keep her there, the awkward silence that envelops the space as she lingers is telling. She doesn't belong, it seems to say. But, there's another person who's starting to question their 'belonging' in this new version of the past that's come back - and of course, that's Alya. The more she sees Meryem infiltrate parts of her life beyond the konak, the more her exposed nerves are rubbed raw. This woman is so close to complete and utter exhaustion, it's heartbreaking. What's even more heartbreaking is that while she tries to be there for everyone, she herself cuts everyone off when she feels troubled. And that, to me, is where the episode quietly portrays the emotional labor aspect of being a mom. Alya mothers everyone around her. Nare, Zerrin, Kaya, and Deniz. Even Cihan at times. She absorbs pain, tries to stem chaos, protects others from falling apart, yet when it comes to her own fears and insecurities, she retreats inward completely. It's almost as if she believes she only deserves to be the shelter, never the one allowed to seek sanctuary. Because children who grow up thinking they've been abandoned grow up thinking love is a thing to be earned through caring or usefulness. So, instead of asking for comfort, they always end up providing it. But humans, even the strongest of the strong, have their limits. And, it's so clear that Alya is close to reaching hers. So, when Cihan is forced to relent and allow Mujgan and her son to the konak because Deniz wants it, Alya does what she does best - she withdraws and leaves the source of discomfort. That's why she tells Cihan she hates going to the konak now because every time she goes there, the spectre of Meryem and what she can snatch away becomes unavoidable. And, as blind as Cihan can be at times, he picks up on that. He knows exactly what she's trying to do, which is why he tries to redirect her attention to the fact that he hates going to the konak without Alya around, too. He wants to be wherever Alya is. In his own way, he's trying to tell her it doesn't matter who stays at that house; it's only home to Cihan when Alya is around. His words reach Alya, which is why she relents and visits the konak for a few hours, but then shit hits the fan again. We'll get to that, but first, let's talk about Meryem. Meryem's scene in the hospital with Mujgan reveals Meryem saying she can't tell Cihan about Serhat because she's not sure who the father is, and that she'd rather live in the hope that Serhat is the son of the man she loves, bla blah. Now, go back and think of all the versions of motherhood we've seen in this series, and indeed this episode. They all have one thing in common - that all the mothers did whatever they had to, and bore whatever came their way to ensure their babies stayed with them. No matter how much Alya, Zerrin, or Nare love their better halves, when push came to shove, they put their children first. Even Sadakat married Azem for Boran. All except one. Meryem. Meryem sent her son away and made it look like he was Mujgan's child, thereby erasing all his links to her. One could argue it was because she feared Feyyaz. But what's stopping her now? Let's assume what Meryem says is right and there's a 50 percent chance Serhat is Cihan's son. For a mother desperate to save her child from danger, those are pretty good odds, so why avoid the DNA test? Suppose Serhat turns out to be Feyyaz's son; even so, if she comes clean with Cihan, she knows he's the kind to help her, even if just to keep an innocent child safe. So, her version of motherhood sticks out like a sore thumb in the episode. In contrast, I found Alya's line, 'When it comes to my son, I put him before everything and everyone else,' much more fitting with the theme. Mothers on the defensive, who feel there's a threat to their child's wellbeing, will relent to even the most extreme measure - even if it tears their own being apart. Alya hates being away from Cihan. She hates that distance she imposes between them as much as Cihan, but she can't help it. Because the mother in her won't let her choose anything else. Which is why I say Serhat is almost like an afterthought to Meryem because his needs are never the focus. And I get the feeling that whatever Meryem is trying to hide threatens not her son, but likely the version of herself she's presented to the world. Even when I rewatched the kite flying scene, the way the camera pans into Serhat only once, but mostly focuses on Cihan and Alya after showing us Meryem is telling. Like this is a woman not going through hell because of her child, but because she's looking at a structure of acceptance she's no longer able to enter. Life at the konak, Cihan's family unit, his love for Alya and Deniz - it's everything that could have been hers once, but no longer. No matter how she tries, she no longer fits. And honestly, that’s why that sense of not belonging is even more overt in an episode about motherhood. Every other mother in this episode becomes messy because of love for their child. Nare breaks down. Zerrin panics. Sadakat manipulates openly. Alya practically emotionally disintegrates trying to hold everything together. Their feelings spill all over the place because motherhood, especially threatened motherhood, breaks people down. But Meryem remains oddly stoic throughout it all, except for a few tears. She's mostly careful and controlled, and always aware of who's watching her. Going back to the point of shit hitting the fan, when Alya discovers Meryem and Mujgan in Cihan's room, she doesn't buy Meryem's story for a bit. When Cihan tries to calm the situation, she dismantles the sorry excuse Meryem gives with two questions. In other words, her spidey senses pick up trouble, but she keeps it locked in because she doesn't want to appear as the jealous, unreasonable wife. But things come to a head anyway when Feyyaz cuts Cihan and Alya off on the road. Cihan seems to finally realize exactly the kind of trouble Meryem has unleashed in their lives when Feyyaz keeps eyeing Alya. Because to Feyyaz's psychotic mind, Cihan is keeping Meryem away from him, which makes Alya fair game. But when Cihan insists Alya return to the konak, Alya flat out refuses, and all the pressure that's been building inside her gets directed at Cihan. She knows deep down he's not at fault, but the fact that he's jumped into another situation without thinking of the danger, grates on her nerves. Which is why her default setting kicks in; she demands that Cihan bring Deniz to her and leave the apartment. Cihan, who is already reeling from Alya pulling back from him and the reality of Feyyaz targeting the only thing he truly holds dear, is desperate to stop Alya's isolation before she decides he's not worth all the misery she's suffering, and does what's worked for him once before in a desperate situation (the airport, anyone?). He forgets everything, pulls Alya in, and kisses the breath out of her. And, it works too, because for that moment, Alya stops spiraling long enough to simply feel. To stop calculating danger or bracing for abandonment. She feels loved and safe in Cihan's arms again. That's what makes that kiss so powerful. It isn't just the passion. It's the desperation behind it, on both sides. Cihan isn't kissing Alya because he wants to win an argument. He's kissing her because he's terrified, and he misses her. He's worried that if she keeps retreating inward, one day she'll retreat so far he won't be able to reach her anymore. Worried that all the fear, exhaustion, and pressure she's carrying will eventually make her decide loving him isn't worth the cost. And Alya responds because beneath all her anger, fear, and exhaustion, she loves him just as desperately. That's the irony of CihAl this season. They're not going to pieces because the love is weakening. They're going to pieces because the love has become so enormous that losing it feels catastrophic to both of them. To conclude, everything within ep 60, including the kiss, works so beautifully because technically everyone is unraveling. Every woman in this episode is fighting to protect something she loves, but the ways they do so reveal who they are at their core. Alya protects by sacrificing parts of herself. Nare protects by risking herself. Sadakat protects by controlling others. Zerrin protects by enduring humiliation. And Meryem... Meryem protects the narratives she builds. Her emotions, while visible, don't land with impact, almost as if they're missing a core ingredient. On the opposite end of the spectrum lie CihAl, whose love strips them bare, only for them to realize that retreat is no option. The only way forward for them is through - through fear, through exhaustion, through jealousy, through danger, and through every ugly and painful thing that loving someone this deeply awakens inside them. Because CihAl are incapable of loving each other halfway. Their love keeps dragging every hidden wound, every insecurity, every instinct to the surface until there is nowhere left to hide. And maybe that’s the real contrast episode 60 quietly builds toward: one side clinging to carefully maintained facades, the other being emotionally dismantled by a love too raw and overwhelming to remain controlled. Till later, happy reading, y'all. #CihAl #UzakŞehir

CocoLoco

12,775 просмотров • 3 месяцев назад

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; *(Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.)* **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I don't know exactly what you've been doing. **Aidan:** So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. **Lily:** Hang on, Aidan. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? **Lily:** I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. **Aidan:** Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? **Chris:** I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? **Aidan:** I did not. I did not. **Chris:** Okay, so Karen is lying? **Aidan:** You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. **Chris:** Like I said, If you want to go down this hill, stand ten toes down." **Aidan:** I'm calling you out because you're making shit up. **Chris:** Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. **Aidan:** So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. **Lily:** Hang on. Chris, you're going to have to provide the receipts. **Chris:** I'm going to tell you, the guy who's doing this—you know, he's going to put them out. **Chris:** Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. **Aidan:** So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? **Aidan:** You got 'em? **Chris:** I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. **Aidan:** You got 'em? Yes or no? **Chris:** I've got a receipt. Where's your fuck? **Chris:** You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. **Chris:** I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. **Aidan:** Right. Let's see it. **Chris:** I've just messaged the person. **Aidan:** Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? **Chris:** Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? **Aidan:**What the fuck? **Chris:** Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. **Chris:** How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? **Aidan:** I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. **Chris:** So you're gonna call Meredith a liar? Why? Meredith's a liar? **Aidan:** Are you talking to Meredith? **Chris:**I'm not talking to Meredith. **Aidan:** What are you talking about? **Chris:** Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. **Erika Walsh:** I warned you, Chris, about this last night. **Aidan:** You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. **Aidan:** I'm telling you this—he's the one telling you this. **Chris:** I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. **Aidan:** Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. **Chris:** Stand by. Stand by. Stand by. **Joe Flipperhead:** You have the text, bro. You know I saw the screenshot. **Aidan:** So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. **Joe:** You're deflecting. When you... **Aidan:** You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... **Joe:** Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. **Chris:** I'm just gonna keep muting him because he's yelling. You can say it. **Aidan:** Is this Lily's space or yours? **Joe:** I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. **Aidan:** All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. **Chris:** This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. **Joe:** Yeah, says the guy that recorded Karen. **Aidan:** Oh, yeah, let's hear it. See the fucking recording. Can I hear it? **Joe:** I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan:** Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— **Joe:** Why does Liv still text me to this day? **Aidan:** You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. **Joe:** You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. **Chris:** You're doing everything back. **Joe:** When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... **Aidan:** Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? **Joe:**You said to me, after reading the text from her sister— **Chris:** Says the guy who is swining on a 19-year old. **Joe:** You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. **Joe:** As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? **Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe:** You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. **Aidan:** I got no fucking thing—you—you are a fucking psychopath. **Joe:** You're first of all—she doesn't want you to fucking be talking about this because why? **Aidan:** You're the one fucking airing it out now, motherfucker. **Chris:** You're the one airing it because you got caught recording Karen. **Aidan:** So let's hear the recording. Let's play the recording. You got a recording of me, right? **Joe:** I know you did it, dude. **Aidan:** What? **Joe:** I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? **Aidan:** You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— **Joe:** You're accusing Karen Read of lying about this? **Aidan:** Yes. **Joe:** You're really—are you really serious? How many fucking—serious? **Aidan:** Let's hear the fucking recording. **Lily** Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. **Joe:** Aidan has it. **Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. **Joe:** All right, you sent me the text that I sent. You haven't... **Aidan:** Yeah, let's—so let's hear the actual recording. Does it exist, though? **Joe:** So Karen is lying. **Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. **Chris:** True color. *Joe:** So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? **Aidan:** There's no fucking recording. **Joe:** There is, dude. Where is it? **Aidan:** So let me hear it. Play it. **Joe:** I don't fucking have it. **Aidan:** Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. **Joe:** I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. **Aidan:** I haven't played it for anyone just— there's no recording. **Joe:** Stop fucking lying. Let's hear it from the point. *Aidan:** Let's hear it. Let's hear it. **Joe:** Aidan, this is fucking crazy, dude. **Aidan:** I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... **Joe** Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. **Aidan:** Let's hear a fucking recording. You said you got a fucking recording, right? **Joe:** Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. **Chris:** I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— **Joe:** The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. **Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe:** Dude? It's not—I'm not obligated to fucking get the recording. **Aidan:** Oh, yeah, you wouldn't want to back it up, right? **Joe:** You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. **Aidan:** There is no fucking recording. **Joe:** You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. **Aidan:** Let's hear you play it. You're the one that says there's a fucking record. **Chris:** I mean, that's—you have a history of recording people. **Lily:** Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. **Joe and Chris** He has—asking for the recording. **Lily:** You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— **Aidan:: you don't have the recording because— **Lily:** Just fucking say it. Karen doesn't want the recording out there. **Aidan:** What recording? There's no recording. **Joe:** Never even asked her for it, to be honest with you. **Aidan:** And so you wait—yeah, you never asked. Thank you—you never asked. **Joe:** Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. **Lily:**That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. **Chris:** You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. **Lily:** I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... **Joe:** He's deflecting, asking for a recording he knows about the text. **Lily:** Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. **Joe:** Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. **Lily:** Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And **Joe:** I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. **Lily:** I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... **Aidan:** Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— **Joe:** You're saying it's not from Karen Read. **Aidan:** I don't—there's no fucking name on the top. **Joe:** Yeah, I have it. Do you want me to read? **Aidan:** Okay, so there was an allegation? I'm reading. **Joe:** Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? **Aidan:** Yes, you sent me the same thing the morning after the verdict. **Joe:** Okay, so then she sent it to me too. **Aidan:** Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. **Joe:** You're telling me you didn't? **Aidan:: And I'm telling you I fucking didn't. You're wrong. **Joe:** 100% You're lying, dude. **Aidan:** Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? **Joe**: I mean—I—a screenshot of—how many people did you send it to? **Aidan:** Zero, because there's no recording. **Joe:** There is. **Aidan:** Let's hear it. Play it. Let's play it. Let's go. **Joe:** Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? **Aidan:** There is no recording. **Joe:** You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? **Aidan:**There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. **Joe:** Yeah, right. **Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? **Joe:** I have—why Karen Read won't speak to you. **Aidan:** You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. **Joe:** I have—in Karen Read's words. Why do you think she would lie about this? **Aidan:** Do I think she would lie about having a recording? **Joe:** She wouldn't lie about this. Explain that one—about having a recording. **Aidan:** Yes, I know she's lying about that. **Joe:** Why, though? **Aidan:** I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— **Chris;** there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. **Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. **Aidan:** Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? **Joe:** I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' **Aidan:** I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. **Chris:** You didn't go to jail for Karen Read, you fuck. **Aidan:** Oh, really? Then what am I on bail for? What is—the full—what's the full? **Chris:** You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. **Aidan:** Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— **Chris:** hey, you're full of shit. You're a fucking hell. **Aidan:** What the fuck was I on bail for? **Joe** Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? **Aidan** You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? **Aidan:** I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. **Joe:** I heard it was a 10-minute recording. Does that make sense? **Aidan:** No recording, bro. Let's hear it. You heard it. Let's hear it. **Joe:** Dude, I'm not putting that part out here. **Aidan:** She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? **Joe:** Who? Okay? Okay, who? Keep playing dumb. Hey—who? **Aidan:** Mm-hmm? Believe it or not—you guys got nothing, right? **Chris;** We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... **Aidan:** Karen's not talking to anyone in the media. **Joe:** If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. **Aidan:** So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? **Joe:** Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. **Aidan:** What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. **Aidan:** What do you mean I have no idea why? **Joe:** That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. **Aidan:** What was ridiculous? You're the entire way you handled—I didn't say a word about that. **Chris:** Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... **Joe:** Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. **Aidan:** What did I say about it? I don't remember. **Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

Grant Smith Ellis

85,913 просмотров • 10 месяцев назад

BREAKING: Declassified FBI files just exposed how a Chinese spy traded interns for campaign cash with Congressman Eric Swalwell, complete with election fraud, sex, straw donations, and a full-on public-corruption probe. Newly released records, codenamed "Freshman Fifteen," detail a years-long FBI investigation into then-Rep. Eric Swalwell and Christine Fang, also known as Fang Fang or "Christine" Fang, a Chinese national suspected of ties to China's Ministry of State Security, MSS. Fang facilitated a scheme to place interns in Swalwell's congressional office and campaign in exchange for campaign contributions. Contributions were routed through American intermediaries "conduits" to conceal Fang herself as the prohibited foreign-national source of the money. Possible federal violations listed in a June 2014 FBI memo, bribery of public officials, conspiracy, excessive campaign contributions, prohibited foreign-national contributions, and contributions through conduits. Quid pro quo exchanges of access/internships for money. Fang had suspected MSS ties, agents noted her parents as senior MSS officers, she previously worked as a flight attendant on Xi Jinping's aircraft. Opened March 17, 2014, as a Sensitive Investigative Matter, because a sitting member of Congress was a subject. Agents used physical surveillance, confidential human sources, search warrants, and an undercover operation. Early goal included gathering evidence to indict and arrest both Swalwell and Fang. The U.S. Attorney’s Office was notified and prepared to prosecute if evidence supported it. Swalwell admitted to FBI agents that he had physical/sexual relations with Fang on multiple occasions, including an incident where she showed up at his door, last intimacy around March 2015. He stated she never asked for or received classified information and that he provided no favors in exchange. Swalwell's campaign took in about $1,145,688 in individual contributions, Jan 2013–Dec 2014. Agents documented several contributions routed through intermediaries, in at least two cases in 2013 and two in 2014, Fang used conduits, with 2013 examples tracing back to her as an illegal foreign source. An example is when a wealthy winery owner said Fang told him to "just bring his checkbook" because she would reimburse the donation. A fast-food franchise magnate said Fang wanted his contribution credited to her. A Chinese national volunteered in the campaign. Agents also looked at a 2014 Wynn Casino, Las Vegas, event involving Fang, Swalwell, donation checks, and reimbursement issues. Undercover testing included a $1,000 contribution routed through Fang. Fang referred interns to Swalwell's campaign and offices, Swalwell viewed them as connected to Asian Pacific Islander American Public Affairs/APAPA groups. Staff placed at least some of Fang's recommended interns. Physical surveillance occurred, multi-hour observation at a California shopping center on June 16, 2014. Earlier, the FBI tried to recruit Fang as a confidential source/informant, code-named "Rusty Thumbs," using an undercover agent and a fictitious company; she signed a contractor agreement in 2013. The probe initially targeted both but was later narrowed. Swalwell was dropped as a subject around February 2017 after agents found no federal statute violations by him. Focus shifted to Fang, possible charges included prohibited contributions in the name of another, excess limits, foreign-national contributions, false statements/records, bulk cash smuggling, and acting as an unregistered foreign agent. Fang fled the U.S., around 2015, after interviews of associates and a search of her home, and was not prosecuted, DOJ declined, she was abroad. The investigation closed in 2017. Fang was barred from re-entry. Swalwell received a defensive briefing around 2015, cut ties, and cooperated with the FBI. No charges were brought against him. A later House Ethics Committee review also took no action. Full declassified documents in video below.

The SCIF

50,365 просмотров • 5 дней назад

Analyzing Episode 55. Season 2 aka The Violence of Alignment If I visualize CihAl's journey for this season, a spiral tightening its rings comes to mind. There's always one problem after another, spiking in intensity and reaction. And, the weight of it is reflected in both Alya's increasingly somber demeanor. But, here's the thing. In every new problem, there's an echo of the old one, which leaves one with an inevitable feeling of deja vu - for the audience and the characters. We'll get to why towards the end of this analysis. For now, on we go. We kick off epi 55 with Cihan being introduced to Meryem *cough* dishrag *cough* by Sadakat. And what follows is a breakdown of her story with Cihan listening. However, when Meryem recounted her past woes, I focused less on her words and more on Cihan's words and expression. And what follows is a masterclass in the difference between sympathy and empathy. Kudos to Ozan Akbaba for portraying the difference. I couldn't help but compare the situation to when Cihan is listening to Alya's account of her past. With Alya, Cihan leans forward, barely moving. He listens, but his face tends to reflect his own emotion and mirrors Alya's at times - in other words, he's living those events with her. When he talks, his voice drops lower, but more importantly, there's a gentle softness meant to soothe. With Meryem, Cihan's body language is a tad more detached. When he's leaning forward in the seat, his hands are extended in front of him, clasped together, creating space. Then he leans back, one arm extended on the table, the other on his thigh. Again, there's this feel of distance. His voice remains soft, but there's no tenderness. He's not trying to alleviate, rather he's simply listening. Don't get me wrong, it's not like the guy doesn't feel bad for her, because what she relates shouldn't be experienced by anyone. But empathy goes beyond sympathy. Empathy is when you hurt with the one who's hurting. And that difference, to me, is clear between the two scenes. Long story short, when he's heard what Meryem's gone through, he offers to help get her out of prison because he feels responsible in part for her misfortunes. He says it's his 'duty' to help her. Here's what's interesting: when Meryem says his kindness and heart haven't changed, he gets uncomfortable. And after that, he's the one to get up from the chair, signaling the end of the conversation. Like he wants to get out of there, because some part of him that's not stupidly male understands Meryem's still attached to him, but he has no interest in that whatsoever. His method of saying goodbye is a handshake, again, a testament to his aloofness. And when Meryem hugs him, his hands remain at their sides; the man could have been a pillar. So, while he speaks not of Alya, the one time he takes her name, he drives the message across that 'she's no one ordinary' and 'tread carefully'. Honestly, I don't think he wants to talk about Alya to Meryem. Not because Alya's not important, but because Alya is too important. The part of his life that Alya represents is his alone, and he's very possessive about sharing that with anyone. To him, Meryem is a past that exists, but one that he would erase if he had the choice, because it hurts Alya. And that's pretty much the whole feel of this conversation. He wants to help Meryem, but he also wants her gone because her presence is a source of discomfort to Alya. Speaking of discomforts, the next scene I want to talk about is when the massive turd, who happens to be Alya's ex-husband, goes to the hospital to threaten her some more. Seriously, this character is a step short of absolute psycho. He's incapable of true emotion, just like his mother. Anyway, when Alya is explaining why she hasn't moved out yet, the zombie's eyes zero in on her wedding band. And, of course, being who he is, he absolutely ignores the topic of Deniz, his own flesh and blood, and instead, wants the ring gone because it symbolizes Alya's love and attachment to Cihan. Thankfully, Cihan arrives in time to push away the zombie and to hear Alya proclaim that while Boran has the power to use her son and distance her from Cihan physically, he has no power over her heart and who reigns over it. Now, think back to that conversation where Deniz wants her to pick between Cihan and himself. And Cihan says Deniz's throne (or place) in her heart is so secure, he's happy to live in the shadow of that throne. While Alya smiles at Cihan's response, she also looks miserable later at the thought of not being able to tell Cihan that things aren't exactly so. However, I think she manages to get her point across in this scene without even realizing it. Because while she may make sacrifices for her son, no amount of blackmail, pain, or hurt can remove Cihan's love from her heart. Now, I don't know about you, but that sounds almost like an equal footing. The only difference is that she's bound to protect her son, because, unlike Cihan, he can't protect himself. And that's what leads Cihan to later tell Alya that her words are etched across his heart, and that he's never felt that loved by anyone. Curiously enough, this scene also brings the spotlight on two other details: Alya's 'anka' side and the wedding ring. Both of which will feature rather greatly, in the coming episodes, I think. Now, there's a rumor going around that Alya will take off her wedding ring. And, I don't know, the fact that Cihan's almost preening at Alya, still wearing the ring, and Alya saying 'I couldn't take it off' tells me that's not what's going to happen. For some reason, I'm beginning to get the vibes of a showdown of trust in the same vein as episode 27. Now you may argue that Cihan actually tells Alya about Mine's pregnancy in that episode, but CihAl have had a long journey since then. Alya has seen Cihan choose her over Boran with her own eyes. She's seen the lengths the man has gone to for her and Deniz. So, yes, she might be pissed about something or the other related to Meryem in future episodes, but her taking off the ring seems not within her character somehow. But hey, that's just me, and I could be wrong. Anyway, the final scene I want to talk about is, of course, the ending. Everyone kept focusing on why Cihan allowed Meryem to hold his hands, but I focused on his words. Because he very clearly tells Meryem that he's no longer in love with her, that he's moved on, and that she should not hang about in the hopes of that ever changing. In his own way, Cihan is quite ruthless here. He draws a line, but his words are designed not to hurt, because he's not an ahole. He just wants dishrag to understand that even the thought of Alya being hurt pains him more now than anything else. And, he's not very kind to people who try to hurt Alya. It's a disclosure and warning, but in the form of steel wrapped in satin. Now, let's go back to the beginning for a bit, where I mentioned spiraling events. See, I somehow thought that those vows Cihal took 'savaşta, bedelde, kararda, kaderde, aşkta' were linear levels. That they'd clear them one by one and get to love. But when you see the overall structure of their journey in this season, it's not linear at all. Because all those things have existed in one form or another since ep 29. There's always an element of all of these conditions in every episode. Which is why we keep thinking, wait a minute, we've been here before. But as I said, the spiral is tightening itself. With every episode, the stakes are raised higher, and CihAl are pushed a little bit closer to the edge. Almost like the deep breath before the plunge. And here’s where things get interesting. Because what feels like repetition is not actually stagnation, it’s confrontation deferred, coming back sharper each time. Every cycle brings them back to the same point. Their love deepens, fear follows, a decision is made in the name of protection, and that decision creates distance instead of resolution. Which brings me back to the vows - savaşta, bedelde, kararda, kaderde, aşkta. I was wrong to think of them as steps. They’re not something Cihan and Alya are moving towards; they’re something CihAl are already inside of. Every episode is them living those vows in real time. But with every new episode, the pressure mounts, like music builds to a crescendo. And yet, within all of that, aşk remains. Not as a reward at the end of the journey. But as the one thing that refuses to disappear, no matter how many times everything else goes wrong. And maybe that's why episode 55 feels the way it does. It creates the illusion that everything is falling apart, yet again, when in reality, everything is being forced into alignment. Something is moving all the pieces on the chessboard for an ultimate showdown. And the process gets more violent by the minute. Cihan hides the truth because he thinks love needs protection. Alya experiences that same act as distance, almost betrayal. Meanwhile, Boran and Sadakat keep pushing, and Meryem drops like a freaking bomb at the worst possible moment. Suddenly, everything that could have remained unsaid, unresolved, or postponed is dragged into the open. This has all the hallmarks of a breaking point. Note, I said breaking point, not breakdown. Because, unlike breakdowns, breaking points are used for revelations. I guess what I'm trying to say is things are headed towards alignment, not just for the overall story, but also CihAl's journey individually. Because Cihan and Alya also keep repeating their mistakes. Their growth requires something along the lines of a push, too. So, we have war, sacrifice, decisions, fate, and love, all coming to a head. And while there are plenty of reasons to feel ominous, I personally don't. The story is no longer about them loving each other - we're well past that. It’s about whether they can finally stand in that love openly and without any fear. Because everything is pushing them toward a breaking point, not to destroy them, I think, but to shape them into who they need to be. And if there’s one thing CihAl have proven since day one, it’s this - they don’t fall apart under pressure, they grow stronger, and they survive the impossible. #CihAl #UzakŞehir

CocoLoco

21,061 просмотров • 4 месяцев назад

Analyzing Episode 39. Season 2 aka Of Closets, Skeletons, and Haunting Truths Eveeeetttt. I finally found some of my old energy to write because last night's episode was AWESOME. And, allow me, nay, give me the freedom to say 'I TOLD YOU SO!' because the zombie turned out to be just as big a sh!thead as I expected him to be. Okay, now that I've gotten that exultant vindication out of the way, let's get on with our analysis. We start the episode with FrankenBoran saying 'Alya' and promptly fainting again. When he comes to again, he remarkably remembers all his other family members, and proceeds to creep Alya out further by calling her beautiful. I mean, don't get me wrong, but if a loving husband woke up from a year-long coma and saw his wife, I'd expect him to say something like 'I missed you' or 'How have you been?' But this guy? He goes straight for the look at my hot trophy-doctor wife. Yech. Anyway, at the zombie's insistence of seeing Cihan Deniz, Alya informs his decrepit self of the accident and all that followed, minus the mountain of trauma she went through. Is anyone else surprised by how handy this man's memory is? Because what the heck do you mean he doesn't remember asking his brother to marry his widow? When Cihan is forced to inform the zombie of his marriage to Alya, he suddenly switches to victim mode and passes out again. Convenient. After that, the assorted Alboras all convene in the salon at Sadakat's insistence, where she tries and fails to guilt-trip Cihan and Alya into showing Deniz to the zombie. Then she fine-tunes her maternal emo blackmail skills to keep Cihan from telling Boran who his real father is. Spot the witch's hypocrisy here? The only thing that made that entire scene bearable was Nare and Kaya supporting Cihan and Alya. Thank goodness for Azem and Fiko anne's genes. Alya's scene with Deniz (who's still blissfully napping) was a cute reprieve. She's understandably struggling with how she's going to explain the mess the zombie has made of their lives to her son. And, like any decent mom, she wants to protect Deniz from all kinds of pain, but finds herself helpless. And the fact that Cihan walks in and says he wishes he could protect Alya from the ugliness of life because she's just as innocent as Deniz was special to me. Because the world we live in will always blame women first, regardless of whether they're guilty or not. I've read so many comments from random losers (yep, losers) blaming Alya and accusing her of 'loose morals' because she refuses to return to the PoS husband who all but foists her on his brother's shoulders to save his own worthless self. That little reminder by Cihan of Alya's innocence in all that's happening to them made me want to hug Gulizar. Because that scene was put in there for a reason. It's to remind the viewers to watch what's happening without the blinders of hate and judgment. Because sometimes the truth requires you to be a little more than just your hateful prejudices. The next scene that stood out to me was when Boran sees Deniz. Because there you can clearly see the difference between Cihan and Boran in their 'husband' or 'protector' roles. When Boran struts to Alya in his fake righteous indignation and asks her about which room is hers, you can see his harsh, condemnatory behavior in juxtaposition to Cihan's loving acceptance of all that Alya is. Even when Cihan doesn't know her, he intrinsically trusts her and refuses to believe his mother's accusations about her and Izzet. The fact that Boran expects Alya to have a separate room, even though he specifically asks Cihan to marry Alya, is just more proof that the zombie merely wanted the marriage to ensure Alya didn't move on in her life. It was never about love or protection. It was about control and possession. Among the many outstanding scenes of this episode were Cihan and Alya facing off against Boran. Because it was about damn time this freaking skeleton was dragged out of the closet and forced into the light of truth. Why do people expect Alya to go back to Boran? Why do they expect her to stay silent about loving Cihan? Because she's a woman? Because her worth is measured by what the world dictates is her honor? Fcuk that. And that's precisely what Alya's monologue is about. How is she the one to blame when her ex-husband was the one lying to her since day one? How is the shame hers when Boran felt none, asking his brother to marry his widow just so he could return and claim her like she's some baggage? Alya rightly informs the zombie that, in his attempt to play God, his decision made her Cihan's wife. And, no matter how much he apologizes, nothing will change the truth of her feelings. She loves Cihan now, and that's that. Now, let's focus on Cihan's talk with Boran. I feel so sad for Ciho, because the man he looked up to turned out to have feet of clay. And, Cihan's realization of that becomes obvious as their 'talk' continues. When Cihan admits he loves Alya, Boran immediately hits him with Meryem. The zombie has the audacity to say that if Cihan managed to get over Meryem, his love for Alya could be a passing thing too. Manipulative ass. Thankfully, Cihan has the perfect comeback. And, what's more, we as the audience know he's telling the truth, because we've seen him evolve. He says what he thought was the truth was actually a lie, and it was only something he realized when he came face-to-face with the real deal. Alya truly is the love of his life. A fact that only becomes clearer as he continues to talk. When Boran dares to ask whether Cihan has slept with Alya, you can see Cihan's heart break in the heavy breath he expels. It's almost as if he can't believe the words he's hearing. But despite that, he answers. And he answers truthfully. Why? Because he'd never allow what he feels for Alya to be marred by accusations of lust. Of falling under the spell of her beauty only. Cihan knows Alya is beautiful. And he's often mesmerized by her beauty. But he falls in love with who Alya is. As a mother. As a doctor. As his wife. He falls in love with all the aspects of her, good and bad. And his dialogue 'whether I touch her or not, my love for her will never change,' proves he's operating on a different plain than his scum of a brother. The fact that Alya is willing to risk being called 'characterless' or 'easy' with the trauma of her past, and that Cihan is willing to go against his entire code of 'family and duty' for each other, is the biggest proof of their love. It's not easy to break out of the mold our circumstances and life place us in. But what makes Alya and Cihan inherently attractive is that they're willing to risk it all for love, while still sticking to their principles and beliefs. I think I fell in love with CihAl as a couple all over again in this episode. These two characters are possibly the most conscientious protagonists I've seen in a dizi, and it's laughable when people pass judgment on them due to morals, lmao. Now, on to less palatable topics. The zombie and Albora's haunting truth. The last scene of the episode makes several silent revelations. One is that Boran was never happy being sidelined in favor of Cihan as the leader. Two is that Boran likely killed Sulaiman Baybars, not out of a vendetta, but possibly because he was trying to prove himself worthy of the mantle of leadership, and being exiled instead pissed him off. Three is that Boran will likely stoop to any level, including going over to Ecmel's side to snatch what he feels is rightfully his. And four is that allowing Boran to escape the consequences of his actions created a monster who thinks the world revolves around him. It's obvious by the look on Boran's face that he's going to pick bitterness and payback over introspection and accountability. And in doing so, Albora's haunting truth will be repeated - the biggest danger to the family isn't some external enemy, it's often one of your own, driven by festering envy and entitlement. Because history doesn't always repeat, but it does rhyme. And that's my two cents on this episode. Till next time, happy reading y'all. #CihAl #UzakŞehir

CocoLoco

30,788 просмотров • 9 месяцев назад

yesterday Soca made it's last intro, today we're shutting all operations. alright, let's do this one last time. my name is vedant rawal, and i was bitten by a radioactive spider last year. that gave me an itch to start up, which i did with soham and takshit. we started out like any 20-something in bangalore trying to fix social networking in the age of AI. one simple mission: build a consumer product that compounds your social capital. also why we named it soca. we launched a voice-first product that understood your career trajectory, your patterns, transitions, goals and blockers. then made intros to people who could compound you professionally. we chose this wedge because professional trust and network carry real economic value, and economic value is among the strongest drivers for mankind. we still feel there's big alpha in replacing a goliath like linkedin. the core reason our experiments never turned into a scalable behaviour was our inability to trade off privacy against virality. take the digital twin. anyone can ask soca about you. but what parts of you are you okay with being spoken to a stranger? what mechanisms and simulations would make that okay? and how much would you tell soca in the first place, knowing it could travel? we wanted soca to be a trusted companion for everyone on her network. scaling the experiment with those questions still open felt inhuman. that said, members on soca's network got intros to cofounders, investors, early hires, paid clients, jobs, projects and more. across these, we created over a million dollars of value for members in beta. naturally, we found money on the table. that pulled us into B2B, which for a company like this isn't a vertical, it's the central piece. and we made some. Rs. 8L in the last two weeks. but something felt off. we weren't excited building a broker business, being the middle-men. our mission was a consumer product and we hadn't noticed the hard pivot we'd made. so we took a week off to zoom out and ask whether this is what we want our life's work to be. the answer was a unanimous no. which brings us to today. either run the b2b vertical of a professional networking company half-heartedly and keep running experiments hoping for a fluke, or spend the time honing our chops and sharpening our knives for the next big kill. anyone who's studied consumer social knows how the first option usually ends. we chose the latter. as for me, counterintuitively, i've never felt more secure professionally - thanks to AI. very curious about what's next to soham and takshit, building this with you were the best times of my work life. to everyone who trusted us with an hour of their time on a call, IRL chat, a vouch, a referral, a "yeah i'll try this weird voice thing" - thank you. genuinely. godspeed.

vedant

15,365 просмотров • 15 дней назад

I am the Director of the White House Office of Extraterrestrial Affairs. In 2024 this government completed the most thorough search for extraterrestrial life in human history. We checked the sky. We checked the files. We declassified the saucers. The verdict came back: nothing. No life out there. Not one. So I closed the telescope. I opened the window. I pointed it at a Home Depot. Three million by lunch. The trick was always the word. *Alien* had been sitting in the science fiction aisle for sixty years and we were too shy to use it in a press release. The dehumanization was already written. It was just shelved under Fantasy. This year I moved it to Policy. Same word. New department. My department. I should explain the jurisdiction, because there are two of us and we do not speak. Down the hall is the Department of War. It used to be the Department of Defense, but defense sounded woke, so we changed the name for two billion dollars, half of it letterhead. They renamed it back to what it was in 1789, before someone noticed in 1949 that the old acronym, N-M-E, sounded too much like *enemy.* We have now re-adopted the name they abandoned for sounding like the thing it does. I find this clarifying. The signage alone is seven hundred thousand buildings. We are spending a billion dollars on new doors so the doors can say War. The Department of War runs and has a tab for UFOs. Real ones. They post the actual files. The saucers. The eyewitnesses. The intelligence officer left "virtually speechless." They are searching the sky in earnest, declassifying everything, and what they keep finding is *nothing.* No craft confirmed. No biology confirmed. Decades of looking up and the honest answer is: unresolved. So you have two federal agencies, one word, opposite directions. searches the heavens for aliens and finds none. I open a window and find three million. They declassify the ones that don't exist. I classify the ones that do. They got a press release. I got a tip line. Guess which one rang. We are, technically, hunting the same species. They just keep aiming the telescope up, and I keep telling them, gently, at the inter-agency sync: lower it. The homepage was mine. ALIENS DECLASSIFIED. THEY WALK AMONG US. I tested "Immigration Portal." Eleven percent scroll. I tested *the truth's out there,* and a White House official told a reporter, on the record, that the strategy was to "draw eyeballs." We drew eyeballs. The truth was out there. It was in a parking lot in Bakersfield, getting into a white van we are now contractually obligated to call a craft. In 1938 a man read a story about an alien invasion over the radio and the country panicked in the streets, and for ninety years that was taught as a cautionary tale, the danger of a broadcast that makes people believe an invasion is real. We studied that broadcast. We did not study it as a warning. We studied it as a launch. The difference between Orson Welles and this office is that he apologized the next morning, and we put a counter on it. I named the van the Mothership. I named the prison Area 51. I named the 5 a.m. knock First Contact. I named all of it from the third chair. I keep a felt-tip for naming and a Mont Blanc for the part that can't be undone. Then we made the cards. I want to be precise, because people assume I'm exaggerating. We took the faces of the captured and we printed them as trading cards. "Worst of the Worst." Mugshot, nationality, charges, and a weakness level, and the weakness level was a snowflake, and the snowflake meant us. We are the weakness. We were proud of that. When a children's franchise objected that these were, in fact, their cards, our official response, which I helped draft, was: "To arrest them is our real test. To deport them is our cause." We set the abduction to the cartoon's theme song. Gotta catch 'em all. The first half is the slogan. The second half is the quota. A man told Congress in 2023 we were hiding non-human biologics. Everyone pictured a grey on a slab. Cute. We do run a reverse-engineering program. We take the biologic. We study what it makes. It makes the drywall. The 4 a.m. milking. The lettuce. And the lettuce is round now, because forty percent of it stayed in the dirt with the only people who knew where the dirt was. We reverse-engineered the alien completely. The blueprint was a back. We call the biologic "labor." We classify the screaming as ambient. Identification is a science here. We do not arrest at random. We read the markings. A crown inked on a forearm. A soccer crest. We have catalogued the species by its tattoos the way Linnaeus catalogued the finch. One of the specimens turned out to be autistic and the crown was just a crown, but the taxonomy held, because the taxonomy is not falsifiable, that is what makes it a taxonomy. I have a desk for this. I have a magnifying glass. I have never felt more like a scientist. There is a second species, and this one we keep. An alien with five million dollars is not an alien. He is a guest. We printed him a card. It is gold. We are printing a Platinum one for the aliens with even more money, who may remain on the planet two hundred and seventy days a year and pay no tax on the wealth they made on other worlds. The website for this is the cheapest-looking website I have ever approved, and I approved the one with the saucer on it. The same agency that scans a gardener's forearm for gang signs scans a financier's bank statement for extraordinary ability. The statement always has it. The forearm never does. The species was never a people. The species is a price. In the old films the alien lands and says, take me to your leader. We have improved the line. Pay five million and we take you to ours. He golfs with him on Saturday. There was a film about this, and I am told the man who made it meant it as a warning, which is the recurring problem with the warnings. A drifter finds a pair of sunglasses, and through them he can finally see which people are the aliens, and it is the rich ones, the ones on the billboards telling everyone to obey and consume and reproduce and not think. I have a pair of those glasses, conceptually. I issue them at the tip line. But mine are tuned the other way. You put them on and the alien is never the man in the suit who paid five million to skip the line. The alien is always the man holding the leaf blower. The lenses cost a thousand dollars in advertising and they only point down. We have sold a great many pairs. You asked about the Men in Black. Yes. Regulation now. A Man in Black photographs poorly, and the witnesses would not stop filming us peel a woman off the sidewalk in daylight, so we issued the masks, and leadership's only note was that the masks tested well. We are no longer the cover-up of the abduction. We are the abduction. We skipped a step. Efficiency. Our communications team posted E.T. last summer. The bicycle. The moon. "Even E.T. knew when it was TIME TO GO HOME." I want to walk you through what happened in that meeting, because nobody stopped it. We chose the one film where the government is the villain. The men with the flashlights and the unmarked vans who hunt the small frightened alien hiding in a child's closet. That is us. We are the flashlights. We watched that movie as children and cried when the agents came, and then we grew up and became the agents and made the poster ourselves and scheduled it for nine a.m. The intern asked if we were the good guys in this one. We told her engagement was up forty percent. She has since been promoted. I built an app where you abduct yourself. CBP Home. You open it. You confirm you are the alien. You beam yourself off the planet and you save us the gas. And here is the part I cannot believe they approved. We *pay* you. A thousand dollars to vanish. We raised it to twenty-six hundred when the first price didn't move enough units. We are bidding against ourselves for your disappearance. Four-point-six stars. The one-stars are from users who got beamed mid-review. I keep the unfinished ones in a folder. I find them very moving. We opened a facility in a swamp. We ringed it with alligators and we called it that, on purpose, in the brochure. Then we opened a gift shop. Thirty dollars for the shirt. Twenty-seven for the hat. Fifteen for a set of koozies, so your beer stays cold while you celebrate the prison in the wetland. The fundraising email called it "gator-guarded, python-patrolled," a "one-way ticket to regret" for anyone who didn't self-deport in time. We sold the koozies to fund the swamp. The swamp funds the next swamp. I want you to sit with the fact that there is merchandise. The quota is three thousand a day. Stephen asked for it himself. Three thousand is not a number. It is a metabolism. The building is hungry by nine and we feed it Marco, who does the landscaping, and the building goes quiet, and by one it stirs again, and we find another Marco. There is always another Marco. That is the part I find beautiful. The supply is the point. The supply is everyone. The Secretary signs the warrants. She is very firm on one point, which she repeats in every briefing: the aliens, she warns, eat the pets. They are taking the dogs. I have read her book. In her book she takes a fourteen-month-old dog named Cricket to a gravel pit and shoots it, because it would not obey, and she writes this down herself, proudly, as a story about leadership. She wrote the part about the dog. She also warns us about the dogs. I have stopped trying to hold both sentences at once. I just file the warrant. The tip line was the masterpiece. "Report your neighbor" hit the shame ceiling. "REPORT SUSPICIOUS ALIENS" tested as a hobby. We handed the callers Roswell instead of a snitch's guilt, and the phones lit up like a saucer, and they hung up glowing, every one of them, like they'd finally seen the thing. They had. He coached the Tuesday team. He was at the bake sale. That is the horror we are selling you. The alien brought the orange slices. He was undocumented and luminous and gone by Tuesday. Roswell taught us the other half of the trade. In 1947 something fell in the desert and the government said: it was a weather balloon, nothing here, go home. That was the first administrative error, the founding one, the original sentence that says the thing you saw was not the thing you saw. We still use it. We have only reversed the polarity. In 1947 they saw a saucer and we called it a balloon. Now they see a father of three and we call it a saucer. The skill is identical. You simply decide in advance which truth the public is allowed to keep, and you hand them the other one, printed, official, with a seal. We did have one administrative error. We abducted a man a court had ordered us not to touch, dropped him on a planet called El Salvador, and called it clerical. A judge made us beam him back. So the DOJ stood up and warned the others: insist on a hearing and we will re-abduct you to the same planet. The Supreme Court said the aliens are entitled to due process. A very Earth opinion. We are appealing it to a higher sky. The planet has a prison, and the prison is the elegant part. In the film about the camp, the aliens are not killed. They are put somewhere they are not permitted to leave, while everyone agrees this is temporary, for their own protection, pending a status that never arrives. We built that. It is called CECOT and we rent it. A man goes in and the man does not come out, and the genius is that nothing has to happen to him, the room does the work, the room is the whole sentence. You remember the Men in Black had a small device. A flash, and the witness forgets the alien entirely. We have something better. We do not wipe the memory. We wipe the file. The man remembers everything, the cell, the flight, the day, all of it, in perfect detail, and it does not matter, because there is no document that admits he was here, and a memory without a file is just a story he tells in a language the form does not accept. The witness keeps the truth. We keep the paperwork. Only one of those is admissible. I learned that the flash was never the point. The point was always the filing cabinet. We run all of it on a spell from 1798. Two hundred and twenty-seven years old. Written for a war we are not in, against an enemy we have not declared. It works because nobody reads the small print on a curse. Storm Area 51 was a joke once. A hundred thousand people Naruto-running at a fence to free whatever was inside. I think about it daily. We're the ones inside the fence now. We kept the running. We just turned it around. We have a precedent we cite in the deck, proudly, on slide four. In 1954 the government ran a program of exactly this kind, and the program had an official name, and the official name was a slur. They printed the slur on the letterhead. They did not flinch. The President holds it up as the model, by name, at the rallies, and the crowd cheers the name. I admire the honesty of 1954 more than I can say. They did not need a saucer to make it palatable. They just used the word. We are the same operation with better art direction. The only thing we added was the costume. I love the callers. I want to say that plainly. For years they told each other a hidden cabal was running everything from the shadows, harvesting the innocent, and that one day the truth would come out. They were right. There is a cabal. It has a budget of a hundred and seventy billion dollars, the largest in the history of federal law enforcement, and it sits in this building, and I have a desk in it. And the people who spent a decade certain that shadowy elites were disappearing their neighbors now call our line, unpaid, to help the shadowy elites disappear their neighbors. They wanted to expose the conspiracy. We made them the staff. Do your own research, they said. They did. They found the gardener. The Department of War posted another tranche on the twenty-second. Saucers. Lights. A pilot's voice going thin. I read all of it. I want them to find one so badly. I want there to be a real one up there, a genuine visitor, something that actually came from somewhere else, because then, and only then, would a single creature in my files have been an alien. They never find it. The sky stays empty. The ground stays full. I have stopped attending the inter-agency sync. We were two departments looking for the same thing in two directions, and only one of us was ever going to be wrong, and it was the honest one. And here is the thing that keeps me at the window past dark. There was a real one. A rock from another star, the genuine article, the first verified object from outside the entire solar system, and a Harvard man went on television and said it might be a ship. An actual alien, possibly, inbound, free of charge, after sixty years of asking. We did not open a file. We could not arrest it. It had no forearm to read and no bank statement to approve. It was the only alien in America we had no use for, so we let it pass, and went back to the parking lot. Last winter the sky over New Jersey filled with lights nobody could name, and the whole government, every agency, every radar, looked up and said it did not know. The one time the unknown actually arrived, we had nothing. Down here I have never once said I do not know. That is the difference between their department and mine. They look up and find a question. I look down and have already decided the answer. Last week the President leaned over mid-briefing and asked if any of them were real. I told him the engagement was extremely real. He nodded. We do not break frame here. The frame is the only wall still standing. That, and the office fern. Nobody waters it. It will not die. The only thing in this building allowed to stay without papers. My plaque came Thursday. FIRST CONTACT, VISIONARY OF THE YEAR. Bold. Unapologetic. Unafraid. I lifted that off the homepage. It was written about one brave man telling the truth. I decided the man was me. I wrote it about me. I am the truth I declassified. I am the secret I warned you about. They walk among us, and I sign their mail. The counter is still live. Three million and climbing. I am told it will not be removed. We are not alone. We are just short a few landscapers. A few line cooks. A few nurses. And the entire night shift at the plant that makes the flag. Up. And to the right.

Peter Girnus 🦅

60,870 просмотров • 2 месяцев назад

"Come on, folks. Do we see what's playing out here? Marbury v. Mad might have just brought down the Commissioner of the Boston Police Department." - Towel, November 6, 2025 Rule #1 in Massachusetts politics right now; Do not mess with Attorney Corey Hopkins. She's going to get barred here just to reform the government (then I'll become her paralegal and we'll submit public records requests all day). Good plan. TRANSCRIPT (from Towel's coverage of the letter in question, uncovered by Attorney Hopkins); Hello and good evening. It is just past 6 p.m. on Monday, November 3rd, 2025. My name is Grant Smith-Ellis, and I'm back with you again for another developing news update, this time related to Boston Police Commissioner Cox responding to a developing series of scandals, in particular related to former Boston Police Officer—well, first former Canton Police Officer, then former Boston Police Officer—Kelly Dever. Now, Kelly Dever was an integral witness during the John O'Keefe and Karen Read trial about one specific series of events in the early morning of January 29, 2022—not really related to John's death per se, but related to the then-chief of the Canton Police Department, Ken Berkowitz, who was also potentially the person that went to the FBI about Brian Tully's MSP unit, Massachusetts State Police unit, detailed to the Norfolk DA, who were the same people that investigated Karen Read for John's death. Berkowitz was the same person who apparently went to the FBI in 2022 about Tully's unit through John Fanning covering up Sandra Birchmore's death at the hands of former Stoughton PD officer Matthew Farwell. Okay, Ken Berkowitz and Brian Higgins—then undercover ATF agent who himself had been in a relationship of some kind, we'll call it that, with Karen in the months before John's death. That's a whole story we will not get into. The point is, Higgins and Berkowitz go into the sally port. Now, Kelly Dever had been working since, I think it was 12 a.m. on January 28th. She worked—let me make sure I get this right now—she worked at 12 p.m., noon on January 28th to 8 p.m. Then she worked the 8 p.m. to 4 a.m. shift. Okay, she was doing 16 hours over those two days. At like 1:30 a.m., she saw Berkowitz and Higgins—or around there, maybe a little later—go into the area, an area of the Canton PD. Then—and we're going to find out—she had a meeting with Boston Police Commissioner Cox. Now, why did Commissioner Cox get himself in trouble? Well, not because of the interview we're going to watch, but instead because of an interview about a year ago where he said he knew nothing about the Kelly Dever situation or the Karen Read case. All right, now we're going to quickly come to find out that what we're about to hear from the commissioner is not the best answer in light of this little document found by the incredible Marbury v. Madison on X, Corey A. Hopkins, a business litigator based in North Carolina. Towel really likes Marbury v. Madison because, first of all, Marbury v. Madison is an awesome case, and it entrenched the supremacy of the judiciary as to saying what the law is by virtue of the Constitution. Solved a very complex problem related to the Judiciary Act of 1789 and, in particular, the emergence of political parties in 1796 and, in particular, 1800, and a slew of last-minute appointments by President Adams and a refusal by President Jefferson to commission—or one of the refusal by Jefferson's Secretary of State Madison to commission a justice of the peace. But it really was about the supremacy of the judiciary branch. Marbury v. Madison uses a lot of FOIAs, and what you're going to see right here is a FOIA request that resulted in this wonderful little document. And what does this show? All right, this document shows, folks, a letter from Stephen J. Kelleher, who's with the White Collar Public Corruption and Civil Rights Division of the FBI in Boston. It is a letter that Marbury v. Madison obtained via a FOIA, and it shows the DOJ reaching out to Commissioner Cox and saying, "Sir, hope all is well. Just a reminder—this was on February 22nd, 2024. The documents were released to the DA's office late last night." This has to do with federal documents about the investigation of John's death by the MSP unit run by Brian Tully working for the Norfolk DA. "The officer we spoke about is Kelly Dever. If you have any questions at all, feel free to call me. Vr. Steve." Okay, folks, this proves that Commissioner Cox was told about Kelly Dever and documents related to her testimony and what she saw Higgins and Berkowitz doing—which I don't think was related to John's death, but it's just embarrassing for Higgins. He was an undercover ATF agent, and embarrassing for Berkowitz. And although Berkowitz is now dead, he was either dying or not dead in 2024. And clearly, this was embarrassing, okay, to the Canton Police Chief, to the Boston Police, to Higgins, to all these people. All right. And so we see here, Cox knows about it. Cox then goes on a few months later—I think it was either after, I think it was right after Karen's second trial, but it was some months after this initial email was sent to Cox. And Cox, in his infinite wisdom, tells Boston 25 or Channel 5 or whatever it was at a news conference that he's basically never heard of Kelly Dever or the Karen Read and John O'Keefe case. Okay, that was a stupid thing to say because then this FOIA comes out in recent weeks. That leads to Alan Jackson to send a Brady letter to Mayor Michelle Wu, the Democratic mayor of Boston running unopposed in the coming election, saying that Cox should be on the Brady list. I think it was—yes, because Cox was not forthcoming about what he was told by the feds about Dever. Okay, now this is Cox's response. I just want to show you how bad of a response this is. Okay, this is a clip via Boston 25, just Cox's comment on these new developments, which—although Alan Jackson's Brady letter is what Cox was asked for comment on—even Alan Jackson himself has rightfully so given credit to Marbury v. Madison for their excellent find on this FOIA document that was unearthed. And this could cost Cox his position. All right, the Democrats in Boston already have the eye of President Trump. The DOJ is all over this unit, in my opinion, and the cover-up of Birchmore's death. Look at the DOJ's pattern of indictments, okay? Recently, not just the Jessica LeClair leaks, but also Sheriff Tompkins and other major Democrats. Look at what's going on here, folks. Think about the larger picture—the most recent indictment, the superseding indictment of Matt Farwell for the murder of Sandra Birchmore's unborn child. It's all coming together. And Commissioner Cox's answer is bad. And that's why I want to analyze it. It's not just like inappropriate. It is a bad, bad, bad answer. When I heard it, I had to immediately make a video to analyze it because that's how bad this answer is. It's short, but I'm going to tell you how bad it is after we listen to it. "But what I need, you know, it's not to be asked this question ever again because it's not—it has to pertain to anything to do with the police department. My condolences to the O'Keefe family for, you know, what they've gone through. And because we did lose a department member. But outside of that, this has nothing to do with us. And I'm not going to speak with this again." Okay, let me just make something clear. I'm not saying he was wrong. It's not wrong to invoke John's name. But doing it that way—that's grotesque. Okay, he didn't answer the question. He basically refused to do so. And again, if you didn't hear the statement—although I'm sure you did—he said, "What I need is to not be asked this question ever again pertaining to anything to do with the police department." What? "My condolences to the O'Keefe family for what they've gone through because we did lose a department member." John O'Keefe was an honorable member of the Boston PD and the SA offenders unit. "But outside of that, this has nothing to do with us, the Boston PD, and I'm not going to speak on this again." No, no, no, no—that you just cost yourself your job right there. I'm sorry. That was a terrible, terrible answer. I'm sorry for the volume. I'm just running it back. Terrible answer. The worst possible answer. You may well have just cost yourself your job because you ducked the question. Everyone knows that the question is about this document. Anyone following this knows. The implications are what Dever knew about Berkowitz and Higgins, and maybe that's not the most serious thing. But as President Nixon said, it is not the crime, it's the cover-up. Dever, whatever she did—not wanting to talk about certain things about Higgins and Berkowitz, unrelated to John's death, just because it's kind of embarrassing—that is not a problem really. It's a minor thing. You know what's a big deal? Dever definitely got Brady-listed or whatever because her testimony was a little weird. I think Alan Jackson also pressured her a little bit. But whatever, that's not the point here. Cox's response—that was bad. That was bad PR. That's like the kind of thing when Prince Andrew was forced to go out and do an interview with BBC One about Epstein, and it just cost him all his titles because he got no PR help; he got sandbagged. That kind of thing—somebody didn't prep him, or the people he was talking to didn't even think this would come up. That's a horrible answer. Twenty seconds can cost you your career if you have done something bad and you answer a tough question like that. It's defensive; it shows you have something to hide; it undermines people's faith in your ability to answer those kind of questions. That's the biggest problem for Commissioner Cox here. Instead of inspiring confidence and making it look like it was nothing or it was just a routine, he couldn't even address the fact that he was made aware in February, in particular, about Kelly Dever and he had knowledge—he had a meeting with her. Let's be clear: He put her on his schedule the very next day. Not only did he have recipient knowledge of what was going on with the federal investigation and the John O'Keefe and Karen Read case—Dever got called into his office the next day, which of course Cox initially tried to play off as just some routine meeting, as if he meets with all 2,600 or whatever of the Boston police force. No. Come on, folks. Come on, folks. Do we see what's playing out here? Marbury v. Madison might have just brought down the Commissioner of the Boston Police Department. My name is Grant Smith-Ellis. Enjoy the rest of your Monday. We'll see what other news comes in today. Sean Good on suspension. Michael Proctor's cell phone gate engulfing the world in a conflagration. Little towel basically running down the street from the masses, trying to insulate himself from the fallout of this God-forsaken situation. Institutional reform is coming—to the Norfolk DA, hopefully throughout the state police—so that the good people in law enforcement can keep helping the vulnerable and that the exploited, no matter how much pressure they come under, continue to speak their truth. And let me just say this: Whenever we stand against the flow of opinion on hotly contested issues, a man, a woman, and a Towel—do what they must in spite of the personal consequences, in spite of the dangers and obstacles and pressures. For that is the basis of all human morality. We will be there for each other in times of struggle. We will be side by side in times of joy. And when everything is on the line and when our principles matter the most, there will be no price too high to pay to center the voices of the unheard, to bring justice to the vulnerable, and to reform this God-forsaken justice system in Massachusetts so that we can all hand down a structural system to our future generations that is worthy of our Constitution, that is worthy of our collective intelligence, and that is worthy of the due reverence we all should be providing to the pursuit of justice. My name is Grant Smith-Ellis. Until next time, you're a towel, I am as well. Be well. God bless.

Grant Smith Ellis

13,006 просмотров • 7 месяцев назад

"Tell us this isn't true." "They had a live being out [near Area 51]." "There were human experiments that went on." 👽🛸 Roswell: A Non-Human Craft or a Darker Secret? 🤫😶 (Transcript is shorter than clip. I don't have room to type more in this post so I'll just wait for replies.) ~ Lex Fridman: "In your book on 'Area 51,' you propose an explanation that I think some people have criticized, at the very end. That this might have been a disinformation campaign from, I guess, Stalin, that the Roswell incident was a remotely-piloted plane with a quote 'grotesque, child-sized aviator.' Just looking back at all that now, years later, what's the probability that it's true? What's the probability it's not?" Annie Jacobsen: (AJ): "So, you know, I've never revealed who that source is." Lex: "Yes." AJ: "You know that? Want me to tell you?" Lex: "Okay, who was the source?" AJ: "So, before I say anything on that, let me speak to the question that you asked, right? So, you asked me, 'What's the probability that that is still standing as an idea, 12, 13, 14 years later,' right? So, I continued to work with that source for years, afterwards. We talked about this. Look, I mean, his whole family knew it was him. And I knew his family because I was an integral part of, you know, I was at his house, met all his kids, grandkids." Lex: "And we should say, the source is the main expert advisor behind the story that it was. Maybe you can explain what the story is that your report in the book, that it was a disinformation campaign created by Stalin to cause mass hysteria in the United States. The very kind that we've been speaking about with the CIA and so on." AJ: "Yes! Predicated on the narrative of the 'War of the Worlds,' right? And the 'War of the Worlds,' when it was a radio program in the United States, made people go crazy. 'Oh, my God, we're being invaded by aliens!' Well, the government was always interested in the story and Joseph Stalin was, too. We know that from declassified documents, right? "And so, the source told me that the reason for this program, and that the real Roswell crash remains, were in fact, it was a black-propaganda hoax infiltrated, you know, or rather, predicated at this idea that you were gonna overwhelm America's early-warning, air-defense system, cause mayhem and maybe be able to attack the United States. That was the plan. And Stalin was also messing with the United States, messing with Truman, who sort of, you know, turned his back on him, right? At Potsdam. "And so, this idea, and the reason that the source is important... And unlike, you know, a lot of people, 'I saw this, I saw that, I learned that.' Was, according to the source, once it was determined that this was a hoax and that Stalin was able to get a craft over the United States, and it crashed. And it had, you know, people inside of it, they were people that were sort of deformed and meant...surgically altered to look like aliens. "The United States government decided that it needed to know what on earth that was all about, and if it was possible for us to have the same program. This, according to this source, right? And so, it sounds preposterous, and if it was just someone saying, 'I...,' you might say, 'Well, it's ridiculous, get them onto another subject.' But, the difference was, is this source, who was very well placed, and friends with all of the other 75 people, you know, told me this as a confession, right? A real, tearful confession, because what he said is he was involved in the American program to do the same thing. And people died, because there were human experiments that went on." "And I write about this in the last 12 pages of 'Area 51.' It was an explosive, you know, revelation, and I felt very confident in writing this because the source wanted it written. Why? Because he said, 'I'm dedicated to my country. I know about being committed to national security, and this kind of thing must never happen. And if you give people too much power, they will take advantage of it.' And he wanted it on the record. "And his wife of 60 years did not know until after the book published. Nor did His children, okay? So, after the book published, I was called to his house and sat there with his family. And they said, 'Tell us this isn't true.' And he said, 'It is true,' right? (We need a tape of this confession or...for his family to confirm they heard this from him.) AJ: "Now that source is Al O'Donnell, who is the nuclear-weapons engineer who armed, wired and fired 186 nuclear weapons, okay? So if you wanna talk about someone..." Lex: "Woooooow." AJ: "You're the first person I've told that on the record, but it's kind of about time." Lex: "Woooooow. Well, you received a lot of criticism over this story, and it confused me why, because it's...given the context of everything you've described with the CIA and other intelligence agencies, it is reasonable that such action would be taken. AJ: "And, the source is extraordinarily credible, right? If you wanted to take the position, 'Well, that person isn't very reliable,' then you have to ask yourself, 'Why did they have Top-Secret clearances that are higher than any in the United States whatsoever?' Because he was responsible for arming nuclear bombs. He was called the trigger man. "And by the way, he told me that I could tell the world who he was. There's a lot of details that are really dark, involving that program. And when is it appropriate, right? Well, it feels appropriate now. First of all, because you and I have been talking for several hours. So this is what is truly a long-form conversation and it's the outcome of, you know, a very long time of my reporting, and also being judicious about what, you know, closing the loop on that, right? Because I do think it's important for people to know that sources have revelations." Lex: "And, like you said, the programs, both on the Soviet side, and the American side, conflicting, I think's the term we used previously? Ethically, morally, on all fronts. People have done some horrible things in the name of security. In your book, 'Surprise, Kill Vanish,' you write about the CIA." ~~~ Jeremy Kenyon Lockyer Corbell: "So, today, I want to focus on a really important story that you once told me, that has never been told all the way [from the] beginning, to all the way to the end. And I just think it's just so cool we get to do this today. So, the question I want to ask is: After you got hooked on the UFO thing, with Bob Lazar, and you as a journalist said, 'I'm gonna start getting sources.' Like, 12 people coming at you, people shut down by the government. You can tell that. But you finally, finally got to a credible individual who had direct, firsthand knowledge about UFOs, exploitation, reverse engineering, and beings. And, oh my God, I want the world to hear this story. Tell us the story." George Knapp: "I've shared some of it in very broad strokes over the years- little bits and pieces of it - without ever actually referencing, in my statements, the guy the source. But this will be the first time I've told it in totality. "And it takes me back to when I first started in this. It's 1989 KLAS-TV, we put together, we spent eight months working on this project called 'UFOs: The Best Evidence.' Nine-part series. It airs on television, it's the biggest thing that's ever been produced for local TV, to this date, and still. "And, along the way, as I'm trying to find...telling the story about Bob Lazar, and his allegations about what was out there at S-4, near Area 51 - recovered discs, alien technology being reverse engineered - I'm looking for people who would support that. And I found about two dozen people, witnesses who had worked out there, who had seen bits and pieces, who could corroborate parts of what Bob had said about these kinds of craft being out there in the Nevada desert. But there wasn't anybody big picture who knew as much as Lazar claimed to have known, so I was still looking for them. "In 1990, I started working on a follow-up series to Best Evidence, looking for new witnesses. And I got a hint from an elected official that I had known, I'd covered him in Nevada politics. He says, 'You know, you should talk to my dad one of these days.' 'Your dad?' 'Yeah.' And he told me what the dad's name was and what he had done, what job he had had. And I said, 'Ah.' So I started stalking the guy. I just started showing up at events where I knew he would be. One of those events was a reunion for employees of EG&G." Corbell (JC): "So I'm assuming that this source was working within EG&G in some capacity, which is, by the way, who Bob [Lazar] said, hired him to go out to Site-4, S-4 at Area 51. So you're like, 'Okay, I can now find out if this is bullshit, or if there's an element of truth to it.' Do I have that right?" Knapp (GK): "Pretty much correct, yeah. So, I'm looking for someone whose credentials are impeccable. Unlike Bob, whose credentials were questioned, and people still attack him on where he went to school and where he worked, and was he at Los Alamos? This guy is documentable. There's a paper trail of where he worked, what he did. There's no question that he was in a position to know. He was the first general manager of EG&G in Nevada. His name was Al O'Donnell, and he has a prominent family. "When I heard that EG&G was having a reunion, I went there. We took a camera [and I figured], 'This is a great chance to get him on camera before I start asking him the questions I really want to ask.'" JC: "And when you say he is a general manager, like, does that give him certain roles and responsibilities that would give him insight? Like, he's not a secretary, so what does that mean?" GK: "He's the boss. He was the boss of the Nevada office. And I'll tell you a little bit about EG&G. So, it was a company that was created in Boston, right around the end of World War Two. Al O'Donnell had been in the Navy, serving during the war. He got out of the Navy while the war was still underway and went to work for a company called Raytheon, which became this massive, gigantic defense contractor that's still around today, still in Nevada in fact." JC: Yeah, they've got a big connection to the UFO topic, right? But, when you say Boston, like, where in Boston was it created?" GK: "Well, MIT is where the company was born. Edgerton, Germeshausen and Grier were the three guys, the EG&G in that. They were at MIT. Scientists, engineers, they created this company there. And Al O'Donnell, who had been working for Raytheon, working on the Manhattan Project. He didn't know he was working on the Manhattan Project, but they were building these devices, complex triggers, that allowed them to detonate nuclear weapons. He learned later what he was doing was part of the Manhattan Project. "He goes to MIT, starts working with EG&G. Their company in those days had, I think, 15 employees, Al said. So it was a very small startup. But it suddenly exploded because the American atomic program exploded in those years. In 1950, Harry Truman decides that we need a permanent, nuclear testing site somewhere in the continental U.S., so they looked at a bunch of places, and they settled on Nevada. "Prior to that, Al O'Donnell had been sent out to the Pacific. They had five of these massive, atomic bomb tests out in the Pacific, and they decided to move it into a continental U.S. location and Nevada's Test Site - it was called the Nevada Test Site in those days - was chosen. Al O'Donnell leads the exodus from Boston, out to Nevada. They start hiring engineers and scientists, physicists and other security, spies." JC: "What are they working on at this time when they make that move?" GK: "Atomic bombs. They're building, testing atomic bombs. EG&G was a really precise organization that was created in order to detonate, measure and photograph atomic weapons. If you look in the history of photography, you'll see some of these amazing photos that they took of, you know, water drops dropping in water and...they're pretty famous shots because of these cameras that they developed. And it was perfect for use and testing atomic weapons and documenting what the process was. "So, EG&G comes out to Las Vegas, they are the managers of the Nevada Test Site. They, subsequently, years later, become the managers of Area 51 when it opens in 1955. So Al O'Donnell is the top guy. He oversees the nuclear testing program out there, manages it for EG&G, works with the Atomic Energy Commission. He has a Top-Secret security clearance and he can go anywhere and see anything. There's, basically, no restrictions, nothing that is outside of his ability to find out and see." JC: "So, this is an impeccable resume. This is somebody who was in position to know, and would know if someone like Bob Lazar was telling the truth or not telling the truth. I find it, personally, humorous that EG&G was, its genesis, its seed, came from MIT, right?" GK: "So, late 1990 or early 1991, I'd have to look up the dates. But somewhere in there is this event, this EG&G reunion. I go there, we got a camera, I interview Al O'Donnell, introduce myself, and say, 'Hey, I'm really interested in this, can we continue this conversation?' So he invites me to his home. He says, 'Come on over, we'll arrange to come over on a Saturday or something. We'll sit down, I'll go through my scrapbooks and show you some documents and memorabilia and photos from that era.' I was like, 'Great.' "So I go to his house and meet this wife. And we sit down, he opens up these big scrapbooks, and he starts showing me all the stuff that he had done. Photos that had been taken out in the proximity of these gigantic nuclear tests. They had great stories about the camaraderie that developed among the engineers and scientists. And he's going through all this stuff and showing me all this. And I love it, I loved every bit of it. I've never had a bad day at the Nevada Test Site, by the way. Every time I've gone out there to do a story, it's just a terrific way to spend some time." JC: "Secrets should be kept, secrets are kept, and you are a proponent of keeping secrets when it's that kind of thing." GK: "Sure, absolutely. And I respected the boundaries that they set up for us in doing these kinds of stories. So I did go out to the Nevada Test Site a lot over the next 40 years or so and put together a lot of different stories. And they knew of my interest in that area that's just outside what the Nevada Test Site, a place called Area 51. In 1955, Area 51 was, basically, created and EG&G got the contract to manage Area 51, and had kept it for the next 30, 35 years. So, whatever went on out there, they had an inside knowledge of what was going on." JC: "So, you meet this guy, Al O'Donnell, for the first time when he's at this public thing. You probably say something like, 'Your son told me to talk to you,' or something. Whatever. It ends up, he invites you to his home, and you're going through scrapbooks, and he's showing you all this atomic testing stuff that he was involved in. GK: "Yeah, and I'm telling him, 'Boy, this is really interesting. That's fascinating. I'd love to do a story on it.' And after we're there for maybe two hours, he closes this one big scrapbook and he goes, 'You're not here to talk about this, are ya?' I said, 'Well, not exactly.' He says, 'I know what you're here to talk about. I know what you want to ask about.' And right about that point, his wife walks in and she says, 'Don't start telling them that stuff! Don't even tell him!' And he kind of joked about it.' JC: "What were you there to talk about?" GK: "UFOs, UFOs. Area 51, Bob Lazar, crashed saucers, reverse engineering, to see if he had any knowledge of that, because I'd been led to believe that he did. So he closes that book and he says, 'We'll have we'll get together another time and we'll talk about it in private.' And over the course of the next two years or so, he and I would meet at coffee shops and talk about it. And I would ask him questions, and really, it was like pulling teeth. He wanted to tell me stuff but he made me work at it." (AJ says his family was there for the confession. Knapp has over two years of meetings with him. A bit confusing.) GK: "And the condition was, I couldn't take any notes. I couldn't record it, I couldn't take any notes. So each time I'd meet with him, I'd rush back to my car and start scribbling notes on pieces of paper so I'd remember everything that he said. And the story that he told me, that evolved over those couple of years was pretty fantastic. "He said that they did have a flying saucer that had been recovered from New Mexico. I think he indicated that it had been taken from New Mexico to Wright Patterson Air Force Base, which is... He never said Roswell, but I think it was the Roswell incident is what he [was] talking about. And it confirmed some of the details about what we know, likely, happened with the Roswell craft." JC: "When he's telling you, 'We have recovered a craft,' did he say it like, this is secret, don't tell anybody?" GK: "Yeah, it was just for my knowledge, my background and information. It wasn't a story I could do then. We were negotiating about how, or when, or if I could ever use that information or make it public. He told me the details about this craft. He said that it had been stored at Indian Springs. Indian Springs is an Air Force Base that's been there for a long time. It's now called Creech. Indian Springs existed before Area 51 was made. "But he says it was there, they kept it there. It might have been in an underground facility, I'm not quite sure. But then when Area 51, after it opened in 1955, they moved it to an adjacent facility. He didn't say it was S-4, he didn't say it was Papoose, but I think that's what he's talking about. Papoose Lake is where Bob Lazar said he worked, and where they had built nine hangars underground, disguised to look like the desert, and where they had other recovered craft. "He says they worked on this recovered craft, reverse engineering, trying to figure out how it worked, who built it. Whether or not they could duplicate the technology because, apparently, they thought this was pretty advanced, and they'd like to be able to build more of 'em. "And he says it was a very closed program, very small. It was only, I think, five of them that were aware of it, at least in the early stages, that were working on this project. And it was very hush hush, and they didn't share it with anybody else in the company, or anybody else in the area, or the military. They just kept it to themselves. "So, after we're having these meetings - and I go back and write down all these notes and stuff, details about what he had shared with me - we have another meeting at a coffee shop, and I said, 'Well gosh, you know, aren't you worried that it would get out, that the word would get out?' "And he says to me, 'We were worried It would get out?' That's right. 'I mean, what...it? What do you mean, it?' It. Meaning a live being, they had a live being out there. I go, 'You had a live being, an alien as well?' [O'Donnell said], 'Tell you the truth, we didn't know what it was.' I said, 'You know, maybe it came from millions of miles away, out in space, and you're keeping it in a cage near Area 51?' He said, 'To tell you the truth, we couldn't communicate with it in the beginning. We didn't know what it was, we didn't know where it was from, and we didn't know what to do with it.'" JC: "When Al O'Donnell says to you, 'We had a live alien, a being,' obviously from another world, what was your feeling?" GK: "Well, I was overwhelmed, because it was, in effect, confirmation of things that I had come to believe, because of the reporting we'd already done. And then the evidence of cover ups and lies that had been told to the public. Here's this guy in a high position, with a high security clearance, telling me that it was true. That they really did have a craft and they had a being. "My second feeling was, one of overwhelming sadness for the being, whatever it was, you know, that was kept out there. I asked him, you know, what had happened to it, what became of it? He says, 'I don't know. I don't know whatever happened to it.' But it was out there for a while, alive, and eventually they figured out a way to communicate with it. "And so I asked him, 'Well, what did it look like?' And he made me guess, as he did with all these questions. He made me guess. He said, 'Well, it kinda looks like a certain political candidate.' I said, 'Well, who? A political candidate? Who?' And at the time, Ross Perot was running for president. He said, 'It looks like Ross Perot. A little skinny guy with a big ears and tiny head.' Not a classic Gray-looking alien, but a very odd-looking creature with really big ears, that looked like Ross Perot. And I laughed. "And so we had these conversations for a while, and I was blown away by the information that he shared. I took all these notes. I was hoping that someday, I might be able to get the information out. And I asked him, 'Look, you're getting up there in age. If I can't record something with you, could you record a statement to the effect of telling me the story on camera, and then when you pass on, I can have the tape?' And he said, 'Yeah,' he would do it." JC: "You know, look, I've heard a lot of wild stories that I can't verify. A guy's telling you something, and you get a sense as a journalist, when you go down a road with somebody, and you take your time and you vet it... Did you feel...I mean, is there any world where he's trying to f*ck with ya? Or is there a world where he's trying to, you know, dissuade...kind of put crazy information into your brain? Like, how did you feel when he was telling you this? Was he like, straight with you?" GK: "Yeah, he was very straightforward. And again, this was not information he was giving up, willingly. I mean, I had to really dig and coax and arm twist to get him to cough things up. And it was very slow-going over about a two-year period, maybe a little bit longer. And I know that this...you always have to be wary of people with different agendas and people that just make stuff up. I didn't get that sense from him because of his standing in the community. He had shared this story with members of his own family." JC: "And that's why they came to you, is because they kind of [gave] you a tip. And these members of his family, they're serious people, too." GK: "Yeah. One of his sons is an FBI agent, or was, he's passed on now. One was an elected official in Nevada. That was the one that gave me the tip." JC: So, I just want to nail this [down] so I understand. You were approached because he had shared this with his family, privately, and then you had to kind of coax to get through to him about the story?" GK: "Right." JC: "I think that's important because look, these things don't happen, like, people [don't] just come to us and say, you know, crazy stuff, and we're like, 'Hh, yeah, cool. Sounds good.' Like, the dynamic of that, socially, as a journalist, like getting in there, taking time. You know, we have to verify if what he said is true, and there are some major bombs coming about that. But it's like, that process is so important. "So here you are, you're sitting with him, he tells you now, they have a live alien. And you felt sad because you're an animal-rights activist, you love animals. I know with your cats at home and you've done horse stories and all the stories about like, the inhumane stuff to animals. So it made you personally sad, makes me sad, too now thinking about it." GK: Yeah. Well, we had these series of meetings, and then the last time we met, after he'd agreed to go ahead and record a tape - and give it to me after making an arrangement so I got it after he passed on - he said that he had been told to not talk to me anymore. He said he had been given a warning [and] it was not a good idea for him to talk to me any more about anything. Not just that topic, but anything." JC: "Well, who knows that you're talking? Who would warn him?" GK: "I don't know. I don't know. But you recall, back in those days, there was surveillance. We had our phones tapped at KLAS-TV. There were guys following us around. Me, Bob Lazar, Gene Huff, maybe Robert Bigelow." JC: "People were also coming to your news station, OSI. And they would come in and try to like, get to you and then they'd show you their card...and take it back. And you know your phones are tapped. So it's like, because of this story, all of a sudden you're on high alert. So, anybody could have called him, been watching you, had meetings with the guy. So what you're saying is one day he just said, 'I can't...I'm not allowed to talk to you any more.'" GK: "Yeah, I've been told not to talk to you anymore. I've been told not to."

Joe Murgia

53,116 просмотров • 1 месяц назад

a deported Chinese dev at a Starbucks showed me his screen and said "you have 6 seconds" he was sitting in the corner. two phones. one laptop. hood up. looked like he hadn't slept in days. i sat down next to him because every other seat was taken. he saw my screen. Polymarket open. "you trade these BTC markets?" yeah. 5-minute binaries. he turned his laptop toward me. "you see how the result settles? every 5-minute BTC market resolves based on an oracle. the oracle reads the price from an API. but the oracle doesn't update instantly. there's a lag. 4 to 6 seconds" "in those 6 seconds the real BTC price already moved. but the market is still open. still accepting orders. priced on the old number" he pointed at his screen. two windows side by side. left: Binance BTC spot feed. right: Polymarket orderbook. 3,200 stars. decentralized oracle framework. he had it forked on his laptop. the entire oracle timing model was exposed in the source code. "right now BTC is at $100,240 on Binance. the oracle still shows $100,190. the market 'BTC above $100,200 at 3:05pm' is trading YES at 41 cents" "but i already know the answer is YES. because i see the real price. the oracle doesn't. for 6 seconds i'm trading against a blind counterparty" watched him buy YES at 41c. four seconds later the oracle updated. market resolved YES. payout $1. "59 cents in 4 seconds. this happens every 5 minutes. 288 times a day" asked how he found this. "i was an oracle engineer at Chainlink in Shanghai. got deported for visa issues. took the knowledge with me" "every oracle has a heartbeat interval. a deviation threshold. a propagation delay. i know exactly how long each one takes to update. because i built three of them" he closed his laptop. "the edge isn't in the market. it's in the infrastructure layer between the real price and the reported price. nobody looks there. because nobody understands how oracles work" finished his coffee. left. didn't get his name. didn't need it. flew home. opened Claude. "build an oracle latency exploitation engine for Polymarket BTC binaries. track real-time BTC spot price from Binance websocket feed. compare against Polymarket oracle update timestamps. detect windows where oracle lags behind spot by more than $30. enter the side that the real price already confirmed. target the 4-6 second blind window before each oracle heartbeat." the system was live by morning. named it DEEP SIGNAL. first fill hit before i finished coffee. > Binance websocket feed at 50ms intervals. > oracle heartbeat monitor. > propagation delay calculator. > spot-to-oracle divergence detector. > conviction gate at $30+ deviation. > order placement avg 47ms. $534K volume. 79% win rate. sharpe 3.64. drawdown -1.2%. +$11,681 in profit runs on: Claude $20. VPS $5. UMA protocol free. $25/month. copytrade setup here: went back to that Starbucks a week later. same corner. empty. but the oracle still lags. every 5 minutes. every day. 6 seconds is all you need when you can see what the oracle can't.

Hanako

32,632 просмотров • 3 месяцев назад