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Four to five years ago, I was contacted by Nick Janssen Nick Janssen What started as a simple conversation turned into hours of storytelling, where I shared our experiences from the COD4 Promod era in detail. We talked about what the scene was like back then. The drive. The...

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18,557 просмотров • 5 месяцев назад •via X (Twitter)

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Zara Larsson accepts the Breakthrough award at the ‘Billboard Women In Music 2026’. #BBWomenInMusic “[…] I’m not new and there are so many years of hard work behind an overnight success or a breakthrough. I’ve been an artist for over a decade now but lately things have really changed for me in my life and my career. So I’ve been trying to figure out what was it that happened? What was it that made the change happen? And when I was younger I wanted to be the best so bad and the annoying part of being the best in any art is that it’s subjective and you just have to, what I learned is that you have to be the most you because only you could be the best of that. And I feel like I become the most me around amazing women. So I didn’t suddenly become a better performer. I just changed who I was around and that was my breakthrough…”
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Zara Larsson accepts the Breakthrough award at the ‘Billboard Women In Music 2026’. #BBWomenInMusic “[…] I’m not new and there are so many years of hard work behind an overnight success or a breakthrough. I’ve been an artist for over a decade now but lately things have really changed for me in my life and my career. So I’ve been trying to figure out what was it that happened? What was it that made the change happen? And when I was younger I wanted to be the best so bad and the annoying part of being the best in any art is that it’s subjective and you just have to, what I learned is that you have to be the most you because only you could be the best of that. And I feel like I become the most me around amazing women. So I didn’t suddenly become a better performer. I just changed who I was around and that was my breakthrough…”

Updates Zara Larsson

210,289 просмотров • 3 месяцев назад

In my career, KAT has been the only player that has always been on the team. It’s going to be very odd to cover a Wolves team that he’s not a part of. We’ll dive into the trade plenty — still wrapping my head around it. But for now, want to say I’m grateful for the respect he always treated me with — not a given in this industry, especially as independent media. Karl and I became some version of friends over the years. And for me, that will always be something that will stick with me as the years go on. ✌️KAT
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In my career, KAT has been the only player that has always been on the team. It’s going to be very odd to cover a Wolves team that he’s not a part of. We’ll dive into the trade plenty — still wrapping my head around it. But for now, want to say I’m grateful for the respect he always treated me with — not a given in this industry, especially as independent media. Karl and I became some version of friends over the years. And for me, that will always be something that will stick with me as the years go on. ✌️KAT

Dane Moore

181,047 просмотров • 1 год назад

VIDEO | "I used to say this publicly - 'you will regret not coming back to India... the era is about to change'. I was the MLA when the American govt refused to give me visa. As an individual, going to America was not a big thing, I had visited before also; but I felt the disrespect of an elected govt and the country, and there was a dilemma in my mind as to what was happening... That day, I held a press conference, where I said that the American govt had rejected my visa. I also said that I see an India, where the world will stand in queue for visa, this is my statement in 2005 and today we are standing in 2025. So, I can see that now, the time is of India," says PM Modi (Narendra Modi).
2:47

VIDEO | "I used to say this publicly - 'you will regret not coming back to India... the era is about to change'. I was the MLA when the American govt refused to give me visa. As an individual, going to America was not a big thing, I had visited before also; but I felt the disrespect of an elected govt and the country, and there was a dilemma in my mind as to what was happening... That day, I held a press conference, where I said that the American govt had rejected my visa. I also said that I see an India, where the world will stand in queue for visa, this is my statement in 2005 and today we are standing in 2025. So, I can see that now, the time is of India," says PM Modi (Narendra Modi).

Press Trust of India

137,524 просмотров • 1 год назад

MJF talked to us about his crazy schedule between filming Violent Night 2 and wrestling: "The guys that I looked up to when I got into this profession were true traveling champions and their schedules were just as heinous. I think, dare I say, I feel like I put out a better performance in a under 24 hour span in two different matches than anyone else in the history of the business. I'm willing to put my name on that between the Mistico match and the Mark Briscoe match. Am I happy about the results? No. But while I was filming Violent Night 2, which will be coming out in December of next year, I had a lot of time to think and a lot of time to reassess. This guy is a lot different from this guy. It's kind of a matter of me figuring out the amalgamation of what it'sgonna take for me to get back to the tippy of the top of the mountain in not just All Elite Wrestling, but professional wrestling. Now, when people think about professional wrestling in 2025, the names that come up, am I one of them? Yeah, no f*cking shit. But that's not enough for me. I need to go down as the greatest of all time. I need to go down as a generational talent, as a guy who led my generation for years to come. AEW had me in my 20s. They're about to have me in my 30s. Have I accomplished more than anybody has in that period of time? Probably. But I'm not satiated. That was my biggest thing that I realized after the Mark Briscoe match. I just was not satiated. It's not okay to just have a good outing. I need to win."
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MJF talked to us about his crazy schedule between filming Violent Night 2 and wrestling: "The guys that I looked up to when I got into this profession were true traveling champions and their schedules were just as heinous. I think, dare I say, I feel like I put out a better performance in a under 24 hour span in two different matches than anyone else in the history of the business. I'm willing to put my name on that between the Mistico match and the Mark Briscoe match. Am I happy about the results? No. But while I was filming Violent Night 2, which will be coming out in December of next year, I had a lot of time to think and a lot of time to reassess. This guy is a lot different from this guy. It's kind of a matter of me figuring out the amalgamation of what it'sgonna take for me to get back to the tippy of the top of the mountain in not just All Elite Wrestling, but professional wrestling. Now, when people think about professional wrestling in 2025, the names that come up, am I one of them? Yeah, no f*cking shit. But that's not enough for me. I need to go down as the greatest of all time. I need to go down as a generational talent, as a guy who led my generation for years to come. AEW had me in my 20s. They're about to have me in my 30s. Have I accomplished more than anybody has in that period of time? Probably. But I'm not satiated. That was my biggest thing that I realized after the Mark Briscoe match. I just was not satiated. It's not okay to just have a good outing. I need to win."

Fightful Wrestling

22,394 просмотров • 8 месяцев назад

lando talking about how special it feels for him to win constructors’ titles after starting with the team in tougher times and their dominance 🥹❤️‍🩹 “i mean another one is just a great thing. it's another constructor feels the same as the first, because to get the first was quite an achievement if you still look at where we were just three years ago. we've overtaken every team in terms of development. we've outdone them by a long way in terms of development, and in a time when it's almost harder to do than ever, with more restrictions and less wind tunnel time, all of those different things, budget cap, that's really been more in our favor over the last five years comparing to the budget that the other teams could run at. but in a time when it should be more difficult than ever to dominate, that's exactly what the team have done and given us, by a long way, the best car on the grid. i mean, it's always a very nice thing to say. every driver that gets to say that always puts a smile on your face. but we've also done very well as a team in terms of drivers between oscar and myself pushing each other and delivering every single weekend. and you don't see that on any other team. so i think we're also very proud of that as drivers. but for me, i've been with mclaren since i started. especially it was a very different time and different place then to where we are now. so that journey makes it more special to know the downs because that's a lot of what it was back then to see the rise that we've had to see the teamwork, the changes, the atmosphere difference and the leadership from zak, from andrea especially, has turned things around and made us as a team the best in the world. and that's something that many people don't ever get to say”
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lando talking about how special it feels for him to win constructors’ titles after starting with the team in tougher times and their dominance 🥹❤️‍🩹 “i mean another one is just a great thing. it's another constructor feels the same as the first, because to get the first was quite an achievement if you still look at where we were just three years ago. we've overtaken every team in terms of development. we've outdone them by a long way in terms of development, and in a time when it's almost harder to do than ever, with more restrictions and less wind tunnel time, all of those different things, budget cap, that's really been more in our favor over the last five years comparing to the budget that the other teams could run at. but in a time when it should be more difficult than ever to dominate, that's exactly what the team have done and given us, by a long way, the best car on the grid. i mean, it's always a very nice thing to say. every driver that gets to say that always puts a smile on your face. but we've also done very well as a team in terms of drivers between oscar and myself pushing each other and delivering every single weekend. and you don't see that on any other team. so i think we're also very proud of that as drivers. but for me, i've been with mclaren since i started. especially it was a very different time and different place then to where we are now. so that journey makes it more special to know the downs because that's a lot of what it was back then to see the rise that we've had to see the teamwork, the changes, the atmosphere difference and the leadership from zak, from andrea especially, has turned things around and made us as a team the best in the world. and that's something that many people don't ever get to say”

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A year ago, I received a letter from UnitedHealthcare that was meant to scare me into silence. I documented parts of the last year that I haven’t shared before. That morning, as I processed the shock of what was happening on my drive to the hospital, I turned on my phone and started recording. As I spoke to you, my resolve developed. I knew what I had to do. I had to stand up for the truth, my patients, and myself. Even though I was terrified, I found peace and purpose in that moment. Days later, when I shared the threatening letter with you all, you stood with me. I know we are far from done, but I share this now to remind you of the good we can do together.
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A year ago, I received a letter from UnitedHealthcare that was meant to scare me into silence. I documented parts of the last year that I haven’t shared before. That morning, as I processed the shock of what was happening on my drive to the hospital, I turned on my phone and started recording. As I spoke to you, my resolve developed. I knew what I had to do. I had to stand up for the truth, my patients, and myself. Even though I was terrified, I found peace and purpose in that moment. Days later, when I shared the threatening letter with you all, you stood with me. I know we are far from done, but I share this now to remind you of the good we can do together.

Elisabeth Potter MD

239,306 просмотров • 6 месяцев назад

This was supposed to be a 5-minute promo for my first international solo exhibition in Dubai. But once the cameras started rolling, Joseph Ruzer saw something more. Every question pulled at another part of the story, moments I hadn’t planned to share, struggles I didn’t think mattered, and the obsession that keeps me chasing light. So we kept filming. What began as a short shoot became Chasing the Light. It is the most personal project I have ever shared. A documentary that dives into the why. Why I risk everything for a shot. Why I keep chasing something just out of reach. And why the journey is always more important than the destination. People see the final image, the exhibition, or the recognition, and they think it is an overnight success. But they never see what it takes. The early mornings, the missed moments, the risks, the failures, and the constant drive to keep going. This film pulls back the curtain on that reality. None of this would exist without Joseph Ruzer and his incredible team. His vision transformed a simple idea into something unforgettable. But it goes beyond that. This film is a piece of everyone who has been part of my journey, friends who filmed me when I had no crew, those who captured photos of me chasing light long before it was a career, and the people who pushed me, supported me, and believed in this vision as much as I did. There are too many people to name, but you know who you are. Thank you. This film is as much yours as it is mine. We premiered it in Dubai at Mondoir Gallery which was sponsored by MoonPay 🟣. And now I'm sharing it with with everyone. This is not just about the landscapes I have captured. It is about the journey that led me there. I hope you all enjoy: Chasing the Light - A Photographer’s Journey.
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This was supposed to be a 5-minute promo for my first international solo exhibition in Dubai. But once the cameras started rolling, Joseph Ruzer saw something more. Every question pulled at another part of the story, moments I hadn’t planned to share, struggles I didn’t think mattered, and the obsession that keeps me chasing light. So we kept filming. What began as a short shoot became Chasing the Light. It is the most personal project I have ever shared. A documentary that dives into the why. Why I risk everything for a shot. Why I keep chasing something just out of reach. And why the journey is always more important than the destination. People see the final image, the exhibition, or the recognition, and they think it is an overnight success. But they never see what it takes. The early mornings, the missed moments, the risks, the failures, and the constant drive to keep going. This film pulls back the curtain on that reality. None of this would exist without Joseph Ruzer and his incredible team. His vision transformed a simple idea into something unforgettable. But it goes beyond that. This film is a piece of everyone who has been part of my journey, friends who filmed me when I had no crew, those who captured photos of me chasing light long before it was a career, and the people who pushed me, supported me, and believed in this vision as much as I did. There are too many people to name, but you know who you are. Thank you. This film is as much yours as it is mine. We premiered it in Dubai at Mondoir Gallery which was sponsored by MoonPay 🟣. And now I'm sharing it with with everyone. This is not just about the landscapes I have captured. It is about the journey that led me there. I hope you all enjoy: Chasing the Light - A Photographer’s Journey.

John Knopf

32,437 просмотров • 1 год назад

So yeah, after watching it yesterday for the 5th #ChristmasDay in a row, there is no denial: Patty Jenkins’s #WonderWoman1984 became my Post-Covid #Christmas movie staple. I think I’ll never forget the preview night when it came out, with the film in theatres during just a short evening, because of the announcement that, from that night or, depending on the city, on the following day which was supposed to be its opening day, all theatres would be closed for the following 6 months in the U.K. The rush to get to the nearest theatre still open that evening when the lockdown announcement came, we had to go all the way from London to Maidenhead to be able to watch it on that THU, as the preview screenings that evening in London were being canceled… I was so excited for that film for over 2 years, and somehow I knew that would be the one and only opportunity to see it in theatres. And I was so damn right! I think I never understood, till that point, how much movies, movie theatres and the moviegoing experience were important to me. They’ve always been there as part of my life, I’ve always taken them for granted. Until, all of sudden, they weren’t. And for a moment, #WW84 would be the last blockbuster we would see in a movie theatre, for a long while. That day for me was like our last, desperate way to hold on to the old normal pre-Covid. And in a way, in my mind, I was saying good bye to those Pre-Covid times without even knowing it. When theatres reopened again, 6 months later, things never got back to where they were. On top of a period already challenging as it as, my mother passed away within that bleak period, 2 weeks before theatres reopened. While some say ironically or mockingly that we went through a Great Reset, to me it was a literal reset. A forced one I was never consulted about nor agreed with. But life goes on, and we had to move on with it - but never losing that hope deep inside that, one day, we would have that life pre-Covid back. And that’s how #WonderWoman1984 deeply connected with me, I believe even more on the following Christmas in 2021, when things got scarily more relatable after that tough year. The film had all the messages I needed just on the right time. All the social unrest, forced division and global turmoil that followed from 2021 onwards, mixed with that longing desire to have back a life and the people that I would never have again, it felt like that film was predicting what we were about to go through in the following years, while offering its perspective on how to - and how not to - deal with most of these phantoms. And every time I rewatch it, I appreciate it a bit more. All those beautiful, powerful messages still stand and they feel even more meaningful now than they already were back in DEC 2020. They remind me of what we used to be as society, but also remind me of what we still can be, depending on the path we decide to take. And I know, I know - on this app, that movie means different things for different people, or even it might be the case it feels meaningless for some. I totally understand, respect and appreciate the diversity of opinions around it, and I see where they are coming from. I’ll never fight about your own views about the movie or your experience with it. That’s the magic of the movies after all, resonate differently with different people, as a collective but diverse experience. But to me it has a deeper meaning, and I love revisiting it time and time again. Until next Christmas!
2:22

So yeah, after watching it yesterday for the 5th #ChristmasDay in a row, there is no denial: Patty Jenkins’s #WonderWoman1984 became my Post-Covid #Christmas movie staple. I think I’ll never forget the preview night when it came out, with the film in theatres during just a short evening, because of the announcement that, from that night or, depending on the city, on the following day which was supposed to be its opening day, all theatres would be closed for the following 6 months in the U.K. The rush to get to the nearest theatre still open that evening when the lockdown announcement came, we had to go all the way from London to Maidenhead to be able to watch it on that THU, as the preview screenings that evening in London were being canceled… I was so excited for that film for over 2 years, and somehow I knew that would be the one and only opportunity to see it in theatres. And I was so damn right! I think I never understood, till that point, how much movies, movie theatres and the moviegoing experience were important to me. They’ve always been there as part of my life, I’ve always taken them for granted. Until, all of sudden, they weren’t. And for a moment, #WW84 would be the last blockbuster we would see in a movie theatre, for a long while. That day for me was like our last, desperate way to hold on to the old normal pre-Covid. And in a way, in my mind, I was saying good bye to those Pre-Covid times without even knowing it. When theatres reopened again, 6 months later, things never got back to where they were. On top of a period already challenging as it as, my mother passed away within that bleak period, 2 weeks before theatres reopened. While some say ironically or mockingly that we went through a Great Reset, to me it was a literal reset. A forced one I was never consulted about nor agreed with. But life goes on, and we had to move on with it - but never losing that hope deep inside that, one day, we would have that life pre-Covid back. And that’s how #WonderWoman1984 deeply connected with me, I believe even more on the following Christmas in 2021, when things got scarily more relatable after that tough year. The film had all the messages I needed just on the right time. All the social unrest, forced division and global turmoil that followed from 2021 onwards, mixed with that longing desire to have back a life and the people that I would never have again, it felt like that film was predicting what we were about to go through in the following years, while offering its perspective on how to - and how not to - deal with most of these phantoms. And every time I rewatch it, I appreciate it a bit more. All those beautiful, powerful messages still stand and they feel even more meaningful now than they already were back in DEC 2020. They remind me of what we used to be as society, but also remind me of what we still can be, depending on the path we decide to take. And I know, I know - on this app, that movie means different things for different people, or even it might be the case it feels meaningless for some. I totally understand, respect and appreciate the diversity of opinions around it, and I see where they are coming from. I’ll never fight about your own views about the movie or your experience with it. That’s the magic of the movies after all, resonate differently with different people, as a collective but diverse experience. But to me it has a deeper meaning, and I love revisiting it time and time again. Until next Christmas!

Luiz Fernando

11,494 просмотров • 7 месяцев назад

Thankful for so many people in my time at ESPN that helped me grow because they are some of the best in the business. From the broadcast booth to the studio and ESPECIALLY the people many of you never see behind the camera. They are the REAL MVPs and sacrifice so much time with their families just to ensure people like myself in front of the camera even have the opportunity to shine. There were so many awesome experiences and moments that my family and I will never forget from the last 3 years. What people sometimes fail to realize is none of this is possible without you guys, the FANS. So THANK YOU to everyone who has supported my family through my playing days and broadcast career so far. We love you guys and will continue to seek and defend the truth while telling athletes’ stories the right way. 🤙🏾
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Thankful for so many people in my time at ESPN that helped me grow because they are some of the best in the business. From the broadcast booth to the studio and ESPECIALLY the people many of you never see behind the camera. They are the REAL MVPs and sacrifice so much time with their families just to ensure people like myself in front of the camera even have the opportunity to shine. There were so many awesome experiences and moments that my family and I will never forget from the last 3 years. What people sometimes fail to realize is none of this is possible without you guys, the FANS. So THANK YOU to everyone who has supported my family through my playing days and broadcast career so far. We love you guys and will continue to seek and defend the truth while telling athletes’ stories the right way. 🤙🏾

Robert Griffin III

3,883,406 просмотров • 2 лет назад

Francis Ford Coppola on how young children convinced him to make 'The Outsiders' (1983) & the reason why he loves the movie: "Interviewer: 'Rumble Fish' (1983) is so completely different a film from 'The Outsiders' (1983), not just in black and white and color, but in the tone. And everybody said, “Well, he’s off in Tulsa, making two films,” rather in a way that, once, people would go up to the desert and make two westerns at the same time. 'Rumble Fish' makes 'The Outsiders' seem an odder film than I thought it was when I first saw it. 'The Outsiders' almost felt like a film in which you weren't quite there all the time. Coppola: No, I don’t think so. 'The Outsiders' (1984) was the type of film that I personally liked, a melodrama with a romantic tone. I liked the book a lot when I read it; I thought it was sweet and youthful and had something in its little, simple theme that was of value, and I wanted to make the picture very much as the book was. Maybe that’s what you're interpreting as my not always being there, except that I did make the decision to make it exactly like the book. The key to 'The Outsiders' is the score; the fact that it’s this schmaltzy classical movie score indicates that I wanted a movie told in sumptuous terms, very honestly or carefully taken from the book without changing it a lot, with young actors—putting the emphasis more on that kind of 'Gone with the Wind' (1939) lyricism which was so important to the young girl [Susie Hinton] when she wrote it. I liked the film on that basis. It’s how I made it and why I made it. But if you think about my career, I’ve never made two films that were alike... maybe the two Godfathers. But every one of my films is very different from one another and I was feeling that I was in kind of a journeyman period of my life, approaching a future style of work as a more serious, older man which would be based on a tremendous amount of exploration while I had the chance to do that. To me it’s nothing to say, well, I’m going to make that film and it’s going to be that kind of film. Like 'The Outsiders'—it’s not that I couldn’t make that sixteen other ways. People suggested, “Well, are we really going to make this book like that?” “Well,” I said, “little kids wrote me a letter and wanted me to make it that way.” Of all the letters I get from movies, 'The Outsiders' is the one where all of these cute little fourteen- year-olds . . . so I’m in it for them. I feel I must have gained something, although it wasn’t as challenging, cinematically or even on the level of acting and other things as, say, the one that came afterwards. But I always had this idea that I wanted to make one film that was romantic and schmaltzy, like 'The Godfather' (1972), and one film that was more of an art film, more in the direction of 'Apocalypse Now' (1979)." (Francis Ford Coppola's interview with David Thomson & Lucy Gray, 1983)
2:11

Francis Ford Coppola on how young children convinced him to make 'The Outsiders' (1983) & the reason why he loves the movie: "Interviewer: 'Rumble Fish' (1983) is so completely different a film from 'The Outsiders' (1983), not just in black and white and color, but in the tone. And everybody said, “Well, he’s off in Tulsa, making two films,” rather in a way that, once, people would go up to the desert and make two westerns at the same time. 'Rumble Fish' makes 'The Outsiders' seem an odder film than I thought it was when I first saw it. 'The Outsiders' almost felt like a film in which you weren't quite there all the time. Coppola: No, I don’t think so. 'The Outsiders' (1984) was the type of film that I personally liked, a melodrama with a romantic tone. I liked the book a lot when I read it; I thought it was sweet and youthful and had something in its little, simple theme that was of value, and I wanted to make the picture very much as the book was. Maybe that’s what you're interpreting as my not always being there, except that I did make the decision to make it exactly like the book. The key to 'The Outsiders' is the score; the fact that it’s this schmaltzy classical movie score indicates that I wanted a movie told in sumptuous terms, very honestly or carefully taken from the book without changing it a lot, with young actors—putting the emphasis more on that kind of 'Gone with the Wind' (1939) lyricism which was so important to the young girl [Susie Hinton] when she wrote it. I liked the film on that basis. It’s how I made it and why I made it. But if you think about my career, I’ve never made two films that were alike... maybe the two Godfathers. But every one of my films is very different from one another and I was feeling that I was in kind of a journeyman period of my life, approaching a future style of work as a more serious, older man which would be based on a tremendous amount of exploration while I had the chance to do that. To me it’s nothing to say, well, I’m going to make that film and it’s going to be that kind of film. Like 'The Outsiders'—it’s not that I couldn’t make that sixteen other ways. People suggested, “Well, are we really going to make this book like that?” “Well,” I said, “little kids wrote me a letter and wanted me to make it that way.” Of all the letters I get from movies, 'The Outsiders' is the one where all of these cute little fourteen- year-olds . . . so I’m in it for them. I feel I must have gained something, although it wasn’t as challenging, cinematically or even on the level of acting and other things as, say, the one that came afterwards. But I always had this idea that I wanted to make one film that was romantic and schmaltzy, like 'The Godfather' (1972), and one film that was more of an art film, more in the direction of 'Apocalypse Now' (1979)." (Francis Ford Coppola's interview with David Thomson & Lucy Gray, 1983)

DepressedBergman

36,099 просмотров • 7 месяцев назад

📰 People in Crypto, Crypto Magazine Issue 11. I’m grateful to share that I appear in the People in Crypto section of Crypto Magazine, now available in print across multiple countries and major retailers. The interview reflects my personal perspective as a relatively new participant in the crypto space, shaped by my early experience as a validator and my academic background. I share what led me, in part, to become a validator within the CratD2C SmartChain ecosystem, and how I see the industry evolving toward real-world impact. Grateful to Robert Stone for the invitation, and to the entire editorial team for the opportunity to be part of this conversation.
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📰 People in Crypto, Crypto Magazine Issue 11. I’m grateful to share that I appear in the People in Crypto section of Crypto Magazine, now available in print across multiple countries and major retailers. The interview reflects my personal perspective as a relatively new participant in the crypto space, shaped by my early experience as a validator and my academic background. I share what led me, in part, to become a validator within the CratD2C SmartChain ecosystem, and how I see the industry evolving toward real-world impact. Grateful to Robert Stone for the invitation, and to the entire editorial team for the opportunity to be part of this conversation.

DeSci Validator

14,508 просмотров • 7 месяцев назад

‘I speak as an Irish citizen—born and raised here in Dublin—and as a Jew from a small, long-established Irish Jewish community, that arrived here in the early 1600s. And that community is now increasingly fearful… One of my best friends…a long-time respected member of the Jewish community whose grandfather was the only citizen murdered in the 1916 rising said to me only two days ago: “I always thought of myself as an Irishman, who happened to be Jewish. Now I know I am just a Jew, living in Ireland.” Many of us think like that.’ This is what was censored from the clip that one of Ireland’s governing parties shared online. Indeed, this what our political and media establishments have been censoring since October 7th and even before then. This is the reality on the ground for the Irish Jewish community that they do not want you to hear. A reality they know about yet vehemently deny at every opportunity.
0:56

‘I speak as an Irish citizen—born and raised here in Dublin—and as a Jew from a small, long-established Irish Jewish community, that arrived here in the early 1600s. And that community is now increasingly fearful… One of my best friends…a long-time respected member of the Jewish community whose grandfather was the only citizen murdered in the 1916 rising said to me only two days ago: “I always thought of myself as an Irishman, who happened to be Jewish. Now I know I am just a Jew, living in Ireland.” Many of us think like that.’ This is what was censored from the clip that one of Ireland’s governing parties shared online. Indeed, this what our political and media establishments have been censoring since October 7th and even before then. This is the reality on the ground for the Irish Jewish community that they do not want you to hear. A reality they know about yet vehemently deny at every opportunity.

Rachel Moiselle

372,206 просмотров • 1 год назад

Farewell to International Space Station! This is truly a special place, special mission, and special team that makes it happen. It is a bittersweet departure today – I have a keen awareness that I may never be back here, and even if I was, it would be at a different time with a different crew. This chapter is over. Spaceflight has always been a life goal, and it has turned into a life-fulfilling endeavor – but not for the reasons I thought growing up. When I was young, I pictured the launch, the incredible ball of fire and the acceleration, the spacewalks (how could you not wonder what it’s like to be in that suit?), and I was fascinated by the shuttles, capsules, and stations. But as I complete this second mission living and working in space, what draws me to this job is the people. Experiences like this are amazing, but the relationships we build that make it possible are the “why.” Every day, this mission depends on people from all over the world, of different nationalities, races, religions, and cultures. It depends on government and commercial entities, it depends on all political parties, and it depends on commitment to an unchanged goal over many years and decades. It depends on people dedicated to being part of something bigger than themselves, whose names may never be known but who wake up every day to make the world a better place and to be part of something they will be proud to tell their grandkids about. History will look kindly upon them. Humans have always had a propensity to explore … across lands and oceans, up mountains, and into the sky. We as a species will never stop wondering what else is out there, and what it would be like to go. But then, in the words of TS Elliot, “…at the end of all our exploring, will be to arrive where we started, and know the place for the first time.” Crew-10 is on its way home.
0:55

Farewell to International Space Station! This is truly a special place, special mission, and special team that makes it happen. It is a bittersweet departure today – I have a keen awareness that I may never be back here, and even if I was, it would be at a different time with a different crew. This chapter is over. Spaceflight has always been a life goal, and it has turned into a life-fulfilling endeavor – but not for the reasons I thought growing up. When I was young, I pictured the launch, the incredible ball of fire and the acceleration, the spacewalks (how could you not wonder what it’s like to be in that suit?), and I was fascinated by the shuttles, capsules, and stations. But as I complete this second mission living and working in space, what draws me to this job is the people. Experiences like this are amazing, but the relationships we build that make it possible are the “why.” Every day, this mission depends on people from all over the world, of different nationalities, races, religions, and cultures. It depends on government and commercial entities, it depends on all political parties, and it depends on commitment to an unchanged goal over many years and decades. It depends on people dedicated to being part of something bigger than themselves, whose names may never be known but who wake up every day to make the world a better place and to be part of something they will be proud to tell their grandkids about. History will look kindly upon them. Humans have always had a propensity to explore … across lands and oceans, up mountains, and into the sky. We as a species will never stop wondering what else is out there, and what it would be like to go. But then, in the words of TS Elliot, “…at the end of all our exploring, will be to arrive where we started, and know the place for the first time.” Crew-10 is on its way home.

COL Anne McClain

69,039 просмотров • 1 год назад

Raila Odinga: I have addressed the nation and the President is part of the nation and it applies to him as much as it applies to the other people. I am not partisan in any way, this is a proposal that is coming to me and from my party ODM. This is our stand as a party #SabaSaba
0:30

Raila Odinga: I have addressed the nation and the President is part of the nation and it applies to him as much as it applies to the other people. I am not partisan in any way, this is a proposal that is coming to me and from my party ODM. This is our stand as a party #SabaSaba

Citizen TV Kenya

117,866 просмотров • 1 год назад

Nick Offerman said people still call him Ron Swanson, and some are so intimidated they approach him shaking and scared. Nick Offerman: And you’re just like, “You guys, that was a long time…” Amy Poehler: That was a long, you know, my son just turned 17, which is when we started the show. Seventeen years ago. Nick Offerman: Holy cow. Amy Poehler: And, I know, think about that. Nick Offerman: (laughs) Amy Poehler: And, the fact that there’s still, people are still dressing up for Ron Swanson at Halloween. And people said that you got us through the pandemic, and people are saying, “My kid’s just starting it,” and like it’s unbe— I don’t, I mean, I know we knew, I gotta say, and, I, I think I can speak for us both, we were old enough, and, I don’t know, maybe a little, like we knew what we had at the time, you and me. We really did. Nick Offerman: For sure. Amy Poehler: And we tried to enjoy every minute of it, but like, Ron Swanson is, would be in the ma— is in the Hall of Fame of characters. I mean, he is, he is this person that people feel con— what is it like, almost 20 years later, interacting with that kind of work? Like, how do people interact with you? Nick Offerman: It’s interesting. I mean, mostly, first of all, I’m so stupidly grateful, like from star— soup to nuts. And also, people are so nice to me and respectful, I think of Ron, like, people approach me with a deference… Amy Poehler: (laughs) Nick Offerman: …and also a little fear. Amy Poehler: Yeah. Nick Offerman: Um, but they’re, they are really polite to me where I, I usually have to say, “Please call me Nick,” or, you know, because they’re shaking and they’re scared.
2:26

Nick Offerman said people still call him Ron Swanson, and some are so intimidated they approach him shaking and scared. Nick Offerman: And you’re just like, “You guys, that was a long time…” Amy Poehler: That was a long, you know, my son just turned 17, which is when we started the show. Seventeen years ago. Nick Offerman: Holy cow. Amy Poehler: And, I know, think about that. Nick Offerman: (laughs) Amy Poehler: And, the fact that there’s still, people are still dressing up for Ron Swanson at Halloween. And people said that you got us through the pandemic, and people are saying, “My kid’s just starting it,” and like it’s unbe— I don’t, I mean, I know we knew, I gotta say, and, I, I think I can speak for us both, we were old enough, and, I don’t know, maybe a little, like we knew what we had at the time, you and me. We really did. Nick Offerman: For sure. Amy Poehler: And we tried to enjoy every minute of it, but like, Ron Swanson is, would be in the ma— is in the Hall of Fame of characters. I mean, he is, he is this person that people feel con— what is it like, almost 20 years later, interacting with that kind of work? Like, how do people interact with you? Nick Offerman: It’s interesting. I mean, mostly, first of all, I’m so stupidly grateful, like from star— soup to nuts. And also, people are so nice to me and respectful, I think of Ron, like, people approach me with a deference… Amy Poehler: (laughs) Nick Offerman: …and also a little fear. Amy Poehler: Yeah. Nick Offerman: Um, but they’re, they are really polite to me where I, I usually have to say, “Please call me Nick,” or, you know, because they’re shaking and they’re scared.

Ruzy.hl

173,247 просмотров • 1 месяц назад

If creating moments like the ones we witnessed last night at ICYAMBU LIVE – 4th Edition means sleepless nights for me and my team, then it is worth doing again and again. I grew up in church, and one thing that has never left me is this conviction: we serve above self, and we serve with excellence. That belief continues to shape how we lead, how we plan, and how we execute every assignment entrusted to us. After previous editions, we gathered as a team—not to just celebrate, but to ask a deeper question: What must we do differently? The answer was clear: our standard must be the creation of lasting memories and meaningful experiences—something still missing in much of the entertainment industry, let alone the gospel space. One of our bold decisions this year was simple but intentional: capturing raw moments—unfiltered footage of people worshipping, praising, and encountering God. Moments that can’t always be seen on a livestream or in mainstream media. Moments that happen off-stage, in the crowd, in the heart. We entrusted this responsibility to one of the youngest members of our team—20 years old. Not just to get the job done, but to empower, to mentor, and to pass on what we stand for. Vainqueur_Photographer (ig) I am so proud you! Today, as we reviewed the footage, I was deeply moved. This is the power of vision and clarity. Thank you my brother Israel Mbonyi for trusting us once again, and for delivering an exceptional experience to an incredible audience both in the Arena and Online. And to our community—what you will see on our platforms from now on is more than content. It’s a movement. It’s a story. It’s a people. I am equally inspired seeing an event of this magnitude planned and executed by a young team of change-makers, with an average age of 26. We are walking in purpose. We are building with intention. And truly, we are heading exactly where God wants us to be. Note: The first video has someone coughing—but this is exactly what I was talking about: less-edited moments, showing real, true experiences.
0:55

If creating moments like the ones we witnessed last night at ICYAMBU LIVE – 4th Edition means sleepless nights for me and my team, then it is worth doing again and again. I grew up in church, and one thing that has never left me is this conviction: we serve above self, and we serve with excellence. That belief continues to shape how we lead, how we plan, and how we execute every assignment entrusted to us. After previous editions, we gathered as a team—not to just celebrate, but to ask a deeper question: What must we do differently? The answer was clear: our standard must be the creation of lasting memories and meaningful experiences—something still missing in much of the entertainment industry, let alone the gospel space. One of our bold decisions this year was simple but intentional: capturing raw moments—unfiltered footage of people worshipping, praising, and encountering God. Moments that can’t always be seen on a livestream or in mainstream media. Moments that happen off-stage, in the crowd, in the heart. We entrusted this responsibility to one of the youngest members of our team—20 years old. Not just to get the job done, but to empower, to mentor, and to pass on what we stand for. Vainqueur_Photographer (ig) I am so proud you! Today, as we reviewed the footage, I was deeply moved. This is the power of vision and clarity. Thank you my brother Israel Mbonyi for trusting us once again, and for delivering an exceptional experience to an incredible audience both in the Arena and Online. And to our community—what you will see on our platforms from now on is more than content. It’s a movement. It’s a story. It’s a people. I am equally inspired seeing an event of this magnitude planned and executed by a young team of change-makers, with an average age of 26. We are walking in purpose. We are building with intention. And truly, we are heading exactly where God wants us to be. Note: The first video has someone coughing—but this is exactly what I was talking about: less-edited moments, showing real, true experiences.

Robert Mugabo

24,499 просмотров • 7 месяцев назад

🦊 i spent a lot of my teenage years practicing and living as a student. looking back at that time, while there was joy in pursuing my dreams, i think there were also many exhausting moments. it’s really important to look into the heart as much as the body, but i think i didn’t realize that back then, and i feel like i’m still learning that now. i believe i can stand here now because i endured that period well and because i understand that loneliness and pain as well. i hope for the environment where children and adolescents around the world can look into their hearts and ask for help without hesitation if they need it.
0:38

🦊 i spent a lot of my teenage years practicing and living as a student. looking back at that time, while there was joy in pursuing my dreams, i think there were also many exhausting moments. it’s really important to look into the heart as much as the body, but i think i didn’t realize that back then, and i feel like i’m still learning that now. i believe i can stand here now because i endured that period well and because i understand that loneliness and pain as well. i hope for the environment where children and adolescents around the world can look into their hearts and ask for help without hesitation if they need it.

zzn.

17,286 просмотров • 3 месяцев назад

People who follow along will know that from time to time I feature what I call Truth Matters Musical Moments. It’s a nod to my passion for music and two decades of working in recording studios in what I like to call mr reckless years. As a musician I miss those days as I reflect from time to time, but this clip reminded me of the joy of composition and scoring music. It’s an inspiring language that evokes a wide range of emotions, and I miss that. This piece just brought all the joy flooding back, not least not least because of my admiration of fellow Brit Jacob Collier, who is a talent beyond my ability to articulate. I hope you enjoy this as much as I did. Just watch the joy on the faces of the musicians and the audience alike. Jacob is a unique talent indeed. 🎥 TikTok -
3:04

People who follow along will know that from time to time I feature what I call Truth Matters Musical Moments. It’s a nod to my passion for music and two decades of working in recording studios in what I like to call mr reckless years. As a musician I miss those days as I reflect from time to time, but this clip reminded me of the joy of composition and scoring music. It’s an inspiring language that evokes a wide range of emotions, and I miss that. This piece just brought all the joy flooding back, not least not least because of my admiration of fellow Brit Jacob Collier, who is a talent beyond my ability to articulate. I hope you enjoy this as much as I did. Just watch the joy on the faces of the musicians and the audience alike. Jacob is a unique talent indeed. 🎥 TikTok -

𝔗𝔯𝔲𝔱𝔥 𝔐𝔞𝔱𝔱𝔢𝔯𝔰

37,146 просмотров • 6 месяцев назад

Hou Hsiao-Hsien on the autobiographical nature of "A Time to Live and a Time to Die" (1985): "In 'A Time to Live and a Time to Die' (1985), I wanted to get back to a one-to-one relationship between filmmaker and subject, much as I had in 'The Sandwich Man' (1983). 60-70% of the film is drawn directly from my own memories, the rest from conversations with other members of my family and from research. Of course, the narrative isn’t structured in terms of chronological autobiography. The strongest structuring elements are the three deaths; beyond those, it’s structured in terms of memories and impressions. Both the family in the film and my own memories are essentially vehicles for the discussion with people of my generation of some things that should be discussed: the political and social predicament of those people in Taiwan who originally came from the Mainland. It’s something that simply hasn’t been talked about, least of all in films. After I had shot the film, but before I edited it, three images came together in my mind that helped me to rationalise what I was doing. First, a guy from Hong Kong told me how he used to make annual trips with his family to visit his old grandfather in Guangdong province. One year the grandfather took them all out to a mountain overlooking the sea. He clutched a compass in his hand and said: ‘This is where I want to be buried’. I somehow made a mental connection between this faintly absurd scene and the man who carries a magnet everywhere to prospect for precious metal in 'One Hundred Years of Solitude', which I was reading at the time. And then I made the association of both images with my grandma and her road back to the Mainland. It struck me that all three images combined something fundamentally real with something surreal or absurd. I’d never thought of things in terms of the coexistence of the real and the surreal before. For me, this was a kind of conceptual breakthrough. I suppose that many people in Taiwan must have thought that bringing up the question of our isolation from the Mainland was a touchy thing to do. It obviously is a delicate issue. But the very existence of the film proves that it needn’t be touchy, which strikes me as useful. I guess the authorities let me do it because my other films have shown that I try to be sincere and that I don’t have ulterior political motives." (Hou Hsiao-Hsien's interview with Tony Rayns, Film Buletin, 1988) P.S: On this day, 41 years ago, "A Time to Live and a Time to Die" (1985) was released in Taiwan.
0:55

Hou Hsiao-Hsien on the autobiographical nature of "A Time to Live and a Time to Die" (1985): "In 'A Time to Live and a Time to Die' (1985), I wanted to get back to a one-to-one relationship between filmmaker and subject, much as I had in 'The Sandwich Man' (1983). 60-70% of the film is drawn directly from my own memories, the rest from conversations with other members of my family and from research. Of course, the narrative isn’t structured in terms of chronological autobiography. The strongest structuring elements are the three deaths; beyond those, it’s structured in terms of memories and impressions. Both the family in the film and my own memories are essentially vehicles for the discussion with people of my generation of some things that should be discussed: the political and social predicament of those people in Taiwan who originally came from the Mainland. It’s something that simply hasn’t been talked about, least of all in films. After I had shot the film, but before I edited it, three images came together in my mind that helped me to rationalise what I was doing. First, a guy from Hong Kong told me how he used to make annual trips with his family to visit his old grandfather in Guangdong province. One year the grandfather took them all out to a mountain overlooking the sea. He clutched a compass in his hand and said: ‘This is where I want to be buried’. I somehow made a mental connection between this faintly absurd scene and the man who carries a magnet everywhere to prospect for precious metal in 'One Hundred Years of Solitude', which I was reading at the time. And then I made the association of both images with my grandma and her road back to the Mainland. It struck me that all three images combined something fundamentally real with something surreal or absurd. I’d never thought of things in terms of the coexistence of the real and the surreal before. For me, this was a kind of conceptual breakthrough. I suppose that many people in Taiwan must have thought that bringing up the question of our isolation from the Mainland was a touchy thing to do. It obviously is a delicate issue. But the very existence of the film proves that it needn’t be touchy, which strikes me as useful. I guess the authorities let me do it because my other films have shown that I try to be sincere and that I don’t have ulterior political motives." (Hou Hsiao-Hsien's interview with Tony Rayns, Film Buletin, 1988) P.S: On this day, 41 years ago, "A Time to Live and a Time to Die" (1985) was released in Taiwan.

DepressedBergman

28,455 просмотров • 19 дней назад