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Girlfriend Cheats With BBC Delivery Guy 📦🍆 LetsDoeit #1win | #models | #nsfwtw | #boobs | #body

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1winModels

166,238 subscribers

268,772 Aufrufe • vor 1 Jahr •via X (Twitter)

NSFW#1win#models#nsfwtw#boobs#body
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just copy the prompt below and paste on Utopai the PAI agent turns it into script, create storyline, generate clips and edit all by itself prompt: High-energy 3D CGI animated comedy short, Pixar quality, ultra-detailed character animation, exaggerated physics, vibrant colors, warm orange kitchen lighting with glowing flames, bright daylight city streets, dynamic camera work with fast pans, tilts and dramatic angles, subtle motion blur on fast movements, comedic timing and expressions, upbeat energetic music with whooshes and impacts. **Main Character Casting Descriptions:** - **Pizza Chef - Jack (main actor in kitchen)**: Early 50s energetic male, messy silver hair, large prominent nose, thick expressive eyebrows, sharp intense eyes, fair skin with slight blush from heat. Wears white double-breasted chef jacket, wear white chef hat with text “el.cine” in front, gree neckerchief. Highly animated face — furrowed brows, focused squint, dramatic determination turning to exhaustion. - **Pizza Delivery Guy - Tom (main actor on street/scooter)**: Late teens/early 20s lanky male, long blue hair, huge expressive brown eyes, long nose, very animated facial expressions (surprise, determination, panic, relief). Wears white helmet with spinning yellow propeller on to, light blue leather with text el.cine at back, white pants, sneakers. Fast, exaggerated movements. - **Customer (final shot)**: Large, middle-aged stern woman, brown hair, heavy eyebrows, downturned mouth, wearing beige suit jacket, white shirt, dark trousers. Standing in doorway with impatient/annoyed expression. SHOT 1 (0:00–0:02) – Cinematic fast motion, dramatic low angle with subtle Dutch tilt and intense push-in: fast push from kitchen wide shot to close up on the Pizza Chef’s face in the bustling kitchen. He grips the large pepperoni pizza on a metal tray with raw, over-the-top determination — brows dramatically furrowed into deep angry V-shapes, eyes sharply narrowed with a fierce glint and slight crazy wideness at the edges, teeth gritted in heroic effort, dramatic sweat beads flying off his forehead. Bright orange flames explode upward from the pizza in the foreground with massive sparks and heat waves licking toward his face. Dynamic camera orbits left while pushing in for maximum tension, subtle motion blur on the flames. Background shows chaotic kitchen with stacked pizza boxes, glowing ovens, and flying embers. SHOT 2 (0:02–0:04) – Medium close-up, eye-level: Chef lifts the flaming pizza higher with both hands, leans forward, eyes wide with concentration as flames lick upward toward his face. 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SHOT 7 (0:12–0:14) – Wide action shot, eye-level: Chef lands in a wide stance, spins the flaming pizza on one hand like a basketball, then dramatically throws it forward toward the open doorway with full body power, flames trailing, quick push in and follow the close up of the flying pizza in slow motion SHOT 8 (0:14–0:16) – Medium shot on street, eye-level: Pizza Delivery Guy stands outside the shop holding an empty pizza box, looking down at his watch with bored expression, propeller on helmet slowly spinning. SHOT 9 (0:16–0:18) – Medium close-up, eye-level: Chef (partially visible inside doorway) throws the flaming pepperoni pizza directly toward the Delivery Guy. Delivery Guy looks up with wide-eyed shock. SHOT 10 (0:18–0:20) – Medium shot, eye-level: slow motion, close up of the flaming pizza flies straight into the open pizza box held by the Delivery Guy. Flames whoosh past his face as he catches it perfectly. SHOT 11 (0:20–0:22) – Close-up on Delivery Guy’s face: His eyes go extremely wide in surprise, mouth open, propeller spinning faster, and talk excitedly SHOT 12 (0:22–0:24) – Extreme close-up on smartphone screen held in hand: Red digital timer clearly shows “00:30” counting down. SHOT 13 (0:24–0:26) – Close-up on Delivery Guy’s face: Expression changes from shock to intense determination — eyebrows lowered, mouth set in a smirk, eyes focused. SHOT 14 (0:26–0:50 end) – Wide tracking shot from behind, fast-paced: Delivery Guy jumps on his purple scooter and speeds away down the sunny city street, pizza box secured on the back. Camera follows as he weaves between cars, jumps over red-and-white construction barriers, rides up stairs, does rooftop jumps, and finally stops smoothly in front of a house. He turns with a confident smile as the stern Customer opens the door and stares at him and says with an angry tone “you are late” cut to Tom smiling awkwardly and scratch the back of his head, he takes the pizza from his back and suddenly he slide and fall down on the ground Cinematic 3D CGI animation style, highly exaggerated comedic action, perfect continuity of the flaming pizza and characters, dynamic camera movements exactly matching the original video’s pacing, framing, and energetic tone. Photorealistic 3D render quality, 1080p, 24fps.
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just copy the prompt below and paste on Utopai the PAI agent turns it into script, create storyline, generate clips and edit all by itself prompt: High-energy 3D CGI animated comedy short, Pixar quality, ultra-detailed character animation, exaggerated physics, vibrant colors, warm orange kitchen lighting with glowing flames, bright daylight city streets, dynamic camera work with fast pans, tilts and dramatic angles, subtle motion blur on fast movements, comedic timing and expressions, upbeat energetic music with whooshes and impacts. **Main Character Casting Descriptions:** - **Pizza Chef - Jack (main actor in kitchen)**: Early 50s energetic male, messy silver hair, large prominent nose, thick expressive eyebrows, sharp intense eyes, fair skin with slight blush from heat. Wears white double-breasted chef jacket, wear white chef hat with text “el.cine” in front, gree neckerchief. Highly animated face — furrowed brows, focused squint, dramatic determination turning to exhaustion. - **Pizza Delivery Guy - Tom (main actor on street/scooter)**: Late teens/early 20s lanky male, long blue hair, huge expressive brown eyes, long nose, very animated facial expressions (surprise, determination, panic, relief). Wears white helmet with spinning yellow propeller on to, light blue leather with text el.cine at back, white pants, sneakers. Fast, exaggerated movements. - **Customer (final shot)**: Large, middle-aged stern woman, brown hair, heavy eyebrows, downturned mouth, wearing beige suit jacket, white shirt, dark trousers. Standing in doorway with impatient/annoyed expression. SHOT 1 (0:00–0:02) – Cinematic fast motion, dramatic low angle with subtle Dutch tilt and intense push-in: fast push from kitchen wide shot to close up on the Pizza Chef’s face in the bustling kitchen. He grips the large pepperoni pizza on a metal tray with raw, over-the-top determination — brows dramatically furrowed into deep angry V-shapes, eyes sharply narrowed with a fierce glint and slight crazy wideness at the edges, teeth gritted in heroic effort, dramatic sweat beads flying off his forehead. Bright orange flames explode upward from the pizza in the foreground with massive sparks and heat waves licking toward his face. Dynamic camera orbits left while pushing in for maximum tension, subtle motion blur on the flames. Background shows chaotic kitchen with stacked pizza boxes, glowing ovens, and flying embers. SHOT 2 (0:02–0:04) – Medium close-up, eye-level: Chef lifts the flaming pizza higher with both hands, leans forward, eyes wide with concentration as flames lick upward toward his face. SHOT 3 (0:04–0:06) – Medium shot, eye-level, dynamic pan: Chef dramatically spins the flaming pizza on the peel in a huge fiery arc above his head, left hand on forehead in dramatic pose, right arm extended. Flames trail in a perfect circle. SHOT 4 (0:06–0:08) – Low-angle dramatic shot looking up: Chef tosses the flaming pizza high into the air with both hands. The camera follows the spinning fiery pizza as it arcs toward the ceiling tiles. SHOT 5 (0:08–0:10) – Extreme low-angle on ceiling: The flaming pizza spins in a perfect circle of fire against the tiled ceiling, sparks flying. SHOT 6 (0:10–0:12) – Wide dynamic shot, low angle: Chef does a full acrobatic flip in mid-air, upside-down, catching the flaming pizza behind his back while still in the air. SHOT 7 (0:12–0:14) – Wide action shot, eye-level: Chef lands in a wide stance, spins the flaming pizza on one hand like a basketball, then dramatically throws it forward toward the open doorway with full body power, flames trailing, quick push in and follow the close up of the flying pizza in slow motion SHOT 8 (0:14–0:16) – Medium shot on street, eye-level: Pizza Delivery Guy stands outside the shop holding an empty pizza box, looking down at his watch with bored expression, propeller on helmet slowly spinning. SHOT 9 (0:16–0:18) – Medium close-up, eye-level: Chef (partially visible inside doorway) throws the flaming pepperoni pizza directly toward the Delivery Guy. Delivery Guy looks up with wide-eyed shock. SHOT 10 (0:18–0:20) – Medium shot, eye-level: slow motion, close up of the flaming pizza flies straight into the open pizza box held by the Delivery Guy. Flames whoosh past his face as he catches it perfectly. SHOT 11 (0:20–0:22) – Close-up on Delivery Guy’s face: His eyes go extremely wide in surprise, mouth open, propeller spinning faster, and talk excitedly SHOT 12 (0:22–0:24) – Extreme close-up on smartphone screen held in hand: Red digital timer clearly shows “00:30” counting down. SHOT 13 (0:24–0:26) – Close-up on Delivery Guy’s face: Expression changes from shock to intense determination — eyebrows lowered, mouth set in a smirk, eyes focused. SHOT 14 (0:26–0:50 end) – Wide tracking shot from behind, fast-paced: Delivery Guy jumps on his purple scooter and speeds away down the sunny city street, pizza box secured on the back. Camera follows as he weaves between cars, jumps over red-and-white construction barriers, rides up stairs, does rooftop jumps, and finally stops smoothly in front of a house. He turns with a confident smile as the stern Customer opens the door and stares at him and says with an angry tone “you are late” cut to Tom smiling awkwardly and scratch the back of his head, he takes the pizza from his back and suddenly he slide and fall down on the ground Cinematic 3D CGI animation style, highly exaggerated comedic action, perfect continuity of the flaming pizza and characters, dynamic camera movements exactly matching the original video’s pacing, framing, and energetic tone. Photorealistic 3D render quality, 1080p, 24fps.

el.cine

12,990 Aufrufe • vor 4 Monaten

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This dog didn’t sign up for a fashion show… yet here we are. Someone is carefully pulling pants over those little legs, adjusting the floral outfit, making sure the red layer sits just right. The dog stands there with the quiet patience only animals seem to possess — tail still, body still, just watching the world of human nonsense unfold around him. It’s one of those moments that makes you smile and then pause. Because somehow our pets keep choosing us every single day. Even when we turn them into tiny models. Even when the outfit is ridiculous. Even when they clearly have better things to do. They don’t argue. They don’t roll their eyes. They just stay. And somehow that silent loyalty hits different every time. Maybe the real flex isn’t the outfit. Maybe it’s the fact that this little guy still trusts the hands dressing him. Tag the person who would 100% do this to their dog. I’ll wait.

NancyH

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ThickAssDaphne breaks down why dating men in real life is an absolute nightmare, detailing how every guy she gets serious with has a giant penis, expects her to take massive pipe every single day until it wrecks her body, and then uses it as an excuse to cheat when she needs a break: “Dating a man is like y'all be want to have too much sex... and the penis be so big, I don't never come up with no dude with a small penis.” “Every guy I ever be with like date them... I'm spending night at his house he's spending at my house, be too big.” “I'm like you want me to take this every day? I can't take that big penis every day, you going to wreck my walls man, I can't do that every single day.” “But now you going to go cheat on me cuz I can't take your dick every day cuz it's too damn big.” “So now I got to take this every single day... and I don't want to take that big ass penis every day.” “Every single time I date a dude it's a big old penis... I'm like goddang why is it so big? And you want to put it in me every day, twice a day.” “And I'm giving it up cuz I'm a good girlfriend... I cook, clean, suck, and we get it busting.” “I am a firm believer if you what you not getting at home you fa to go find elsewhere, that's just how I feel.”
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ThickAssDaphne breaks down why dating men in real life is an absolute nightmare, detailing how every guy she gets serious with has a giant penis, expects her to take massive pipe every single day until it wrecks her body, and then uses it as an excuse to cheat when she needs a break: “Dating a man is like y'all be want to have too much sex... and the penis be so big, I don't never come up with no dude with a small penis.” “Every guy I ever be with like date them... I'm spending night at his house he's spending at my house, be too big.” “I'm like you want me to take this every day? I can't take that big penis every day, you going to wreck my walls man, I can't do that every single day.” “But now you going to go cheat on me cuz I can't take your dick every day cuz it's too damn big.” “So now I got to take this every single day... and I don't want to take that big ass penis every day.” “Every single time I date a dude it's a big old penis... I'm like goddang why is it so big? And you want to put it in me every day, twice a day.” “And I'm giving it up cuz I'm a good girlfriend... I cook, clean, suck, and we get it busting.” “I am a firm believer if you what you not getting at home you fa to go find elsewhere, that's just how I feel.”

SMRTX

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0:58

🚨 THIS THING IS DELIVERING FOOD… AND IT LOOKS LIKE A JOKE 🚨 DoorDash just dropped something called the “DoorDash Dot”… …and people are stopping in the street because it doesn’t make sense. 🤖 What people are actually seeing: This thing is TINY. Not “small car” small. Not “drone” small. I’m talking… ➡️ looks like a lunchbox ➡️ moves like a toy ➡️ feels like it shouldn’t even work 💥 AND YET, IT’S OUT HERE DOING THIS: ➡️ Driving itself through real streets ➡️ Pulling up to restaurants like a regular customer ➡️ Picking up orders with zero human involved ➡️ Navigating sidewalks, traffic, obstacles… ALL ON ITS OWN ➡️ Showing up at someone’s house with dinner inside No driver. No delivery guy. No interaction. Just… this little box… handling business. 😳 THIS IS THE PART THAT MESSES WITH YOUR HEAD: Your brain sees it and goes: “There’s no way that thing is actually functioning.” But it is. Perfectly. ⚠️ This isn’t about food. Not really. This is: ➡️ AI moving through the real world without supervision ➡️ Machines interacting with businesses like humans ➡️ Automation replacing jobs in ways people aren’t ready for ➡️ Technology shrinking… while getting MORE powerful 📦 WE’VE OFFICIALLY HIT THE POINT WHERE THE FUTURE LOOKS FAKE… BUT IT’S REAL. And it’s not coming “someday.” It’s already out there… rolling up to a restaurant… grabbing an order… and pulling away like it owns the place. 🚨 YOU’RE NOT READY FOR HOW FAST THIS IS ABOUT TO SCALE. 🚨

Jack Danger

40,391 Aufrufe • vor 5 Monaten

• Odumodu was threatening blaqbonez in his dm every day for three months • Sending him screenshot of where he was at the music chart • Monitoring his music chart progress • Cursing him and wishing him not to succeed • dropping music tracks shading him • sent over 20 police men to arrest him • was instructed not to perform at a show • got him arrested • called people in BBC, London and show promoters to tell them blaqbonez was a sexual abuser For fuck's sake, which mentally stable man does this to his fellow man on top of a whore who cheated on him? Championing a sexual abuse campaign against your fellow man to ruin his reputation just to get back at him for sleeping with your girlfriend? This isn't no more about mere simping for a woman. Odumodu is an evil and demonic person. And if you still roll with such a guy, expect him to throw you under the bus for a whore. Odumodu is the biggest pussy nigga i have ever seen.
7:03

• Odumodu was threatening blaqbonez in his dm every day for three months • Sending him screenshot of where he was at the music chart • Monitoring his music chart progress • Cursing him and wishing him not to succeed • dropping music tracks shading him • sent over 20 police men to arrest him • was instructed not to perform at a show • got him arrested • called people in BBC, London and show promoters to tell them blaqbonez was a sexual abuser For fuck's sake, which mentally stable man does this to his fellow man on top of a whore who cheated on him? Championing a sexual abuse campaign against your fellow man to ruin his reputation just to get back at him for sleeping with your girlfriend? This isn't no more about mere simping for a woman. Odumodu is an evil and demonic person. And if you still roll with such a guy, expect him to throw you under the bus for a whore. Odumodu is the biggest pussy nigga i have ever seen.

KING CHIDI

220,800 Aufrufe • vor 1 Monat

jihoon said in the middle of the concert there was a gentle arm holding his back and he paid no mind to it until there was a part of the show that u had to put ur arms around each other so he thought it was about time to know what this person looks like.. AND IT TURNED OUT TO BE A GUY PROTECTING HIS GIRLFRIEND FROM BUMPING INTO JIHOON’S HIGH ENERGY BODY EUSHSJSH HE WAS PROTECTING HIS GIRLFRIEND NOT HIM 😭😭😭😭 he thought he was having his y/n moment im cackling 🐶 thinking about it now, since it was standing, i was pushing forward getting pushed around pushing people back getting pushed backward. u know, just constantly pushing and getting pushed 🐶 but at some point, maybe about an hour after the show started? 🐶 everyone started headbanging together. we were all headbanging and then… i felt this really gentle hand behind me. someone was kind of supporting me while headbanging. i could feel this really gentle touch on my back 🐶 i was thinking to myself “what is this?” u know? i was just doing my thing, doing what I came there to do, just going crazy and all that 🐶 but from then on whenever i was watching the show and we were jumping around or doing something, i kept feeling this really gentle hand behind me. like this really considerate hand 🐶 so i thought “ is this person worried about me? are they looking out for me?” 🐶 then during “Stand Out Fit In” when everyone was trying to put their arms around each other’s shoulders.. i turned around. i thought “ah i should see who this person is” 🐶 i turned around because i wanted to put my arm around this person’s shoulder.. with the thought that “who is this person that keeps taking care of me like this?” 🐶 but then I realized… the guy was actually holding his girlfriend in his arms. and because i was being so freaking intense, he was blocking me so that i wouldn’t bump into his girlfriend 🐶 i guess his left and right sides were just synchronized, you know? his left arm and right arm were moving together, so while he was taking care of his girlfriend like this, that same motion ended up taking care of me too. 🐶 “AH SO THAT’S WHY” and i got all embarrassed. like “ah okay that makes sense” feeling kinda awkward 🐶 he had his girlfriend tucked right into his arms, holding her close, and then he was using his right arm to support me”
4:54

jihoon said in the middle of the concert there was a gentle arm holding his back and he paid no mind to it until there was a part of the show that u had to put ur arms around each other so he thought it was about time to know what this person looks like.. AND IT TURNED OUT TO BE A GUY PROTECTING HIS GIRLFRIEND FROM BUMPING INTO JIHOON’S HIGH ENERGY BODY EUSHSJSH HE WAS PROTECTING HIS GIRLFRIEND NOT HIM 😭😭😭😭 he thought he was having his y/n moment im cackling 🐶 thinking about it now, since it was standing, i was pushing forward getting pushed around pushing people back getting pushed backward. u know, just constantly pushing and getting pushed 🐶 but at some point, maybe about an hour after the show started? 🐶 everyone started headbanging together. we were all headbanging and then… i felt this really gentle hand behind me. someone was kind of supporting me while headbanging. i could feel this really gentle touch on my back 🐶 i was thinking to myself “what is this?” u know? i was just doing my thing, doing what I came there to do, just going crazy and all that 🐶 but from then on whenever i was watching the show and we were jumping around or doing something, i kept feeling this really gentle hand behind me. like this really considerate hand 🐶 so i thought “ is this person worried about me? are they looking out for me?” 🐶 then during “Stand Out Fit In” when everyone was trying to put their arms around each other’s shoulders.. i turned around. i thought “ah i should see who this person is” 🐶 i turned around because i wanted to put my arm around this person’s shoulder.. with the thought that “who is this person that keeps taking care of me like this?” 🐶 but then I realized… the guy was actually holding his girlfriend in his arms. and because i was being so freaking intense, he was blocking me so that i wouldn’t bump into his girlfriend 🐶 i guess his left and right sides were just synchronized, you know? his left arm and right arm were moving together, so while he was taking care of his girlfriend like this, that same motion ended up taking care of me too. 🐶 “AH SO THAT’S WHY” and i got all embarrassed. like “ah okay that makes sense” feeling kinda awkward 🐶 he had his girlfriend tucked right into his arms, holding her close, and then he was using his right arm to support me”

shan

89,813 Aufrufe • vor 1 Monat

Roki Sasaki with a sick and long awaited debut— before bumping his velo up a bit this AM, it was no secret that his fastball has been a bit down. Averaging ~98.8 in ’23 compared to ~96 last year. My social media guy has me posting insane clickbait, so I just wanted to throw these up and highlight a few differences I’m seeing: Initial CoM position at peak leg lift: -At peak leg lift, you can see back in’23, Sasaki’s center of mass is slightly shifted further away from the rubber. -Greater oppositional side-bend at peak leg lift. Back in ’23, it looks as though he’s got more pelvic side-bend to his arm side, and more thoracic side-bend into his glove side. What I think happens as a byproduct of this: -Gets stuck on his back leg—> You can see a more pronounced vertical shin now and the CoM not as far down the mound as he begins rotating. -Hingier torso posture with glove side direction slightly more across the body and higher—> Likely a byproduct of earlier pieces, trying to find some way to delay rotation. The body knows he’s trying to throw 100 and will do everything it can to delay rotating. When you see guys lose a bit of the ability to create good internal torque earlier in the delivery (get good shirt wrinkles as AnatomyLinks.com is king of demo’ing), you end up seeing the body trying to do too much downstream to make up for it. Ultimately what this all sets up is mistimed rotational and linear separation and an inefficient window for layback. Throwing hard is all about maximizing force into the baseball— which happens as the arm transitions into layback and through ball release. Do I have any idea what’s going on? No. Does Roki still throw harder than Ben Baggett ? Currently. Did this post spark interest, clicks, and possibly violence? Hopefully.
0:36

Roki Sasaki with a sick and long awaited debut— before bumping his velo up a bit this AM, it was no secret that his fastball has been a bit down. Averaging ~98.8 in ’23 compared to ~96 last year. My social media guy has me posting insane clickbait, so I just wanted to throw these up and highlight a few differences I’m seeing: Initial CoM position at peak leg lift: -At peak leg lift, you can see back in’23, Sasaki’s center of mass is slightly shifted further away from the rubber. -Greater oppositional side-bend at peak leg lift. Back in ’23, it looks as though he’s got more pelvic side-bend to his arm side, and more thoracic side-bend into his glove side. What I think happens as a byproduct of this: -Gets stuck on his back leg—> You can see a more pronounced vertical shin now and the CoM not as far down the mound as he begins rotating. -Hingier torso posture with glove side direction slightly more across the body and higher—> Likely a byproduct of earlier pieces, trying to find some way to delay rotation. The body knows he’s trying to throw 100 and will do everything it can to delay rotating. When you see guys lose a bit of the ability to create good internal torque earlier in the delivery (get good shirt wrinkles as AnatomyLinks.com is king of demo’ing), you end up seeing the body trying to do too much downstream to make up for it. Ultimately what this all sets up is mistimed rotational and linear separation and an inefficient window for layback. Throwing hard is all about maximizing force into the baseball— which happens as the arm transitions into layback and through ball release. Do I have any idea what’s going on? No. Does Roki still throw harder than Ben Baggett ? Currently. Did this post spark interest, clicks, and possibly violence? Hopefully.

Ben Baggett

11,516 Aufrufe • vor 1 Jahr

As per World Bank, we need 2.15 dollars per day to stay above poverty line. In that 2 dollars, less than a dollar goes on diet. But on an average, middle class people spend 3-5 dollars on their diet every day. If we compare with average richer classes, per day expenditure is 40-50 dollars a day. Does not include fancy restaurants or Butler services. Or wine, whiskey etc. Just food. 8 to 10 times expenditure gap with the middle class and 50 times gap with a person just at poverty level of 2 dollars. What does that difference get you? Best quality food! Steaks aren’t cheap, allergy based diets and substitutes to the products which you cannot digest. Like almond milk in place of skim/fat milk. At 3 dollars per day, it is obvious that the body is recharged with wheat, rice, pulses, milk, millets, potatoes and every agency will tell you that it is healthy and best. They cannot tell a 3 dollar guy that he gotta spend 20-25 dollars per day. As you go up, you can pick things you want to eat. Best quality of those things eventually. You can choose to be a picky eater and not worry about 30 rupees delivery fee Zomato is charging. This is why actors, athletes etc revamp their diets when they rise socioeconomic ladders. They won’t be eating 1 kg rajma after that like they did in hostel days. You have to be conscious about it. When you rise your socioeconomic strata, your diet must reflect that. Otherwise, there was no point. You could just stay at 3-5 dollars a day level and live happily ever after.
1:20

As per World Bank, we need 2.15 dollars per day to stay above poverty line. In that 2 dollars, less than a dollar goes on diet. But on an average, middle class people spend 3-5 dollars on their diet every day. If we compare with average richer classes, per day expenditure is 40-50 dollars a day. Does not include fancy restaurants or Butler services. Or wine, whiskey etc. Just food. 8 to 10 times expenditure gap with the middle class and 50 times gap with a person just at poverty level of 2 dollars. What does that difference get you? Best quality food! Steaks aren’t cheap, allergy based diets and substitutes to the products which you cannot digest. Like almond milk in place of skim/fat milk. At 3 dollars per day, it is obvious that the body is recharged with wheat, rice, pulses, milk, millets, potatoes and every agency will tell you that it is healthy and best. They cannot tell a 3 dollar guy that he gotta spend 20-25 dollars per day. As you go up, you can pick things you want to eat. Best quality of those things eventually. You can choose to be a picky eater and not worry about 30 rupees delivery fee Zomato is charging. This is why actors, athletes etc revamp their diets when they rise socioeconomic ladders. They won’t be eating 1 kg rajma after that like they did in hostel days. You have to be conscious about it. When you rise your socioeconomic strata, your diet must reflect that. Otherwise, there was no point. You could just stay at 3-5 dollars a day level and live happily ever after.

Chirag Barjatya

878,165 Aufrufe • vor 1 Jahr

Agnès Varda on why she felt pity for Cléo in "Cléo from 5 to 7" (1962): "Interviewer: Did you feel a lot of tenderness for this character? Varda: No, more like pity. I think it’s atrocious that someone should be so unprepared to contemplate death. Cléo is the type of person for whom the thought of death is so surprising that it completely undoes her. She’s led to question her entire existence, the musicians, Angèle, her lover, and even her profession as a singer. Cléo finds herself more and more abandoned until she meets the soldier, who’s really the prototypical harmless guy. This is no meeting of exceptional beings: it’s neither “we were fated to meet” nor “we were meant for each other.” Any guy she’d happened to meet at that moment would have helped her understand things bet ter. But it so happens that she meets a guy who is himself somewhat at sea. (I think a soldier is in a difficult position vis-à-vis certain problems). They both talk about love and he explains his view of things. The problem for Cléo is that she realizes that she’s never really given of herself, never felt entirely n@ked. That’s why the guy talks somewhat allegorically and her girlfriend works as a nude model. This idea of nakedness is portrayed visually by her friend posing, intellectually by the soldier, and physically by her experiences of the last hour. Illness undresses her because illness affects the body. There’s a moment at the hospital when Cléo gets to a point of trans parency and purity and this is what the film is all about. They’re both disarmed, vulnerable. People can begin to communicate when they’re in this state. Cléo discovers the way to another existence where other values obtain. Sometimes life opens up a way into another level of knowing. She realizes that there exist other things that she values." (Agnès Varda's interview with Pierre Uytterhoeven, 1962) P.S: On this day, 64 years ago, "Cléo from 5 to 7" (1962) was released in France.
0:35

Agnès Varda on why she felt pity for Cléo in "Cléo from 5 to 7" (1962): "Interviewer: Did you feel a lot of tenderness for this character? Varda: No, more like pity. I think it’s atrocious that someone should be so unprepared to contemplate death. Cléo is the type of person for whom the thought of death is so surprising that it completely undoes her. She’s led to question her entire existence, the musicians, Angèle, her lover, and even her profession as a singer. Cléo finds herself more and more abandoned until she meets the soldier, who’s really the prototypical harmless guy. This is no meeting of exceptional beings: it’s neither “we were fated to meet” nor “we were meant for each other.” Any guy she’d happened to meet at that moment would have helped her understand things bet ter. But it so happens that she meets a guy who is himself somewhat at sea. (I think a soldier is in a difficult position vis-à-vis certain problems). They both talk about love and he explains his view of things. The problem for Cléo is that she realizes that she’s never really given of herself, never felt entirely n@ked. That’s why the guy talks somewhat allegorically and her girlfriend works as a nude model. This idea of nakedness is portrayed visually by her friend posing, intellectually by the soldier, and physically by her experiences of the last hour. Illness undresses her because illness affects the body. There’s a moment at the hospital when Cléo gets to a point of trans parency and purity and this is what the film is all about. They’re both disarmed, vulnerable. People can begin to communicate when they’re in this state. Cléo discovers the way to another existence where other values obtain. Sometimes life opens up a way into another level of knowing. She realizes that there exist other things that she values." (Agnès Varda's interview with Pierre Uytterhoeven, 1962) P.S: On this day, 64 years ago, "Cléo from 5 to 7" (1962) was released in France.

DepressedBergman

36,933 Aufrufe • vor 5 Monaten