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Global illumination with radiance cascades, now optimized, running at ca. 0.3 ms per frame (GTX 970 GPU). No denoising or temporal accumulation. Calculated from scratch each frame. Loving the technique. Link to the WIP paper: #gamedev #indiedev

Mytino (Asbjørn L)

3,920 subscribers

168,530 Aufrufe • vor 2 Jahren •via X (Twitter)

Gaming #gamedev #indiedev

Anya Rossi• Live Now

Private livecam show

9 Kommentare

Profilbild von Mytino (Asbjørn L)

Mytino (Asbjørn L)vor 2 Jahren

YouTube version of video:

Profilbild von Jan Orszulik

Jan Orszulikvor 2 Jahren

Ok, I like this a lot! I am adding this to the list I want to investigate further, took a quick glance at PoE 2 related paper, limitations are perfectly acceptable. Great work, both this implementation and mainly original technique from Alexander.

Profilbild von Bino🔜 VFM Tales of Neverland

Bino🔜 VFM Tales of Neverlandvor 2 Jahren

how well this translates to 3D?

Profilbild von Mytino (Asbjørn L)

Mytino (Asbjørn L)vor 2 Jahren

There are multiple ways of implementing it for 3D, such as the one used for Path of Exile 2 like Xor mentioned. The paper I linked has more information.

Profilbild von Mike Dailly™ 🏴󠁧󠁢󠁳󠁣󠁴󠁿🇺🇦🇵🇸💙

Mike Dailly™ 🏴󠁧󠁢󠁳󠁣󠁴󠁿🇺🇦🇵🇸💙vor 2 Jahren

That's damn fine work. ♥️

Profilbild von Zach

Zachvor 2 Jahren

I sort of skimmed the article "Radiant 2d is capable of calculating per-pixel global illumination in 2d in a constant time of about 30ms on a GTX3060." Am I missing something? How are you accomplishing this in 0.3ms?

Profilbild von Jan Orszulik

Jan Orszulikvor 2 Jahren

Hmmmmmm

Profilbild von DiTieM Games - Wishlist Dungeon of Astaroth

DiTieM Games - Wishlist Dungeon of Astarothvor 2 Jahren

what is the purpose of such fantastic visuals? game? engine? paper?

Profilbild von Mytino (Asbjørn L)

Mytino (Asbjørn L)vor 2 Jahren

Thanks, mainly game :)

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126,635 Aufrufe • vor 2 Jahren

look what a single consumer GPU just built. gave Qwen3.5-35B-A3B one prompt: build a cloud GPU marketplace with pricing cards, deploy templates, and a benchmark leaderboard. it planned the layout, wrote the animations, populated the data, and served it. one shot. one HTML file. then i told it to iterate. split the hero, add a floating GPU with neural network animation. glassmorphism on the cards. done. done. done. three rounds, no confusion, no regressions. 4-bit quantized. 19.7 GB. single RTX 3090. full coding agent claude code harness running on localhost. no API calls leaving my machine. no subscription. no rate limits. earlier today i pointed it at my own production website. it curled the HTML, found every broken link, and told me "pretty shell, empty core. would not recommend." then built a better version from scratch. local inference stops being a demo when you actually steer it. the models are there. they understand intent. but you have to meet them halfway with good prompts, clear context, and real project structure. that's the skill gap now. not the models. the steering. more experiments coming. i genuinely cannot stop playing with this thing.

look what a single consumer GPU just built. gave Qwen3.5-35B-A3B one prompt: build a cloud GPU marketplace with pricing cards, deploy templates, and a benchmark leaderboard. it planned the layout, wrote the animations, populated the data, and served it. one shot. one HTML file. then i told it to iterate. split the hero, add a floating GPU with neural network animation. glassmorphism on the cards. done. done. done. three rounds, no confusion, no regressions. 4-bit quantized. 19.7 GB. single RTX 3090. full coding agent claude code harness running on localhost. no API calls leaving my machine. no subscription. no rate limits. earlier today i pointed it at my own production website. it curled the HTML, found every broken link, and told me "pretty shell, empty core. would not recommend." then built a better version from scratch. local inference stops being a demo when you actually steer it. the models are there. they understand intent. but you have to meet them halfway with good prompts, clear context, and real project structure. that's the skill gap now. not the models. the steering. more experiments coming. i genuinely cannot stop playing with this thing.

Sudo su

37,373 Aufrufe • vor 7 Monaten

If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

Jamal ☯︎ 🔆🧘🏽🧠

13,149 Aufrufe • vor 5 Monaten

How to build chemistry in seconds: This is a great example of challenging, What challenging does is maintain the tension, it’s “fighting for position” Which really, what you’re avoiding is collapsing into her frame. She is trying to prize frame herself. “You wish you had this number” A lot of guys either collapse into her frame “Yeah I do, what’s your number” Or they just outright deny “No I don’t” Both suboptimal. You want to deny without qualifying yourself. Tease her back - “You’re mumbling I can’t even understand you” “Numbah?” “What’s a numbah?” Misinterpret “What you said you want my number? You can’t have it yet” Reframing the interaction knocks her off the pedestal without triggering her, or coming across try hard. What he did was perfect. Next, “Why are you getting so close to me” He’s challenging her prize frame, starting shit for more tension. “I didn’t give you permission. Stop touching my titties” Guys are gonna be like wtf is wrong with his voice But the intent and frame of your words matter more than the base. (Though a good voice still helps) “You like me already” Prize framing himself. But it’s also just him expressing his observation. “Yeah you wish I liked you” The girl now challenging the prize frame. And instead of going back and forth, another thing you can do is just call her bluff. He moved in closer to her and she broke instantly, wanting to kiss him. “I can’t kiss you right now” The only reason she didn’t was most likely a logistics issue. (Notice her looking over, checking who’s still around) He continues the challenging “Get out of here” “No you get out of here” Again - it’s more bluffing and calling out the frame He wants to stamp the fact that she likes him although it’s bit of an overextension. She’s starting to get tired of it and needs the interaction to move forward. “You want this or not because if not we’re gonna go home” The thing is he keeps playing around the “do you like me” frame Which is good to keep up the tension (which this girl likes) but it also keeps the interaction at a standstill. And eventually it will stall out and break. At this point - the opposition frame hurts your outcome more than it benefits. A better path forward is either to lead - pull her, help her with her logistics, move her away from friends, etc Or at the very least, instead of fighting for position, provoke escalation. “You can’t handle me ;)” “No you can’t handle me” Get her to challenge you and you can call her bluff to escalate like what happened earlier when he walked towards her. “Stop looking at me like I won’t do something to you right now ;)” Provoke, challenge her to set up the escalation window and it breaks the dancing around of who likes who while still maintaining tension. But bottom line, this interaction is a great example. Challenging = chemistry.

How to build chemistry in seconds: This is a great example of challenging, What challenging does is maintain the tension, it’s “fighting for position” Which really, what you’re avoiding is collapsing into her frame. She is trying to prize frame herself. “You wish you had this number” A lot of guys either collapse into her frame “Yeah I do, what’s your number” Or they just outright deny “No I don’t” Both suboptimal. You want to deny without qualifying yourself. Tease her back - “You’re mumbling I can’t even understand you” “Numbah?” “What’s a numbah?” Misinterpret “What you said you want my number? You can’t have it yet” Reframing the interaction knocks her off the pedestal without triggering her, or coming across try hard. What he did was perfect. Next, “Why are you getting so close to me” He’s challenging her prize frame, starting shit for more tension. “I didn’t give you permission. Stop touching my titties” Guys are gonna be like wtf is wrong with his voice But the intent and frame of your words matter more than the base. (Though a good voice still helps) “You like me already” Prize framing himself. But it’s also just him expressing his observation. “Yeah you wish I liked you” The girl now challenging the prize frame. And instead of going back and forth, another thing you can do is just call her bluff. He moved in closer to her and she broke instantly, wanting to kiss him. “I can’t kiss you right now” The only reason she didn’t was most likely a logistics issue. (Notice her looking over, checking who’s still around) He continues the challenging “Get out of here” “No you get out of here” Again - it’s more bluffing and calling out the frame He wants to stamp the fact that she likes him although it’s bit of an overextension. She’s starting to get tired of it and needs the interaction to move forward. “You want this or not because if not we’re gonna go home” The thing is he keeps playing around the “do you like me” frame Which is good to keep up the tension (which this girl likes) but it also keeps the interaction at a standstill. And eventually it will stall out and break. At this point - the opposition frame hurts your outcome more than it benefits. A better path forward is either to lead - pull her, help her with her logistics, move her away from friends, etc Or at the very least, instead of fighting for position, provoke escalation. “You can’t handle me ;)” “No you can’t handle me” Get her to challenge you and you can call her bluff to escalate like what happened earlier when he walked towards her. “Stop looking at me like I won’t do something to you right now ;)” Provoke, challenge her to set up the escalation window and it breaks the dancing around of who likes who while still maintaining tension. But bottom line, this interaction is a great example. Challenging = chemistry.

The Rizz Report

49,001 Aufrufe • vor 3 Monaten

Rookie EMF mistake: Airbnb edition... You're checking the magnetic fields on the bed with everything off- no loads running. It might look perfectly fine. But you could be missing a hidden wiring error that spikes fields exactly when you need good sleep most. Here's why it matters...A "load" is just any appliance drawing current- like a space heater, AC unit, or fan. Last weekend at an A-frame rental, the bed surface read a clean ~0.3 mG with no loads. Turn on the space heater? Same spot jumped to 1.24 mG. Not ideal for overnight exposure. Digging deeper showed sloppy wiring, def not done by a pro or to code, which created elevated fields only under load. The key takeaway for EMF-conscious travelers: In sleeping areas, especially if you'll run heat, AC, or other loads at night, test magnetic fields both before and after turning them on. P.S. This is a separate issue from direct fields emitted by the appliance itself, like from a nearby fan or compressor.

Rookie EMF mistake: Airbnb edition... You're checking the magnetic fields on the bed with everything off- no loads running. It might look perfectly fine. But you could be missing a hidden wiring error that spikes fields exactly when you need good sleep most. Here's why it matters...A "load" is just any appliance drawing current- like a space heater, AC unit, or fan. Last weekend at an A-frame rental, the bed surface read a clean ~0.3 mG with no loads. Turn on the space heater? Same spot jumped to 1.24 mG. Not ideal for overnight exposure. Digging deeper showed sloppy wiring, def not done by a pro or to code, which created elevated fields only under load. The key takeaway for EMF-conscious travelers: In sleeping areas, especially if you'll run heat, AC, or other loads at night, test magnetic fields both before and after turning them on. P.S. This is a separate issue from direct fields emitted by the appliance itself, like from a nearby fan or compressor.

🔌🛜⚡EMF Expert | Optimal Dwelling Spaces ☀️💧🧲

33,913 Aufrufe • vor 9 Monaten

🇺🇸 Orb UFO Video Released By Pentagon - Moving 500mph 😱 Incredible UFO Video from the latest drop 🛸👽 “Looks like a white round orb moving as fast as 500 miles per hour.” Newly released official infrared footage from a 2025 US Central Command mission in the Middle East shows a military sensor tracking an unidentified object. The Department of War has listed the case as unresolved. AARO states the available data is insufficient to determine whether the thermal contrast is a physical object or a sensor artifact. DOW-UAP-PR133, Unresolved UAP Report, Middle East, 2025 The sensor pans left to right to keep the area of contrast centered and changes magnification several times during the recording. No corroborating radar, range, or multi-sensor telemetry was released with the video. The report is part of the latest PURSUE tranche of previously classified UAP records. Hundreds of similar military reports remain in the active archive because they lack the complete sensor data needed for a conclusive identification. The United States Central Command submitted a report of an unidentified anomalous phenomenon to the All-domain Anomaly Resolution Office (AARO) consisting of 4 minutes and 58 seconds of video footage from an infrared sensor aboard a U.S. military platform in 2024. An accompanying mission report, DOW-UAP-D107, described the UAP as “look[ing] like a white round orbit… moving as fast as 500 miles per hour.” Video Description: 00:00-00:04: The sensor pans to track an area of contrast, keeping it generally centered within the frame. 00:05-00:50: The sensor decreases its level of magnification and continues to track the area of contrast, keeping it generally within the center of the frame. 00:51-01:21: The sensor decreases its level of magnification and adjusts its panning speed to track the area of contrast, keeping it generally within the center of the frame. 01:22-01:41: The sensor increases its level of magnification and adjusts its panning speed to track the area of contrast, keeping it generally within the center of the frame. 01:43-2:05: A rectangular digital overlay, or “focus box,” appears near the center of the frame. This display element is a graphical component of the sensor system and does indicate a physical change in the environment. The sensor pans to track the area of contrast, keeping it generally within the center of the frame before exiting the sensor field-of-view from the bottom edge. 02:06-02:21: The sensor pans across the scene and decreases its level of magnification. The area of contrast intermittently re-appears from the left edge of the frame. 02:22-02:28: The sensor pans across the scene, reacquiring the area of contrast. After the area of contrast re-enters the scene, the sensor continues to pan to track it, keeping it generally within the center of the frame. The sensor engages briefly stops panning and the area of contrast exits on the right side once again. 02:29-02:36: The sensor activates an auto-tracking reticle, which does not establish a lock on the area of contrast. After the auto-track reticle disengages, the sensor stops panning, causing the area of contrast to exit the frame from the right edge. 02:37-3:22: The sensor pans and requires the area of contrast, keeping it within its field-of-view before it exits the bottom edge of the frame. 3:23-4:29: The sensor continues to pan then zooms out and reacquires the area of contrast, now significantly smaller in the sensor’s field of view. The sensor continuously pans to keep the area of contrast in the field of view. 4:30-4:58: The sensor zooms in, and the area of contrast transits the field-of-view, exiting the top of the frame. The sensor cycles magnification levels multiple times.

🇺🇸 Orb UFO Video Released By Pentagon - Moving 500mph 😱 Incredible UFO Video from the latest drop 🛸👽 “Looks like a white round orb moving as fast as 500 miles per hour.” Newly released official infrared footage from a 2025 US Central Command mission in the Middle East shows a military sensor tracking an unidentified object. The Department of War has listed the case as unresolved. AARO states the available data is insufficient to determine whether the thermal contrast is a physical object or a sensor artifact. DOW-UAP-PR133, Unresolved UAP Report, Middle East, 2025 The sensor pans left to right to keep the area of contrast centered and changes magnification several times during the recording. No corroborating radar, range, or multi-sensor telemetry was released with the video. The report is part of the latest PURSUE tranche of previously classified UAP records. Hundreds of similar military reports remain in the active archive because they lack the complete sensor data needed for a conclusive identification. The United States Central Command submitted a report of an unidentified anomalous phenomenon to the All-domain Anomaly Resolution Office (AARO) consisting of 4 minutes and 58 seconds of video footage from an infrared sensor aboard a U.S. military platform in 2024. An accompanying mission report, DOW-UAP-D107, described the UAP as “look[ing] like a white round orbit… moving as fast as 500 miles per hour.” Video Description: 00:00-00:04: The sensor pans to track an area of contrast, keeping it generally centered within the frame. 00:05-00:50: The sensor decreases its level of magnification and continues to track the area of contrast, keeping it generally within the center of the frame. 00:51-01:21: The sensor decreases its level of magnification and adjusts its panning speed to track the area of contrast, keeping it generally within the center of the frame. 01:22-01:41: The sensor increases its level of magnification and adjusts its panning speed to track the area of contrast, keeping it generally within the center of the frame. 01:43-2:05: A rectangular digital overlay, or “focus box,” appears near the center of the frame. This display element is a graphical component of the sensor system and does indicate a physical change in the environment. The sensor pans to track the area of contrast, keeping it generally within the center of the frame before exiting the sensor field-of-view from the bottom edge. 02:06-02:21: The sensor pans across the scene and decreases its level of magnification. The area of contrast intermittently re-appears from the left edge of the frame. 02:22-02:28: The sensor pans across the scene, reacquiring the area of contrast. After the area of contrast re-enters the scene, the sensor continues to pan to track it, keeping it generally within the center of the frame. The sensor engages briefly stops panning and the area of contrast exits on the right side once again. 02:29-02:36: The sensor activates an auto-tracking reticle, which does not establish a lock on the area of contrast. After the auto-track reticle disengages, the sensor stops panning, causing the area of contrast to exit the frame from the right edge. 02:37-3:22: The sensor pans and requires the area of contrast, keeping it within its field-of-view before it exits the bottom edge of the frame. 3:23-4:29: The sensor continues to pan then zooms out and reacquires the area of contrast, now significantly smaller in the sensor’s field of view. The sensor continuously pans to keep the area of contrast in the field of view. 4:30-4:58: The sensor zooms in, and the area of contrast transits the field-of-view, exiting the top of the frame. The sensor cycles magnification levels multiple times.

Interstellar

22,784 Aufrufe • vor 11 Tagen