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Good shit 🔥 Workflow, concept 🎶 and prompt below: Telling short, conceptual stories through quick shots is truly rewarding from an audiovisual standpoint. This can be the distillation of any movie. On the surface, it says nothing, yet it is set against the Italian coastal cliffs—one of the most...

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hedoήist

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⚡This machine wasn't built to race — it was built to hunt." Made with Seedance 2.5 on Supercool.com Prompt: Cinematic photorealistic sci-fi action sequence, moody desaturated color grade, dramatic lighting, hyper-detailed mechanical design, motion blur for speed, 4K film quality. Scene 1: Wide low-angle tracking shot of a futuristic armored rider in black tactical exosuit on a black-gold angular sci-fi motorcycle, speeding on empty highway, overcast sky. Scene 2: Close-up transformation shot — motorcycle's rear panels mechanically unfold like wings while riding at high speed, sparks of light on metal joints. Scene 3: Low-angle hero reveal shot of a sleek black Batmobile-style supercar with scissor/wing doors opening, front LED light strip glowing. Scene 4: Rear-tracking low-angle shot of two motorcycles riding side by side on the highway, wheels blurred with speed. Scene 5: Rear pursuit shot of the black supercar driving with glowing taillights, a motorcycle catching up close behind. Scene 6: Aerial drone top-down shot of a curving highway with the car and motorcycles racing, small flying drone visible above for scale. Scene 7: Close-up action shot of the car's front wheel with sparks flying off the road surface, high-speed drift feel. Scene 8: Interior POV shot from the car's dashboard, glowing speedometer, driving fast through a dark tunnel with lights streaking past. Scene 9: Tunnel chase shot — motorcycle and car entering/exiting a concrete tunnel, wet road reflections, cinematic light contrast. Negative prompt: blurry, low quality, distorted proportions, extra limbs, deformed hands, warped motorcycle frame, flickering lights, inconsistent lighting, cartoonish, low-res textures, watermark, text, logo, oversaturated colors, daytime bright sun (unless overcast), shaky unstable camera, jerky motion, unrealistic physics, plastic look, glitch artifacts. #Ai #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️ #VisualStorytelling #CinematicAI #GenerativeAI #AICreator
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⚡This machine wasn't built to race — it was built to hunt." Made with Seedance 2.5 on Supercool.com Prompt: Cinematic photorealistic sci-fi action sequence, moody desaturated color grade, dramatic lighting, hyper-detailed mechanical design, motion blur for speed, 4K film quality. Scene 1: Wide low-angle tracking shot of a futuristic armored rider in black tactical exosuit on a black-gold angular sci-fi motorcycle, speeding on empty highway, overcast sky. Scene 2: Close-up transformation shot — motorcycle's rear panels mechanically unfold like wings while riding at high speed, sparks of light on metal joints. Scene 3: Low-angle hero reveal shot of a sleek black Batmobile-style supercar with scissor/wing doors opening, front LED light strip glowing. Scene 4: Rear-tracking low-angle shot of two motorcycles riding side by side on the highway, wheels blurred with speed. Scene 5: Rear pursuit shot of the black supercar driving with glowing taillights, a motorcycle catching up close behind. Scene 6: Aerial drone top-down shot of a curving highway with the car and motorcycles racing, small flying drone visible above for scale. Scene 7: Close-up action shot of the car's front wheel with sparks flying off the road surface, high-speed drift feel. Scene 8: Interior POV shot from the car's dashboard, glowing speedometer, driving fast through a dark tunnel with lights streaking past. Scene 9: Tunnel chase shot — motorcycle and car entering/exiting a concrete tunnel, wet road reflections, cinematic light contrast. Negative prompt: blurry, low quality, distorted proportions, extra limbs, deformed hands, warped motorcycle frame, flickering lights, inconsistent lighting, cartoonish, low-res textures, watermark, text, logo, oversaturated colors, daytime bright sun (unless overcast), shaky unstable camera, jerky motion, unrealistic physics, plastic look, glitch artifacts. #Ai #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️ #VisualStorytelling #CinematicAI #GenerativeAI #AICreator

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Ray Allen says his most clutch Finals shot had nothing to do with being clutch “Not just that [Game 6 Finals] shot, but all the preparation that went into it. To be so good at one shot in one moment, it’s like a thousand shots” “Not in one sitting, anybody who shoots a thousand shots in one sitting is lying to themselves, because you ain’t shooting a game shot” “It’s over time, the collection of shots I’ve taken, the work I put in. Knowing where you are on the floor, understanding the lines, where you feel around the basket, your footwork” “Over time it becomes innate every time you step on the court. That was one shot. But look at all the shots I took in practice, warming up” “I used to do drills where I’d lay on my back, jump up, have the coach throw me the ball and I’ve got to shoot. Get on my stomach, do the same thing.
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Ray Allen says his most clutch Finals shot had nothing to do with being clutch “Not just that [Game 6 Finals] shot, but all the preparation that went into it. To be so good at one shot in one moment, it’s like a thousand shots” “Not in one sitting, anybody who shoots a thousand shots in one sitting is lying to themselves, because you ain’t shooting a game shot” “It’s over time, the collection of shots I’ve taken, the work I put in. Knowing where you are on the floor, understanding the lines, where you feel around the basket, your footwork” “Over time it becomes innate every time you step on the court. That was one shot. But look at all the shots I took in practice, warming up” “I used to do drills where I’d lay on my back, jump up, have the coach throw me the ball and I’ve got to shoot. Get on my stomach, do the same thing.

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🚨 Stephen Miller just WENT OFF on the vaccine schedule being FORCED on American children "We have to get off of this RIDICULOUS path of having our children get 70 to 90 shots. That is WANTONLY EXCESSIVE." "The pressure from the pharmaceutical industry and from aspects of the medical industry to pump your kids full of shots DAYS AFTER BIRTH with NO understanding of the long term consequences has been a medical TRAVESTY." "Why is it that in Japan you can get a separate measles shot, a separate mumps shot, a separate rubella shot, but in America, it has to all be packaged together?" 🎯
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Here's a lovely shot from Glitch's Gaslight District! LOVE the staging and colors! The high contrast, especially in the glowing eyes, makes this one of the most memorable shots in the episode. FramebyFrame is an initiative of

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🚨🚨BREAKING🚨🚨 There is a video of the ICE agent who fatally shot a woman just moments ago. Despite claims from DHS, there is no evidence of the woman trying to weaponize her car. The agent who shot her did so from the driver side of her vehicle and she was already turning her wheel in the opposite direction.

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Some think the vitamin K shot is the least dangerous of all the shots, so they get it for their newborn. This couldn’t be further from the truth. Anaphylaxis, shock, gasping syndrome, neurological deterioration, seizures, kidney and liver failure, cardiovascular collapse, and aluminum toxicity are just SOME of the potential side effects. Read the inserts and decide for yourself. I personally could never risk the perfection of a newly born baby for a vitamin K shot… Or any shot for that matter.

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🎬Movie Title: Shot Caller (2017) A chilling look at how the prison system doesn't rehabilitate—it builds monsters. Shot Caller (2017) delivers Nikolaj Coster-Waldau’s most intense performance. From a clean-cut businessman to a hardened shot caller covered in tattoos, his descent is terrifyingly realistic. One of the most underrated crime thrillers of the last decade. Have you seen it?

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Vinicius Jr with a bit of magic. •1st touch against incoming pressure. (MOTM for the nutmeg) •Ideal weight on his touches when cutting inside = can easily switch from taking the shot to faking it. •Outside-foot shot for quicker release + better angle.

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🇺🇸 FIRST SHOT: It’s tough to see, but I think I found the muzzle flash from the first shot. This makes or breaks the situation. It’s important to know where the first shot came from. It looks like the shot came from the direction of the suspect, upwards. Theories: 1) An agent fumbles his gun and it falls there, hence they all scream “GUN!” They mean a second gun. The shot is unaided, just random. 2) An agent shot upwards? Seems unlikely. Why would others scream “gun” and run after seeing an agent with a gun? 3) The guy took away the gun? But he was on his elbows literally a second before the shot was fired.

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Seth Rogen & James Franco – Bound 3 (2013) A shot-for-shot parody of Kanye West’s “Bound 2”, filmed being on set of “The Interview”. Franco plays Kanye, while Rogen plays Kim — shirtless on a motorcycle under surreal skies. What made it iconic wasn’t just the comedy but the reflection. Being so bored so they felt inspired to recreate the music video shot-for-shot. “Bound 3 “ took an already over-the-top video and pushed it further, turning romance into bromance, with just 2 best friends goofing around From: ig/incur4x

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Kon Knueppel is quietly putting up one of the greatest rookie seasons of all-time. He has a real shot at the 50/40/90 club. If I'm calling the shots in Charlotte, I'm moving on from LaMelo and building the team around Kon
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Kon Knueppel is quietly putting up one of the greatest rookie seasons of all-time. He has a real shot at the 50/40/90 club. If I'm calling the shots in Charlotte, I'm moving on from LaMelo and building the team around Kon

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Trump Assassination Attempt - Help Me Out with this one Plz A Review of Shots Fired — How Many were Hit on the First Shot? 🔴 VIDEO #1 • Shows a man in a white shirt appearing to take have taken a shot to the abdominal area and falls down. —— this occurs during the first shot ( 🔴 VIDEO #2 • Shows two people who appears to have been hit near the low and high abdominal area. —— the FIRST shot appears to have grazed or come extremely close to the man in the dark shirt as he immediately looks down and falls. Not 100% sure he was hit, but other videos confirm the bleacher next to him was hit. —— the SECOND shot definitely hits the man in the American flag shirt as he grabs his abdomen and falls. ( 🔴 VIDEO #3 • This is a wide-angled video showing their locations. Along with Competatore’s location. —— Comperatore is said to be hit in the second volley of shots, after the first three. —— for the sake of clarity, here is the full unedited wide-angled video. ( 🔴 VIDEO #4 • Video of Comperatore reportedly on the ground with what appears to be his family going hysterical. People point to their head, confirming shot. Reportedly hit in the volley of shots after the first 3. 🔴 VIDEO #5 • This model shows an accurate depiction of the line of sight between the shooter, Trump, and stands. ( The only thing that doesn’t make sense to me is the first shot… —— This model does not include the man in the white shirt from Video #1 and appears misaligned between the shooter, Trump, and video #2 victim. Talk about a magic bullet… Am I missing something?
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Trump Assassination Attempt - Help Me Out with this one Plz A Review of Shots Fired — How Many were Hit on the First Shot? 🔴 VIDEO #1 • Shows a man in a white shirt appearing to take have taken a shot to the abdominal area and falls down. —— this occurs during the first shot ( 🔴 VIDEO #2 • Shows two people who appears to have been hit near the low and high abdominal area. —— the FIRST shot appears to have grazed or come extremely close to the man in the dark shirt as he immediately looks down and falls. Not 100% sure he was hit, but other videos confirm the bleacher next to him was hit. —— the SECOND shot definitely hits the man in the American flag shirt as he grabs his abdomen and falls. ( 🔴 VIDEO #3 • This is a wide-angled video showing their locations. Along with Competatore’s location. —— Comperatore is said to be hit in the second volley of shots, after the first three. —— for the sake of clarity, here is the full unedited wide-angled video. ( 🔴 VIDEO #4 • Video of Comperatore reportedly on the ground with what appears to be his family going hysterical. People point to their head, confirming shot. Reportedly hit in the volley of shots after the first 3. 🔴 VIDEO #5 • This model shows an accurate depiction of the line of sight between the shooter, Trump, and stands. ( The only thing that doesn’t make sense to me is the first shot… —— This model does not include the man in the white shirt from Video #1 and appears misaligned between the shooter, Trump, and video #2 victim. Talk about a magic bullet… Am I missing something?

MJTruthUltra

59,812 Aufrufe • vor 2 Jahren

This is how Bergman filmed this impossible walk. In Hour of the Wolf, the sequence gives the impression of an impossible movement, which is walking on the floor to the wall to the ceiling, as the camera shifts its orientation between distinct shots. The camera set up is re-established each time the movie shifts to a reaction shot of Max von Sydog. When the action comes back, the frame has been rotated (or reoriented) so the same type of walking will be interpreted as having changed the gravity. The effect isn’t a continuous transformation in one shot, but a carefully edited sequence of multiple setups stitched together, where changes in camera angle between cuts create the illusion of a collapsing, unstable space. #filmtwt
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This is how Bergman filmed this impossible walk. In Hour of the Wolf, the sequence gives the impression of an impossible movement, which is walking on the floor to the wall to the ceiling, as the camera shifts its orientation between distinct shots. The camera set up is re-established each time the movie shifts to a reaction shot of Max von Sydog. When the action comes back, the frame has been rotated (or reoriented) so the same type of walking will be interpreted as having changed the gravity. The effect isn’t a continuous transformation in one shot, but a carefully edited sequence of multiple setups stitched together, where changes in camera angle between cuts create the illusion of a collapsing, unstable space. #filmtwt

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THE FINAL CARRIAGE From an idea to a cinematic nightmare. Made with Seedance 2.5 on Supercool.com Prompt: Shot 1 (0.0–1.2s): Character A, face and outfit matching the reference image, sits calmly in a quiet train car, glancing toward the connecting glass door. Dim cinematic evening lighting, unaware calm before dread. Shot 2 (1.2–2.2s): Faint movement stirs in the next car behind the glass, blurred and distant. Shot 3 (2.2–3.2s): She leans forward slightly, noticing something is wrong, unease building silently. Shot 4 (3.2–4.4s): A passenger in the next car suddenly collapses and begins convulsing, completely silent through the glass. Shot 5 (4.4–5.6s): Wide view of the divider; the collapsed passenger convulses as nearby passengers begin noticing. Shot 6 (5.6–6.8s): Close-up of her face near the glass, confusion turning into fear. Shot 7 (6.8–8.0s): The fallen passenger seizes violently, dark veins spreading across the body. Shot 8 (8.0–9.2s): The passenger rises unnaturally, head twitching, eyes clouding white. Shot 9 (9.2–10.2s): It suddenly lunges at another passenger, triggering chaos. Shot 10 (10.2–11.4s): Survivors on this side recoil from the glass, realizing what is happening. Shot 11 (11.4–12.6s): Wide shot: the next car erupts into silent, distant chaos, passengers scrambling. Shot 12 (12.6–13.8s): She backs away from the glass, hand covering her mouth in horror. Shot 13 (13.8–15.0s): An infected passenger violently slams into the glass; the impact is finally heard. Shot 14 (15.0–16.0s): Survivors jump back as the glass rattles violently. Shot 15 (16.0–17.2s): More infected press against the glass, distorted faces and faint snarls bleeding through. Shot 16 (17.2–18.4s): Cracks spread rapidly across the glass under repeated impacts. Shot 17 (18.4–19.6s): Survivors desperately brace the door with a luggage rack and seat cushions. Shot 18 (19.6–20.8s): A clawed hand punches through the fractured glass, making everyone recoil. Shot 19 (20.8–22.0s): She grabs a metal pole and positions herself between the broken door and the survivors. Shot 20 (22.0–23.2s): The glass shatters completely; infected surge through the frame. Shot 21 (23.2–24.4s): She swings the pole into the first infected, knocking it backward in cinematic slow motion. Shot 22 (24.4–25.6s): Another survivor wedges a luggage rack into the doorway as a makeshift barrier. Shot 23 (25.6–26.8s): Infected claw through the gaps while survivors struggle to hold the barrier. Shot 24 (26.8–28.0s): Wide shot: shattered glass covers the floor as survivors guard the damaged divider. Shot 25 (28.0–30.0s): She stands at the front, pole in hand, staring through the shattered frame at the infected beyond. Cinematic dread-filled ending as silence returns.
0:30

THE FINAL CARRIAGE From an idea to a cinematic nightmare. Made with Seedance 2.5 on Supercool.com Prompt: Shot 1 (0.0–1.2s): Character A, face and outfit matching the reference image, sits calmly in a quiet train car, glancing toward the connecting glass door. Dim cinematic evening lighting, unaware calm before dread. Shot 2 (1.2–2.2s): Faint movement stirs in the next car behind the glass, blurred and distant. Shot 3 (2.2–3.2s): She leans forward slightly, noticing something is wrong, unease building silently. Shot 4 (3.2–4.4s): A passenger in the next car suddenly collapses and begins convulsing, completely silent through the glass. Shot 5 (4.4–5.6s): Wide view of the divider; the collapsed passenger convulses as nearby passengers begin noticing. Shot 6 (5.6–6.8s): Close-up of her face near the glass, confusion turning into fear. Shot 7 (6.8–8.0s): The fallen passenger seizes violently, dark veins spreading across the body. Shot 8 (8.0–9.2s): The passenger rises unnaturally, head twitching, eyes clouding white. Shot 9 (9.2–10.2s): It suddenly lunges at another passenger, triggering chaos. Shot 10 (10.2–11.4s): Survivors on this side recoil from the glass, realizing what is happening. Shot 11 (11.4–12.6s): Wide shot: the next car erupts into silent, distant chaos, passengers scrambling. Shot 12 (12.6–13.8s): She backs away from the glass, hand covering her mouth in horror. Shot 13 (13.8–15.0s): An infected passenger violently slams into the glass; the impact is finally heard. Shot 14 (15.0–16.0s): Survivors jump back as the glass rattles violently. Shot 15 (16.0–17.2s): More infected press against the glass, distorted faces and faint snarls bleeding through. Shot 16 (17.2–18.4s): Cracks spread rapidly across the glass under repeated impacts. Shot 17 (18.4–19.6s): Survivors desperately brace the door with a luggage rack and seat cushions. Shot 18 (19.6–20.8s): A clawed hand punches through the fractured glass, making everyone recoil. Shot 19 (20.8–22.0s): She grabs a metal pole and positions herself between the broken door and the survivors. Shot 20 (22.0–23.2s): The glass shatters completely; infected surge through the frame. Shot 21 (23.2–24.4s): She swings the pole into the first infected, knocking it backward in cinematic slow motion. Shot 22 (24.4–25.6s): Another survivor wedges a luggage rack into the doorway as a makeshift barrier. Shot 23 (25.6–26.8s): Infected claw through the gaps while survivors struggle to hold the barrier. Shot 24 (26.8–28.0s): Wide shot: shattered glass covers the floor as survivors guard the damaged divider. Shot 25 (28.0–30.0s): She stands at the front, pole in hand, staring through the shattered frame at the infected beyond. Cinematic dread-filled ending as silence returns.

WasifAI

35,942 Aufrufe • vor 19 Tagen

Minimax Natural Motion → Solid. All the video tools offer something different. MJ PROMPT: homesteader, epic cinema --ar 5:3 --p MINIMAX PROMPTS: 1. zooming in shot of a man eating arguala from a bowl 2. pulling in shot as a donkey walks towards a young girl and nuzzles her face, subtle breeze blowing hair, natural dynamic motion 3. cinematic shot of a man walking up a hill to the right as the camera sharply focuses on him, farm animals grazing in the background 4. The camera motions to the right, man walking away from us towards an old house as the camera sharply focuses on him, subtle breeze blows the high grass 5. cinematic shot of a cowboy embracing his cow lovingly #minimax #hailuoai #midjourney
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Minimax Natural Motion → Solid. All the video tools offer something different. MJ PROMPT: homesteader, epic cinema --ar 5:3 --p MINIMAX PROMPTS: 1. zooming in shot of a man eating arguala from a bowl 2. pulling in shot as a donkey walks towards a young girl and nuzzles her face, subtle breeze blowing hair, natural dynamic motion 3. cinematic shot of a man walking up a hill to the right as the camera sharply focuses on him, farm animals grazing in the background 4. The camera motions to the right, man walking away from us towards an old house as the camera sharply focuses on him, subtle breeze blows the high grass 5. cinematic shot of a cowboy embracing his cow lovingly #minimax #hailuoai #midjourney

Rory Flynn

77,731 Aufrufe • vor 1 Jahr

3D reconstruction & analysis of Charlie Kirk assassination that speaks volumes. 4 different shooter location perspectives with line of sight and shot trajectory line with very interesting conclusions. Also includes sound analysis of official narrative which is the most important and telling results, which breaks the official narrative once again. - The sound analysis and the video proved that we heard the shot and saw Charlie getting shot at the same time, when Charlie should of been shot first then we would of heard the sound of the shot if it was at 150 yards with the rifle they claim shot Charlie, considering the speed of the bullet and the speed of sound. - This conclusion means that the shot had to come from a closer proximity, from 50 yards or less, not 150 yards, considering that we do know exactly where the video and audio was taken from, and how far it was away from Charlie. Watch the full video for full context and to understand all 4 shooter locations and sound analysis conclusion. It's starting to narrow down some possibilities, which is great. Little by little we move closer to the truth. Thoughts, comments, and speculation down below, the more eyes and theories the better. cc: Trigger Smart
15:07

3D reconstruction & analysis of Charlie Kirk assassination that speaks volumes. 4 different shooter location perspectives with line of sight and shot trajectory line with very interesting conclusions. Also includes sound analysis of official narrative which is the most important and telling results, which breaks the official narrative once again. - The sound analysis and the video proved that we heard the shot and saw Charlie getting shot at the same time, when Charlie should of been shot first then we would of heard the sound of the shot if it was at 150 yards with the rifle they claim shot Charlie, considering the speed of the bullet and the speed of sound. - This conclusion means that the shot had to come from a closer proximity, from 50 yards or less, not 150 yards, considering that we do know exactly where the video and audio was taken from, and how far it was away from Charlie. Watch the full video for full context and to understand all 4 shooter locations and sound analysis conclusion. It's starting to narrow down some possibilities, which is great. Little by little we move closer to the truth. Thoughts, comments, and speculation down below, the more eyes and theories the better. cc: Trigger Smart

The SCIF

63,486 Aufrufe • vor 11 Monaten