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GOOGLE DEEPMIND JUST TURNED A RANDOM OFFICE WALKTHROUGH INTO A SEARCHABLE 4D WORLD YOU CAN QUERY IN PLAIN ENGLISH. You feed it raw video. Nothing tagged, nothing labeled, no manual annotation. GenCeption tears that footage apart into four layers at once: a depth map, surface normals, a camera raymap,...

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23,671 görüntüleme • 2 ay önce •via X (Twitter)

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A DOCTOR BUILT AN AI-QUERYABLE DATABASE OF EVERY DISEASE HE KNOWS IN OBSIDIAN. THE SAME STACK CAN RUN AN ENTIRE COMPANY ON ONE PERSON'S BRAIN Zoomed out, his vault looks like a constellation. Every disease linked to its symptoms, every symptom to the conditions it shows up in, every treatment to what it treats. Adding a new case is one note that wires itself into the rest. It's a personal database, and the structure has nothing to do with medicine. It's just nodes and links. Once you see that, the same setup runs anything: > a startup that needs to remember every customer, decision, and meeting; > a school whose curriculum links to every lecture and student question; > a business where SOPs, clients, and vendors all sit in one queryable graph. Drop Claude on top, and the vault stops being a map. It becomes something you can ask, in plain English, across everything you've ever written down. Full Claude + Obsidian build in the article below. Bookmark this
0:21

A DOCTOR BUILT AN AI-QUERYABLE DATABASE OF EVERY DISEASE HE KNOWS IN OBSIDIAN. THE SAME STACK CAN RUN AN ENTIRE COMPANY ON ONE PERSON'S BRAIN Zoomed out, his vault looks like a constellation. Every disease linked to its symptoms, every symptom to the conditions it shows up in, every treatment to what it treats. Adding a new case is one note that wires itself into the rest. It's a personal database, and the structure has nothing to do with medicine. It's just nodes and links. Once you see that, the same setup runs anything: > a startup that needs to remember every customer, decision, and meeting; > a school whose curriculum links to every lecture and student question; > a business where SOPs, clients, and vendors all sit in one queryable graph. Drop Claude on top, and the vault stops being a map. It becomes something you can ask, in plain English, across everything you've ever written down. Full Claude + Obsidian build in the article below. Bookmark this

Yarchi

32,594 görüntüleme • 3 ay önce

Is the Universe Actually a Hologram? “Is everything we see in 3D space, 4D spacetime, actually projected from a 2D surface like a hologram? I would say, in some sense, yeah, by definition. But how physical is it? If you can describe things the same way, you might as well use whatever definition is useful. I don’t always take it too literally in the sense of, like, we are in the celestial sphere. It’s more like, can I convert everything to variables on that celestial sphere, and does that help me organize scattering computations?”
13:38

Is the Universe Actually a Hologram? “Is everything we see in 3D space, 4D spacetime, actually projected from a 2D surface like a hologram? I would say, in some sense, yeah, by definition. But how physical is it? If you can describe things the same way, you might as well use whatever definition is useful. I don’t always take it too literally in the sense of, like, we are in the celestial sphere. It’s more like, can I convert everything to variables on that celestial sphere, and does that help me organize scattering computations?”

Shawn Ryan

66,873 görüntüleme • 3 ay önce

Richard Feynman, Nobel Prize-winning physicist: "You can know the name of every pattern in the market and understand nothing about why a single one works. I won a Nobel on that one distinction. it is the whole difference between an edge and a story you tell yourself." this free film is a Nobel laureate teaching you how to actually think, recorded by the BBC and free ever since. at the board it's simple. Feynman's obsession was the gap between naming a thing and understanding it. You can memorize the word for why a stock moved, "momentum", "mean reversion", and still know nothing about whether it will happen again. Real understanding means you can say why, from the mechanism up, and name what would break it. Everything else is a label pasted over ignorance. That's the whole "edge", minus the marketing. Feynman's rule was that the first principle is you must not fool yourself, and you are the easiest person to fool. Same point as my casino piece above: the market is a machine for handing you convincing stories, and the only defense is refusing to believe one you cannot explain. the film is free and anyone can watch it tonight. what nobody can give you is the discipline to admit "I named it but I don't understand it" before you put money on it. That honesty is the edge, and it is the rarest thing there is.
1:06:19

Richard Feynman, Nobel Prize-winning physicist: "You can know the name of every pattern in the market and understand nothing about why a single one works. I won a Nobel on that one distinction. it is the whole difference between an edge and a story you tell yourself." this free film is a Nobel laureate teaching you how to actually think, recorded by the BBC and free ever since. at the board it's simple. Feynman's obsession was the gap between naming a thing and understanding it. You can memorize the word for why a stock moved, "momentum", "mean reversion", and still know nothing about whether it will happen again. Real understanding means you can say why, from the mechanism up, and name what would break it. Everything else is a label pasted over ignorance. That's the whole "edge", minus the marketing. Feynman's rule was that the first principle is you must not fool yourself, and you are the easiest person to fool. Same point as my casino piece above: the market is a machine for handing you convincing stories, and the only defense is refusing to believe one you cannot explain. the film is free and anyone can watch it tonight. what nobody can give you is the discipline to admit "I named it but I don't understand it" before you put money on it. That honesty is the edge, and it is the rarest thing there is.

Rossst.03

20,025 görüntüleme • 1 ay önce

Anybody can get a pump. I can get one in my living room in four minutes with no equipment whatsoever. Twenty press-ups. A band I found in a drawer. Fifty bodyweight squats. Waving my arms about for ninety seconds. A set of thirty on anything, nowhere near failure, rested short enough to keep the blood where I put it. None of that is hard. None of that is a decision. The pump arrives whether you meant it or not, which is precisely why it cannot be evidence of anything. And it lives in the eight to twelve range, because that is where the weight is never frightening. You can chase a sensation all afternoon in there. Nothing you pick up is ever going to look back at you. Now go and get under something that might beat you. There is no hiding on a heavy set of five. You cannot half-do it. You cannot drift through it thinking about your afternoon. The weight either moves or it sits there in front of everybody. That is why eight to twelve has survived fifty years of scrutiny it never earned. It is the widest band of weight you can lift while remaining completely unaccountable. Heavy enough to feel like effort. Light enough that nothing is ever on the line. A rep range you can occupy for a decade without once finding out what you are capable of, and leave every session swollen, sweating and entirely convinced. Heavy training keeps a record. That is the objection to it, and nobody will ever say so out loud. Take a set of five to within a rep of failure and you will find out exactly what you are worth, in kilos, before you leave the building. Most people would rather not.
0:20

Anybody can get a pump. I can get one in my living room in four minutes with no equipment whatsoever. Twenty press-ups. A band I found in a drawer. Fifty bodyweight squats. Waving my arms about for ninety seconds. A set of thirty on anything, nowhere near failure, rested short enough to keep the blood where I put it. None of that is hard. None of that is a decision. The pump arrives whether you meant it or not, which is precisely why it cannot be evidence of anything. And it lives in the eight to twelve range, because that is where the weight is never frightening. You can chase a sensation all afternoon in there. Nothing you pick up is ever going to look back at you. Now go and get under something that might beat you. There is no hiding on a heavy set of five. You cannot half-do it. You cannot drift through it thinking about your afternoon. The weight either moves or it sits there in front of everybody. That is why eight to twelve has survived fifty years of scrutiny it never earned. It is the widest band of weight you can lift while remaining completely unaccountable. Heavy enough to feel like effort. Light enough that nothing is ever on the line. A rep range you can occupy for a decade without once finding out what you are capable of, and leave every session swollen, sweating and entirely convinced. Heavy training keeps a record. That is the objection to it, and nobody will ever say so out loud. Take a set of five to within a rep of failure and you will find out exactly what you are worth, in kilos, before you leave the building. Most people would rather not.

Sama Hoole

13,049 görüntüleme • 1 ay önce

AI video can look good and still feel fake. One of the biggest reasons? Camera movement. A camera does not just move from A to B. It has weight, it has momentum. A person is holding it, a gimbal operator is walking, a dolly slows down before it stops, a handheld camera reacts to the person carrying it and much more. Those tiny details are what makes AI video feel more like something that was actually filmed. So I put together my Cinematic Camera Movement Library with 40+ camera movement and realism blocks you can use in your AI video prompts. If you create AI videos, save this video. You will forget the names eventually. Want the full prompt library? Comment “PROMPT” and I will send it to you.
0:59

AI video can look good and still feel fake. One of the biggest reasons? Camera movement. A camera does not just move from A to B. It has weight, it has momentum. A person is holding it, a gimbal operator is walking, a dolly slows down before it stops, a handheld camera reacts to the person carrying it and much more. Those tiny details are what makes AI video feel more like something that was actually filmed. So I put together my Cinematic Camera Movement Library with 40+ camera movement and realism blocks you can use in your AI video prompts. If you create AI videos, save this video. You will forget the names eventually. Want the full prompt library? Comment “PROMPT” and I will send it to you.

Digital Dame

78,047 görüntüleme • 1 ay önce

A DEVELOPER MADE A REAL COMMIT WITHOUT EVER TYPING GIT ADD OR GIT COMMIT -- JUST TO PROVE THE COMMANDS YOU LIVE BY ARE A THIN SHELL OVER A DATABASE YOU'VE NEVER ONCE OPENED 55 minutes from Tim Berglund, a longtime Git teacher and GitHub evangelist, taking the tool apart down to the raw objects almost nobody who uses it every day has ever touched. -> The moment it clicks, Git stops being a pile of memorized commands and becomes what it actually is underneath: a tiny content-addressed database of blobs, trees and commits. git add and git commit are just polite wrappers around writing objects into it by hand. Every commit you've ever made was Git hashing a snapshot and filing it by fingerprint. Branches are just labels pointing at one of those objects. The work you thought you destroyed with a bad reset is still sitting in the reflog. Once you can see that graph, the commands that used to terrify you stop being scary at all. Memorizing commands was never the skill -> reading the object graph in your head is. And with an AI agent now committing and rebasing on your machine faster than you can follow, the one person who can untangle the mess it leaves is the one who knows what's really stored down there. There's a person on every team everyone runs to when Git breaks. This is the talk that quietly turns you into them. You'll reach for it the next time a rebase goes sideways. Bookmark & Watch it today ↓
55:19

A DEVELOPER MADE A REAL COMMIT WITHOUT EVER TYPING GIT ADD OR GIT COMMIT -- JUST TO PROVE THE COMMANDS YOU LIVE BY ARE A THIN SHELL OVER A DATABASE YOU'VE NEVER ONCE OPENED 55 minutes from Tim Berglund, a longtime Git teacher and GitHub evangelist, taking the tool apart down to the raw objects almost nobody who uses it every day has ever touched. -> The moment it clicks, Git stops being a pile of memorized commands and becomes what it actually is underneath: a tiny content-addressed database of blobs, trees and commits. git add and git commit are just polite wrappers around writing objects into it by hand. Every commit you've ever made was Git hashing a snapshot and filing it by fingerprint. Branches are just labels pointing at one of those objects. The work you thought you destroyed with a bad reset is still sitting in the reflog. Once you can see that graph, the commands that used to terrify you stop being scary at all. Memorizing commands was never the skill -> reading the object graph in your head is. And with an AI agent now committing and rebasing on your machine faster than you can follow, the one person who can untangle the mess it leaves is the one who knows what's really stored down there. There's a person on every team everyone runs to when Git breaks. This is the talk that quietly turns you into them. You'll reach for it the next time a rebase goes sideways. Bookmark & Watch it today ↓

slash1s

239,290 görüntüleme • 3 ay önce

I'm putting a lot of attention into getting a high quality transfer for the Face Proxy Mesh we're adding to the Fondant Custom Normals Blender addon. Even if the proxy has great Normals, it will not matter if the transfer is distorted. A basic world space Nearest Surface (aka Nearest Face Interpolated) transfer can get screwed up if there are gaps between the meshes. And if they are different shapes and poly counts, there will be! So the first big piece of the puzzle is getting a clean transfer. Before transferring Normals, a transfer space is made and a UV map is transferred from the proxy. Then any other data needed can be transferred in that UV space. As long as it is right, any other data will be clean! (Normals or anything else you might want.) And a UV map is easy to debug because you can put a grid texture on it. If the grid is evenly spaced, then distortion is minimal. This clip shows the differences in distortion between a basic World Space transfer and a better transfer space made by blending Sphere projection and a simple projection of the face forward onto the proxy (used down the center line.) Different faces will need slightly different configuration. Most of this is automatic, but the addon will have some simple controls to adjust it to different face shapes.
1:09

I'm putting a lot of attention into getting a high quality transfer for the Face Proxy Mesh we're adding to the Fondant Custom Normals Blender addon. Even if the proxy has great Normals, it will not matter if the transfer is distorted. A basic world space Nearest Surface (aka Nearest Face Interpolated) transfer can get screwed up if there are gaps between the meshes. And if they are different shapes and poly counts, there will be! So the first big piece of the puzzle is getting a clean transfer. Before transferring Normals, a transfer space is made and a UV map is transferred from the proxy. Then any other data needed can be transferred in that UV space. As long as it is right, any other data will be clean! (Normals or anything else you might want.) And a UV map is easy to debug because you can put a grid texture on it. If the grid is evenly spaced, then distortion is minimal. This clip shows the differences in distortion between a basic World Space transfer and a better transfer space made by blending Sphere projection and a simple projection of the face forward onto the proxy (used down the center line.) Different faces will need slightly different configuration. Most of this is automatic, but the addon will have some simple controls to adjust it to different face shapes.

aVersionOfReality

14,935 görüntüleme • 1 yıl önce

THE BARRIER BETWEEN A PHOTO AND A VIDEO NO LONGER EXISTS AND HEYGEN JUST PROVED IT. I uploaded a photo to HeyGen, and it came back as a video. I genuinely did not expect that to work. But it did. And now every photo in my camera roll is potential video content.
0:21

THE BARRIER BETWEEN A PHOTO AND A VIDEO NO LONGER EXISTS AND HEYGEN JUST PROVED IT. I uploaded a photo to HeyGen, and it came back as a video. I genuinely did not expect that to work. But it did. And now every photo in my camera roll is potential video content.

Brooks Whale X 🐋

34,537 görüntüleme • 3 ay önce

Steve Jobs on why everything around you was made by people no smarter than you: "When you grow up, you tend to get told that the world is the way it is and your life is just to live your life inside the world. Try not to bash into the walls too much, have a nice family life, have fun, save a little money. But that's a very limited life." Steve believed most people live with a fundamental misconception. As he puts it: "Life can be much broader once you discover one simple fact. And that is—everything around you that you call life was made up by people that were no smarter than you." He continues: "And you can change it. You can influence it. You can build your own things that other people can use. And the minute that you understand that you can poke life and actually something will pop out the other side—that you can change it, you can mold it." On what matters most: "Maybe the most important thing is to shake off this erroneous notion that life is there and you're just going to live in it versus embrace it, change it, improve it, make your mark upon it. I think that's very important." His perspective on why you should change things: "However you learn that, once you learn it, you'll want to change life and make it better because it's kind of messed up in a lot of ways." The shift: "Once you learn that, you'll never be the same again."
1:28

Steve Jobs on why everything around you was made by people no smarter than you: "When you grow up, you tend to get told that the world is the way it is and your life is just to live your life inside the world. Try not to bash into the walls too much, have a nice family life, have fun, save a little money. But that's a very limited life." Steve believed most people live with a fundamental misconception. As he puts it: "Life can be much broader once you discover one simple fact. And that is—everything around you that you call life was made up by people that were no smarter than you." He continues: "And you can change it. You can influence it. You can build your own things that other people can use. And the minute that you understand that you can poke life and actually something will pop out the other side—that you can change it, you can mold it." On what matters most: "Maybe the most important thing is to shake off this erroneous notion that life is there and you're just going to live in it versus embrace it, change it, improve it, make your mark upon it. I think that's very important." His perspective on why you should change things: "However you learn that, once you learn it, you'll want to change life and make it better because it's kind of messed up in a lot of ways." The shift: "Once you learn that, you'll never be the same again."

Jaynit

48,518 görüntüleme • 8 ay önce

🚨ELON MUSK: "As we dug into USAID it became apparent that what we have here is not an apple with a worm in it, but we have actually just a ball of worms. If you have an apple with a worm in it, you can take the worm out. If you have a whole ball of worms, it's hopeless. USAID is a ball of worms. There is no apple. And when there is no apple you just need to get rid of the whole thing. That's why it's got to go. It's beyond repair."
0:39

🚨ELON MUSK: "As we dug into USAID it became apparent that what we have here is not an apple with a worm in it, but we have actually just a ball of worms. If you have an apple with a worm in it, you can take the worm out. If you have a whole ball of worms, it's hopeless. USAID is a ball of worms. There is no apple. And when there is no apple you just need to get rid of the whole thing. That's why it's got to go. It's beyond repair."

Autism Capital 🧩

1,541,392 görüntüleme • 1 yıl önce

Ok, one more as I dream of doing this: > an amateur timelapse video taken by a tourist from ` plush and comfortable room on a space cruise, timelapse is as it orbits around saturn at a peculiar angle, at times you can see the reflection of the room, at other times the lights are off, it's from a gopro on a tripod mounted next to the window. in a timelapse fashion we see people moving around quickly in the background, no sound effects, just calm music You can tell it's amateur as they put the tripod on a sofa.
0:20

Ok, one more as I dream of doing this: > an amateur timelapse video taken by a tourist from ` plush and comfortable room on a space cruise, timelapse is as it orbits around saturn at a peculiar angle, at times you can see the reflection of the room, at other times the lights are off, it's from a gopro on a tripod mounted next to the window. in a timelapse fashion we see people moving around quickly in the background, no sound effects, just calm music You can tell it's amateur as they put the tripod on a sofa.

fofr

16,634 görüntüleme • 1 ay önce

I got in a Tesla Cybercab in Austin, hit record, and ate boba and popcorn chicken while the car handled the road.That’s the whole point. I did not have to watch traffic. I did not have to keep my hands free. I did not have to stay alert for the next light, lane change, or random driver. The Cybercab has no steering wheel and no pedals. There is no driver. There is no stranger sitting up front. So I could actually eat and just be in the car.This video is that ride. Doors close themselves. The cabin is already set how I like it. I slurp the boba, eat the popcorn chicken, look around, talk, film, and never once have to snap back to the road. That is the difference. In a normal car, eating is a split-attention thing. In this, the road is not my job.Once that clicks, the rest of it makes sense. You can open a laptop and work. You can take a call without saying “sorry, I’m driving.” You can recline and close your eyes. You can treat the cabin like a private room that happens to be moving. Productivity is not a pitch deck idea here. It is what happens when you stop spending the whole trip managing the street. If you have been waiting for a real Austin Cybercab ride instead of a staged walkaround, this is it. Messy food. No driver. No road stress.Riding a Cybercab without worrying about the road. Eating in a robotaxi like it is actually your space. No driver, no strangers, no performance. Using the cabin as a working station. Falling asleep in an AV in a way you cannot in a normal ride. Filmed in Austin, Texas in a Tesla Cybercab / Robotaxi. Subscribe if you want more of these. Video shot on ⁨Insta360⁩ Luna Ultra Thanks Kim Java for filming! Elon Musk Tesla Tesla_AI
19:13

I got in a Tesla Cybercab in Austin, hit record, and ate boba and popcorn chicken while the car handled the road.That’s the whole point. I did not have to watch traffic. I did not have to keep my hands free. I did not have to stay alert for the next light, lane change, or random driver. The Cybercab has no steering wheel and no pedals. There is no driver. There is no stranger sitting up front. So I could actually eat and just be in the car.This video is that ride. Doors close themselves. The cabin is already set how I like it. I slurp the boba, eat the popcorn chicken, look around, talk, film, and never once have to snap back to the road. That is the difference. In a normal car, eating is a split-attention thing. In this, the road is not my job.Once that clicks, the rest of it makes sense. You can open a laptop and work. You can take a call without saying “sorry, I’m driving.” You can recline and close your eyes. You can treat the cabin like a private room that happens to be moving. Productivity is not a pitch deck idea here. It is what happens when you stop spending the whole trip managing the street. If you have been waiting for a real Austin Cybercab ride instead of a staged walkaround, this is it. Messy food. No driver. No road stress.Riding a Cybercab without worrying about the road. Eating in a robotaxi like it is actually your space. No driver, no strangers, no performance. Using the cabin as a working station. Falling asleep in an AV in a way you cannot in a normal ride. Filmed in Austin, Texas in a Tesla Cybercab / Robotaxi. Subscribe if you want more of these. Video shot on ⁨Insta360⁩ Luna Ultra Thanks Kim Java for filming! Elon Musk Tesla Tesla_AI

Tesla Owners Silicon Valley

40,093 görüntüleme • 12 gün önce

i built a tool that lets you clone ANY video with AI saw a movie scene you want to recreate? a commercial? a music video? just upload it to this tool and get the exact structured prompt to generate it in sora 2 you no longer need to guess how to describe what you want to generate. show the tool the reference and it engineers the prompt for you. the tool analyzes: - camera movements and angles - lighting and color grading - scene composition and timing then converts everything into sora-optimized prompt structure this is how you recreate any visual style without prompt engineering experience RT + reply 'TOOL' and i'll send you access (must follow so i can dm)
0:21

i built a tool that lets you clone ANY video with AI saw a movie scene you want to recreate? a commercial? a music video? just upload it to this tool and get the exact structured prompt to generate it in sora 2 you no longer need to guess how to describe what you want to generate. show the tool the reference and it engineers the prompt for you. the tool analyzes: - camera movements and angles - lighting and color grading - scene composition and timing then converts everything into sora-optimized prompt structure this is how you recreate any visual style without prompt engineering experience RT + reply 'TOOL' and i'll send you access (must follow so i can dm)

Miko

43,121 görüntüleme • 11 ay önce

a shape with no inside. he filled it with water anyway pour water in and it stops almost immediately. the air has nowhere to escape, so it just sits there blocking you. tilt it and you get a little more in, then it blocks again so he put the whole thing in a vacuum chamber turn it on and the bottle starts bubbling. that's the air being pulled out through the neck, leaving as close to nothing inside as he can get then he lets the pressure back in, and the water rushes up into the empty space on its own still not full. so he runs it again, rarefying the smaller pocket of air that's left, and again after that here's the part that breaks your head: for a shape to have volume, it has to split the world in two. a ball does that. stretch it however you want, there's always a world inside and a world outside a Klein bottle has no such line. follow its surface and you never cross a boundary, never pass through a wall, never end up anywhere that isn't the same side you started on the inside is the outside. so there's nothing there to fill he filled it anyway that's the same shape as the room below. no plot, no payoff, just a question your brain won't drop -> can a thing with no inside hold anything at all two videos, two impossible questions, 20 million views between them. Paone broke down why this format works in the article underneath save this. the most watched thing today was a shape that shouldn't be able to hold anything, holding water
2:39

a shape with no inside. he filled it with water anyway pour water in and it stops almost immediately. the air has nowhere to escape, so it just sits there blocking you. tilt it and you get a little more in, then it blocks again so he put the whole thing in a vacuum chamber turn it on and the bottle starts bubbling. that's the air being pulled out through the neck, leaving as close to nothing inside as he can get then he lets the pressure back in, and the water rushes up into the empty space on its own still not full. so he runs it again, rarefying the smaller pocket of air that's left, and again after that here's the part that breaks your head: for a shape to have volume, it has to split the world in two. a ball does that. stretch it however you want, there's always a world inside and a world outside a Klein bottle has no such line. follow its surface and you never cross a boundary, never pass through a wall, never end up anywhere that isn't the same side you started on the inside is the outside. so there's nothing there to fill he filled it anyway that's the same shape as the room below. no plot, no payoff, just a question your brain won't drop -> can a thing with no inside hold anything at all two videos, two impossible questions, 20 million views between them. Paone broke down why this format works in the article underneath save this. the most watched thing today was a shape that shouldn't be able to hold anything, holding water

Banff

2,568,788 görüntüleme • 1 ay önce

You can now access AI directly from your database! Here is a step-by-step demo that uses GPT-4 to classify customer reviews from a MySQL dataset. And I'm only writing SQL instructions! You have to see it! The model acts as another table in the database. I can query it and join it with other tables. It's awesome! This is all thanks to mindshub. Here is their GitHub repository: They are sponsoring this post. Watch the video.
6:49

You can now access AI directly from your database! Here is a step-by-step demo that uses GPT-4 to classify customer reviews from a MySQL dataset. And I'm only writing SQL instructions! You have to see it! The model acts as another table in the database. I can query it and join it with other tables. It's awesome! This is all thanks to mindshub. Here is their GitHub repository: They are sponsoring this post. Watch the video.

Santiago

209,454 görüntüleme • 2 yıl önce

Did you know you can find and extract rare sprites in Respawn Rumble? This is a Fortnite strat NO ONE is talking about. The sprites come out of the chests all the time and yes even RARE ones. There's no portable extractors but you can go to the manual ones off in the storm and can call it down. The trick is that you can't deposit your sprite like normal. You have to throw it in. I literally just tried it and it worked. I put in a Level 5 Vini Jr and it was still level 5 when I got back to the lobby. Try it out and let me know that it worked.
0:23

Did you know you can find and extract rare sprites in Respawn Rumble? This is a Fortnite strat NO ONE is talking about. The sprites come out of the chests all the time and yes even RARE ones. There's no portable extractors but you can go to the manual ones off in the storm and can call it down. The trick is that you can't deposit your sprite like normal. You have to throw it in. I literally just tried it and it worked. I put in a Level 5 Vini Jr and it was still level 5 when I got back to the lobby. Try it out and let me know that it worked.

Quantum Camper

52,705 görüntüleme • 1 ay önce

AI BASKETBALL ANALYSIS. A FULL COMPUTER VISION SYSTEM. BUILT ON YOLO, OPENCV, AND PYTHON. Take any NBA broadcast. Any camera angle. Any resolution. Feed it into the system. YOLO finds every player and the ball. Frame by frame. No manual annotation. No pre-labeled data.The model just sees the court and understands it. Zero-shot classification looks at jersey pixels and decides who plays for whom. Two teams separated in milliseconds. Without ever being told the team names. But here's where it gets wild. Court keypoint detection identifies the geometry of the playing surface. Homography transforms the broadcast camera into a top-down tactical map. Real meters. Real coordinates. From a flat 2D video. Now every player has a position on a real court. Every movement becomes a data point. Every pass becomes a vector. Speed. Distance. Possession time. Pass networks. All extracted from nothing but pixels. No GPS. No chips in the ball. No million-dollar Second Spectrum setup. A Python script and a GPU. The full pipeline is open source. The tutorial walks through every line of code. From detection to transformation to analytics output. Teams used to pay six figures for this data. Now you build it in an afternoon. Computer vision didn't just enter basketball. It democratized it.
5:58:26

AI BASKETBALL ANALYSIS. A FULL COMPUTER VISION SYSTEM. BUILT ON YOLO, OPENCV, AND PYTHON. Take any NBA broadcast. Any camera angle. Any resolution. Feed it into the system. YOLO finds every player and the ball. Frame by frame. No manual annotation. No pre-labeled data.The model just sees the court and understands it. Zero-shot classification looks at jersey pixels and decides who plays for whom. Two teams separated in milliseconds. Without ever being told the team names. But here's where it gets wild. Court keypoint detection identifies the geometry of the playing surface. Homography transforms the broadcast camera into a top-down tactical map. Real meters. Real coordinates. From a flat 2D video. Now every player has a position on a real court. Every movement becomes a data point. Every pass becomes a vector. Speed. Distance. Possession time. Pass networks. All extracted from nothing but pixels. No GPS. No chips in the ball. No million-dollar Second Spectrum setup. A Python script and a GPU. The full pipeline is open source. The tutorial walks through every line of code. From detection to transformation to analytics output. Teams used to pay six figures for this data. Now you build it in an afternoon. Computer vision didn't just enter basketball. It democratized it.

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