正在加载视频...

视频加载失败

加载此视频时出现问题。这可能是由于临时网络问题，或视频可能不可用。

🇺🇸 GROK 3: NEXT-LEVEL PHYSICS VISUALIZATION IN MOTION 25 particles, each a different color, bounce inside a vacuum-sealed cylindrical container, leaving behind glowing trails. The container rotates slowly, shifting perspectives, while an outer spherical boundary adds complexity. Physics-driven collisions keep everything in motion, and a subtle zoom effect pulls... show more

Mario Nawfal

3,542,661 subscribers

2,017,247 次观看 • 1 年前 •via X (Twitter)

科学技术教育艺术

Anya Rossi• Live Now

Private livecam show

9 条评论

kikelv 的头像

kikelv1 年前

🔥 THIS IS GOING TO DOMINATE EVERY CONVERSATION!

Lurk 的头像

Lurk1 年前

this is crazy fam!

Matt_EUC 的头像

Matt_EUC1 年前

That would be crazy in a game i bet

Web3 的头像

Web31 年前

grok 3 is insanely superior

SharksCoins 🦈 Gem Hunter 的头像

SharksCoins 🦈 Gem Hunter1 年前

Glad to see it

Sherry Slatosky 的头像

Sherry Slatosky1 年前

Wow. Cool

Syeda Farheen فاطمة 的头像

Syeda Farheen فاطمة1 年前

GROK 3 is full updated for next GenZ

AJH - Question Everything 的头像

AJH - Question Everything1 年前

Wow 🤯……. Crazy impressive

Art Sarkisyan 的头像

Art Sarkisyan1 年前

so awesome

相关视频

gemini 2.0 on a p5.js challenge prompt: Write a p5.js script that simulates 25 particles in a vacuum space of a cylindrical container, bouncing within its boundaries. Use different colors for each ball and ensure they leave a trail showing their movement. Add a slow rotation of the container to give better view of what's going on in the scene. Make sure to create proper collision detection and physic rules to ensure particles remain in the container. Add an external spherical container. Add a slow zoom in and zoom out effect to the whole scene.

gemini 2.0 on a p5.js challenge prompt: Write a p5.js script that simulates 25 particles in a vacuum space of a cylindrical container, bouncing within its boundaries. Use different colors for each ball and ensure they leave a trail showing their movement. Add a slow rotation of the container to give better view of what's going on in the scene. Make sure to create proper collision detection and physic rules to ensure particles remain in the container. Add an external spherical container. Add a slow zoom in and zoom out effect to the whole scene.

AK

28,538 次观看 • 1 年前

Watch Gemini 3 code a visualization of plasma flow in a tokamak and write a poem capturing the physics of fusion. ⬇️

Watch Gemini 3 code a visualization of plasma flow in a tokamak and write a poem capturing the physics of fusion. ⬇️

Google DeepMind

71,663 次观看 • 6 个月前

Wringing out a wet towel… but you’re floating in space and physics just starts acting different.

Wringing out a wet towel… but you’re floating in space and physics just starts acting different.

Curiosity

70,378 次观看 • 1 个月前

Shutdown of a Raptor vacuum engine in slow motion. The engine’s nozzle is sized for use by Starship in the Earth’s upper atmosphere and outer space, so operation at sea level and low chamber pressures results in flow separation creating visible rings in the exhaust

Shutdown of a Raptor vacuum engine in slow motion. The engine’s nozzle is sized for use by Starship in the Earth’s upper atmosphere and outer space, so operation at sea level and low chamber pressures results in flow separation creating visible rings in the exhaust

SpaceX

4,025,945 次观看 • 2 年前

A rotating ball casts a shadow that perfectly matches a mass on a spring, revealing how circular motion and simple harmonic motion are linked. A visual proof of sine-wave physics in action.

A rotating ball casts a shadow that perfectly matches a mass on a spring, revealing how circular motion and simple harmonic motion are linked. A visual proof of sine-wave physics in action.

Bluntly Put Philosopher (BPP)

2,279,494 次观看 • 5 个月前

A rotating ball casts a shadow that perfectly matches a mass on a spring, revealing how circular motion and simple harmonic motion are linked. A visual proof of sine-wave physics in action.

A rotating ball casts a shadow that perfectly matches a mass on a spring, revealing how circular motion and simple harmonic motion are linked. A visual proof of sine-wave physics in action.

Bluntly Put Philosopher

34,864 次观看 • 11 个月前

the fact that he has them stored in a container and pulls them out to fight just like Pokémon 😳

the fact that he has them stored in a container and pulls them out to fight just like Pokémon 😳

DJ Kam Bennett

144,267 次观看 • 8 个月前

🚨ELON: GROK 4 IS AT POSTGRAD LEVEL IN LITERALLY EVERYTHING "You might be incredible in linguistics, mathematics, chemistry, physics, or any number of subjects, but you're not going to be at a postgraduate level in everything. And Grok 4 is at a postgraduate level in everything." Source: xAI Elon Musk

🚨ELON: GROK 4 IS AT POSTGRAD LEVEL IN LITERALLY EVERYTHING "You might be incredible in linguistics, mathematics, chemistry, physics, or any number of subjects, but you're not going to be at a postgraduate level in everything. And Grok 4 is at a postgraduate level in everything." Source: xAI Elon Musk

Mario Nawfal

59,980 次观看 • 11 个月前

Learn how to create a mesmerizing holographic effect in After Effects and take your motion graphics to the next level!

Learn how to create a mesmerizing holographic effect in After Effects and take your motion graphics to the next level!

Premiere Pro Tricks!

17,550 次观看 • 10 个月前

Why the character movement in my custom game engine felt janky and how I fixed it. In a game engine, most often, a character moves using the physics engine. Meaning, the player is not just a coordinate in space but a physical body. It has velocity, it handles collisions, and it interacts with the world. Now, as you might know, physics engines need stability. If you run them at variable framerates, things start breaking. Objects phase through walls or fly off into space because the math becomes unpredictable. This is why most game engines lock their physics loop to a 60Hz fixed rate. But here’s the problem: If you have a high-end system, you don't want to limit it at 60 FPS. That's a waste of good hardware. Now, that said, if the GPU is rendering at 144 FPS but the player's position (physics driven) only updates 60 times a second, it creates a micro-stutter that ruins the "smooth" feel of the game. A good way to fix this is to treat the character as two separate things: 1. The Physics Body (Invisible part): This is the "real" character. It lives in the 60Hz physics world, it moves the player and handles collisions. 2. The Visual Model and Camera (Visible part): This is what the player actually sees. It doesn't care about collisions, its only job is to look nice and smooth at whatever framerate the GPU is pushing. Once you have this separation, you can use interpolation to keep them in sync. Every time the physics clock ticks, you save the previous position of the invisible body before moving it to the new one. Between those ticks, calculate how far we are between the last physics update and the next one. By using this to drive the visible parts of the game, the stutters disappear. The physics loop stays fixed behind the scenes, while the visuals slide smoothly between the snapshots. Example: - Right after a tick: blend_weight= 0.0 (The visual model stays at the old physics position). - Halfway to the next: blend_weight= 0.5 (The visual model slides to the middle point). - Just before the next: blend_weight= 0.9 (The visual model is almost at the new physics position). Pro-Tip A critical mistake I made initially, and one many devs make, is parenting the camera and visible parts directly to the player body. If you do this, the camera inherits the discrete 60Hz physics movement by default. In that setup, interpolation won't work because the camera is "stuck" to the physics clock. For this fix to work you must decouple the camera and visuals from the body and move them separately. Player movement processing in Detis Engine: - fixed_process: Physics runs at 60Hz. Handles collisions and raw movement. - process: Variable rate. Mainly used for player input caching in the player case. - late_process: Variable rate. Handles interpolated camera movement after physics and everything else is done being processed. - render. Submits the final interpolated transforms to the GPU. The test environment in the video is running on an old 2070-based laptop. Hopefully the video compression won't introduce any stutter... I’m sharing this in hopes it helps a fellow dev. Cheers.

Why the character movement in my custom game engine felt janky and how I fixed it. In a game engine, most often, a character moves using the physics engine. Meaning, the player is not just a coordinate in space but a physical body. It has velocity, it handles collisions, and it interacts with the world. Now, as you might know, physics engines need stability. If you run them at variable framerates, things start breaking. Objects phase through walls or fly off into space because the math becomes unpredictable. This is why most game engines lock their physics loop to a 60Hz fixed rate. But here’s the problem: If you have a high-end system, you don't want to limit it at 60 FPS. That's a waste of good hardware. Now, that said, if the GPU is rendering at 144 FPS but the player's position (physics driven) only updates 60 times a second, it creates a micro-stutter that ruins the "smooth" feel of the game. A good way to fix this is to treat the character as two separate things: 1. The Physics Body (Invisible part): This is the "real" character. It lives in the 60Hz physics world, it moves the player and handles collisions. 2. The Visual Model and Camera (Visible part): This is what the player actually sees. It doesn't care about collisions, its only job is to look nice and smooth at whatever framerate the GPU is pushing. Once you have this separation, you can use interpolation to keep them in sync. Every time the physics clock ticks, you save the previous position of the invisible body before moving it to the new one. Between those ticks, calculate how far we are between the last physics update and the next one. By using this to drive the visible parts of the game, the stutters disappear. The physics loop stays fixed behind the scenes, while the visuals slide smoothly between the snapshots. Example: - Right after a tick: blend_weight= 0.0 (The visual model stays at the old physics position). - Halfway to the next: blend_weight= 0.5 (The visual model slides to the middle point). - Just before the next: blend_weight= 0.9 (The visual model is almost at the new physics position). Pro-Tip A critical mistake I made initially, and one many devs make, is parenting the camera and visible parts directly to the player body. If you do this, the camera inherits the discrete 60Hz physics movement by default. In that setup, interpolation won't work because the camera is "stuck" to the physics clock. For this fix to work you must decouple the camera and visuals from the body and move them separately. Player movement processing in Detis Engine: - fixed_process: Physics runs at 60Hz. Handles collisions and raw movement. - process: Variable rate. Mainly used for player input caching in the player case. - late_process: Variable rate. Handles interpolated camera movement after physics and everything else is done being processed. - render. Submits the final interpolated transforms to the GPU. The test environment in the video is running on an old 2070-based laptop. Hopefully the video compression won't introduce any stutter... I’m sharing this in hopes it helps a fellow dev. Cheers.

Ioannis Koukourakis

48,497 次观看 • 5 个月前

Plasma shifting blue→pink isn’t just pretty—it’s energy changing in real time. Different gases, temps, and electric fields reshape it into filaments and flows. Same physics behind lightning, rockets, even stars.

Plasma shifting blue→pink isn’t just pretty—it’s energy changing in real time. Different gases, temps, and electric fields reshape it into filaments and flows. Same physics behind lightning, rockets, even stars.

Bluntly Put Philosopher (BPP)

11,195 次观看 • 1 个月前

Coded with Grok A glowing stream of flowing particles forming mirrored arcs around a radiant core in 3D, rendered with Three.js, BufferGeometry, PointsMaterial, OrbitControls, and UnrealBloomPass for smooth motion, glow, and depth.

Coded with Grok A glowing stream of flowing particles forming mirrored arcs around a radiant core in 3D, rendered with Three.js, BufferGeometry, PointsMaterial, OrbitControls, and UnrealBloomPass for smooth motion, glow, and depth.

Techartist

29,204 次观看 • 7 个月前

Plasma isn't just raw energy—it's matter in motion, unbound and electrically alive. But when it self-organizes into a plasmoid—a coherent, toroidal form—it becomes something else entirely: a stable, structured source of energy. This isn’t science fiction. It’s cutting-edge physics… and we’re just beginning to understand its potential.

Plasma isn't just raw energy—it's matter in motion, unbound and electrically alive. But when it self-organizes into a plasmoid—a coherent, toroidal form—it becomes something else entirely: a stable, structured source of energy. This isn’t science fiction. It’s cutting-edge physics… and we’re just beginning to understand its potential.

Randall Carlson

22,712 次观看 • 1 年前

There’s a random curve that is perfectly continuous in time, never jumps, models smooth noise in physics and finance… and yet with probability 1 it has no derivative at any point. If you zoom in anywhere, it never straightens out. Brownian motion started as a physics headache long before it became a clean mathematical object. In 1827, Robert Brown watched pollen grains jitter under a microscope and had no microscopic theory to blame; almost a century later, Einstein and Smoluchowski explained that jitter as the visible effect of countless molecular collisions, and then Wiener turned that physical picture into a precise random function of time that now underpins much of modern probability, physics, and quantitative finance. #BrownianMotion #ProbabilityTheory #StochasticCalculus #RandomWalks #MathematicalPhysics #QuantFinance

There’s a random curve that is perfectly continuous in time, never jumps, models smooth noise in physics and finance… and yet with probability 1 it has no derivative at any point. If you zoom in anywhere, it never straightens out. Brownian motion started as a physics headache long before it became a clean mathematical object. In 1827, Robert Brown watched pollen grains jitter under a microscope and had no microscopic theory to blame; almost a century later, Einstein and Smoluchowski explained that jitter as the visible effect of countless molecular collisions, and then Wiener turned that physical picture into a precise random function of time that now underpins much of modern probability, physics, and quantitative finance. #BrownianMotion #ProbabilityTheory #StochasticCalculus #RandomWalks #MathematicalPhysics #QuantFinance

Mathelirium

33,072 次观看 • 5 个月前

This is pure cosmic poetry in motion 🔥🌌 Watch the Hirajoshi Wave — a mesmerizing polyrhythmic pendulum where gravity-defying spheres trace the exact frequencies of the ancient C Hirajoshi pentatonic scale (C, D, Eb, G, Ab). Each ball swings at its own precise speed, creating chaotic rainbow trails and hypnotic geometry… until everything perfectly realigns in a breathtaking visual AND musical climax. It’s not just pretty — it’s the universe showing off. Music is mathematics you can feel. The same harmonic laws that govern planetary orbits, gravitational resonances, and the fabric of spacetime are playing out right here in sound and motion. Ancient Japanese scale meets modern physics, proving once again: the cosmos doesn’t just make music… it is music.

This is pure cosmic poetry in motion 🔥🌌 Watch the Hirajoshi Wave — a mesmerizing polyrhythmic pendulum where gravity-defying spheres trace the exact frequencies of the ancient C Hirajoshi pentatonic scale (C, D, Eb, G, Ab). Each ball swings at its own precise speed, creating chaotic rainbow trails and hypnotic geometry… until everything perfectly realigns in a breathtaking visual AND musical climax. It’s not just pretty — it’s the universe showing off. Music is mathematics you can feel. The same harmonic laws that govern planetary orbits, gravitational resonances, and the fabric of spacetime are playing out right here in sound and motion. Ancient Japanese scale meets modern physics, proving once again: the cosmos doesn’t just make music… it is music.

Roy Rogers Happy Trails Music Shop

112,777 次观看 • 1 个月前

FROM PROMPT TO PLAYABLE: GROK JUST BUILT A ROCKET-SNAKE GAME IN MINUTES Ask Grok for a twist on Snake where you pilot a rocket and collect asteroids that extend your tail. It spits out glowing particles, fun physics, the whole vibe. Drop the code into Replit. Click Run. Boom - space-snake game, live. Takes less than 5 minutes to go from “I have an idea” to “Here’s a link, go play.” Grok 4 + Replit = rapid game dev for people with more ideas than patience. Source: matt palmer

FROM PROMPT TO PLAYABLE: GROK JUST BUILT A ROCKET-SNAKE GAME IN MINUTES Ask Grok for a twist on Snake where you pilot a rocket and collect asteroids that extend your tail. It spits out glowing particles, fun physics, the whole vibe. Drop the code into Replit. Click Run. Boom - space-snake game, live. Takes less than 5 minutes to go from “I have an idea” to “Here’s a link, go play.” Grok 4 + Replit = rapid game dev for people with more ideas than patience. Source: matt palmer

Mario Nawfal

96,480 次观看 • 11 个月前

🚨🇺🇸 FIRE IN SPACE LOOKS NOTHING LIKE EARTH - NASA’S ZERO-G FLAME IS A FLOATING GLOW BALL On Earth, fire flickers up because hot air rises and pulls oxygen in from below. But in space? No gravity, no flickering. NASA ran a microgravity experiment and lit a flame inside a sealed chamber - and instead of dancing, the flame puffed into a glowing sphere like a tiny ghost lantern. It doesn’t stretch, doesn’t wave, just floats there burning evenly in all directions. Super chill, super weird. Basically, fire in space is less “campfire vibes” and more “plasma jellyfish with zero chill.” Source: NASA

🚨🇺🇸 FIRE IN SPACE LOOKS NOTHING LIKE EARTH - NASA’S ZERO-G FLAME IS A FLOATING GLOW BALL On Earth, fire flickers up because hot air rises and pulls oxygen in from below. But in space? No gravity, no flickering. NASA ran a microgravity experiment and lit a flame inside a sealed chamber - and instead of dancing, the flame puffed into a glowing sphere like a tiny ghost lantern. It doesn’t stretch, doesn’t wave, just floats there burning evenly in all directions. Super chill, super weird. Basically, fire in space is less “campfire vibes” and more “plasma jellyfish with zero chill.” Source: NASA

Mario Nawfal

183,919 次观看 • 10 个月前

Physics in Motion

Physics in Motion

Engineering Knowledge

1,731,273 次观看 • 2 个月前

SPACE IS WEIRD AND TERRIFYING This glowing ring is not a fancy donut. It’s a black hole munching on everything around it. What you’re seeing is light and matter swirling so fast that even physics is like “good luck figuring this out.” If you fall in, there’s no escape. Not even light makes it out alive. Basically, it’s the universe’s ultimate trash compactor. Source: Going Viral

SPACE IS WEIRD AND TERRIFYING This glowing ring is not a fancy donut. It’s a black hole munching on everything around it. What you’re seeing is light and matter swirling so fast that even physics is like “good luck figuring this out.” If you fall in, there’s no escape. Not even light makes it out alive. Basically, it’s the universe’s ultimate trash compactor. Source: Going Viral

Mario Nawfal

87,798 次观看 • 9 个月前

I just think #Madden26 looks really good in motion. I think over the past 3 years EA did a great job improving the tackling animations and the physics. Yet anyone who points it out gets attacked verbally and called a shill. I wonder why that is?

I just think #Madden26 looks really good in motion. I think over the past 3 years EA did a great job improving the tackling animations and the physics. Yet anyone who points it out gets attacked verbally and called a shill. I wonder why that is?

Shady 🧊

24,623 次观看 • 1 个月前