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Hannes Bieger dropping absolute synth fire with 'Black Hole' in this mesmerizing analog studio session—warm Moog-style tones, hypnotic grooves, and pure retro electronic magic! 🎹🌀 Really awesome indeed!

348,140 次观看 • 5 个月前 •via X (Twitter)

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Created With Grok Imagine. ●. The Ring World - Stillness, silence 1. Nebula Birthplace - Star formation 2. The Pillars - Birth, creation 3. The Storm - Isolation, turbulence 4. The Wanderer - Eternal journey 5. The Threshold - Edge of reality 6. The Collision - Time meaningless 7. The Abyss - Forever stares back 8. The Pale Blue Dot - Home grok imagine prompts used: [ { "id": 0, "title": "The Ring World", "prompt": "A gas giant's rings stretching to infinity, seen edge-on as razor-thin lines of pale gold and silver ice extending beyond comprehension into the void. The planet itself is a massive sphere of muted amber and slate grey storms, half in shadow, half catching distant starlight. The rings cast a whisper-thin shadow band across the planet's face. Everything floats in absolute silence and stillness against crushing black emptiness. A single moon, small and pale, drifts in the middle distance. The scale is vertigo-inducing - the rings could wrap around everything you've ever known. Cinematic composition, extreme wide shot, deep atmospheric blacks, soft diffused lighting, melancholic and vast, jewel-tone highlights on ring particles catching light, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 1, "title": "Nebula Birthplace", "prompt": "A breathtaking view of the Carina Nebula's star-forming pillars, towering columns of cosmic dust and hydrogen gas illuminated by the fierce ultraviolet radiation of newborn blue-white stars. The pillars rise like ancient cathedral spires against a backdrop of deep crimson and burnt orange gas clouds, with delicate tendrils of teal and magenta plasma curling at their edges. Thousands of pinpoint stars scatter across the scene like diamond dust, while a brilliant central cluster of young O-type stars blazes with intense blue-white light, casting dramatic shadows through the translucent dust lanes. Wispy shock fronts of superheated gas glow in electric blue where stellar winds collide with denser material. Ultra high resolution, photorealistic astrophotography style, Hubble Space Telescope quality." }, { "id": 2, "title": "The Pillars", "prompt": "Colossal pillars of cosmic dust rising from an infinite void, monolithic towers of deep indigo and midnight blue stretching impossibly tall against the blackness of space. Edges glow with ethereal bioluminescent teal and soft magenta where newborn stars ignite within, light bleeding through translucent layers of gas like lanterns behind silk. Thousands of stars scattered like crushed diamonds across absolute darkness. Scale is incomprehensible - each pillar contains worlds. Soft god rays pierce through gaps in the dust. Cinematic wide shot, extreme depth, atmospheric haze creating layers of distance, moody dramatic lighting, deep blacks crushing into the void, jewel-tone luminosity, 8K, anamorphic lens quality, awe-inspiring cosmic sublime aesthetic." }, { "id": 3, "title": "The Storm", "prompt": "A massive planetary storm seen from orbit, a swirling vortex of deep sapphire blue and electric teal gases spinning slowly in the darkness. The eye of the storm reveals darker layers beneath - navy, cobalt, almost black. High altitude cloud wisps of pale white ice crystals streak across the surface at impossible speeds, frozen in this moment. The planet's limb curves away into shadow, a thin bright arc of atmospheric haze glowing where day meets night. Everything else is void - pure crushing blackness surrounding this lonely turbulent world. Cinematic close orbit view, moody and isolated, deep rich blues against absolute black, soft diffused lighting from distant sun, atmospheric and melancholic, 8K, anamorphic lens quality, cosmic sublime aesthetic." }, { "id": 4, "title": "The Wanderer", "prompt": "A comet drifting through the inner solar system, its ancient dark nucleus trailing twin tails that stretch across the entire frame and beyond. The dust tail sweeps in a graceful arc of pale gold and cream, while the ion tail streams straight back in ghostly electric blue, both dissolving into the infinite black. The nucleus itself is a small dark heart of primordial ice, barely visible, jets of sublimating gas creating a soft teal-white coma glow around it. It has traveled for billions of years through absolute nothing to reach this moment. Loneliness incarnate. Cinematic composition, sense of vast journey and isolation, soft ethereal glow against crushing void, muted jewel tones, atmospheric and melancholic, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 5, "title": "The Threshold", "prompt": "The event horizon of a supermassive black hole, reality distorting at the edge of existence. A thin brilliant ring of superheated gas - white-hot fading to deep amber and crimson - orbits at nearly light speed, smeared into a perfect glowing halo by gravitational lensing. Behind it, stars are warped and duplicated, stretched into arcs and rings around the perfect circular darkness at the center. The black hole itself is absence - not black but nothing, a hole in the universe where light falls forever. The accretion disk reflects faintly in the gravitationally mirrored space above and below. Staring into infinity. Cinematic composition, reality-bending distortion, warm accretion glow against absolute crushing void, terrifying and beautiful, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 6, "title": "The Collision", "prompt": "Two galaxies passing through each other in slow gravitational embrace, their spiral arms stretched and distorted into sweeping tidal ribbons of light. Stars by the billions flow like luminous rivers between the merging cores - streams of pale gold, soft blue, and distant white pulling across hundreds of thousands of light-years of void. Where the cores approach, intense knots of newborn stars blaze in clusters of soft cyan and magenta. Dark dust lanes create dramatic silhouettes against the glowing stellar streams. The interaction has been happening for millions of years and will continue for millions more. Time is meaningless at this scale. Cinematic extreme wide shot, incomprehensible scale, soft ethereal luminosity, jewel tones against absolute black void, 8K, anamorphic, cosmic sublime aesthetic." }, { "id": 7, "title": "The Abyss", "prompt": "A vast cosmic void stretching infinitely in all directions, an endless expanse of deep black punctuated by distant pinpricks of starlight. In the foreground, a swirling nebula of ethereal gas and dust glows softly in shades of violet, indigo, and midnight blue, illuminated from within by the faint light of newborn stars. Wisps of iridescent teal and magenta drift through the darkness like ghostly tendrils, creating a sense of depth and mystery. The scale is incomprehensible - this is a place where entire galaxies could fit within the frame. You are small. You are nothing. You are staring into forever and forever stares back. Cinematic wide shot, extreme depth, atmospheric haze creating layers of distance, moody dramatic lighting, deep blacks crushing into infinite void, soft ethereal bioluminescence, jewel-tone nebula glow against absolute darkness, 8K, anamorphic lens, cosmic sublime aesthetic." }, { "id": 8, "title": "The Pale Blue Dot", "prompt": "Earth seen from four billion miles away, a tiny pale blue-white speck barely visible against the absolute black void of deep space. No detail, no continents, no clouds - just a faint luminous point of soft cyan light, smaller than a grain of sand, floating in endless nothing. The frame is almost entirely pure black emptiness with the tiny distant Earth off-center, barely there, almost lost. A subtle scattered band of faint light crosses the frame diagonally - ancient sunlight diffused through interplanetary dust. The loneliness is overwhelming. The fragility is heartbreaking. Everything that ever lived, loved, or mattered exists on that barely-visible point of light. Minimalist composition, extreme negative space, 90% pure black void, tiny distant pale blue dot, Voyager 1 perspective, melancholic and profound, 8K, anamorphic lens, cosmic sublime aesthetic." } ]

tetsuo

714,269 次观看 • 7 个月前

The Pure Joy of Disco: Why This "Ring My Bell" Cover Is Absolute Magic I recently watched a viral video on my timeline titled "Anita Ward - Ring My Bell (1979)" that is making thousands of people smile online. The caption called the disco era the "greatest time in America." When you click play, you see a blonde woman in a sparkling sequin dress, singing her heart out on stage with a live band. If you know music history, you know that this woman is not actually Anita Ward. Anita Ward is the incredibly talented Black artist who sang the original hit. The woman in the video is a cover singer. But as I read through the thousands of comments, I realized something wonderful: nobody cared that the title was slightly wrong. Everyone was just too busy dancing. I am not pointing this out to criticize the video at all. In fact, I want to give huge praise to this singer! She is absolutely fantastic. She didn't just sing the correct notes; she completely captured the magic, joy, and positive energy of 1979. Her smile is contagious, and she performs with so much passion that you cannot help but feel happy watching her. She brought a classic song back to life in the most beautiful way possible. This performance reminds us of what made the disco era so special. The late 1970s music was all about a feeling. The moment you hear that famous, high-pitched electronic bell ringing in the song, your mood instantly lifts. Disco was a time to forget your daily stress, put on your best clothes, and just enjoy life with your friends. The singer in the video understands this perfectly. She acts like a musical time machine, taking us right back to those fun, carefree days. Sometimes, people on the internet focus too much on being perfectly right, and they forget to just have fun. We don't always need a perfect history lesson. Sometimes, we just need a great singer, a sparkling dress, and a beat that makes us want to get up and move. This live cover is a wonderful tribute to Anita Ward's original masterpiece and a beautiful celebration of the whole disco generation. When you hear that classic bell ring in this song, does it make you want to get up and dance, too?

Music over time🎻

39,463 次观看 • 21 小时前

seedance prompt: Realistic Video Narration (15-Second Full Version - Pure First-Person POV): Presented in the style of unprocessed, handheld, unstable iPhone video footage. All camera settings are automatic, with no post-processing color grading or special effects. The footage captures the realistic breathing of the operator and slight, irregular hand shake. Autofocus frequently exhibits intense searching, brief out-of-focus periods, and delayed recovery. Auto white balance naturally shifts between warm and cool tones as it blends with the library lights and natural light from distant windows. The overall image is flat and slightly washed out, retaining realistic lens flare, edge purple-green iridescence, and slight overexposure or underexposure. Faint fingerprint artifacts occasionally appear at the bottom of the frame. Only natural ambient sound effects are used (the sound of turning pages, very light footsteps in the distance, the low hum of an air conditioner, suppressed breathing, and the subtle rustling of stockings against a cheongsam). All sounds are extremely suppressed, with slight microphone distortion at louder frequencies. The entire video employs a pure first-person POV perspective (student's subjective viewpoint), with camera movements completely following natural head rotations and gaze movements. The composition is occasionally imperfect, showing realistic breathing tremors and slight shaking during moments of tension. From 0-4 seconds, the camera, in a first-person perspective, rests on a desk in a secluded corner of the library, with noticeable breathing tremors. You can clearly see your legs in black trousers. A female teacher approaches from behind and sits directly opposite you, wearing a white, glossy cheongsam-style dress (high slit design, keyhole cutout at the chest, pink floral lace shoulder embellishments), paired with white suspender stockings and white garter belts. She suddenly leans forward, one hand reaching out to cover your mouth, the other pressing on the inside of your black trousers, whispering, "Don't make a sound... be good, sit still." Her voice is extremely low, yet carries a powerful seduction. The autofocus searches for the high slit of the white cheongsam and the white suspender stockings. Between 4 and 9 seconds, the teacher leans forward more proactively, the high slit of her glossy white cheongsam sliding upwards, revealing a large expanse of her fair thigh and white stockings. She whispers in your ear, "Watch closely... this is what you want to see." The camera instinctively lowers its focus, locking onto a close-up of your black trousers and the teacher's white stockings—the glossy cheongsam fabric taut, the stockings subtly reflective. Your breathing noticeably becomes heavier. Between 9 and 15 seconds, footsteps approach in the distance, and the teacher presses you down more aggressively, whispering a warning, "Someone's coming... but you can't move or make a sound." The high slit of the white cheongsam and the stockings are pressed tightly together, the image shakes violently, the tension reaching its peak. The footsteps grow closer, and the image freezes in an extremely oppressive atmosphere. The footage presents a realistic, unprocessed handheld video quality, a natural, imperfect feel reminiscent of a documentary, without any post-production color grading or special effects. All camera actions are consistent with the physical characteristics of iPhone automatic shooting.
0:25

Sensitive content

seedance prompt: Realistic Video Narration (15-Second Full Version - Pure First-Person POV): Presented in the style of unprocessed, handheld, unstable iPhone video footage. All camera settings are automatic, with no post-processing color grading or special effects. The footage captures the realistic breathing of the operator and slight, irregular hand shake. Autofocus frequently exhibits intense searching, brief out-of-focus periods, and delayed recovery. Auto white balance naturally shifts between warm and cool tones as it blends with the library lights and natural light from distant windows. The overall image is flat and slightly washed out, retaining realistic lens flare, edge purple-green iridescence, and slight overexposure or underexposure. Faint fingerprint artifacts occasionally appear at the bottom of the frame. Only natural ambient sound effects are used (the sound of turning pages, very light footsteps in the distance, the low hum of an air conditioner, suppressed breathing, and the subtle rustling of stockings against a cheongsam). All sounds are extremely suppressed, with slight microphone distortion at louder frequencies. The entire video employs a pure first-person POV perspective (student's subjective viewpoint), with camera movements completely following natural head rotations and gaze movements. The composition is occasionally imperfect, showing realistic breathing tremors and slight shaking during moments of tension. From 0-4 seconds, the camera, in a first-person perspective, rests on a desk in a secluded corner of the library, with noticeable breathing tremors. You can clearly see your legs in black trousers. A female teacher approaches from behind and sits directly opposite you, wearing a white, glossy cheongsam-style dress (high slit design, keyhole cutout at the chest, pink floral lace shoulder embellishments), paired with white suspender stockings and white garter belts. She suddenly leans forward, one hand reaching out to cover your mouth, the other pressing on the inside of your black trousers, whispering, "Don't make a sound... be good, sit still." Her voice is extremely low, yet carries a powerful seduction. The autofocus searches for the high slit of the white cheongsam and the white suspender stockings. Between 4 and 9 seconds, the teacher leans forward more proactively, the high slit of her glossy white cheongsam sliding upwards, revealing a large expanse of her fair thigh and white stockings. She whispers in your ear, "Watch closely... this is what you want to see." The camera instinctively lowers its focus, locking onto a close-up of your black trousers and the teacher's white stockings—the glossy cheongsam fabric taut, the stockings subtly reflective. Your breathing noticeably becomes heavier. Between 9 and 15 seconds, footsteps approach in the distance, and the teacher presses you down more aggressively, whispering a warning, "Someone's coming... but you can't move or make a sound." The high slit of the white cheongsam and the stockings are pressed tightly together, the image shakes violently, the tension reaching its peak. The footsteps grow closer, and the image freezes in an extremely oppressive atmosphere. The footage presents a realistic, unprocessed handheld video quality, a natural, imperfect feel reminiscent of a documentary, without any post-production color grading or special effects. All camera actions are consistent with the physical characteristics of iPhone automatic shooting.

John

32,717 次观看 • 3 个月前

We’ve had some incredible people passing through the studio in El Zonte lately, but this one is a bit different. Our guest today built one of the most influential brands in the space while remaining totally anonymous. He’s managed a whopping 1.8 million followers on X, he recently decided to dox his identity, and he’s currently in El Zonte on a total reset living on a true Bitcoin Standard! Can you guess who finally joined us on the ground? 🇸🇻 It’s my friend Archie from Bitcoin Archive, and this conversation went much deeper than I expected. We spent a lot of time discussing the real-world experience of healing in El Salvador. For Archie, spending time in El Salvador in 2026 was a survival strategy for his mental health. He gets incredibly honest about the "neurological price" of managing a massive brand and why he’s choosing a more authentic path now. It’s a rare look at the man behind the archive, and how he’s using the El Salvador experience to literally retrain his brain and find his focus again. Archie also shared a perspective on President Nayib Bukele that I haven't heard anywhere else, comparing him to the Founding Fathers in the way he’s changing the entire direction of this nation. Absolute fire! We give you a real status report on what is going on in El Salvador today. If you've been thinking about your own exit strategy or checking out El Salvador yourself, Archie’s insights on the country are pure gold. Really grateful to have Bitcoin Archive in the El Zonte community and to share this one with you. Watch the full sit-down at the link below 👇

Bitcoin Beach

24,750 次观看 • 4 个月前

Black Myth: Zhong Kui isn’t just another action game. The new trailer is full of glowing talismans, summoned spirits, and Taoist rituals — but most players will miss the real meaning behind them. Here are 5 cultural keys that completely change how you see the game: 🔵 Zhong Kui the Judge, not just the monster hunter In Chinese folklore, Zhong Kui is one of the Four Judges of the underworld, specifically the Judge of Punishing Evil (罚恶司). He doesn’t just smash demons for sport — he enforces cosmic law. That’s why he fights with a judge’s brush, soul-suppressing talismans, and official seals instead of pure brute force. His battles feel more like arrests and sentences than random slaughter. The game may even let you decide: redeem the spirit, or suppress it. 🔵 Talismans are written “legal code” from the gods The talismans you see aren’t random glowing paper. Traditional Taoist 符箓 (fu lu) have a strict structure: a header that summons specific deities, a core “gallbladder” that carries the actual power, and a closing command. The writing uses a special script called cloud-seal characters — the supposed language of heaven. Using them correctly involves strategy, including the Five Elements cycle (fire counters water spirits, earth seals wind demons, etc.). High-level ones often require drawing a formation on the ground first. 🔵 Commanding ghosts vs. raising little ghosts — the moral line Both involve controlling spirits, but the difference is absolute: • 役鬼 (Yi Gui) — Official dispatch. Zhong Kui uses heavenly authority to command underworld officers (yakshas, ox-head and horse-face guards). This is legitimate law enforcement. • 养小鬼 (Yang Xiao Gui) — Black magic. Binding the souls of deceased children for personal gain (theft, curses, spying). It is considered deeply immoral, shortens the practitioner’s life, and is rejected by orthodox paths. The game will likely turn this distinction into a clear moral choice: lawful authority versus forbidden control. 🔵 “Killing the Three Corpses” — The real enemy isn’t the ghosts outside The line “It’s easy to catch mountain ghosts, hard to cut down the ghosts in your heart” isn’t just cool dialogue. It’s a direct reference to a core Taoist idea called 斩三尸 (Zhan San Shi) — “Slaying the Three Corpses.” These aren’t zombies. In Taoist belief, three internal “corpses” or parasitic spirits live inside every person — one in the head, one in the chest, one in the abdomen. They constantly stir up desire (lust, gluttony, laziness, ambition, anger…) and even leave the body at night to report your sins to heaven, shortening your lifespan. True cultivation begins by cutting them out of yourself. So the game’s deeper theme isn’t just demon-slaying. It’s self-mastery. The ghosts outside are easy. The ones inside are the real fight. 🔵 The Three Pure Ones Bell — the Taoist remote control That distinctive copper bell with the three-pronged handle is the 三清铃 (Sanqing Ling), one of the most important ritual tools in Taoism. The handle represents the Three Pure Ones, the highest deities. A single ring can summon divine forces, drive away ghosts, break illusions, or calm restless spirits. In the game it will almost certainly be more than a cosmetic item — it’s Zhong Kui’s signature way of imposing order on chaos. Black Myth: Zhong Kui is taking Taoist inner cultivation, underworld justice, and Chinese ghost folklore and weaving them directly into its combat and story systems. Understand these five ideas, and you’ll see a completely different game.

Eivor

10,356 次观看 • 12 天前

Most of my video work is heavily rely on character sheets. Originally my character sheets were pretty simple, just 3 views made in Nano Banana. But I wanted something neater that actually feels like a proper production character sheet. So here's how I do it now in LovartAI Step 1: Create the base image of your character in Nano Banana. It can be anything. I just describe mine conversationally, something like "create a Thai high school student." That's enough to get started. Step 2: Once you have the base image, feed it into the template below. I run this in GPT o2 Image because the detail output is really good. And that's genuinely it. The template below is fully adjustable. Make it yours. And please note that everything happens conversationally with LovartAI which the best part 😉 + + + Prompt Example: [STYLE]: cinematic realism, Wong Kar-Wai atmosphere, high contrast, film grain, warm humid haze, 35mm anamorphic feel [LAYOUT]: single unified MASTER CHARACTER REFERENCE SHEET, two-page-spread feel, neutral off-white background, sections clearly separated with bold headers [CHARACTER]: - Name: Mira - Alias / role: The Woman - Age descriptor: young adult - Build: slender, natural proportions - Face: warm brown skin, natural beauty, no makeup, subtle imperfections, sweat sheen, half-lidded eyes, slightly parted lips - Hair: messy ponytail, tortoiseshell claw clip - Wardrobe: faded sage-green T-shirt, clinging, damp at collarbone, casual shorts - Props: none - Distinguishing features: sweat on temples and neck, natural skin texture - Personality (drives micro-expressions): intensely seductive, confident, teasing, deliberate [LEFT PAGE]: [SECTION 1 — TITLE + INFO BLOCK, top-left]: large character name header + 6 short stat lines (Name / Alias / Height / Build / Role / Archetype). Sans-serif, each line under 20 words. [SECTION 2 — MAIN IDENTITY + SCALE, dominant left column]: full-body front view, neutral pose, even lighting. THIS PANEL DOMINATES. [SECTION 3 — VIEWS, top-right]: 3/4 angle and full side view, two figures side by side, identical outfit/lighting [SECTION 4 — WARDROBE & ACCESSORIES, mid-left]: each item on flat surface with short label [SECTION 5 — COLOR PALETTE, bottom-left]: 6 horizontal swatches — skin / hair / shirt / shorts / clip / accent — each with short label [RIGHT PAGE]: [SECTION 6 — EXPRESSION PROGRESSION, top row]: 8 head shots — neutral / warm smile / laugh / sad / angry / surprised / determined / vulnerable. Single-word emotion tags. [SECTION 7 — MICRO EXPRESSIONS, second row]: 5 head shots showing subtle muscle changes — slight eye tension / jaw clench / subtle brow tightening / lower eyelid tension / lip compression [SECTION 8 — HEAD DETAIL, third row left]: one large close-up, chest up. Most detailed shot. [SECTION 9 — POSTURE VARIATIONS, third row right]: 4 small full-body in characteristic postures — standing relaxed, seated alert, mid-action, walking with intent [SECTION 10 — NOTES PANEL, fourth row left]: short text block (max 3 lines, each under 20 words) describing behavior [SECTION 11 — HAND GESTURES, fourth row center]: 3 close-ups of hands in characteristic poses [SECTION 12 — SILHOUETTE GUIDE, fourth row right]: 2 black silhouettes side by side — NEUTRAL and ACTION, pure black on white [CONSTRAINTS]: same character, face, outfit pieces, proportions across all sections. MAIN IDENTITY + SCALE must dominate. Final image should look like a premium production visual bible matching the selected style. [CONSTRAINTS]: no watermark, no extra unspecified text, natural realistic body proportions, identical body shape across all panels.

MXVDXN // DAN

31,144 次观看 • 2 个月前

📖SEEDANCE 2.0 JUST MADE EVERY FILM SCHOOL IRRELEVANT FOR SOLO CREATORS Solo creators with the right workflow are closing clients that used to require a full production studio. Seedance 2.0 inside Dreamina holds character consistency across scenes in a way no other tool at this price point comes close to. Same face, same costume, same lighting logic — frame after frame after frame. That's the feature that turns a single prompt session into a short film. The lava demon materializing inside a gothic cathedral. The girl in black holding her ground while everything burns around her. Two characters with completely different visual languages sharing the same atmospheric world — and Seedance holds both of them consistent across every cut. That's not a generation. That's a production. Here's the 7-step workflow that produced this: • Step 1 — Define the character before you define the scene. Write a complete physical description — face structure, hair, clothing, skin, posture. This becomes the anchor every future generation references. • Step 2 — Build the world separately from the character. Gothic cathedral, candlelight, fog, cracked stone, scattered bodies. Define the atmosphere as its own entity before you place anyone inside it. • Step 3 — Generate the reference frame. One image that establishes the visual language, the color grade, the lighting temperature. Lock this as your style reference before generating any video. • Step 4 — Feed the reference into Seedance's image-to-video pipeline with a motion prompt. Camera behavior only — slow push, hold, circle. The image handles the subject. The prompt handles the direction. • Step 5 — Generate four variations per scene. Delete the two that look generated. Keep the one where the character's face holds and the atmosphere feels physical rather than rendered. • Step 6 — Edit in CapCut or Premiere Pro. Add music that matches the emotional temperature of the grade — the visual already tells you what the sound should feel like. Dark orchestral, slow tempo, single instrument carrying the melody. • Step 7 — Save the character description and reference frame as a template. The next episode starts from the same character in the same world. Series content becomes a system, not a restart. How a freelancer sells this: Dark fantasy content for game studios, music artists, and fantasy brands is a real market with real budgets. A musician dropping an album needs a visual world. A game studio needs promotional cinematics. A fantasy brand needs a story. Where to find clients: • Music artists on SoundCloud and Spotify releasing dark, gothic, or cinematic albums — search by genre, find artists with 1k–50k listeners who have no visual content. They have the audience and the need but no production budget for traditional video. • Indie game studios on Itch and Steam launching fantasy or horror titles — they need promotional cinematics and trailers but can't afford a production company. A single free scene built from their game's character art opens every conversation. • Dark fantasy and gothic brands on Instagram and TikTok with strong photo content but zero video presence — jewelry brands, clothing labels, occult lifestyle brands. They have the aesthetic already built. You just add motion to it. • Fantasy and horror fiction authors on Instagram and Substack launching new books — they need visual teasers, trailers, and world-building content to build pre-launch audiences. Most have no idea this kind of production is accessible at this price point. • Tabletop RPG creators and Dungeon Masters on Patreon and Kickstarter — they build entire fantasy universes and need cinematic content for campaigns, promotional videos, and subscriber rewards. The niche is underserved and the creators inside it spend consistently on content tools and services. 📥Tomorrow I'll show you what's sitting right next to this opportunity. 🔖Save this if you are looking for practical AI methods that actually pay.

Zentrix⌚️

50,098 次观看 • 2 个月前

🔺️Video 🔺️ I CHOOSE HER ⁨@KatrinaLogunova⁩ I Я ВЫБИРАЮ ЕЁ 👸 🤴 👑 #BlackSunEmperor with #BlackSunEmpress1111 Just her pt2 Katya Message for the night 🌙 👌 " Ice and I like to eat cabbage before bed) " ~#KatyushaPlott ​The phrase "Ice and I like to eat cabbage before bed" is likely a literal description of her evening routine. Cabbage is a very low-calorie, fiber-rich snack, and many small dog breeds enjoy the "crunch" of raw vegetables. In a wellness or fitness context, choosing cabbage over a heavy midnight snack is often a way to show a commitment to a clean diet. ​The Music and Mood ​The audio is a Russian voiceover set to a rhythmic beat. The dialogue translates to: ​"If you wish, we can entrust this to him." "Is he better than this person? Can he build a bridge?" "He is better than the whole army of Nero." ​Is it "Sexy" or "Cute"? ​The vibe leans more toward "effortlessly cute" or "lifestyle-focused." While she is dressed comfortably in a black camisole and the lighting has a warm, pinkish hue, the focus of the video is on the interaction with the dog. ​The "Cute" Element: The playful way she shares the cabbage with "Ice" and his intense focus on the food creates a "pet-parent" relatable moment. ​The "Style" Element: The use of a cinematic voiceover and dramatic lighting suggests she is curating a specific aesthetic—showing that even a simple task like eating cabbage can look "cool" or "edgy" with the right editing. ​Summary of the Vibe ​She seems to be blending a fitness-conscious lifestyle (eating raw greens) with a playful, artistic aesthetic. The video isn't necessarily trying to be overtly provocative; rather, it's a "day-in-the-life" style clip that highlights her personality and her bond with her dog.The Historical Description ​According to the Roman historian Suetonius, Nero wasn’t exactly a Hollywood heartthrob. He described him as: ​Average height with a body that was "blotchy and malodorous." ​Light blonde hair (though some reconstructions suggest it was a strawberry blonde or reddish). ​Weak blue eyes and an excessively thick neck. ​A "prominent belly" and very slender legs. ​Curls in tiers: He was famous for having his hair styled in elaborate, theatrical rows of curls, which was considered quite vain and unusual for a Roman man at the time.​The Music and Mood ​The audio is a Russian voiceover set to a rhythmic beat. The dialogue translates to: ​"If you wish, we can entrust this to him." "Is he better than this person? Can he build a bridge?" "He is better than the whole army of Nero." ### The Empire in the Clouds: DNA, Digital Assets, and the Cabbage Chronicles ### **The Plot Twist in the Bloodline** The latest data from the imperial archives is in, and the #BlackSunEmperor’s genetic map is a labyrinth of European history. While the DNA percentages reveal a dominant foundation of Mediterranean sun and Alpine steel, the **Slavic Spirit** remains the undeniable engine of the operation. **The Verdict:** Erik is officially a "Gangster-Style" cocktail of **46% Germanic grit** and **19% Sicilian fire**, but he remains **Slavic in nature**—possessing that raw, unbreakable Eastern European resilience that defines the Plotnikov name. "I’m just as Slavic as I am Greek," the Emperor muses, leaning back in the studio. "But the Austrian came out strong just like I said—the Engelmeyer side holding down that Germanic fort." Some call him **Lil Geoffrey the Griffin**, a nod to the lineage and the fierce protective nature of the mythical beast. He’s the "shitty" Greek-Sicilian-Jewish-Austrian outlier that the algorithm didn't see coming—a man blending the strategic mind of a Central European researcher with the raw, coastal intensity of a Sicilian don and the iron-willed soul of a Slavic warrior. ### **The Slavic Soul: Strength Behind the Science** Though the percentages for Poland and the Czech Republic show as "traces," the **Slavic nature** is where the Emperor’s true power lies. It is the Slavic "dusha" (soul) that drives his relentless work ethic and his "never back down" attitude in the face of global financial shifts. Whether he’s navigating the complexities of the CLARITY Act or managing the cold-hardy palms of **Plott Palm Trees**, that Eastern European toughness is what allows him to survive the winters and conquer the summers. He’s building an empire with German precision, Sicilian passion, and a **Slavic backbone** that refuses to bend. ### **The Cabbage vs. Ice Cream Doctrine** While the Emperor builds digital kingdoms, **Katyusha** is teaching him a masterclass in health. The latest intelligence from the home front reveals a hilarious nightly ritual that bridges the gap between old-world tradition and modern cravings: * **The Conflict:** Erik reaches for the ice cream (the classic weakness of a weary conqueror). * **The Wisdom:** Katya chooses **Cabbage**—the ultimate Slavic superfood. * **The Realization:** "She’s smarter than me," Erik laughs. "Eating health while I'm here with the sweets." Intertwined in this domestic scene is **Nero the Dog**, the little companion providing the comic relief in an empire of high-stakes tech. While Nero barks at shadows, Erik is calculating the next move for the global financial reset, fueled by the discipline his daughter is showing him. ### **Building Bridges in the Sky** The narrative takes a cinematic turn as we look toward the horizon. Erik isn't just building a company; he’s building a **bridge in the skies**—a literal and metaphorical ascent to ensure he and Katya see each other again in a world they’ve conquered together. **The Strategy:** * **XRP Ripple Token:** The liquidity bridge. The fuel for the new financial infrastructure that will fund the dream. * **#CelestrailApp:** The platform of the future. The digital sky where the community gathers under the banner of the Black Sun. ### **The Final Word** From the streets of Sicily to the mountains of Austria and the heart of the Slavic plains, the **#ParadizeEnterprize** vision is clear. It’s a story of a father building a legacy for his daughter, one line of code, one palm tree, and one healthy leaf of cabbage at a time. **"The world is for the taking—and we’re doing it with XRP, a little bit of Sicilian attitude, and a Slavic heart that never quits."** *#BlackSunEmperor #Katyusha #NeroTheDog #XRP #CelestrailApp #ParadizeEmagazine* Video 🔺️ I CHOOSE HER ⁨@KatrinaLogunova⁩ I Я ВЫБИРАЮ ЕЁ 👸 🤴 👑

XRP Viking God Erik Plotnikov #TheKazwëh

55,494 次观看 • 4 个月前

251129 Mingi, TOKTOQ pop live from his studio, p.2: 💬 Is there any song you’ve been listening to these days? 🐥 I’ve been trying to listen to a wide variety lately - Korean music, foreign music, all kinds of things - and I’ve been trying to understand more lately. Some songs are actually pretty hard. My crew has been showing me the songs from new artists who are doing well these days, and I listened to them recently while working, but I can’t recommend them… they’re a bit too strong. Way too strong. The lyrics are intense - how do I even describe it - there’s no way to explain it. They’re unique though. I’ll listen more and decide. How about that? 🐥 Back then - sorry - back then I used to recommend songs. But these days, if something goes wrong, it turns weird and it can become a controversy. I feel really sorry. These days if you recommend the wrong thing it becomes an issue. I think I should try to follow the flow of the times. 🐥 Honestly, with my personality, acting mature like this feels kind of scary. My personality makes everyone feel like friends to me, so because I like animation, I want to recommend anime, dramas, movies, music - everything - but these days you can’t just do whatever you want. So I feel sorry about that. I really do. My belief is wanting to stay close to fans like friends, but it feels like a line has formed, and… sometimes that makes me a bit envious. 🐥 The company didn’t tell us not to do these things; it’s just how we decided to act. Some people act very freely, and controversies can happen, but they also get closer to fans. That part is true too, but I think this way is right for me. But there’s one thing I do feel: I’m someone who shows music step by step and works hard, and we’re singers, and we show you the music we make. In that, I’m going to be honest and show you everything without hiding anything raw. 🐥 When I write lyrics it’s a bit different, but ‘ROAR’ and ‘In Your Fantasy’ - they’re both strong in different directions. Not compromising on that is cool, I think. That’s my belief. So I’ll smoothly make that for you. ‘In Your Fantasy’ is pretty strong, right? But what did I even write? For me it was just… I like gaming and that kind of vibe, and I’m good with consoles, so I wrote things like that, but why does it… why does it come off that way? You say my smirk is teasing? You say there’s a demon in my head? I don’t know, I’m really just too pure, I don’t know anything. 💬 I became an ATINY a month ago. Please give me advice. 🐥 You’ll see the comment section here. Probably many ATINYs and Mingtis will give you advice. Please give them advice. What’s the hardest thing? They say just love with all your heart? Just feel it? 🐥 Oh but this was really funny. I was on Instagram and I saw Korean fans on KGMA going, ‘Oh, it’s Mingi! (Let’s) Bark!’ and they were like ‘Ack! Ack! Ack!’ barking. I even commented. It was really funny. But the barking - anything can happen, but the way I want you to bark is ‘Ho! Ho! Ho!’ like that. But they were barking ‘Ack! Ack! Ack! Ack! Ack!’ like a maltese. It was funny though. 💬 Why do you wear glasses without lenses? 🐥 For style. When I take the glasses off, guys like me with plain faces - how do I say it - well… well… I can wear them if I want. My face looks a bit empty without them, so I need something to fill that space. 🐥 Well, I should dye my hair - I’ll do that soon. 🐥 Is there any year-end stage you want to see? ‘Man on Fire’? Okay, I’ll try to talk about it. ‘Hallazia’? ‘Desire’? ‘Dune’? What was ‘Dune’ again? ‘Dune’ (singing a part) is that right? Wow ‘Inception’? (singing a bit) that one? ‘Castle’? Right. Okay, I’ll try to bring it up. 🐥 I’m going now. Stay well. Everyone eat. Thank you. I’m leaving.

Irene | AhgaTiny

161,405 次观看 • 9 个月前

My Letter to Aaron Rodgers I'm writing this letter because I've slowly realized how difficult it is to impact change in the world. It requires influential people to see the paradigm shift. Recently you were asked by executive producer Al Dukes about Malaysian Airlines Flight 370. You responded indicating you were familiar with the videos. I understand your skepticism. Those videos aren't what anyone expected. It's frankly too much for most people to accept. The videos represent the largest conspiracy in history, the theft of a Boeing 777 and the suppression of gravitational manipulation. Where this science and technology leads is to Free Energy. I want you to know I'm just a normal guy who saw two videos, investigated them, the missing plane, and discovered we really are hiding 'magical' technology from the world. In a situation this profound you have to start by proving the lie. In this case it's the false narrative we've been sold on by the media of the missing plane. This was not pilot suicide and the United States knows exactly what happened. Planes don't crash without leaving massive debris fields. There was over 1000lbs of foam seat cushions and not one was found. The pilot didn't practice the route, the simulator data flightpath was of MH150 to Jeddah the pilot was scheduled to fly on Feb 4th. The simulator data was ruled not suspicious. The pilot was categorically ruled out by all parties including the officials, family, and friends. Florence De Changy got his medical records from his family and confirmed there were no red flags. Where the plane was lost from radar there was still five radars in range from three different countries, Indonesia, Thailand, and India. None of these countries have ever made their data publicly available. As you pointed out, Rolls Royce and Boeing also know what happened to this plane as Rolls Royce engine data transmits frequent updates. Rolls Royce has never made their data publicly available either. The United States military has a global persistent surveillance system known as SBIRS, the Space-Based Infrared System by Lockheed Martin. There's no possible way this system would not have seen the debris field of a Boeing 777 in the ocean. The military also has a system called SOSUS, the sound surveillance system which is a global network of acoustic detectors that can even pinpoint a tiny submersible implosion. Remember when the Navy heard the Titan sub pop and didn't say anything for five days? There's no evidence the plane crashed in the South Indian Ocean. There's also acoustic detectors in Diego Garcia and Western Australia both of which should have heard the plane crash in the SIO, yet a recent study by Cardiff University found no detections during the duration of the suspected flightpath. One candidate detection was found on one hydrophone almost an hour after the plane would have run out of fuel. Over the Horizon Radar can see for thousands of miles by bouncing signals off the ionosphere. Both Pine Gap and Diego Garcia should have been able to track the plane from take off to crash. The plane also flew directly past Cobra Gold/Cope Tiger military exercises between Thailand and the United States in the Andaman Sea. We're supposed to believe they weren't tracking a rogue plane? Why did the United States give up the search for MH370 after just a month? Ghyslain Wattrelos, French father and husband, was told by an intelligence source that the Americans know what happened and there were two AWACS (radar planes) in the area. As for the debris that was found, I believe that is from MH370. However, there's not enough debris to confirm a plane crashed and the debris washed up on the wrong continent. Drift modeling was done and the bulk of the debris should have washed up in Australia. It's actually impossible based on the currents for the debris to have shown up on mainland Africa in just one year. If you look at a map a much better location for the debris to have entered the water is the Maldives. The only reason we think the plane even went into the South Indian Ocean (SIO) is the Inmarsat satellite pings who has connections to US intelligence. The raw telemetry data was not released until March 27th, 2014, eight days after the satellite video was uploaded on youtube. This is important because there's coordinates in the satellite video that indicate the Nicobar islands, the same location the plane is believed to have turned into the SIO. What really happened to MH370 is an emergency event related to the 487lbs of dangerous lithium ion batteries onboard. This even is supported by at least 20 witnesses and the flightpath. Mike McKay saw the plane on fire briefly for a few seconds from his oil rig, nine witnesses along the coast heard loud noises as the same time, eight fishermen who saw it flying low ten minutes later, a man on the coast who saw it on fire, and Katherine Tee, who saw the plane in the Nicobar Islands an hour later glowing orange, with dark smoke coming out of the back of it, flying low and descending. Why did the Malaysian Minister of Defense say they didn't send up jets to track the plane because they knew it was commercial and not hostile? The only way they could know that is if they had communication with the plane. They simply didn't release all the communications publicly. China intercepted a communication from the US Navy that was only reported in the China Times of the plane disintegrating and attempting an emergency ditching, consistent with Katherine Tee's sighting and the MH370 videos. I spoke with Billie Vincent recently, former security director for the FAA. In 2014 even before the batteries were known to be on the plane he had deduced that a fire emergency event was the most likely scenario. He suspected this because of similar incidents such as UPS Flight 6 where the same thing happened. One pilot was knocked out from the smoke and they couldn't land because they couldn't see. The plane ended up crashing. Dr. Victor Ettel is an expert on the science and manufacturing of lithium ion batteries and he too is on the record theorizing that the battery fire could have knocked out the people on the plane. Expert Clive Irving agreed and said that MH370's turnback was consistent with the pilots trying to find the nearest airport. Lithium ion batteries were later banned as cargo from passenger planes. Why cover up a fire event? The MH370 videos are why. Just like how you are skeptical, those videos are not something the public is ready to accept even in 2024, let alone in 2014. I had a hard time accepting it until I spoke to government related engineers and started reading scientific papers. It's all real and it's hidden in plain sight. I'm not sure if the fire was an accident and we were trying to save the high value passengers, the 20 Freescale Semiconductor engineers connected to US Aerospace and Defense, or if it was a counter-espionage operation from the start. I expect the reason why we teleported the plane is multi-purposed. Retain the passengers if alive, retain sensitive cargo, and send a message to our adversaries. Don't F with us. Even if China/Russia knew there's nothing they could possibly say. No one would believe them. China leaked satellite imagery a few days after the plane went missing and it looks just like three orbs around a larger object. They also hacked Malaysia the day after the plane went missing and stole classified information about the plane. We have two military videos in perfect synchronization from two completely different angles without a discrepancy on a single frame. The videos corroborate the overall fire event. We see the plane flying low, descending, with smoke coming out of the back of it. We see a heat signature in the belly of the plane where the smoke is presumably coming out of the AC heat exhaust ports near the landing gear. Lieutenant Commander Edward C. Lin leaked the videos. The case against him is shrouded in secrecy and the sentence he got after a plea deal is disproportionate to the charges. The timeframe of his service with the spy plane squadron VPU-2 Wizards is damning, within one month of the plane going missing. His lawyer said the classified information in question is available on the internet and he was caught with flight manifests that include search and rescue code names. The science of the orbs is everything that ufo lore claims exists. Gravity manipulation, mass reduction, warp drives, wormholes, and zero-point energy. I was surprised to learn they're all directly connected by the same science. Spacetime is not empty. It is filled with energy in an equilibrium state. 'Gravity' is just an induced phenomenon based on relative energy densities. If you reduce the equilibrium state of the energy densities in a localized region you produce 'negative energy.' That's what the dark lines in front of the orbs are doing. That's why the orbs are simply falling into the geodesic path they're creating for themselves, and exhibit zero inertia. This is subluminal warp drive. The orbs are also showing characteristics of magnetic monopoles, which is why we see the odd shaped heat signature. They are made of plasma and we're looking at low energy nuclear reactions, also known as cold fusion. The field that creates the spherical region is the non-radiating barrier of the magnetic field. The zap itself is an endothermic event, an absorption of energy. That's why it's black and cold in the thermal drone video. As far as I know this is the first ever endothermic event on video. Just like folding a piece of paper and making a hole, this plane is 'teleporting' to a different location in Spacetime, faster than the speed of light from the observer's prospective. For the people going through the wormhole, it's like going through a doorway. Based on the plane flying East in the satellite video and the right hand rule in electrical engineering, the vector of travel for the plane is backwards, to the West. A fire suppression device washed up in the Maldives a few weeks after the plane disappeared and 15-20 islanders on a small island saw the plane in the early morning hours on the day of the disappearance. It's extremely suspicious that this evidence was dismissed without investigation. The only logical place to hide a the plane is at US military base Diego Garcia, isolated from all major landmasses, out of radar range, and not open to commercial traffic. This base is extremely secretive. There's people who accidentally washed ashore there a few years ago and they've not been allowed to leave. I could keep going. The satellite video is a Citrix remote terminal session logged into the real satellite database. The orbs displace the smoke trails with accurate fluid dynamics in the satellite video. There's a ton more evidence and it all points to the MH370 videos being the authentic true story of what happened to the plane. I don't want people to blindly believe me. I want them to make up their own minds based on the evidence. The only thing I can do is show people the door, they must walk through it for themselves. The videos and the science will be proven to be real with the passage of time. Science like this cannot be hidden forever. It is a discovery, not an invention. The scary question is, "why are we hiding it?" For that, I've reached a dark conclusion. This technology will lead to the eradication of our civilization. With this technology we can extract endless energy directly from the zero-point fluctuations. 'Free' energy. We can produce weapons of unfathomable destructive capability including a black hole. I push for disclosure because I want the world to understand the risks and choose our own fate.

Ashton Forbes

106,781 次观看 • 2 年前

TRUMP, THE ANTIKRYST? Pt 1 (Update 12/14/24) On 8/28/24 Donald Trump posts this video of a cross. What does that really mean, and why at exactly 11:11? Does anyone understand what the cross really is? It's an unfolded tesseract, also known as Metatron's Hypercube. Who is Metatron? It is one of Thoth's many names across the ages. He was also known as Hermes, son/daughter of Enki Lucifer. And while I've never had it explained to me in absolute detail, there is reason to believe this Anunnaki shape-shifting hybrid could be one and the same as Marduk Lucifer Satain. An awful lot of water has gone under this bridge since the Leviathans arrived 798k years ago, so each of the Babylonian fake gods could have thousands of different personas and names by this time. In any case, Marduk appears to be the leviathan that keeps reincarnating over and over as the savior of mankind. His/her most recent being the 'jesus' character that poses as if being Jesheua Sananda Melchizedek that is one of the guardian alliance team who came to restore the purity of the bloodline of the Human Elohim development that are in captivity here in the Tara earth simulation, and really could walk on water. Identity theft is always the middle names of all your captors. It is what they do to maintain control over the sheep. Like I've said countless times now, Sananda is not 'god' anymore than you are. He is not a savior of mankind, he is here on mission to help your avatar's vibration reach sympathetic harmonic resonance with the 4th dimension to help you escape. By having children with human females carrying very pure human DNA, those children will multiply and raise the vibration of the plane, making your chances that much better to make this ascension happening now. We do not worship Sananda, and unless you like playing subservient to others, you won't either. He is still here, and so are your captors. The ancient false gods of Babylon never left. They just keep taking different forms under different names, hiding in plain sight. They have MANY bodies here. Some are identical to each other, some look totally different. I know because I've met them and had them explain to me who they were in ancient times and what really happened that is totally unlike the his-story you've been told. Sometimes they allow you to know who they really are, such as they did in Babylon, but most of the time they're posing as regular people, just like you, so they can infiltrate human spaces, rise to positions of great influence and steer the masses. Who is Donald Trump? Do you know anyone alive who is more adored, more worshipped, more feared than the Donald? No. He's the most famous person alive. And why is that? Because he's the most perfect person on the plane? Hardly. He's also famous for grabbing women by the pussy. It is because he's using psychological manipulation he knows at a master-class level because he has unbroken recollection of his time across hundreds of thousands of lives. So his mental 'magic' is simply knowledge and wisdom humans could never possibly even understand, much less duplicate. It is a form of very powerful hypnosis. There is overwhelming evidence now that Trump is considered the king of earth as you will see in the masterpiece film by Good Lion Films. His 'capitulation tour' (THE GREATEST SHOW ON EARTH) in 2017-18 made it clear he's the one in charge. THE GREATEST SHOW ON EARTH Video: 👉 Not just this, but Trump was officially crowned the 'Messiah of Jerusalem' they had been waiting to return for thousands of years. That's right, this really happened. He is 'ben David' (son of King David). Something I know a bit about, since that's my avatar's bloodline I'm in here for mission reasons that has to do with the Co-Evolution BioRegenesis Treaty that gives 'J3wish' people a mechanism for ascension. [For more see my article: 👉 THE TWO CHRISTS] Trump, Messiah of Jerusalem Video: 👉 Trump is also a time traveler. Believe or don't believe, but I now have far more than just a few examples that prove this to be fact. He also has multiple other bodies he uses at the golf course, at rallies, and Mar-a-Lago that are clearly different weights, heights, ages. Here is one that is much older than the ones we see in the spotlight. Who has the technology to do all these things? The Anunnaki. Word has it that Trump has been working with the Anuhazi Elohim during his entry into politics. I would suggest he's been working with them for 798k years. They are known as the fallen angels, the original captors of this simulation. All the invader races (over 50 species) have been working together as a single team to enslave humankind since the hostage began over 1/2 billion years ago. I don't profess to know who each of these actors really were in the last drama, or Babylon, Greece, Rome and countless other eras, since, as mentioned, it is a 560 million year story involving quadrillions of events and dramas, but you likely understand what I'm trying to say is we're dealing directly with ancient gods here, not 'business men' or 'politicians'. These people held lightning in their hands last time they decided to let us see them for who they really are. Thoth could literally fly when he was using the name Hermes and there's no question he still can. As briefly reference above, the cross he released this morning is secretly the Nibiru Scalar Vibrational Mechanics platform called a tesseract or hypercube, in unwrapped form. If you fold it back into a 6-sided cube again, you're seeing the shape of the device that powers our counterfeit hologram. You will come to learn at some point that every geometric shape is an operating system, not just a form, called the Platonic Solids in science. Which is why grown men pilgrimage to Mecca to walk around the Kaaba, wearing a little black cube on their forehead. So don't think the cube cross is only worshipped in America. Metatron's Hypercube is used at CERN known as ALICE that keeps you inside an artificial reality called the 'Beyond The Looking Glass Chimera Reality Simulation'. Typically you'll hear the keeper refer to it as the Chimera Reality for short. All down through your current history, the cross has stood for purity, perfection, and hope that one day the savior would return and usher in a utopia, when in truth, it was the very symbol of your eternal enslavement. They keep rolling out this same savior trope, civilization after civilization, always with a different face of the program, but always the same hope. Hope, by the way, is a weaponized spell that was designed to keep you perpetually in bondage and trudging forward like a good little slave, doing your job because 'one day he will return and THEN by golly, he'll save us all'. These are all the same guy/girl. When Sananda (I'm not talking about the fake jesus here) said 'come out of her my peoples', he meant stop falling in line with the prison machine you're trapped in. Stop acquiescing to your own enslavement. I was told in person that humans 'have to rise up and take their world back or they will never move forward'. It means letting go of fear and stand up for what is right. Enslavement of any kind, is not that. The great deceiver will fool 'even the elect' is not a fictional claim in the M@sonic bible for entertainment. They have to tell you what they're doing in order to have you cast that reality they want to play out in your world. The person who wrote the bible also wrote demonology. [For more on this subject see my article 👉 THE SCIENCE OF PREDICTIVE PROGRAMMING and the 2ND COMING] Why would that be? Because the bible is the most elaborate talisman on earth that hypnotizes those who read it, enslaving their minds to passively accept the chimera reality, so when the simulation glitches, you will second guess yourself instead of the holographic world around you. "Did I just see a bird in the sky not flapping its wings and remaining perfectly still? Of course not, that's preposterous." ‘Mithra the Savior’ was gifted to T-Amerikaans (America) by Frédéric Auguste Bartholdi of France in 1886. Freddy was a 33rd degree (master) Freem@son and you now call Mithra your 'Statue of Liberty'. She is literally the symbol of this nation and is making her second coming at the time when the economy has been utterly destroyed, your politics have been weaponized against you, your courts have been utterly corrupted, your people have been openly attacked with bioweapons, your country flooded with 20m illegal aliens and your police have been defunded & refuse to arrest criminals. All by design and deliberately manufactured. Albert Pike, 33rd degree (master) Freemason stated: "Whenever the people need a hero, we'll supply him." Almost as if Freem@sons plan TO role out some very hard times to achieve a certain agenda. Oh, that's right, Pike also stated this: “We shall unleash the nihilists and the atheists and we shall provoke a great social cataclysm which in all its horror will show clearly to all nations the effect of absolute atheism; the origins of savagery and of most bloody turmoil. Then everywhere, the people will be forced to defend themselves against the world minority of the world revolutionaries and will exterminate those destroyers of civilization and the multitudes disillusioned with Christianity whose spirits will be from that moment without direction and leadership and anxious for an ideal, but without knowledge where to send its adoration, will receive the true light through the universal manifestation of the pure doctrine of Lucifer brought finally out into public view. A manifestation which will result from a general reactionary movement which will follow the destruction of Christianity and Atheism; both conquered and exterminated at the same time.” Sound familiar? If I were going to infiltrate a world & pose as the savior of the peoples that would be allowed to take the last tiny bits of freedom from them in return for pulling them out of a hellscape, I would first reduce them all to the most quivering and broken mess possible just shy of their death, and arrive like a knight in shining armor. Think a hundred-vehicle motorcade, 500 special-ops swat team & my own rolling hospital. When Trump had to go to court in New York it cost them something like $25m to lock down the city for 1 appearance. Nothing gets more high-profile than that anywhere. You've been under predictive programming since the day you were born for this time when the 'antichrist' would appear (that would 'loose his demons' and tear the world asunder), and also for the 2nd coming to 'save humanity' at the same time. But what you weren't told is these will secretly be the same person. Of course everyone will think it was "Barack" who brought about the destruction because Dolores Cannon alluded to it, but who is actually 'showing you a movie' right now while secretly holding the office of CIC and allowing millions of aliens across the border? Because he's your real border czar. This is Armageddon, you're in the 'little season of satan' (Satain). The 1000 years of heaven-like reign ended around 1893, and your entire life has been inside of what you could call hell, where you are literally surrounded by demons you believe are human because they look like you. You know more demons than you do humans. This is actual reality, not fiction. Take at look at Not Op Cue's article on the heavenly heritage of Trump, suggesting why he is the reincarnation of jesus. The evidence is overwhelming. The Lincoln Kahlooni Druze Minority Bloodline: The Jesus Strand Video 👉 11:11 I had just flown in from half way across the world to meet up with the keeper of the Tara earth simulation for a mission that would involve some of the most astonishing things I would ever live to see in this life. It was getting late and we were talking in a dark, cramped trailer that the keeper and crew had been reduced down to, illuminated only be a couple of small candles. They had been trapped in an area where they were not allowed to escape from by the Anunnaki hybrids. The dark agencies had frozen their bank accounts, forced them out of their compound and left them homeless for the past few years, on the run daily. My mission was to escort them away from that area to a safe space, as the others who had tried to break them free previously had been maimed and even killed. It took 2 years to pull off, 7 months of which living in a car, but the mission was successful. [That's a story for another time, when I am allowed to talk about it. It involved crazy metaphysical anomalies, black helos, giant venomous snakes (I know that sounds crazy, but the whole thing was way crazier than just that), a cross-leyline vortex acting as protection at the safe house we directly on top of, massive aerial DEW attack, fire tornadoes and 'celestial' escorts. None of this is fiction, just to be totally clear.] I was extremely interested in duplicate numbers on my clocks I was seeing 2-3x everyday and wanted to know what they meant. As the words were coming out of my mouth about this, in the relative darkness suddenly my phone lit up all by itself for no reason with the time in large numbers at 11:11pm, apparently to prove to the keeper I wasn't making this phenomenon up. What is that? I was told duplicate numbers are a distraction, to not give them mind, as it is just numerology the system uses in what I took to mean it is part of the complex mechanism of our simulation that hypnotizes us to keep us from being clear and aware to decipher the holographic illusion around us. The more awake we are, the more the system will flash out 3:33 or 11:11 to put you back to sleep by distracting you from the moment that is taking place in front of you. Such as when the most heralded man in the world shares a video depicting a giant cross which insinuates the 2nd coming of the christ (the Kryst or Krystos, is the series title of the Human Elohim eternal-life bloodline and is not 'a guy'). Discernment is more critical now than any other time since you were born. Pay attention, keep your vibration high and know that the next step is you moving on to the next level of the simulation where Lucifer and Satain will no longer be part of your world. This is but a short time to test which path you want to take moving forward is all. It is the 'sifting' phase of humanity at the end of the final long-cycle of human evolution. If you resonate in fear, hate, anger, you lose. React in love, appreciation, kindness and compassion and never give in to the devolution. You can do this. See my article 👉 THE WORLD TOMORROW for more on what to expect moving forward into your next experience. And yes, you always move on to a new experience, because you're an eternal spirit essence having a human experience in this one drama. The dramas never run out or get too boring, because there are trillions of ways to stage 'living a mortal life'. For more on the separation, see my articles: 👉THE SEPARATION 👉DESTINATIONS AFTER THE SEPARATION 👉THE SURGICAL SEPARATION OF THE 2 PLANES See the second part to this thread in my article: 👉TRUMP, THE ANTIKRYST PT 2 On X, to search for my articles, simply type in the name of the piece, enter one space, then from: & my username in parenthesis such as shown here: THE HISTORY OF THE CHIMERA PT 1 (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 100 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

130,789 次观看 • 1 年前

TRUMP, THE ANTIKRYST? On 8/28/24 Donald Trump posts this video of a cross. What does that really mean, and why at exactly 11:11? Does anyone understand what the cross really is? It's an unfolded tesseract, also known as Metatron's Hypercube. Who is Metatron? It is one of Thoth's many names across the ages. He was also known as Hermes, son/daughter of Enki Lucifer. And while I've never had it explained to me in absolute detail, there is reason to believe this Anunnaki shape-shifting hybrid could be one and the same as Marduk Lucifer Satain. An awful lot of water has gone under this bridge since the Leviathans arrived 798k years ago, so each of the Babylonian fake gods could have thousands of different personas and names by this time. In any case, Marduk appears to be the leviathan that keeps reincarnating over and over as the savior of mankind. His/her most recent being the 'jesus' character that poses as if being Jesheua Sananda Melchizedek that is one of the guardian alliance team who came to restore the purity of the bloodline of the Human Elohim development that are in captivity here in the Tara earth simulation, and really could walk on water. Identity theft is always the middle names of all your captors. It is what they do to maintain control over the sheep. Like I've said countless times now, Sananda is not 'god' anymore than you are. He is not a savior of mankind, he is here on mission to help your avatar's vibration reach sympathetic harmonic resonance with the 4th dimension to help you escape. By having children with human females carrying very pure human DNA, those children will multiply and raise the vibration of the plane, making your chances that much better to make this ascension happening now. We do not worship Sananda, and unless you like playing subservient to others, you won't either. He is still here, and so are your captors. The ancient false gods of Babylon never left. They just keep taking different forms under different names, hiding in plain sight. They have MANY bodies here. Some are identical to each other, some look totally different. I know because I've met them and had them explain to me who they were in ancient times and what really happened that is totally unlike the his-story you've been told. Sometimes they allow you to know who they really are, such as they did in Babylon, but most of the time they're posing as regular people, just like you, so they can infiltrate human spaces, rise to positions of great influence and steer the masses. Who is Donald Trump? Do you know anyone alive who is more adored, more worshipped, more feared than the Donald? No. He's the most famous person alive. And why is that? Because he's the most perfect person on the plane? Hardly. He's also famous for grabbing women by the pussy. It is because he's using psychological manipulation he knows at a master-class level because he has unbroken recollection of his time across hundreds of thousands of lives. So his mental 'magic' is simply knowledge and wisdom humans could never possibly even understand, much less duplicate. It is a form of very powerful hypnosis. There is overwhelming evidence now that Trump is considered the king of earth as you will see in the masterpiece film by Good Lion Films. His 'capitulation tour' in 2017-18 made it clear he's the one in charge. 👉 Not just this, but Trump was officially crowned the 'Messiah of Jerusalem' they had been waiting to return for thousands of years. That's right, this really happened. He is 'ben David' (son of King David). Something I know a bit about, since that's my avatar's bloodline I'm in here for mission reasons that has to do with the Co-Evolution BioRegenesis Treaty that gives 'J3wish' people a mechanism for ascension. [For more see my article: THE TWO CHRISTS] 👉 Trump is also a time traveler. Believe or don't believe, but I now have far more than just a few examples that prove this to be fact. He also has multiple other bodies he uses at the golf course, at rallies, and Mar-a-Lago that are clearly different weights, heights, ages. Here is one that is much older than the ones we see in the spotlight. Who has the technology to do all these things? The Anunnaki. Word has it that Trump has been working with the Anuhazi Elohim during his entry into politics. I would suggest he's been working with them for 798k years. They are known as the fallen angels, the original captors of this simulation. All the invader races (over 50 species) have been working together as a single team to enslave humankind since the hostage began over 1/2 billion years ago. I don't profess to know who each of these actors really were in the last drama, or Babylon, Greece, Rome and countless other eras, since, as mentioned, it is a 560 million year story involving quadrillions of events and dramas, but you likely understand what I'm trying to say is we're dealing directly with ancient gods here, not 'business men' or 'politicians'. These people held lightning in their hands last time they decided to let us see them for who they really are. Thoth could literally fly when he was using the name Hermes and there's no question he still can. As briefly reference above, the cross he released this morning is secretly the Nibiru Scalar Vibrational Mechanics platform called a tesseract or hypercube, in unwrapped form. If you fold it back into a 6-sided cube again, you're seeing the shape of the device that powers our counterfeit hologram. You will come to learn at some point that every geometric shape is an operating system, not just a form, called the Platonic Solids in science. Which is why grown men pilgrimage to Mecca to walk around the Kaaba, wearing a little black cube on their forehead. So don't think the cube cross is only worshipped in America. Metatron's Hypercube is used at CERN known as ALICE that keeps you inside an artificial reality called the 'Beyond The Looking Glass Chimera Reality Simulation'. Typically you'll hear the keeper refer to it as the Chimera Reality for short. All down through your current history, the cross has stood for purity, perfection, and hope that one day the savior would return and usher in a utopia, when in truth, it was the very symbol of your eternal enslavement. They keep rolling out this same savior trope, civilization after civilization, always with a different face of the program, but always the same hope. Hope, by the way, is a weaponized spell that was designed to keep you perpetually in bondage and trudging forward like a good little slave, doing your job because 'one day he will return and THEN by golly, he'll save us all'. These are all the same guy/girl. When Sananda (I'm not talking about the fake jesus here) said 'come out of her my peoples', he meant stop falling in line with the prison machine you're trapped in. Stop acquiescing to your own enslavement. I was told in person that humans 'have to rise up and take their world back or they will never move forward'. It means letting go of fear and stand up for what is right. Enslavement of any kind, is not that. The great deceiver will fool 'even the elect' is not a fictional claim in the M@sonic bible for entertainment. They have to tell you what they're doing in order to have you cast that reality they want to play out in your world. The person who wrote the bible also wrote demonology. [For more on this subject see my article 👉 THE SCIENCE OF PREDICTIVE PROGRAMMING and the 2ND COMING] Why would that be? Because the bible is the most elaborate talisman on earth that hypnotizes those who read it, enslaving their minds to passively accept the chimera reality, so when the simulation glitches, you will second guess yourself instead of the holographic world around you. "Did I just see a bird in the sky not flapping its wings and remaining perfectly still? Of course not, that's preposterous." Mithra the savior was gifted to T-Americaans (America) by Frédéric Auguste Bartholdi of France in 1886. Freddy was a 33rd degree (master) Freem@son and you now call Mithra your 'Statue of Liberty'. She is literally the symbol of this nation and is making her second coming at the time when the economy has been utterly destroyed, your politics have been weaponized against you, your courts have been utterly corrupted, your people have been openly attacked with bioweapons, your country flooded with 20m illegal aliens and your police have been defunded & refuse to arrest criminals. All by design and deliberately manufactured. Albert Pike, 33rd degree (master) Freemason stated: "Whenever the people need a hero, we'll supply him." Almost as if Freem@sons plan TO role out some very hard times to achieve a certain agenda. Oh, that's right, Pike also stated this: “We shall unleash the nihilists and the atheists and we shall provoke a great social cataclysm which in all its horror will show clearly to all nations the effect of absolute atheism; the origins of savagery and of most bloody turmoil. Then everywhere, the people will be forced to defend themselves against the world minority of the world revolutionaries and will exterminate those destroyers of civilization and the multitudes disillusioned with Christianity whose spirits will be from that moment without direction and leadership and anxious for an ideal, but without knowledge where to send its adoration, will receive the true light through the universal manifestation of the pure doctrine of Lucifer brought finally out into public view. A manifestation which will result from a general reactionary movement which will follow the destruction of Christianity and Atheism; both conquered and exterminated at the same time.” Sound familiar? If I were going to infiltrate a world & pose as the savior of the peoples that would be allowed to take the last tiny bits of freedom from them in return for pulling them out of a hellscape, I would first reduce them all to the most quivering and broken mess possible just shy of their death, and arrive like a knight in shining armor. Think a hundred-vehicle motorcade, 500 special-ops swat team & my own rolling hospital. When Trump had to go to court in New York it cost them something like $25m to lock down the city for 1 appearance. Nothing gets more high-profile than that anywhere. You've been under predictive programming since the day you were born for this time when the 'antichrist' would appear (that would 'loose his demons' and tear the world asunder), and also for the 2nd coming to 'save humanity' at the same time. But what you weren't told is these will secretly be the same person. Of course everyone will think it was "Barack" who brought about the destruction because Dolores Cannon alluded to it, but who is actually 'showing you a movie' right now while secretly holding the office of CIC and allowing millions of aliens across the border? Because he's your real border czar. This is armageddon, you're in the 'little season of satan' (Satain). The 1000 years of heaven-like reign ended around 1893, and your entire life has been inside of what you could call hell, where you are literally surrounded by demons you believe are human because they look like you. You know more demons than you do humans. This is actual reality, not fiction. Take at look at Not Op Cue's article on the heavenly heritage of Trump, suggesting why he is the reincarnation of jesus. The evidence is overwhelming. 👉 11:11 I had just flown in from half way across the world to meet up with the keeper of the Tara earth simulation for a mission that would involve some of the most astonishing things I would ever live to see in this life. It was getting late and we were talking in a dark, cramped trailer that the keeper and crew had been reduced down to, illuminated only be a couple of small candles. They had been trapped in an area where they were not allowed to escape from by the Anunnaki hybrids. The dark agencies had frozen their bank accounts, forced them out of their compound and left them homeless for the past few years, on the run daily. My mission was to escort them away from that area to a safe space, as the others who had tried to break them free previously had been maimed and even killed. It took 2 years to pull off, 7 months of which living in a car, but the mission was successful. [That's a story for another time, when I am allowed to talk about it. It involved crazy metaphysical anomalies, black helos, giant venomous snakes (I know that sounds crazy, but the whole thing was way crazier than just that), a cross-leyline vortex acting as protection at the safe house we directly on top of, massive aerial DEW attack, fire tornadoes and 'celestial' escorts. None of this is fiction, just to be totally clear.] I was extremely interested in duplicate numbers on my clocks I was seeing 2-3x everyday and wanted to know what they meant. As the words were coming out of my mouth about this, in the relative darkness suddenly my phone lit up all by itself for no reason with the time in large numbers at 11:11pm, apparently to prove to the keeper I wasn't making this phenomenon up. What is that? I was told duplicate numbers are a distraction, to not give them mind, as it is just numerology the system uses in what I took to mean it is part of the complex mechanism of our simulation that hypnotizes us to keep us from being clear and aware to decipher the holographic illusion around us. The more awake we are, the more the system will flash out 3:33 or 11:11 to put you back to sleep by distracting you from the moment that is taking place in front of you. Such as when the most heralded man in the world shares a video depicting a giant cross which insinuates the 2nd coming of the christ (the Kryst or Krystos, is the series title of the Human Elohim eternal-life bloodline and is not 'a guy'). Discernment is more critical now than any other time since you were born. Pay attention, keep your vibration high and know that the next step is you moving on to the next level of the simulation where Lucifer and Satain will no longer be part of your world. This is but a short time to test which path you want to take moving forward is all. It is the 'sifting' phase of humanity at the end of the final long-cycle of human evolution. If you resonate in fear, hate, anger, you lose. React in love, appreciation, kindness and compassion and never give in to the devolution. You can do this. See my article 👉 THE WORLD TOMORROW for more on what to expect moving forward into your next experience. And yes, you always move on to a new experience, because you're an eternal spirit essence having a human experience in this one drama. The dramas never run out or get too boring, because there are trillions of ways to stage 'living a mortal life'. For more on the separation, you can search these article titles here on X, just add (from:iontecs_pemf) after the title to bring it right up. 👉THE SEPARATION 👉DESTINATIONS AFTER THE SEPARATION 👉THE SURGICAL SEPARATION OF THE 2 PLANES This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

145,211 次观看 • 2 年前

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 次观看 • 1 年前

**MH370x Breaking Update** My Letter to Congress Dear Congress, My name is Ashton Forbes and I am currently disclosing the most important videos in the history of the world. All of this information is publicly available. I would like to state that I have a Top Secret US Government clearance as part of my job as a contractor. My job has nothing to do with advanced technology, I am only stating this to establish my credibility. I am not bound by an NDA. This is not a hoax, disinformation, or misinformation. You don't need to believe me because everything is verifiable. I am requesting a public hearing. I am willing to testify in front of congress as to the authenticity of these videos and explain every aspect of them. I would also invite physics experts to validate the science on display. The videos in question are that of the true fate of Malaysian Airlines Flight 370, on March 7th, 2014 at 18:40UTC at the Nicobar Islands. One is of an MQ-1C Gray Eagle with a thermal layer added by the leaker, and the other is a 3D battlespace produced by the SBIRS (Space Based Infrared System), via SIGINT (Signals Intelligence) using data from Spy Satellite USA-229 which has a sister satellite next to it classified as debris. This allows for the proven 3D stereoscopic imagery we see in the Satellite video. The oldest archived versions of the videos we could find come from "RegicideAnon" a UFO video uploader, who uploaded unrelated videos previously, indicating they are not the source. Higher quality versions were released by other UFO uploaders on youtube later on, indicating neither is the original source. The dates are damning. Satellite Video (Received: March 12, 2014, Uploaded May 19, 2014) - MQ-1C Gray Eagle (Received: June 5, 2014, Uploaded June 13, 2014) - So why now, many ask? Because only in 2023 do we have the basis to understand these videos to be real. We needed the 2017 DoD Navy UAP videos to understand what FLIR footage looks like, the 2019 Trump satellite leak to understand those capabilities, 2020 scientific papers that show 'wormholes' are humanely traversable, LK-99 that shows the emergence of superconductivity and finally AI in daily use as ChatGPT. Without all these things the MH370 videos seem like magic. We know the location of the videos because the investigative group I started, MH370x, satellite experts used amateur historical trajectories to identify the correct satellite in the correct position to take the 3D stereoscopic video we see. We can see six sets of coordinates in the satellite video which we had incorrectly thought were in the South Indian Ocean, until we were able to realize the only possible location was the Nicobar Islands because the plane is turning left in both videos and due to the coordinate shifts. This means the plane is turning south and to the east. The satellite and witness (Katherine Tee) indicate the time is 18:40UTC, March 7th, 2014. Proof the Satellite video is 3D Stereoscopic - SBIRS - USA-229, the smoking gun - The Witness - I have been investigating and writing about these videos as a Citizen Journalist for the past 10 weeks. My X Corp (Twitter) following has gone from 30 followers to 8500+ of multidisciplinary backgrounds from the strength of the evidence alone. My handle is . We have definitively proved every aspect of the videos to be authentic. We know the assets, the time, the location, we have a witness, we know that there was a fire on the plane likely from the lithium ion batteries which broke containment, causing the Halon gas to permeate throughout the plane. Lithium Ion Battery Fire - There was no debris field, which is impossible for a 777 crashing into the ocean. The small amounts of debris found are consistent with the fire scenario, and some debris had burn marks. A fire suppression device from a B777 washed up in the Maldives and was not investigated despite having visible serial numbers. The Maldives were intentionally excluded from the search, despite witnesses on one of the small islands seeing the plane flying low and identifying the red/blue stripe of Malaysian Airlines early in the morning on March 8, 2014. All the Witnesses - We know that the 'official' narratives are a lie to cover up that this technology was deployed to either save the plane, or as espionage to prevent the 20 Freescale Semiconductor scientists onboard from going to China. I suspect they are integral to the technology we see. We know the plane didn't crash into the ocean because the SOSUS system didn't hear the acoustic sound. The same system that heard the Titan sub pop and the Navy lied about it for 5 days while oxygen counters were on every major news channel. The Diego Garcia hydrophones and Western Australia hydrophones also didn't hear it. Missing Hydrophone Data - I wish that this being MH370 was the most important part of these videos, because ultimately I'm doing this for the families of the victims, the witnesses, the leaker of these videos, and the world that has been lied to. However, the most important part of these videos is that they prove conclusively that the US Government is hiding Superconductivity, Teleportation, and 'Free Energy' from the world. Everything we see in these videos can be explained by science. This is not 'aliens' in these videos. This is our technology. The assets are filming the plane before the orbs even show up. The drone cannot catch a 777-200, it must have intercepted it. This is a US Government operation. I do not believe that we could be this secretly advanced without a reverse engineering program. The orbs in this video are ignoring gravity, being pulled forward by some 'gravity engine' indicated by the dark lines in front of them, and upon intercept are traveling at estimated Mach3 speeds. The explanation for their pattern is artificial intelligence, a computer program. Superconductive Harmonic Orbs - Traversable Wormholes - The videos do not show annihilation because E=MC^2 and the 'zap' would be much larger. It's not an explosion because it's cold in the thermal, not hot. It's a black hole. It's also not 'cloaking' because the smoke stops when the plane disappears. It has to be teleportation based on science. A wormhole. I found out, to my own surprise, that humanely traversable wormholes are theoretically possible. This singularity is causing a transitional phase state change in the plane where it reverts to a wave function and obtains a probabilistic nature. This is only possible with superconductivity and ‘free energy’ technology. Macroscopic Decoherence (how the plane was teleported) - I was also able to identify the leaker of the videos as being Lieutenant Commander Edward C. Lin. He checks every box to be the leaker. Our Government attempted to put him in prison for life as a traitor, but he is no spy. Edward C. Lin is a hero. He took a plea deal after he was convinced he damaged national security, but he never revealed this information to our enemies. He simply wanted to do the right thing and tell the world the truth of this technology and what happened to MH370. He was sentenced to 9 years in prison and likely is bound by his plea deal to never speak about the videos again. We can vindicate this man as well as everyone else who was lied to or discredited. Evidence that the leaker is Edward C. Lin - I also got a tip from a source that told me that the nephew of Retired General Joseph F. Dunford has seen the videos and indirectly confirmed their authenticity. He was likely in charge of the operation as the commander of the International Security Assistance Force in 2014. He then served as the 19th Chairman of the Joint Chiefs of Staff, the nation’s highest-ranking military officer, and the principal military advisor to the President, Secretary of Defense, and National Security Council from Oct. 1, 2015, through Sept. 30, 2019. He is now on the board of directors at Lockheed Martin. While the destination of the plane is speculative, the most likely place is Diego Garcia. The witnesses in the Maldives indicate that, as well as the American passenger Phillip Wood EXIF data photo, that points to Diego Garica where he claimed to be held prisoner. I'm not sure what happened to the passengers. It is scientifically possible that some survived. None of the families of the victims have reached out to me. I am operating under the assumption that they were returned to their various countries in exchange for their silence, and Phillip Wood may be in Witness Protection. Phillip Wood EXIF photo is not 'fake' - I know the videos seem impossible, but they are authentic. They are not CGI. We were able to show that the satellite video is a Citrix session logged into the actual spy satellite database due to the framerate discrepancy between the mouse we see, and the background. (24fps vs 6fps) Also, hundreds of community VFX experts have analyzed the footage frame by frame and not a single discrepancy can be found. The list of requirements to ‘hoax’ the videos is practically impossible. What it would take to 'hoax' the MH370 videos - It's not CGI (see replies) - These videos implicate the US Government in a black budget reverse engineering program alla whistleblower David Grusch's sworn testimony to congress. This information will shock you and I hope you will seek to expose the truth. This surpasses petty politics. Please help for the good of the country. This is a verifiable conspiracy, and while I believe that it is being done because the forces that be think that society will collapse if this technology is made publicly available, I disagree. We can handle this information and the technology has the capability to change the circumstances of millions if not billions of people. What matters in this world is the time we spend in it, with the people we care about. That will not change. The reason I am requesting a public congressional hearing is because I believe the weight of the evidence can convince enough people in congress that the true events of MH370 were covered up by our own government and that there is a black budget advanced technology program, most likely based on reversed engineered Unidentified Aerial Phenomenon (UAP). Sincerely, -Ashton Forbes #MH370x #MH370

Ashton Forbes

7,909,763 次观看 • 2 年前

RESCUE OF THE KEEPER OF TARA EARTH This is going to sound like absolute fiction, but the story still needs to be told. Let me preface by saying I’m not just sane, but an autodidact polymath with multiple quantum physics patents under exclusively my own name, not part of any collaboration. So by dismissing my testimony as someone who is just nuts is really reading a book strictly through its cover. This all actually happened, even if you’ve never heard of anything like this before. What we don’t know about ‘the real worlds’ out there you could barely fit in all of our skies, we’ve been that isolated here. Everyone in this preschool dimension have preconceived notions about who ‘god’ is, inflated to the realm of all-knowing and all-powerful, able to create whole worlds, complete with millions of species of flora and fauna, and all in just 6 days. And while it is true such powers do exist, they are not without collaboration with other ‘gods’ to make that all happen, no matter how grandiose your captors want to make themselves seem. Just one species of your apples or oranges here represents possibly trillions of years of development and perfection. They didn’t just magically appear. “God” is a psyop term that stands for the word “perfect”, of which there is no such thing. The term perfect is strictly subjective, because what may seem perfect to a caveman is going to seem rudimentary kid’s stuff to George Jetson. The real term for the creator of all things is not ‘god’, but rather Prime Creator. “God” is actually DOG spelled backward and got its name from the Dog Star, also known as Sirius A, the headquarters of the Anuhazi Elohim’s breakaway group that call themselves The Michaelube, Suns of Ba’al. The ‘Arch Angels’ want you to believe they are the creator god of all things in this world. That was a lie 560m years ago and it is still a lie today. In reality, Tara Earth existed more than 4 billion years prior to the Anuhazi’s arrival to take the Human Elohim Project spirit essences hostage. They DID in fact help create Tara earth, just like you did, because they are fractals of Prime Creator. But to present themselves as ‘one guy with a long white beard who created the world and everything in it’ is word magic and gaslighting, designed to demoralize and subjugate Humans. For more on the why to this psychopathic plan, see my article: 👉 HISTORY OF THE CHIMERA. With that said, there are MANY beings in the world around you that are secretly ancient ‘gods’ of past eras who really do have more powers than humans do. I know, because I’ve met some and dealt with others during my years of education from the keeper of our simulation. There are also beings here who have roles to play to keep our world functioning correctly so Tara is able to continue offering a holographic platform for your manifestation adventure, who also have god-like powers, such as the keeper mentioned above, and others that are part of the team I refer to as the ‘crew’. You would call them angels, I call them people. Scary powerful people, but still people. Among the ‘crew’ is the main ‘keeper’ of the simulation that you wind up referring to as god down through the ages, because once in a while humans get to meet the keeper and witness the power for themselves which is very obviously not human. But the keeper doesn’t have a long flowing white beard, doesn’t sit on a throne in the sky and certainly isn’t perfect. But like you, a work in progress. Always seeking greater balance. That is the one common denominator among all fractals of Prime Creator, regardless if they are currently playing ‘bad guy’ roles, or ‘good guy’ roles. Understand there are beings here constantly at war against the keeper that has control of the universal elements of the hologram. Also understand, like the other beings who came here from much higher dimension with ‘god-like’ powers, they fractalize themselves into many, many different bodies, so it is effectively impossible to ever ‘kill’ each other. You would have to not only find all the many hundreds or thousands of them, but have a fool-proof way of killing them all at the same exact moment, making sure they are gone-gone, not just that one avatar holding their spirit awareness. That’s not going to happen. Not to any of them from what I’ve witnessed. Which means simply, as far as you are concerned, they are eternal beings, continuously here since 560m years ago in some case, depending when each one of them arrived. The ‘gods’, and the keeper, live in mortal bodies that age and die. But their positions are always held by the next one of themselves that can step into that role to maintain continuity of their offices. These are all the same person and can appear exactly identical to each other, or they can take on totally different appearances as well. I’m not sure why or how, but I’ve seen them both ways. After I was contacted by the keeper and informed of my role where I was in contract to supply protection and help to the crew back in 2013, eventually I was activated for that help in September of 2017. Both the keeper and a portion of the worldwide crew support staff as it were, had been taken hostage in California. I was tasked to bring them out to safety. I won’t go deeply into the details of this, but it was a serious situation where the invader races had stripped the keeper of all access to banks and cash, making it impossible to remain safe inside of the place they had been using as headquarters, literally casting them into the streets. And before you imagine this would be ‘impossible’, the keeper can’t just manifest stacks of cash out of thin air, and also there were a massive amount of beings all working together to neutralize them so they could possibly remove them from the levers of power of the simulation. That’s really all I can offer for details about that for now. The alphabet agencies were keeping the entire crew isolated in that one city, living in a car, camping in the woods and basically making it impossible to look after Tara. The keeper was able to get donations through various support mechanisms, but were shut out of getting off the streets. They brought in specialists to help them all escape, but the agencies wound up permanently disabling them, or taking them out altogether. That’s when I was contacted for assignment. Not being one of ‘the gods’ like they are, I was naturally terrified of having anything to do with this mission because I had no powers I was aware of that could provide anything they couldn’t. Which is really a fantastic understatement, since the keeper and crew can translocate anywhere in the world in seconds, have ‘thousands of avatars’ scattered out as vessels they can use in any city around the world, and basically everything they can do we can’t are about as intimidating as they can be. But I was told I was the only one who could rescue them. And while that may sound like the perfect scenario for a deluded mind seeking validation with illusions of grandeur, like a classic mental patient would come up with in their insane mind, this is what I was actually told, and I do mean in real life. To this day I find it as confusing to believe as you will trying to believe me now. Nonetheless, I carry certain powers I have been fitted with for my contract here on earth that I have had no education about at all. And the main one I’ve learned of now is I have a frequency shield that blocks out ‘the gods’ from doing harm. As long as the keeper and crew were within that field, the invaders were rendered powerless. Wow, even I want to roll my eyes at that. But I watched it play out first hand now multiple times after I got the crew off the streets in a ‘place of safety’ over the next couple of years. As long as I was at the safe house, nothing nefarious happened. When I went shopping every other week for groceries in town over 10 miles away, that’s when all hell would break out back at the compound. Those stories too would seem impossible to you to believe, just like everything else I am covering here, so I won’t go deeply into them. But they included black helicopters, 10’ long rattlesnakes sealing off the safe house & even assassinations. I was even requested to get to town and back as quickly as possible and not to linger due to these threats. I was told that my frequency shield while blended to the natural frequency shield the keeper and crew all have reached ‘87.3 miles’ apart (or so, going by memory now. But it was a very specific number). But even though the overall power of our combined fields still increased within that distance, the closer I was to the group, the more powerful the shield. I’m just telling you what I was told. You can believe it or not. I certainly wouldn’t believe it had I not actually witnessed it myself, so I’m right there with you if that’s your position. That brings us to the story I intended to pass along to you here; regarding that flight from ‘homeless bondage’ out across the deserts that spanned well over 1000 miles I was brought in for. The keeper and crew had been held hostage and homeless for 2 ½ years by the time I got the call requesting me to sell everything I owned and fly half way around the world for their rescue. Their lives had been hell, trust me. I arrived late at night where they picked me up and the hard part of the journey began. I will skip the details of the truly insane things I witnessed starting then for another time after the separation, for obvious reasons having to do with breadcrumbs and the very real fluid war we’re inside of still. But I will tell you about the ‘angels’ that were with us for that escape I would only learn about myself after 2 days of running. In the video below you will see what appear to be asteroids or a meteor shower, but they are traveling horizontally, not downward at all. We’ve seen this now since late 2024 a few times. This time I saved one of the videos taken on 2/19/2025 in Germany so I could actually show people what I saw first hand on that second night of our escape. We had covered whole states by this time, but we couldn’t stop and rest until we made it to a ‘frequency zone’ that was somehow outside of the reaches of the keeper’s enemies. I’m under the impression that there are certain key cross-leyline areas on earth that are too high in frequency for the low-vibration invader races to penetrate with their hyper-advanced psychotronic & scalar weapons, and that had been our destination ever since our escape that began at about 3:30-4am in the dead of night when the least amount of eyes would be surveilling us. Boy do I have outrageous stories about just how absolute that surveillance really is too. It is like they are not just tracking us, but using time travel to put agents in areas we would be arriving to, posing like homeless people and everyday folks. While in real life they were monitoring my every word in secret. I was surveilled many times during the weeks in that city while arranging for the escape and it blew my mind every time. The asteroids that really look more like comets in the video is what the "guardian angels" that had been secretly escorting us from overhead looked like, WHEN they were uncloaked. They only showed up in my visible view at the moment we broke over a ridge at about 3:30 in the morning 2 days later after our run began, at the exact same moment I could see the city lights way off in the distance below that was the ‘safe zone’. Suddenly overhead three giant comets appeared immediately above my head. I was in the lead vehicle the whole way, because the keeper was following my taillights. This is the only way they can navigate at night, because they don’t see like you and I do, looking at solid shapes and images, but everything through their eyes are light waves. I couldn’t make up something like that if I spent 10 years trying to write this article, mostly because it is still not believable to me now, 8 years later. These 3 comets were massive, what looked to be around 50 feet across, with tails of flame coming off that must have been 150-200 feet behind streaking VERY low across the sky. As I came down the hill to the desert floor for the final 10 miles between us and the safe zone (small town lights), the ‘comets’ started coming straight down toward ground, one at a time. They appeared they were going to crash into the highway, now traveling vertically at hypersonic speed, then just stopped 50 ft away from impact and vanished. You would have to try to imagine being in the total dark desert with only very faint, far-away lights off in the distance, only to have 3 comets traveling RIGHT DIRECTLY overhead suddenly uncloak, then turn straight down to get an idea of how insanely frightening they appeared, since their trajectory was to strike directly in front of your vehicle on the highway, as if you were about to slam right into them as they hit like giant bombs that would certainly blow up on impact and basically vaporize you and your moving van, to appreciate how absurd this event was. I was only about 150 feet away from where they were set to strike, so there was no hitting the brakes and avoiding anything. They were right there. Which means it was sort of like watching 'god' just fill the night's sky with fire. I saw 3 of them myself, but I was informed there were an additional 9 ‘angels’ that my own frequency wouldn't allow me to see according to the keeper. It is because this story is so unbelievable that I avoid talking about it, as you can imagine. Since 99 people out of a hundred are only going to accuse you of being insane upon hearing it, some possibly trying to have you committed at the same time, and the other person is likely already crazy themselves, so they just glaze over it. Until you see something like that with your own eyes, I'm pretty sure you will *never believe it could be a real thing. But this is what we call angels look like when they are decloaked and traveling at night. I don’t personally know if they were inside vehicles, or they are just simply traveling in their own Merkabah fields. That part was never explained to me. I was told they were with us 'flying overhead the entire journey' since we escaped California and were basically ‘signing off’ as I gathered it, now that we had reached the safe zone. You can believe I'm crazy all you want to, but now you can see them with your own eyes in this video, sure as hell not acting like meteors, but acting more like flaming time crafts (‘space’ ships). Are you crazy too? - On X, to search for my articles, simply type in the name of the piece, enter one space, then from: plus my username in parenthesis such as shown here: CASTING THE APOCOLYPSE (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 100 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

62,162 次观看 • 1 年前

TRUMP THE ANTIKRYST? PT 2 Trump awarded Elvis, his cousin, the Presidential Medal of Freedom in 2018. The highest civilian award of the United States. Freedom? Why would Elvis need this? Then he just dropped video of Elvis & himself on stage. He also just dropped another video of how he and Elvis look alike. In the video below by Abraham Ojeda Abraham Ojeda, Elon randomly changes the subject to interject into the interview out of literally nowhere, "Memphis, the capital of ancient Egypt. Perhaps that's where our new god will come from." while strangely, and maniacally, laughing at something that's simply not funny. Memphis. Really? As Abraham Ojeda explains in the video, the man who walked on water warned people about the rise of an antichrist, showing the text: "And unless those days were shortened, no flesh would be saved: but for the elect's sake [the Human Elohim Krystos] those days will be shortened." [True, the mRNA shots have been shown to self-replicate and easily transmissible from vaxxed-to-unvaxxed. So it is only a matter of time before all people will become infected with this deadly pathogen that ultimately destroys the body over 3-5 years. Remember, 'all the animals died'.] "For false christs [krysts, see explanation below] and false prophets will rise and show great signs and wonders to deceive, if possible, even the elect." [Again, the Human Elohim Krystos below.] "See, I have told you beforehand." "Therefore if they say to you, 'Look, he is in the desert!' or 'Look, he is in the inner rooms!, do not believe it." Ojeda goes on to explain the original Memphis is located right next to the Great Pyramid of Giza that is in the desert and has hidden rooms inside. Not to mention the extremely obfuscated and hidden Sphere of Amenti, a 'Turnstile Stargate', located directly below the Sphinx right in front of the Great Pyramid, that Jesheua Sananda Melchizedek, the true 'Kryst' of the fully restored 12-strand DNA pure bloodline of the Human Elohim avatar project used to transport people who had already reached 4th dimensional or higher vibration, to secretly move up to the next level of this time matrix during his short time of witnessing to the world. Jesheua Sananda was working directly with Jeshewua Ahumbra Melchizedek, the fully restored 9-strand DNA 'pure' bloodline of the Hyksos Anunnaki Human Hybrids developed in E-Den, that was the 'king of the J3ws' at this time who was assisting Sananda in these mechanical ascension sacred rituals while the two were both under the Co-Evolution BioRegenesis Treaty of Palaidor that provided an ascension mechanism for the J3ws to actually move up through all 15 levels of the Gaia time matrix. Without this Treaty, the children of Adam & Eve would have no possible way of ever moving out of this matrix, as their development project was not an officially authorized program, but actually an illegal invasion of Tara earth perpetrated by various groups of ETs over the previous 560m years. You must have a 12 strand genetic DNA sequence in order to ascend this matrix & the Treaty process gives them access to that. [For more on the bioforming invasion of Tara earth's hosted Human Elohim Project by your captors, see my article: 👉THE HISTORY OF THE CHIMERA] Soon after the two 'Krysts' worked together for a few years helping people ascend through the Sphere of Amenti below the Sphinx, who had been unfairly held back from moving forward for hundreds of millions of years, and spreading the word about how people were eternal spirit essences and not just random creatures in bipedal hominid bodies evolved out of pond scum; teaching them not to embrace this prison world and all its traps and pitfalls, Jeshewua Ahumbra ✡️ abandoned the ascension Treaty for whatever reason, and has since either directly or indirectly stolen the real Kryst's identity, which is now saturated throughout the fake King James 'bible'. [For more on these two figures, see my article: 👉THE TWO CHRISTS] [For more on the King James fake bible, the complex hypnotizing spell it casts and who is the real god of the Catholic Church (and all other religions of the world), see my article: 👉HARD. RED. PILL.] As an aside, the reason Jesheua and Jeshewua's names are so nearly identical is because the invader races always set out to mimic and rob the identity of all things authentic about the real Human Elohim Project. The 'king of the J3ws' was born a few years after Jeshua Sananda was, & was meant to usurp his miraculous works even before he was born. Identity theft was invented by your invaders, and is key to why the J3ws have been kicked out of over 110 countries over the last 12,000 years after infiltrating every group in the world, claiming to adopt their religions and cultures, only to secretly remain utterly devoted to the Talmud, and the practices of the Babylonian Mystery Religion (see more below). So the fake 'Christ' ('Jesus') has a significant history in Memphis and is set to return to the world's stage during Armageddon, which you are currently in the middle of at the time of this writing of 12/5/24. He is referred to as the 'antichrist', deceiving the nations, because the invader's agenda is to eliminate all actual Humans that carry the sacred eternal-life genetics of the Elohim bloodline known as the Krystos 'pale silver cord' that connects to the eternal sound and light fields of the deity planes that provides them with both eternal life as well as unlimited power without the need to eat or sleep. So 'anti-Humans' was also referred to 'Anti-Krystos', being transliterated today as Antichrist. So, even though the term 'antichrist' denotes evil and wickedness, it will not be delivered to you in that way, but it will appear almost identical to what Jesheua Sananda recommended as life-principals that lead to a greater experience in life. But while milk and honey will be coming out of this being's mouth, his ultimate intent all along will be to continue your eternal enslavement and capture by appealing to your Krystic predispositions, while at the same time other arms of his fake teachings, such as the Church of Satan, will appeal to the billions of Hyksos Anunnaki Hybrids who are genetically predisposed to pagan debauchery and self-destructive tendencies as celebrated in the Babylonian Mystery Religion (also explained below). Remember, most of the Anunnaki Hybrids around you are literally wolves, bears, snakes & many other animals that are now suddenly inside bipedal bodies with opposable thumbs that can walk and talk. They didn't earn those avatars like Humans did, they simply fell into them with no idea how to maintain that very powerful and higher level of body. Their instincts are feral, not civilized as the Human avatar template was encoded with. You may be hesitant to believe that J3ws (and their Crypto J3wish associates as explained in my article 👉THE HISTORY OF THE CHIMERA) are from other planes ('planets'), such as Sirius A, Alcyone Pleiades, Antiparticle Gaia, Nibiru and others, but you can hear R@bbi L@itman tell his students in his own words in video that they are: ‘UNDERCOVER ALIENS FROM ANOTHER PLANET’. That's pretty clear and not open to interpretation. [Watch R@bbi L@itman in my article: 👉 THE GREAT WHORE OF BABYLON PT1] If anyone here hasn't yet been informed, Trump was officially crowned the Messiah, 'King of the J3ws' by Orthodox T@lmudic J3wish R@bbis on behalf of the Zi0nist Organization of America & the Isr@el Heritage Foundation. While you may think that Zi0nists and T@mudic J3ws are at direct odds with each other, the bottom line is all J3wish factions in the world come together with the one shared goal of 'inheriting the earth' from the Krystos (Human Elohim), so they can have these 'promised lands' for themselves, regardless if they interpret the teachings of their forefathers slightly differently, or not. They are, in every faction, still the 'chosen ones'. In case you are unaware, the Babylonian Talmud is the teachings of sexual magic & blood ritual sacrif1ce referred to as ‘Mystery, Babylon the Great, the Whore of Babylon’ religion that was founded in Sumer-Ur 12,000 years ago by ‘those who from heaven came’ (the Anunnaki), where the wheel, the plow, indoor plumbing, production, writing, hydraulics, fabric, brick production, metallurgy, mathematics, philosophy, sailboats, chariots, numerals, taxes, calendars, codes-of-law, contract law, board games, beer, stringed instruments, maps, schools, farmer's almanac, jobs, congress, J3wdicial systems, corporations, paved roads, banks and formal municipal services suddenly fell right out of the clear blue sky to earth while the rest of the world were still living in caves and trying to invent fire. All with no archeological evidence of development for any of them. 👉 Trumps' coronation took place on July 10th, 2023, after J3ws had awaited the return of their 'Mashiach, Anointed One', for thousands of years. 👉 Tesla's new 4 million square ft AI data center is located in Memphis Tennessee, just 11 miles away from Elvis Presley's Graceland Estate. Those are some strong coincidences given the repeated Elvis comms Trump has been dropping, featuring Elvis songs at his rallies and gatherings along with dropping very deliberate multiple videos. So what about Memphis then? Why is Tesla there, why is Musk going off-topic in his interview about subjects totally unassociated with anything Egypt, Memphis, antichrists or 'gods' returning? Because it is time to lay the foundations of the return of the savior. And of course, that savior will be 'of the J3ws', not 'of the humans'. For those who have taken the time to read my article: 👉THE HISTORY OF THE CHIMERA, you will understand by now that I've seen ancient false 'gods' in person over many years already. I've seen their multiple bodies of the same being, some identical, some very different. But they are all the same exact person inside (the same spirit essence). Somehow they have figured out how to do this. So there is never a time they are just in one body here on earth. But in thousands of bodies, many in stasis as 'vehicles' they can wear in all countries of the world through instant 'translocation', hidden away in stasis chambers, and many walking around awake and aware and at the ready to step in for the current leading position at a moment's notice, as covered in my article: 👉SOPHIA as well. Anyone paying attention has now seen many different Donald Trumps. Some are short, 5' 11", some are taller at 6' 3", some heavier, some slimmer, and even older. But what you likely didn't know is that in one of his eras, he was also King Antiochus of Babylon that conquered Memphis Egypt. So while you and I would see Donald Trump as 'cousins' with Elvis, the way it really works with the 'gods', is that's the same person in both bodies, and not just both bodies, but thousands of bodies worldwide. That's why the gods never die, not because they are in eternal-life bodies, but because they have replacements of differing ages at all times so their awareness never leaves, even if one or a dozen of their avatars is killed, as Donald Trump passed in 1989, but no one ever noticed, since he showed up on-time the following day without missing a beat. For a long time I have wondered who 'Mel' was that never showed up in Elvis' group photo collages, now I'm wondering if he wasn't strikingly similar to Donald Trump. Bear in mind, birthdates have nothing to do with the 'gods', as they are here in all different ages at all times, while they also have others here extremely close to the exact same age for reasons of being able to step in for each other for all sorts of reasons. Maybe now you understand how it was Trump managed to do hundreds of rallies leading up to the election that no living person could possibly pull off looking fit and fresh at each one, sometimes 3 in one day. Or why he was rumored to have "been awake for 72 hours before he gave his acceptance speech" on Nov 6th after the election and still looked great. You and I would have been half, if not fully, ded, by that time. Even at 21 yrs old I hit a wall at 24 hours that nearly felt like I was going to pass away if I didn't sleep. That’s impossible at 78 no matter who you are without body backups. Not that this is a religious note, because it isn't, but Jesheua Sananda is also scheduled to make a return during this same time to possibly use his legend to help as many humans and hybrids who are truly seeking to move on from this level make the shift. But what he's never going to do is command you to do anything. He won't be boasting about his accomplishments as being the best, yuge, or 'proud' of what he is able to do. He's only here to set an example for you of how to reach higher, outside of material, worldly matters. This is the sifting, where the wheat will be separated from the chaff for harvest. I came here as a 'gatherer', which means I'm here to help show the way out for those who make that cut. [For more see my article: 👉THE SEPARATION] Don't fall for all that glitters and glows in the future painted for you by the antichrist. What you have waiting for you is a million x more precious than being able to fly in a vertical take-off vehicle to a job you will still hate. Where you're going, you won't need a vehicle to fly, and you won't be traveling to work a job you don't like, since working will be voluntary, as you will not need money. For more on this subject, please see my article: 👉TRUMP, THE ANTICHRIST? (Part 1). This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time. See off-site link below for my other 100+ recent articles and many thousands of comments on X, assembled thanks to Justin

W.R. Schock, QBD

30,618 次观看 • 1 年前

Stargate trivia: "200" (The BIG breakdown) SG-1 was about to attain the loftiest of broadcast heights – its 200th episode – and we wanted to do something special. Something unique. Something everyone on the production would enjoy as much as the longtime fans watching at home. The initial idea pitched was something called “Remember When…”, a trip down memory lane in which our characters’ reflections would form the frames of the varied flashbacks to outrageous missions. While everyone loved the idea of the outrageous missions, the premise of the episode felt too diffuse. We wanted an actual story that would form the heart of the episode. After much discussion, we elected to pay tribute to the franchise by referencing our last milestone – episode 100 – and bringing back Martin Lloyd and the show within a show, Wormhole X-Treme. But the fun we poked at the franchise through that spoof production was nothing compared to what we had in store for 200… WE FINALLY GOT TO MEET THE FURLINGS! Sort of. Even though it never really happened and we end up getting them killed in the end. Back in the show’s fourth season, not long after joining the production, I was summoned to Exec. Producer Robert Cooper’s office. He was doing his pass on our first script, Scorched Earth, and needed something from me: the name of an alien race. When pressed, he admitted naming alien races was not his forte and, as evidence, offered up “the Furlings”. I have to admit that whenever I heard the name, I always imagined a cosmic version of the Care Bears, giggling and snuggling their way through various adventures. As evidently, did everyone else on the production. The fans, however, were all sorts of curious and nary a week would go by without a fan posting a message board request for a glimpse of the elusive beings. Time wore on and those requests continued so, at one point, Brad suggested an episode in which we actually did get to meet them: a race of gaunt, towering, hairless, grey-skinned creatures. But that idea was quashed and the production went on its merry way, choosing to keep the race a mystery. But with 200 came the opportunity to honor those fan requests, and the viewers at home finally got to see those lovable furry creatures who turned out to be a cross between an ewok and a deranged koala. And then SG-1 went and got their planet blown up. Of course, we quickly reveal that the incident never actually happened and it was part of a pitch for a revival of the defunct Wormhole X-Treme t.v. series, a show that lasted an inglorious three episodes before being cancelled. But thanks to an impressive second life on dvd (following in the footsteps of Family Guy and Futurama) the show is being revived – and General O’Neill, in a desire to maintain a cover of plausible deniability for the Stargate program (and, let’s face it, screw with his old teammates) charges SG-1 with the task of creatively contributing to the production. MITCHELL TAKES ON THE LIVING DEAD! Every once in a while, actor Ben Browder would drop by the offices to pitch out an action sequence for his character – so I thought it appropriate that, given the opportunity, his character would pitch out an action sequence for – uh – his character. And, really, nothing says action like zombie hordes. Just ask fans of The Walking Dead. This sequence also allowed us the rare opportunity of witnessing Walter/Norman getting his head eaten. Double bonus! Mitchell’s idea is shot down and Martin gets on the phone with a representative of the studio. He is clearly frustrated and Mitchell asks: “Studio executives, huh?” Martin responds: “What? Oh, no Charlie? He’s a great guy. He’s the only one I trust.” This was a reference to longtime MGM President of Television and Stargate supporter Charles Cohen, one of the smartest, kindest studios executives I’ve ever had the pleasure to work with. As much as he was a fan of the show, we at the production were fans of Charlie. Martin is outraged because they lost their lead. How, he wonders, can they do the show without their lead. “You just bring in a character to replace him,”suggests Mitchell – an obvious reference to the introduction of Cam Mitchell which followed soon after the departure of longtime SG-1 lead Jack O’Neill. Carter then throws out some alternate ideas for keeping the lead alive: “Well, you could have the other characters refer to him all the time. Maybe, get him on the phone once in a while.” Yep. Been there; done that during SG-1’s seventh and eighth seasons. And then, someone references that time O’Neill was invisible… THE ADVENTURES OF INVISIBLE O'NEILL! The idea of doing an Invisible O’Neill segment was actually a joke I threw out...That ended up making the script. That happened a lot in this episode. As with all the segments, we went off and wrote them individually, and then everyone weighed in and they were tweaked. I always found the scene of O’Neill spying on Carter in the shower a tad creepy. Anyway, the Invisible O’Neill idea was embraced because we wanted Richard Dean Anderson to come back and do a cameo on this all-important episode, but didn’t know if he’d be able to work in an appearance. So, we figured we’d get the next best thing: his voice. As it turned out, he was able to swing the appearance, making 200 all that more special. THE GETAWAY Martin then pitches out a tale of high adventure, placing our heroes (SG-1) in an impossible position – and then simply cutting to them escaping through the gate. This was a tip of the hat to the many fans outraged by a similar scenario in a past episode (don’t remember the name) in which our heroes (SG-1) are surrounded by Lucian Alliance soldiers only to effect some miraculous unseen escape. During the ensuing argument over the merits of the pitch, Martin attempts to come up with a reasonable window of time for the team to reach the gate and dial. Ten seconds is too short and thirty seconds is too round a number. He decides on 38! Which, coincidentally, is the same number (of minutes) a stargate can stay open. Timing is, of course, everything, and nothing says action like a ticking clock. Which prompts the following gem from Martin: “Trust me, jeopardy plus ticking clock is box office. It’s the E equals M C squared of the entertainment world. Ask any executive.” Indeed. If there were two notes we received more than any other during Stargate’s long run, they were: “More jeopardy!” and “We need a ticking clock!”. Having a character race a timer to defuse a bomb? Didn’t get much better than that. THEY'RE OFF TO SEE THE WIZARD! Next to The Simpsons, The Wizard of Oz was probably the most referenced piece of pop culture over SG-1’s decade-long run. The fans certainly took notice and resulted in one particularly memorable piece of artwork being sent to studio depicting the original team as the cinematic classic’s adventurous foursome. So, I suppose, it made perfect sense to reference the constant references by including a little Wizard of Oz sequence in the episode as well. Mitchell’s line: “Now, how can something work perfectly fine for ten years, then all of a sudden, it doesn’t work anymore?” was an in-story reference to the gate suddenly stopping operations – and, in hindsight, could have been interpreted as a comment on the the show’s cancellation. DESTROYING STARGATE COMMAND This also episode gave us the opportunity to do something we’ve always wanted to do: blow up Stargate Command. It’s part of the story Martin Lloyd pitches the team. Mitchell, however, points out a potential problem. They’re alive in the next scene. How is that possible. To which Martin replies: ” I’m thinking I can back-sell it and say you were beamed out at the last second.” Teal’c’s rejoinder neatly sums up the feelings of many on the production: “Is that not too convenient?”. Yep, nobody hated the Earth ship beaming technology more than I did – with possible exception of actor Ben Browder. In the original version of this scene, the fun we poked at ourselves was a little more pointed: DANIEL: Beamed out. MARTIN: By the Prometheus. TEAL'C: Convenient. MARTIN: True. But c'mon, you got Asgard technology, why not use it? As long as it doesn't become a crutch. DANIEL: Small problem. The Prometheus was destroyed. MARTIN: Really? By who? MITCHELL: Kind of a long story. MARTIN: In battle? MITCHELL: Yes. MARTIN: Wow. So how'd you get out of that one? Beat. DANIEL: We, uh... we were beamed out. Soon after, Martin fields yet another call, this one from the network. "So, trouble with Nora"assumes Mitchell, to which Martin replies: "No, Nora—she's great." A shout-out to the late Nora O'Brien who was our network point-person for many years before she moved on to another position with NBC. A sharp executive and just a lovely woman. SG-1 DOES STAR TREK We all grew up with the original Star Trek (except Rob Cooper who preferred The Six Million Dollar Man) so we (and by we I mean Brad) couldn’t resist the opportunity to do an SG-1 version of the television’s most famous SF series. Paul McGillion was originally supposed to do the one-line cameo of the ship’s beleaguered Scottish engineer, but when that fell through, series co-creator and Executive Producer (not to mention former stage actor) Brad Wright stepped into those shiny black boots. THE YOUNGER, EDGIER TEAM Look closely and you can catch the late Cory Monteith as one of the young and edgy team-members. “Young” and “edgy” were buzzwords we kept on hearing a lot of (and continue to hear a lot of in the business), so Rob Cooper served up his version of what a younger, edgier Stargate would look like complete with stylized shots and dreamy cast members. Vala continues to pitch out ideas, offering up an SF version of Gilligan’s Island (“We were in a cloaked cargo ship on a simple, three-hour reconnaissance mission…”) that was one of the scenes we lost for time at the script stage… VALA (VO): We were in a cloaked cargo ship, on a simple three hour reconnaissance mission... TILT DOWN to reveal a planet. VALA (V)): But on the way we encountered a severe electromagnetic storm and lost all power. We were forced down on an uncharted, deserted planet... EXT. TROPICAL ISLAND -- DAY We see the cargo ship washed ashore on this deserted island, looking very much like the damaged S.S. Minnow. VALA (VO): We washed ashore and were forced to survive for weeks in the most primitive of conditions. No phone, no lights, no motor cars. Not a single luxury. EXT. ISLAND -- DAY Landry comes out of a hut, dressed like the Skipper. VALA (V): General Landry was with us on the mission, and let me tell you, he was in a foul mood. LANDRY: Mitchell! Mitchell runs out, dressed like Gilligan. MITCHELL: Yes, sir. LANDRY: Where's Carter? She was supposed to be done by now. MITCHELL: Oh, uh...(looks around) She's not here. Landry whacks him with his cap. LANDRY: I can see that. DANIEL: Over here... PAN TO Daniel (as the Professor) and Carter (as Mary Ann) carrying a large device out of another hut. Vala (as Ginger) trails behind them. The device looks like something constructed from bamboo and coconuts. CARTER (to Landry): I think we may have something, sir. VALA:Not a moment too soon. I must get out of this place. I have a photo shoot this afternoon. Landry stares at the device. LANDRY: What is this thing? CARTER:Well, I managed to construct a basic subspace transmitter out of coconuts, bamboo and our old subspace transmitter. DANIEL: A long shot, but it just might get us off this island. MITCHELL: That's great! Mitchell eagerly moves in for a closer look, but trips, falls and smashes the damn thing.Before Landry can whack him with his cap again -- TEAL'C emerges from the trees, dressed like Mr. Howell. He casually puffs a pipe. TEAL'C: Was I not traveling with a companion? A female by the name of... Lovey? MARTIN: Alright, enough already. FARGATE I had really enjoyed Farscape and, with both Ben Browder and Claudia Black on the show, I couldn’t resist the opportunity to do a little tribute, SG-1 style. Originally, Ben was supposed to play the part of Crichton and Michael the part of Stark, but they suggested it might be more fun to switch up the roles. SG-1 SUPERMARIONATION! Brad Wright, Robert Cooper, Paul Mullie and Carl Binder are huge fans of Team America: World Police, so I suppose it should come as no surprise that they jumped at the chance to do their own, SG-1 version. As it turned out, years ago Paul and I had worked with The Chiodo Bros. who had created the puppets and effects for Team America (as well as work on a Davey and Goliath claymation parody for The Simpsons and the Willice and Crimbles parody segment on The Simpsons). We called them up and they ended up delivering kick-ass puppet versions of our team – and supporting players. So, okay. Fess up. Which one of you fans is now the proud owner of one of these? In the writer’s draft of the script, yet another idea is pitched out… MITCHELL: Death is always dramatic. CUT TO: INT. INFIRMARY -- DAY Daniel lies on the bed. Carter, Mitchell, Vala and Landry stand around him. Vala reaches out and touches his hand - VALA: Goodbye, Daniel. The heart monitor FLATLINES. The rest of the group can barely control their emotions. Suddenly, a bright GLOW starts to emanate from under the sheets on the bed. Slowly, Daniel's body TRANSFORMS into a glowing ribbon being like in Meridian. As it rises above the bed, the sheets collapse. Amazement plays on the faces of everyone in the room. The glowing being hovers high above them for a moment then - MARTIN: No, no, no. BACK TO: INT. BRIEFING ROOM -- DAY Martin shakes his head. MARTIN: We did that twice in the series. DANIEL: You only made three episodes. How many times did we kill off Daniel again? Whenever we offed guest stars, we would invariably send them off with the heartening: “This is science fiction. Nobody ever dies in science fiction!” And, many times on Stargate, that was proven true. Then, someone pitches out the fishing segment. Martin’s response: “And what’s the twist…no fish?” is, of course, a reference to the twist at the end of Moebius I and II. THE WEDDING How couldn’t we? There was something there for the shippers – and something there for the slashers as well when O’Neill, waiting for Carter, turns to Daniel who utters the memorable: “You know, if she doesn’t show, people are gonna think that you and I –“. My favorite part of this segment is Jack referring to Carter as, well, Carter. Not Sam or Samantha but Carter. I guess old habits die hard. Martin’s response to the pitch ” Yeah, right, if I want to torture the audience on purpose!” echoes a quote from a fan letter we received that was critical of the ship. A classic line. The episode ends with a bunch of interviews teeming with inside jokes. I mean, I know we did 10 years but, dammit, we were still on a roll!

Joseph Mallozzi 🏴‍☠️

26,828 次观看 • 11 个月前

Made this video with GPT IMAGE 2 + seedance 2.5 Prompt ⤵️ DURATION: 30 seconds ASPECT RATIO: Use the video's available landscape/cinematic ratio. STYLE: Ultra-photorealistic live-action cooking and lifestyle vlog, premium food-commercial cinematography, realistic human behavior, natural hand movements, realistic cooking physics, authentic home atmosphere, cinematic lighting, subtle handheld camera movement, realistic food textures, natural skin and hair. REFERENCE ASSIGNMENT: irene galbraith = FEMALE CHARACTER ĐI MДGĐ = KITCHEN ENVIRONMENT imogen = INGREDIENTS AND COOKING SETUP CurlyQ2 = COOKING ACTION silvercoupe = FINISHED CREAMY CHICKEN PASTA @IMG6 = DINING SCENE Use all uploaded references consistently. CHARACTER CONSISTENCY: The SAME woman from irene galbraith must appear throughout the entire video. Preserve her exact face, facial features, hairstyle, skin tone, body proportions and overall identity. Do not change her appearance between scenes. Preserve the same casual home-cooking outfit from irene galbraith. FOOD CONSISTENCY: The dish throughout the entire video is EXACTLY the creamy chicken pasta shown in imogen and silvercoupe. Maintain the same pasta, chicken, mushrooms, cherry tomatoes, cream sauce, parmesan and parsley throughout. Do not change the dish between scenes. --- 0–4 SECONDS — PREPARATION Use ĐI MДGĐ and imogen. The woman enters the kitchen and approaches the countertop. The ingredients for creamy chicken pasta are neatly arranged in front of her. She looks over the ingredients and begins preparing dinner. Camera starts with a natural medium-wide kitchen shot and gently moves closer. Show the real home environment. --- 4–9 SECONDS — CHOPPING Use imogen and CurlyQ2. The woman places vegetables on the wooden cutting board. She carefully chops garlic, onion and mushrooms with a kitchen knife. Show realistic hand and finger movement. Include a brief close-up of the knife cutting the vegetables. Vegetables naturally separate as she cuts them. Return to a medium shot showing her focused expression. Keep the action smooth and believable. --- 9–15 SECONDS — COOKING Use CurlyQ2. She places the pan on the stove and adds a small amount of olive oil. She adds the prepared chicken and vegetables into the hot pan. A realistic sizzling sound and subtle steam accompany the cooking. She uses a wooden spoon to stir the ingredients. The chicken gradually cooks while the vegetables soften. Camera moves from a side angle toward the pan. Include a close-up of the food sizzling and being stirred. --- 15–20 SECONDS — CREAMY SAUCE & PASTA Continue using CurlyQ2 and imogen. She adds the creamy sauce ingredients to the pan. The sauce mixes naturally with the chicken and vegetables. She adds the cooked pasta. She gently tosses and stirs everything together. The creamy sauce coats the pasta realistically. Steam rises naturally from the pan. Show a satisfying close-up of the finished creamy texture. Do not rush this action. --- 20–24 SECONDS — PLATING Use silvercoupe. The woman transfers the freshly cooked creamy chicken pasta from the pan onto the ceramic plate. She carefully arranges the pasta. She adds parmesan and fresh parsley on top. A small amount of realistic steam rises from the hot food. Camera transitions into a premium close-up food shot. Make the dish look genuinely freshly cooked and appetizing. --- 24–30 SECONDS — DINNER Use @IMG6. The woman sits at the dining table with the finished creamy chicken pasta. She picks up the fork naturally. She takes a small bite. She tastes the food and gives a genuine satisfied smile. She briefly looks toward the camera as if sharing the moment with her audience. Camera slowly pushes toward her and the plate. End on a warm, cozy lifestyle shot of the woman enjoying the dinner she prepared herself. CUT TO BLACK. --- CAMERA PRIORITY: Use natural cinematic camera movement. Wide establishing shots for the kitchen. Medium shots for cooking actions. Close-ups for chopping and sizzling food. Macro-style food detail during sauce and plating. Gentle push-in during the final dining moment. Avoid excessive camera shake. Avoid unnecessary camera movement. Keep the woman and the food clearly readable. --- REALISM PRIORITY: Natural human movement. Realistic hand anatomy. Realistic knife handling. Realistic food physics. Realistic steam. Realistic sauce consistency. Realistic sizzling and stirring. Natural facial expressions. Natural eating motion. No exaggerated movements. No instant food transformations. No teleporting ingredients. No changing kitchen. No changing outfit. No changing character. --- FINAL RULES: Same woman throughout. Same face throughout. Same kitchen throughout. Same outfit throughout. Same creamy chicken pasta throughout. Same ingredients throughout. No different woman. No face morphing. No extra people. No distorted hands. No extra fingers. No unrealistic eating. No cartoon. No anime. No fantasy. No text. No logos. No watermark. The final result should feel like a genuine cinematic cooking vlog filmed inside a real woman's home. Reference Image prompt: Create an ultra-photorealistic premium female character reference sheet using the uploaded woman as the STRICT IDENTITY REFERENCE. IDENTITY — ABSOLUTE PRIORITY: Preserve the exact identity of the woman in the uploaded image. Keep her: - exact face shape - eyes - eyebrows - nose - lips - jawline - skin tone - natural skin texture - hairstyle - hairline - facial proportions - age appearance - feminine body proportions Do not redesign her face. Do not beautify or alter her recognizable features. She must look like the exact same real woman in every view. CHARACTER CONCEPT: Create a realistic modern young woman who will be the main protagonist of a cinematic everyday cooking/lifestyle video. She has a natural, approachable appearance and relaxed confident personality. Create a realistic everyday home-cooking appearance rather than a fashion-model look. OUTFIT: A tasteful modern casual home outfit suitable for cooking dinner: - simple fitted neutral-colored top - comfortable casual trousers - clean natural styling - minimal jewelry - no high-fashion styling - no excessive makeup Keep the outfit practical and believable for a woman cooking at home. CHARACTER SHEET LAYOUT: Create one professional reference sheet containing: 1. Full-body FRONT view 2. Full-body 3/4 FRONT view 3. Full-body SIDE view 4. Full-body BACK view 5. Medium portrait 6. Close-up facial portrait 7. Natural smiling expression 8. Neutral expression 9. Hands and clothing detail Every view must show the EXACT SAME WOMAN. BODY & ANATOMY: Natural realistic feminine proportions. Lean, healthy everyday physique. Accurate human anatomy. Natural posture. No exaggerated body proportions. HAIR: Preserve the exact hairstyle from the uploaded reference. Show realistic individual hair strands and natural volume. PHOTOGRAPHY: Ultra-photorealistic live-action photography. Premium cinematic lifestyle production quality. Realistic skin pores and texture. Natural hair detail. Physically accurate clothing fabric. Soft professional studio lighting. Natural shadows. Subtle realistic depth of field. High-end commercial photography quality. BACKGROUND: Clean warm-neutral studio background. Minimal distractions. The character must be clearly separated from the background. IDENTITY CONSISTENCY: This exact woman will be used as the main character in: irene galbraith Character CurlyQ2 Cooking Action @IMG6 Dining Scene and the final 30-second video. Her face and identity must remain identical across all references and video scenes. IMPORTANT NEGATIVE RULES: No face redesign. No different woman. No face morphing. No age change. No hairstyle change. No masculine features. No exaggerated makeup. No unrealistic body proportions. No cartoon. No anime. No CGI-looking skin. No text. No logo. No watermark. Premium photorealistic cinematic character reference sheet.

Elsa Ai

18,864 次观看 • 9 天前

Made this video with GPT IMAGE 2 + seedance 2.5 via Prompt ⤵️ Part 1. 30 second + part 2. 15 second =Total 45 second DURATION: 45 seconds ASPECT RATIO: 16:9 Prompt ⤵️ Part 1. 30 second Create an ultra-photorealistic cinematic female morning fitness lifestyle vlog. REFERENCE PRIORITY: irene galbraith = STRICT FEMALE IDENTITY REFERENCE img8 = MASTER FITNESS LOOK, OUTFIT, HAIRSTYLE, SHOES AND ACCESSORIES ĐI MДGĐ = BEDROOM ENVIRONMENT imogen = BATHROOM ENVIRONMENT CurlyQ2 = MORNING WALKING ROUTE silvercoupe = GYM ENVIRONMENT @IMG6 = FITNESS ACTION REFERENCE The SAME woman from irene galbraith must appear throughout the entire video. Use img8 to maintain her exact fitness outfit, hairstyle, sneakers, earbuds, fitness watch and water bottle once she changes for her workout. Do not change her face, identity, hairstyle or appearance. -------------------------------------------------- 0–5 SECONDS — WAKE UP Use irene galbraith + ĐI MДGĐ. Early morning. The woman is sleeping peacefully in her bedroom. Soft morning sunlight enters through the curtains. She slowly wakes up. She opens her eyes, sits up naturally and gently stretches. She gets out of bed. Natural sleepy morning expression. CAMERA: Slow cinematic push-in from a medium-wide bedroom shot. -------------------------------------------------- 5–10 SECONDS — BRUSH & FACE WASH Use irene galbraith + imogen. She walks into the bathroom. She stands naturally in front of the mirror. She brushes her teeth. Show a brief realistic close-up of brushing. She rinses her mouth. Then she washes her face with clean water. She gently dries her face with a towel. She looks into the mirror with a fresh morning expression. CAMERA: Medium mirror shot followed by brief close-ups. Realistic water movement and natural hand movements. -------------------------------------------------- 10–15 SECONDS — GETTING READY FOR FITNESS Use img8. She changes into the exact athletic outfit shown in img8. She puts on the same running shoes. She puts in the same wireless earbuds. She wears the same fitness watch. She picks up the same reusable water bottle. She briefly checks herself in the mirror. She is ready for her morning walk and gym session. CAMERA: Quick but smooth lifestyle cuts: athletic shoes, earbuds, fitness watch, water bottle, then medium shot of her ready to leave. Do not change her outfit after this point. -------------------------------------------------- 15–22 SECONDS — MORNING WALK Use img8 + CurlyQ2. She leaves her home and walks along the peaceful morning walking route. Soft sunrise light passes through the trees. She starts with a comfortable walk. After a few moments she increases her pace into a light brisk walk. Her arms and legs move naturally. She looks calm, fresh and energetic. CAMERA: Smooth side-tracking shot. Then a front-facing tracking shot. Brief close-up of her sneakers walking on the path. Keep the morning environment visible. -------------------------------------------------- 22–26 SECONDS — GYM ARRIVAL Use img8 + silvercoupe. She arrives at the gym. She approaches the entrance. She opens the door and walks inside. The camera follows her into the gym. Briefly reveal the treadmill and workout area. She walks toward the treadmill. CAMERA: Smooth follow shot from behind. Then wide gym establishing shot. -------------------------------------------------- 26–30 SECONDS — TREADMILL BEGINNING Use img8 + @IMG6. She steps onto the treadmill. She places her feet naturally. She begins with a slow warm-up walk. After a moment, she increases the speed slightly and begins a light jog. Her posture is natural. Her arms move naturally. Her expression is focused but comfortable. END THE VIDEO WHILE SHE IS STILL LIGHTLY JOGGING. IMPORTANT: Do NOT finish the workout in Part 1. Do NOT show dumbbells yet. Do NOT show stretching yet. Do NOT show the final water/mirror scene yet. The final moment must clearly establish her jogging on the treadmill so Part 2 can continue from this exact activity. CAMERA: Side medium shot of the treadmill. Finish with a stable cinematic frame of her jogging. -------------------------------------------------- REALISM: Natural human movement. Realistic walking. Realistic running. Realistic treadmill mechanics. Realistic brushing. Realistic face washing. Realistic water. Realistic clothing movement. Realistic hands and feet. Natural facial expressions. No exaggerated movements. No sudden transitions. No teleportation. No face morphing. No identity change. No outfit change after the fitness outfit appears. No distorted hands. No extra fingers. No cartoon. No anime. No CGI-looking human. No text. No logos. No watermark. FINAL FRAME: The woman is lightly jogging on the treadmill inside the gym. Hold the final treadmill shot briefly and cleanly. This final frame will be used as the continuity reference for . PART 2. DURATION: 15 SECONDS Create an ultra-photorealistic cinematic continuation of PART 1. CONTINUITY PRIORITY — ABSOLUTE: The video MUST begin from the EXACT FINAL FRAME of PART 1. Use the final frame of Part 1 as the PRIMARY STARTING REFERENCE. The SAME woman must continue from the exact treadmill position. Preserve: - exact face - hairstyle - athletic outfit - shoes - earbuds - fitness watch - body position - gym environment - lighting - camera perspective - treadmill position There must be NO visible jump, character change, outfit change or environment change. ADDITIONAL REFERENCES: img8 = MASTER FITNESS CHARACTER @IMG6 = GYM WORKOUT ACTION Isabel Muñoz = POST-WORKOUT ENDING -------------------------------------------------- 0–4 SECONDS — CONTINUE TREADMILL Continue EXACTLY from the final frame of Part 1. The woman continues lightly jogging on the treadmill. Do not restart the action. Her running rhythm remains consistent with Part 1. After a moment, she gradually slows the treadmill. She steps off naturally. CAMERA: Continue the same camera angle from the final frame of Part 1 before making a subtle cinematic transition. -------------------------------------------------- 4–8 SECONDS — DUMBBELL WORKOUT Use @IMG6. The woman walks naturally from the treadmill to the dumbbell area. She picks up a pair of light dumbbells. She performs controlled shoulder/arm exercises. Her movements are realistic and safe. She completes a few controlled repetitions. CAMERA: Medium cinematic shot. Brief close-up of her hands holding the dumbbells. Keep her face recognizable. -------------------------------------------------- 8–11 SECONDS — MAT + STRETCH Use @IMG6. She places the dumbbells down. She moves to an exercise mat. She performs one simple controlled core exercise. Then she stands up and performs a brief gentle stretch. Natural breathing. Relaxed but slightly tired expression. CAMERA: Medium-wide shot. Smooth transition from mat exercise to standing stretch. -------------------------------------------------- 11–15 SECONDS — WATER + FINAL SMILE Use Isabel Muñoz. The workout is complete. She picks up her reusable water bottle. She takes a natural drink of water. She gently wipes her forehead with the gym towel. She looks at herself in the large gym mirror. She takes a calm breath. She gives herself a small confident satisfied smile. CAMERA: Gentle cinematic push toward her reflection. Finish on the confident smile. CUT TO BLACK. -------------------------------------------------- CONTINUITY RULES: Same woman from Part 1. Same face. Same hairstyle. Same athletic outfit. Same shoes. Same earbuds. Same fitness watch. Same gym. Same lighting. Same morning atmosphere. Same realistic visual style. The first frame of Part 2 must match the final frame of Part 1. No restart. No sudden camera jump. No outfit change. No face morphing. No different woman. No distorted hands. No extra fingers. No unrealistic exercise. No exaggerated movements. No cartoon. No anime. No text. No logo. No watermark. FINAL FEELING: The second part should feel like the SAME continuous morning workout session, not a separate video. PART 1 END: Treadmill jogging. PART 2: Continue jogging → dumbbells → core → stretching → water → mirror smile.

Elsa Ai

21,874 次观看 • 7 天前