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Hard facts about #LIMINALPOINT - Single-player - Super HOT protagonist - Interconnected Levels Like RE1 or RE2 - Survival Horror Style Puzzles - Deep Story and Complex Characters - Inspired by the old Survival Horror Classics - Separate Difficulties for Combat and Puzzles - Multiple Endings - Different Costumes... show more

HideWorks

16,095 subscribers

205,454 просмотров • 1 год назад •via X (Twitter)

Игры Наука и технологии Искусство #LIMINALPOINT

Anya Rossi• Live Now

Private livecam show

Комментарии: 10

Фото профиля HideWorks

HideWorks1 год назад

Please wishlist our Survival Horror Game - LIMINAL POINT - on Steam:

Фото профиля Solarsuit.Games

Solarsuit.Games1 год назад

🤠 We're a small indie team making a Space Western game that mix together cRPGs like the original Fallout and top-down shooters like Ruiner. Featuring real-time combat, organic roleplay, and a deep narrative with different endings 🚀 👉 Wishlist on Steam

Фото профиля 💜𝓚𝓪𝓽𝓲𝓮 𝓖𝓻𝓪𝓱𝓪𝓶 💜🇨🇦♍

💜𝓚𝓪𝓽𝓲𝓮 𝓖𝓻𝓪𝓱𝓪𝓶 💜🇨🇦♍1 год назад

I'm getting strong Resident Evil vibes from this. I love it!

Фото профиля HideWorks

HideWorks1 год назад

One of our biggest inspirations!

Фото профиля Robbie

Robbie1 год назад

PS5 release?

Фото профиля Raspberry 👿🔞

Raspberry 👿🔞1 год назад

Can't find anything in this list I disagree with.

Фото профиля DreadMagus

DreadMagus1 год назад

I'll get it if it ever comes to PS5

Фото профиля ByBsTrZ

ByBsTrZ1 год назад

Oh nice planned for console ?

Фото профиля HideWorks

HideWorks1 год назад

we'll try!

Фото профиля Vinny

Vinny1 год назад

When will it release on ps5

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Did you know that Simon the Sorcerer (1993) was born out of a failed licensing agreement between Terry Pratchett (Discworld) and Adventure Soft? Prior to working on Simon the Sorcerer, Adventure Soft was mostly known for their horror-themed games, such as Elvira or Waxworks (under the Horror Soft label). The idea to move towards more family friendly games was mostly motivated by the huge popularity of games such as Monkey Island and Legend of Kyrandia. Simon the Sorcerer had a very vibrant style, with bold colors and beautiful pixel art. Every graphic was first hand-drawn on paper, then scanned, and manually colored in the final step. In typical point and click adventure style, you navigate Simon through almost 50 of these hand-drawn screens, solving puzzles by collecting and using items, and talking to other characters, looking for clues. Pretty much all adventure games from that era followed the same script, and that was fine. Adventure Soft obviously never had the same marketing power as LucasArts or Sierra, but Simon the Sorcerer still managed to sell over half a million units, which made the game highly profitable for a small family owned game studio from the UK and became their biggest hit ever.

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MasterNinjaRyu

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KAMI

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SpawnYaard 🎮

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Crimson Desert looks genuinely stunning in this new gameplay overview. ▫️ Three playable characters, each with their own unique combat style, skills, and weapons ▫️ Seamless open world with five regions ▫️ Exploration includes hidden caves, puzzles, treasure maps, and more ▫️ Play as Cliff, on a mission to reunite the Greymanes and fight off the Black Bears faction ▫️ The main story centers on Cliff but you can freely explore the world and take on side quests with the other two ▫️ Many quests revolve around the different factions, some are friendly and some are hostile ▫️ Faction quests can reward you with new merchants, new equipment, and resources which can be used to rebuild the Greymane's home base ▫️ Liberating a region from a faction makes it safe for characters to travel and restores the resident's homes ▫️ Traversal options include a glider, super jump, and other movement abilities ▫️ Later in the game you gain access to a Mech that fires missles and can even fly a Dragon ▫️ The Abyss is a mysterious realm floating above the continent with puzzles to solve using TOTK style abilities ▫️ Find Artifacts throughout the world to unlock new skills ▫️ Discover Abyss fragments to unlock fast travel points ▫️ Interact with characters and objects or observe them from a distance to get more information on them ▫️ This can unlock clues on new quests, skill unlocks, or helpful guidance ▫️ Releasing March 19th on PS5, Xbox, and PC

KAMI

342,310 просмотров • 6 месяцев назад

Out Run (1986) by Sega wasn’t built as a traditional racing game, but as a “driving experience” by Yu Suzuki. Instead of laps or opponents, the focus was on freedom, letting players choose branching routes across multiple stages, each with different scenery, traffic patterns, and difficulty, leading to several possible endings. Technically, it was powered by Sega’s Super Scaler hardware, allowing smooth sprite scaling that created a real sense of speed, something few games at the time could match. The deluxe cabinet took it even further, physically tilting and moving with the road, turning it into a full-on arcade attraction. Its soundtrack by Hiroshi Kawaguchi was just as groundbreaking, giving players a choice of radio stations like “Magical Sound Shower,” helping define the game’s laid-back, road trip vibe. That mix of tech, music, and design is why Out Run is still seen as one of the most influential arcade racers ever made.

Out Run (1986) by Sega wasn’t built as a traditional racing game, but as a “driving experience” by Yu Suzuki. Instead of laps or opponents, the focus was on freedom, letting players choose branching routes across multiple stages, each with different scenery, traffic patterns, and difficulty, leading to several possible endings. Technically, it was powered by Sega’s Super Scaler hardware, allowing smooth sprite scaling that created a real sense of speed, something few games at the time could match. The deluxe cabinet took it even further, physically tilting and moving with the road, turning it into a full-on arcade attraction. Its soundtrack by Hiroshi Kawaguchi was just as groundbreaking, giving players a choice of radio stations like “Magical Sound Shower,” helping define the game’s laid-back, road trip vibe. That mix of tech, music, and design is why Out Run is still seen as one of the most influential arcade racers ever made.

Pixel Cherry Ninja

407,168 просмотров • 5 месяцев назад

Sam Raimi on the making of 'The Evil De@d' (1981) & how 'Halloween' (1978) & other films he watched at the drive-ins inspired him to make movies: "EMPIRE: 'The Evil De@d' (1981) was made for financial reasons, wasn't it? RAIMI: We were just trying to make a movie that would play in the drive-ins. It wasn't really driven by a love of horror. The movies that I'd made up until that point were comedies and dramas, but Rob Tapert said, "If we're going to do this, you've got to learn to make a horror movie." I said, "I don't like horror movies because they scare me!" I had some intense experiences as a kid watching horror movies and I didn't know how to make it fun for me. He said, "Well, let's go see if you can make a horror. I'm going to the theatre and you tell me if you can make a horror movie as good as this." So we went to the theatre and 'Halloween' (1978) was playing! We watched it and he goes, "Well, can you make a movie as good as that? That's a low-budget horror movie!" I said, "I don't think I can!" EMPIRE: That's like watching 'Apocalypse Now' (1979) before making a war movie! RAIMI: (Laughs) I didn't know how famous it was going to be. I was really depressed. But I learned how to make a horror movie. We started to sit through drive-ins. People would give us weird looks: three boys – Bruce Campbell, Rob and myself – sitting in the front seat of a car at the drive-in, which was a make-out place, and we were there, trying to see all the Italian and British and American horror films. We'd see what they would do and go, "Okay, we can't hear what they're doing in the other cars, but those people look like they're afraid!" Then we wrote the script for 'Evil De@d', and I made a Super-8 movie (Within The Woods, starring Campbell) that had some scares in it, and I started to understand what that was about. And then we went to shoot it." (Sam Raimii's interview with Chris Hewitt, Empire, 2009)

Sam Raimi on the making of 'The Evil De@d' (1981) & how 'Halloween' (1978) & other films he watched at the drive-ins inspired him to make movies: "EMPIRE: 'The Evil De@d' (1981) was made for financial reasons, wasn't it? RAIMI: We were just trying to make a movie that would play in the drive-ins. It wasn't really driven by a love of horror. The movies that I'd made up until that point were comedies and dramas, but Rob Tapert said, "If we're going to do this, you've got to learn to make a horror movie." I said, "I don't like horror movies because they scare me!" I had some intense experiences as a kid watching horror movies and I didn't know how to make it fun for me. He said, "Well, let's go see if you can make a horror. I'm going to the theatre and you tell me if you can make a horror movie as good as this." So we went to the theatre and 'Halloween' (1978) was playing! We watched it and he goes, "Well, can you make a movie as good as that? That's a low-budget horror movie!" I said, "I don't think I can!" EMPIRE: That's like watching 'Apocalypse Now' (1979) before making a war movie! RAIMI: (Laughs) I didn't know how famous it was going to be. I was really depressed. But I learned how to make a horror movie. We started to sit through drive-ins. People would give us weird looks: three boys – Bruce Campbell, Rob and myself – sitting in the front seat of a car at the drive-in, which was a make-out place, and we were there, trying to see all the Italian and British and American horror films. We'd see what they would do and go, "Okay, we can't hear what they're doing in the other cars, but those people look like they're afraid!" Then we wrote the script for 'Evil De@d', and I made a Super-8 movie (Within The Woods, starring Campbell) that had some scares in it, and I started to understand what that was about. And then we went to shoot it." (Sam Raimii's interview with Chris Hewitt, Empire, 2009)

DepressedBergman

81,501 просмотров • 8 месяцев назад