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Hard facts about #LIMINALPOINT - Single-player - Super HOT protagonist - Interconnected Levels Like RE1 or RE2 - Survival Horror Style Puzzles - Deep Story and Complex Characters - Inspired by the old Survival Horror Classics - Separate Difficulties for Combat and Puzzles - Multiple Endings - Different Costumes... show more

HideWorks

16,095 subscribers

205,454 görüntüleme • 1 yıl önce •via X (Twitter)

Oyun Bilim & Teknoloji Sanat #LIMINALPOINT

Anya Rossi• Live Now

Private livecam show

10 Yorum

HideWorks profil fotoğrafı

HideWorks1 yıl önce

Please wishlist our Survival Horror Game - LIMINAL POINT - on Steam:

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Solarsuit.Games1 yıl önce

🤠 We're a small indie team making a Space Western game that mix together cRPGs like the original Fallout and top-down shooters like Ruiner. Featuring real-time combat, organic roleplay, and a deep narrative with different endings 🚀 👉 Wishlist on Steam

💜𝓚𝓪𝓽𝓲𝓮 𝓖𝓻𝓪𝓱𝓪𝓶 💜🇨🇦♍ profil fotoğrafı

💜𝓚𝓪𝓽𝓲𝓮 𝓖𝓻𝓪𝓱𝓪𝓶 💜🇨🇦♍1 yıl önce

I'm getting strong Resident Evil vibes from this. I love it!

HideWorks profil fotoğrafı

HideWorks1 yıl önce

One of our biggest inspirations!

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Robbie1 yıl önce

PS5 release?

Raspberry 👿🔞 profil fotoğrafı

Raspberry 👿🔞1 yıl önce

Can't find anything in this list I disagree with.

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DreadMagus1 yıl önce

I'll get it if it ever comes to PS5

ByBsTrZ profil fotoğrafı

ByBsTrZ1 yıl önce

Oh nice planned for console ?

HideWorks profil fotoğrafı

HideWorks1 yıl önce

we'll try!

Vinny profil fotoğrafı

Vinny1 yıl önce

When will it release on ps5

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Hard facts about #RetroSpace - Single-player - Not a roguelike - Complex+interconnected levels - Immersive features - Stealth & Action - Humor & Horror - Deep lore and story - No "yellow paint" - No hand-holding - No live service features - No microtransactions - Made by humans

Hard facts about #RetroSpace - Single-player - Not a roguelike - Complex+interconnected levels - Immersive features - Stealth & Action - Humor & Horror - Deep lore and story - No "yellow paint" - No hand-holding - No live service features - No microtransactions - Made by humans

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Niche Gamer

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Pirat_Nation 🔴

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Loulan: The Cursed Sand | Official Announcement Trailer ▫️ Single player ARPG supported by PlayStaton China Hero Project ▫️ Set in the Western regions of ancient China along the Silk Road ▫️ Play as a skeletal warrior with two forms ▫️ Sand Form is a balanced fighter who wields the power of sand to forge a massive blade ▫️ Bone Form is a powerful stance built for groups ▫️ Learn unique sand abilities to solve puzzles, explore intricate levels, and experiment with multiple combat styles ▫️ Fight powerful elite enemies and colossal boss fights ▫️ Team of just 16 devs including veterans from Santa Monica Studio, FromSoftware, and PlatinumGames ▫️ "Our goal is to blend classic arcade-style combat with modern gameplay innovations" ▫️ Confirmed for PS5 and PC with no release window #LoulanTheCursedSand #PS5

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KAMI

96,341 görüntüleme • 9 ay önce

Did you know that Simon the Sorcerer (1993) was born out of a failed licensing agreement between Terry Pratchett (Discworld) and Adventure Soft? Prior to working on Simon the Sorcerer, Adventure Soft was mostly known for their horror-themed games, such as Elvira or Waxworks (under the Horror Soft label). The idea to move towards more family friendly games was mostly motivated by the huge popularity of games such as Monkey Island and Legend of Kyrandia. Simon the Sorcerer had a very vibrant style, with bold colors and beautiful pixel art. Every graphic was first hand-drawn on paper, then scanned, and manually colored in the final step. In typical point and click adventure style, you navigate Simon through almost 50 of these hand-drawn screens, solving puzzles by collecting and using items, and talking to other characters, looking for clues. Pretty much all adventure games from that era followed the same script, and that was fine. Adventure Soft obviously never had the same marketing power as LucasArts or Sierra, but Simon the Sorcerer still managed to sell over half a million units, which made the game highly profitable for a small family owned game studio from the UK and became their biggest hit ever.

Did you know that Simon the Sorcerer (1993) was born out of a failed licensing agreement between Terry Pratchett (Discworld) and Adventure Soft? Prior to working on Simon the Sorcerer, Adventure Soft was mostly known for their horror-themed games, such as Elvira or Waxworks (under the Horror Soft label). The idea to move towards more family friendly games was mostly motivated by the huge popularity of games such as Monkey Island and Legend of Kyrandia. Simon the Sorcerer had a very vibrant style, with bold colors and beautiful pixel art. Every graphic was first hand-drawn on paper, then scanned, and manually colored in the final step. In typical point and click adventure style, you navigate Simon through almost 50 of these hand-drawn screens, solving puzzles by collecting and using items, and talking to other characters, looking for clues. Pretty much all adventure games from that era followed the same script, and that was fine. Adventure Soft obviously never had the same marketing power as LucasArts or Sierra, but Simon the Sorcerer still managed to sell over half a million units, which made the game highly profitable for a small family owned game studio from the UK and became their biggest hit ever.

exQUIZitely 🕹️

10,608 görüntüleme • 23 gün önce

Hard facts about BROK The Brawl Bar: 🟢 Innovative Beat'Em Up action 🟢 Inspired by Smash Bros Events mode! 🟢 60+ varied challenges 🟢 Play co-op with your friends 🟢 Versus mode 🟢 Survival mode 🟢 Support A.I. challengers mode 🟢 Infinite procedurally generated Daily Challenges 🟢 Make friends in the bar 🟢 Boxer outfit for Brok 🟢 Play as favorite BROK characters 🟢 Varied stages & hazards 🟢 Achievements to unlock 🟢 Card collectibles to collect ...and more to announce!

Hard facts about BROK The Brawl Bar: 🟢 Innovative Beat'Em Up action 🟢 Inspired by Smash Bros Events mode! 🟢 60+ varied challenges 🟢 Play co-op with your friends 🟢 Versus mode 🟢 Survival mode 🟢 Support A.I. challengers mode 🟢 Infinite procedurally generated Daily Challenges 🟢 Make friends in the bar 🟢 Boxer outfit for Brok 🟢 Play as favorite BROK characters 🟢 Varied stages & hazards 🟢 Achievements to unlock 🟢 Card collectibles to collect ...and more to announce!

BROK THE INVESTIGATOR 🐊

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BRATOR

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Synth Potato🥔

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Metroid turns 40 this year. One of the most iconic games ever for the NES, and one of the most unusual endings in gaming history. Did you know that Samus's iconic ability to roll into a compact ball wasn't originally planned? Tt stemmed from a programming limitation on the NES that made the crawling animation too complex. Developers then turned it into a feature for navigating tight spaces. This was later picked up by other games too, for example Turrican or Sonic the Hedgehog. The game's creator, Gunpei Yokoi, was heavily influenced by Ridley Scott's 1979 sci-fi horror classic, giving the game its eerie atmosphere, isolated exploration on a hostile alien planet, and even naming the dragon-like boss Ridley after the film's director.

Metroid turns 40 this year. One of the most iconic games ever for the NES, and one of the most unusual endings in gaming history. Did you know that Samus's iconic ability to roll into a compact ball wasn't originally planned? Tt stemmed from a programming limitation on the NES that made the crawling animation too complex. Developers then turned it into a feature for navigating tight spaces. This was later picked up by other games too, for example Turrican or Sonic the Hedgehog. The game's creator, Gunpei Yokoi, was heavily influenced by Ridley Scott's 1979 sci-fi horror classic, giving the game its eerie atmosphere, isolated exploration on a hostile alien planet, and even naming the dragon-like boss Ridley after the film's director.

exQUIZitely 🕹️

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Blue Lily's 2D hand-drawn survival horror game "Moonlight Pale" has reached all its crowdfunding stretch goals which includes additional game content, console ports, and Japanese and LATAM Spanish dubs. Staff for the game include Cachi Cordova (OMORI) who is in charge of programming and design, and arai tasuku who is composing the music. Story: Juliette, a student of St. Birgitta's Female Seminary, follows the ghost of her dead cat into an old abandoned building hidden deep in the Seminary's gardens. Plagued by monsters and apparitions, Juliette fights her way through eerily familiar corridors as she tries to help the rest of the girls trapped with her. #moonlightpale

Blue Lily's 2D hand-drawn survival horror game "Moonlight Pale" has reached all its crowdfunding stretch goals which includes additional game content, console ports, and Japanese and LATAM Spanish dubs. Staff for the game include Cachi Cordova (OMORI) who is in charge of programming and design, and arai tasuku who is composing the music. Story: Juliette, a student of St. Birgitta's Female Seminary, follows the ghost of her dead cat into an old abandoned building hidden deep in the Seminary's gardens. Plagued by monsters and apparitions, Juliette fights her way through eerily familiar corridors as she tries to help the rest of the girls trapped with her. #moonlightpale

Kars

35,922 görüntüleme • 1 ay önce

I love this guy but I'm sorry but I 101% disagree with this take, this take is absolutely so horrible 😅 This is truly a superficial take that people do for the New Team NInja " Soulslikes " Games. The combat in those games is absolutely not pure number loot slop. It can be if someone wants to play them as Diablo-likes yes BUT if someone wants to enjoy a super deep and complex combat, there is absolutely no need to care about numbers and RPG stuff. Someone can simply just focus on the pure combat aspect of the game, as long has he has enough mastery in order to be able to do it. And that's why I love and enjoy SO MUCH Nioh, Wo Long and Stranger of Peak 🔥 And speaking of harder difficulties of the game, bosses do NEW ATTACKS and they have a different AI on EVERY SINGLE different difficulty. This video was recorded in the hardest difficulty of the game, Lufenia Difficulty. And there is no pure number loot slop in this, only Peak Combat 😌 Stranker of Peak Final Fantasy Origin - Gilgamesh - No Damage - Lufenia Difficulty 🥷

I love this guy but I'm sorry but I 101% disagree with this take, this take is absolutely so horrible 😅 This is truly a superficial take that people do for the New Team NInja " Soulslikes " Games. The combat in those games is absolutely not pure number loot slop. It can be if someone wants to play them as Diablo-likes yes BUT if someone wants to enjoy a super deep and complex combat, there is absolutely no need to care about numbers and RPG stuff. Someone can simply just focus on the pure combat aspect of the game, as long has he has enough mastery in order to be able to do it. And that's why I love and enjoy SO MUCH Nioh, Wo Long and Stranger of Peak 🔥 And speaking of harder difficulties of the game, bosses do NEW ATTACKS and they have a different AI on EVERY SINGLE different difficulty. This video was recorded in the hardest difficulty of the game, Lufenia Difficulty. And there is no pure number loot slop in this, only Peak Combat 😌 Stranker of Peak Final Fantasy Origin - Gilgamesh - No Damage - Lufenia Difficulty 🥷

MasterNinjaRyu

133,938 görüntüleme • 4 ay önce

Silent Hill: Townfall | Hands-on previews: ▫️ 10-12 hours long, set in 1990s Scotland ▫️ First person gameplay - a departure for the series ▫️ Alien Isolation is a "pretty clear inspiration" in terms of how it builds tension - Townfall's director worked on the game ▫️ Use a handheld radio to detect enemies in stealth ▫️ Use melee weapons or handguns as a last resort ▫️ Ammo is scarce and firing it will reveal you to nearby enemies ▫️ Solve mysteries and puzzles in the town of St. Amelia ▫️ The handheld CRT can also reveal clues about Simon's memories, puzzle solutions, or where to explore next ▫️ First person perspective "enhances the scare-factor" ▫️ 5 endings - 3 main endings and 2 secret endings ▫️ No A/B endings - the ending you get depends on the choices you make throughout your playthrough ▫️ Difficulty settings at launch ▫️ Get transported to The Otherworld which is bathed in red light ▫️ Protagonist Simon Ordell is looking for a woman named Zoe but not much else is known at first ▫️ Simon arrives in St. Amelia with a strange IV attached to his hand ▫️ The town was seemingly taken over by corporate interests before everyone mutated ▫️ Zoe worked at a hospital and felt guilty about not being able to save people which led to a mental breakdown ▫️ Releasing September 24th on PS5 & PC #SilentHill #SilentHillTownfall

Silent Hill: Townfall | Hands-on previews: ▫️ 10-12 hours long, set in 1990s Scotland ▫️ First person gameplay - a departure for the series ▫️ Alien Isolation is a "pretty clear inspiration" in terms of how it builds tension - Townfall's director worked on the game ▫️ Use a handheld radio to detect enemies in stealth ▫️ Use melee weapons or handguns as a last resort ▫️ Ammo is scarce and firing it will reveal you to nearby enemies ▫️ Solve mysteries and puzzles in the town of St. Amelia ▫️ The handheld CRT can also reveal clues about Simon's memories, puzzle solutions, or where to explore next ▫️ First person perspective "enhances the scare-factor" ▫️ 5 endings - 3 main endings and 2 secret endings ▫️ No A/B endings - the ending you get depends on the choices you make throughout your playthrough ▫️ Difficulty settings at launch ▫️ Get transported to The Otherworld which is bathed in red light ▫️ Protagonist Simon Ordell is looking for a woman named Zoe but not much else is known at first ▫️ Simon arrives in St. Amelia with a strange IV attached to his hand ▫️ The town was seemingly taken over by corporate interests before everyone mutated ▫️ Zoe worked at a hospital and felt guilty about not being able to save people which led to a mental breakdown ▫️ Releasing September 24th on PS5 & PC #SilentHill #SilentHillTownfall

KAMI

547,717 görüntüleme • 22 gün önce

Ubisoft CEO just confirmed 3 Assassin's Creed game in development, Black Flag Remake, Invictus & Hexe! AC: Hexe everything we know 👀 🔹Not an RPG: Unlike Odyssey or Valhalla, Hexe is confirmed to be a more "linear". 🔹Horror Tone: The game is intended to be the "darkest" entry in the series, leaning into psychological horror 🔹The Fear System: Rumors suggest the return of the "Fear System" from AC Syndicate’s Jack the Ripper DLC 🔹Supernatural Elements: leak describes the player possessing a cat to distract soldiers—likely powered by a Piece of Eden. Setting & Protagonist 🔹The Holy Roman Empire: The game is set in 16th-century Central Europe (specifically Germany) during the height of the Witch Trials. 🔹Single Protagonist: You will play as a female protagonist, currently known by the codename Elsa. 🔹Her story reportedly involves seeking revenge for her mother, who was executed as a witch. 🔹Atmosphere: Expect cobbled streets, dense forests, and a heavy focus on paranoia and superstition. What do you think? Ubisoft will be back with a bang with this one?

Ubisoft CEO just confirmed 3 Assassin's Creed game in development, Black Flag Remake, Invictus & Hexe! AC: Hexe everything we know 👀 🔹Not an RPG: Unlike Odyssey or Valhalla, Hexe is confirmed to be a more "linear". 🔹Horror Tone: The game is intended to be the "darkest" entry in the series, leaning into psychological horror 🔹The Fear System: Rumors suggest the return of the "Fear System" from AC Syndicate’s Jack the Ripper DLC 🔹Supernatural Elements: leak describes the player possessing a cat to distract soldiers—likely powered by a Piece of Eden. Setting & Protagonist 🔹The Holy Roman Empire: The game is set in 16th-century Central Europe (specifically Germany) during the height of the Witch Trials. 🔹Single Protagonist: You will play as a female protagonist, currently known by the codename Elsa. 🔹Her story reportedly involves seeking revenge for her mother, who was executed as a witch. 🔹Atmosphere: Expect cobbled streets, dense forests, and a heavy focus on paranoia and superstition. What do you think? Ubisoft will be back with a bang with this one?

SpawnYaard 🎮

24,571 görüntüleme • 6 ay önce

Crimson Desert looks genuinely stunning in this new gameplay overview. ▫️ Three playable characters, each with their own unique combat style, skills, and weapons ▫️ Seamless open world with five regions ▫️ Exploration includes hidden caves, puzzles, treasure maps, and more ▫️ Play as Cliff, on a mission to reunite the Greymanes and fight off the Black Bears faction ▫️ The main story centers on Cliff but you can freely explore the world and take on side quests with the other two ▫️ Many quests revolve around the different factions, some are friendly and some are hostile ▫️ Faction quests can reward you with new merchants, new equipment, and resources which can be used to rebuild the Greymane's home base ▫️ Liberating a region from a faction makes it safe for characters to travel and restores the resident's homes ▫️ Traversal options include a glider, super jump, and other movement abilities ▫️ Later in the game you gain access to a Mech that fires missles and can even fly a Dragon ▫️ The Abyss is a mysterious realm floating above the continent with puzzles to solve using TOTK style abilities ▫️ Find Artifacts throughout the world to unlock new skills ▫️ Discover Abyss fragments to unlock fast travel points ▫️ Interact with characters and objects or observe them from a distance to get more information on them ▫️ This can unlock clues on new quests, skill unlocks, or helpful guidance ▫️ Releasing March 19th on PS5, Xbox, and PC

Crimson Desert looks genuinely stunning in this new gameplay overview. ▫️ Three playable characters, each with their own unique combat style, skills, and weapons ▫️ Seamless open world with five regions ▫️ Exploration includes hidden caves, puzzles, treasure maps, and more ▫️ Play as Cliff, on a mission to reunite the Greymanes and fight off the Black Bears faction ▫️ The main story centers on Cliff but you can freely explore the world and take on side quests with the other two ▫️ Many quests revolve around the different factions, some are friendly and some are hostile ▫️ Faction quests can reward you with new merchants, new equipment, and resources which can be used to rebuild the Greymane's home base ▫️ Liberating a region from a faction makes it safe for characters to travel and restores the resident's homes ▫️ Traversal options include a glider, super jump, and other movement abilities ▫️ Later in the game you gain access to a Mech that fires missles and can even fly a Dragon ▫️ The Abyss is a mysterious realm floating above the continent with puzzles to solve using TOTK style abilities ▫️ Find Artifacts throughout the world to unlock new skills ▫️ Discover Abyss fragments to unlock fast travel points ▫️ Interact with characters and objects or observe them from a distance to get more information on them ▫️ This can unlock clues on new quests, skill unlocks, or helpful guidance ▫️ Releasing March 19th on PS5, Xbox, and PC

KAMI

342,310 görüntüleme • 6 ay önce

Out Run (1986) by Sega wasn’t built as a traditional racing game, but as a “driving experience” by Yu Suzuki. Instead of laps or opponents, the focus was on freedom, letting players choose branching routes across multiple stages, each with different scenery, traffic patterns, and difficulty, leading to several possible endings. Technically, it was powered by Sega’s Super Scaler hardware, allowing smooth sprite scaling that created a real sense of speed, something few games at the time could match. The deluxe cabinet took it even further, physically tilting and moving with the road, turning it into a full-on arcade attraction. Its soundtrack by Hiroshi Kawaguchi was just as groundbreaking, giving players a choice of radio stations like “Magical Sound Shower,” helping define the game’s laid-back, road trip vibe. That mix of tech, music, and design is why Out Run is still seen as one of the most influential arcade racers ever made.

Out Run (1986) by Sega wasn’t built as a traditional racing game, but as a “driving experience” by Yu Suzuki. Instead of laps or opponents, the focus was on freedom, letting players choose branching routes across multiple stages, each with different scenery, traffic patterns, and difficulty, leading to several possible endings. Technically, it was powered by Sega’s Super Scaler hardware, allowing smooth sprite scaling that created a real sense of speed, something few games at the time could match. The deluxe cabinet took it even further, physically tilting and moving with the road, turning it into a full-on arcade attraction. Its soundtrack by Hiroshi Kawaguchi was just as groundbreaking, giving players a choice of radio stations like “Magical Sound Shower,” helping define the game’s laid-back, road trip vibe. That mix of tech, music, and design is why Out Run is still seen as one of the most influential arcade racers ever made.

Pixel Cherry Ninja

407,168 görüntüleme • 5 ay önce

Sam Raimi on the making of 'The Evil De@d' (1981) & how 'Halloween' (1978) & other films he watched at the drive-ins inspired him to make movies: "EMPIRE: 'The Evil De@d' (1981) was made for financial reasons, wasn't it? RAIMI: We were just trying to make a movie that would play in the drive-ins. It wasn't really driven by a love of horror. The movies that I'd made up until that point were comedies and dramas, but Rob Tapert said, "If we're going to do this, you've got to learn to make a horror movie." I said, "I don't like horror movies because they scare me!" I had some intense experiences as a kid watching horror movies and I didn't know how to make it fun for me. He said, "Well, let's go see if you can make a horror. I'm going to the theatre and you tell me if you can make a horror movie as good as this." So we went to the theatre and 'Halloween' (1978) was playing! We watched it and he goes, "Well, can you make a movie as good as that? That's a low-budget horror movie!" I said, "I don't think I can!" EMPIRE: That's like watching 'Apocalypse Now' (1979) before making a war movie! RAIMI: (Laughs) I didn't know how famous it was going to be. I was really depressed. But I learned how to make a horror movie. We started to sit through drive-ins. People would give us weird looks: three boys – Bruce Campbell, Rob and myself – sitting in the front seat of a car at the drive-in, which was a make-out place, and we were there, trying to see all the Italian and British and American horror films. We'd see what they would do and go, "Okay, we can't hear what they're doing in the other cars, but those people look like they're afraid!" Then we wrote the script for 'Evil De@d', and I made a Super-8 movie (Within The Woods, starring Campbell) that had some scares in it, and I started to understand what that was about. And then we went to shoot it." (Sam Raimii's interview with Chris Hewitt, Empire, 2009)

Sam Raimi on the making of 'The Evil De@d' (1981) & how 'Halloween' (1978) & other films he watched at the drive-ins inspired him to make movies: "EMPIRE: 'The Evil De@d' (1981) was made for financial reasons, wasn't it? RAIMI: We were just trying to make a movie that would play in the drive-ins. It wasn't really driven by a love of horror. The movies that I'd made up until that point were comedies and dramas, but Rob Tapert said, "If we're going to do this, you've got to learn to make a horror movie." I said, "I don't like horror movies because they scare me!" I had some intense experiences as a kid watching horror movies and I didn't know how to make it fun for me. He said, "Well, let's go see if you can make a horror. I'm going to the theatre and you tell me if you can make a horror movie as good as this." So we went to the theatre and 'Halloween' (1978) was playing! We watched it and he goes, "Well, can you make a movie as good as that? That's a low-budget horror movie!" I said, "I don't think I can!" EMPIRE: That's like watching 'Apocalypse Now' (1979) before making a war movie! RAIMI: (Laughs) I didn't know how famous it was going to be. I was really depressed. But I learned how to make a horror movie. We started to sit through drive-ins. People would give us weird looks: three boys – Bruce Campbell, Rob and myself – sitting in the front seat of a car at the drive-in, which was a make-out place, and we were there, trying to see all the Italian and British and American horror films. We'd see what they would do and go, "Okay, we can't hear what they're doing in the other cars, but those people look like they're afraid!" Then we wrote the script for 'Evil De@d', and I made a Super-8 movie (Within The Woods, starring Campbell) that had some scares in it, and I started to understand what that was about. And then we went to shoot it." (Sam Raimii's interview with Chris Hewitt, Empire, 2009)

DepressedBergman

81,501 görüntüleme • 8 ay önce