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Hello 👋🏽 I’m Fredrik — a freelance graphic designer currently looking for more work! I've made over 5,000+ graphics and worked for clubs, agencies, agents, influencers, TV, and int. tournaments Portefolio: 📁 Get in touch! 📧 [email protected]

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Fredrik

94,352 subscribers

615,777 просмотров • 1 год назад •via X (Twitter)

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Haii #PortfolioDay !! I’m Mac and I’m a 2D animator and character designer. I have experience working as a freelancer and I’m currently looking for work in animation! 🐓: 🥚: macrosenberg10@gmail.com
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I met Anee Icha at the audition for Castle and castle many years ago. Then we worked on the show where she played the crazy receptionist. While directing her, I realized she had great comedic timing and fantastic improv skill. So I told her, one day I’m going to write a crazy story about a very clumsy girl and you will star in it. Somehow we lost touch and I completely forgot. It didn’t happen till three years later when she ran into me at a supermarket. She reminded me that we still hadn’t made this our movie. Coincidentally I was looking for a story that will make us build an extensive set design and VFX just to show off the skills of my Anthill Studios team. That night, the idea for Casa de Novia came to me. I called up my trusted writer Weaver of stories and showed her clips of Anee and we wrote the film for her. I’m glad Anee is getting all the praises and I want to see her do more films like this. Clumsy girl comedy is a big hit potential and we need more crazy ideas in Nollywood.

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Two more games to round up the 2023 AFCON, my third AFCON experience. The lesson here for the next generation in journalism; Reporting the NPFL & domestic football/sports can take you globally, don't allow people to condition your mindset wrongly. If your dream is to travel around the world and cover international tournaments, trust me you will make it. If you have a directive that is strictly to monetize your content/job without traveling for tournaments, trust me you will achieve it. Anything you dream of about your journey in journalism, domestic content will take you there. Yes, sports journalism especially reporting domestic football/sports is a struggle, most times the pace is slow, very slow, but with consistency and hard work, you will get to the top of your dreams. Think about collaboration, make friends and expand your reach. Don’t set a mindset of competition, content and reportage is wide and the space is wide enough to accommodate all of us. Be yourself best and not to your colleagues. Journalism rolls like Football, those 5,000 meters ahead of you today, trust me you will catch up one day. This is the reason why collaboration with your colleagues is the pathway of sustainability. Also, as a believer of Christ, I do preach to people and colleagues to be prayerful, ask God to crown their work, and ask Him for grace and mercy. Divine blessing is from God and not from humans. He has promised to bless our work and He will surely bless your work and dreams. I’m excited to see a lot of colleagues and friends reporting the NPFL making their AFCON debut in Côte d’Ivoire, some of these young guys cracked the industry and secured sponsorships for this AFCON. Finally, I want to thank you all for the engagement and support, I don’t take them for granted, and I’m honoured. The kind of love I received when I was sick was overwhelming, I was motivated and pumped. GOD BLESS YOU ALL!!! #AFCONwithOgaNlaMedia

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When I graduated the university with a 4.32 CGPA In Law 0.18 difference from a First-Class I told myself I would never get a "very close" result ever again In anything! And I’m implementing that in my life & work :in trading and in Gray, Content Marketing / Social Media Management That’s why I take reviews on my work very personally- — A few of the prop firms, founders & I worked with: 2024 - reply girl for Goat Funded Trader after a quick conversation with their amazing founder Edward Personally enjoyed handling Andreea Guz 🥷 FXA Trading from Dec 2024 - April 2024 and growing her page from 7000- 11,000 followers! Dec 2024:: Wrote Funded Bits FAQs Feb to May 2025: Managed Klein Funding socials. May 2025 - till now: I write SEO blogs for Maven Prop Trading Gotten 100+ reviews but below are some of the favorite reviews on my work - I am Gray- I do -Ghostwriting - SMM -to drive sales💸 - Website & Discord Support For -Prop firms -Brokers -Founders -Trading Influencers -Web3 firms & enthusiasts. —- Writer Sips juice 🧃

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I'm seeking support to create a safe space for my art and voice. Every bit helps! Please share and consider donating to help me on this journey. ❤🙏  Hello! My name is Joseph Alexander. I have been posting what I have seen going on over the past year. I'm looking for a little help to get into my own place and have my own creative space for my work. I have had to relocate yet Agian. I have plans with my cousin to have own space on her property to have my own little home❤️ My cell phone and internet are shut off due to everything in my life. I currently can’t pay my bills at all. Any help would be greatly appreciated as I have had to change my life 2 times in order to get it right ❤️ I'm no longer a victim of abuse!! And want to use my voice to help those that have been through what I have been through ❤️❤️

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Life update 👀 Today is my last day Webflow. I'm beyond proud of the work I did during my 3 years here, everything from designing & building Webflow University, helping create designs & visuals for our course lessons, making tons of illustrations for our keynotes, contributing to the new logo + rebrand & new designer UI last year, early explorations of AI in the product, and so much more. I truly leveled up my design/dev/illustration skills over the past few years, a big part in thanks to Sara Lundberg & McGuire Brannon constantly pushing me & my work, as well as getting to work along side of some of the most talented people I've ever met. I'm definitely going to miss my coworkers, but I'm also excited to explore some new projects I've been wanting to start. Here's a look back of just some of my favorite work I did at Webflow (but there's so much more I wish I could show 😉)

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10,870 просмотров • 1 год назад

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HTML Artifacts are a big part of how I work with agents now. Artifacts can be more than just static files. When combined with agents, they can take action or help you take action. This unlocks all kinds of interesting ways to work with agents. This is clearly the future. Check out this writing and scheduler artifact I built in a few minutes. It uses a bit of HTML and JS. All the data is in markdown (Obsidian vaults), so the agent can access and modify it at any time. No DB needed. No sophisticated functionalities. The agent decides all that for me based on the skills, context, and memory it has access to. The best part about this simple stack is that all the important information stays with me. This has allowed me to build a recursive self-improving system and automations that can better tap into coding agents like Codex or Claude Code. I could have paid or built an entire app for scheduling posts, and there are so many of them out there. But I don't need to. I've realized a simple artifact does the job. And the simplicity of it is actually an advantage. Very little maintenance for very high returns on personalization, time, and efficiency. The other benefit of this is that I can add features as I please. That level of personalization feels magical, and we should all be pursuing more of it. All of this just keeps compounding. Of course, this example is just about writing. But I have similar artifacts for research, design, experimentation, evaluation, and so much more. And no, I didn't actually publish the post example I shared in the clip. It was just for demonstration purposes. I actually spend more time than this when writing together with agents. Lastly, having built my own agent orchestrator tool has made me realize that simplifying the tool stack is a superpower. If you are curious about how all this works, I will do a live session next week:

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Let's talk about agentic product design. Every company has its own design process. What has always worked for me is spending long studio hours with our product team, dissecting things into pieces and putting them back together. In those sessions we look at value, usability, simplicity, aesthetics, behavior, storytelling, generics, and emotional mapping. I've been crafting products this way for as long as I can remember. Product work at Lemonade isn't for the faint of heart. This obsession over every detail is hard work, but I believe it yields better results and builds stronger talent. One of the things I love about our design and product team is how this process became a second nature to them. Feedback is fast, professional, and tension free. But in our latest session, something was different. One of our designers used Figma and Cursor to build a mockup that was so advanced, it was almost ready to be shipped. It was an incredible glimpse into a world where a single designer working on top of modern low code infrastructure will be able to launch production grade experiences for products with millions of customers, and with LoCo, I expect this to become a reality at Lemonade in just a few quarters. But there's a problem to watch out for. An interesting phenomenon I've noticed over the years is that the higher the fidelity of the work being reviewed, the more defensive people become. When someone shows up with something polished, they tend to resist feedback. They've already fallen in love with what they built, and it's hard for them to accept rejection. Radical candor feedback works best at an early stage of the project, before people get attached and feel the need to defend their work. This session was no exception. Because the work was so advanced, the review became binary, and its maker became defensive. Happily, we all caught ourselves in time to acknowledge this new dynamic and started figuring out how to go back to obsessing about every corner radius, shade of white, and word. When reviewing agentically coded designs, we'll try having our designers bring in more than one option, as well as the open Cursor project so we can make changes in real time if needed. We'll see how it goes, and if this is of interest, I'll update what we learn.
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Let's talk about agentic product design. Every company has its own design process. What has always worked for me is spending long studio hours with our product team, dissecting things into pieces and putting them back together. In those sessions we look at value, usability, simplicity, aesthetics, behavior, storytelling, generics, and emotional mapping. I've been crafting products this way for as long as I can remember. Product work at Lemonade isn't for the faint of heart. This obsession over every detail is hard work, but I believe it yields better results and builds stronger talent. One of the things I love about our design and product team is how this process became a second nature to them. Feedback is fast, professional, and tension free. But in our latest session, something was different. One of our designers used Figma and Cursor to build a mockup that was so advanced, it was almost ready to be shipped. It was an incredible glimpse into a world where a single designer working on top of modern low code infrastructure will be able to launch production grade experiences for products with millions of customers, and with LoCo, I expect this to become a reality at Lemonade in just a few quarters. But there's a problem to watch out for. An interesting phenomenon I've noticed over the years is that the higher the fidelity of the work being reviewed, the more defensive people become. When someone shows up with something polished, they tend to resist feedback. They've already fallen in love with what they built, and it's hard for them to accept rejection. Radical candor feedback works best at an early stage of the project, before people get attached and feel the need to defend their work. This session was no exception. Because the work was so advanced, the review became binary, and its maker became defensive. Happily, we all caught ourselves in time to acknowledge this new dynamic and started figuring out how to go back to obsessing about every corner radius, shade of white, and word. When reviewing agentically coded designs, we'll try having our designers bring in more than one option, as well as the open Cursor project so we can make changes in real time if needed. We'll see how it goes, and if this is of interest, I'll update what we learn.

Shai Wininger

17,558 просмотров • 8 месяцев назад

if you want to land agency clients without a single call and make them feel stupid for saying no... do this: > go to facebook ad library. search a brand. filter by active ads. > find their longest running creative. that's the one working for now. > grab their product link. paste it into Marketing Studio on higgsfield. > seedance 2.0 generates 9 video ad formats. upload a face. locked across every scene. you now have a ugc ad, a product review, an unboxing, and a TV spot of their product. made in 30 minutes. $0.347 per video. send it over through email or socials. "here's a video ad for your product. test it against your current top performer. if it wins, i'll make you 50 more." the brand is currently paying an agency $5-10K/month or boosting static images and hoping for the best. you just showed up with finished work that looks like a production team made it. there's no pitch to reject. there's a video to test. that's a very different conversation.
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if you want to land agency clients without a single call and make them feel stupid for saying no... do this: > go to facebook ad library. search a brand. filter by active ads. > find their longest running creative. that's the one working for now. > grab their product link. paste it into Marketing Studio on higgsfield. > seedance 2.0 generates 9 video ad formats. upload a face. locked across every scene. you now have a ugc ad, a product review, an unboxing, and a TV spot of their product. made in 30 minutes. $0.347 per video. send it over through email or socials. "here's a video ad for your product. test it against your current top performer. if it wins, i'll make you 50 more." the brand is currently paying an agency $5-10K/month or boosting static images and hoping for the best. you just showed up with finished work that looks like a production team made it. there's no pitch to reject. there's a video to test. that's a very different conversation.

KNOX

237,146 просмотров • 3 месяцев назад