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Here is a full showcase of my custom Source 2-like light baking and probe implementation for Unreal Engine 5. Features showcased: - Volume based probe system (full density control, fade between volumes with a volume fade slider, automatic volume priority and custom priority overrides) - GPU Lightmass with expanded...

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Leon

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16,179 Aufrufe • vor 2 Monaten •via X (Twitter)

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My Source 2-like probe system + light baking for UE5 is pretty much done now fully. As seen in the video, with the right volume setup you can have super thin walls without light leaking. Plugin releasing in like a week, after my vacation. #UnrealEngine5 #UE5 #GameDev
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My Source 2-like probe system + light baking for UE5 is pretty much done now fully. As seen in the video, with the right volume setup you can have super thin walls without light leaking. Plugin releasing in like a week, after my vacation. #UnrealEngine5 #UE5 #GameDev

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Comparison between the ACES Filmic tonemapper (top) which comes BUILT IN to Unreal Engine! And my new custom tonemapping setup (Bottom). Full vid going into more detail about how the film industry has been SCREWING up color in gaming for a long time, now on my YouTube channel! AiAngel. A packet with the resources and how-to for my custom tonemapper setup is also now available on my Gumroad page! Link to that in YouTube video description. #ue5 #game #film #unrealengine
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I got early access to Replits Agent 4. it makes building so much fun. in an hour I... > found a local business with no website. > built them a site that looks like it came from an agency. > had multiple agents working on new features at the same time. > made a custom pitch deck > and a custom mobile app for the business, just for the fun of it. incredible.

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A closer look on the GSAP powered animations in Webflow. Just from my perspective. In short, it’s way more powerful than I first thought. The more I use it, the more I like it. Of course, there are some parts missing. But it's the first version. There's still a lot to come. For example, custom ease would already make a huge difference. Breakpoints. Maybe a way to add custom functions as sometimes you need to calculate stuff in JavaScript to get complex animations. The biggest part for me is that you can just build the animation inside a timeline. This makes it so much easier than writing it as code. You can fine tune it so much more. When there would be a way to export the tween as code to add some more functionality would be awesome. You can also add custom classes with the timeline, which can then be used in custom CSS to add more functionality. With a bit of custom code you can also use breakpoints for your animations. By using the custom event the animation can be used in custom code which can also be pretty powerful. Didn’t test it so much yet, but would be cool if you could just take the event and use for example the onComplete() from GSAP or other stuff. For example. let mm = gsap.matchMedia(); const module = Webflow.require("ix3"); module.ready().then(() => { mm.add( { isMobile: "(max-width: 992px)", }, (context) => { let { isMobile } = context.conditions; if (isMobile) { module.emit("Mobile Animation"); } } ); }); "Mobile Animation" is the name of your custom event. I hope that part will get more powerful. Something I miss on the timeline is that when you select more actions you can just drag all actions. It would be cool if you could move it frame by frame with the arrow keys, like in Jitter for example. Or just write a specific point like when you have one selected. For now I would further write the code myself, but I’m excited to see where it’s going. Maybe there will be a time where you could animate most parts inside Webflow 🙂 Can’t wait for the next GSAP update!

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I just released a beta version of /dev/push. It's basically a (simpler) alternative to Vercel, Render, and the likes. You can log in with GitHub, pick a repo, configure your build and off you go. Whenever you push code to GitHub it will automatically deploy it for you. There's obviously more to it: environments, custom domains, environment variables, custom commands, teams... And I'm working on adding more: custom Docker containers, remote nodes, SQLite database, support for PHP, RoR... It's completely free and open source (MIT license). The online version is for now restricted as I test things up. Links below👇
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I think I've written the world's fastest Blender exporter. It exports full levels in 9 milliseconds. Check out this video where I show live editing of levels from blender, and it updates instantly in the game. For some context: Okay, since the beginning of development on this game project, I knew I didn't want to write a custom level editor for it and rather spend my time programming the game. I decided to use blender as the level editor, and export directly from blender to my game engine's file format. Blender only lets you write add-ons in Python, which is not just incredibly slow but also a terrible platform for this kind of systems programming work. So, after having a Python exporter for the longest time, I decided enough was enough, and I programmed this exporter in C. Blender doesn't expose any C API or interface. So my only option was to download Blender's source code and insert my code directly into Blender. And that's what I did :) So this new C exporter not only is orders of magnitude faster than the python version, but also is way more robust. And because I'm in C land, my hands are much freer to do things. There are two elements of secret sauce that make this exporter run so fast: - A custom memory arena implementation. - Lockless multithreading.
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Don’t Miss This Pro Tip: The $1 Move That Pushes You Up the ITLX Leaderboard There has been a recurring misunderstanding across the community about needing $250 to compete on the ITLX leaderboard. That is incorrect. The $250 figure refers to trading volume, not the amount of money you must spend. With ITLX Futures, you only need $1 to open a position and use leverage to expand your trade size. How it works • For F0 & F1, every $250 Futures volume = +1 point. • You can open a futures trade with as little as $1, leverage increases your notional size so your executed volume can exceed $100+, depending on the leverage used. • The system counts volume, not the money spent. • You do not lose your $1 just because the volume is higher, that volume is simply the trade size generated through leverage. • Once your position reaches $250 in total volume, you earn 1 point just like any larger-capital trader. The purpose of this is to ensure that everyone can experience the new features of the ITLX Super Wallet and earn rewards easily. In short: You don’t need $250. You just need $1 and the right leverage. Click here for more details: #InterLink #ITLX #ITLG #ITL

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Originally released in 1989 on the Apple II, this is a port of Prince of Persia running natively on Flipper Zero Check out the source code here: Download it from Flipper Apps here: It's the full one-hour game, with a remade soundtrack and custom controls just for Flipper Big thanks to: A Touch of Vintage Electronics and Ashton’s Retro Computer Room for the intro footage The Press Play On Tape crew for development of the game apfxtech for the Flipper Zero port ...and to Jordan Mechner for creating the OG game 🐐

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0:46

Working on Sparse Volumetric Light-maps. Thanks to CynicatPro🎃 for pointing me at Unreal's version. In a nutshell it's just another sparse voxel data structure. My implementation is, no doubt, different from Epic Games Store's own. I'm using 4x4x4 probe grid with intermediate nodes having very wide branching factor of 64 as well (4x4x4). I liked the parameters that Unreal is using, of limiting both total memory as well as the lowest level of detail, which is common in sparse grid implementations. Here's Bistro scene with just 1Mb limit. This is roughly equivalent to a 512x512 lightmap texture in 2d, except surface light maps require unique UVs and you typically get very little detail out of 512 resolution texture with a lot of light leaking. There is also no directional response. My implementation encodes second-order spherical harmonics for each probe (9 coefficients), encoding RGB channels as RGBE9995 (4 bytes). So far only worked on the structure, actual bake is yet to come. I've been eyeing sparse voxel structures for a while now, and have been studying them roughly since the GigaVoxel paper by Cyril Crassin but never really implemented anything for the GPU before. I was always the BVH-kind of guy. It's a fascinating topic. --- Stats for the scene: --- Total memory usage: 1.000 MB Node count: 609 Unique probe count: 24,025 Probe reuse: 38.36 % Unexpanded nodes: 15,714 --- Again, note that there is no GI going on here, only the structure of the probe tree and the algorithm for building it from a given scene.

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Our team was recently pitched by a well-known AI SDR company. Two problems came up: 1. The company only offered AI SDRs for outbound, we needed a solution to assist us on inbound processes. 2. The software was too complex and overpriced relative to our expected usage. So, I took a couple of weekends to build an early version for what we wanted: - Simple UI that syncs with GMail - Custom AI labeling for emails - AI Agent that drafts replies via CrewAI - Custom knowledge base for the Agent v - Slack inquiry tool for the Agent so it can ask us for clarifications anytime it has knowledge gaps With the help of AI, it's never been easier or more fun to take your workflows and turn them into full web apps. If you're interested in a released version of this, link below.

Horacio Lopez

24,281 Aufrufe • vor 1 Jahr

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0:41

STEAL THE BRAINROT is expanding. We’re hiring a high-level UEFN Level Designer to lead our in-game events. We’re looking for someone very experienced and creative, who knows how to bring their talent and ideas into high-quality in-game events. There is an existing structure and visual style, and the role requires the ability to adapt and build new events based on what has already been done. Requirements: - Several years of experience in level / environment design - Strong portfolio - All assets must be custom made - Strong experience with Blender - Deep understanding of materials - Advanced UEFN experience (materials, VFX, optimization) - Full-time availability - Available to start immediately We’re looking for talented people with real experience, not beginners. Compensation is high and based on experience. A signing bonus is available for the right candidate. Below are examples of past events, this is the quality bar: 100% custom assets, modeled in Blender, with custom materials & VFX in UEFN, fully optimized. DM me with your portfolio.

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137,307 Aufrufe • vor 8 Monaten