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Here's a small preview of the environment tech that I have developed for these upcoming map expansions. The debug map shown in the video (500mx500m) is generated with nature in less than a minute and there should be no issues with performance. List of new features: - New color...

21,806 次观看 • 2 年前 •via X (Twitter)

9 条评论

DANNYonPC 的头像
DANNYonPC2 年前

While the gameplay ain't for me, the tech and art is cool

MystifyingGames 的头像
MystifyingGames2 年前

That's awesome! I need to learn how to do this.

Matthew Jones 🇺🇸 的头像
Matthew Jones 🇺🇸2 年前

Looks really good. Especially the ice shader.

HolyGuac 的头像
HolyGuac2 年前

That ice shader looks so good wtf

🐶Saul🐶🐢 的头像
🐶Saul🐶🐢2 年前

Looks beatiful though i still have the feeling the things like leaves and grass still look too dark? It could look better being more saturated or more green like the unity version

Foyezes 的头像
Foyezes2 年前

That looks amazing! Did you build you own plugins for the foliage system?

Darth Weasel 的头像
Darth Weasel2 年前

Looks amazing. Patiently waiting for an indicative release date :)

R -Junkky 的头像
R -Junkky2 年前

Looking good there. Love the new water and ice water feature

Nexus 的头像
Nexus2 年前

Unity engin ?

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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 次观看 • 1 年前