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Here’s another shot using 3D space from ひゃくえむ This time I created the whole scene directly in After Effects. That's totally different kind of challenge with its own approach to lighting, shadows and atmosphere. Had a lot of fun with this one🙌 #ひゃくえむ #100meters

Veronika Khoreva

1,420 subscribers

99,575 views • 9 months ago •via X (Twitter)

Arts Science & Technology #ひゃくえむ #100meters

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There’s a set of shots in ひゃくえむ where I made the whole background in Blender. Blender pros, please don’t judge me🥲 I did some things for the first time, just going by instinct🙌 But it was actually super fun to mix 3d into 2d. #ひゃくえむ #100meters

There’s a set of shots in ひゃくえむ where I made the whole background in Blender. Blender pros, please don’t judge me🥲 I did some things for the first time, just going by instinct🙌 But it was actually super fun to mix 3d into 2d. #ひゃくえむ #100meters

Veronika Khoreva

288,304 views • 9 months ago

applying flow to a uv map to sample it again with different images instead of applying the effect directly. saves a lot of time for effects like this and re-using sims

applying flow to a uv map to sample it again with different images instead of applying the effect directly. saves a lot of time for effects like this and re-using sims

Nick Scarcella

13,720 views • 10 months ago

🐰 i worked a lot with El Guincho. I got to listen to a lot of tracks and i was really wowed by just how fresh and new this was. One of the first thoughts i had was ‘wow, you can approach a song like this?’ and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close, it was a totally a different vibe, a whole new vibe. i hope to work again and have another session with the producers and songwriters that we worked with

🐰 i worked a lot with El Guincho. I got to listen to a lot of tracks and i was really wowed by just how fresh and new this was. One of the first thoughts i had was ‘wow, you can approach a song like this?’ and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close, it was a totally a different vibe, a whole new vibe. i hope to work again and have another session with the producers and songwriters that we worked with

jk.97

26,798 views • 5 months ago

Another traditionally animated commercial I did around 2002. In this one we had a lot of dynamic shots involving 3D rendered coaster elements. I had to animate using photostats to match the 2D to the 3D. A process that would've been a lot easier with today's tech.

Another traditionally animated commercial I did around 2002. In this one we had a lot of dynamic shots involving 3D rendered coaster elements. I had to animate using photostats to match the 2D to the 3D. A process that would've been a lot easier with today's tech.

𝕋𝕙𝕖 𝔽𝕠𝕣𝕘𝕖 ☠

242,038 views • 1 year ago

Thread of everything I created leading up to #FUNKKAST First up is the 4th animated bumper!! i had a lot of fun with this one :) 🧵🧵🧵

Thread of everything I created leading up to #FUNKKAST First up is the 4th animated bumper!! i had a lot of fun with this one :) 🧵🧵🧵

Mr. DJ

14,615 views • 1 year ago

🐰: i worked a lot with el guincho. i got to listen to a lot of tracks and i was really wowed by just how fresh and new it was. one of the first thoughts i had was 'wow, you can approach a song like this?' and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close. so anyway… it was a totally different vibe. a whole new vibe. i hope to work again and have another session with the producers and the songwriters that we worked with.

🐰: i worked a lot with el guincho. i got to listen to a lot of tracks and i was really wowed by just how fresh and new it was. one of the first thoughts i had was 'wow, you can approach a song like this?' and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close. so anyway… it was a totally different vibe. a whole new vibe. i hope to work again and have another session with the producers and the songwriters that we worked with.

jungkook admirer

32,393 views • 5 months ago

finished mixing another one of FungusFangs' amazin gifs of dabi as a bloated burpy mess~i played around a lil extra with this one and even added a few mouth frames of my own using alpaca to make dabi's mouth match the burps and moaning sfx i used~i had hella fun with this one x3

finished mixing another one of FungusFangs' amazin gifs of dabi as a bloated burpy mess~i played around a lil extra with this one and even added a few mouth frames of my own using alpaca to make dabi's mouth match the burps and moaning sfx i used~i had hella fun with this one x3

Trashytummiez

25,168 views • 3 months ago

Michael Cera tells us how ‘THE PHOENICIAN SCHEME’ is different from Wes Anderson’s other movies. “This one is kind of in its own lane. There’s a sort of classical austerity to it... I don’t think [Wes] has made a movie with quite this kind of palette. It’s beautiful.”

Michael Cera tells us how ‘THE PHOENICIAN SCHEME’ is different from Wes Anderson’s other movies. “This one is kind of in its own lane. There’s a sort of classical austerity to it... I don’t think [Wes] has made a movie with quite this kind of palette. It’s beautiful.”

DiscussingFilm

176,749 views • 1 year ago

jungkook on “hooligan” and working with “el guincho”! 🐰: i worked a lot with “el guincho” 🐿️: jungkook worked a lot on the song 'Hooligan' 🐰: right! i got to listen to a lot of tracks and I was really wowed by just how fresh and new it was. one of the first thoughts i had was 'wow, you can approach a song like this?' and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close. so, anyway... it was a totally different vibe. a whole new vibe. i hope to work again and have another session with the producers and the songwriters that we worked with.

jungkook on “hooligan” and working with “el guincho”! 🐰: i worked a lot with “el guincho” 🐿️: jungkook worked a lot on the song 'Hooligan' 🐰: right! i got to listen to a lot of tracks and I was really wowed by just how fresh and new it was. one of the first thoughts i had was 'wow, you can approach a song like this?' and i felt a lot of pressure about how to make the best use of it. so that must be why i wanted to stay close. so, anyway... it was a totally different vibe. a whole new vibe. i hope to work again and have another session with the producers and the songwriters that we worked with.

ajk ⋆

95,476 views • 5 months ago

Been a while since I made a long Fantasy Vid. This time using Seedance 2.0 courtesy of CapCut CPP. I2V with MJ images and upscaled to 4k using Topaz Labs Had fun with this one!

Been a while since I made a long Fantasy Vid. This time using Seedance 2.0 courtesy of CapCut CPP. I2V with MJ images and upscaled to 4k using Topaz Labs Had fun with this one!

Orcton

36,890 views • 5 months ago

Press X To Try Again! Aaliyah PS2/PS3 Vibez Had so much fun creating this one with my Love 𝐈 𝐍 𝐃 𝐈 𝐆 𝐎 she created the 3d scene from the music video. I added and animated the characters and created Aaliyah for this project. Yall enjoy!

Press X To Try Again! Aaliyah PS2/PS3 Vibez Had so much fun creating this one with my Love 𝐈 𝐍 𝐃 𝐈 𝐆 𝐎 she created the 3d scene from the music video. I added and animated the characters and created Aaliyah for this project. Yall enjoy!

VinceJG

30,814 views • 1 day ago

Wangxian confession scene storyboard with the audio from the audio drama! 🐇 I had a lot of fun with this one and I like how it turned out a lot. Enjoy!! Translation by SuibianSubs. God bless them for translating MDZS AD. #mdzs #wangxian

Wangxian confession scene storyboard with the audio from the audio drama! 🐇 I had a lot of fun with this one and I like how it turned out a lot. Enjoy!! Translation by SuibianSubs. God bless them for translating MDZS AD. #mdzs #wangxian

Oh My Stars (Alyona)

32,964 views • 6 months ago

I created this post-apocalyptic scene in #Blender as soon as EEVEE Next was released. Faster render times than Cycles. Not a replacement, but a different tool with its own aesthetic. That slightly stylized look actually adds to the atmosphere. Color grading did the rest. #cgi

I created this post-apocalyptic scene in #Blender as soon as EEVEE Next was released. Faster render times than Cycles. Not a replacement, but a different tool with its own aesthetic. That slightly stylized look actually adds to the atmosphere. Color grading did the rest. #cgi

Miguel Rodriguez

57,185 views • 5 months ago

Hey everyone! I just wanted to show the second teaser for "Pacer: Evening Stroll". Hella happy with this song and had a lot of fun writing this one, can't wait to release this one!

Hey everyone! I just wanted to show the second teaser for "Pacer: Evening Stroll". Hella happy with this song and had a lot of fun writing this one, can't wait to release this one!

Saster

60,769 views • 1 year ago

I plugged ChatGPT Luna 5.6 and Claude Opus 5 into Blender through MCP, and one of them is one-shotting entire 3D scenes now. Top is Luna 5.6 in fast mode modeling ship cannons with a firing animation. Watching the scene grow mesh by mesh in real time is a separate kind of dopamine. Bottom is Opus 5 building a full carriage scene with terrain, rocks and lighting. This one is simply built for 3D -- the whole thing from a single prompt with zero retries and zero corrections. The entire bridge is one open-source repo, no Python and no modeling skills required: > The repo is with 16.9k stars under MIT license. > It works with any model -- Claude, GPT, Cursor, any MCP client. > The model sees your scene through a live socket and edits it in real time. A year ago this workflow didn't exist, and now the gap between an idea and a rendered 3D scene is one prompt. Save this one -- you will come back for the repo ↓

I plugged ChatGPT Luna 5.6 and Claude Opus 5 into Blender through MCP, and one of them is one-shotting entire 3D scenes now. Top is Luna 5.6 in fast mode modeling ship cannons with a firing animation. Watching the scene grow mesh by mesh in real time is a separate kind of dopamine. Bottom is Opus 5 building a full carriage scene with terrain, rocks and lighting. This one is simply built for 3D -- the whole thing from a single prompt with zero retries and zero corrections. The entire bridge is one open-source repo, no Python and no modeling skills required: > The repo is with 16.9k stars under MIT license. > It works with any model -- Claude, GPT, Cursor, any MCP client. > The model sees your scene through a live socket and edits it in real time. A year ago this workflow didn't exist, and now the gap between an idea and a rendered 3D scene is one prompt. Save this one -- you will come back for the repo ↓

slash1s

150,102 views • 1 month ago

#11 Puff and Fluff Duo - Bubblegum Bubblegum only -> a big fun inflation will be #12's with them Fixed the lighting problem ^_^; Part of my July Challenge for a small video a day. I guess I had a bit too much fun with this one and it took a bit longer ^^;

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#11 Puff and Fluff Duo - Bubblegum Bubblegum only -> a big fun inflation will be #12's with them Fixed the lighting problem ^_^; Part of my July Challenge for a small video a day. I guess I had a bit too much fun with this one and it took a bit longer ^^;

Thiridian & Lindsey

28,903 views • 2 years ago

this is such a fun atmosphere 🥹! each set (?) is rehearsing on their own, but kind of together too. and when it’s someone’s turn to film the challenge, the others either watch from the side or dance along at the same time #BamBam #뱀뱀 BamBam #GOT7

this is such a fun atmosphere 🥹! each set (?) is rehearsing on their own, but kind of together too. and when it’s someone’s turn to film the challenge, the others either watch from the side or dance along at the same time #BamBam #뱀뱀 BamBam #GOT7

𝐣𝐨𝐲𝐜𝐞

91,988 views • 1 year ago