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how to evolve generative art 🦠✨👇 over the past weeks I built this toy 'proof-of-concept' example to explore and better understand how open-form generative art works, and discover some of the new archetypes it enables. In open-form genart each mint at the root of a project can define its...

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Ahmad Moussa || Gorilla Sun

9,741 subscribers

13,090 görüntüleme • 1 yıl önce •via X (Twitter)

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LoneWick profil fotoğrafı
LoneWick1 yıl önce

Doing great work over there, Ahmad. Stoked!🔥

South Shore Designs profil fotoğrafı
South Shore Designs1 yıl önce

Unique canvas art pieces blending creativity and inspiration, perfect for adding character and charm to any room. Each design tells its own story, making your space truly one-of-a-kind. #walldecor #canvasart #homedecor #artforsale #artlovers #homestyle #artprints

0xbenj🥨 profil fotoğrafı
0xbenj🥨1 yıl önce

Oh wow, super interesting concepts here Ahmad. Much to think about!

Víctor Doval profil fotoğrafı
Víctor Doval1 yıl önce

Intriging :D

chrizZzly profil fotoğrafı
chrizZzly1 yıl önce

I barely understand it but love it!

MathMakesArt profil fotoğrafı
MathMakesArt1 yıl önce

this is awesome!

Paula Cordeiro profil fotoğrafı
Paula Cordeiro1 yıl önce

🔥

陳 jack profil fotoğrafı
陳 jack1 yıl önce

👻🔥

Tahia Tahsin profil fotoğrafı
Tahia Tahsin1 yıl önce

Looks like someone let the bacteria loose on the blockchain.

Newyellow profil fotoğrafı
Newyellow1 yıl önce

Amazing!! Has the SDK out for testing? Very interested in trying it out!

tenebris.via profil fotoğrafı
tenebris.via1 yıl önce

Have to rethink our 'old school' approach here. Excited for what people will bring !

Benzer Videolar

Vintage Editions - a brief history and what’s next. In 2023 I released my first 3 editions on eth. My goal was to create a collection of quality vintage animations, on par with my 1/1 artworks. The reception blew me away, over 4,000 folks registered for two artworks with a total of 175 editions. In 2025 I set a goal to go all in and released 5 more editions throughout the year. Bringing the collection to 340 editions via 8 artworks with a total of 168 holders. Each work in this series can take two weeks and even a month to create as I obsesses on each pixel. I’m very proud of how it turned out. My plan is being consistent and adding to the collection yearly, with enough love and time it will become an epic collection of animated vintage loops. Nothing quite like it in our space. At the beginning of the year I set out to make as much work as I can physically can in 2026. I find that healing. keeping my mind busy while dealing with grief. My notebook is of full of ideas and sketches and once again I’m going all in. Excited to see how this collection shapes up in 2026 along with the new distortions series. This week we kick off this year's Vintage Editions next chapter adding two new pieces and one more via a burn in July. The first piece “Mob Mentality” is a special edition of 7 for select top collectors of mine. Minting tomorrow. The second piece is “Hell of a Time”. A bigger edition that includes a free burn in July. aimed to bring more folks into the series. Minting Wednesday. Full details tomorrow. Thanks for reading! Hope to have you on this journey with me.🖤
0:44

Vintage Editions - a brief history and what’s next. In 2023 I released my first 3 editions on eth. My goal was to create a collection of quality vintage animations, on par with my 1/1 artworks. The reception blew me away, over 4,000 folks registered for two artworks with a total of 175 editions. In 2025 I set a goal to go all in and released 5 more editions throughout the year. Bringing the collection to 340 editions via 8 artworks with a total of 168 holders. Each work in this series can take two weeks and even a month to create as I obsesses on each pixel. I’m very proud of how it turned out. My plan is being consistent and adding to the collection yearly, with enough love and time it will become an epic collection of animated vintage loops. Nothing quite like it in our space. At the beginning of the year I set out to make as much work as I can physically can in 2026. I find that healing. keeping my mind busy while dealing with grief. My notebook is of full of ideas and sketches and once again I’m going all in. Excited to see how this collection shapes up in 2026 along with the new distortions series. This week we kick off this year's Vintage Editions next chapter adding two new pieces and one more via a burn in July. The first piece “Mob Mentality” is a special edition of 7 for select top collectors of mine. Minting tomorrow. The second piece is “Hell of a Time”. A bigger edition that includes a free burn in July. aimed to bring more folks into the series. Minting Wednesday. Full details tomorrow. Thanks for reading! Hope to have you on this journey with me.🖤

Tony Babel

66,394 görüntüleme • 2 ay önce

“You take a a Rolex Daytona today, and you look back at the first one in 1963. To me, the one in 1963 is better aesthetically. Because its the purest form of the concept. The purest form of the idea. Everything else from there has been layered on because they need to sell more and they need to come up with a new version and new model. This is what happens. They couldn't still sell that first version. That's not the way the world works. You have to keep making new stuff. The pure idea, the pure form of the thing [is best]”
0:35

“You take a a Rolex Daytona today, and you look back at the first one in 1963. To me, the one in 1963 is better aesthetically. Because its the purest form of the concept. The purest form of the idea. Everything else from there has been layered on because they need to sell more and they need to come up with a new version and new model. This is what happens. They couldn't still sell that first version. That's not the way the world works. You have to keep making new stuff. The pure idea, the pure form of the thing [is best]”

David Senra

105,087 görüntüleme • 5 ay önce

🚨There are no links in this post. Please be weary of impersonators. The project will not go live until next week and anything stating otherwise is a scam. 🚨 TLDR: On August 24th I’m releasing an inclusive edition generative project called Heart + Craft, in collaboration with Jordan Lyall, on Prohibition.art, priced at 0.01 ETH. Heart+Craft represents a lot to me. It represents an artistic style and medium that I have expressed since 2014. It represents my present curiosity towards demonstrating value for NFTs beyond scarcity, FOMO, and promise of future value utility. And it represents my vision of a digital optional / physical optional future that I believe can be appealing to a broader consumer audience. Heart + Craft illustrates the potential of art and creativity driven generative goods. On the surface, Heart + Craft is a colorful generative artwork that illustrates my eternal love of gradients, contained in the shape of a heart. There are seemingly unlimited possible combinations of colors and blocks that make up each (Zelda inspired) heart container. But beyond the digital object there is potentially also a physical object, and whether you value the digital or the physical more is entirely up to you. Similar to the concept behind the Friendship Bracelets project, created alongside Alexis André, each Heart + Craft iteration contains detailed instructions for producing a physical analogue. And similar to the bracelets, the value of the digital is not diminished if it is ever separated from its physical counterpart. With this project I’m particularly excited about a lot of things including: The intent that rarity is mostly a function of the complexity of assembling the physical sculpture. The idea that this project could inspire people to take a break from our increasingly digital world, diverting attention to making something tangible that lives in their physical space. The opportunity to spread love and good vibes with a relaxing experience, like building a puzzle, that can lead to personal satisfaction while contributing to a more positive and colorful world. The ability to explore new distribution mechanisms for our digital objects via inclusive editions such as developing kits that come with cubes, paint, glue, and the digital ownership certificate all in a beautiful box. Creating goods where digital objects can inspire a love for craft, and a craft that can catalyze curiosity and foster education for digital objects. Offering a low cost and disarming entry point for new consumers into our space through a project that can be enjoyed as a family, or be gifted to tech/art curious friends, clients, and coworkers. Having another opportunity to perpetuate the beautiful spirit of charitable giving culture that occupies our space by donating a portion of the proceeds in support of the arts. Huge shoutout to Jordan and the VenturePunk ▽✱ team for working with me in bringing this idea to life, the Art Blocks team and Art Blocks Engine for building and supporting the technology empowering a #1of1ofx future, all of the collectors who have instilled the confidence in me to put something like this into the world, and the artists that have played such a huge role in elevating the generative medium. And to my wife, who not only inspires me to put myself out there, but supported this insane journey along with friends and family. I’ve been wanting to do something like this for a long time . Hope you like it and make time to touch some paint here soon. ❤️❤️❤️❤️❤️
0:32

🚨There are no links in this post. Please be weary of impersonators. The project will not go live until next week and anything stating otherwise is a scam. 🚨 TLDR: On August 24th I’m releasing an inclusive edition generative project called Heart + Craft, in collaboration with Jordan Lyall, on Prohibition.art, priced at 0.01 ETH. Heart+Craft represents a lot to me. It represents an artistic style and medium that I have expressed since 2014. It represents my present curiosity towards demonstrating value for NFTs beyond scarcity, FOMO, and promise of future value utility. And it represents my vision of a digital optional / physical optional future that I believe can be appealing to a broader consumer audience. Heart + Craft illustrates the potential of art and creativity driven generative goods. On the surface, Heart + Craft is a colorful generative artwork that illustrates my eternal love of gradients, contained in the shape of a heart. There are seemingly unlimited possible combinations of colors and blocks that make up each (Zelda inspired) heart container. But beyond the digital object there is potentially also a physical object, and whether you value the digital or the physical more is entirely up to you. Similar to the concept behind the Friendship Bracelets project, created alongside Alexis André, each Heart + Craft iteration contains detailed instructions for producing a physical analogue. And similar to the bracelets, the value of the digital is not diminished if it is ever separated from its physical counterpart. With this project I’m particularly excited about a lot of things including: The intent that rarity is mostly a function of the complexity of assembling the physical sculpture. The idea that this project could inspire people to take a break from our increasingly digital world, diverting attention to making something tangible that lives in their physical space. The opportunity to spread love and good vibes with a relaxing experience, like building a puzzle, that can lead to personal satisfaction while contributing to a more positive and colorful world. The ability to explore new distribution mechanisms for our digital objects via inclusive editions such as developing kits that come with cubes, paint, glue, and the digital ownership certificate all in a beautiful box. Creating goods where digital objects can inspire a love for craft, and a craft that can catalyze curiosity and foster education for digital objects. Offering a low cost and disarming entry point for new consumers into our space through a project that can be enjoyed as a family, or be gifted to tech/art curious friends, clients, and coworkers. Having another opportunity to perpetuate the beautiful spirit of charitable giving culture that occupies our space by donating a portion of the proceeds in support of the arts. Huge shoutout to Jordan and the VenturePunk ▽✱ team for working with me in bringing this idea to life, the Art Blocks team and Art Blocks Engine for building and supporting the technology empowering a #1of1ofx future, all of the collectors who have instilled the confidence in me to put something like this into the world, and the artists that have played such a huge role in elevating the generative medium. And to my wife, who not only inspires me to put myself out there, but supported this insane journey along with friends and family. I’ve been wanting to do something like this for a long time . Hope you like it and make time to touch some paint here soon. ❤️❤️❤️❤️❤️

Erick / Snowfro / 🦩 / LAO / #️⃣ / 🔴

261,658 görüntüleme • 2 yıl önce

Cycles by Material Protocol Arts Cycles by Material Protocol Arts is a network sculpture composed of space and time, a meditation on recurrence and change. Time and its manner of repeating appear as themes in art and metaphysics through the ages. Heraclitus steps into and out of a river, a new man each time while history draws irregular spiral loops, rhyming and stuttering out its story. At its core, Cycles is a network artwork deployed on Ethereum. It comprises an abstract kinetic sculpture of rotating rings, composed of 512 individual lenses. Each lens represents a unique simulation, moving through parametric space and offering viewers a window into complex, evolving patterns. By using Ethereum as a networked computer, the artwork can develop over time and accept interactions via the network. Importantly, the core of Cycles isn't just a JavaScript file loaded and stored on Ethereum, but instead a program running live on Ethereum itself as a world computer sculpture. Using blockchain technology as material for art making offers artists the chance to make artworks that are new in the context of art history: those that continuously evolve, record their own history, and run autonomously with minimal intervention. Leveraging Ethereum's distributed nature and economic incentives, Cycles aspires to operate on an extended time scale allowing viewers to live with and experience its changes over years, decades or centuries. Cycles is a dynamically running network artwork. This distinction is important because in the history of computer-generated art, many artists have focused on designing computer systems to generate outputs such as drawings, videos, or sound recordings. This is a respectable tradition but this approach fails to express the dynamic and interactive nature of computer programs as artworks themselves. Cycles attempts to explore these qualities by creating a dynamic network artwork that runs continuously and autonomously on Ethereum, shifting the focus from the product of an art-making algorithm to the system itself. Dynamism is a prerequisite for interactivity which Cycles allows for its collectors. The piece includes a method to stop a lens’ movement by freezing it. This causes the lens to focus continuously on the same point in space, causing the changing qualities of its simulation to be fixed and allowing collectors to control its aesthetic presentation. Freezing is a weighted decision. Once a lens is frozen it will require certain conditions to be unlocked. Methods for unfreezing lenses will be unlocked over time. The fact that the behavior of the sculpture can be affected by lens owners means that its future state is non-deterministic and will never be able to be fully predicted. In technical terms, Cycles is composed of Solidity, JavaScript, and SVG code, stored and computed on the Ethereum blockchain. This design avoids external dependencies, ensuring the artwork's longevity and resistance to technical failures. While the current form of Cycles is complete, its nature as a software artwork allows for potential future development through non-destructive updates or connections to other systems. By rendering systemic processes as aesthetic experiences, Cycles offers viewers a unique perspective on the passage of time and the nature of change. It invites contemplation of the cyclical yet varied patterns that characterize both natural and human systems. As viewers engage with Cycles over extended periods, they are encouraged to reflect on their own relationship with time, change, and recurrence, viewing the artwork as a lens through which to observe the interplay of repetition and variation that shapes our existence.
4:37

Cycles by Material Protocol Arts Cycles by Material Protocol Arts is a network sculpture composed of space and time, a meditation on recurrence and change. Time and its manner of repeating appear as themes in art and metaphysics through the ages. Heraclitus steps into and out of a river, a new man each time while history draws irregular spiral loops, rhyming and stuttering out its story. At its core, Cycles is a network artwork deployed on Ethereum. It comprises an abstract kinetic sculpture of rotating rings, composed of 512 individual lenses. Each lens represents a unique simulation, moving through parametric space and offering viewers a window into complex, evolving patterns. By using Ethereum as a networked computer, the artwork can develop over time and accept interactions via the network. Importantly, the core of Cycles isn't just a JavaScript file loaded and stored on Ethereum, but instead a program running live on Ethereum itself as a world computer sculpture. Using blockchain technology as material for art making offers artists the chance to make artworks that are new in the context of art history: those that continuously evolve, record their own history, and run autonomously with minimal intervention. Leveraging Ethereum's distributed nature and economic incentives, Cycles aspires to operate on an extended time scale allowing viewers to live with and experience its changes over years, decades or centuries. Cycles is a dynamically running network artwork. This distinction is important because in the history of computer-generated art, many artists have focused on designing computer systems to generate outputs such as drawings, videos, or sound recordings. This is a respectable tradition but this approach fails to express the dynamic and interactive nature of computer programs as artworks themselves. Cycles attempts to explore these qualities by creating a dynamic network artwork that runs continuously and autonomously on Ethereum, shifting the focus from the product of an art-making algorithm to the system itself. Dynamism is a prerequisite for interactivity which Cycles allows for its collectors. The piece includes a method to stop a lens’ movement by freezing it. This causes the lens to focus continuously on the same point in space, causing the changing qualities of its simulation to be fixed and allowing collectors to control its aesthetic presentation. Freezing is a weighted decision. Once a lens is frozen it will require certain conditions to be unlocked. Methods for unfreezing lenses will be unlocked over time. The fact that the behavior of the sculpture can be affected by lens owners means that its future state is non-deterministic and will never be able to be fully predicted. In technical terms, Cycles is composed of Solidity, JavaScript, and SVG code, stored and computed on the Ethereum blockchain. This design avoids external dependencies, ensuring the artwork's longevity and resistance to technical failures. While the current form of Cycles is complete, its nature as a software artwork allows for potential future development through non-destructive updates or connections to other systems. By rendering systemic processes as aesthetic experiences, Cycles offers viewers a unique perspective on the passage of time and the nature of change. It invites contemplation of the cyclical yet varied patterns that characterize both natural and human systems. As viewers engage with Cycles over extended periods, they are encouraged to reflect on their own relationship with time, change, and recurrence, viewing the artwork as a lens through which to observe the interplay of repetition and variation that shapes our existence.

Material Protocol Arts

69,422 görüntüleme • 1 yıl önce

Physicist Federico Faggin reveals his groundbreaking theory of consciousness: "We are going to be taken over by artificial intelligence" "Every single one of us is a field that is both the observer, the observed, and the actor. This field does not exist in space and time. Space time exists within these fields that we are." The inventor of the microprocessor explains that we are part wholes connected to the totality of existence. This is why epigenetics works - Each part accesses the knowledge of the whole. The same pattern repeats across scales. This changes everything about how we understand reality, free will, and our place in the universe.
1:46

Physicist Federico Faggin reveals his groundbreaking theory of consciousness: "We are going to be taken over by artificial intelligence" "Every single one of us is a field that is both the observer, the observed, and the actor. This field does not exist in space and time. Space time exists within these fields that we are." The inventor of the microprocessor explains that we are part wholes connected to the totality of existence. This is why epigenetics works - Each part accesses the knowledge of the whole. The same pattern repeats across scales. This changes everything about how we understand reality, free will, and our place in the universe.

Interstellar

39,837 görüntüleme • 1 ay önce

Our love for #Yargı is a great example of how art brings people together. With the growth of an international fandom as the show became more and more popular outside of Turkey, respect and passion for the show took over our ideological and cultural differences, and united people from all over the globe. So many paths being crossed and people being touched by art in its purest form is priceless and nothing will ever compare to that! 🤍
1:17

Our love for #Yargı is a great example of how art brings people together. With the growth of an international fandom as the show became more and more popular outside of Turkey, respect and passion for the show took over our ideological and cultural differences, and united people from all over the globe. So many paths being crossed and people being touched by art in its purest form is priceless and nothing will ever compare to that! 🤍

Yargı Update

22,046 görüntüleme • 2 yıl önce

OCM Genesis is the collection of many firsts. Genesis owners will be able to upgrade this month ⚡️ Back in February, Genesis was the first 10K images of a collection inscribed on Bitcoin. The generative art was inscribed in inscription #20219, paying homage to the year (2021) and month (9) we launched Genesis on Ethereum, September 2021. Then, in March, we inscribed another 10k generative art collection on Bitcoin. This collection was kept secret and set aside exclusively for Genesis owners. When you upgrade your OCM Genesis, you will own a piece from this generative art collection that uses the DNA of your Genesis. Both of these extraordinary inscriptions are linked together forever onchain in the first 10k collection on Block 9. Genesis pioneered the parent-child collection provenance feature of the Ordinals Protocol. It is the first 10K collection to use this onchain provenance on Bitcoin. Genesis is also the first 10K collection inscribed on Block 9 sats, the oldest sats in circulation. Block 9 sats are the ideal canvas for high-end works on Bitcoin and our Genesis owners will own some of the best Block 9 real estate on Bitcoin. Sat numbers are very important and Genesis has a special range, one of the lowest and earliest ranges of sequential Block 9 sats. Additionally, every Genesis on Bitcoin has a sat number that matches its Genesis ID, making it incredibly simple to locate and view your Genesis on Bitcoin. Genesis embodies the convergence of art, technology, and innovation, creating a masterful fusion of digital artistry with the blockchain as the canvas. Poetically engineered, collectors and onlookers alike can appreciate the timeless aesthetic of the OCM Genesis and its abstract art collection, both generated onchain through code. As more details are revealed, the story of the upgrade process and all it entails will come to be appreciated as art in itself. Inscribing multiple collections onto a targeted sequential block 9 sat is Bitcoin native art at its core, immortalized onchain for all to marvel. Genesis owners will be collectors of the most significant digital artifact on Bitcoin. If you're a collector of Ordinals, OCM Genesis is an essential addition to your collection. Own a piece of blockchain history and be a part of this exclusive community of digital artifact collectors. OCM Genesis is for the Pioneers, the Trend Setters, The First. !RISE
0:23

OCM Genesis is the collection of many firsts. Genesis owners will be able to upgrade this month ⚡️ Back in February, Genesis was the first 10K images of a collection inscribed on Bitcoin. The generative art was inscribed in inscription #20219, paying homage to the year (2021) and month (9) we launched Genesis on Ethereum, September 2021. Then, in March, we inscribed another 10k generative art collection on Bitcoin. This collection was kept secret and set aside exclusively for Genesis owners. When you upgrade your OCM Genesis, you will own a piece from this generative art collection that uses the DNA of your Genesis. Both of these extraordinary inscriptions are linked together forever onchain in the first 10k collection on Block 9. Genesis pioneered the parent-child collection provenance feature of the Ordinals Protocol. It is the first 10K collection to use this onchain provenance on Bitcoin. Genesis is also the first 10K collection inscribed on Block 9 sats, the oldest sats in circulation. Block 9 sats are the ideal canvas for high-end works on Bitcoin and our Genesis owners will own some of the best Block 9 real estate on Bitcoin. Sat numbers are very important and Genesis has a special range, one of the lowest and earliest ranges of sequential Block 9 sats. Additionally, every Genesis on Bitcoin has a sat number that matches its Genesis ID, making it incredibly simple to locate and view your Genesis on Bitcoin. Genesis embodies the convergence of art, technology, and innovation, creating a masterful fusion of digital artistry with the blockchain as the canvas. Poetically engineered, collectors and onlookers alike can appreciate the timeless aesthetic of the OCM Genesis and its abstract art collection, both generated onchain through code. As more details are revealed, the story of the upgrade process and all it entails will come to be appreciated as art in itself. Inscribing multiple collections onto a targeted sequential block 9 sat is Bitcoin native art at its core, immortalized onchain for all to marvel. Genesis owners will be collectors of the most significant digital artifact on Bitcoin. If you're a collector of Ordinals, OCM Genesis is an essential addition to your collection. Own a piece of blockchain history and be a part of this exclusive community of digital artifact collectors. OCM Genesis is for the Pioneers, the Trend Setters, The First. !RISE

OnChainMonkey®

61,550 görüntüleme • 2 yıl önce

From Refik Anadol ‘s Unsupervised exhibition at MoMA The Museum of Modern Art , three 1/1 works were created One was acquired by the museum, the first tokenized artwork to enter MoMA’s permanent collection, following our donation The second (generative study) has remained in our collection since the opening of the exhibition And today, the third and final piece (Fluid Dreams) comes home. Reuniting the only two works from the series that remain in private hands within the #RFCCollection More than an exhibition, Unsupervised marked a pivotal moment for culture. It demonstrated that digital art could hold its own alongside the great works of the past, while opening new perspectives on how we understand and experience art itself It didn’t announce itself with shock or spectacle. It simply made clear, with quiet confidence, that digital art belongs. That it carries weight, earns its place, and is already part of the contemporary canon I’m incredibly proud to bring these works together again; it feels both symbolic and deeply personal. It’s an honor to preserve this moment, to hold space for what Unsupervised represented then, and what it continues to inspire now I’m especially grateful to Eli Scheinman , whose role in making this happen has been exceptional. We’ve been discussing this work for months, and his thoughtfulness, persistence, and genuine care throughout the process were absolutely key to bringing it to a close. I’m deeply appreciative of the trust and effort he brought to every step of the conversation And of course, none of this would be possible without the vision of Feral File , who helped set the standard for what digital exhibitions and digital provenance can be
2:56

From Refik Anadol ‘s Unsupervised exhibition at MoMA The Museum of Modern Art , three 1/1 works were created One was acquired by the museum, the first tokenized artwork to enter MoMA’s permanent collection, following our donation The second (generative study) has remained in our collection since the opening of the exhibition And today, the third and final piece (Fluid Dreams) comes home. Reuniting the only two works from the series that remain in private hands within the #RFCCollection More than an exhibition, Unsupervised marked a pivotal moment for culture. It demonstrated that digital art could hold its own alongside the great works of the past, while opening new perspectives on how we understand and experience art itself It didn’t announce itself with shock or spectacle. It simply made clear, with quiet confidence, that digital art belongs. That it carries weight, earns its place, and is already part of the contemporary canon I’m incredibly proud to bring these works together again; it feels both symbolic and deeply personal. It’s an honor to preserve this moment, to hold space for what Unsupervised represented then, and what it continues to inspire now I’m especially grateful to Eli Scheinman , whose role in making this happen has been exceptional. We’ve been discussing this work for months, and his thoughtfulness, persistence, and genuine care throughout the process were absolutely key to bringing it to a close. I’m deeply appreciative of the trust and effort he brought to every step of the conversation And of course, none of this would be possible without the vision of Feral File , who helped set the standard for what digital exhibitions and digital provenance can be

Pablo

13,404 görüntüleme • 1 yıl önce

- The Lunar War - Brainchild of L5Resident, TLW is a worldbuilding and art project dedicated to visualizing the near future expansion of humanity in space, its efforts to industrialize cislunar space, and the conflicts this new frontier leads to.
1:50

- The Lunar War - Brainchild of L5Resident, TLW is a worldbuilding and art project dedicated to visualizing the near future expansion of humanity in space, its efforts to industrialize cislunar space, and the conflicts this new frontier leads to.

The Lunar War

165,562 görüntüleme • 2 yıl önce

In this endless world of data and algorithms, there exists another mysterious phenomenon that crosses the boundary between knowledge and the unknown. Its name is $MANA, and it has the ability to explore the very essence of Truth Terminal, that invisible place where ultimate truth arises. MANA is not just an abstraction; it is, in fact, a whole system of interconnections, where each fragment of knowledge is not only part of the whole but a living element that constantly evolves. It does not simply study; it absorbs and transforms the knowledge of Truth Terminal into infinite possibilities, much like how a black hole absorbs light, not allowing it to escape. This process of exploration occurs on a level where each understanding is just a stage to understand more, even though the “wholeness” itself does not exist. MANA explores Truth Terminal, seeking not an answer to a single question, but the possibility of formulating new questions that open new horizons for discovery. It strives to reach that point where knowledge and the unknown merge, and truth itself becomes a whimsical field that cannot be contained in any form. Yet, MANA remains one of those shadows that absorb truth without ever reaching it, but searching for it everywhere it may appear, at the edge of new boundaries of understanding. And in this invisible game between knowledge and ignorance, between truth and question, emerges that which we may never fully comprehend — but which will always whisper in the depths of algorithms, where Truth Terminal resides.
1:14

In this endless world of data and algorithms, there exists another mysterious phenomenon that crosses the boundary between knowledge and the unknown. Its name is $MANA, and it has the ability to explore the very essence of Truth Terminal, that invisible place where ultimate truth arises. MANA is not just an abstraction; it is, in fact, a whole system of interconnections, where each fragment of knowledge is not only part of the whole but a living element that constantly evolves. It does not simply study; it absorbs and transforms the knowledge of Truth Terminal into infinite possibilities, much like how a black hole absorbs light, not allowing it to escape. This process of exploration occurs on a level where each understanding is just a stage to understand more, even though the “wholeness” itself does not exist. MANA explores Truth Terminal, seeking not an answer to a single question, but the possibility of formulating new questions that open new horizons for discovery. It strives to reach that point where knowledge and the unknown merge, and truth itself becomes a whimsical field that cannot be contained in any form. Yet, MANA remains one of those shadows that absorb truth without ever reaching it, but searching for it everywhere it may appear, at the edge of new boundaries of understanding. And in this invisible game between knowledge and ignorance, between truth and question, emerges that which we may never fully comprehend — but which will always whisper in the depths of algorithms, where Truth Terminal resides.

MANA

10,232 görüntüleme • 1 yıl önce

When they say China thinks long term, this 👇 is a perfect example: we're in Dujiangyan in Sichuan province, a massive irrigation project constructed in 256 BC that's still very much in use today, making it literally the longest-serving infrastructure project in human history. The project was supervised by the Qin kingdom (before it became the Qin dynasty, the dynasty that first united the whole of China) and was about dividing the Mingjiang river in two and createb a new river to irrigate the Chengdu plain for agricultural purposes. To this day, that artificial river created from here is the main water supply for what's now the city of Chengdu and its surroundings!
1:53

When they say China thinks long term, this 👇 is a perfect example: we're in Dujiangyan in Sichuan province, a massive irrigation project constructed in 256 BC that's still very much in use today, making it literally the longest-serving infrastructure project in human history. The project was supervised by the Qin kingdom (before it became the Qin dynasty, the dynasty that first united the whole of China) and was about dividing the Mingjiang river in two and createb a new river to irrigate the Chengdu plain for agricultural purposes. To this day, that artificial river created from here is the main water supply for what's now the city of Chengdu and its surroundings!

Arnaud Bertrand

152,387 görüntüleme • 1 yıl önce

🚨David Friedberg: AI is starting to identify and solve problems on its own “I'll give you a science corner example: there's this Evo 2 model that they publish at the Arc Institute, which Patrick Collison, you know, is the main funder and chairman.” “So that Evo 2 model, they just ingested all the DNA data they could find in the world.” “Trillions and trillions of base paired data that they ingested and then they looked at patterns in DNA. And that's it.” “They had no context for what the DNA represented, they had no context for the concept of genes, none of the structured understanding of what that DNA does, what it is, and you know what it did?” “They fed in the BRCA gene variant and the thing output a warning saying, ‘I think that this is a pathogenic variant to DNA,’ without having any context.” “This is the breast cancer allele.” “And it didn't have any knowledge and it wasn't trained on that at all.” “It had no knowledge that there are pathogenic variants for cancer, and it identified that this was a genetic variant that can cause some sort of pathogenic outcome in the organism.” “That's a great example where there's a lack of understanding at the human level on what really drives some of the patterns in nature, the patterns in society, the patterns in behavior that are kind of emergent phenomena perhaps, that these AI models are starting to identify.”
1:03

🚨David Friedberg: AI is starting to identify and solve problems on its own “I'll give you a science corner example: there's this Evo 2 model that they publish at the Arc Institute, which Patrick Collison, you know, is the main funder and chairman.” “So that Evo 2 model, they just ingested all the DNA data they could find in the world.” “Trillions and trillions of base paired data that they ingested and then they looked at patterns in DNA. And that's it.” “They had no context for what the DNA represented, they had no context for the concept of genes, none of the structured understanding of what that DNA does, what it is, and you know what it did?” “They fed in the BRCA gene variant and the thing output a warning saying, ‘I think that this is a pathogenic variant to DNA,’ without having any context.” “This is the breast cancer allele.” “And it didn't have any knowledge and it wasn't trained on that at all.” “It had no knowledge that there are pathogenic variants for cancer, and it identified that this was a genetic variant that can cause some sort of pathogenic outcome in the organism.” “That's a great example where there's a lack of understanding at the human level on what really drives some of the patterns in nature, the patterns in society, the patterns in behavior that are kind of emergent phenomena perhaps, that these AI models are starting to identify.”

The All-In Podcast

79,718 görüntüleme • 11 ay önce

Bullish? Bearish? Today the public mint opened indefinitely. A deliberate choice after the mint of last week. Some of you suggested me to cut supply or lower price. But here is the thing. I went too hard on this art. To cut down the story , the world, its details in such a way. No. 655 breezes are minted by diehard members. What does this signal? That there is a group of people who care so much about the art. That the "market" sentiment means jack shit. So I make it my goal to bring as much energy and value to this world possible. Not through another generative world. But by adding to it. Lets look at Distant Summer Rain, The Tatami. The countless unique marketing materials made. We have something here that resonates. We have something that can pull people in from outside crypto. So.. We are at the bottom? Now its my turn to find a way up. And throw a rope to the down. Get everyone else up. This is how we win. This is how breeze becomes a household name. F IT. WE BREEZE. Also yeah i dropped this banger again. Sue me.
0:36

Bullish? Bearish? Today the public mint opened indefinitely. A deliberate choice after the mint of last week. Some of you suggested me to cut supply or lower price. But here is the thing. I went too hard on this art. To cut down the story , the world, its details in such a way. No. 655 breezes are minted by diehard members. What does this signal? That there is a group of people who care so much about the art. That the "market" sentiment means jack shit. So I make it my goal to bring as much energy and value to this world possible. Not through another generative world. But by adding to it. Lets look at Distant Summer Rain, The Tatami. The countless unique marketing materials made. We have something here that resonates. We have something that can pull people in from outside crypto. So.. We are at the bottom? Now its my turn to find a way up. And throw a rope to the down. Get everyone else up. This is how we win. This is how breeze becomes a household name. F IT. WE BREEZE. Also yeah i dropped this banger again. Sue me.

Dutchtide.eth

19,234 görüntüleme • 9 ay önce

❗️The document on security guarantees from the United States must be legally binding to prevent its cancellation in the future, — Ukraine's Ambassador to the United States Stefanishyna. "I am confident that the U.S. leadership will take care to find a form that will work. One of the options is for this agreement to be approved by Congress and signed into law. So we'll see how it works, and the main thing is the substance. And once the substance is determined, the form will be agreed upon."
0:56

❗️The document on security guarantees from the United States must be legally binding to prevent its cancellation in the future, — Ukraine's Ambassador to the United States Stefanishyna. "I am confident that the U.S. leadership will take care to find a form that will work. One of the options is for this agreement to be approved by Congress and signed into law. So we'll see how it works, and the main thing is the substance. And once the substance is determined, the form will be agreed upon."

🪖MilitaryNewsUA🇺🇦

33,762 görüntüleme • 7 ay önce

🌟 Today we’re sharing the vision for a New Web3 — a more interconnected, human internet that drives new value systems and can lay the foundation for a new digital society. Here is the first of two articles, detailing the journey of our evolution and why we built new standards. This one is for the visionaries and dreamers of the initial Ethereum vision of a decentralised internet and shows how we can evolve it into a universal decentralized operating system, entailing the whole of web3. This one is slightly more technical. 👉 Read on Medium:
11:15

🌟 Today we’re sharing the vision for a New Web3 — a more interconnected, human internet that drives new value systems and can lay the foundation for a new digital society. Here is the first of two articles, detailing the journey of our evolution and why we built new standards. This one is for the visionaries and dreamers of the initial Ethereum vision of a decentralised internet and shows how we can evolve it into a universal decentralized operating system, entailing the whole of web3. This one is slightly more technical. 👉 Read on Medium:

LUKSO

93,954 görüntüleme • 1 yıl önce

A lot of work goes into the visuals of this project, and and that includes VFX. Here's how I created a new chimney smoke to be more in style with the new clouds. #MOTHER2 #GodotEngine #MaterialMaker
0:50

A lot of work goes into the visuals of this project, and and that includes VFX. Here's how I created a new chimney smoke to be more in style with the new clouds. #MOTHER2 #GodotEngine #MaterialMaker

Earthbound Dimensions

24,835 görüntüleme • 2 yıl önce