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How to get a big seamless backdrop in a small studio. The effect isn't difficult, it just takes a little bit of effort. Here is my guide on how to achieve this effect. First, film against a seamless backdrop, and leave extra space around the frame. Just make sure...

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NYC CINEMATOGRAPHER & COLORIST

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145,400 Aufrufe • vor 9 Monaten •via TikTok

KunstWissenschaft & Technologie#filmmakingtips#contentcreator#cinematography
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How to do this @@Strava edit using @CapCut !! ✨First add in the video of you looking off into the distance, then kicking the air ✨Go into strava and save your run as a picture ✨Go back into CapCut and add the starva image as overlay ✨Make it smaller, and place it up into the left hand corner ✨With he overlay selected, hit key frame (the button that looks like a little diamond), then scroll to where you kick and add another key frame and drag your strava image to it ✨Then create another key frame a little bit after, and make your stava image bigger ✨Go in-between the key frames and hit split, then split the video as well in the same spot ✨On the both the overlay and the second clip of the video, animate them both with “shake 3” in CapCut ✨All you have left to do is export the video and it’s as easy as that #stravaedit #editingtutorial #capcut #strava
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How to do this @@Strava edit using @CapCut !! ✨First add in the video of you looking off into the distance, then kicking the air ✨Go into strava and save your run as a picture ✨Go back into CapCut and add the starva image as overlay ✨Make it smaller, and place it up into the left hand corner ✨With he overlay selected, hit key frame (the button that looks like a little diamond), then scroll to where you kick and add another key frame and drag your strava image to it ✨Then create another key frame a little bit after, and make your stava image bigger ✨Go in-between the key frames and hit split, then split the video as well in the same spot ✨On the both the overlay and the second clip of the video, animate them both with “shake 3” in CapCut ✨All you have left to do is export the video and it’s as easy as that #stravaedit #editingtutorial #capcut #strava

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How to Create Music That Matches Your Video's Sound with Suno Studio I made a quick video showing how I use Suno Studio to generate background music that fits the audio and mood of a video, similar to the example in the quoted post. This is the method I use at the moment but if you have a better approach, feel free to share it. Before starting, export the original audio from your video. I usually do this in CapCut. After generating a track you like in Suno Studio, you can import it back into CapCut and add it to your video. *This is not a paid partnership.
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How to Create Music That Matches Your Video's Sound with Suno Studio I made a quick video showing how I use Suno Studio to generate background music that fits the audio and mood of a video, similar to the example in the quoted post. This is the method I use at the moment but if you have a better approach, feel free to share it. Before starting, export the original audio from your video. I usually do this in CapCut. After generating a track you like in Suno Studio, you can import it back into CapCut and add it to your video. *This is not a paid partnership.

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Get any camera move you want, using just your phone. Frame the shot, hit record, and move your camera exactly how you want it - a simple pan, a push-in and swirl, whatever. Load that clip into Agent One and tell it what you want in the shot. Your recorded video drives the camera move, Agent One runs it through Seedance, and you sit back and watch. Pro tip - match your phone frame to your first generated frame. The closer it lines up, the better it lands. Watch the video to see exactly how we did it.
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Get any camera move you want, using just your phone. Frame the shot, hit record, and move your camera exactly how you want it - a simple pan, a push-in and swirl, whatever. Load that clip into Agent One and tell it what you want in the shot. Your recorded video drives the camera move, Agent One runs it through Seedance, and you sit back and watch. Pro tip - match your phone frame to your first generated frame. The closer it lines up, the better it lands. Watch the video to see exactly how we did it.

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So Runway Aleph 2.0 just dropped, and it introduces a pretty interesting workflow for AI video footage editing. Rather than repeatedly prompting a video model and hoping it makes the change you want, you can edit a specific frame first, then use that frame to guide the video generation. For this test, I take an existing footage inside Runway: • Picked a frame from the original video • Used Nano Banana Pro to add a new effect/object • Brought that frame into Aleph 2.0 to generate the updated video It feels like a more controllable and potentially cheaper way to make targeted edits to existing footage than current AI video omni models available like Seedance and Gemini.
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So Runway Aleph 2.0 just dropped, and it introduces a pretty interesting workflow for AI video footage editing. Rather than repeatedly prompting a video model and hoping it makes the change you want, you can edit a specific frame first, then use that frame to guide the video generation. For this test, I take an existing footage inside Runway: • Picked a frame from the original video • Used Nano Banana Pro to add a new effect/object • Brought that frame into Aleph 2.0 to generate the updated video It feels like a more controllable and potentially cheaper way to make targeted edits to existing footage than current AI video omni models available like Seedance and Gemini.

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ordering groceries collaboratively should be as seamless as messaging in a group chat. this is the type of experience that is hard to go back from once you experience it, and it's just a small glimpse into all the things Twin can do. see how it works below!
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ordering groceries collaboratively should be as seamless as messaging in a group chat. this is the type of experience that is hard to go back from once you experience it, and it's just a small glimpse into all the things Twin can do. see how it works below!

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If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. 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We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.
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If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

Jamal ☯︎ 🔆🧘🏽🧠

13,149 Aufrufe • vor 7 Monaten

Cool engineering thing about IMAX - the film is so large that a traditional film transport system would put too much stress on the sprocket holes on the edge of the film. The film needs to get pulled forward a frame and then held still, the acceleration forces increase as the square of the frame size, so the full 15 hole/frame IMAX film is 9 times the acceleration of 5 hole/frame 70mm. This extra stress increases the chance that film gets damaged to the point that the developers of the format came up with a 'Rolling loop' transport mechanism that bends the film into a loop of exactly the right length, this moves down the film like a wave, and each wave advances the film by one frame. This changes the stresses and lets the large format film work without failing. I remember seeing this in the 90's and only just remembered when someone showed me a video from Ryan Coogler talking about film formats.
0:30

Cool engineering thing about IMAX - the film is so large that a traditional film transport system would put too much stress on the sprocket holes on the edge of the film. The film needs to get pulled forward a frame and then held still, the acceleration forces increase as the square of the frame size, so the full 15 hole/frame IMAX film is 9 times the acceleration of 5 hole/frame 70mm. This extra stress increases the chance that film gets damaged to the point that the developers of the format came up with a 'Rolling loop' transport mechanism that bends the film into a loop of exactly the right length, this moves down the film like a wave, and each wave advances the film by one frame. This changes the stresses and lets the large format film work without failing. I remember seeing this in the 90's and only just remembered when someone showed me a video from Ryan Coogler talking about film formats.

Scott Manley

274,676 Aufrufe • vor 9 Monaten

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.
0:40

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

shoneec

17,894 Aufrufe • vor 1 Jahr

We talked to Christian Keil about how to win a space war. Christian is a partner at a16z American Dynamism and formerly worked at Astranis. "The secret is you have to achieve normal military objectives, maintain your communications lines, move wherever you want to move, deny those things to your adversaries, but you have to do it in a way that doesn't make space into this gross field of debris that nobody can use." "Uniquely, space can be sullied as a domain. Space itself can be harmed." "Space is fragile. If you just go and blow up a bunch of your adversary's stuff, all of those pieces of debris are swarming around you now, and all of your stuff is gonna get taken out too." "In the ocean, you sink a boat and it goes to the bottom. You blow up a plane, it falls to the ground. But in space, even if you blow up something, all of those little individual shards stay in roughly the same orbital band around Earth."
3:20

We talked to Christian Keil about how to win a space war. Christian is a partner at a16z American Dynamism and formerly worked at Astranis. "The secret is you have to achieve normal military objectives, maintain your communications lines, move wherever you want to move, deny those things to your adversaries, but you have to do it in a way that doesn't make space into this gross field of debris that nobody can use." "Uniquely, space can be sullied as a domain. Space itself can be harmed." "Space is fragile. If you just go and blow up a bunch of your adversary's stuff, all of those pieces of debris are swarming around you now, and all of your stuff is gonna get taken out too." "In the ocean, you sink a boat and it goes to the bottom. You blow up a plane, it falls to the ground. But in space, even if you blow up something, all of those little individual shards stay in roughly the same orbital band around Earth."

MTS

11,401 Aufrufe • vor 6 Monaten

You’re generating a video and…there it is. The shot. ✨ Don’t let it slip away. With the ability to save a frame in Scenebuilder, you can capture that single moment and bring it into future videos. Use it as your starting point, a key ingredient for another scene, or the spark for something completely new. Your next big idea might be hiding in plain sight. #FindYourFlow
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You’re generating a video and…there it is. The shot. ✨ Don’t let it slip away. With the ability to save a frame in Scenebuilder, you can capture that single moment and bring it into future videos. Use it as your starting point, a key ingredient for another scene, or the spark for something completely new. Your next big idea might be hiding in plain sight. #FindYourFlow

Google Flow

18,703 Aufrufe • vor 1 Jahr

I am all for strange things that you can implement into your daily life that have positive health benefits. This is a nice one that tests your balance and proprioception as your head moves through different angles and planes of movement while you are travelling through space. It looks simple, but you will soon feel that walking is not the same as when your head is in place, as it normally is. Another one is to move your eyes in different directions, opposite to where your head is moving, and still maintain a semblance of balance. Start slow and feel your way into this.
0:40

I am all for strange things that you can implement into your daily life that have positive health benefits. This is a nice one that tests your balance and proprioception as your head moves through different angles and planes of movement while you are travelling through space. It looks simple, but you will soon feel that walking is not the same as when your head is in place, as it normally is. Another one is to move your eyes in different directions, opposite to where your head is moving, and still maintain a semblance of balance. Start slow and feel your way into this.

⚡️🌞 Sol Brah 🌞🐬

10,868 Aufrufe • vor 4 Monaten

This is how you build the next generation of AI applications. You need an idea, a good model architecture, and a great harness. That's what MUZIM did. It's an app that runs local multimodal and vision models offline to parse and index your images, videos, and documents frame by frame. • Super fast on-device processing • On-device video & image understanding • You can also bring your API keys for heavy reasoning • Your data stays where it is / nothing goes to the cloud You can do a couple of things with this: 1. Vibe searching for whatever you remember in photos or raw video clips. The app will jump straight to the exact frame and timestamp of the video. This is search as it should be. 2. Use local-running agents to perform tasks on your files. I show a couple of examples in my video. You can check it out here: Thanks to the MUZIM by OpenSoul team for showing me the tool and partnering with me on this post.
6:30

This is how you build the next generation of AI applications. You need an idea, a good model architecture, and a great harness. That's what MUZIM did. It's an app that runs local multimodal and vision models offline to parse and index your images, videos, and documents frame by frame. • Super fast on-device processing • On-device video & image understanding • You can also bring your API keys for heavy reasoning • Your data stays where it is / nothing goes to the cloud You can do a couple of things with this: 1. Vibe searching for whatever you remember in photos or raw video clips. The app will jump straight to the exact frame and timestamp of the video. This is search as it should be. 2. Use local-running agents to perform tasks on your files. I show a couple of examples in my video. You can check it out here: Thanks to the MUZIM by OpenSoul team for showing me the tool and partnering with me on this post.

Santiago

65,953 Aufrufe • vor 2 Monaten

I was just messing around with the animation, then I noticed that the swimming animation would leave the ripple effect behind, and you can change the size of it, too And of course, you can do this even on a land surface (Imagine a scene with you standing on land, but have a water ripple effect, something like that) Also, in this video, I just learn how to use the sky environment It's really helped me a lot to find the perfect cloud and sky color And I'm really proud of what the final picture has turned into #GPOSER #GPOSERS
1:09:07

I was just messing around with the animation, then I noticed that the swimming animation would leave the ripple effect behind, and you can change the size of it, too And of course, you can do this even on a land surface (Imagine a scene with you standing on land, but have a water ripple effect, something like that) Also, in this video, I just learn how to use the sky environment It's really helped me a lot to find the perfect cloud and sky color And I'm really proud of what the final picture has turned into #GPOSER #GPOSERS

Lightny Lightningstorm

12,525 Aufrufe • vor 9 Monaten

What really makes vintage cakes look beautiful is precise piping. And I’ve found that this is one of the easiest ways to get those clean, balanced vintage designs on the sides of your cake. Just take anything that looks like a circle, cut it in half or use a semicircle if you already have one, then use it as a guide while you pipe on the body of your cake. This helps you get really smooth, seamless and perfectly balanced piping every time. I hope you found this hack helpful. And remember to register for our Beginner’s Baker’s Class. Our early bird fee is ₦200,000 and the price goes back to ₦250,000 on the 22nd. #cakehack #caketutorials #cakesingra #cakesinikeja #cakesinigando
1:17

What really makes vintage cakes look beautiful is precise piping. And I’ve found that this is one of the easiest ways to get those clean, balanced vintage designs on the sides of your cake. Just take anything that looks like a circle, cut it in half or use a semicircle if you already have one, then use it as a guide while you pipe on the body of your cake. This helps you get really smooth, seamless and perfectly balanced piping every time. I hope you found this hack helpful. And remember to register for our Beginner’s Baker’s Class. Our early bird fee is ₦200,000 and the price goes back to ₦250,000 on the 22nd. #cakehack #caketutorials #cakesingra #cakesinikeja #cakesinigando

Affordable Cakes In Egbeda

23,400 Aufrufe • vor 9 Monaten

Notch Clips. every other ad tool ignores the footage sitting in your dropbox and generates new clips from a prompt. notch opens your library instead. it watches every clip you have ever shot and understands what is inside each one. the mood. who is in frame. what they are doing. the quality. so when you ask it to build an ad, it does not start from scratch. it reaches into your past shoots, finds the clip that fits, and slots it into the exact moment that needs it. here is what that looks like. you had thirteen versions of one reaction shot. notch picked the one that worked and left the other twelve. not by filename. not by guessing from a reference image. it watched all thirteen and could tell the difference. that is the whole idea. the right clip was already in your library. every other tool was about to make a worse one. footage you already shot, turned into every ad you still need. drop your site and a few clips you have. notch builds the first ad from them.
0:40

Notch Clips. every other ad tool ignores the footage sitting in your dropbox and generates new clips from a prompt. notch opens your library instead. it watches every clip you have ever shot and understands what is inside each one. the mood. who is in frame. what they are doing. the quality. so when you ask it to build an ad, it does not start from scratch. it reaches into your past shoots, finds the clip that fits, and slots it into the exact moment that needs it. here is what that looks like. you had thirteen versions of one reaction shot. notch picked the one that worked and left the other twelve. not by filename. not by guessing from a reference image. it watched all thirteen and could tell the difference. that is the whole idea. the right clip was already in your library. every other tool was about to make a worse one. footage you already shot, turned into every ad you still need. drop your site and a few clips you have. notch builds the first ad from them.

Vinay Jain

407,810 Aufrufe • vor 5 Monaten

Midnight Passport is one of my favorite product features that I've worked on and I think it will be a key initative to bring a billion users into the cryptocurrency space
5:35

Midnight Passport is one of my favorite product features that I've worked on and I think it will be a key initative to bring a billion users into the cryptocurrency space

Charles Hoskinson

51,859 Aufrufe • vor 7 Monaten

This is a Canva hack that will definitely save you tons of your time! You can use it not only to copy the style of elements within Canva but also when you create your own element. You just need to download it as a .png file and upload it again to Canva. Let me know if you’ve already tested this in Canva and how it went for you 👇🏻 #canva #canvatutorial #canvahack #canvatips #canvassador
0:38

This is a Canva hack that will definitely save you tons of your time! You can use it not only to copy the style of elements within Canva but also when you create your own element. You just need to download it as a .png file and upload it again to Canva. Let me know if you’ve already tested this in Canva and how it went for you 👇🏻 #canva #canvatutorial #canvahack #canvatips #canvassador

Everlin | Canva Design

38,300 Aufrufe • vor 24 Tagen

STEPS: – Go to ChatGPT and write a situation based on your idea. – Ask it to refine the situation, make any necessary edits, and turn it into a complete story. – Ask ChatGPT to create a 30-second scenario from your story. – Then ask ChatGPT to turn that scenario into a 12–15 frame storyboard. – Upload the storyboard to ChatGPT and ask it to turn the storyboard into a detailed video prompt. – Finally, upload the storyboard to Seedance, copy the video prompt, and paste it into Seedance. – Within 5–6 minutes, you can have a complete video based on your original idea. P.S. Like, repost, and bookmark! . . .
0:52

STEPS: – Go to ChatGPT and write a situation based on your idea. – Ask it to refine the situation, make any necessary edits, and turn it into a complete story. – Ask ChatGPT to create a 30-second scenario from your story. – Then ask ChatGPT to turn that scenario into a 12–15 frame storyboard. – Upload the storyboard to ChatGPT and ask it to turn the storyboard into a detailed video prompt. – Finally, upload the storyboard to Seedance, copy the video prompt, and paste it into Seedance. – Within 5–6 minutes, you can have a complete video based on your original idea. P.S. Like, repost, and bookmark! . . .

Beginnersblog

16,076 Aufrufe • vor 2 Monaten

MiniMax H3 is native in ComfyUI, day zero with the weights. Model highlights: → Text-to-video, prompt only → Image-to-video → First-and-last-frame - control the opening frame, the closing frame, or both → Reference-to-video - carry a subject, a motion, or a voice through the clip → In-place editing - modify a shot you already have instead of regenerating it The capability MiniMax (official) leads with is multimodal context understanding, and it's what collapses those five tasks into one model. H3 takes images, audio, and video together and resolves them against a prompt that explains how they relate. Download the workflows & learn more in our blog 👇
1:06

MiniMax H3 is native in ComfyUI, day zero with the weights. Model highlights: → Text-to-video, prompt only → Image-to-video → First-and-last-frame - control the opening frame, the closing frame, or both → Reference-to-video - carry a subject, a motion, or a voice through the clip → In-place editing - modify a shot you already have instead of regenerating it The capability MiniMax (official) leads with is multimodal context understanding, and it's what collapses those five tasks into one model. H3 takes images, audio, and video together and resolves them against a prompt that explains how they relate. Download the workflows & learn more in our blog 👇

ComfyUI

235,460 Aufrufe • vor 3 Monaten