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I also found some bts stuff! Credits: Directed by Alberto Produced by Sergio Jimenez Co-Produced by Bungie Alex Martin (Proebius) - Production Design Joseph Cross - Bungie Art Director Brian Austin - Marathon Brand Lead Animation by Illusorium, Agora

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Kamby

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82,250 görüntüleme • 8 gün önce •via X (Twitter)

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A huge shoutout to @rob-sheridan.com on BSky and team for all the visuals done for the Dark Matter Tour. “Crown of Light” Directed by Rob Sheridan Produced by Stephanie Sheridan Post production, animation, and compositing by Joybird Studios Camera Operator: donovonmedia on IG PA: Ilana Rahaman Filmed at Rob Sheridan Productions, Tacoma, WA. Based on the Dark Matter album art light painting photography by Alexandr Gnezdilov Tour production design by NIMBLIST Tour lighting director: Kille Knobel Tour video programming: Grant McDonald
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A huge shoutout to @rob-sheridan.com on BSky and team for all the visuals done for the Dark Matter Tour. “Crown of Light” Directed by Rob Sheridan Produced by Stephanie Sheridan Post production, animation, and compositing by Joybird Studios Camera Operator: donovonmedia on IG PA: Ilana Rahaman Filmed at Rob Sheridan Productions, Tacoma, WA. Based on the Dark Matter album art light painting photography by Alexandr Gnezdilov Tour production design by NIMBLIST Tour lighting director: Kille Knobel Tour video programming: Grant McDonald

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INDRA KUMAR'S SON AMAN MAKES HIS ACTING DEBUT: 'TERA YAAR HOON MAIN' LOCKS 22 MAY 2026 RELEASE... #AmanIndraKumar – son of veteran director #IndraKumar – has been launched as the lead man in #TeraYaarHoonMain. The makers have officially announced the theatrical release date: 22 May 2026. Directed by #MilapMilanZaveri, #TeraYaarHoonMain features #AkankshaSharma opposite Aman, with #PareshRawal playing a pivotal role. Produced by Bina Indra Kumar, Ajay Murdia, and Manish Singhal, and co-produced by Sharad Khanna, the film is presented by Ajay Murdia in association with Mumbai Films, BIK Production, and Enter10 Television... A Camera Take Films production.
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INDRA KUMAR'S SON AMAN MAKES HIS ACTING DEBUT: 'TERA YAAR HOON MAIN' LOCKS 22 MAY 2026 RELEASE... #AmanIndraKumar – son of veteran director #IndraKumar – has been launched as the lead man in #TeraYaarHoonMain. The makers have officially announced the theatrical release date: 22 May 2026. Directed by #MilapMilanZaveri, #TeraYaarHoonMain features #AkankshaSharma opposite Aman, with #PareshRawal playing a pivotal role. Produced by Bina Indra Kumar, Ajay Murdia, and Manish Singhal, and co-produced by Sharad Khanna, the film is presented by Ajay Murdia in association with Mumbai Films, BIK Production, and Enter10 Television... A Camera Take Films production.

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サイエンスSARU

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Some stories don’t need time 📷 Watch EK DIN only in theatres, 1st May 2026. #JunaidKhan #SaiPallavi Directed by: Sunil Pandey Written by: Sneha Desai, Spandan Mishra Produced by: Mansoor Khan, Aamir Khan, Aparna Purohit Music: Ram Sampath Lyrics: Irshad Kamil Co-Producer: B. Srinivas Rao Associate Producer: Shreyas Khedekar, Junaid Khan Executive Producer: Abhijeet Chhabra Choreographer: Raju Khan Director of Photography: Manoj Lobo Editor: Ballu Saluja Production Designer: Vikram Singh & Parul Rai Costume Designer: Arjun Bhasin Casting: Faezeh Jalali Hair and Make-up Designer: Avan Contractor, Rohini Foregard Post-Production Supervisor: Kapil Limbad VFX: Labyrinth Cinematic Solutions DI: Nube Cirrus Colourist: Navin Shetty Sound Designer: Ayush Ahuja Re-Recording mixing Engineer: Justin Jose (Mariyano Studios) Production Servicing: Production Scope Production Servicing Japan: Mam Films Marketing head: Abhay Bikram Singh Trailers and Promos: Promoshop Publicity Design: Himanshu Nanda and Rahul Nanda Media Consultant: Spice Financial Advisor: Bimal Parekh & Co.
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Some stories don’t need time 📷 Watch EK DIN only in theatres, 1st May 2026. #JunaidKhan #SaiPallavi Directed by: Sunil Pandey Written by: Sneha Desai, Spandan Mishra Produced by: Mansoor Khan, Aamir Khan, Aparna Purohit Music: Ram Sampath Lyrics: Irshad Kamil Co-Producer: B. Srinivas Rao Associate Producer: Shreyas Khedekar, Junaid Khan Executive Producer: Abhijeet Chhabra Choreographer: Raju Khan Director of Photography: Manoj Lobo Editor: Ballu Saluja Production Designer: Vikram Singh & Parul Rai Costume Designer: Arjun Bhasin Casting: Faezeh Jalali Hair and Make-up Designer: Avan Contractor, Rohini Foregard Post-Production Supervisor: Kapil Limbad VFX: Labyrinth Cinematic Solutions DI: Nube Cirrus Colourist: Navin Shetty Sound Designer: Ayush Ahuja Re-Recording mixing Engineer: Justin Jose (Mariyano Studios) Production Servicing: Production Scope Production Servicing Japan: Mam Films Marketing head: Abhay Bikram Singh Trailers and Promos: Promoshop Publicity Design: Himanshu Nanda and Rahul Nanda Media Consultant: Spice Financial Advisor: Bimal Parekh & Co.

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𝙂𝙞𝙜𝙖 𝘽𝙖𝙚𝙡𝙯 | 𝙃𝙤𝙡𝙤𝙡𝙞𝙫𝙚 𝙂𝙞𝙖𝙣𝙩𝙚𝙨𝙨 𝘼𝙣𝙞𝙢𝙖𝙩𝙞𝙤𝙣 ---------------------------------------------------- After months working this animation from June to September, and a lot of delays. The animation is finally here, with some better upgrades and making a better animation with some details I decided to give. Plus, there's a greenscreen scene that I wanted to experiment but someday I'll explain the whole thing what is wrong that I feel like... bad for it. But, I hope this is worth it to experiment with this animation, and the greenscreen. Which someday in the future, I'll be making better of greenscreen so, stay tune for this. And thank you guys, for your patience and supporting me to make this animation as possible. Also, support me on P-site, to see my whole works that I do of renders I post in there. ---------------------------------------------------- CREDITS AND STUFF Animation Directed by: ChibuProduction3D. Storyboard by: ChibuProduction3D. Audio Composed by: ChibuProduction3D. Assets and Sounds SFX used from GTS Pack by: @/RensGts Animation made with Blender 4.4.3 LTS. ChibuProduction as myself (for the IRL Scene). Music Used on the Ending: Tifa's Theme - FINAL FANTASY VII (Composed by Nobuo Uematsu). Greenscreen Camera Assistant Recording and Filmed by: BlukDen ---------------------------------------------------- #SizeTwitter #giantess #巨女

ChibuProduction3D EN/LATAM (Comms Open)

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We did it! Dustin Yu X Aromagicare partnership has proven so much way beyond everyone's expections.✨ Aromagicare has reached another milestone with the successful production of a Grand Fan Meet for its local endorser, Dustin Yu. Renowned for staging impactful concerts and fan meets, Aromagicare consistently delivers impressive stage design, spectacular production numbers, compelling performances, strong stage presence, and ongoing, expansive market engagement. Dustin Yu, one of the brightest Filipino stars of his generation, demonstrated excellence and grandeur by becoming one of the few—if not the only—local actors to host a paid fan meeting at New Frontier Theater in the Philippines, produced by a brand (Aromagicare). His loyal and highly supportive fanbase amplified the event’s significance and sweetness. We have seen how outstanding results can arise from a perfect collaboration, as demonstrated by Aromagicare and Dustin Yu. Indeed, a grand and magical partnership! ✨ Presented by: Aromagicare Producers: April Martin & Pauline Publico Project Manager & Stylist: Ivor Jullian Director: Flo Reyes Executive Producer: Aileen Tandang Stage Design: Enzo Pizzaro Lighting Designer: Macky Mangasi Lighting Director: Jeff Alfaro Visuals: Tony Abellana Stage Managers: Punky Taguines, Jay-R Inocencio, Angel Sarmiento Music Head: Shaun Lunasco Writer: Irish Mangubat-Lunasco Vocal Coach: Yumi Lacsamana Dance Coach: Macky Quiobe Photos & Videos: Noble Studios #DustinYuXAromagicare #DustinYu #Aromagicare #DestinyTheDustinYuExperience
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We did it! Dustin Yu X Aromagicare partnership has proven so much way beyond everyone's expections.✨ Aromagicare has reached another milestone with the successful production of a Grand Fan Meet for its local endorser, Dustin Yu. Renowned for staging impactful concerts and fan meets, Aromagicare consistently delivers impressive stage design, spectacular production numbers, compelling performances, strong stage presence, and ongoing, expansive market engagement. Dustin Yu, one of the brightest Filipino stars of his generation, demonstrated excellence and grandeur by becoming one of the few—if not the only—local actors to host a paid fan meeting at New Frontier Theater in the Philippines, produced by a brand (Aromagicare). His loyal and highly supportive fanbase amplified the event’s significance and sweetness. We have seen how outstanding results can arise from a perfect collaboration, as demonstrated by Aromagicare and Dustin Yu. Indeed, a grand and magical partnership! ✨ Presented by: Aromagicare Producers: April Martin & Pauline Publico Project Manager & Stylist: Ivor Jullian Director: Flo Reyes Executive Producer: Aileen Tandang Stage Design: Enzo Pizzaro Lighting Designer: Macky Mangasi Lighting Director: Jeff Alfaro Visuals: Tony Abellana Stage Managers: Punky Taguines, Jay-R Inocencio, Angel Sarmiento Music Head: Shaun Lunasco Writer: Irish Mangubat-Lunasco Vocal Coach: Yumi Lacsamana Dance Coach: Macky Quiobe Photos & Videos: Noble Studios #DustinYuXAromagicare #DustinYu #Aromagicare #DestinyTheDustinYuExperience

Aromagicare Official®️

34,139 görüntüleme • 8 ay önce

today is a HUGE day... my first project as a director is out now!! "kid for life" by lulu la (full music video) shot, produced & edited by myself & Xavier Jimenez featuring performances by lulu la & Avi Julia Brown with assistance from Jackie Kay & Dan Stadnicki title graphics by FishyPond _________________________ almost a year ago, my roommate Xavier & i were tired of doing nothing but auditioning & had so many stories we wanted to tell. we realized that the only thing stopping us from just doing it was knowing that we had to commit 100% of our time and energy - so i decided to quit streaming & we formed a production company. since then we've been building out sets of high quality cameras, amazing lights, beautiful lenses (some being vintage lenses from the 40s and 50s, rehousing them ourselves to fit modern cameras) & other awesome film equipment *and* learning how to edit, color grade & sound engineer to make an all-encompassing production company that does pre-production, production, & post production. we've played just about every film crew role on our projects so far (to the point where on our upcoming short film i was running sound while operating our b-cam while pulling focus while also directing) & it's been such a fulfilling learning experience. since my exit from the walking dead over 5 years ago i keep hearing the question "so what are you doing now?" and for the longest time all i could say is that i was auditioning for new stuff - and i wasn't proud that i didn't have a better answer. i was fortunate enough to do some amazing projects here & there over the years, but none of them lasted longer than a couple months. now i do have an answer i'm proud of! i'm constantly creating my own projects and telling stories i want to tell, and i get to do it with some of my best friends. so being able to visually tell a story like this music video - wanting to be a kid again, when everything was easier, feels full circle to how i constantly felt when i was in that limbo-stage. and don't worry, i'm still acting. this is just another way for me to be able to create meaningful art that you can watch, feel for & relate to. enjoy!
4:56

today is a HUGE day... my first project as a director is out now!! "kid for life" by lulu la (full music video) shot, produced & edited by myself & Xavier Jimenez featuring performances by lulu la & Avi Julia Brown with assistance from Jackie Kay & Dan Stadnicki title graphics by FishyPond _________________________ almost a year ago, my roommate Xavier & i were tired of doing nothing but auditioning & had so many stories we wanted to tell. we realized that the only thing stopping us from just doing it was knowing that we had to commit 100% of our time and energy - so i decided to quit streaming & we formed a production company. since then we've been building out sets of high quality cameras, amazing lights, beautiful lenses (some being vintage lenses from the 40s and 50s, rehousing them ourselves to fit modern cameras) & other awesome film equipment *and* learning how to edit, color grade & sound engineer to make an all-encompassing production company that does pre-production, production, & post production. we've played just about every film crew role on our projects so far (to the point where on our upcoming short film i was running sound while operating our b-cam while pulling focus while also directing) & it's been such a fulfilling learning experience. since my exit from the walking dead over 5 years ago i keep hearing the question "so what are you doing now?" and for the longest time all i could say is that i was auditioning for new stuff - and i wasn't proud that i didn't have a better answer. i was fortunate enough to do some amazing projects here & there over the years, but none of them lasted longer than a couple months. now i do have an answer i'm proud of! i'm constantly creating my own projects and telling stories i want to tell, and i get to do it with some of my best friends. so being able to visually tell a story like this music video - wanting to be a kid again, when everything was easier, feels full circle to how i constantly felt when i was in that limbo-stage. and don't worry, i'm still acting. this is just another way for me to be able to create meaningful art that you can watch, feel for & relate to. enjoy!

chandler riggs

311,564 görüntüleme • 3 yıl önce

"Let everything happen to you. Beauty and terror. Just keep going. No feeling is final!" Presenting the trailer for #Homebound. In cinemas 26th September. All the people who were part of this homebound journey: Cast: Ishaan Khatter, Vishal Jethwa, Janhvi Kapoor, Shalini Vatsa, Harshika, Shriidhar Dubey, Yogendra Singh, Vijay Vikram Singh Story: Basharat Peer, Neeraj Ghaywan, Sumit Roy Screenplay: Neeraj Ghaywan Dialogues: Neeraj Ghaywan, Varun Grover, Shriidhar Dubey Produced by Karan Johar, Adar Poonawalla, Apoorva Mehta, Somen Mishra Co-produced by Marijke deSouza, Melita Toscan Du Plantier Executive Producer Martin Scorsese Executive, Pravin Khairnar Production Designer: Khyatee Kanchan, Costume Designer: Rohit Chaturvedi, Hair and Makeup: Khyati Malhotra Casting Director: Jogi Malang Editor: Nitin Baid, Sound Designers: Sanjay Maurya and Allwin Rego, Background Score: Naren Chandavarkar and Benedict Taylor, Music (Song): Amit Trivedi, Lyrics: Varun Grover Colorist: Sid Meer, VFX: Arpan Gaglani First Assistant: Rajesh Thanickan DA: Ibad Shaikh ADs: Amrith Nambiar, Shrushti Kashyap, Aditya Mishra, Swayam Dhakle Pre-production DA: Aakash Meshram Post DA: Manthan Prajapati Line Producers: Kalyani Warner, RRahil Deshmukh Post Production head: Prashant Kunder Post production Line Producer: Lipi Sengupta, Associate Editor: Vaishnavi Bhate Visual Promotions: Siddharth Pande Publicity Design and English Subtitle: Jahan Singh Bakshi (along with Prashanth C for posters) French Subtitles Francois Durandy Research and Writing Assistant: Shoaib Zulfi Nazeer Creative Development: Ram Solanki, Soumil Shukla, Madhurima Khadilkar, Shubham Sanjay Shinde, Anoushka Babur Dharma Marketing Team: Siddharth Kadam, Tejasvi Chaudhary, Ayushi Kulsreshtha Head of Film Acquisition & Distribution: Bhumika Tewari Head of Syndication and Licensing: Ankur Sualy
2:52

"Let everything happen to you. Beauty and terror. Just keep going. No feeling is final!" Presenting the trailer for #Homebound. In cinemas 26th September. All the people who were part of this homebound journey: Cast: Ishaan Khatter, Vishal Jethwa, Janhvi Kapoor, Shalini Vatsa, Harshika, Shriidhar Dubey, Yogendra Singh, Vijay Vikram Singh Story: Basharat Peer, Neeraj Ghaywan, Sumit Roy Screenplay: Neeraj Ghaywan Dialogues: Neeraj Ghaywan, Varun Grover, Shriidhar Dubey Produced by Karan Johar, Adar Poonawalla, Apoorva Mehta, Somen Mishra Co-produced by Marijke deSouza, Melita Toscan Du Plantier Executive Producer Martin Scorsese Executive, Pravin Khairnar Production Designer: Khyatee Kanchan, Costume Designer: Rohit Chaturvedi, Hair and Makeup: Khyati Malhotra Casting Director: Jogi Malang Editor: Nitin Baid, Sound Designers: Sanjay Maurya and Allwin Rego, Background Score: Naren Chandavarkar and Benedict Taylor, Music (Song): Amit Trivedi, Lyrics: Varun Grover Colorist: Sid Meer, VFX: Arpan Gaglani First Assistant: Rajesh Thanickan DA: Ibad Shaikh ADs: Amrith Nambiar, Shrushti Kashyap, Aditya Mishra, Swayam Dhakle Pre-production DA: Aakash Meshram Post DA: Manthan Prajapati Line Producers: Kalyani Warner, RRahil Deshmukh Post Production head: Prashant Kunder Post production Line Producer: Lipi Sengupta, Associate Editor: Vaishnavi Bhate Visual Promotions: Siddharth Pande Publicity Design and English Subtitle: Jahan Singh Bakshi (along with Prashanth C for posters) French Subtitles Francois Durandy Research and Writing Assistant: Shoaib Zulfi Nazeer Creative Development: Ram Solanki, Soumil Shukla, Madhurima Khadilkar, Shubham Sanjay Shinde, Anoushka Babur Dharma Marketing Team: Siddharth Kadam, Tejasvi Chaudhary, Ayushi Kulsreshtha Head of Film Acquisition & Distribution: Bhumika Tewari Head of Syndication and Licensing: Ankur Sualy

Neeraj Ghaywan

58,688 görüntüleme • 11 ay önce

Michael Powell on how the iconic climax in "Black Narcissus" (1947) was filmed: "In 'Black Narcissus' (1947), I started out almost as a documentary director and ended up as a producer of opera, even though the excerpt from the opera was only about twelve minutes long. Never mind! It was opera in the sense that music, emotion, image and voices all blended together into a new and splendid whole. By music, of course, I mean not only sounds produced by musical instruments, but the human voice itself. Although neither Deborah nor Joseph nor Sister Ruth used their voices for anything but screams, music dictated their movements and revealed their thoughts and intentions. The sequence started with little Joseph- he was certainly one of the great successes of the film- bringing a cup of tea to Sister Clodagh as the colours of dawn spread over the snows of the Himalayas, and ends with Sister Ruth falling to her death. It was planned step by step, bar by bar, by Brian and myself. I wanted to get the maximum of suspense out of the cat-and-mouse play between the two women and we succeeded. The crew were amazed when Brian and I appeared with stopwatches and exact timings when we started to shoot the sequence. I insisted on rehearsing and shooting to a piano track and consulting Brian with a musical score in my hand over each set-up. But it worked! It worked! I have never enjoyed myself so much in my life. For the first time I felt I had control of the film with the authority of the music. It was astonishing to everyone, but particularly, of course, to the camera crew that we were able to compress or speed up the movement of the action just by saying: "No, that wasn't fast enough. We've only got seven seconds for I that bit of action." I was so happy! I swore that this was the only way to make films; and so, of course it is, if they are silent films or musical films. But for me, film-making was never the same after this experience, and it was to lead me and my collaborators into tribulations as well as triumph." ("A Life in Movies", Michael Powell, 1986) P.S: On this day, 79 years ago, "Black Narcissus" (1947) premiered in London, UK.
0:59

Michael Powell on how the iconic climax in "Black Narcissus" (1947) was filmed: "In 'Black Narcissus' (1947), I started out almost as a documentary director and ended up as a producer of opera, even though the excerpt from the opera was only about twelve minutes long. Never mind! It was opera in the sense that music, emotion, image and voices all blended together into a new and splendid whole. By music, of course, I mean not only sounds produced by musical instruments, but the human voice itself. Although neither Deborah nor Joseph nor Sister Ruth used their voices for anything but screams, music dictated their movements and revealed their thoughts and intentions. The sequence started with little Joseph- he was certainly one of the great successes of the film- bringing a cup of tea to Sister Clodagh as the colours of dawn spread over the snows of the Himalayas, and ends with Sister Ruth falling to her death. It was planned step by step, bar by bar, by Brian and myself. I wanted to get the maximum of suspense out of the cat-and-mouse play between the two women and we succeeded. The crew were amazed when Brian and I appeared with stopwatches and exact timings when we started to shoot the sequence. I insisted on rehearsing and shooting to a piano track and consulting Brian with a musical score in my hand over each set-up. But it worked! It worked! I have never enjoyed myself so much in my life. For the first time I felt I had control of the film with the authority of the music. It was astonishing to everyone, but particularly, of course, to the camera crew that we were able to compress or speed up the movement of the action just by saying: "No, that wasn't fast enough. We've only got seven seconds for I that bit of action." I was so happy! I swore that this was the only way to make films; and so, of course it is, if they are silent films or musical films. But for me, film-making was never the same after this experience, and it was to lead me and my collaborators into tribulations as well as triumph." ("A Life in Movies", Michael Powell, 1986) P.S: On this day, 79 years ago, "Black Narcissus" (1947) premiered in London, UK.

DepressedBergman

47,099 görüntüleme • 4 ay önce

DUSK TILL DAWN OFFICIAL MUSIC VIDEO OUT 🔥😘🔥 You guys know how i like to have open endings to my videos. I wrote and rewrote this script for almost 3 months trying to figure out the right amount of confusion 😵‍💫 so i hope ya’ll have fun with it 😊😎 Big thank you to my amazing co-director Addy Chan for being a boss LOVE YA SIS. When Jawn Ha recommended @JoesarAlva to choreograph, YES DUH OF COURSE JOESAR. Thank you Joesar and Eileen for really getting me out of my comfort zone for being the best dance partners ever! Big love to Key to for making sure everything was running smooth and that i was awake 😴 and John for running with us at full speed and capturing everything and for letting JackJack hang out with Gumi! Thank you to everyone on set who helped make this video happen! WE MAKING ART!! 😜 (me every 10 minutes on set) LASTLY THANK YOU 🫵 FOR ALL THE LOVE FOR DUSK TILL DAWN ILL SEE YOU GUYS ON TOUR IN 2 DAYS!!! Directed by: Amber Liu & Addy Chan Produced by: Addy Chan & Zachary Keomysay Director of photography: John Kim Choreography by: Joesar Alva Dancers: Eileen Harman & Joesar Alva AD: Zachary Keomysay AC: Ryan Hasegawa Gaffer/Bartender: Chad Mayate Glam: Yuki Mitsuhashi Editor: John Kim PA: Charles Nguyen & Lara Deluna BTS: Ben Zhao Vibe Setter: Leo Matsuyama Special Thanks: THE KINJAZ & VIBRVNCY 🎥🔗: 🎧🔂
0:24

DUSK TILL DAWN OFFICIAL MUSIC VIDEO OUT 🔥😘🔥 You guys know how i like to have open endings to my videos. I wrote and rewrote this script for almost 3 months trying to figure out the right amount of confusion 😵‍💫 so i hope ya’ll have fun with it 😊😎 Big thank you to my amazing co-director Addy Chan for being a boss LOVE YA SIS. When Jawn Ha recommended @JoesarAlva to choreograph, YES DUH OF COURSE JOESAR. Thank you Joesar and Eileen for really getting me out of my comfort zone for being the best dance partners ever! Big love to Key to for making sure everything was running smooth and that i was awake 😴 and John for running with us at full speed and capturing everything and for letting JackJack hang out with Gumi! Thank you to everyone on set who helped make this video happen! WE MAKING ART!! 😜 (me every 10 minutes on set) LASTLY THANK YOU 🫵 FOR ALL THE LOVE FOR DUSK TILL DAWN ILL SEE YOU GUYS ON TOUR IN 2 DAYS!!! Directed by: Amber Liu & Addy Chan Produced by: Addy Chan & Zachary Keomysay Director of photography: John Kim Choreography by: Joesar Alva Dancers: Eileen Harman & Joesar Alva AD: Zachary Keomysay AC: Ryan Hasegawa Gaffer/Bartender: Chad Mayate Glam: Yuki Mitsuhashi Editor: John Kim PA: Charles Nguyen & Lara Deluna BTS: Ben Zhao Vibe Setter: Leo Matsuyama Special Thanks: THE KINJAZ & VIBRVNCY 🎥🔗: 🎧🔂

Amber Liu 刘逸云

89,439 görüntüleme • 2 yıl önce

Mirage was the new human-buddy lead in #Transformers ROTB. The studio wanted a character other than Bumblebee to have that role and be in the spotlight with Optimus Prime. He was designed to look "handsome" and to be sporty. He was the only character in the film with more than 1 alternate form. He had a total of 4 that we built in 3D (1 of which was cut from the film) and 1 that was only in live action (the garbage truck). I served as the asset Lead and did the Primary Texturing & Look Development for him. I also modelled and designed his eyes, upgrading them from what we had originally in the concept and ref. We spent a lot of time getting his car paint to look correct in shots, matching closely to on set reference pictures of the Porsche. At the end of the film, Mirage gives up his life and becomes the Exo-suit for Noah. The suit was built separately, using the same tooling and systems as Mirage to ensure visual continuity between them for the transformation from Mirage to Noah Exo-suit. He was voice acted by Pete Davidson, a change which was made later in production. The animators tried to introduce some of Pete's mannerisms into Mirage's animations too. Overall he was a character which was a lot of fun to work on and I'm proud of the work the team did to get him to look the way he does in the final film. CREDITS Primary Modelling by Lilian Robert. Final Texturing & LookDev by Martin Kamminga. Various other artists supported the creation of Mirage and the Exo-suit. The Exo-suit and Mirage were sent to WetaFX for the final sequence. Video by Paramount, MPC, and WetaFX.
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Mirage was the new human-buddy lead in #Transformers ROTB. The studio wanted a character other than Bumblebee to have that role and be in the spotlight with Optimus Prime. He was designed to look "handsome" and to be sporty. He was the only character in the film with more than 1 alternate form. He had a total of 4 that we built in 3D (1 of which was cut from the film) and 1 that was only in live action (the garbage truck). I served as the asset Lead and did the Primary Texturing & Look Development for him. I also modelled and designed his eyes, upgrading them from what we had originally in the concept and ref. We spent a lot of time getting his car paint to look correct in shots, matching closely to on set reference pictures of the Porsche. At the end of the film, Mirage gives up his life and becomes the Exo-suit for Noah. The suit was built separately, using the same tooling and systems as Mirage to ensure visual continuity between them for the transformation from Mirage to Noah Exo-suit. He was voice acted by Pete Davidson, a change which was made later in production. The animators tried to introduce some of Pete's mannerisms into Mirage's animations too. Overall he was a character which was a lot of fun to work on and I'm proud of the work the team did to get him to look the way he does in the final film. CREDITS Primary Modelling by Lilian Robert. Final Texturing & LookDev by Martin Kamminga. Various other artists supported the creation of Mirage and the Exo-suit. The Exo-suit and Mirage were sent to WetaFX for the final sequence. Video by Paramount, MPC, and WetaFX.

Rassoul Edji

130,138 görüntüleme • 1 yıl önce

The character we spent by far the longest creating for #Transformers ROTB was Air Razor. We spent over a year working on just her and her variants. The reason she took so long was because there was no unified vision for what she was supposed to look like. We had initial concepts but the leadership team from the studio wasn't happy with how she looked when we matched to them so we had to iterate and develop different styles until they were happy. Our asset supervisor did a mockup redesign of her head to look more like a golden eagle which they liked a lot, this is what the final head shape was decided to be. We opted to match her styling to a peregrine falcon as the animation director really liked the breakup and contrast that provided. She is the only hero character in the film without an alt mode. She only has her bird form. It was decided during the concepting stages of the film that she would not have a robot form. To make her talk, it was decided by the animation director early on that her beak would semi transform to enable some more expressive talking animations as opposed to her just opening and closing her beak. We spent a very long time on her feathers, in modelling, look development, and rigging, ensuring that we matched to the directors vision and that they looked good in shots. She had over 9 variants, each for a different part of the film. She had a battle mode, damage states, and a "virus" infected mode for when she was infected by Scourge. Each of these also had different variants, totalling the final 9 seen in the film. We added a lot of engraving details to her, each being in the official Maximal language, translated from English. For example, the engraving on her chest says "In the absence of light, darkness prevails" Air Razor was a big creative and technical challenge and a massive team effort to get right. We had plenty of sleepless nights while trying to figure her out. CREDITS: Video by Paramount, MPC, and WetaFX I was responsible for her primary texturing and look development and also served as the asset Lead alongside Tom Goodchild. Primary modeling by Simone Porchedda Final texturing & lookdev by Vipin Kabadi Primary rigging by Tom Goodchild Various other artists supported the modeling, texturing, and rigging of Air Razor, I unfortunately do not recall everyone's names - she was a big team effort.
0:28

The character we spent by far the longest creating for #Transformers ROTB was Air Razor. We spent over a year working on just her and her variants. The reason she took so long was because there was no unified vision for what she was supposed to look like. We had initial concepts but the leadership team from the studio wasn't happy with how she looked when we matched to them so we had to iterate and develop different styles until they were happy. Our asset supervisor did a mockup redesign of her head to look more like a golden eagle which they liked a lot, this is what the final head shape was decided to be. We opted to match her styling to a peregrine falcon as the animation director really liked the breakup and contrast that provided. She is the only hero character in the film without an alt mode. She only has her bird form. It was decided during the concepting stages of the film that she would not have a robot form. To make her talk, it was decided by the animation director early on that her beak would semi transform to enable some more expressive talking animations as opposed to her just opening and closing her beak. We spent a very long time on her feathers, in modelling, look development, and rigging, ensuring that we matched to the directors vision and that they looked good in shots. She had over 9 variants, each for a different part of the film. She had a battle mode, damage states, and a "virus" infected mode for when she was infected by Scourge. Each of these also had different variants, totalling the final 9 seen in the film. We added a lot of engraving details to her, each being in the official Maximal language, translated from English. For example, the engraving on her chest says "In the absence of light, darkness prevails" Air Razor was a big creative and technical challenge and a massive team effort to get right. We had plenty of sleepless nights while trying to figure her out. CREDITS: Video by Paramount, MPC, and WetaFX I was responsible for her primary texturing and look development and also served as the asset Lead alongside Tom Goodchild. Primary modeling by Simone Porchedda Final texturing & lookdev by Vipin Kabadi Primary rigging by Tom Goodchild Various other artists supported the modeling, texturing, and rigging of Air Razor, I unfortunately do not recall everyone's names - she was a big team effort.

Rassoul Edji

83,554 görüntüleme • 1 yıl önce

September 1, 2020. With coronavirus cases going up, like the rest of the world, Mumbai too was in lockdown. The media asked some tough questions. To Bollywood. Presenting the trailer of #CultureVulture featuring ShauryaTyagi Rashi Mal suchitra pillai KATIE IQBAL #AkshayAnandKohli #IvanRodrigues Vishal K Bharadwaj Samir Bharadwaj Abhishek D Shah Anshuman Sharma Raja Sen and my two idols #NageshKukunoor with Cameron Crowe | Music by Rahul Rajkhowa #AugustusHenry | Additional Score & Sound Design by #IvanAvakian | Additional Editing #RameezDalal T.S.Suresh | Written, designed, directed, shot, editing, VFX and produced by yours truly, Sudhish Kamath. This post romance satirical stoner retelling of Casablanca / Play it Again, Sam / Ijaazat / Devdas / almost every love story ever made is conversation film about the conversations we must have this election season. If you are a culture vulture (a film critic, movie blogger, podcaster, influencer or just a fan of the movies), email anavilaforever@gmail.com and we'll send you the film before the release to watch, review, roast, recommend or just trip. If you're a journalist, please do give us a voice and some space before guidelines for OTTs, Broadcast Bill and Telecom Bill proposed make it impossible for us to make anything remotely out of the box, mad or fun. I got into this DIY pandemic project knowing fully well that the space for independent films - especially an anti establishment stoner film - had shrunk but then, it felt all the more important to document the chaos unravelling on our screens in the aftermath of a tragedy. Also, I didn't want to go crazy sitting at home doing nothing. Thanks to the overwhelming response to the preview we had in November, I now know it's the best thing I've ever done on impulse. Now it's entirely up to YOU to take it to the world. Subscribe to to watch the film real soon. We'll drop the film once we have 5000 subscribers. You can make it happen quicker by also reposting to help us spread the word.
2:11

September 1, 2020. With coronavirus cases going up, like the rest of the world, Mumbai too was in lockdown. The media asked some tough questions. To Bollywood. Presenting the trailer of #CultureVulture featuring ShauryaTyagi Rashi Mal suchitra pillai KATIE IQBAL #AkshayAnandKohli #IvanRodrigues Vishal K Bharadwaj Samir Bharadwaj Abhishek D Shah Anshuman Sharma Raja Sen and my two idols #NageshKukunoor with Cameron Crowe | Music by Rahul Rajkhowa #AugustusHenry | Additional Score & Sound Design by #IvanAvakian | Additional Editing #RameezDalal T.S.Suresh | Written, designed, directed, shot, editing, VFX and produced by yours truly, Sudhish Kamath. This post romance satirical stoner retelling of Casablanca / Play it Again, Sam / Ijaazat / Devdas / almost every love story ever made is conversation film about the conversations we must have this election season. If you are a culture vulture (a film critic, movie blogger, podcaster, influencer or just a fan of the movies), email [email protected] and we'll send you the film before the release to watch, review, roast, recommend or just trip. If you're a journalist, please do give us a voice and some space before guidelines for OTTs, Broadcast Bill and Telecom Bill proposed make it impossible for us to make anything remotely out of the box, mad or fun. I got into this DIY pandemic project knowing fully well that the space for independent films - especially an anti establishment stoner film - had shrunk but then, it felt all the more important to document the chaos unravelling on our screens in the aftermath of a tragedy. Also, I didn't want to go crazy sitting at home doing nothing. Thanks to the overwhelming response to the preview we had in November, I now know it's the best thing I've ever done on impulse. Now it's entirely up to YOU to take it to the world. Subscribe to to watch the film real soon. We'll drop the film once we have 5000 subscribers. You can make it happen quicker by also reposting to help us spread the word.

Sudhish Kamath

14,661 görüntüleme • 2 yıl önce