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I also found some bts stuff! Credits: Directed by Alberto Produced by Sergio Jimenez Co-Produced by Bungie Alex Martin (Proebius) - Production Design Joseph Cross - Bungie Art Director Brian Austin - Marathon Brand Lead Animation by Illusorium, Agora

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Kamby

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DUSK TILL DAWN OFFICIAL MUSIC VIDEO OUT 🔥😘🔥 You guys know how i like to have open endings to my videos. I wrote and rewrote this script for almost 3 months trying to figure out the right amount of confusion 😵‍💫 so i hope ya’ll have fun with it 😊😎 Big thank you to my amazing co-director Addy Chan for being a boss LOVE YA SIS. When Jawn Ha recommended @JoesarAlva to choreograph, YES DUH OF COURSE JOESAR. Thank you Joesar and Eileen for really getting me out of my comfort zone for being the best dance partners ever! Big love to Key to for making sure everything was running smooth and that i was awake 😴 and John for running with us at full speed and capturing everything and for letting JackJack hang out with Gumi! Thank you to everyone on set who helped make this video happen! WE MAKING ART!! 😜 (me every 10 minutes on set) LASTLY THANK YOU 🫵 FOR ALL THE LOVE FOR DUSK TILL DAWN ILL SEE YOU GUYS ON TOUR IN 2 DAYS!!! Directed by: Amber Liu & Addy Chan Produced by: Addy Chan & Zachary Keomysay Director of photography: John Kim Choreography by: Joesar Alva Dancers: Eileen Harman & Joesar Alva AD: Zachary Keomysay AC: Ryan Hasegawa Gaffer/Bartender: Chad Mayate Glam: Yuki Mitsuhashi Editor: John Kim PA: Charles Nguyen & Lara Deluna BTS: Ben Zhao Vibe Setter: Leo Matsuyama Special Thanks: THE KINJAZ & VIBRVNCY 🎥🔗: 🎧🔂
0:24

DUSK TILL DAWN OFFICIAL MUSIC VIDEO OUT 🔥😘🔥 You guys know how i like to have open endings to my videos. I wrote and rewrote this script for almost 3 months trying to figure out the right amount of confusion 😵‍💫 so i hope ya’ll have fun with it 😊😎 Big thank you to my amazing co-director Addy Chan for being a boss LOVE YA SIS. When Jawn Ha recommended @JoesarAlva to choreograph, YES DUH OF COURSE JOESAR. Thank you Joesar and Eileen for really getting me out of my comfort zone for being the best dance partners ever! Big love to Key to for making sure everything was running smooth and that i was awake 😴 and John for running with us at full speed and capturing everything and for letting JackJack hang out with Gumi! Thank you to everyone on set who helped make this video happen! WE MAKING ART!! 😜 (me every 10 minutes on set) LASTLY THANK YOU 🫵 FOR ALL THE LOVE FOR DUSK TILL DAWN ILL SEE YOU GUYS ON TOUR IN 2 DAYS!!! Directed by: Amber Liu & Addy Chan Produced by: Addy Chan & Zachary Keomysay Director of photography: John Kim Choreography by: Joesar Alva Dancers: Eileen Harman & Joesar Alva AD: Zachary Keomysay AC: Ryan Hasegawa Gaffer/Bartender: Chad Mayate Glam: Yuki Mitsuhashi Editor: John Kim PA: Charles Nguyen & Lara Deluna BTS: Ben Zhao Vibe Setter: Leo Matsuyama Special Thanks: THE KINJAZ & VIBRVNCY 🎥🔗: 🎧🔂

Amber Liu 刘逸云

89,439 Aufrufe • vor 2 Jahren

Mirage was the new human-buddy lead in #Transformers ROTB. The studio wanted a character other than Bumblebee to have that role and be in the spotlight with Optimus Prime. He was designed to look "handsome" and to be sporty. He was the only character in the film with more than 1 alternate form. He had a total of 4 that we built in 3D (1 of which was cut from the film) and 1 that was only in live action (the garbage truck). I served as the asset Lead and did the Primary Texturing & Look Development for him. I also modelled and designed his eyes, upgrading them from what we had originally in the concept and ref. We spent a lot of time getting his car paint to look correct in shots, matching closely to on set reference pictures of the Porsche. At the end of the film, Mirage gives up his life and becomes the Exo-suit for Noah. The suit was built separately, using the same tooling and systems as Mirage to ensure visual continuity between them for the transformation from Mirage to Noah Exo-suit. He was voice acted by Pete Davidson, a change which was made later in production. The animators tried to introduce some of Pete's mannerisms into Mirage's animations too. Overall he was a character which was a lot of fun to work on and I'm proud of the work the team did to get him to look the way he does in the final film. CREDITS Primary Modelling by Lilian Robert. Final Texturing & LookDev by Martin Kamminga. Various other artists supported the creation of Mirage and the Exo-suit. The Exo-suit and Mirage were sent to WetaFX for the final sequence. Video by Paramount, MPC, and WetaFX.
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Mirage was the new human-buddy lead in #Transformers ROTB. The studio wanted a character other than Bumblebee to have that role and be in the spotlight with Optimus Prime. He was designed to look "handsome" and to be sporty. He was the only character in the film with more than 1 alternate form. He had a total of 4 that we built in 3D (1 of which was cut from the film) and 1 that was only in live action (the garbage truck). I served as the asset Lead and did the Primary Texturing & Look Development for him. I also modelled and designed his eyes, upgrading them from what we had originally in the concept and ref. We spent a lot of time getting his car paint to look correct in shots, matching closely to on set reference pictures of the Porsche. At the end of the film, Mirage gives up his life and becomes the Exo-suit for Noah. The suit was built separately, using the same tooling and systems as Mirage to ensure visual continuity between them for the transformation from Mirage to Noah Exo-suit. He was voice acted by Pete Davidson, a change which was made later in production. The animators tried to introduce some of Pete's mannerisms into Mirage's animations too. Overall he was a character which was a lot of fun to work on and I'm proud of the work the team did to get him to look the way he does in the final film. CREDITS Primary Modelling by Lilian Robert. Final Texturing & LookDev by Martin Kamminga. Various other artists supported the creation of Mirage and the Exo-suit. The Exo-suit and Mirage were sent to WetaFX for the final sequence. Video by Paramount, MPC, and WetaFX.

Rassoul Edji

130,138 Aufrufe • vor 1 Jahr

The character we spent by far the longest creating for #Transformers ROTB was Air Razor. We spent over a year working on just her and her variants. The reason she took so long was because there was no unified vision for what she was supposed to look like. We had initial concepts but the leadership team from the studio wasn't happy with how she looked when we matched to them so we had to iterate and develop different styles until they were happy. Our asset supervisor did a mockup redesign of her head to look more like a golden eagle which they liked a lot, this is what the final head shape was decided to be. We opted to match her styling to a peregrine falcon as the animation director really liked the breakup and contrast that provided. She is the only hero character in the film without an alt mode. She only has her bird form. It was decided during the concepting stages of the film that she would not have a robot form. To make her talk, it was decided by the animation director early on that her beak would semi transform to enable some more expressive talking animations as opposed to her just opening and closing her beak. We spent a very long time on her feathers, in modelling, look development, and rigging, ensuring that we matched to the directors vision and that they looked good in shots. She had over 9 variants, each for a different part of the film. She had a battle mode, damage states, and a "virus" infected mode for when she was infected by Scourge. Each of these also had different variants, totalling the final 9 seen in the film. We added a lot of engraving details to her, each being in the official Maximal language, translated from English. For example, the engraving on her chest says "In the absence of light, darkness prevails" Air Razor was a big creative and technical challenge and a massive team effort to get right. We had plenty of sleepless nights while trying to figure her out. CREDITS: Video by Paramount, MPC, and WetaFX I was responsible for her primary texturing and look development and also served as the asset Lead alongside Tom Goodchild. Primary modeling by Simone Porchedda Final texturing & lookdev by Vipin Kabadi Primary rigging by Tom Goodchild Various other artists supported the modeling, texturing, and rigging of Air Razor, I unfortunately do not recall everyone's names - she was a big team effort.
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The character we spent by far the longest creating for #Transformers ROTB was Air Razor. We spent over a year working on just her and her variants. The reason she took so long was because there was no unified vision for what she was supposed to look like. We had initial concepts but the leadership team from the studio wasn't happy with how she looked when we matched to them so we had to iterate and develop different styles until they were happy. Our asset supervisor did a mockup redesign of her head to look more like a golden eagle which they liked a lot, this is what the final head shape was decided to be. We opted to match her styling to a peregrine falcon as the animation director really liked the breakup and contrast that provided. She is the only hero character in the film without an alt mode. She only has her bird form. It was decided during the concepting stages of the film that she would not have a robot form. To make her talk, it was decided by the animation director early on that her beak would semi transform to enable some more expressive talking animations as opposed to her just opening and closing her beak. We spent a very long time on her feathers, in modelling, look development, and rigging, ensuring that we matched to the directors vision and that they looked good in shots. She had over 9 variants, each for a different part of the film. She had a battle mode, damage states, and a "virus" infected mode for when she was infected by Scourge. Each of these also had different variants, totalling the final 9 seen in the film. We added a lot of engraving details to her, each being in the official Maximal language, translated from English. For example, the engraving on her chest says "In the absence of light, darkness prevails" Air Razor was a big creative and technical challenge and a massive team effort to get right. We had plenty of sleepless nights while trying to figure her out. CREDITS: Video by Paramount, MPC, and WetaFX I was responsible for her primary texturing and look development and also served as the asset Lead alongside Tom Goodchild. Primary modeling by Simone Porchedda Final texturing & lookdev by Vipin Kabadi Primary rigging by Tom Goodchild Various other artists supported the modeling, texturing, and rigging of Air Razor, I unfortunately do not recall everyone's names - she was a big team effort.

Rassoul Edji

83,554 Aufrufe • vor 1 Jahr

September 1, 2020. With coronavirus cases going up, like the rest of the world, Mumbai too was in lockdown. The media asked some tough questions. To Bollywood. Presenting the trailer of #CultureVulture featuring ShauryaTyagi Rashi Mal suchitra pillai KATIE IQBAL #AkshayAnandKohli #IvanRodrigues Vishal K Bharadwaj Samir Bharadwaj Abhishek D Shah Anshuman Sharma Raja Sen and my two idols #NageshKukunoor with Cameron Crowe | Music by Rahul Rajkhowa #AugustusHenry | Additional Score & Sound Design by #IvanAvakian | Additional Editing #RameezDalal T.S.Suresh | Written, designed, directed, shot, editing, VFX and produced by yours truly, Sudhish Kamath. This post romance satirical stoner retelling of Casablanca / Play it Again, Sam / Ijaazat / Devdas / almost every love story ever made is conversation film about the conversations we must have this election season. If you are a culture vulture (a film critic, movie blogger, podcaster, influencer or just a fan of the movies), email anavilaforever@gmail.com and we'll send you the film before the release to watch, review, roast, recommend or just trip. If you're a journalist, please do give us a voice and some space before guidelines for OTTs, Broadcast Bill and Telecom Bill proposed make it impossible for us to make anything remotely out of the box, mad or fun. I got into this DIY pandemic project knowing fully well that the space for independent films - especially an anti establishment stoner film - had shrunk but then, it felt all the more important to document the chaos unravelling on our screens in the aftermath of a tragedy. Also, I didn't want to go crazy sitting at home doing nothing. Thanks to the overwhelming response to the preview we had in November, I now know it's the best thing I've ever done on impulse. Now it's entirely up to YOU to take it to the world. Subscribe to to watch the film real soon. We'll drop the film once we have 5000 subscribers. You can make it happen quicker by also reposting to help us spread the word.
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September 1, 2020. With coronavirus cases going up, like the rest of the world, Mumbai too was in lockdown. The media asked some tough questions. To Bollywood. Presenting the trailer of #CultureVulture featuring ShauryaTyagi Rashi Mal suchitra pillai KATIE IQBAL #AkshayAnandKohli #IvanRodrigues Vishal K Bharadwaj Samir Bharadwaj Abhishek D Shah Anshuman Sharma Raja Sen and my two idols #NageshKukunoor with Cameron Crowe | Music by Rahul Rajkhowa #AugustusHenry | Additional Score & Sound Design by #IvanAvakian | Additional Editing #RameezDalal T.S.Suresh | Written, designed, directed, shot, editing, VFX and produced by yours truly, Sudhish Kamath. This post romance satirical stoner retelling of Casablanca / Play it Again, Sam / Ijaazat / Devdas / almost every love story ever made is conversation film about the conversations we must have this election season. If you are a culture vulture (a film critic, movie blogger, podcaster, influencer or just a fan of the movies), email [email protected] and we'll send you the film before the release to watch, review, roast, recommend or just trip. If you're a journalist, please do give us a voice and some space before guidelines for OTTs, Broadcast Bill and Telecom Bill proposed make it impossible for us to make anything remotely out of the box, mad or fun. I got into this DIY pandemic project knowing fully well that the space for independent films - especially an anti establishment stoner film - had shrunk but then, it felt all the more important to document the chaos unravelling on our screens in the aftermath of a tragedy. Also, I didn't want to go crazy sitting at home doing nothing. Thanks to the overwhelming response to the preview we had in November, I now know it's the best thing I've ever done on impulse. Now it's entirely up to YOU to take it to the world. Subscribe to to watch the film real soon. We'll drop the film once we have 5000 subscribers. You can make it happen quicker by also reposting to help us spread the word.

Sudhish Kamath

14,661 Aufrufe • vor 2 Jahren