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I FINALLY managed to create a point cloud animation 💪 Here is how I did it using #GaussianSplatting, #Blender and 2 add-ons from KIRI Engine - 3D Scanner App . Creating point cloud animations has always been a dream of mine (inspired by masters like ), but the tech...

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Gabriele Romagnoli

8,432 subscribers

10,392 次观看 • 1 年前 •via X (Twitter)

#GaussianSplatting#Blender
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8 条评论

KIRI Engine - 3D Scanner App 的头像
KIRI Engine - 3D Scanner App1 年前

@Ruben_Fro 🤘😀🤘 Awesome work dude, makes me thirsty for a summer pint 🍻

Rainmaker 的头像
Rainmaker2 年前

Can Machine Learning beat the market? Check out this post on my free Substack where I share code and commentary for an XGBoost model and a Random Forest model that both deliver powerful performances.

Blue Nile 3D 的头像
Blue Nile 3D1 年前

@KIRI_Engine_App @Ruben_Fro Nice making of dude!

Pete Woodbridge 的头像
Pete Woodbridge1 年前

@KIRI_Engine_App @Ruben_Fro amazing 😍

LNK 的头像
LNK1 年前

@KIRI_Engine_App @Ruben_Fro Mental. Just really sharp

DANNYonPC 的头像
DANNYonPC1 年前

@KIRI_Engine_App @Ruben_Fro HERTOG JAN MENTIONED

David Maze 的头像
David Maze1 年前

@Scobleizer @KIRI_Engine_App @Ruben_Fro That’s awesome, do you have a tutorial on creating those animated loop mandalas seen on a lot of videos?

Simon Micollier 的头像
Simon Micollier1 年前

@KIRI_Engine_App @Ruben_Fro awesome rendering, any web version of it ? :)

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ok last post of the day. what i love about the new plugin with effects chaining, is that i can create something like a lens flare, but add dithering to it, and then add a retro color filter. you can just keep chaining for really awesome effects
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ok last post of the day. what i love about the new plugin with effects chaining, is that i can create something like a lens flare, but add dithering to it, and then add a retro color filter. you can just keep chaining for really awesome effects

˗ˏˋ rogie ˎˊ˗

12,308 次观看 • 1 年前

"I don't want to work. I don't want to dissect your dialogue. I don't want to wait it out and see if you're going to get to the point. I want you to get to the point." Anne Lamott will follow a writer anywhere…as long as they don't bore her or confuse her along the way. "You can do anything if you can get away with it, if you don't lose me." She then issues a warning: “A confused or a bored reader is an antagonistic reader."
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"I don't want to work. I don't want to dissect your dialogue. I don't want to wait it out and see if you're going to get to the point. I want you to get to the point." Anne Lamott will follow a writer anywhere…as long as they don't bore her or confuse her along the way. "You can do anything if you can get away with it, if you don't lose me." She then issues a warning: “A confused or a bored reader is an antagonistic reader."

How I Write Clips

25,566 次观看 • 5 个月前

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!
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🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

Keeki | 3D Artist

38,950 次观看 • 4 个月前

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing
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🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

Cohen Brawley

25,219 次观看 • 2 年前

I think I found the most intuitive Blender texturing add-on for artists who work with NPR models relying on hand-painting 🥹 This is “Paint System” and I found it really simple to use and navigate! It really feels like using PS/CSP in Blender ദ്ദി(ᵔᗜᵔ) Here’s a simple video showing how layers work (very simple clipping mask & alpha locking too), changing layer blend mode, and you can then bake the layers into 1 & export image! Opacity of each layer can also be adjusted with a slider like in PS/CSP but I forgot to show it hahah It also comes with 2 very nice brushes!! I know there are other add-ons for the same job or can do even more things but just wanted to share this since I found it the most intuitive as someone who hand paints textures a lot in other art programs and have non-existent knowledge over nodes in Blender ;-; Link to the add-on in replies and happy painting!!!! (ᗒ⩊ᗕ)⸝ި ʕᦏ⌎ (yes it’s free! with an option to donate to the creator to support them too)
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I think I found the most intuitive Blender texturing add-on for artists who work with NPR models relying on hand-painting 🥹 This is “Paint System” and I found it really simple to use and navigate! It really feels like using PS/CSP in Blender ദ്ദി(ᵔᗜᵔ) Here’s a simple video showing how layers work (very simple clipping mask & alpha locking too), changing layer blend mode, and you can then bake the layers into 1 & export image! Opacity of each layer can also be adjusted with a slider like in PS/CSP but I forgot to show it hahah It also comes with 2 very nice brushes!! I know there are other add-ons for the same job or can do even more things but just wanted to share this since I found it the most intuitive as someone who hand paints textures a lot in other art programs and have non-existent knowledge over nodes in Blender ;-; Link to the add-on in replies and happy painting!!!! (ᗒ⩊ᗕ)⸝ި ʕᦏ⌎ (yes it’s free! with an option to donate to the creator to support them too)

𝗞𝗔𝗥𝗜𝗛𝗔 🌘🍀 3D Artist ☻

19,713 次观看 • 7 个月前

fal's Gorkem Yurtseven on the Blender, Astra, and H3 Max workflow professionals are using to get exactly the shot they wanted: "Using Blender with one of these AI models together is an extremely popular workflow for professional work." "You render a low resolution of your scene, what you want to do, using Blender, previous non-AI technology. And once you add that video as a reference to an AI model, you basically get close to 100% controllability." "This is an incredibly popular workflow for VFX artists, people who are doing this professionally, because they want to get exactly what they put into the model." "A week after we launched H3 Max, people started generating these beautiful scenes using an LLM, Astra, in Blender, and all of a sudden it unlocked a whole new pipeline. Using an LLM to create a Blender scene and then passing that to the H3 Max model." "It works very well with H3 Max because it's extremely fast and you can try many things all at once in parallel." Gorkem Yurtseven batuhan the fal guy fal Jennifer Li
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fal's Gorkem Yurtseven on the Blender, Astra, and H3 Max workflow professionals are using to get exactly the shot they wanted: "Using Blender with one of these AI models together is an extremely popular workflow for professional work." "You render a low resolution of your scene, what you want to do, using Blender, previous non-AI technology. And once you add that video as a reference to an AI model, you basically get close to 100% controllability." "This is an incredibly popular workflow for VFX artists, people who are doing this professionally, because they want to get exactly what they put into the model." "A week after we launched H3 Max, people started generating these beautiful scenes using an LLM, Astra, in Blender, and all of a sudden it unlocked a whole new pipeline. Using an LLM to create a Blender scene and then passing that to the H3 Max model." "It works very well with H3 Max because it's extremely fast and you can try many things all at once in parallel." Gorkem Yurtseven batuhan the fal guy fal Jennifer Li

a16z

34,883 次观看 • 9 天前

It takes 5 minutes to create a world-class web research agent that runs 24/7 and returns structured search results. 1. You can limit the sources it's allowed to use 2. You can specify the goals it needs to complete 3. You can design the format structure of the results 4. You can configure how much computing power it will use I show you how to set up a Web Search Agent in the video. A few benefits here: 1. This is great for complex research tasks 2. It's really easy to add this like a LEGO piece to a more complex workflow 3. Create an agent once, and reuse it with different inputs 4. The agent adapts to your use case as you work with it By the way, Nimble published a whole library of templates and research agents you can reuse and modify. You can start sending queries to one of these existing agents, and it will begin to adapt to Go here to try it out: Thanks to the Nimble team for partnering with me on this post.
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It takes 5 minutes to create a world-class web research agent that runs 24/7 and returns structured search results. 1. You can limit the sources it's allowed to use 2. You can specify the goals it needs to complete 3. You can design the format structure of the results 4. You can configure how much computing power it will use I show you how to set up a Web Search Agent in the video. A few benefits here: 1. This is great for complex research tasks 2. It's really easy to add this like a LEGO piece to a more complex workflow 3. Create an agent once, and reuse it with different inputs 4. The agent adapts to your use case as you work with it By the way, Nimble published a whole library of templates and research agents you can reuse and modify. You can start sending queries to one of these existing agents, and it will begin to adapt to Go here to try it out: Thanks to the Nimble team for partnering with me on this post.

Santiago

21,079 次观看 • 1 个月前

#5 You can't steal any cars and you can only enter from the left side of the car There's only one animation to enter the car and that's from the left side, during some in-game missions you aren't even allowed to get out of the car and explore the open world like this one here, I tried getting out of the car to walk on foot but the game didn't allow me to. This is because the Open World of MindsEye is extremely restricted, the Game doesn't want you do explore so it either forces you to move from point A to point B with a timer and most of the times it asks you to enter a car and you can't get out of it once you're inside the vehicle.
0:20

#5 You can't steal any cars and you can only enter from the left side of the car There's only one animation to enter the car and that's from the left side, during some in-game missions you aren't even allowed to get out of the car and explore the open world like this one here, I tried getting out of the car to walk on foot but the game didn't allow me to. This is because the Open World of MindsEye is extremely restricted, the Game doesn't want you do explore so it either forces you to move from point A to point B with a timer and most of the times it asks you to enter a car and you can't get out of it once you're inside the vehicle.

NikTek

120,562 次观看 • 1 年前

Well, it appears that turning a Gaussian Splat into a #3D mesh was not that hard after all 😅. I have recently tried an app called KIRI Engine - 3D Scanner App and it offers several nice features that for me made it stand out from many other scanning apps: - It supports both photos and videos - You can clean up the splat directly in the app - It works on both Android, iOS and web! - BUT MOST IMPORTANTLY you can export the mesh making gaussian splitting a much more usable format for various production pipelines. I will be interviewing Jack Wang, the CEO of Kiri for an upcoming episode of XR AI Spotlight: What questions should I ask him?
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Well, it appears that turning a Gaussian Splat into a #3D mesh was not that hard after all 😅. I have recently tried an app called KIRI Engine - 3D Scanner App and it offers several nice features that for me made it stand out from many other scanning apps: - It supports both photos and videos - You can clean up the splat directly in the app - It works on both Android, iOS and web! - BUT MOST IMPORTANTLY you can export the mesh making gaussian splitting a much more usable format for various production pipelines. I will be interviewing Jack Wang, the CEO of Kiri for an upcoming episode of XR AI Spotlight: What questions should I ask him?

Gabriele Romagnoli

22,997 次观看 • 1 年前

On a previous #TeawithGaryVee I was asked "I want to take risk, but I also want to guarantee a return of investment. Do you have any advice? I need to get rich or die trying." if you have a question for me, drop it here so my team can add it to the next Rapid Fire Q&A and follow me on
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On a previous #TeawithGaryVee I was asked "I want to take risk, but I also want to guarantee a return of investment. Do you have any advice? I need to get rich or die trying." if you have a question for me, drop it here so my team can add it to the next Rapid Fire Q&A and follow me on

Gary Vaynerchuk

17,798 次观看 • 5 个月前

I show here LM point. I use the acupuncture device to electrically locate and stimulates this region. Once I established the LM point, I connect a small TENs patch to this area and with the proper frequencies, send audio signals directly into the brain with no side effects. You hear what I send in your head. Yes, my discovery is worth millions of dollars, and it took me decades of research. But even more interesting is when I send certain types of music through this point, I can show in a number of different scans from PRT scans to MRIs, physiological changes in the body. You won’t find this on Wikipedia, and you won’t find it at Stanford neurological research labs. You will find it in my garage. I will write more about this in the future, but is directly tied to AI systems that will take advantage of the research I’ve established to have you experience a more healthy life.
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I show here LM point. I use the acupuncture device to electrically locate and stimulates this region. Once I established the LM point, I connect a small TENs patch to this area and with the proper frequencies, send audio signals directly into the brain with no side effects. You hear what I send in your head. Yes, my discovery is worth millions of dollars, and it took me decades of research. But even more interesting is when I send certain types of music through this point, I can show in a number of different scans from PRT scans to MRIs, physiological changes in the body. You won’t find this on Wikipedia, and you won’t find it at Stanford neurological research labs. You will find it in my garage. I will write more about this in the future, but is directly tied to AI systems that will take advantage of the research I’ve established to have you experience a more healthy life.

Brian Roemmele

176,228 次观看 • 10 个月前

Did you know that in Blender you can easily make pillows with the 'Cloth' modifier? ✨ 1. Select the object that's gonna be beneath your pillow 2. Press 'Collision' on the physics tab 3. Add a cube and add some loops to it with Ctrl+R 4. Press 'Cloth' on the physics tab 5. Enable 'Pressure' and set the custom target volume to 1. You can tweak this value depending on how big your pillow is 6. Decrease the collision distance in 'Object Collisions' 7. Press space to play the animation 8. Press Ctrl+3 to add a subdiv modifier with 3 levels to make it look smoother! You can choose a frame that you like and apply the 'Cloth' modifier to make it into a static mesh by going to the Modifiers tab, hovering over the 'Cloth' Modifier and pressing Ctrl+A! For better results add more loops to your original mesh! ✨ #b3d
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Did you know that in Blender you can easily make pillows with the 'Cloth' modifier? ✨ 1. Select the object that's gonna be beneath your pillow 2. Press 'Collision' on the physics tab 3. Add a cube and add some loops to it with Ctrl+R 4. Press 'Cloth' on the physics tab 5. Enable 'Pressure' and set the custom target volume to 1. You can tweak this value depending on how big your pillow is 6. Decrease the collision distance in 'Object Collisions' 7. Press space to play the animation 8. Press Ctrl+3 to add a subdiv modifier with 3 levels to make it look smoother! You can choose a frame that you like and apply the 'Cloth' modifier to make it into a static mesh by going to the Modifiers tab, hovering over the 'Cloth' Modifier and pressing Ctrl+A! For better results add more loops to your original mesh! ✨ #b3d

passivestar

175,031 次观看 • 3 年前

do you like to dance? why do you like to dance?! would you like to learn to dance bachata or salsa with me? I am creating a global community using our app and the dream is to make it fun - install and sign up today so I can get in touch and get you started!
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do you like to dance? why do you like to dance?! would you like to learn to dance bachata or salsa with me? I am creating a global community using our app and the dream is to make it fun - install and sign up today so I can get in touch and get you started!

Dancer Love Times

234,799 次观看 • 3 年前

Codex has become a real game engine... If you take the time to make it become one. You can do EVERYTHING in it. And I think I've cracked the perfect custom UX? I'd like to show you how I use it. See video below 4 steps: - Create a custom tool you need, like one to generate new buildings that matches you game art direction - Ask Codex to open this tool in a worktree (important) - Attach the browser view of your tool in the Thread - Use pinned thread to have easy access to the tool And there you go: you have what I call a "codex-augmented" tool, which it's incredibly powerful because - the tool will speed up your development immensely AND also: - you can improve the tool as you use it with codex For example, let's say I want to add a new button to my 3D building gen tool so I can generate a thumbnail of the 3D building. - I click on "Building Lab" - I prompt Codex "add a button to generate thumbnails" - I have my new button - I can use the tool right away in the pinned Thread You can then use the /yeet skill to commit, push and create a PR with the changes you made to your tool. I have tools for everything - To manage my tasks in Linear - To do content / social media / steam marketing - To localize the game in 9 languages - To manage sounds, musics and voice lines - To generate and fine tune buildings - To create and animate procedural zombies - To tweak environnement/decor and map design - To manage my analytics - To simulate late game perf I'll be honest it's incredibly powerful and easy!
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Codex has become a real game engine... If you take the time to make it become one. You can do EVERYTHING in it. And I think I've cracked the perfect custom UX? I'd like to show you how I use it. See video below 4 steps: - Create a custom tool you need, like one to generate new buildings that matches you game art direction - Ask Codex to open this tool in a worktree (important) - Attach the browser view of your tool in the Thread - Use pinned thread to have easy access to the tool And there you go: you have what I call a "codex-augmented" tool, which it's incredibly powerful because - the tool will speed up your development immensely AND also: - you can improve the tool as you use it with codex For example, let's say I want to add a new button to my 3D building gen tool so I can generate a thumbnail of the 3D building. - I click on "Building Lab" - I prompt Codex "add a button to generate thumbnails" - I have my new button - I can use the tool right away in the pinned Thread You can then use the /yeet skill to commit, push and create a PR with the changes you made to your tool. I have tools for everything - To manage my tasks in Linear - To do content / social media / steam marketing - To localize the game in 9 languages - To manage sounds, musics and voice lines - To generate and fine tune buildings - To create and animate procedural zombies - To tweak environnement/decor and map design - To manage my analytics - To simulate late game perf I'll be honest it's incredibly powerful and easy!

Nicolas Zullo

80,092 次观看 • 1 个月前

I spent the last 48 hours building on top of the new ChatGPT API. You can now create a custom ChatGPT from the content of your website using You can then take that chatbot and add it to any website as a chat bubble. Pinecone OpenAI
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I spent the last 48 hours building on top of the new ChatGPT API. You can now create a custom ChatGPT from the content of your website using You can then take that chatbot and add it to any website as a chat bubble. Pinecone OpenAI

Yasser

930,141 次观看 • 3 年前

This is the power of VFX and AI now.. Creating volumetric effects in AI and then using AfterEffects and Premiere to layer and edit + Topaz Labs to upscale, you can visually achieve the same effects that would have taken me A LOT longer in Cinema4D/Blender. This is really amazing, only because if I can do this now with what we have, imagine where it will be in 6-mo 🔥 it will only get better. Soon we’ll be able to do a lot more within 3D environments with gaussian splats and volumetric effects. It won’t be long after that before Cinema, blender and others integrate gaussian splats and generative prompting directly into the software design and render process. At that point things are going to get REALLY BADASS! I’m chillin tonight, finally a night off lol. But tomorrow I’ll show you guys how I did this ❤️
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This is the power of VFX and AI now.. Creating volumetric effects in AI and then using AfterEffects and Premiere to layer and edit + Topaz Labs to upscale, you can visually achieve the same effects that would have taken me A LOT longer in Cinema4D/Blender. This is really amazing, only because if I can do this now with what we have, imagine where it will be in 6-mo 🔥 it will only get better. Soon we’ll be able to do a lot more within 3D environments with gaussian splats and volumetric effects. It won’t be long after that before Cinema, blender and others integrate gaussian splats and generative prompting directly into the software design and render process. At that point things are going to get REALLY BADASS! I’m chillin tonight, finally a night off lol. But tomorrow I’ll show you guys how I did this ❤️

Dustin Hollywood

19,760 次观看 • 10 个月前

Here's a little demo I made in Spline v2 using the new AI Agent Mode. This is in the editor, in preview mode. You can try it too, I just gave it this prompt: "Create a cloth simulation and make it interact with this sphere. Let me move the sphere around and grab the cloth. Add a floor and some obstacles." The code can update the geometry of any object in the scene, and play with vertices and normals. I'd love to see what you can create with Spline. Let's go!! 🚀
0:24

Here's a little demo I made in Spline v2 using the new AI Agent Mode. This is in the editor, in preview mode. You can try it too, I just gave it this prompt: "Create a cloth simulation and make it interact with this sphere. Let me move the sphere around and grab the cloth. Add a floor and some obstacles." The code can update the geometry of any object in the scene, and play with vertices and normals. I'd love to see what you can create with Spline. Let's go!! 🚀

Joseph Azar

21,398 次观看 • 1 个月前

A closer look on the GSAP powered animations in Webflow. Just from my perspective. In short, it’s way more powerful than I first thought. The more I use it, the more I like it. Of course, there are some parts missing. But it's the first version. There's still a lot to come. For example, custom ease would already make a huge difference. Breakpoints. Maybe a way to add custom functions as sometimes you need to calculate stuff in JavaScript to get complex animations. The biggest part for me is that you can just build the animation inside a timeline. This makes it so much easier than writing it as code. You can fine tune it so much more. When there would be a way to export the tween as code to add some more functionality would be awesome. You can also add custom classes with the timeline, which can then be used in custom CSS to add more functionality. With a bit of custom code you can also use breakpoints for your animations. By using the custom event the animation can be used in custom code which can also be pretty powerful. Didn’t test it so much yet, but would be cool if you could just take the event and use for example the onComplete() from GSAP or other stuff. For example. let mm = gsap.matchMedia(); const module = Webflow.require("ix3"); module.ready().then(() => { mm.add( { isMobile: "(max-width: 992px)", }, (context) => { let { isMobile } = context.conditions; if (isMobile) { module.emit("Mobile Animation"); } } ); }); "Mobile Animation" is the name of your custom event. I hope that part will get more powerful. Something I miss on the timeline is that when you select more actions you can just drag all actions. It would be cool if you could move it frame by frame with the arrow keys, like in Jitter for example. Or just write a specific point like when you have one selected. For now I would further write the code myself, but I’m excited to see where it’s going. Maybe there will be a time where you could animate most parts inside Webflow 🙂 Can’t wait for the next GSAP update!
0:27

A closer look on the GSAP powered animations in Webflow. Just from my perspective. In short, it’s way more powerful than I first thought. The more I use it, the more I like it. Of course, there are some parts missing. But it's the first version. There's still a lot to come. For example, custom ease would already make a huge difference. Breakpoints. Maybe a way to add custom functions as sometimes you need to calculate stuff in JavaScript to get complex animations. The biggest part for me is that you can just build the animation inside a timeline. This makes it so much easier than writing it as code. You can fine tune it so much more. When there would be a way to export the tween as code to add some more functionality would be awesome. You can also add custom classes with the timeline, which can then be used in custom CSS to add more functionality. With a bit of custom code you can also use breakpoints for your animations. By using the custom event the animation can be used in custom code which can also be pretty powerful. Didn’t test it so much yet, but would be cool if you could just take the event and use for example the onComplete() from GSAP or other stuff. For example. let mm = gsap.matchMedia(); const module = Webflow.require("ix3"); module.ready().then(() => { mm.add( { isMobile: "(max-width: 992px)", }, (context) => { let { isMobile } = context.conditions; if (isMobile) { module.emit("Mobile Animation"); } } ); }); "Mobile Animation" is the name of your custom event. I hope that part will get more powerful. Something I miss on the timeline is that when you select more actions you can just drag all actions. It would be cool if you could move it frame by frame with the arrow keys, like in Jitter for example. Or just write a specific point like when you have one selected. For now I would further write the code myself, but I’m excited to see where it’s going. Maybe there will be a time where you could animate most parts inside Webflow 🙂 Can’t wait for the next GSAP update!

Eduard Bodak

12,590 次观看 • 1 年前

The story interface lets you create collages of up to 6 photos and videos in customizable layouts. You can add media to collages from your gallery or with the in-app camera and adjust videos and music on a timeline. #TelegramTips
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The story interface lets you create collages of up to 6 photos and videos in customizable layouts. You can add media to collages from your gallery or with the in-app camera and adjust videos and music on a timeline. #TelegramTips

Telegram Messenger

122,589 次观看 • 1 年前