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I got hungry for some Nardo tail while in the kitchen hehe Light After Dark #NSFW #furrynsfw #vrclewd #furrylewd #gay #vrc #lewd #fullbody #ERP #VRChat #yiff #furry #dragon #Moonfang #Nardoragon

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Knotty Maki

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11,336 Aufrufe • vor 4 Monaten •via X (Twitter)

NSFW#NSFW#furrynsfw#vrclewd#furrylewd#gay#vrc#lewd#fullbody#ERP#VRChat#yiff#furry#dragon#Moonfang#Nardoragon
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The craziest thing about The iPhone 17 Pro variable aperture camera is that Apple isn't the first to do this but Samsung, which released a dual aperture smartphone back when Galaxy S9 launched. Although dual aperture is not as advanced as variable aperture, the premise is the same. A smaller aperture allows for better photos during bright light while a bigger aperture allows for better pictures in low-light. For some odd reason, Samsung decided to skip on this feature entirely after the launch of galaxy S10 and every Galaxy smartphone released after it had a fixed aperture. Chances are that Samsung will follow Apple again and re-introduce this feature with their next Galaxy smartphones but I always found it quite odd that they got rid of it on the first place.
0:51

The craziest thing about The iPhone 17 Pro variable aperture camera is that Apple isn't the first to do this but Samsung, which released a dual aperture smartphone back when Galaxy S9 launched. Although dual aperture is not as advanced as variable aperture, the premise is the same. A smaller aperture allows for better photos during bright light while a bigger aperture allows for better pictures in low-light. For some odd reason, Samsung decided to skip on this feature entirely after the launch of galaxy S10 and every Galaxy smartphone released after it had a fixed aperture. Chances are that Samsung will follow Apple again and re-introduce this feature with their next Galaxy smartphones but I always found it quite odd that they got rid of it on the first place.

NikTek

65,480 Aufrufe • vor 17 Tagen

Day - 18 of Ayodhya Padayathra🚩 Another day, another divine experience🥹🧡🙏🏻 I reached this temple after walking 15 kms from morning. I haven't eaten anything since morning. After reaching, i enquired whether there are any hotels nearby to eat. But I got to know that one hotel is 1 km ahead and another is half a km behind. I didn't have the energy to go. So, I came back and sat in the temple. I said, "Amma, there are no hotels nearby, you arrange food for me. If not, I'll eat the chudua which my mom gave me while starting my yatra. If you arrange some food, I'll eat it and take some rest. If not, I'll eat chudua and take rest. I'll eat something in the evening. It's upto you. I'm not that hungry either." While I was saying these lines, 2 boys (one is in 11th class and another is 9th class) entered the temple to clean it as navratri celebrations are starting tomorrow. I also cleaned the temple along with them. While we're cleaning, the younger boy went out and came back with a plate of food. I asked him why he brought the food. He said, it's for me. I asked him who asked you to bring it, for which, he didn't answer. I didn't even tell him anything about my yatra or where was I coming from or where I was going. I looked at Ammavaru with a smile on my face and ate it while having tears in my eyes, thinking I demanded ammavaru for food, yet she sent me some food with so much love 🧡🥹 I'm really lucky to experience such miracles everyday in my journey to Ayodhya. Jai Sree Ram 🙏🏻🚩 Jai mata di 🙏🏻🚩 #AyodhyaBatasari
4:28

Day - 18 of Ayodhya Padayathra🚩 Another day, another divine experience🥹🧡🙏🏻 I reached this temple after walking 15 kms from morning. I haven't eaten anything since morning. After reaching, i enquired whether there are any hotels nearby to eat. But I got to know that one hotel is 1 km ahead and another is half a km behind. I didn't have the energy to go. So, I came back and sat in the temple. I said, "Amma, there are no hotels nearby, you arrange food for me. If not, I'll eat the chudua which my mom gave me while starting my yatra. If you arrange some food, I'll eat it and take some rest. If not, I'll eat chudua and take rest. I'll eat something in the evening. It's upto you. I'm not that hungry either." While I was saying these lines, 2 boys (one is in 11th class and another is 9th class) entered the temple to clean it as navratri celebrations are starting tomorrow. I also cleaned the temple along with them. While we're cleaning, the younger boy went out and came back with a plate of food. I asked him why he brought the food. He said, it's for me. I asked him who asked you to bring it, for which, he didn't answer. I didn't even tell him anything about my yatra or where was I coming from or where I was going. I looked at Ammavaru with a smile on my face and ate it while having tears in my eyes, thinking I demanded ammavaru for food, yet she sent me some food with so much love 🧡🥹 I'm really lucky to experience such miracles everyday in my journey to Ayodhya. Jai Sree Ram 🙏🏻🚩 Jai mata di 🙏🏻🚩 #AyodhyaBatasari

Chandra🇮🇳🚩

17,058 Aufrufe • vor 6 Monaten

Alex Pereira on asking for an immediate rematch after his loss to Ciryl Gane, his room being like a funeral wake when he walked in as his team and family were saddened with his loss, crying in his room with his family and team while trying to lift their spirits. 👇 🗣️ “I said the right thing is an immediate rematch. I spoke to the organisation and they asked for some time because so much was happening.” 🗣️“When everyone came to the room it looked like a funeral wake everyone all sad with their heads down it’s a sad moment because they care about me.” 🗣️“Look at where it got me everything I’ve accomplished, so I told everyone I cried a bit as I spoke it because it’s a memory that’s very strong it’s something really special I had one dream, my dream was to not be in need to go hungry that was my dream it came through anything else is extra.”
1:46

Alex Pereira on asking for an immediate rematch after his loss to Ciryl Gane, his room being like a funeral wake when he walked in as his team and family were saddened with his loss, crying in his room with his family and team while trying to lift their spirits. 👇 🗣️ “I said the right thing is an immediate rematch. I spoke to the organisation and they asked for some time because so much was happening.” 🗣️“When everyone came to the room it looked like a funeral wake everyone all sad with their heads down it’s a sad moment because they care about me.” 🗣️“Look at where it got me everything I’ve accomplished, so I told everyone I cried a bit as I spoke it because it’s a memory that’s very strong it’s something really special I had one dream, my dream was to not be in need to go hungry that was my dream it came through anything else is extra.”

Nofanboymma

148,653 Aufrufe • vor 3 Monaten

[] = edited info for privacy "I am a [Major US Carrier] A320/321 Captain, the following sighting occurred during one of my flights recently. Since I have shared my story, several other [Major US Carrier] pilots have reached out to me and shared their similar experiences, including sharing their video recordings of these objects from the Flight Levels. All seen at the base of the big dipper. [Last week of July], 2023, I departed Santo Domingo DR at 2305 destined for New York JFK. My route of flight was L453 in NY Oceanic airspace, non radar hundreds of miles offshore. At approximately 1 hour into the flight as we were approaching the southern boundary of the NY oceanic airspace, and at 32,000 feet, I called out a visual on traffic that was excessively bright and looked like about 80 miles range... and then disappeared visually. I never saw the traffic on TCAS. Then a few minutes later I saw two objects round in shape, one lighted and one not flying in a formation just above the horizon, at a range I guessed of 120-200 NM. The object/s would illuminate to be as bright as a star for several seconds, then go dark for a few minutes, only to illuminate again. The brightness would vary from bright to very bright to dark. The color of the lighted object was white light. There was a second object you can clearly see in the photos that would follow the illuminated object, but it would not illuminate itself. Except for the 3:10-3:30 second point of my video I think you can see the second object illuminate. This went on for the remaining 2-2.5 hours of my flight to NY on L453 in Oceanic airspace. After reviewing the photos, I think the objects might have been a bit further away, but distance is very difficult to gauge at night. I have the brand new Samsung S23 phone which has the best camera on the market for a cell phone and I started recording this object in video. I have a great 7 min video of it appearing and disappearing while I was talking to other airliners on 123.45 vhf about it. You can hear that conversation in the video! Another airliner approximately 400 NM ahead of us at 36,000 feet stated they saw the same thing. I also took about 30 photos of these objects in "night mode" on the phone and they came out really good... in one of them you can actually see the lighted object and the unlit object very clearly as round metallic objects. All of the photos were taken with some sort of long exposure setting to be able to get as much light as possible to the sensor... You will be able to see in the long exposure photos the stars are pins of light but the UFO's are streaks of light because they are moving! It is actually amazing! All of this happened over about a 2.5 hour flight and continued for the entirety of our flight. The light seemed to be on or just above the horizon until we got closer to our destination of NY. Just prior to beginning our descent the objects appeared much higher in the sky 80-90 degrees above the horizon and much further away, actually out of the atmosphere."
7:30

[] = edited info for privacy "I am a [Major US Carrier] A320/321 Captain, the following sighting occurred during one of my flights recently. Since I have shared my story, several other [Major US Carrier] pilots have reached out to me and shared their similar experiences, including sharing their video recordings of these objects from the Flight Levels. All seen at the base of the big dipper. [Last week of July], 2023, I departed Santo Domingo DR at 2305 destined for New York JFK. My route of flight was L453 in NY Oceanic airspace, non radar hundreds of miles offshore. At approximately 1 hour into the flight as we were approaching the southern boundary of the NY oceanic airspace, and at 32,000 feet, I called out a visual on traffic that was excessively bright and looked like about 80 miles range... and then disappeared visually. I never saw the traffic on TCAS. Then a few minutes later I saw two objects round in shape, one lighted and one not flying in a formation just above the horizon, at a range I guessed of 120-200 NM. The object/s would illuminate to be as bright as a star for several seconds, then go dark for a few minutes, only to illuminate again. The brightness would vary from bright to very bright to dark. The color of the lighted object was white light. There was a second object you can clearly see in the photos that would follow the illuminated object, but it would not illuminate itself. Except for the 3:10-3:30 second point of my video I think you can see the second object illuminate. This went on for the remaining 2-2.5 hours of my flight to NY on L453 in Oceanic airspace. After reviewing the photos, I think the objects might have been a bit further away, but distance is very difficult to gauge at night. I have the brand new Samsung S23 phone which has the best camera on the market for a cell phone and I started recording this object in video. I have a great 7 min video of it appearing and disappearing while I was talking to other airliners on 123.45 vhf about it. You can hear that conversation in the video! Another airliner approximately 400 NM ahead of us at 36,000 feet stated they saw the same thing. I also took about 30 photos of these objects in "night mode" on the phone and they came out really good... in one of them you can actually see the lighted object and the unlit object very clearly as round metallic objects. All of the photos were taken with some sort of long exposure setting to be able to get as much light as possible to the sensor... You will be able to see in the long exposure photos the stars are pins of light but the UFO's are streaks of light because they are moving! It is actually amazing! All of this happened over about a 2.5 hour flight and continued for the entirety of our flight. The light seemed to be on or just above the horizon until we got closer to our destination of NY. Just prior to beginning our descent the objects appeared much higher in the sky 80-90 degrees above the horizon and much further away, actually out of the atmosphere."

Ryan Graves

694,787 Aufrufe • vor 3 Jahren

Here is Andrew Wilson glad that a fatwah was put on Charlie Kirk’s head for his messaging. Today Andrew is in mourning over the death so he can’t debate me after requesting a 4 hour block. I call bullshit. There’s something so sick about using tragedy to manipulate. I’ll be straight up with you guys I cried when I heard about Charlie Kirk. And according to my own rules that’s gay because tears are for beauty and victory. I didn’t even know him and it felt like I got punched in the gut. And I was just thinking how to make the debate funny to lighten peoples load on a time of sadness. This sneaky fuck will do anything to avoid debating me after his callout. And now will use this tweet to say how cold and callous I am to disrespect Charlie Kirk like that. All good bro. I’m gonna do the presentation I worked hard on at 330 pm pst. While Andrew mourns in a black veil. I’m not political. I made fun of Charlie a lot in 2017 but just for acting gay it was light. Over the years he grew on me. You intense political guys when you play these games don’t act like victims when people get hurt. Charlie’s speeches by the end hat a spirit of optimism. Like he was talking from a place of love. It may have come from having kids. He wasn’t acting like a Shapiro clone anymore. I felt it today before I even found out I had this tingle like the stars were vibrating a little and I felt weepy. I assumed it was joy thinking about annihilating Andrew Wilson but it almost felt like an energy of someone going home. See you guys at 330
1:06

Here is Andrew Wilson glad that a fatwah was put on Charlie Kirk’s head for his messaging. Today Andrew is in mourning over the death so he can’t debate me after requesting a 4 hour block. I call bullshit. There’s something so sick about using tragedy to manipulate. I’ll be straight up with you guys I cried when I heard about Charlie Kirk. And according to my own rules that’s gay because tears are for beauty and victory. I didn’t even know him and it felt like I got punched in the gut. And I was just thinking how to make the debate funny to lighten peoples load on a time of sadness. This sneaky fuck will do anything to avoid debating me after his callout. And now will use this tweet to say how cold and callous I am to disrespect Charlie Kirk like that. All good bro. I’m gonna do the presentation I worked hard on at 330 pm pst. While Andrew mourns in a black veil. I’m not political. I made fun of Charlie a lot in 2017 but just for acting gay it was light. Over the years he grew on me. You intense political guys when you play these games don’t act like victims when people get hurt. Charlie’s speeches by the end hat a spirit of optimism. Like he was talking from a place of love. It may have come from having kids. He wasn’t acting like a Shapiro clone anymore. I felt it today before I even found out I had this tingle like the stars were vibrating a little and I felt weepy. I assumed it was joy thinking about annihilating Andrew Wilson but it almost felt like an energy of someone going home. See you guys at 330

Owen Benjamin 🐻

496,497 Aufrufe • vor 1 Jahr

A$AP Rocky recalls what it was like spending a month in a Swedish jail in 2019. On Tuesday (Jan. 20), Ebro Darden shared a clip of his upcoming full interview with Pretty Flacko. In the clip, Rocky talks about making international news when he was arrested and jailed for assault in Sweden. "Let me break it down," Rocky said. "The cell is about the size of this area here. A little bit smaller. No bathroom. Just a sink and a mirror, a bed, a desk and a little cot. When you need to go to the bathroom, you gotta ask for permission. You ring a bell. Sometimes, they'll leave you in the bathroom for about an hour in the dark, because the light turns off after five minutes." "If you had a shower, they didn't have no towels," Rock continued. "You had to make your own makeshift towels. Don't get me wrong, it wasn't Rikers [Island], but it was inconvenient. It wasn't sweet." The Harlem, N.Y., rapper said he began learning more about his case when it was featured on international news and President Trump started talking about freeing Rocky. "I was honored, but then I was so low," he added. "But when I saw my peers...all agreeing, 'Yo, that ain't right.'...Honestly, Ebro, that sh*t lifted my spirits so crazy that even when I got out, I was still on a high from that." A$AP Rocky and two of his security guards were arrested in July of 2019 for an altercation in Sweden while he was on tour. Rocky spent about 30 days in jail fighting the case, during which President Trump was vocal about getting Rocky free. Rocky went to trial that August and was freed afterward while awaiting the verdict. He was later found guilty but avoided further jail time.
2:27

A$AP Rocky recalls what it was like spending a month in a Swedish jail in 2019. On Tuesday (Jan. 20), Ebro Darden shared a clip of his upcoming full interview with Pretty Flacko. In the clip, Rocky talks about making international news when he was arrested and jailed for assault in Sweden. "Let me break it down," Rocky said. "The cell is about the size of this area here. A little bit smaller. No bathroom. Just a sink and a mirror, a bed, a desk and a little cot. When you need to go to the bathroom, you gotta ask for permission. You ring a bell. Sometimes, they'll leave you in the bathroom for about an hour in the dark, because the light turns off after five minutes." "If you had a shower, they didn't have no towels," Rock continued. "You had to make your own makeshift towels. Don't get me wrong, it wasn't Rikers [Island], but it was inconvenient. It wasn't sweet." The Harlem, N.Y., rapper said he began learning more about his case when it was featured on international news and President Trump started talking about freeing Rocky. "I was honored, but then I was so low," he added. "But when I saw my peers...all agreeing, 'Yo, that ain't right.'...Honestly, Ebro, that sh*t lifted my spirits so crazy that even when I got out, I was still on a high from that." A$AP Rocky and two of his security guards were arrested in July of 2019 for an altercation in Sweden while he was on tour. Rocky spent about 30 days in jail fighting the case, during which President Trump was vocal about getting Rocky free. Rocky went to trial that August and was freed afterward while awaiting the verdict. He was later found guilty but avoided further jail time.

XXL Magazine

20,163 Aufrufe • vor 8 Monaten

260423 jeno wv live 🎂 🐶: how is it for you all when you go on trips with your family? i went on a trip with my family during this break, and woah... the lifestyle patterns were completely different, for sure. they start getting ready for bed around 10, 11, or 12, sleep, and then the next day around 8 or 9... it seemed like my parents woke up starting from 7. so i heard people say my dark circles got worse after coming back from the family trip. 😂 🐶: and since it was a family trip for the first time in a while, my parents had so many things they wanted to do. so because we did this and did that, it wasn’t exactly a healing trip. it was a spartan trip. my older sister was on the family trip too. 🐶: also, i’m a light sleeper, so if someone wakes up next to me, i wake up [too]. 🐶: where did we go? we went to gangwon-do. this is also TMI, but we originally planned to go to jeju island. but the wind was blowing too much, the flights were canceled. so we couldn’t go. that’s why we rushedly went to gangwon-do. turn. 😄 🐶: for driving, we take turns while reading the room. me and my dad. #순순이_제노_데이 #LoveLeeJENODay
2:01

260423 jeno wv live 🎂 🐶: how is it for you all when you go on trips with your family? i went on a trip with my family during this break, and woah... the lifestyle patterns were completely different, for sure. they start getting ready for bed around 10, 11, or 12, sleep, and then the next day around 8 or 9... it seemed like my parents woke up starting from 7. so i heard people say my dark circles got worse after coming back from the family trip. 😂 🐶: and since it was a family trip for the first time in a while, my parents had so many things they wanted to do. so because we did this and did that, it wasn’t exactly a healing trip. it was a spartan trip. my older sister was on the family trip too. 🐶: also, i’m a light sleeper, so if someone wakes up next to me, i wake up [too]. 🐶: where did we go? we went to gangwon-do. this is also TMI, but we originally planned to go to jeju island. but the wind was blowing too much, the flights were canceled. so we couldn’t go. that’s why we rushedly went to gangwon-do. turn. 😄 🐶: for driving, we take turns while reading the room. me and my dad. #순순이_제노_데이 #LoveLeeJENODay

★★ archive

38,017 Aufrufe • vor 5 Monaten

Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.
0:30

Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.

Stav Zilbershtein

29,730 Aufrufe • vor 1 Monat

Several months ago I read an article entitled "Fart walks save lives" and ever since I've been a fan of a post-prandial stroll... It is so good for the digestion and general health; it gets the blood circulating, burns calories and let's you talk through the day with your other half....(farting is optional). So tonight, after a home-cooked meal, I persuaded james to come along the river for a 40 minute walk- and-talk. It was pitch black on the towpath and we saw only 3 other people, all wearing earpods . On the way back we heard, " help! Help!"... and at first thought it was one of the many rowing coaches you hear on The Thames - even after dark. But then I saw a bicycle on its side and shouted after the voice. 20 ft below us, in the water, was a bloke who had come off his bike and fallen headlong down the banking. He had flattened some of the bushes and trees but was still very difficult to see amongst the thick foliage. James scrambled down as far as safely possible to get a better look. The chap was still in his bike helmet, waist deep in the water and thick mud but unable to get any grip at all on the sheer brick wall. James got back up and found his very long bike lock which he then dangled down to try and pull him up - while I nervously said, " please don't get pulled in too.." (eventually James said, " yes I heard you the first 3 times..."). He was too far down to pull up but was pleading with us not to call 999..."it's just so embarrassing " he said.... He sounded like he was in his 50s, well-spoken and very fed up with himself! I stayed talking to him while James ran to get a longer rope and torch from home (but also gave me the nod to call 999). I was worried that our friend might let go or try to climb out and lose his grip if he knew the lifeguard was coming so I kept him talking and asked if there was anyone else I could ring for him. He rather ruefully said no. James appeared back sprinting with the rope. But seconds after speaking to 999, the Chiswick Lifeboat appeared heroically through the dark. They scooped our water-logged Bradley wiggins up and took him down to Kew and off to hospital to get checked over. We walked his bike back to our house and hope to reunite them soon. The moral to the story is that you should never flop on the sofa after dinner when you could walk round the block. Because that article was right - fart walks do save lives! Great job Chiswick Lifeboat
0:11

Several months ago I read an article entitled "Fart walks save lives" and ever since I've been a fan of a post-prandial stroll... It is so good for the digestion and general health; it gets the blood circulating, burns calories and let's you talk through the day with your other half....(farting is optional). So tonight, after a home-cooked meal, I persuaded james to come along the river for a 40 minute walk- and-talk. It was pitch black on the towpath and we saw only 3 other people, all wearing earpods . On the way back we heard, " help! Help!"... and at first thought it was one of the many rowing coaches you hear on The Thames - even after dark. But then I saw a bicycle on its side and shouted after the voice. 20 ft below us, in the water, was a bloke who had come off his bike and fallen headlong down the banking. He had flattened some of the bushes and trees but was still very difficult to see amongst the thick foliage. James scrambled down as far as safely possible to get a better look. The chap was still in his bike helmet, waist deep in the water and thick mud but unable to get any grip at all on the sheer brick wall. James got back up and found his very long bike lock which he then dangled down to try and pull him up - while I nervously said, " please don't get pulled in too.." (eventually James said, " yes I heard you the first 3 times..."). He was too far down to pull up but was pleading with us not to call 999..."it's just so embarrassing " he said.... He sounded like he was in his 50s, well-spoken and very fed up with himself! I stayed talking to him while James ran to get a longer rope and torch from home (but also gave me the nod to call 999). I was worried that our friend might let go or try to climb out and lose his grip if he knew the lifeguard was coming so I kept him talking and asked if there was anyone else I could ring for him. He rather ruefully said no. James appeared back sprinting with the rope. But seconds after speaking to 999, the Chiswick Lifeboat appeared heroically through the dark. They scooped our water-logged Bradley wiggins up and took him down to Kew and off to hospital to get checked over. We walked his bike back to our house and hope to reunite them soon. The moral to the story is that you should never flop on the sofa after dinner when you could walk round the block. Because that article was right - fart walks do save lives! Great job Chiswick Lifeboat

Bev Turner

74,222 Aufrufe • vor 1 Monat

Initially I was going to get the jab, because I was worried about keeping my job back 2021. I was concerned from the onset on how quickly the vax was being rushed out into arms. At the time I worked as warehouse supervisor. As fellow employees started to get their first shots I noticed then a huge spike in absences. Many never felt the same after getting it. The straw that broke the camels back was my grandmother having a massive stroke after her first shot. Up until that point she was fully on board with the narrative. A week later I received an email from HR asking my status. Without hesitation I related the story about my grandmother, and informed them I would not be receiving any jab. Two weeks later I was terminated. I spent some weeks looking for another warehouse job only to find many required the jab. I started to get demoralized, but was persistent in looking for a job. I finally landed a scheduled interview at a record pressing plant. Which as a musician was a dream job. Unfortunately for me a tore my achilles while playing with my puppy a week before. It was my most severe injury in my life, and I couldn't walk for 3 months. All during this time the mandates were getting stricter, and the media was whipping folks into a frenzy. Being unemployed and crippled during the later part of 2021 and 2022 brought me to a dark place like no other I have known. Seeing the constant dehumanization of the unvaxxed wilted my heart. I thought I would never be able to work again legally. If it wasn't for my then girlfriend solidarity with me at the time, I likely would have taken the cowards way out of living. When the Freedom Convoy started from out west, a flicker of hope came over me. Seeing the momentum build started to fill my heart with pride as a Canadian. By the time they got to Sudbury, my grandma who prior was Liberal supporter, was out on the highway bridge cheering on the truckers. My parents went without hesitation to participate. If I wasn't immobile at the time I would have been there myself. I did the next best thing and watched the livestreams from beginning, to the end of the convoy. Despite the authoritarian crackdown, my pride as Canadian was never stronger.
2:20

Initially I was going to get the jab, because I was worried about keeping my job back 2021. I was concerned from the onset on how quickly the vax was being rushed out into arms. At the time I worked as warehouse supervisor. As fellow employees started to get their first shots I noticed then a huge spike in absences. Many never felt the same after getting it. The straw that broke the camels back was my grandmother having a massive stroke after her first shot. Up until that point she was fully on board with the narrative. A week later I received an email from HR asking my status. Without hesitation I related the story about my grandmother, and informed them I would not be receiving any jab. Two weeks later I was terminated. I spent some weeks looking for another warehouse job only to find many required the jab. I started to get demoralized, but was persistent in looking for a job. I finally landed a scheduled interview at a record pressing plant. Which as a musician was a dream job. Unfortunately for me a tore my achilles while playing with my puppy a week before. It was my most severe injury in my life, and I couldn't walk for 3 months. All during this time the mandates were getting stricter, and the media was whipping folks into a frenzy. Being unemployed and crippled during the later part of 2021 and 2022 brought me to a dark place like no other I have known. Seeing the constant dehumanization of the unvaxxed wilted my heart. I thought I would never be able to work again legally. If it wasn't for my then girlfriend solidarity with me at the time, I likely would have taken the cowards way out of living. When the Freedom Convoy started from out west, a flicker of hope came over me. Seeing the momentum build started to fill my heart with pride as a Canadian. By the time they got to Sudbury, my grandma who prior was Liberal supporter, was out on the highway bridge cheering on the truckers. My parents went without hesitation to participate. If I wasn't immobile at the time I would have been there myself. I did the next best thing and watched the livestreams from beginning, to the end of the convoy. Despite the authoritarian crackdown, my pride as Canadian was never stronger.

Eric St-Pierre

30,370 Aufrufe • vor 8 Monaten

If you think AI is "not there yet" - You are not informed Here is what I did on maxfusion Full prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.
0:30

If you think AI is "not there yet" - You are not informed Here is what I did on maxfusion Full prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.

Stav Zilbershtein

87,790 Aufrufe • vor 1 Monat

it's my birthday. sometimes I feel like I'm 10 years behind in life. deep down I know that that this year will be the best and hardest year of my life but I gotta be honest the five folks who care for a minute. spent the past decade depressed, embarrassed that I wasn't more talented or more successful, guilt ridden for not being mature enough to handle life the way I would've liked when I was younger, keeping my head down trying to work on myself and trying to hone my skills to be a better storyteller. just years of telling myself I'm not good enough, telling myself I'm not old enough or lucky enough. telling myself who the fuck cares about what I do or create. like how the fuck can I do what so many others do. fuck off for even thinking you can do it stephen. I'm not a special person, I'm just a dude. some idiot. who has been in the film industry since I was a kid. an industry I left for a while because I needed to disconnect, I needed time to figure out my life after working since the second grade. needed to find my love and passion. and I did. which is making things for people to enjoy. but it hasn't been that simple. that pivot was like a hard reset. suddenly everything I'd ever achieved meant nothing. it's been a constant grind every day while trying to keep a roof over my head taking on retail jobs, service jobs, handyman gigs after leading shows and movies. and that's okay. like I've gotten clowned on it but you gotta make it work. in between all of that I've been lucky to work with huge brands, do stellar uncredited work on amazing flicks and slowly chip away on my own goals. for the past decade I haven't been able to sleep easily. can't turn off my brain. thinking about how I'm never doing enough for hours just in bed. telling myself maybe it'll be different tomorrow while hiding from the world making unhealthy decisions, not taking care of myself. a lot of times I do feel like I've missed out on my life, especially the past ten years. I've just been working. when I'm not working I'm working on the side with nothing to show for it. just endless chasing rent while being delusional about creating a better life. if you're not careful this kinda dream can suck the life out of you. you lose your passion for it. but I haven't. so much of me has just been waiting in the background of my own life, thinking there would be some moment of realization when I've worked on myself enough and I suddenly I feel like "oh I've got this." waited for that moment but it never came. don't think it ever will. I'm tired of waiting, I'm tired of thinking I'm not ready, I'm tired of telling myself I'm not good enough. it's not true. I won't give up. I won't give up on trying to entertain people. I won't give up on my dream of helping my friends fulfill their own. I never will. love and appreciate all of you for sticking with me and watching what I do and being here for me. 90% of my body is made of movies, games and soundtracks; so because I'm a cringe dork, I have meme'd for years that I feel like reclusive bruce wayne in the dark knight rises (but broke and less handsome) afflicted by failures unable to accept that my life can go on. but that's bullshit. maybe I needed an era to change and hurt and struggle and learn and become who I wanted to be. life comes and goes in eras. and I'm in my begins era now baby.
0:37

it's my birthday. sometimes I feel like I'm 10 years behind in life. deep down I know that that this year will be the best and hardest year of my life but I gotta be honest the five folks who care for a minute. spent the past decade depressed, embarrassed that I wasn't more talented or more successful, guilt ridden for not being mature enough to handle life the way I would've liked when I was younger, keeping my head down trying to work on myself and trying to hone my skills to be a better storyteller. just years of telling myself I'm not good enough, telling myself I'm not old enough or lucky enough. telling myself who the fuck cares about what I do or create. like how the fuck can I do what so many others do. fuck off for even thinking you can do it stephen. I'm not a special person, I'm just a dude. some idiot. who has been in the film industry since I was a kid. an industry I left for a while because I needed to disconnect, I needed time to figure out my life after working since the second grade. needed to find my love and passion. and I did. which is making things for people to enjoy. but it hasn't been that simple. that pivot was like a hard reset. suddenly everything I'd ever achieved meant nothing. it's been a constant grind every day while trying to keep a roof over my head taking on retail jobs, service jobs, handyman gigs after leading shows and movies. and that's okay. like I've gotten clowned on it but you gotta make it work. in between all of that I've been lucky to work with huge brands, do stellar uncredited work on amazing flicks and slowly chip away on my own goals. for the past decade I haven't been able to sleep easily. can't turn off my brain. thinking about how I'm never doing enough for hours just in bed. telling myself maybe it'll be different tomorrow while hiding from the world making unhealthy decisions, not taking care of myself. a lot of times I do feel like I've missed out on my life, especially the past ten years. I've just been working. when I'm not working I'm working on the side with nothing to show for it. just endless chasing rent while being delusional about creating a better life. if you're not careful this kinda dream can suck the life out of you. you lose your passion for it. but I haven't. so much of me has just been waiting in the background of my own life, thinking there would be some moment of realization when I've worked on myself enough and I suddenly I feel like "oh I've got this." waited for that moment but it never came. don't think it ever will. I'm tired of waiting, I'm tired of thinking I'm not ready, I'm tired of telling myself I'm not good enough. it's not true. I won't give up. I won't give up on trying to entertain people. I won't give up on my dream of helping my friends fulfill their own. I never will. love and appreciate all of you for sticking with me and watching what I do and being here for me. 90% of my body is made of movies, games and soundtracks; so because I'm a cringe dork, I have meme'd for years that I feel like reclusive bruce wayne in the dark knight rises (but broke and less handsome) afflicted by failures unable to accept that my life can go on. but that's bullshit. maybe I needed an era to change and hurt and struggle and learn and become who I wanted to be. life comes and goes in eras. and I'm in my begins era now baby.

Stephen Ford

30,135 Aufrufe • vor 1 Jahr

The Berliner Prosecution / #Staatsanwaltschaft is a criminal organization, see for yourself: Recap: 02/14/23 Called Polizei Berlin to get rid of Helena Miller for stalking and harassment, she defamed / lied about a mental illness (psychosis) allegedly caused by my last remaining pain medicine (cannabis) Note: I showed my prescriptions and dosage plan, witnesses by my wife. Police obtained a search warrant and ambushed me while leaning peacfully by the window in my daughter's bedroom ventilating the apartment as always. They then lied about the event, and reported that I attacked them, swinging and kicking, (see bloodstains in the corner). Here the injuries I sustained: They first tried to suffocate me, no attempt to make an arrest were made, then a POK Annika Fischer tried to break my neck while four others pinned me down on all for limps, and whole lot more, see link above. I got booked in a psych ward at the Charité - Universitätsmedizin Berlin Station 155, and put on COVID-Isolation after they did a test upon arrival. Helena Miller called the station, which ended up issuing a diagnosis without ever seeing me. See my videos starting on 16.02.23 from the psych ward after my wife brought me my phone below. Better Karma sent the Bezirksamt Mitte Social Psychiatric Service after contacting them on 01.06.23. The next day 02.06.23 right after my morning rehab training, I got greeted by a frantic Leni Hoellerer together with the Polizei Berlin pressing me to let them in to talk. When I refused and dismissed them to go and check my mailbox instead with my coffee mug in hand, I got put in cuffs in front of my neighbors. Despite my demands to be uncuffed and let back up, they drove me to the Charité - Universitätsmedizin Berlin. The same doctor, C. Müller, who already issued the false diagnosis told me that I have to stay per judges orders. After a short phone call, I received my US Passport back and left. The reason for the PsychKG application, based on self endagerment, prolonged tanning (sun exposure) and not consuming enough fluid as reported by Helena Miller on 01.06.23, was ruled unlawful by Judge Arukaslan on 02.06.23. I filed a Polizei Berlin report against Leni Hoellerer and Dr. Biernaht of the Social Psychiatric Service, but the prosecution denied the investigation, because of self endangerment not drinking enough and exposing myself to the sun too much, at 10AM in the morning. Essentially the exact wording used by Dr. Biernaht after a call with Helena Miller. Here that story: Note: The prosecution should have had enough evidence to close any case against me, hand over my unlawfully seized medicine, and investigate Polizei Berlin A56, holding sufficient evidence since 23.03.23. However, a prosecutor Weidemann offered me a deal on 11.04.23, saying that she would close the case, if I consent to having my medicine permanently seized and do not press criminal charges against those criminal cops from 14.02.23. After being humilated and embarrassed infront of my neighbors and having my personal rights violated once again, we got a visit from a BMBFSFJ employee M. Waelisch and Bezirksamt Mitte Leni Hoellerer on 30.06.23. During the meeting, M. Waelisch kept pressing me to sign some "family help", and then threatened that we might lose custody, that our child might have to live in a foster home if I refused to sign, and that he would report to family court that our daughter is endagered here at home. After that we got a visite from a Ariane Wichmann, who coerced my daughter to let her in to question her while I was out grocery shopping. I audio recorded the meeting with her for my legal protection at this point. Despite a clear 30 minute conversation, holding the audio files, she falsely reported that she had to limit me, and that I was psychotic, something the audio files clearly debunk. Then came the court date 27.09.23 on my wife's day off, I called a day before to cancel the hearing, because the case is inherently and obviously unlawful. However, when I told judge Bergmann that the case is unlwaful, and objecting the presentaton of false evidence by Ariane Wichmann and M. Waelisch, I got ejected from the court room. The judge then coerced my intimidated indigenous Mexican wife to chose between me at home or our daughter in a foster home. Here my angry rant from the court house after being ejected, denied my right to be heard: On 10.10.23 while working on making an inlay shelf in the kitchen, removig some drywall I got removed from my home by Ariane Wichmann and Berliner Police. Made homeless without a shower and still injured with a doctors note of incapacitation. Now we are getting to the Family Court, Prosecution and Vivantes Netzwerk für Gesundheit GmbH crime collusion. Judge Bergmann ordered a psychological exploration for me at the Vivantes Netzwerk für Gesundheit GmbH Humboldt with a Dr. S. Krüger. I recorded both meetings, the first biographic meeting with S. Krüger on 26.03.24 and the psychological assessment with Dr. Koes on 10.04.24. Now my argument: If cannabis, my last remaining chronic pain management medicine since 2017 would have ever caused a psychosis, mental extreme state, deulsions and paranoia, as well as aggresive behavior, why hasn't it happened on 10.04.24. Also, S. Krüger wasn't even present on 10.04.24, but wrote that she noticed that I was sweating profusely the longer the exploration went. Mr. Koes said that there are no signs of a personality disorder and no psychotic symptoms, and that this is what they would write in the report for Judge Bergmann. I just received a letter today, about a disciplinary complaint against Prosecutor Mali who apparently handled that case 274 JS 1930/23, denying an investigation saying obtaining the report by S. Krüger on 30.04.24 was legal, however the official date of the writte report sent to the Family Court was 27.05.24. Furthermore, the report from 30.04.24 was used to close a case against me for alledegly hitting, kicking, and resisting arrest on the inability to assume guilt. See the evidence below, like, and share to support my legal case against a criminal German government! 🧵👇
3:00

The Berliner Prosecution / #Staatsanwaltschaft is a criminal organization, see for yourself: Recap: 02/14/23 Called Polizei Berlin to get rid of Helena Miller for stalking and harassment, she defamed / lied about a mental illness (psychosis) allegedly caused by my last remaining pain medicine (cannabis) Note: I showed my prescriptions and dosage plan, witnesses by my wife. Police obtained a search warrant and ambushed me while leaning peacfully by the window in my daughter's bedroom ventilating the apartment as always. They then lied about the event, and reported that I attacked them, swinging and kicking, (see bloodstains in the corner). Here the injuries I sustained: They first tried to suffocate me, no attempt to make an arrest were made, then a POK Annika Fischer tried to break my neck while four others pinned me down on all for limps, and whole lot more, see link above. I got booked in a psych ward at the Charité - Universitätsmedizin Berlin Station 155, and put on COVID-Isolation after they did a test upon arrival. Helena Miller called the station, which ended up issuing a diagnosis without ever seeing me. See my videos starting on 16.02.23 from the psych ward after my wife brought me my phone below. Better Karma sent the Bezirksamt Mitte Social Psychiatric Service after contacting them on 01.06.23. The next day 02.06.23 right after my morning rehab training, I got greeted by a frantic Leni Hoellerer together with the Polizei Berlin pressing me to let them in to talk. When I refused and dismissed them to go and check my mailbox instead with my coffee mug in hand, I got put in cuffs in front of my neighbors. Despite my demands to be uncuffed and let back up, they drove me to the Charité - Universitätsmedizin Berlin. The same doctor, C. Müller, who already issued the false diagnosis told me that I have to stay per judges orders. After a short phone call, I received my US Passport back and left. The reason for the PsychKG application, based on self endagerment, prolonged tanning (sun exposure) and not consuming enough fluid as reported by Helena Miller on 01.06.23, was ruled unlawful by Judge Arukaslan on 02.06.23. I filed a Polizei Berlin report against Leni Hoellerer and Dr. Biernaht of the Social Psychiatric Service, but the prosecution denied the investigation, because of self endangerment not drinking enough and exposing myself to the sun too much, at 10AM in the morning. Essentially the exact wording used by Dr. Biernaht after a call with Helena Miller. Here that story: Note: The prosecution should have had enough evidence to close any case against me, hand over my unlawfully seized medicine, and investigate Polizei Berlin A56, holding sufficient evidence since 23.03.23. However, a prosecutor Weidemann offered me a deal on 11.04.23, saying that she would close the case, if I consent to having my medicine permanently seized and do not press criminal charges against those criminal cops from 14.02.23. After being humilated and embarrassed infront of my neighbors and having my personal rights violated once again, we got a visit from a BMBFSFJ employee M. Waelisch and Bezirksamt Mitte Leni Hoellerer on 30.06.23. During the meeting, M. Waelisch kept pressing me to sign some "family help", and then threatened that we might lose custody, that our child might have to live in a foster home if I refused to sign, and that he would report to family court that our daughter is endagered here at home. After that we got a visite from a Ariane Wichmann, who coerced my daughter to let her in to question her while I was out grocery shopping. I audio recorded the meeting with her for my legal protection at this point. Despite a clear 30 minute conversation, holding the audio files, she falsely reported that she had to limit me, and that I was psychotic, something the audio files clearly debunk. Then came the court date 27.09.23 on my wife's day off, I called a day before to cancel the hearing, because the case is inherently and obviously unlawful. However, when I told judge Bergmann that the case is unlwaful, and objecting the presentaton of false evidence by Ariane Wichmann and M. Waelisch, I got ejected from the court room. The judge then coerced my intimidated indigenous Mexican wife to chose between me at home or our daughter in a foster home. Here my angry rant from the court house after being ejected, denied my right to be heard: On 10.10.23 while working on making an inlay shelf in the kitchen, removig some drywall I got removed from my home by Ariane Wichmann and Berliner Police. Made homeless without a shower and still injured with a doctors note of incapacitation. Now we are getting to the Family Court, Prosecution and Vivantes Netzwerk für Gesundheit GmbH crime collusion. Judge Bergmann ordered a psychological exploration for me at the Vivantes Netzwerk für Gesundheit GmbH Humboldt with a Dr. S. Krüger. I recorded both meetings, the first biographic meeting with S. Krüger on 26.03.24 and the psychological assessment with Dr. Koes on 10.04.24. Now my argument: If cannabis, my last remaining chronic pain management medicine since 2017 would have ever caused a psychosis, mental extreme state, deulsions and paranoia, as well as aggresive behavior, why hasn't it happened on 10.04.24. Also, S. Krüger wasn't even present on 10.04.24, but wrote that she noticed that I was sweating profusely the longer the exploration went. Mr. Koes said that there are no signs of a personality disorder and no psychotic symptoms, and that this is what they would write in the report for Judge Bergmann. I just received a letter today, about a disciplinary complaint against Prosecutor Mali who apparently handled that case 274 JS 1930/23, denying an investigation saying obtaining the report by S. Krüger on 30.04.24 was legal, however the official date of the writte report sent to the Family Court was 27.05.24. Furthermore, the report from 30.04.24 was used to close a case against me for alledegly hitting, kicking, and resisting arrest on the inability to assume guilt. See the evidence below, like, and share to support my legal case against a criminal German government! 🧵👇

WeedUp Media

11,035 Aufrufe • vor 2 Monaten

I think sometimes dogs are sent to us. We’ve all had that feeling right? This is certainly the case with Sonny who recently got adopted from us and I wanted to shine the light on his owners and share a remarkable story. In the video you will see the amazing Sena. They saved her and built her back up and selflessly gave her the end to her life she deserved. After she left this world Beth was devastated but that’s when she spotted Sonny. As Beth says… When I saw the clip of Sonny looking up from the sofa, it literally felt like I was looking into Senas eyes because she often had that same expression. I cried most of the day thinking about him and I just had that gut feeling that she’d sent him to us. Same eyes, similar fur, resilient spirit - then the fact he could only be adopted in Thailand and had been waiting 220 days. It all just felt like fate. Now he’s home he continues to show similarities, the way his butt wiggles with his tail, the way he will go outside to sunbathe for a few minutes then come back in, how protective he is of myself and Gonz. But Sonny is younger and healthier than Sena, it’s almost like she sent us him to continue to love and enjoy all the things she couldn’t do due to her health. I think we can all agree Sonny has found the ideal parents and although he will never replace Sena he was certainly sent to the wonderful Beth and Gonz. Some things are just meant to be. To see how they care for their current dog and cherish the memory of what has come before is a thing of beauty. Beautiful people @sonnyfromsena ❤️
0:58

I think sometimes dogs are sent to us. We’ve all had that feeling right? This is certainly the case with Sonny who recently got adopted from us and I wanted to shine the light on his owners and share a remarkable story. In the video you will see the amazing Sena. They saved her and built her back up and selflessly gave her the end to her life she deserved. After she left this world Beth was devastated but that’s when she spotted Sonny. As Beth says… When I saw the clip of Sonny looking up from the sofa, it literally felt like I was looking into Senas eyes because she often had that same expression. I cried most of the day thinking about him and I just had that gut feeling that she’d sent him to us. Same eyes, similar fur, resilient spirit - then the fact he could only be adopted in Thailand and had been waiting 220 days. It all just felt like fate. Now he’s home he continues to show similarities, the way his butt wiggles with his tail, the way he will go outside to sunbathe for a few minutes then come back in, how protective he is of myself and Gonz. But Sonny is younger and healthier than Sena, it’s almost like she sent us him to continue to love and enjoy all the things she couldn’t do due to her health. I think we can all agree Sonny has found the ideal parents and although he will never replace Sena he was certainly sent to the wonderful Beth and Gonz. Some things are just meant to be. To see how they care for their current dog and cherish the memory of what has come before is a thing of beauty. Beautiful people @sonnyfromsena ❤️

Niall Harbison

132,613 Aufrufe • vor 4 Monaten

According to Daria Nicolodi, Mario Bava started directing "Shock" (1977) normally, but after a few days, he began to complain that he wasn’t feeling so good. He would continue to work a while, and then go home, leaving the direction to his son, Lamberto Bava for the rest of the day. Daria said that she loved working with Mario in the mornings, because he made the atmosphere on the set like a party— but when Lamberto took over, he was so nervous that he made everyone else feel nervous and a little sick! She felt quite certain that Mario was faking his illness; it was his method to give Lamberto some experience at directing. Lamberto Bava said, “At one point, like a good father to his son, he let me direct some scenes. He gave me the scenes that he knew I couldn’t screw up too much. I got to shoot a lot of scenes, actually, because my father would say, ‘I’m tired—you shoot the scene.’ It wasn’t true—he wasn’t really tired; he let me do it because he probably felt it was time I started directing on my own." ("Mario Bava: All the colours of the Dark", Tim Lucas, 2007) P.S: On this day, 49 years ago, "Shock" (1977) premiered in Milan, Italy.
2:08

According to Daria Nicolodi, Mario Bava started directing "Shock" (1977) normally, but after a few days, he began to complain that he wasn’t feeling so good. He would continue to work a while, and then go home, leaving the direction to his son, Lamberto Bava for the rest of the day. Daria said that she loved working with Mario in the mornings, because he made the atmosphere on the set like a party— but when Lamberto took over, he was so nervous that he made everyone else feel nervous and a little sick! She felt quite certain that Mario was faking his illness; it was his method to give Lamberto some experience at directing. Lamberto Bava said, “At one point, like a good father to his son, he let me direct some scenes. He gave me the scenes that he knew I couldn’t screw up too much. I got to shoot a lot of scenes, actually, because my father would say, ‘I’m tired—you shoot the scene.’ It wasn’t true—he wasn’t really tired; he let me do it because he probably felt it was time I started directing on my own." ("Mario Bava: All the colours of the Dark", Tim Lucas, 2007) P.S: On this day, 49 years ago, "Shock" (1977) premiered in Milan, Italy.

DepressedBergman

26,407 Aufrufe • vor 1 Monat

If we have yet to see a photo of Lance in a full-blown fursuit, why is he being referred to as a furry? Furthermore, why a "trans furry"? That term has been used so much that it's right up there with the usage of "grieving widow" 😒. What Lance is actually pictured wearing (in that one photo they keep circulating of him) is a kigurumi which happens to be a loose character onesie. Yes, some kigurumi are full mascot-style, but the overwhelming majority is comfort loungewear your niece owns in a Pikachu print. A fursuit is custom-built, plush, and represents an original "fursona." A full-fledged furry isn't calling themselves a furry while wearing a kigurumi. And for the record: not all furries, or kigurumi wearers, are LGBTQ+, though research shows many are. Slapping "trans furry" onto someone based on loungewear photos isn't identifying a pattern. It's inventing one. Also, where is the proof that Lance is transitioning? Has anyone seen evidence of this? Just curious. Like I said before, perhaps he's gay but that wouldn't have the same impact among conservatives as does labeling him as "trans". Did they think that people would just see that one photo of him in the onesie and say "yup, he's soooo trans that guy 👀." We all know that when an unverified label is released by the media, it doesn't stay contained. Once it's attached, it becomes the lens everything else gets filtered through. Sources start looking for things that confirm it instead of testing it & every downstream report inherits the error. We've seen this over & over. A label is supposed to be traceable back to verified fact. "Someone online said it" isn't a source. Mislabeling someone's hobby or identity isn't neutral. It reshapes public perception in ways that are extremely hard to walk back, even after a correction. The correction never travels as far as the original claim did. This was intentional, but sloppy (as I mentioned before). Also remember that they are doing this because they are hiding something bigger from us. Additionally, someone pointed out to me that just two weeks before Charlie was "deleted", there was another case involving a trans furry in Minneapolis. I might have heard this months ago & completely forgot about it, but it's worth mentioning it again. Robin Westman (who media outlets reported as trans & who had an ex-girlfriend who was a furry) killed 2 children & injured 17 adults at a Catholic Church. Robin then died from a self-inflicted wound. Some media outlets like CNN reported that anti-semitic messages were scrawled on the weapons. Interesting. 🤔 Question: What proof do we have that Robin died from a self-inflicted wound? I'm asking because it has been speculated that that is how Tyler Robinson was "expected" to go out, but we all know that it didn't play out that way. And now we recently learned that Charlie's medical examiner's wife is a furry with some very strange interests. Just when you think that things can’t get any weirder 🫪. I don't know that we will ever learn the whole truth about what truly happened to Charlie, but at least we know that we are being lied to & they know we know. Keep applying pressure. Don't let them silence us. (Thank you for your comment Fiona Nunya 🌷)
0:51

If we have yet to see a photo of Lance in a full-blown fursuit, why is he being referred to as a furry? Furthermore, why a "trans furry"? That term has been used so much that it's right up there with the usage of "grieving widow" 😒. What Lance is actually pictured wearing (in that one photo they keep circulating of him) is a kigurumi which happens to be a loose character onesie. Yes, some kigurumi are full mascot-style, but the overwhelming majority is comfort loungewear your niece owns in a Pikachu print. A fursuit is custom-built, plush, and represents an original "fursona." A full-fledged furry isn't calling themselves a furry while wearing a kigurumi. And for the record: not all furries, or kigurumi wearers, are LGBTQ+, though research shows many are. Slapping "trans furry" onto someone based on loungewear photos isn't identifying a pattern. It's inventing one. Also, where is the proof that Lance is transitioning? Has anyone seen evidence of this? Just curious. Like I said before, perhaps he's gay but that wouldn't have the same impact among conservatives as does labeling him as "trans". Did they think that people would just see that one photo of him in the onesie and say "yup, he's soooo trans that guy 👀." We all know that when an unverified label is released by the media, it doesn't stay contained. Once it's attached, it becomes the lens everything else gets filtered through. Sources start looking for things that confirm it instead of testing it & every downstream report inherits the error. We've seen this over & over. A label is supposed to be traceable back to verified fact. "Someone online said it" isn't a source. Mislabeling someone's hobby or identity isn't neutral. It reshapes public perception in ways that are extremely hard to walk back, even after a correction. The correction never travels as far as the original claim did. This was intentional, but sloppy (as I mentioned before). Also remember that they are doing this because they are hiding something bigger from us. Additionally, someone pointed out to me that just two weeks before Charlie was "deleted", there was another case involving a trans furry in Minneapolis. I might have heard this months ago & completely forgot about it, but it's worth mentioning it again. Robin Westman (who media outlets reported as trans & who had an ex-girlfriend who was a furry) killed 2 children & injured 17 adults at a Catholic Church. Robin then died from a self-inflicted wound. Some media outlets like CNN reported that anti-semitic messages were scrawled on the weapons. Interesting. 🤔 Question: What proof do we have that Robin died from a self-inflicted wound? I'm asking because it has been speculated that that is how Tyler Robinson was "expected" to go out, but we all know that it didn't play out that way. And now we recently learned that Charlie's medical examiner's wife is a furry with some very strange interests. Just when you think that things can’t get any weirder 🫪. I don't know that we will ever learn the whole truth about what truly happened to Charlie, but at least we know that we are being lied to & they know we know. Keep applying pressure. Don't let them silence us. (Thank you for your comment Fiona Nunya 🌷)

Belle

27,812 Aufrufe • vor 1 Monat

.Governor Tim Walz, Keith Ellison, Kamala Harris, and Mary Moriarty must answer for murderer Myon Burrell. Many learned about Burrell on my recent Maria Bartiromo segment on FOX Business. Here’s the full story: Burrell is a Bloods gang member. He was convicted of murdering 11 year old Tyesha Edwards, who was sitting at her kitchen table doing homework. Burrell was trying to shoot a rival gang member, but Edwards was hit in the crossfire. Burrell was sentenced to life in prison, but maintained his innocence (rest assured, he was super guilty). A steady drumbeat by the “defund the police” crowd eventually led to Gov Tim Walz and AG Keith Ellison foolishly commuting his sentence in 2020 after he did 18 yrs in prison. They released a hardened criminal who has no remorse. Releasing a murderer is bad enough, but that’s not where the story ends. Beginning in May 2020, Burrell’s Bloods gang took over the George Floyd square, leading to multiple shootings and crime. As a federal prosecutor, I charged the Bloods and Myon Burrell’s brother, Michael Burrell, for these crimes, including murder. Meanwhile, during the riots, Kamala Harris solicited money for a MN Freedom Fund, which gave bail money to free criminals and rioters. In Aug 2023, after being off probation for 3 months, Burrell was caught by police in Hennepin County with an illegal gun and drugs. He could not be charged by the Hennepin County Attorney due to a conflict-of-interest because Mary Moriarty, who is horrible at her job, hired Burrell to be a paid advisor on her 2022 campaign. Despite being a convicted murderer, the Kamala Harris-backed MN Freedom Fund bailed him out. Burrell was set free again. In May 2024, Burrell was arrested a second time while out on bail, this time after selling fentanyl. He got caught with more drugs and $60k in drug proceeds. Despite being a convicted murderer and already committing a crime while out on bail, the Kamala Harris-backed MN Freedom Fund bailed him out AGAIN. Burrell begins his state trial today (on his first case). We know drugs, particularly fentanyl, kill people. We know Burrell murdered a little girl. If Myon Burrell dealt drugs that killed Minnesotans while he was set free, when he never should have seen the light of day in the first place…blood is on your hands Tim Walz, Kamala Harris, Mary Moriarty, and Keith Ellison.
1:10

.Governor Tim Walz, Keith Ellison, Kamala Harris, and Mary Moriarty must answer for murderer Myon Burrell. Many learned about Burrell on my recent Maria Bartiromo segment on FOX Business. Here’s the full story: Burrell is a Bloods gang member. He was convicted of murdering 11 year old Tyesha Edwards, who was sitting at her kitchen table doing homework. Burrell was trying to shoot a rival gang member, but Edwards was hit in the crossfire. Burrell was sentenced to life in prison, but maintained his innocence (rest assured, he was super guilty). A steady drumbeat by the “defund the police” crowd eventually led to Gov Tim Walz and AG Keith Ellison foolishly commuting his sentence in 2020 after he did 18 yrs in prison. They released a hardened criminal who has no remorse. Releasing a murderer is bad enough, but that’s not where the story ends. Beginning in May 2020, Burrell’s Bloods gang took over the George Floyd square, leading to multiple shootings and crime. As a federal prosecutor, I charged the Bloods and Myon Burrell’s brother, Michael Burrell, for these crimes, including murder. Meanwhile, during the riots, Kamala Harris solicited money for a MN Freedom Fund, which gave bail money to free criminals and rioters. In Aug 2023, after being off probation for 3 months, Burrell was caught by police in Hennepin County with an illegal gun and drugs. He could not be charged by the Hennepin County Attorney due to a conflict-of-interest because Mary Moriarty, who is horrible at her job, hired Burrell to be a paid advisor on her 2022 campaign. Despite being a convicted murderer, the Kamala Harris-backed MN Freedom Fund bailed him out. Burrell was set free again. In May 2024, Burrell was arrested a second time while out on bail, this time after selling fentanyl. He got caught with more drugs and $60k in drug proceeds. Despite being a convicted murderer and already committing a crime while out on bail, the Kamala Harris-backed MN Freedom Fund bailed him out AGAIN. Burrell begins his state trial today (on his first case). We know drugs, particularly fentanyl, kill people. We know Burrell murdered a little girl. If Myon Burrell dealt drugs that killed Minnesotans while he was set free, when he never should have seen the light of day in the first place…blood is on your hands Tim Walz, Kamala Harris, Mary Moriarty, and Keith Ellison.

Joe Teirab

33,082 Aufrufe • vor 2 Jahren

This is my problem with Carlson, Owens, Rogan, Jones, Carroll, Brand, and all those other ‘influencers’ who promoted Trump into the presidency. They got him so totally WRONG and yet now expect their judgement to go on being accepted as credible. It is so easy to see something AFTER it’s happened than to see it BEFORE. But they didn’t. Wisdom after the event is not wisdom at all. It’s hindsight. It’s certainly not understanding the ‘game’ they are pontificating about. If they did, they would have seen Trump for what he was in 2016 and not, as with Carlson for example, doing massive public events right up to the election promoting Trump while sitting on the stage with people like Alex Jones, Russell Brand and Donald Trump Jr. You mean he didn’t KNOW since at least the first presidency that he was owned by Israel? What?? Now it’s ‘Trump is owned by Israel.’ Sorry, I can’t take that seriously. Or Rogan with his pathetically soft-ball interview with Trump just before polling day and his subsequent ‘endorsement’ of him for the presidency. I am glad that some of these people are seeing the ‘light’ that they couldn’t see before, but perhaps awake people will see why I can’t take their current positions without question when they were so monumentally wrong about a blatantly corrupt liar and conman like Cult and Israel-owned Trump. Some were also even vehemently pro-Israel castigating the ‘Democrat’ wing of the one-party state for not attending Trump’s transfer ceremony of the US embassy from Tel Aviv to Jerusalem in 2018. Now they set themselves up as the go-to people on Israel’s manipulation. Then you have information uncovered by others decades ago being presented as ‘breaking news’ as if they have just uncovered it. That is not integrity, it’s service to self. Most are also in a mind prison of rigid religious belief when religion is such a fundamental part of the very perceptual control of humanity that underpins the entire conspiracy. And why do the algorithms love the reformed and unreformed Trump groupies while those who called him out long ago are shadow banned? Every researcher that I respect for being genuine in their pursuit of the truth and seeing a bigger picture is subject to shadow banning. Why am I banned from so many countries for calling out Israel since 1994 when those calling out Israel so very recently are not? These are relevant questions whatever abuse will follow this post. I couldn’t care less. I want the truth of what is going on – not a round of applause.
0:55

This is my problem with Carlson, Owens, Rogan, Jones, Carroll, Brand, and all those other ‘influencers’ who promoted Trump into the presidency. They got him so totally WRONG and yet now expect their judgement to go on being accepted as credible. It is so easy to see something AFTER it’s happened than to see it BEFORE. But they didn’t. Wisdom after the event is not wisdom at all. It’s hindsight. It’s certainly not understanding the ‘game’ they are pontificating about. If they did, they would have seen Trump for what he was in 2016 and not, as with Carlson for example, doing massive public events right up to the election promoting Trump while sitting on the stage with people like Alex Jones, Russell Brand and Donald Trump Jr. You mean he didn’t KNOW since at least the first presidency that he was owned by Israel? What?? Now it’s ‘Trump is owned by Israel.’ Sorry, I can’t take that seriously. Or Rogan with his pathetically soft-ball interview with Trump just before polling day and his subsequent ‘endorsement’ of him for the presidency. I am glad that some of these people are seeing the ‘light’ that they couldn’t see before, but perhaps awake people will see why I can’t take their current positions without question when they were so monumentally wrong about a blatantly corrupt liar and conman like Cult and Israel-owned Trump. Some were also even vehemently pro-Israel castigating the ‘Democrat’ wing of the one-party state for not attending Trump’s transfer ceremony of the US embassy from Tel Aviv to Jerusalem in 2018. Now they set themselves up as the go-to people on Israel’s manipulation. Then you have information uncovered by others decades ago being presented as ‘breaking news’ as if they have just uncovered it. That is not integrity, it’s service to self. Most are also in a mind prison of rigid religious belief when religion is such a fundamental part of the very perceptual control of humanity that underpins the entire conspiracy. And why do the algorithms love the reformed and unreformed Trump groupies while those who called him out long ago are shadow banned? Every researcher that I respect for being genuine in their pursuit of the truth and seeing a bigger picture is subject to shadow banning. Why am I banned from so many countries for calling out Israel since 1994 when those calling out Israel so very recently are not? These are relevant questions whatever abuse will follow this post. I couldn’t care less. I want the truth of what is going on – not a round of applause.

David Icke

187,948 Aufrufe • vor 6 Monaten