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I looked at every "proper" roadmap + community tool... and every single one wanted more money than I can afford. So I said nope - and after 3 weeks of work, built my own from the ground up. You can now suggest features, ask questions, report bugs and subscribe...

28,434 görüntüleme • 5 ay önce •via X (Twitter)

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* Call You Mine #은호 One, two, here we go About not too long ago, I woke up feeling kind of blue (so I) Picked up my phone and I decided that I hit up you (so then) We talked for a little while, ask me if I could roll through (so we) Met up, got food, and we spent time till the night was through call you my own, and can I call you my lover Call you my one and only girl (Can I) call you my everything, call you my baby You're the only one who runs my world I remember this night we had, outside on the grass us two (we were) Gazin' at stars who smiled as my eyes slowly turned towards you (I knew) There was no one else I needed and my love's never felt this way (I wasn't) Too sure if you would mind I was nervous but I had to say call you my own, and can I call you my lover Call you my one and only girl (Can I) call you my everything, call you my baby You're the only one who runs my world Yeah, if you wanna the sexy people in the place You're probably snapping your fingers Right about now, oh, listen a program Hey, call me now, call me later, or call me whenever Call me friend, call me lover, or call me whatever I'll call you mine, no ownership implied whatsoever I'll call it what it is, a natural blend together Them other brothers like to holler forever I holler now, how do I sound to you I'm in town, you can get it If not you can imagine Enough with the rap, time for some action I call you my own, and can I call you my lover Call you my one and only girl (Can I) call you my everything, call you my baby You're the only one who runs my world call you my own, and can I call you my lover Call you my one and only girl (Can I) call you my everything, call you my baby You're the only one who runs my world ❤️❤️

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13,756 görüntüleme • 2 yıl önce

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 6 ay önce