Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

I make PSX Retro Tools: a free Blender addon for PS1-style graphics It helps with: - low-poly cleanup - low-res texture baking - dithering - vertex wobble - screen snapping - retro post FX If you make retro art, horror scenes, or indie game visuals, try it here:

Fawkek

9,913 subscribers

277,136 views • 5 months ago •via X (Twitter)

Gaming Science & Technology

Anya Rossi• Live Now

Private livecam show

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

49k followers… So close to 50k! Can you help me hit that milestone by sharing this post? Let’s see if we can make it happen! If you’re new here, I create short gameplay videos, mostly focused on retro games. Thanks so much for all your support!

49k followers… So close to 50k! Can you help me hit that milestone by sharing this post? Let’s see if we can make it happen! If you’re new here, I create short gameplay videos, mostly focused on retro games. Thanks so much for all your support!

Timeproof Games

143,324 views • 1 year ago

IF YOU SEE THIS POST, IT MEANS I'M LOOKING FOR A GAME PROJECT TO JOIN Hi, I'm Nera, an art director leading a small game art team. We've recently finished our latest game project, and we're now looking for a new game to work on. Our team can help with the full art production of your game from characters, environments, objects, and animations to UI. We can also help shape the visual direction of your game from the ground up. You don't need to be an experienced developer or have a large team to make a game. If you have an idea you're passionate about, we'd love to hear about it. If you're working on a game and looking for an art team, feel free to DM me. 🥰🩷

IF YOU SEE THIS POST, IT MEANS I'M LOOKING FOR A GAME PROJECT TO JOIN Hi, I'm Nera, an art director leading a small game art team. We've recently finished our latest game project, and we're now looking for a new game to work on. Our team can help with the full art production of your game from characters, environments, objects, and animations to UI. We can also help shape the visual direction of your game from the ground up. You don't need to be an experienced developer or have a large team to make a game. If you have an idea you're passionate about, we'd love to hear about it. If you're working on a game and looking for an art team, feel free to DM me. 🥰🩷

Nera Nera - Pixel art game

19,804 views • 2 months ago

Arcads has become my dad's favorite He now revisits all his memories, upscales them with pixel-perfect accuracy, and shares them with everyone in the family. I have a dead-simple guide on how to: - Upscale low-res files upto 4K - Create ugc and b-rolls with ai - Make viral ads at scale Want it for FREE? Like + comment "SEND" and I will share it with you in your DM 📩 (must be following so I can dm you)

Arcads has become my dad's favorite He now revisits all his memories, upscales them with pixel-perfect accuracy, and shares them with everyone in the family. I have a dead-simple guide on how to: - Upscale low-res files upto 4K - Create ugc and b-rolls with ai - Make viral ads at scale Want it for FREE? Like + comment "SEND" and I will share it with you in your DM 📩 (must be following so I can dm you)

Kritarth Mittal | Soshals

28,389 views • 11 months ago

IF YOU SEE THIS POST, IT MEANS I'M TOO BROKE TO SAY NO TO NEW PROJECTS 🥲 Hi, I'm Nera, an art director leading a small pixel art team. We've just wrapped up our latest project, and now my wallet has started asking uncomfortable questions. So... we're looking for new commissions or a game project to join. We can help with pretty much everything on the art side: • Characters • Environments • Props • Animations • UI • Art direction Whether you're an experienced developer or someone building your very first game, we'd love to hear about it. Help us make cool games before my bank account starts rendering in low resolution.🥲🥲 DMs are open. ❤️

IF YOU SEE THIS POST, IT MEANS I'M TOO BROKE TO SAY NO TO NEW PROJECTS 🥲 Hi, I'm Nera, an art director leading a small pixel art team. We've just wrapped up our latest project, and now my wallet has started asking uncomfortable questions. So... we're looking for new commissions or a game project to join. We can help with pretty much everything on the art side: • Characters • Environments • Props • Animations • UI • Art direction Whether you're an experienced developer or someone building your very first game, we'd love to hear about it. Help us make cool games before my bank account starts rendering in low resolution.🥲🥲 DMs are open. ❤️

Nera Nera - Pixel art game

14,254 views • 2 months ago

BOOOM! I ain’t stopping with just Grok Voice! Grok builds a news feed for me every 7 minutes. It is curated on my tastes and is alway ready. You may not think you need this device but it needs you. If I can get more backing I will make sure anyone that wants one (not using an Apple Watch) will be able to afford to buy one. If SpaceXAI supports this: WE GO TO THE MOON with it. Years before OpenAI even has a chance to draw plans. They ain’t going where I am. More soon. News feed fell the analog click. It’s not retro it’s the future.

BOOOM! I ain’t stopping with just Grok Voice! Grok builds a news feed for me every 7 minutes. It is curated on my tastes and is alway ready. You may not think you need this device but it needs you. If I can get more backing I will make sure anyone that wants one (not using an Apple Watch) will be able to afford to buy one. If SpaceXAI supports this: WE GO TO THE MOON with it. Years before OpenAI even has a chance to draw plans. They ain’t going where I am. More soon. News feed fell the analog click. It’s not retro it’s the future.

Brian Roemmele

26,814 views • 1 month ago

If you think this is just another silly demo made with AI, read this post. You might change your mind, because this demo is about MATH. What you see on the screen is not a render from Blender (obviously, it’s not that good). It’s a three.js app built with Toolcraft. Available on the web and rendered in real time(link in the comments). But Blender still has a lot to do with it. Blender has Geometry Nodes - a powerful node-based system for creating and manipulating procedural geometry. In other words, it’s math. And math is a universal language. And who do you think is pretty good at math? >>> AI. Now you can download or buy Blender files from marketplaces, and when they contain Geometry Nodes for procedural animations, objects, surfaces, or effects, you can transfer that logic to the web. Make it real-time, make it interactive. Materials are a separate story, of course. They can still suck unless you use the right tricks: PBR, HDRIs, material blending, displacement, and faked surface relief. So why is Blender important here? Blender is open source, and many tools around it are open source too. An AI trained on their code. That means it can translate the math from one environment to another quite accurately. If you’ve been struggling to reproduce some idea with AI that you had in your head or seen in some references, and it has something to do with Geometry Nodes, and you can find that idea or a close one in the Blender ecosystem - it means you can transfer it to the web. Thank me later.

If you think this is just another silly demo made with AI, read this post. You might change your mind, because this demo is about MATH. What you see on the screen is not a render from Blender (obviously, it’s not that good). It’s a three.js app built with Toolcraft. Available on the web and rendered in real time(link in the comments). But Blender still has a lot to do with it. Blender has Geometry Nodes - a powerful node-based system for creating and manipulating procedural geometry. In other words, it’s math. And math is a universal language. And who do you think is pretty good at math? >>> AI. Now you can download or buy Blender files from marketplaces, and when they contain Geometry Nodes for procedural animations, objects, surfaces, or effects, you can transfer that logic to the web. Make it real-time, make it interactive. Materials are a separate story, of course. They can still suck unless you use the right tricks: PBR, HDRIs, material blending, displacement, and faked surface relief. So why is Blender important here? Blender is open source, and many tools around it are open source too. An AI trained on their code. That means it can translate the math from one environment to another quite accurately. If you’ve been struggling to reproduce some idea with AI that you had in your head or seen in some references, and it has something to do with Geometry Nodes, and you can find that idea or a close one in the Blender ecosystem - it means you can transfer it to the web. Thank me later.

Alex Barashkov

28,300 views • 2 months ago

If you could describe ANY game in plain English… and watch AI build it for you — what would you make? 👀 That’s exactly what I tried with Gear Zero. No engine. No coding. No files. No installation. Just describe the game → AI plans it, codes it, creates the art, builds the levels → and you’re playing it in your browser. And it gets crazier: ⚡ First version in ~20 minutes 🤝 Build & shape games together 🧠 Deep Mode can work on one game for up to 10 hours 🎮 Play instantly on desktop or phone 🆓 Free to start This isn’t just AI generating a game. It’s AI helping you actually BUILD one. Describe your game. Watch it become real. Try Gear Zero 👇 Gear Zero

If you could describe ANY game in plain English… and watch AI build it for you — what would you make? 👀 That’s exactly what I tried with Gear Zero. No engine. No coding. No files. No installation. Just describe the game → AI plans it, codes it, creates the art, builds the levels → and you’re playing it in your browser. And it gets crazier: ⚡ First version in ~20 minutes 🤝 Build & shape games together 🧠 Deep Mode can work on one game for up to 10 hours 🎮 Play instantly on desktop or phone 🆓 Free to start This isn’t just AI generating a game. It’s AI helping you actually BUILD one. Describe your game. Watch it become real. Try Gear Zero 👇 Gear Zero

Succeeded Mind

22,875 views • 1 month ago

What happens when an AI stops telling you how to build something and actually builds it? Nex-N2.5 Pro took an idea from concept to playable game: → Rough concept → 2D design → Blender 3D environment → Working game The interesting part wasn’t the final result. It was the process. The model interacted directly with the tools, observed the changes on screen, made adjustments, and continued working instead of simply generating instructions. That’s the real computer-use test. Can an AI: • Open Blender and build a scene? • Inspect the output and iterate? • Write a script, tweak parameters, and troubleshoot? • Hit a limitation, switch to the GUI, and finish the task? Nex-N2.5 Pro is starting to make that workflow feel surprisingly real. You can try it on OpenRouter for a limited time: Try Nex-N2.5 Pro on OpenRouter #NexN2 #Blender #ComputerUse #OpenRouter

What happens when an AI stops telling you how to build something and actually builds it? Nex-N2.5 Pro took an idea from concept to playable game: → Rough concept → 2D design → Blender 3D environment → Working game The interesting part wasn’t the final result. It was the process. The model interacted directly with the tools, observed the changes on screen, made adjustments, and continued working instead of simply generating instructions. That’s the real computer-use test. Can an AI: • Open Blender and build a scene? • Inspect the output and iterate? • Write a script, tweak parameters, and troubleshoot? • Hit a limitation, switch to the GUI, and finish the task? Nex-N2.5 Pro is starting to make that workflow feel surprisingly real. You can try it on OpenRouter for a limited time: Try Nex-N2.5 Pro on OpenRouter #NexN2 #Blender #ComputerUse #OpenRouter

IMOLEAYOMIDE

117,430 views • 1 month ago

As a graphics engine coder I think when you look at a flickering bug like this one in the video below it’s not immediately obvious what is going on. The key here is observation - to study this flickering/bugged render carefully - what do we see? Firstly for me it was very obvious that nearly all of the scene shadows were flashing on and off - but (but!) there was a secondary issue where some buildings and parts of the sky were also flashing purple. Hmmmm. Interesting. I initially thought then this might be two separate bugs - but because the sky purple element could only based on full screen post fx and not 3D rendering I looked at this first with a few GPU captures to step through all our post processing to find the rendering stage which made these pixels turn purple: When I did this I found the colour 3D texture LUT grading that makes our different biomes have unique colour palettes was going very wrong - colours near 0 or 1 were wrapping and making the purple elements that we see in the said sky and base parts. The only way this could happen was if the texture was corrupt (which it was not) or if the 3D texture sampling was wrapping and not clamped as intended. That was the Eureka moment - because if the post fx had the wrong texture sampler then the disappearing shadows which also require an exact texture sampler for comparing depth might be also wrong because of the same kind of texture sampling issue! So with this idea that the engine was using the wrong texture samplers, but only in very high draw call scenes like the big base here I the looked at some engine limits and found the bug very quickly - a circular dx12 descriptor buffer for samplers running out over multiple frames, reusing the wrong data for new scenes inflight. Hence the flickering, as the GPU randomly got wrong samplers for some post textures or shadow depth. Easy to fix with triple limits for future expansion and also adding an assert/debug spam in case this limit is ever reached again - QA testers would see this message and report if they ever saw a flicker with this style of bug. My bug and my bad from 2017 porting NMS to DX12 without foreseeing how massively complex bases and our game would grow.

As a graphics engine coder I think when you look at a flickering bug like this one in the video below it’s not immediately obvious what is going on. The key here is observation - to study this flickering/bugged render carefully - what do we see? Firstly for me it was very obvious that nearly all of the scene shadows were flashing on and off - but (but!) there was a secondary issue where some buildings and parts of the sky were also flashing purple. Hmmmm. Interesting. I initially thought then this might be two separate bugs - but because the sky purple element could only based on full screen post fx and not 3D rendering I looked at this first with a few GPU captures to step through all our post processing to find the rendering stage which made these pixels turn purple: When I did this I found the colour 3D texture LUT grading that makes our different biomes have unique colour palettes was going very wrong - colours near 0 or 1 were wrapping and making the purple elements that we see in the said sky and base parts. The only way this could happen was if the texture was corrupt (which it was not) or if the 3D texture sampling was wrapping and not clamped as intended. That was the Eureka moment - because if the post fx had the wrong texture sampler then the disappearing shadows which also require an exact texture sampler for comparing depth might be also wrong because of the same kind of texture sampling issue! So with this idea that the engine was using the wrong texture samplers, but only in very high draw call scenes like the big base here I the looked at some engine limits and found the bug very quickly - a circular dx12 descriptor buffer for samplers running out over multiple frames, reusing the wrong data for new scenes inflight. Hence the flickering, as the GPU randomly got wrong samplers for some post textures or shadow depth. Easy to fix with triple limits for future expansion and also adding an assert/debug spam in case this limit is ever reached again - QA testers would see this message and report if they ever saw a flicker with this style of bug. My bug and my bad from 2017 porting NMS to DX12 without foreseeing how massively complex bases and our game would grow.

Martin Griffiths

72,855 views • 1 year ago

In Pi Network community Pioneers is a very important one. Actually right now all merchants in barter are pioneer! Please don't make pioneers and merchants in a opposite position. They have same interest. The reason many merchant in China provide a lot products to barter is because they want their pi in hands reach GCV and they believe only this price can make Pi successful! If nobody contributes to Pi Eco especially barter how can Eco succeed? They don't support low price is because they understand Pi very well. It will be harvested by crypto whales and it will damage Pi and make pi in dangerous positions if use low price. I believe all pioneers want Pi high price. This is common sense! If you hold a crypto or stock, do you want them high price or low price? You want it low price only when you want to buy ? Is it right! So it can explain anything why some against GCV. However I suggest every one be smart. Now it's time to change to GCV. I believe you hold a lot of pi during close mainnet with different methods. You want more is because you believe pi worth a lot. From now on, no matter what you did before, it's time to unite together to support GCV! Because it is best interest for all Pi Network community! Pi Network #WhatIDoForPi #PiGCV

In Pi Network community Pioneers is a very important one. Actually right now all merchants in barter are pioneer! Please don't make pioneers and merchants in a opposite position. They have same interest. The reason many merchant in China provide a lot products to barter is because they want their pi in hands reach GCV and they believe only this price can make Pi successful! If nobody contributes to Pi Eco especially barter how can Eco succeed? They don't support low price is because they understand Pi very well. It will be harvested by crypto whales and it will damage Pi and make pi in dangerous positions if use low price. I believe all pioneers want Pi high price. This is common sense! If you hold a crypto or stock, do you want them high price or low price? You want it low price only when you want to buy ? Is it right! So it can explain anything why some against GCV. However I suggest every one be smart. Now it's time to change to GCV. I believe you hold a lot of pi during close mainnet with different methods. You want more is because you believe pi worth a lot. From now on, no matter what you did before, it's time to unite together to support GCV! Because it is best interest for all Pi Network community! Pi Network #WhatIDoForPi #PiGCV

Doris Yin 东方紫莲🪷

39,077 views • 3 years ago

✨ I can now generate 3d assets for my drone sim at directly from Cursor (sponsor of #vibejam) I need buildings that you'd see in a war torn city, like warehouses in ruins, broken down abandoned houses, bombed out bridges etc. Nano Banana Pro or 2 can generate them really well and then you can put them in an image-to-3d model and you get a GLB or FBX That one you can then import into your Three.js game, the models might be big though, in my case like 16MB, so I ask it to compress it and make it more low poly so it loads fast ThreeJS then loads the individual GLBs on page load and puts them in my drone sim somewhere randomly, I think I should remove some of the grass and match the sandy color of the ruins though to make it fit in more

✨ I can now generate 3d assets for my drone sim at directly from Cursor (sponsor of #vibejam) I need buildings that you'd see in a war torn city, like warehouses in ruins, broken down abandoned houses, bombed out bridges etc. Nano Banana Pro or 2 can generate them really well and then you can put them in an image-to-3d model and you get a GLB or FBX That one you can then import into your Three.js game, the models might be big though, in my case like 16MB, so I ask it to compress it and make it more low poly so it loads fast ThreeJS then loads the individual GLBs on page load and puts them in my drone sim somewhere randomly, I think I should remove some of the grass and match the sandy color of the ruins though to make it fit in more

@levelsio

134,777 views • 6 months ago

So, by now I'm sure you saw the AI fanart recreation of the Princess Mononoke trailer. It got a LOT of feedback, mostly from people telling the creator what a terrible thing he did and how AI assisted workflows can never be used for anything good or meaningful and most of all that it can never be used for art. That's such nonsense. Of course it can. If it's wielded by artists and great storytellers, great things will come of it. If you hand a violin to someone on the street they'll be able to make it make sounds.. if you hand it to a talented musician it becomes a conveyer of thoughts, emotion and art. Here's a small scene from Mononoke that I did an AI take on.. it's far from perfect and to animate this properly would require much more work. The AI workflows we have today are lacking so many control elements. But to think those things won't come.. come on. Of course they will. But most importantly, in a way where they don't overtake the art completely, but instead acts like an "amplifier" of the artists using the tools. This technology will be in most of our creative tools in the very near future with full controllability. Oh and I never liked the idea of turning old disney classics into live-action films, or doing the same with the beautiful work of Studio Ghibli. But for the purpose of this post I hope you'll forgive me ;-) #art #animation

So, by now I'm sure you saw the AI fanart recreation of the Princess Mononoke trailer. It got a LOT of feedback, mostly from people telling the creator what a terrible thing he did and how AI assisted workflows can never be used for anything good or meaningful and most of all that it can never be used for art. That's such nonsense. Of course it can. If it's wielded by artists and great storytellers, great things will come of it. If you hand a violin to someone on the street they'll be able to make it make sounds.. if you hand it to a talented musician it becomes a conveyer of thoughts, emotion and art. Here's a small scene from Mononoke that I did an AI take on.. it's far from perfect and to animate this properly would require much more work. The AI workflows we have today are lacking so many control elements. But to think those things won't come.. come on. Of course they will. But most importantly, in a way where they don't overtake the art completely, but instead acts like an "amplifier" of the artists using the tools. This technology will be in most of our creative tools in the very near future with full controllability. Oh and I never liked the idea of turning old disney classics into live-action films, or doing the same with the beautiful work of Studio Ghibli. But for the purpose of this post I hope you'll forgive me ;-) #art #animation

Martin Nebelong

18,377 views • 2 years ago

Peppermill has a digital marquee — and anywhere else this would probably be a pretty impressive sign. But this is the LAS VEGAS STRIP. 😂 They replaced the old-school neon marquee in 2018, and while the LED version is functional, it misses what made the original special. Peppermill already has something most Strip properties would kill for: a strong, instantly recognizable Old Vegas identity. So why compete in the modern LED arms race with Resorts World and everyone else? Lean into what makes it different. 🔥 A towering retro neon pylon 🔥 Chasing incandescent bulbs 🔥 Bold vertical “PEPPERMILL” blade signage 🔥 The Fireside Lounge flame as a centerpiece 🔥 Or a hybrid design with neon framing a small digital panel The goal shouldn’t be to have the biggest screen on the Strip. It should be to have the most iconic sign on the Strip. Make it a landmark again. What would you build here? #LasVegas #Vegas #LasVegasStrip #Peppermill #OldVegas

Peppermill has a digital marquee — and anywhere else this would probably be a pretty impressive sign. But this is the LAS VEGAS STRIP. 😂 They replaced the old-school neon marquee in 2018, and while the LED version is functional, it misses what made the original special. Peppermill already has something most Strip properties would kill for: a strong, instantly recognizable Old Vegas identity. So why compete in the modern LED arms race with Resorts World and everyone else? Lean into what makes it different. 🔥 A towering retro neon pylon 🔥 Chasing incandescent bulbs 🔥 Bold vertical “PEPPERMILL” blade signage 🔥 The Fireside Lounge flame as a centerpiece 🔥 Or a hybrid design with neon framing a small digital panel The goal shouldn’t be to have the biggest screen on the Strip. It should be to have the most iconic sign on the Strip. Make it a landmark again. What would you build here? #LasVegas #Vegas #LasVegasStrip #Peppermill #OldVegas

Jedi Rich

15,381 views • 1 month ago

You are not ready for how quickly the content pipelines will change in 2026. This post isn't a gimmick. It's a heads up. This n8n automation alone can make you $50k/mo, and it's not a theory anymore. Arcads now lets you make any static image move like it was shot on camera. Subtle head turns, body sway, eye motion, emotion. Everything looks production-grade. Using Kling 2.6 motion control inside Arcads, you can turn any image into: → Influencer-style video clips → Smooth B-roll for ads → Emotional, lifelike portraits → High-end motion visuals in minutes Static creatives are about to feel very outdated. Here's the exact workflow: → Go to Arcads → Select Composer → Choose 'Animate Actor' → Upload a reference video → Upload a character image → Generate If you want to be a beast at content, media, attention, and distribution, this n8n should be worth thousands of dollars for you. But we're in the era of abundance, so I am giving it away for free. RT + comment "n8n" and I'll send it to you for free 📥

You are not ready for how quickly the content pipelines will change in 2026. This post isn't a gimmick. It's a heads up. This n8n automation alone can make you $50k/mo, and it's not a theory anymore. Arcads now lets you make any static image move like it was shot on camera. Subtle head turns, body sway, eye motion, emotion. Everything looks production-grade. Using Kling 2.6 motion control inside Arcads, you can turn any image into: → Influencer-style video clips → Smooth B-roll for ads → Emotional, lifelike portraits → High-end motion visuals in minutes Static creatives are about to feel very outdated. Here's the exact workflow: → Go to Arcads → Select Composer → Choose 'Animate Actor' → Upload a reference video → Upload a character image → Generate If you want to be a beast at content, media, attention, and distribution, this n8n should be worth thousands of dollars for you. But we're in the era of abundance, so I am giving it away for free. RT + comment "n8n" and I'll send it to you for free 📥

Kritarth Mittal | Soshals

52,899 views • 9 months ago

Introducing fx, a tiny, open, native coding agent from Vercel Labs. Originally an internal tool, fx is a harness and CLI written in Zig, optimized for research and embedding in larger systems. Today, we're open sourcing it. fx is built on three principles: 1. Fast. A single native binary, no runtime to install. It cold starts in 10µs and does no unnecessary work or I/O before accepting input. fx is the answer to "how fast can a coding agent be?" 2. Light. The 6.3MiB binary uses single-digit megabytes of memory at baseline, made for instant installation and embedding in resource-constrained environments and agent sandboxes. 3. Open. Apache-2.0, model and provider agnostic, suitable for local and cloud inference. Its small core extends through skills, plugins, and MCP. Minimalism is an obsession throughout the entire harness: system prompt, tools, features, binary. The goal was to keep context usage and time to first token low, and make fx optimal for model benchmarking, sandboxing, evals, and gyms. You can use fx directly or embed it as infrastructure. The CLI feels more like a Unix shell than an IDE in the terminal: it preserves scroll history, produces minimal output, and uses complex TUI rendering very, very sparingly. Programmatically, 𝚏𝚡 𝚊𝚜𝚔 --𝚓𝚜𝚘𝚗 gives structured output, 𝚏𝚡 𝚊𝚌𝚙 connects to editors and other clients, and WebAssembly can even run the whole thing inside the browser (see: Privacy is a design constraint: no product telemetry, sessions and usage stay local, and no source code or prompts are shared with any endpoint other than inference. With local inference and auto-updates off, fx is fully hermetic. fx is experimental. Use at your own risk and expect frequent changes. Chat with us on X ( or file issues ( 𝚌𝚞𝚛𝚕 -𝚏𝚜𝚂𝙻 𝚏𝚡.𝚜𝚑/𝚜𝚎𝚝𝚞𝚙.𝚜𝚑 | 𝚋𝚊𝚜𝚑

Introducing fx, a tiny, open, native coding agent from Vercel Labs. Originally an internal tool, fx is a harness and CLI written in Zig, optimized for research and embedding in larger systems. Today, we're open sourcing it. fx is built on three principles: 1. Fast. A single native binary, no runtime to install. It cold starts in 10µs and does no unnecessary work or I/O before accepting input. fx is the answer to "how fast can a coding agent be?" 2. Light. The 6.3MiB binary uses single-digit megabytes of memory at baseline, made for instant installation and embedding in resource-constrained environments and agent sandboxes. 3. Open. Apache-2.0, model and provider agnostic, suitable for local and cloud inference. Its small core extends through skills, plugins, and MCP. Minimalism is an obsession throughout the entire harness: system prompt, tools, features, binary. The goal was to keep context usage and time to first token low, and make fx optimal for model benchmarking, sandboxing, evals, and gyms. You can use fx directly or embed it as infrastructure. The CLI feels more like a Unix shell than an IDE in the terminal: it preserves scroll history, produces minimal output, and uses complex TUI rendering very, very sparingly. Programmatically, 𝚏𝚡 𝚊𝚜𝚔 --𝚓𝚜𝚘𝚗 gives structured output, 𝚏𝚡 𝚊𝚌𝚙 connects to editors and other clients, and WebAssembly can even run the whole thing inside the browser (see: Privacy is a design constraint: no product telemetry, sessions and usage stay local, and no source code or prompts are shared with any endpoint other than inference. With local inference and auto-updates off, fx is fully hermetic. fx is experimental. Use at your own risk and expect frequent changes. Chat with us on X ( or file issues ( 𝚌𝚞𝚛𝚕 -𝚏𝚜𝚂𝙻 𝚏𝚡.𝚜𝚑/𝚜𝚎𝚝𝚞𝚙.𝚜𝚑 | 𝚋𝚊𝚜𝚑

Vercel Developers

964,536 views • 1 month ago

I took this with the intention of sharing it earlier but wimped out. Changed my mind though because I figured it might help motivate someone. I started running again 4 weeks ago after almost no running in the last 10+ years. In just a month, I knocked out an unofficial half marathon. Not only that, but it felt easy enough to talk 11.5 miles in without being winded. I’m not running fast, in fact I’m really slow at around a 12min/mile pace, but that’s the point I want to make. Running at a low heart rate does amazing things. If you want to try out this style, look up zone 2 training. Or, just go out and do some extended exercise (walk/jog) while keeping your heart rate around 130-145. Walk if you go over that upper end, even I had to when I started. Stay consistent, and you’ll see improvement relatively quickly.

I took this with the intention of sharing it earlier but wimped out. Changed my mind though because I figured it might help motivate someone. I started running again 4 weeks ago after almost no running in the last 10+ years. In just a month, I knocked out an unofficial half marathon. Not only that, but it felt easy enough to talk 11.5 miles in without being winded. I’m not running fast, in fact I’m really slow at around a 12min/mile pace, but that’s the point I want to make. Running at a low heart rate does amazing things. If you want to try out this style, look up zone 2 training. Or, just go out and do some extended exercise (walk/jog) while keeping your heart rate around 130-145. Walk if you go over that upper end, even I had to when I started. Stay consistent, and you’ll see improvement relatively quickly.

Faux

54,366 views • 2 years ago

💸 Anyone here juggling multiple AI tools for work? I used to switch between ChatGPT, Claude, and different image/video tools all the time — too many tabs, too many subscriptions, and honestly, it slowed down my workflow. Recently, I tried Rita, and their Seedance 2.0 model is what really stood out 👀 It’s an official ByteDance-powered version, so there’s no waiting queue — everything runs fast and smoothly. What’s even more interesting: • Supports real-person facial recognition • Lets you go from idea → video in one workflow • Low barrier to start — new users can try it for free once Personally, I like generating ideas with ChatGPT, then bringing them into Seedance 2.0 to turn them into actual videos. Feels especially useful for: • Content creators / KOLs working across text, images, and video • Digital workers who want efficiency over juggling multiple tools • AI users who want everything in one place ⚠️ Note: 1. Real-Person Face Feature(Comming Soon) 2. All Generated Videos Will Support Commercial Use. Curious — Do you prefer an all-in-one platform, or separate tools for each task?.... Try it → Want premium subscriptions for less? Check out GamsGo — an easy way to save on popular digital services at a lower cost. 👀 Check it Now👉 #RitaAI #Seedance2

💸 Anyone here juggling multiple AI tools for work? I used to switch between ChatGPT, Claude, and different image/video tools all the time — too many tabs, too many subscriptions, and honestly, it slowed down my workflow. Recently, I tried Rita, and their Seedance 2.0 model is what really stood out 👀 It’s an official ByteDance-powered version, so there’s no waiting queue — everything runs fast and smoothly. What’s even more interesting: • Supports real-person facial recognition • Lets you go from idea → video in one workflow • Low barrier to start — new users can try it for free once Personally, I like generating ideas with ChatGPT, then bringing them into Seedance 2.0 to turn them into actual videos. Feels especially useful for: • Content creators / KOLs working across text, images, and video • Digital workers who want efficiency over juggling multiple tools • AI users who want everything in one place ⚠️ Note: 1. Real-Person Face Feature(Comming Soon) 2. All Generated Videos Will Support Commercial Use. Curious — Do you prefer an all-in-one platform, or separate tools for each task?.... Try it → Want premium subscriptions for less? Check out GamsGo — an easy way to save on popular digital services at a lower cost. 👀 Check it Now👉 #RitaAI #Seedance2

Nihan

19,296 views • 5 months ago

you are making video games all wrong for decades almost all game art time went into reverse-engineering the end result you start with concept art of what you WANT it to look like. then for YEARS you walk the computer backwards into something it can process: a rendering engine, 3d assets that fit that engine, and a gamer’s local hardware that has to turn all of that back into a high fidelity image incredibly slow. incredibly expensive. but it was the best we had ai makes that pipeline faster as everyone is figuring out today. but they’re missing the real unlock: YOU DON’T NEED THAT PIPELINE AT ALL if you have a reference for the end look, you don’t model it in 3d. you don’t reverse-engineer into an engine you keep a very basic greybox model of the world as the source of truth, and track every entity in real time. it doesn’t need to look good at all… the player never sees it! a fast video model turns that into the “game” in real time. it doesn’t have to look like a game. it can look like a 2d cartoon or cinematic live action fal’s h3 max is very fast. astra 6 low-effort too. neither is fully realtime yet but together they can generate continuous, coherent, player-controlled scenes, faster than playback early demo:

you are making video games all wrong for decades almost all game art time went into reverse-engineering the end result you start with concept art of what you WANT it to look like. then for YEARS you walk the computer backwards into something it can process: a rendering engine, 3d assets that fit that engine, and a gamer’s local hardware that has to turn all of that back into a high fidelity image incredibly slow. incredibly expensive. but it was the best we had ai makes that pipeline faster as everyone is figuring out today. but they’re missing the real unlock: YOU DON’T NEED THAT PIPELINE AT ALL if you have a reference for the end look, you don’t model it in 3d. you don’t reverse-engineer into an engine you keep a very basic greybox model of the world as the source of truth, and track every entity in real time. it doesn’t need to look good at all… the player never sees it! a fast video model turns that into the “game” in real time. it doesn’t have to look like a game. it can look like a 2d cartoon or cinematic live action fal’s h3 max is very fast. astra 6 low-effort too. neither is fully realtime yet but together they can generate continuous, coherent, player-controlled scenes, faster than playback early demo:

Udi Wertheimer

124,873 views • 1 month ago

🧑‍🚀 Day 13 of the Cursor #vibejam Proudly sponsored by Cursor + bolt.new + GLIF + Tripo Prizes to win (submit your vibe coded game before May 1!) 🏆 $25,000 🥈 $10,000 🥉 $5,000 Today's games I liked most from the #vibejam timeline: 🏜️ Canyon Explorer by shreyans bhansali 🚗 Demolition Derby by Merijn, this one keeps getting better so I wanted to post the current version 🐝 Bees vs Wasps by alexismediaco, I like the pixely style of this one, very cute ➰ SnapShot by Cleb MB, this one has some amazing retro art style like some Windows 3.1 game, straight in the feels for me YOU HAVE 16 DAYS LEFT! Reply in this thread with updates on your current games to share your progress, and add tag #vibejam so I see and can include you in the daily tweet There's now $40,000 in prizes for you to win, see threads below for more info. The Gold prize is $25,000, bronze is $10,000 and silver is $5,000! Wanna to participate? You can still start now and submit your game any time before May 1! (Sorry for no tweet yday it was my birthday!!!)

🧑‍🚀 Day 13 of the Cursor #vibejam Proudly sponsored by Cursor + bolt.new + GLIF + Tripo Prizes to win (submit your vibe coded game before May 1!) 🏆 $25,000 🥈 $10,000 🥉 $5,000 Today's games I liked most from the #vibejam timeline: 🏜️ Canyon Explorer by shreyans bhansali 🚗 Demolition Derby by Merijn, this one keeps getting better so I wanted to post the current version 🐝 Bees vs Wasps by alexismediaco, I like the pixely style of this one, very cute ➰ SnapShot by Cleb MB, this one has some amazing retro art style like some Windows 3.1 game, straight in the feels for me YOU HAVE 16 DAYS LEFT! Reply in this thread with updates on your current games to share your progress, and add tag #vibejam so I see and can include you in the daily tweet There's now $40,000 in prizes for you to win, see threads below for more info. The Gold prize is $25,000, bronze is $10,000 and silver is $5,000! Wanna to participate? You can still start now and submit your game any time before May 1! (Sorry for no tweet yday it was my birthday!!!)

@levelsio

109,651 views • 6 months ago

🎨Welcome to CANVAS REIMAGINED🎨 Thursday QT CHALLENGE Theme: Painterly Art What is Painterly Art? Painterly art celebrates the visible, expressive brushwork and textured surface of traditional painting. It emphasises the artist’s hand, thick impasto strokes, blended edges, and the tactile quality of paint rather than smooth, photorealistic finishes. Rooted in movements like Impressionism, Post-Impressionism, and Romanticism, it captures mood, light, and emotion through loose, dynamic brushstrokes that make the medium itself part of the beauty. Challenge: Create your own painterly inspired piece! Capture the rich texture, visible strokes, and artistic energy of classical oil or acrylic painting. Let the brushwork tell the story. Use elements like: • Thick, expressive impasto brushstrokes with visible texture and direction • Soft, blended edges mixed with bold, energetic marks • Rich, layered colours with subtle variations and harmonious palettes • Dramatic light and shadow play, atmospheric depth, and emotional mood • Loose, gestural forms that feel alive and handmade rather than perfectly rendered Here’s a basic template you can try: [main subject], painterly style, expressive brushstrokes, thick impasto texture, visible oil painting marks, loose and gestural, rich colour layering, soft blended edges with bold accents, atmospheric lighting, emotional depth, textured canvas surface, masterpiece, traditional fine art aesthetic, in the style of John Singer Sargent, Vincent van Gogh, or Claude Monet 🎨QT or Share your art. Let’s celebrate the joy of visible brushwork and the soul of painterly expression—most of all, have fun!🎨 #CRTHEMES

🎨Welcome to CANVAS REIMAGINED🎨 Thursday QT CHALLENGE Theme: Painterly Art What is Painterly Art? Painterly art celebrates the visible, expressive brushwork and textured surface of traditional painting. It emphasises the artist’s hand, thick impasto strokes, blended edges, and the tactile quality of paint rather than smooth, photorealistic finishes. Rooted in movements like Impressionism, Post-Impressionism, and Romanticism, it captures mood, light, and emotion through loose, dynamic brushstrokes that make the medium itself part of the beauty. Challenge: Create your own painterly inspired piece! Capture the rich texture, visible strokes, and artistic energy of classical oil or acrylic painting. Let the brushwork tell the story. Use elements like: • Thick, expressive impasto brushstrokes with visible texture and direction • Soft, blended edges mixed with bold, energetic marks • Rich, layered colours with subtle variations and harmonious palettes • Dramatic light and shadow play, atmospheric depth, and emotional mood • Loose, gestural forms that feel alive and handmade rather than perfectly rendered Here’s a basic template you can try: [main subject], painterly style, expressive brushstrokes, thick impasto texture, visible oil painting marks, loose and gestural, rich colour layering, soft blended edges with bold accents, atmospheric lighting, emotional depth, textured canvas surface, masterpiece, traditional fine art aesthetic, in the style of John Singer Sargent, Vincent van Gogh, or Claude Monet 🎨QT or Share your art. Let’s celebrate the joy of visible brushwork and the soul of painterly expression—most of all, have fun!🎨 #CRTHEMES

Art Muse

11,924 views • 5 months ago