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I started making my meen moilee recipe, but deviated far enough from the original that I'll call it fish curry instead. I make this recipe so much that I like to throw in something different to keep it interesting!! What ingredient in your pantry ends up in a lot... show more
79,998 Aufrufe • vor 2 Jahren •via X (Twitter)
10 Kommentare
Link in Biovor 2 Jahren
Its the cooking Moomoo house dress for me
Andrew Baksh (Bacchus)🪶🍉🇵🇸🕊️🇱🇧🇿🇦🇮🇪vor 2 Jahren
It’s never going to be as good as yours but here are a few images of my curry prep and finished product. Note the hot pepper. 2 of the world’s hottest and yes, I cook with them because Curry must be spicy for me 😬😬
Raj Gvor 2 Jahren
Dried fenugreek leaves
Teresa M Frenchvor 2 Jahren
Garlic! It goes w EVERYTHING 😜
MN Dreaminvor 2 Jahren
@TeamGumball5
vinetimestoovor 2 Jahren
This looks so good!! I want this to be a go to for me now. What are you adding at about 55 sec? red sauce/paste from a jar? Thank you for sharing it.
Padma Lakshmivor 2 Jahren
tamarind paste!
Benedict the Madvor 2 Jahren
I’m playing with dill and mustard lately. It’s becoming my go-to recipe for baked chicken
Glenn Robinsonvor 2 Jahren
Tumeric. Don’t know why exactly
Boots.43vor 2 Jahren
I see your central air works so well in the kitchen.
![Francis Ford Coppola on how young children convinced him to make 'The Outsiders' (1983) & the reason why he loves the movie: "Interviewer: 'Rumble Fish' (1983) is so completely different a film from 'The Outsiders' (1983), not just in black and white and color, but in the tone. And everybody said, “Well, he’s off in Tulsa, making two films,” rather in a way that, once, people would go up to the desert and make two westerns at the same time. 'Rumble Fish' makes 'The Outsiders' seem an odder film than I thought it was when I first saw it. 'The Outsiders' almost felt like a film in which you weren't quite there all the time. Coppola: No, I don’t think so. 'The Outsiders' (1984) was the type of film that I personally liked, a melodrama with a romantic tone. I liked the book a lot when I read it; I thought it was sweet and youthful and had something in its little, simple theme that was of value, and I wanted to make the picture very much as the book was. Maybe that’s what you're interpreting as my not always being there, except that I did make the decision to make it exactly like the book. The key to 'The Outsiders' is the score; the fact that it’s this schmaltzy classical movie score indicates that I wanted a movie told in sumptuous terms, very honestly or carefully taken from the book without changing it a lot, with young actors—putting the emphasis more on that kind of 'Gone with the Wind' (1939) lyricism which was so important to the young girl [Susie Hinton] when she wrote it. I liked the film on that basis. It’s how I made it and why I made it. But if you think about my career, I’ve never made two films that were alike... maybe the two Godfathers. But every one of my films is very different from one another and I was feeling that I was in kind of a journeyman period of my life, approaching a future style of work as a more serious, older man which would be based on a tremendous amount of exploration while I had the chance to do that. To me it’s nothing to say, well, I’m going to make that film and it’s going to be that kind of film. Like 'The Outsiders'—it’s not that I couldn’t make that sixteen other ways. People suggested, “Well, are we really going to make this book like that?” “Well,” I said, “little kids wrote me a letter and wanted me to make it that way.” Of all the letters I get from movies, 'The Outsiders' is the one where all of these cute little fourteen- year-olds . . . so I’m in it for them. I feel I must have gained something, although it wasn’t as challenging, cinematically or even on the level of acting and other things as, say, the one that came afterwards. But I always had this idea that I wanted to make one film that was romantic and schmaltzy, like 'The Godfather' (1972), and one film that was more of an art film, more in the direction of 'Apocalypse Now' (1979)." (Francis Ford Coppola's interview with David Thomson & Lucy Gray, 1983)](https://image.24vids.com/tw-2010103103555600427/amplify_video_thumb/2009991376948342784/img/l_kRKFmpgrUZcjno.jpg)
