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I still get chills thinking about if Michael hadn’t turned this song down when Pharrell and The Neptunes pitched it to him—the world have gone INSANE then, and it would be one of his overall Top 10 songs. Justin was the next obvious choice, but you can hear Michael... show more

Mr. Christopher

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54,579 次观看 • 16 天前 •via X (Twitter)

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This is still one of my favorite songs I have ever released. If everyone comments and likes it, maybe more of the world will get to hear it! #musicvideo

This is still one of my favorite songs I have ever released. If everyone comments and likes it, maybe more of the world will get to hear it! #musicvideo

David Nail

15,129 次观看 • 3 年前

MICHAEL MOVIE 🍿 First off , Michael Jackson should not be dead 🙄 it makes me so mad every time I think about it . In my opinion , I feel like all the lawsuits & people not wanting to be involved , ruined what could’ve been one of the best Michael movies because the ACTORS ate down & all of the music performances gave me chills , but the story was moving so FAST and so much was cut out , that we couldn’t even get into depth of what really happened but overall i STILL enjoyed it and recommend it if you are a fan of Michael . After the nose surgery , Jafaar Jackson looked just like Michael , it was scary how identical it was. All of the performances reenacted were flawless . Colman Domingo ate as Joe Jackson & he had me mad talking about Michael “big nose” but he had the same mf nose . As important as he was to the Jackson 5’s success, he also was responsible for their insecurities and trauma 🙄 Juliano was really good as young Michael too. It was very believable . How yall feel about the movie ? LETS TALK IN THE COMMENTS 🎤 #michaelmovie #isaiahjaay #michaeljackson #jafaarjackson

MICHAEL MOVIE 🍿 First off , Michael Jackson should not be dead 🙄 it makes me so mad every time I think about it . In my opinion , I feel like all the lawsuits & people not wanting to be involved , ruined what could’ve been one of the best Michael movies because the ACTORS ate down & all of the music performances gave me chills , but the story was moving so FAST and so much was cut out , that we couldn’t even get into depth of what really happened but overall i STILL enjoyed it and recommend it if you are a fan of Michael . After the nose surgery , Jafaar Jackson looked just like Michael , it was scary how identical it was. All of the performances reenacted were flawless . Colman Domingo ate as Joe Jackson & he had me mad talking about Michael “big nose” but he had the same mf nose . As important as he was to the Jackson 5’s success, he also was responsible for their insecurities and trauma 🙄 Juliano was really good as young Michael too. It was very believable . How yall feel about the movie ? LETS TALK IN THE COMMENTS 🎤 #michaelmovie #isaiahjaay #michaeljackson #jafaarjackson

3/12 🎈

34,164 次观看 • 3 个月前

Justin Gaethje and Michael Bisping could relate to each other’s losses 😅 Justin: "I didn’t get subbed by Oliveira because of his jiu-jitsu; I got dropped, and then he took my back." Michael: "I totally get it. When I fought GSP, it was the punch that he hit me with. I didn’t know where I was, and the next minute he’s on my back, choking." (Via michael )

Justin Gaethje and Michael Bisping could relate to each other’s losses 😅 Justin: "I didn’t get subbed by Oliveira because of his jiu-jitsu; I got dropped, and then he took my back." Michael: "I totally get it. When I fought GSP, it was the punch that he hit me with. I didn’t know where I was, and the next minute he’s on my back, choking." (Via michael )

Red Corner MMA

216,532 次观看 • 6 个月前

Lorenz Tate in a Chicago club vibing to a full crowd singing Michael Jackson music and all I can think about is the late 2000s when MJ heard one of his songs in a club and was shocked people were still playing him. Oh Michael, if only you could see all this ❤️‍🩹

Lorenz Tate in a Chicago club vibing to a full crowd singing Michael Jackson music and all I can think about is the late 2000s when MJ heard one of his songs in a club and was shocked people were still playing him. Oh Michael, if only you could see all this ❤️‍🩹

777✨

51,071 次观看 • 3 个月前

Thomas Harley's comment on Zach Hyman has gone viral over the course of today. I get why. But I think it's important to actually watch and hear him say it, rather than read the quote. When you actually hear him say it, you can hear the compliment this is to Hyman's play.

Thomas Harley's comment on Zach Hyman has gone viral over the course of today. I get why. But I think it's important to actually watch and hear him say it, rather than read the quote. When you actually hear him say it, you can hear the compliment this is to Hyman's play.

Mike Leslie

168,346 次观看 • 1 年前

I truly believe that if Michael had finished "Changes," it would have been one of the best songs of his career; the way the choir transports us to church while Michael speaks out and criticizes the system is a work of art

I truly believe that if Michael had finished "Changes," it would have been one of the best songs of his career; the way the choir transports us to church while Michael speaks out and criticizes the system is a work of art

🥷🏾

47,017 次观看 • 18 天前

I didn’t think a song about the state of the world would connect with this many people. Honestly, I released it thinking barely anyone would hear it. I don’t have backing from the industry yet, but I have your support, and that’s everything to me. This is for you. For anyone who’s been watching the chaos and feeling it all. I’m glad we found each other. My new song Everything’s Fine 👇🏼!

I didn’t think a song about the state of the world would connect with this many people. Honestly, I released it thinking barely anyone would hear it. I don’t have backing from the industry yet, but I have your support, and that’s everything to me. This is for you. For anyone who’s been watching the chaos and feeling it all. I’m glad we found each other. My new song Everything’s Fine 👇🏼!

iyah may

13,580 次观看 • 1 年前

Fighting is one of the songs Woozi's most attached to. It's a song he made around 2020 while they were making a SEVENTEEN album (Heng:garae if I'm not mistaken), but it got rejected bc it's too bright. So he just kept it, and then when the talk about producing for BSS came up, he thought, “I really like this one, what do you think?" After thinking it over, it seemed like it was a good fit. And it turned out so well! He was really confident about the song to the point he once said to BSS that, “If fighting doesn’t do well, I’m going to retire.”

Fighting is one of the songs Woozi's most attached to. It's a song he made around 2020 while they were making a SEVENTEEN album (Heng:garae if I'm not mistaken), but it got rejected bc it's too bright. So he just kept it, and then when the talk about producing for BSS came up, he thought, “I really like this one, what do you think?" After thinking it over, it seemed like it was a good fit. And it turned out so well! He was really confident about the song to the point he once said to BSS that, “If fighting doesn’t do well, I’m going to retire.”

nasi.

47,722 次观看 • 13 天前

One of the things that makes the ending of Heat so powerful is its music—Moby's "God Moving Over the Face of the Waters." At the time, Moby was relatively unknown, yet Michael Mann somehow discovered the obscure track and decided it was perfect for the final scene. Moby explains: “Let’s get in our little time machine and go back to 1994. I was part of the rave scene, and I was making my first album, Everything Is Wrong. One of the songs—in fact, the last song on the album—that I was desperate to include was "God Moving Over the Face of the Waters." It could arguably be the strangest song ever included on what was supposed to be a dance album. There are no drums and nothing overtly electronic about it. When I was working on it and mixing it, I fell in love with it almost more than anything I’d ever done. So I put it on the album, and it sat there at the end, largely ignored. But somehow, and I still don’t know how, Michael Mann heard it and wanted to use it in this movie he was working on called Heat, with Al Pacino, Robert De Niro, Val Kilmer, on and on and on. This real movie. I was baffled. How does Michael Mann know who I am? How does Michael Mann know about this piece of music? But I said yes, of course. It was such an amazing opportunity. This major Hollywood director knew who I was and wanted to use my music. They flew me to Los Angeles and put me in a professional studio to tailor “God Moving” to the closing scene of the film. Until then, I had only ever worked in my homemade studio in an abandoned loft building in New York… One of the most terrifying professional moments of my life came when someone told me, “Michael Mann wants to talk to you.” And I was like, “Can’t he just leave me alone? I’m terrified. I don’t want to talk to humans.” I thought, “Okay, Michael Mann is going to call me, and it’s going to be scary, but I can deal with it because I’m a big boy.” The phone rang, I picked it up, and Michael Mann talked for about 45 minutes. He talked about archetypes within the film, classical narrative elements and tropes. It was like he gave me this masterclass in what Heat was about, and then just hung up the phone. And then it came out, and to hear the music that I’d made against this phenomenal, beautiful scene—it really was special. I’m thrilled that, 30 years later, people are still discovering the film and “God Moving Over the Face of the Waters.” Spoiler warning: The clip below contains the ending of Heat. If you haven't seen the film, don't watch past the first 30 seconds. The music doesn't begin until about a minute into the scene.

One of the things that makes the ending of Heat so powerful is its music—Moby's "God Moving Over the Face of the Waters." At the time, Moby was relatively unknown, yet Michael Mann somehow discovered the obscure track and decided it was perfect for the final scene. Moby explains: “Let’s get in our little time machine and go back to 1994. I was part of the rave scene, and I was making my first album, Everything Is Wrong. One of the songs—in fact, the last song on the album—that I was desperate to include was "God Moving Over the Face of the Waters." It could arguably be the strangest song ever included on what was supposed to be a dance album. There are no drums and nothing overtly electronic about it. When I was working on it and mixing it, I fell in love with it almost more than anything I’d ever done. So I put it on the album, and it sat there at the end, largely ignored. But somehow, and I still don’t know how, Michael Mann heard it and wanted to use it in this movie he was working on called Heat, with Al Pacino, Robert De Niro, Val Kilmer, on and on and on. This real movie. I was baffled. How does Michael Mann know who I am? How does Michael Mann know about this piece of music? But I said yes, of course. It was such an amazing opportunity. This major Hollywood director knew who I was and wanted to use my music. They flew me to Los Angeles and put me in a professional studio to tailor “God Moving” to the closing scene of the film. Until then, I had only ever worked in my homemade studio in an abandoned loft building in New York… One of the most terrifying professional moments of my life came when someone told me, “Michael Mann wants to talk to you.” And I was like, “Can’t he just leave me alone? I’m terrified. I don’t want to talk to humans.” I thought, “Okay, Michael Mann is going to call me, and it’s going to be scary, but I can deal with it because I’m a big boy.” The phone rang, I picked it up, and Michael Mann talked for about 45 minutes. He talked about archetypes within the film, classical narrative elements and tropes. It was like he gave me this masterclass in what Heat was about, and then just hung up the phone. And then it came out, and to hear the music that I’d made against this phenomenal, beautiful scene—it really was special. I’m thrilled that, 30 years later, people are still discovering the film and “God Moving Over the Face of the Waters.” Spoiler warning: The clip below contains the ending of Heat. If you haven't seen the film, don't watch past the first 30 seconds. The music doesn't begin until about a minute into the scene.

Gangster Cinema Central

26,403 次观看 • 4 天前

Tonight, I’m thinking about Justice Murray Sinclair and of the times that I was lucky enough to hear him speak about his work with the TRC. This moment stands out for me. It’s his answer when he was asked, “Why can’t you just get over it?”

Tonight, I’m thinking about Justice Murray Sinclair and of the times that I was lucky enough to hear him speak about his work with the TRC. This moment stands out for me. It’s his answer when he was asked, “Why can’t you just get over it?”

Connie Walker

126,054 次观看 • 1 年前

THEO VON: “Sometimes I used to wet the bed and I would be an adult, which was the saddest part of it.” “There were times when I was supposed to get up in the morning... then I would urinate all over my phone, and it would short out.” “And it would be like the best morning.”

THEO VON: “Sometimes I used to wet the bed and I would be an adult, which was the saddest part of it.” “There were times when I was supposed to get up in the morning... then I would urinate all over my phone, and it would short out.” “And it would be like the best morning.”

The Vigilant Fox 🦊

271,265 次观看 • 2 个月前

CouRageJD reveals he turned down a deal worth over $10,000,000 with Facebook "The Facebook one I turned down was by far the most but would of been the most crippling from a business perspective" "At that time joining Facebook would of been end of your sponsors and viewership." "I think if I was were I am now and starting a family, and it was a decision were it was like if you do this your kids are set and your family is set up, I think I would be way more open to it" "I don't regret saying no to it" "It was over 8 figures"

CouRageJD reveals he turned down a deal worth over $10,000,000 with Facebook "The Facebook one I turned down was by far the most but would of been the most crippling from a business perspective" "At that time joining Facebook would of been end of your sponsors and viewership." "I think if I was were I am now and starting a family, and it was a decision were it was like if you do this your kids are set and your family is set up, I think I would be way more open to it" "I don't regret saying no to it" "It was over 8 figures"

Rexha 🐸

232,600 次观看 • 3 个月前

"Lucas Oil Stadium is one of the best places to play the Final Four.. I can remember our last Final Four there and I still get chills thinking about it.. If they ever had a permanent home for the Final Four it should be there" ~ Coach K #PMSLive

"Lucas Oil Stadium is one of the best places to play the Final Four.. I can remember our last Final Four there and I still get chills thinking about it.. If they ever had a permanent home for the Final Four it should be there" ~ Coach K #PMSLive

Pat McAfee

304,799 次观看 • 4 个月前

When Vincent Price & a young director, Michael Reeves went into a war of words during the filming of "Witchfinder General" (1968): Michael Reeves originally wanted Donald Pleasence for the part of Matthew Hopkins instead of Vincent Price. During this scene, Vincent Price gives a speech to his friend and he was really hamming it up. Now Michael Reeves went up to him and said, ‘Vinnie, please don’t move your head about.’ And Vincent said, ‘Young man, don’t move my head about. Thank You!’” “They shot the scene again and this time Michael said to him, ‘Don’t wave your arms about.’ I mean, he was deliberately doing it. So, Vincent replied, ‘Young man, don’t move my arms about. Thank You!’” “Well, they shot it again and this time, his voice goes over the top. Now there are a lot of people there playing the villagers and it’s costing a lot of money. So, Michael said, ‘Vinnie, why are you hamming it?’ Vincent Price then drew himself up to his full six-foot four and looked down upon Michael Reeves who was only six-foot one and said to him in his best stentorian voice, ‘Young man, I have made over 70 films, how many have you made?’ and Michael Reeves said, ‘Two good ones!’ Vincent Price laughed louder than anyone else and that broke all of the tension.” ("The Price of Fear: The Film Career of Vincent Price", Joel Eisner, 2013)

When Vincent Price & a young director, Michael Reeves went into a war of words during the filming of "Witchfinder General" (1968): Michael Reeves originally wanted Donald Pleasence for the part of Matthew Hopkins instead of Vincent Price. During this scene, Vincent Price gives a speech to his friend and he was really hamming it up. Now Michael Reeves went up to him and said, ‘Vinnie, please don’t move your head about.’ And Vincent said, ‘Young man, don’t move my head about. Thank You!’” “They shot the scene again and this time Michael said to him, ‘Don’t wave your arms about.’ I mean, he was deliberately doing it. So, Vincent replied, ‘Young man, don’t move my arms about. Thank You!’” “Well, they shot it again and this time, his voice goes over the top. Now there are a lot of people there playing the villagers and it’s costing a lot of money. So, Michael said, ‘Vinnie, why are you hamming it?’ Vincent Price then drew himself up to his full six-foot four and looked down upon Michael Reeves who was only six-foot one and said to him in his best stentorian voice, ‘Young man, I have made over 70 films, how many have you made?’ and Michael Reeves said, ‘Two good ones!’ Vincent Price laughed louder than anyone else and that broke all of the tension.” ("The Price of Fear: The Film Career of Vincent Price", Joel Eisner, 2013)

DepressedBergman

40,225 次观看 • 4 个月前

One morning, Michael woke up with the entire composition in his head that would become Who Is It: “Michael wrote the song 100 percent," recalled Bill Bottrell. "I just remember him coming to me and singing it, singing me the bass line, and the mood he wanted.” One of the most personal songs in Michael's catalog and an absolute masterpiece, perhaps even the best song on Dangerous.

One morning, Michael woke up with the entire composition in his head that would become Who Is It: “Michael wrote the song 100 percent," recalled Bill Bottrell. "I just remember him coming to me and singing it, singing me the bass line, and the mood he wanted.” One of the most personal songs in Michael's catalog and an absolute masterpiece, perhaps even the best song on Dangerous.

LiberianGirl 🍉

13,029 次观看 • 4 天前

ANNIE talked about JENNIE’s GDA performance Jennie your stage was seriously so, so amazing. I was actually listening to Jennie unnie’s song just now. I turned it on because it felt awkward to be in silence, but then I paused it for a moment because I was worried you wouldn’t be able to hear me… and now I’m wondering how to turn it back on again. And today, one of the songs I really, really love is—what was it again? Filter! It’s one of my favorite songs from that album, so I was really happy that she performed it too.

ANNIE talked about JENNIE’s GDA performance Jennie your stage was seriously so, so amazing. I was actually listening to Jennie unnie’s song just now. I turned it on because it felt awkward to be in silence, but then I paused it for a moment because I was worried you wouldn’t be able to hear me… and now I’m wondering how to turn it back on again. And today, one of the songs I really, really love is—what was it again? Filter! It’s one of my favorite songs from that album, so I was really happy that she performed it too.

່͏

910,396 次观看 • 6 个月前

Swinging over the top? But can’t stop it? This drill will. Then get the feel you have from the drill once the rods gone. If all you do is push the ball with the rod there then your face is to open and you have to swing OTT to try and close the face.

Swinging over the top? But can’t stop it? This drill will. Then get the feel you have from the drill once the rods gone. If all you do is push the ball with the rod there then your face is to open and you have to swing OTT to try and close the face.

Jayson Nickol

17,082 次观看 • 2 个月前

Everyone needs to hear this... Michael Caine on his defining philosophy for life: Use the Difficulty As a young actor, he was rehearsing a play when a chair got stuck in the door and blocked his path. He told the other actor he couldn't get by the chair to enter the scene. The actor's response: "Use the difficulty...if it's a comedy, fall over it, if it's a drama, pick it up and smash it." This idea became a defining mantra for his life. "There's never anything so bad that you cannot use that difficulty...if you can use it a quarter of one percent to your advantage, you're ahead, you didn't let it get you down." I can't stop thinking about this... How can you use the difficulty you're currently facing? How can you embrace the struggle? How can you find flow through the friction? As with everything in life, control the controllable: The difficulty is already there. You can't control it. But you can control how you react to it. You can control your response to it. You can control your attitude towards it. Lesson: Difficulty is inevitable. Use it.

Everyone needs to hear this... Michael Caine on his defining philosophy for life: Use the Difficulty As a young actor, he was rehearsing a play when a chair got stuck in the door and blocked his path. He told the other actor he couldn't get by the chair to enter the scene. The actor's response: "Use the difficulty...if it's a comedy, fall over it, if it's a drama, pick it up and smash it." This idea became a defining mantra for his life. "There's never anything so bad that you cannot use that difficulty...if you can use it a quarter of one percent to your advantage, you're ahead, you didn't let it get you down." I can't stop thinking about this... How can you use the difficulty you're currently facing? How can you embrace the struggle? How can you find flow through the friction? As with everything in life, control the controllable: The difficulty is already there. You can't control it. But you can control how you react to it. You can control your response to it. You can control your attitude towards it. Lesson: Difficulty is inevitable. Use it.

Sahil Bloom

294,273 次观看 • 4 个月前

rosé talking about unreleased song: Q: why didn’t you release the song? and would you ever release it? rosé: i wrote it after the album it’s more like a recent thing. that one i would love to release it. it is one of my favorite ones but and then i only realized that it was such a special song months after. I remember when I wrote it, i was like oh it’s a bit cringe that’s what i thought in the moment so it was obviously too vulnerable at the time and then i heard it again months later when i was completely over that I was like.. oh my god

rosé talking about unreleased song: Q: why didn’t you release the song? and would you ever release it? rosé: i wrote it after the album it’s more like a recent thing. that one i would love to release it. it is one of my favorite ones but and then i only realized that it was such a special song months after. I remember when I wrote it, i was like oh it’s a bit cringe that’s what i thought in the moment so it was obviously too vulnerable at the time and then i heard it again months later when i was completely over that I was like.. oh my god

rosé pics

51,204 次观看 • 6 个月前