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I think there is something really erotically kinky & satisfying about watching a compilation of extremely hot girls letting their beautiful juices flow💦💦👀🥵 #compilation #squirt #chudai #wataa #porn #pov #hot #nsfw #kink #blonde #brunette #sugarbaby #orgasm #watersports #xxx

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🐈‍⬛ when it comes to the relationship between an artist and their fans, i don't think it has to be burning brightly all the time. i mean, of course fans love us and we love them too, but i don't think those feelings need to be at their peak every single day. realistically, everyone gets busy. 🐈‍⬛ onedoor has their own life to live, and then when we make a comeback, they can come back and find us again. that doesn't mean they've left. they just have their own lives for a while. that's how it sounded to me, and honestly it made me think, this is such a healthy relationship. that's why it really resonated with me. 🐱 even for us, just living through a single year, there are so many moments where we are tired, bored, laughing one moment and crying the next, worrying about things and getting stressed. onedoor goes through those same emotions while living their lives too. 🐱 but in the end, onedoor waits for us because they believe we'll return with music and stand on stage again someday. and we live our lives believing that no matter how long it takes, onedoor will come back to see us perform. i hope these periods of time continue piling up until we have built records and memories that no one else can ever replicate. 🐶 if something is only hot all the time, i think those feelings tend to burn out faster. really intense emotions fade more quickly. when it's time to be passionate, we are passionate. but why do people adjust the heat when cooking? sometimes it's high heat, sometimes you lower it to medium heat. i think it's nice to think of it that way. maintaining a healthy relationship with onedoor. 🐶 and when onedoor is off living their everyday lives or focusing on something else for a while, our role is to keep making music that will still be there for us to share together. we really love you all ♡ 🏠 🫶💕🩷

soo

38,300 Aufrufe • vor 2 Monaten

There are ENDLESS things to do with land. Nature is beautiful but nature also has a way of hiding even more beautiful things (via overgrowth). Once you own land, the work never stops. Here are the top 5 things I do: 1) Explore it - even small pieces (5-50 acres) can take months of walking it to find all the cool things it has to offer. 2) Maintain it - sure, you could pay someone to clear brush, grade a washed out dirt road, haul gravel (and I’ve surely done that some), but you won’t get a better sense of fulfillment than by doing a lot of the work yourself. There is something about a good day of hard manual labor that gives you a sense of accomplishment. It’s almost like you’re tapping into what your ancestors did in order to just survive. 3) Hike it - Especially true on hilly or mountainous land, I’ll get up each morning and walk DOWN the mountain and then back up. That gives the most hardcore gym in the world a run for its money. 4) Clean it - As I mentioned at the start, beautiful things that naturally occur can hide even more beautiful things via overgrowth. In the Smoky Mtns, large formations of grandiose slate rock get hidden by various trees/brush over the years. Cleaning all that 15-20 yr small overgrowth of pine or oak to reveal the really cool blueish slate rock formations that have been there for millions of years is extremely fulfilling. It’s like you discover a Van Gogh painting in an old attic. The dust, dirt that collected on it “naturally occurred” from it just sitting there, but wiping it off reveals something extremely majestic. 5) Meditate - when you explore your land, you’ll naturally just find your favorite spots to sit and pray/ponder/meditate. I’ve found a few spots on my acreage overlooking some insane views of the mountain range and I’ll just sit on a rock for hours watching red tail hawks screech as they fly by, watching eagles fly over my head and just think “Man, this is what life is all about, how could have have been so foolish chasing so many other unfulfilling things for so many decades”. (Video is from yesterday of my buddy Jimmy and me clearing out some small pines that were hiding some amazing rock formations)

BowTiedBroke

224,680 Aufrufe • vor 5 Monaten

When Tarantino was casting Pulp Fiction, the script had so much heat on it in Hollywood, even Daniel Day-Lewis wanted to play Vincent Vega. But Tarantino was adamant the role had to go to John Travolta, despite the studios seeing him as washed up. Tarantino explains… “Absolutely nobody in the studio wanted John Travolta. And not only that, but it was also considered a really hot script at that time. When he was turning everything down, Daniel Day-Lewis expressed interest in playing Vincent. I like Daniel Day-Lewis —but I really wanted John. I had my heart set on him. And it's one thing to want the guy who's out of fashion when nobody else wants him, right? But when there's actually a hot guy who you can actually get, and you want to go with the guy from Barbarino? — Yes, I want the guy from Barbarino, I’m sorry... I was just kind of tough on it, in so far as — they really wanted to do the movie, and I just said, "look, I want to go this way, and if you don't agree that this is the way to go, then maybe we shouldn't make this movie together. Maybe I should make it with somebody else." It wasn't a take-it-or-leave-it kind of situation, right. It's like, "look, I think he's a terrific actor. I think what you should do is you should watch him in Brian De Palma's Blow Out, and if you don't think he's a terrific actor after that, then maybe we should talk about whether we should do this movie together." ...But also, aside from just that, there was this aspect: John Travolta is a movie star. Just because everyone in Hollywood had forgotten about it just shows how dumb they are. I actually walked down the street with John Travolta at his lowest ebb, in pre-production of the movie, and people would lose their minds when they saw him. We'd walk into a regular restaurant and we had to leave. Tourists in Hollywood would see him and just lose their minds. People were dying to see him in something worth watching. It's just stupid Hollywood didn't realize it.” Quote comes from Quentin Tarantino's appearance on the Opie and Anthony Show, 12-13-2012

Gangster Cinema Central

621,744 Aufrufe • vor 20 Tagen

👽 Minimal, Firsthand Legacy Witnesses? 👽 (Sorry for the Debbie Downer posts but I think most people wanna hear the truth and not have smoke blown up their ass. We're all aware of folks who do that. Maybe...in the Senate, "we have a problem that there's not been quite enough of what members in the Senate would say are firsthand sources with direct involvement in the Legacy program." ~Former Senate Staffer, Kirk McConnell (In August 2024, I was told the following by a contact: "I don’t think firsthand whistleblowers are on our horizon. Tons of credible sounding second hand, though. Some with decent credentials or rank, but none with particularly great (credentials or rank), however." I shared that on here but most people didn't wanna hear it. I'm lucky to have contacts who give it to me straight, with zero hype. Some hope? "I don't think that we have to be so discouraged by the defeat of the UAPDA for the third time." ~McConnell ~~~ Kirk McConnell: "First, let me say that I'm greatly encouraged by Mr. Rep. Eric Burlison comments. He's a he's a politician. He has a way better sense of, you know, having his finger on the pulse of the Congress and the nation than I do. "I will also say that I, respectfully, don't agree with my friend Karl Nell. I don't think that we have to be so discouraged by the defeat of the UAPDA for the third time. I think there's a lot of reasons for hope that this issue, is not gonna be in a significant down cycle. And that's what I certainly hope. As we've seen from Mr. Burlison, there is certainly a lot of energy in the house among members of the Oversight Committee, and that in itself is encouraging. "You know, I hope that what I'm about to say is not true, but I think it might be, and I definitely feel that this is maybe the case in the Senate: That maybe we have a problem that there's not been quite enough of what members in the Senate would say are firsthand sources with direct involvement in the Legacy program. Looking back on history, my sense is that Congress undertakes these really historically important investigations when it is broadly clear that there's a there there and they know kind of what the outcome [will] be, at least in its broad strokes. "You know, you think about Watergate, the Church/Pike committees, Iran Contra, all of these are examples where Congress was finally moved to not take no for an answer and to just go full-speed and full-depth into exhaustive investigations when they knew that it had to be done, and that there was a pony at the end, you know, there was something very significant at the end of the process. "So, I have been getting this feedback as well from folks I've worked with in the Senate, that there needs to be more firsthand witnesses. And how do you encourage that? I think we also hear that there's quite a number of other people out there that could come forward. Their concern, though, is, as we've seen, they feel that there's not, by any means, sufficient whistleblower protections, and that despite the existence of protections in the law on paper, that really doesn't get at the problem. And that they're fearful of losing their careers, their security clearances, which translates into their careers, and that they're gonna suffer immense, legal expenses and perhaps legal jeopardy. So I think whistleblower protection is extremely important. "That said, it's really hard to get whistleblower protections passed in Congress. And so you have a kind of Catch-22, and I think that's the kind of problem that needs to be overcome, incrementally. So, I also would say that it's obvious that Congress is heavily influenced by public opinion, of course, and it's really important to keep up the pressure. But that in turn, you know, the public is motivated by what they see in the news and what they hear about from from experts, and therefore, you know, that's another dependency here, "But on that score, you know one of our panelists here, Dr. Anna Brady-Estevez, I loved when she, with a bright smile on her face, has said repeatedly that, in a sense, disclosure has already happened, or is certainly happening. A significant fraction of the population believes that we are being visited by non-human intelligence and that this belief is only likely to grow. The scientific community is much more friendly to this issue than in the past. "I would also say that the NHI itself gets a vote here, and they drive a lot of this. How much interaction are they going to....how much are they going to expose what they're doing and what they're doing here? And yet, at the same time, we've got an awful lot of people out there now with the ability to, and the interest in, detecting and tracking and trying to document what is happening out there. You think about efforts like the Galileo Project, Garry P. Nolan at the The Sol Foundation and Stanford, Beatriz Villarroel and the astrophysics community, and many others are tracking fundamental aspects of this problem. And a number of scientists and engineers working on new physics concepts to explain UAP characteristics and behavior is unprecedented. You know, you think about Skywatcher as another example of a private initiative. "There's also the experiencer community, you know, the people who have had actual direct interactions, and certainly a large number of folks who report abduction experiences, who retain the ability to communicate with NHI. This can be used, and is very likely to be used or exploited to gain insight into physics and intentions and so forth. "So, I'm actually on the optimistic side. I think with work and perseverance of groups like this, we can continue to amp up the interest and the pressure on the part of the American people, and that will translate into action by the government."

Joe Murgia

38,924 Aufrufe • vor 9 Monaten

Watched "Melania" last night. Have to admit, I didn't realize this was a film to the lead up to the inauguration of 2025, but enjoyed watching it all over again. Felt as though it was a hat tip to "The Stage is Set." My thoughts: Not only does Melania exude beauty outwardly, but also has has a beautiful heart. She exemplifies grace, warmth, strength, power, genuineness and style. She was never given the chance before to showcase who she really is/was. Her theme so to speak was/is all about love of the family which she points out many times. Speaking of coming to America made me think of my grandparents who left their home country for America. There were many comms posted when it first came out but I just wanted to watch & take in everything she had to say. The songs chosen were also spot on. A mix of pop, classical & some oldies redone. Enjoyed listening & watching her letting her hair down in the back of the car singing to MJ's Billile Jean & dancing to YMCA. 😍 But at the end while doing her photo shoot for her official First Lady photo, the song "Sunny" was played, which was fitting so this time. Also loved her say at the end that she is going forward with "purpose & of course style." I was thinking of her in those 4" heels for 20+ hours! I know my feet would have been dead! This is the type of woman young girls should be looking up to. If you haven't seen it yet, highly encourage to watch and listen to her words of peace, love & family. 💙 This one's for you Melania 🥰

Mare Qay

159,161 Aufrufe • vor 4 Monaten

For anyone curious, this was my POV in a video with the russian group 1. I do have to give credit to an amazing moderator, as the MrBeast team seemed short-staffed. One mod stayed active for hours, even very late until 5 AM, so reports were handled slowly because of the short staff because during that time you had to either have to ping a mod or report it in a thread where EVERYONE CAN SEE. so it wasn't until later where you can report things privately 2. I hid usernames because they were trying to provoke and create content for their own video, while we were told not to release anything about the event. until the video was released 3. I'm not jealous of the girls' side losing. You might think, "OMG, you're just jealous because you missed out on 50k!!!" But remember, the prize was split among everyone, so the boys ended up with just $140 USD after 8 days and 6-8 hours of playtime. 4. It wasn't just the boys infiltrating the girls' side that made us fall apart. It was a lot of background toxicity that really added up. Death threats were sent to people, and others got mad at girls and started arguing simply because we were talking to the guys' side. 5. I'm not 100% sure about the bribing. All I know is that a group of girls was called the "Doordash" group because they were bribed to kill other girls so the guys could send them $20 or something involving DoorDash. I don't know the full story. 6. My entire group survived the competition thanks to our leader Oxy's incredible skybase. Our traps killed a few boys, and we had nearly unlimited arrows to shoot at them so a . A lot of things were really was cut out of from the video , even though there was a lot of were many interesting groups on the girls side. we We even had Jimmy, Ish, And and Nolan watching our showdown while we fought off 20 boys that were towering to us.

CozyGoober🐻‍❄️✨ Gremlin

21,469 Aufrufe • vor 7 Monaten

minghao v8 hong kong d2 ment 🎱 hi i'm xu minghao the8! why does it feel so hot today! [carats asking him to take it off] 🎱 i shouldn't have mentioned this word, i shouldn't have said i am hot, right. i won't take it off today. a different feeling today. is it really that much of a pity? sigh... really. friends in the back, friends over here, friends in the front. oh the friends in the front are very loud, friends on the right! friends on the left! friends in the middle! very good, very good. how is your condition today? not bad? are you tired? not tired? then in a little while there is still a segment where we will jump together. is there anyone whose legs and feet are not feeling very comfortable? there are a few people raising their hands here. then what should we do? next time when you come to this kind of live house performance, make sure you wear something comfortable. and as always, you must pay attention to safety. okay? the front is still okay, but these two sides feel a bit crowded. be a little careful, and if you feel uncomfortable, let the staff at the front know. you must take good care of yourselves, okay? how was the stage just now? i feel like you guys would just say 'good' hehe. feels like everyone's state today is a little... [carats asking him to take it off] 🎱 i say one more word and suddenly it becomes two words 'take it off'. tell me, what are you all thinking about in your heads? but as long as you're happy. are you happy now? since you're happy, then i won't take it off. then let's continue chatting about the stage just now. the first song, my solo song 'awake', was specially for this show. it was written earlier, around february this year? around february. because of the arrangement of this song, i think it is especially suitable for a live performance, including all the lights and lasers. i don't know if everyone felt it. did you? maybe the friends in the back could see it more clearly, right? then '8dm'. the mv for '8dm' also came out a few days ago. have you all watched it? almost everyone has watched it. if you haven't watched it yet, you can go back and enjoy it. this album has a lot of chinese lyrics. if there are songs like that later, please sing along together, okay? because every time i'm on stage and i see you singing along and jumping together, i really feel very, very happy and very blessed. do you feel the same? it just feels like you all look like children. although there may be gege and jiejie who are older than me, i really feel that when i am on stage and you are in the audience, enjoying that moment, you all are just like children. so i really feel this kind of energy is especially pure. so for me, i think this kind of performance is the purest way for us to interact with each other. and i'm human too, right? it's impossible.. keep listening. my energy can't always be very high, but sometimes on stage, although you usually can't tell when my energy is a little low, some people can. but as long as i see you enjoying our time together so much, my energy is immediately recharged. so actually, when i am on stage, i rely on you all a lot. so to me, this kind of pure interaction is really about relying on each other, encouraging each other, and accompanying each other. i think it is really a very lucky thing. just now.. not just now. there's a lyric in 'girlsnboys': "time has taken the boy/youth away." actually, these past two years i suddenly feel like i've had to handle many things like an adult, even though i already am an adult. adults are talking about serious matters, don't call 'baobao' (baby). i just feel that at some point, suddenly, oh.. how have i really become like an adult, handling so many things i had never dealt with before. before, maybe just being an artiste was enough. but maybe because there are many things i want to do, and many things go beyond the scope of being an artiste, i need to handle a lot of things. so actually, that lyric expresses a kind of feeling.

𝗝𝗢.

11,246 Aufrufe • vor 17 Tagen

Ross Coulthart discussing the mysterious meeting at Esalen attended by billionaires, Where a psionic called in shapeshifting blue orbs in front of of a crowd of people that landed on a beach and were photographed There was also a nude hot springs crowd that saw the blue orbs Link to interview in comments Ross -“We are talking here about a retreat that took place at Esalen, which is a beautiful location, three and a half, four hours south of San Francisco on the west coast of the USA. And it was a gathering of very high net worth individuals and brilliant scientists and some inordinately talented people. And yes, Jake and I attended that retreat, and to some degree I am bound by confidence. But what I can tell you is I witnessed a psionic who I know a person with alleged psionic abilities, psychic abilities. With them in a group of people, probably 30 or 40 people go into a deep meditative state. And I just wanna say, this person had said to me at 4:00 PM that afternoon, Ross, we're going to see a blue orb tonight. And I kind of giggled nervously. And anyway, what happened was he starts meditating and bing up on the far horizon over the ocean. These two white orbs, slightly golden at times. They start coming towards us. And I, I won't embarrass this gentleman, but there's a, a certain person of extraordinary high wealth and extraordinary big heart who's yelling at these objects going, we love you. We love you. Come closer, come closer. And the whole audience, you know, we're all, we've all been meditating and being invited to sort of try and psychically connect. And I am a miserable failure of a meditator. If anybody wants to teach me how to meditate, I'd be very, very grateful. But something happened, and I suspect it was our psionic operator who made the connection because he later indicated to me that in his mind, he was inside that object and he was bringing it towards us. And the audience's loving engagement. And I know this sounds hippie-ish I don't, I'm just telling it like I heard it and saw it. But essentially the loving engagement with that phenomenon encouraged it to come closer. And they did. They came closer and closer and closer. And I'm not gonna give away too much because it's for Alex Klokus and the Sky Watcher team to reveal how much they want to reveal because it's a beautiful story. But basically, I'll tell you this, we were in one part of Esalen and there were a whole lot of people in the hot springs at Esalen on the other side of the hill. And I'm far too shy as a old guy to go and sit in hot springs with beautiful young women. But there were essentially a be a bunch of beautiful young people sitting stark naked in these hot springs on the other side of Esalen. And all of a sudden they see these blue shapes coalescing in front of them. And sure enough, we got images from the hill looking down of a blue orb, a beautiful at times octagonal looking blue orb, which kind of hovered near the naked boys and girls in the hot springs. And then it went and landed on the beach. And it was hilarious. 'cause I'd said to the, the lovely young psionic, I'd said to him, well, mate, that was pretty amazing, but I didn't see any blue orb. And he was a bit puzzled. And then literally at the moment that we are talking about the fact that we hadn't seen the blue wall, but it turned out it had manifested itself to these beautiful young people on the other side of the hill who were all stark naked and probably, I think in their naked innocence, more attractive to the phenomenon. I have to admit, I'd be going and having a look at them rather than me and anybody else with clothes on. And it was, it was quite beautiful because these people were all very touched by that experience. And yes, there was a blue orb exactly as was predicted that showed itself to all of these people. It was quite beautiful. And yes, it did manifest more overtly because of a loving, welcoming presence, which I find fascinating. “

neandrewthal

132,290 Aufrufe • vor 1 Jahr

Jannik Sinner interview "Break Point" with Lisa Offside from the Intesa Bank. As a big chunk of Jannik Sinner 's fans are international, I took my time to translate their dialogue in English. Read below. Enjoy. 🧡 (📹Cr: Intesa Sanpaolo) "Lisa: Are you pumped, all good, everything okay? Jannik: All good. Lisa: Now let's take a little trip through your career so far, using this basket of tennis balls. Each ball has a word written on it, an emotion that reflects a moment in your life, both personal and professional. Jannik: Oh, both? Lisa: Let’s begin, pick whichever one you like. "Happiness". When I say happiness, what’s the first thing that comes to mind? Jannik: Honestly, I’m happy with the, let’s say, work I’m doing. For me, it doesn’t even feel like a job yet, it still feels like a hobby. Of course, we train hard, we make a lot of sacrifices, but being happy is crucial, both in private life and within my team. I’ve had people around me who’ve made me feel very, very happy, and to me, that’s the most important thing. The tennis part is really just a reflection of how you feel off the court. Lisa: Second ball. Let’s see if we’re as lucky as the first. "Marvel". Gosh, what a marvelous thing it is to watch you play! Jannik: Marvel is such a beautiful feeling. I experience it when I’m in Italy, when I see Italian fans cheering, it's something special. Bringing something home to Italy, like the Davis Cup, being part of that group, that’s a wonderful thing. Lisa: Third ball. "Anger". This one’s my favorite because… Jannik: No surprise there, really. Lisa: Why? No, you don’t know this, but when I play tennis, I get angry really easily. And then watching you, who never seems to get angry, it kind of bugs me. But honestly, I can’t really picture you angry. Jannik: Oh, I get there, I do. Lisa: Yeah? Sure, sure... Jannik: Especially during training, because I want to improve so much. And when I can’t, that’s when the tension kicks in, you know? Lisa: Have you ever broken a racket? Jannik: Yes, yes I did. Lisa: How many? Careful, I already know the answer, so I’m testing you. Jannik: I think I’ve broken 4 or 5, yeah. Lisa: Ah, so the number’s gone up. Jannik: Maybe it's gone up, who knows. Lisa: I must warm up for the fourth ball. "Disappointment". Jannik: Disappointment is part of the game, and it’s important to learn how to handle it. It’s the same in life. When you realize that people aren’t quite who you thought they were, it’s the same thing, right? I’m someone who invests a lot of time in trying to make things work. But when I see I’m not improving, either as a tennis player or as a person, there comes a point when I say, “Okay, maybe it’s time to change”. Lisa: "Fun". Come on, tell me about the best celebration you’ve had after winning a tournament. Jannik: The US Open. Lisa: Really? Jannik: Yeah, the US Open. Lisa: Why? Jannik: Because the first Slam is more about the satisfaction of saying, “Okay, I did it”. But the second one is pure joy. We went out a bit, and I had all the people I wanted around me. Lisa: What did you guys do? Jannik: We went out, had fun. But the best part was sharing that moment with all the people who were there with me. Honestly, it was amazing. Lisa: Last ball, last word. "Fulfillment". Jannik: When I won my first Grand Slam in Australia, that was fulfillment. It was a really, really tough match. That kind of feeling also applies to personal life, right? When you find someone who makes you feel good, you also think, “Okay, I’ve found my stability”. Lisa: Thank you, Jannik. Until next time. Jannik: Thank you so much, thank you." #Sinner #JannikSinner

𝔽𝕠𝕩𝕗𝕚𝕣𝕖

18,844 Aufrufe • vor 1 Jahr

Junkyu being open about his burnout and how he overcame that phase is something that truly amazed me. His beautiful words that encourage everyone why pacing yourself actually matters 🥺🤍 🐨: I actually went through myself a burnout recently… was it in 2025? It’s not that I started to hate music, but when it came to making music, to working on it, I hit burnout. I really did. Nothing felt fun anymore, and no matter what I did, I just couldn’t move forward. No matter what—seriously, no matter what. 🐨: I work on music on my Mac, right? and I didn’t turn it on for a whole year. A year? Maybe even a year and a half? Since sometime in late 2024? It’s not that I chose not to turn it on—I couldn’t. That thought kept coming to me, “Even if I turn it on, nothing will come out” or maybe, “Even if I turn it on, I won’t get anywhere close to what I want”. My interest just… how should I say it… completely dropped. So I couldn’t turn it on. I was scared—scared that I’d have to face that feeling again. So I kept my distance from it. 🐨: But this time, starting in Korea and then going on tour, meeting TEUMEs a lot as we move through 2025 and into 2026, without even realizing it, I felt refreshed. Like I’d been aired out and I thought, “Huh? should I try again?”, “I kind of want to do it again”. “I want to go back to when I really enjoyed this”. “I want to try again—the thing I loved back then. So I finally made up my mind and turned it on. and when I did… it had been so long that I got chills. I’d forgotten everything—the details, the keys, everything. “How did I even do this before?”, “What values did I use?” I’d forgotten it all. 🐨: I completely panicked. I thought, “Oh… is this how it ends?”, “Is this how I lose the thing I love?” I was honestly really scared. And then another thought came to me “turn a crisis into an opportunity”. Maybe this is a chance for me to find something else I love. Maybe I should let it go. I was almost halfway in a state of giving up. But somehow, my body followed through anyway. My hands kept moving—on their own. Somehow, I knew what to do, how to do it. and naturally, without stopping, the flow didn’t break. So maybe I want to stay with music for a really long time in my life. And I think this process of slowing myself down a bit was part of that. Looking back now, the pace had been way too fast, and I couldn’t control myself. I’d pushed myself to the limit of what I could create, and after that, there was nothing left. 🐨: At that point, I was kind of cruel to myself. I blamed myself for everything… It’s a really bad habit, I think, but it just happens reflexively. So I was really hard on myself. That’s when I realized I needed to take a step back, give myself some distance, and look at things over a longer period of time. Yeah… if you just move at your own pace—not faster, not slower—you can do something for a long time. So I think if you want to spend your life with something you really love—whatever it is—you can’t go too fast. If your passion just burns up too quickly, it can cause problems. That’s why pacing yourself matters. If you manage your pace, you can live your life alongside the things you love for a long, long time. I really felt it this time. And because of that, I was so happy. Being able to do what I love again brought back so many memories, and it felt like I’d returned to those days when I used to enjoy it so purely. That made me incredibly happy.

ᯓ★

43,569 Aufrufe • vor 6 Monaten

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 Aufrufe • vor 1 Jahr

I’ve been able to walk again! For those who didn’t know, for the past 6-8 months, I basically couldn’t walk bc of a freak accident I had at the beach while catching crabs with my kids. And when I say I couldn’t walk, I mean I literally couldn’t walk. I spent most of my days lying on the floor staring at the ceiling or crawling around my house. Going to the bathroom was basically impossible. I had to pee in bottles while lying down. I ate on the floor. I couldn’t cook for my kids. I couldn’t leave the house. I couldn’t even walk outside to my own balcony to get sun. I was basically trapped on the second floor of my home. I couldn’t go upstairs to sleep with my kids. I couldn’t go downstairs to leave the house. I couldn’t drop them off at school. I couldn’t play basketball with them. I couldn’t run around with them, ride bikes with them, take them places, or do any of the simple things I had done a thousand times without ever thinking twice about them. It was really bad… mentally and physically. I still remember one moment so clearly. I was looking out the window from the second floor, watching my kids ride their bikes outside. I just sat there in tears thinking to myself… Wow. I can’t even leave my house to be out there with them. That broke me. I kept asking, “Why me? Why did this happen to me?” Now I think I understand. God humbled me. I was moving too fast through life. Always doing more. Always chasing the next goal. Always working. And I was sacrificing my body and my health for what? I already had EVERYTHING I had ever dreamed of. I had the $ money. I had the freedom. I had the family. I had the life I worked so hard to build. But suddenly, none of it mattered bc I couldn’t even get off the floor. Feeling that at 37 years old was one of the most demoralizing things I’ve ever experienced as a man and as a father. Not being able to race with your kids. Not being able to play basketball with them. Not being able to drive them to school. Not being able to chase them around the house, take them on adventures, pick them up when they fall, carry them when they’re tired, or simply be the active dad you always thought you would be. There’s nothing worse than wanting to be there for your family physically and realizing your body won’t let you. So now, I take my health seriously. I don’t skip days anymore. Even if it’s something small, I do something every day to make my body stronger and healthier. Bc I finally understand what people mean when they say: There is no wealth without health. You can have millions of $ dollars. You can own the house, the cars, the stocks, the businesses, and everything else you ever dreamed about. But if you can’t get off the floor to hug your kids, play with them, travel with your family, or simply walk outside and feel the sun on your face… What’s is the point? $ money means very little when your health is gone. For all of my life, I worked so hard to become financially free. Now I’m working just as hard to become physically strong. And now, here I am at a beautiful natural hot spring with my family. There are two walking paths side by side. One hot. One cold. Both filled with natural stones under your bare feet. I walk back and forth between them, slowly stepping over the stones and alternating between the hot and cold water. The uneven stones challenge my feet and balance, while the temperature change wakes up my body and make every step feel alive. And the whole time I’m walking, I can’t stop thinking about how crazy life is. Six months ago, I was lying on the floor of my home wondering when I would be able to walk again. Today, I’m walking barefoot over natural stones, through hot and cold water, surrounded by nature with my family. Something I probably wouldn’t have even appreciated before. Now, every step means something. Every step reminds me of what I almost lost. It took losing my health to finally understand what being wealthy truly means.

Teslaconomics

68,631 Aufrufe • vor 26 Tagen

Zeudi: Thank you for following and supporting me all this time even though I haven’t really done anything and even if my content is basically nothing. It’s hard to understand why I have this support, and believe me, it’s not because of my sexuality—there are so many lesbians in this world, and probably on Twitch too. I want to say this to journalists, because apparently people are still saying that I exploit my sexuality. Anyway… They say: ‘She’s ugly, she can’t do anything.’ That’s what they say. Maybe because she’s a lesbian? What does that have to do with it? My goodness. But it’s fine like this. You see, there are many lesbians who stream but don’t reach the numbers I reach in Italy—then maybe abroad they reach numbers much higher than mine. I hope that one day there will be another woman who reaches the same goals as me, even being completely different from me, to show that someone can be appreciated regardless of everything. I also want to say hi to the Chambers! I want to greet Christina and Amber and invite them to do a live with me, because for example they’re amazing. They’re also lesbians, but that doesn’t mean they have success because they’re lesbians—it’s because people like them and because they’re great girls. They’re beautiful, and I like the way they live in the world, with their energy and the good vibes they give to everyone. So I always support other women, especially girls who work hard like them, and I’m really happy to know them through a screen—but I hope one day to meet them in person. I’m sending you a big hug. I know it was Cristina’s birthday and I wished her a happy birthday. Chat: Don’t forget to save the live. Zeudi: No, I won’t forget. How do you say it? I won’t forget the live. I don’t know, I think so. ‘Won’t’ is the negation of ‘will’? I don’t know. Yes, I won’t forget to save the live. See? I’m learning something. Guys, I’m heading off—thank you so much, everyone. See you at the next live. There’s also Patrizia Cavalli, thank you. I love you. A big kiss. Bye beauties. Good night or good morning, depending on your perspective and where you’re watching from. So, have a good day, good afternoon, and good night. ❤️❤️❤️

Korslayage

20,409 Aufrufe • vor 3 Monaten

Pragmata Review | No spoilers That is it for me. I played more than 30 hours of Pragmata and I am really happy that not only we finally got this game after so many delays and in a time where cancellations are common, but also that it turned out to be a very solid and enjoyable experience. Visually it is beautiful, and gameplay wise it works well for the length it has. It is not a long game, which I personally prefer, and I hope we see more titles like this instead of games trying to be longer just for the sake of it. I would not call it short like some people did, but I think it is exactly as long as it needs to be. Story wise, it is my favorite of the year so far. Seeing this kind of father and daughter dynamic again made me want to play more games with similar themes. I did almost everything in the game and I absolutely recommend it. If you are unsure about the length, maybe wait for a sale, but quality wise it deserves to be up there. I am not someone who rushes, so it took me longer because I admire the environments, take screenshots, record videos, and try to find collectibles without guides. For someone who just plays straight through, I think it would take around 12 to 15 hours, maybe a bit more or less. This is the kind of experience I want to see more often in the gaming space. I liked the combat and I think the enemy variety is fine for the length. If the game was longer without adding new enemy types, it would probably feel repetitive, but for what it is, it works. My biggest concern before playing was the combination of Hugh’s shooting and Diana’s hacking. If it was too complicated, it would be annoying, and if it was too simple, it would be boring. Thankfully, it ended up being exactly right. My only real complaint is that you need to return to the base to restock items, and when you die, the game sends you back there instead of placing you right before the area or at the last travel point you unlocked. It is not a huge issue, but it breaks the flow a bit. Diana is very cute and does her part extremely well, and Hugh is a character that is hard not to like. They both nail the dad simulator vibe. The voice acting is great, especially for Diana. Capcom delivered a unique and impressive new IP, which is always welcome in an industry where big publishers mostly rely on established franchises instead of taking risks. Whether we get more entries in the future is up to them, but it is also up to us to support games like this if we want more of them. On PC the game runs very well. The only thing that felt a bit underwhelming to me is the ray tracing when you use it on its own without path tracing. In some areas it does not add much, similar to what I noticed in Resident Evil Requiem. It makes me think it is either something with the RE Engine or simply that Capcom does not push ray tracing that far and focuses more on path tracing instead. Path tracing looks incredible, but of course it comes with a heavy performance cost. Something that impressed me throughout the entire playthrough is how consistent the game feels from start to finish. There is no point where it suddenly drops in quality or feels rushed. Every area has its own atmosphere, the pacing stays steady, and the game never tries to drag itself out longer than needed. It is rare to play something that stays this steady all the way through, and that alone made the whole experience even more enjoyable for me. I hope we get a DLC or a sequel one day, but even if this stays a one off, I am happy with what we got. Rating: 9/10

𝑨𝒔𝒉𝒆𝒏 𝑶𝒏𝒆

32,822 Aufrufe • vor 3 Monaten

WHITNEY WEBB on "Thiel-verse oligarchs" aiming to turn the US into a "sovcorp" run by a CEO "Palantir is...being set up to be the beta test" "[these] people...want one company to replace [America's] governing structure" "[NYT] literally called [Palantir] the one seeing eye" This clip of Webb (Whitney Webb), author of One Nation Under Blackmail and contributing editor of unlimitedhangout(.)com, is taken from a discussion with Ryan Cristian (The Last American Vagabond), Hrvoje Morić (Geopolitics & Empire), et al. posted to the Corbett Report YouTube channel on May 29, 2026. ---------------Partial transcription of clip--------------- "There is this push from the— from Peter Thiel, the Thiel-verse and all of these tech oligarchs that are aligned with him, not to single him out, but it's a squad, to basically create a— turn the US Government into a private corporation, which it technically already is. The multinational corporation runs everything, right? "But it's a way to sort of formalize that and have, you know, a national CEO run the country, as a dictator. And they call it, you know, either Sovcorp for 'sovereign corporation' or govcorp, a governing corporation. "And I think Palantir is basically being set up to be the beta test for that because not only have they been handed the military, and our entire intelligence community, they've now under, under the current iteration of Trump, been handed all of our agricultural data, all of our health care data, and IRS, you know, I mean, it has just expanded and become total. "And I think that's extremely concerning when you consider the people that run this are literally ideologically aligned with people that want one company to replace the governing structure of the, of the country. "So... if we allow them to continue to do this Palantir, will they already— I mean, the New York Times said they know already know everything about you and literally called them the one seeing eye. And Total Information Awareness is the pyramid with the beam covering the earth, you know? I mean they're just like rubbing it in your face. "But what it ultimately comes down to is that, you know, obviously those of us in independent media putting ourselves out there, we're putting a certain amount of data into the void, with the hope that people will wake up and do something about it. "But if you are watching this and this stuff concerns you, starve them of your data as much as possible. And I think the most powerful thing you can do is get rid of your smartphone. I know Hakeem sells alternatives, but, if you really need one, you know, but you do not need to have an Android or an Apple device on you. You can live without it. You lived without it before. "And... I mean, it's the biggest generator of data for them and their whole plan fails if people just mass non-comply with them. It's very important."

Sense Receptor

83,119 Aufrufe • vor 2 Monaten

Johnny Cash’s “Hurt” is considered one of the greatest cover songs ever. Its back story is incredible. Released in 2002, Cash worked with Rick Rubin to adapt the 1994 Nine Inch Nails song. The pair met in 1992 after Rubin saw a then 60-year old Cash perform at a Bob Dylan concert in NY. Cash was decades removed from his country peak and recently dropped by his record label. Rubin felt Cash still had more music to make and told him, “What I would do is let you sit down before a microphone with your guitar and sing any song you want to record.” When Rubin first pitched “Hurt” to Cash, the music legend balked. “I can’t do that song,” said Cash. “It’s not my style.” By 2002, though, Rubin and Cash had made 3 critically-acclaimed “American Recordings” albums and were working on a 4th. On the music annotation website Genius, Rubin explained their process: ➡️ “There were a lot of songs that he needed to be convincing about. Eventually, he trusted me enough that if I felt strongly about something, he’d do it. I would send him compilations of CDs of songs to listen to, and I remember that on several compilations in a row, “Hurt” was the first song. There’s just something about it. I imagined him saying those words being very powerful.” ⬅️ When Rubin told Trent Reznor — his friend and Nine Inch Nails lead singer — about the cover idea, Reznor was “flattered” but felt it was “a bit gimmicky”. Everything changed after Reznor saw Cash’s iconic “Hurt” music video (clip below). ➡️ “A CD shows up with the track…the song in particular is straight from the soul…it was a good version and surely wasn’t cringey or anything. But it felt like I was watching my girlfriend kiss somebody else. […] A few weeks later, a video tape shows up with Mark Romanek’s [music] video on it…I pop the video in and wow…tears welling, silence, goosebumps. Wow, I just lost my girlfriend because that’s not my song anymore. Then it all made sense to me. It made me really think about how powerful music is as a medium and an art form. I wrote some words and music in my bedroom as a way of staying sane…Some-f**king-how that winds up reinterpreted by a music legend from a wildly different era/genre but still retains sincerity and…every bit as pure. Things felt even stranger when he passed away [in 2003]. The song’s purpose shifted again. It’s extremely flattering as a writer to have your song chosen by someone whose a great writer and a great artist.” ⬅️

Trung Phan

1,841,465 Aufrufe • vor 2 Jahren

#LongRead #HomeCooking #GrowYourOwnFood #atmarnirbharbharat Why are we being sold the strange idea that a modern India doesn’t need kitchens, and that we should be like Singapore, where food is outsourced, and homes are just sleeping pods? What a terrible loss that would be! A kitchen is where health begins, where families gather, where food is not just fuel but memory, love, and connection. There is something deeply satisfying about the sound of a knife slicing through a crisp, fresh vegetable just plucked from the garden. The gentle crackle of mustard seeds in hot oil, the soft gurgle of daal simmering on the stove, the aroma of curry leaves and a pinch of hing blooming in pure desi ghee, these are the small, everyday miracles of a home-cooked meal. In a world rushing toward convenience, where kitchens are shrinking and takeout boxes pile up, I find myself increasingly drawn to the quiet, grounded rhythm of growing my own food, cooking, and eating at home. It is a return to something ancient, something real. Having grown up in Goa, I always loved the taste of home grown fruits and vegetables. Even when I lived in a tiny flat in Mumbai as a single working woman, I had planted tomatoes, curry leaves and green chillies in pots in the balcony. Growing your own vegetables for personal use doesn’t need land, all it needs is dedication and love for green things! My stay at Vaidyagrama last November changed my eating pattern for the better. The simplicity of their meals, their careful attention to ingredients, the way food was treated as medicine as per Ayurveda guidelines, all made sense in a way I had never considered before. So, we changed a few things in our kitchen. We already grew our own vegetables, but now the focus is on cooking small quantities, just enough for one meal. So on most days, our meals begin not in the fridge, but in the soil. A handful of spinach leaves, some tender gourds hanging off the vine, a few okras still dewy from the morning mist, firm, juicy red tomatoes freshly plucked just enough for today’s meal. I often do the plucking myself and I cannot describe the quiet thrill of it, this connection to the earth, this knowledge that what we eat was grown with in our own soil, without a drop of chemicals! Over the years, I have grown different kinds of fruits and vegetables in my garden, at times even achieving that Nirvana state when only the grains, cereals, condiments and oil is bought, and all vegetables and fruits are home-grown. I realise that I am extremely privileged to be able to have this ability, but even if you have buy the vegetables, make home cooking a part of your routine. Hire a cook if you have to, but cooking at home ensures better health for everyone in the family, because you can control what goes into your stomach. Cooking at home is a ritual of care. I know exactly what oil we use, how much salt we add, how little sugar we consume. I have swapped refined vegetable oil for cold-pressed coconut oil and mustard oil. I use Saindhav Namak and rock salt instead of iodised salt. Maida and white sugar are almost entirely gone from the table. We eat by 7:30 pm whenever we can. If I must eat out while traveling, I follow a simple rule. I start with a katori of daal or sambar, eat lightly in the evening if lunch was heavy and have just soup or fruits, Small, mindful shifts that have changed everything. And the results? More energy, better digestion, deeper sleep. I feel lighter, clearer, more in tune with my body. This is no magic, no extreme diet, no expensive supplements. Just the simple power of eating what our grandmothers ate, at the time they ate, cooked the way they cooked. - Shefali Vaidya

Shefali Vaidya. 🇮🇳

23,183 Aufrufe • vor 1 Jahr

Most guys do not realize how dirty, naughty, and sexual women are. The average woman is way dirtier than the average man. I don’t think I’ve ever met a woman who wasn’t turned on by public sex, for example. Very few men are as into it as women are. As a guy, when you’re about to get it on with a girl in public, she’s there moaning, telling you to “put it in”; meanwhile you are looking around to check if anyone else is nearby while positioning her in this uncomfortable public position in the dirt, in the cold, and telling her “all right, hold on, I’m working on it, let me just get it up here, give me a second, sheesh!” If you read a woman’s romance novel, there is so much ink spilled on teasing, build up, this sex act, that sex act, the other sex act, that it’s basically unreadable if you are a guy. As a guy, you just wanna get your hot dog in her hot dog bun. But women want to do all KINDS of stuff. There’s a million things sexually these girls want to do. So why aren’t girls jumping at the chance to go to bed with every guy they meet? ✅ She needs to TRUST a guy first. Trust that she is safe with him. Trust that he will not judge her. Trust that it won’t affect her reputation. Many men aren’t good at building trust. Trust is KEY. ✅ She needs some degree of attraction to the guy. Not NEARLY as much as most guys think. She does NOT need to be wild with desire for you to sleep with you. It is even possible to sleep with women who really are not attracted to you at all, but who are just bored (and horny) and you did the moves right. (Or, bonus round, you just offered her an experience she has always fantasized about, so even if you are not her dream guy, she nevertheless says fine, let’s do it.) ✅ She needs to be aroused. You know the whole “women’s arousal is like a dimmer” thing… it’s accurate. You need to ramp her arousal up with touch, teasing, flirtation, innuendo, sex talk, etc. ✅ She needs to be ALONE with you. If she trusts you enough, you can get her alone with you. Once she’s alone with you, if there is trust there, and there’s arousal, and maybe a bit of attraction, you will get her clothes off. Yes… even if she is a ‘good’ girl. ‘Good’ girls did not manage to pass down their genes by hating sex (they are just a bit more selective about the men they have it with, is all. They need more TRUST!). Also: don’t be UNNERVED by female sexuality. Every girl has a tigress inside her waiting for the right guy to unleash it… a guy who makes her trust him, arouses her, gets her alone with him, and maybe creates some attraction with her. Women’s romance novels are ALL about this. Women’s romances in real life are as well. In fact, in real life, women often settle for far less ideal situations: men they don’t completely trust, aren’t that attracted to, are only partway aroused by, who get them alone somewhere. The better a job you can do approaching her sexual “Platonic ideal”, the more reliably you can bring out that sexual tigress lurking inside of EVERY woman (even the ‘good’ girls).

Girls Chase 🏃‍♀️💨

34,136 Aufrufe • vor 8 Monaten