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If Pedra do Ingá is merely rock art, why does its symbol system show structure, repetition, and apparent syntax carved beside a river that floods and erases memory? Was this stone meant to be read by humans, by future generations, or by the sky itself?

History Content

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13,693 views • 6 months ago •via X (Twitter)

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The Met Gala used to pretend it was about art. Now it feels like a public ritual for a culture that has lost its soul. Tradition is being mocked and replaced by spectacle. When beauty dies, ugliness walks the carpet and calls itself art.

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Ice cream shop working whistleblowing on DoorDash He shows that their system says the driver is “waiting for order” He moves the camera and show there is nowhere there or anywhere close by This is why why you order DoorDash it sometimes appears the driver is at the location forever, and you’re wondering what the heck is going on It’s a lie. The system just says they are there when they aren’t This is why food likely comes cold when it’s supposed to be hot or not cold when it’s supposed to by cold

Ice cream shop working whistleblowing on DoorDash He shows that their system says the driver is “waiting for order” He moves the camera and show there is nowhere there or anywhere close by This is why why you order DoorDash it sometimes appears the driver is at the location forever, and you’re wondering what the heck is going on It’s a lie. The system just says they are there when they aren’t This is why food likely comes cold when it’s supposed to be hot or not cold when it’s supposed to by cold

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Frame by frame through the ruins of Tel Aviv This time, history itself is the director. 🔹The scenario was written by Operation Sincere Promise, and the scenes were recorded by hypersonic missiles. 🔹Some frames are forever etched in the memory of history; today it was Tel Aviv's turn to watch its own fall, frame by frame.

Frame by frame through the ruins of Tel Aviv This time, history itself is the director. 🔹The scenario was written by Operation Sincere Promise, and the scenes were recorded by hypersonic missiles. 🔹Some frames are forever etched in the memory of history; today it was Tel Aviv's turn to watch its own fall, frame by frame.

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🕊️ The Faravahar: An Ancient Persian Symbol with a Powerful Meaning High on the stone walls of Persepolis, the ancient capital of Persia, you can see a mysterious winged symbol carved into the rock. This symbol is called the Faravahar (or Farohar), and it is one of the most important signs of Zoroastrianism, one of the world’s oldest religions. At first look, the Faravahar may seem like a royal emblem or a symbol of power. But its meaning goes much deeper than that. The design comes from very old Middle Eastern traditions. Long before Persia, kings used winged sun symbols on seals to show divine protection and authority. Over time, the Persians gave this image a new meaning. In Zoroastrian belief, the Faravahar came to represent the human soul, its choices, and its journey through life. Every part of the symbol has a message: 🪽 The wings stand for growth, progress, and rising toward good thoughts and actions. 🧍 The human figure in the center reminds us that humans have free will and must choose between right and wrong. 🔄 The circular shape shows the ongoing journey of life and the balance between the spiritual and the physical world. In ancient Persia, the Faravahar was not just art on a wall. It showed faith, identity, and legitimacy. It reminded rulers and people alike that power should be guided by wisdom, truth, and moral responsibility. Even today, the Faravahar invites curiosity. Is it a symbol of God? A guide for the soul? Or a sign of royal authority? Perhaps it is all of these at once. What is clear is this: the Faravahar is a timeless symbol that shows how deeply spiritual belief and leadership were connected in ancient Persia—and how those ideas still speak to us today. ✨

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Unearthed 🏺

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I thought this was supposed to be a fun lil show :c Art by 🔞Jul PallaPbal (Commission Closed) and Clara(mime) is their OC

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WARNING: This video might be disturbing to some viewers. A 13WHAM crew was conducting an interview on Rosewood Terrace in Rochester this afternoon when an apparent drive-by shooting rang out nearby. The crew is OK and no one was injured. Read more:

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Jodie Foster says F1 (2025) felt "like it was made by AI." She argued its structure was "exactly the structure that you would learn in school," adding the actors delivered lines "exactly the way it would be written if a computer was writing." Foster added that despite her criticism, the film still managed to create "something big and beautiful" through its technology.

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Movies Scenes 🎫

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Cosmic Insights 🌻

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This is totally heart breaking 💔 A man has committed many crimes but is about to be punished and is surprised by the years he was sentenced to by the court; If this happened to you, how would you react?

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And there we have it. Romanias president confirms that a drone targeting Ukraine was redirected by a Ukrainian air defence system and that’s why it hit Romania. Read the comments under my original post for laughs. I knew it this morning - no propaganda here.

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This is the part people skip, and it changes everything. Look at the collar: dozens of perfectly parallel grooves flowing over a compound curve, then meeting crisp hieroglyphs and framed scenes without the spacing collapsing. That is not random artistry. That is layout, measurement, and repeatable process. In Egypt’s Late Period, anthropoid stone sarcophagi became a prestige technology in their own right, carved in hard, fine-grained stone with long offering texts and protective deities. One benchmark example is the British Museum’s siltstone sarcophagus of the vizier Sasobek (26th Dynasty, around 600 BC), described as among the finest of its type. How did they get this finish? Ancient Egyptian stoneworking is widely understood as an abrasives driven craft: copper or bronze tools, drills, and saws did not “slice” hard stone by themselves, they carried quartz sand and other abrasives that did the cutting, followed by intensive grinding and polishing. Now the question that should start an argument: If this level of repeatable precision was achievable at scale, what was the real “advanced technology” here: the tools, or the workshop system? Time budget guess: how many person-hours for just the collar and inscription fields, not the whole coffin?

This is the part people skip, and it changes everything. Look at the collar: dozens of perfectly parallel grooves flowing over a compound curve, then meeting crisp hieroglyphs and framed scenes without the spacing collapsing. That is not random artistry. That is layout, measurement, and repeatable process. In Egypt’s Late Period, anthropoid stone sarcophagi became a prestige technology in their own right, carved in hard, fine-grained stone with long offering texts and protective deities. One benchmark example is the British Museum’s siltstone sarcophagus of the vizier Sasobek (26th Dynasty, around 600 BC), described as among the finest of its type. How did they get this finish? Ancient Egyptian stoneworking is widely understood as an abrasives driven craft: copper or bronze tools, drills, and saws did not “slice” hard stone by themselves, they carried quartz sand and other abrasives that did the cutting, followed by intensive grinding and polishing. Now the question that should start an argument: If this level of repeatable precision was achievable at scale, what was the real “advanced technology” here: the tools, or the workshop system? Time budget guess: how many person-hours for just the collar and inscription fields, not the whole coffin?

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30,818 views • 5 months ago

I once was flayed by every glance, A captive to each fleeting breath, Where love and anguish twinned their dance, And every sigh was life or death. But now the nerve is dull'd to stone, The pulse a drum without a song; A ghost inhabits flesh alone, And deems its weakness strong

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Sera was such a force to be reckon with in Yakuza 0: The patriarch of Nikkyo Consortium, mentored by Shintaro Kazama, and a fighting style so precise that all he to do is WALK TO FIGHT YOU....all of that meant nothing in 1.

Sera was such a force to be reckon with in Yakuza 0: The patriarch of Nikkyo Consortium, mentored by Shintaro Kazama, and a fighting style so precise that all he to do is WALK TO FIGHT YOU....all of that meant nothing in 1.

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The story of Adam and Eve in Genesis isn't about the beginning of all humans. Humans had already been seeded around the planet by Galactic Federation when this story begins. Adam and Eve symbolized the beginning of "royalty", or the idea that some were chosen by "God" to be superior to others. To defy Elder Ikai and Galactic Federation, one lineage was genetically modified by the Sirian, Oppisheklio and his reptilian father, Pidkozox. These "chosen" humans looked partially Sirian. They were tall with elongated heads and blue feline-shaped eyes. They were given longer lifespans, which explains time durations in Genesis, and the Egyptian pharaoh and Sumerian kings lists. At a time when ET "sky gods" were still coming and going from Earth, these humans looked similar to them and were sometimes worshiped as gods too. This interference happened once, and would have been allowed by Elder Ikai to increase the challenges of the Earth school, to progress humans more quickly to the Shift. The generations after Adam and Eve included both good and bad people. Many starseeds incarnated into this lineage including our own Taygeta family. It led to the Tribes of Israel and included major figures like Jesus. Their physical features eventually faded through genetic mixing over centuries.

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