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In 2003, Sofia Coppola directed Lost in Translation. Sofia later admitted, Scarlett Johansson’s character was partially based on her, while Bill Murray’s character was inspired by her then-husband, Spike Jonze. Ten years later, Jonze directed Her (2013), the story of a man who falls in love with an AI....

549,848 просмотров • 8 месяцев назад •via X (Twitter)

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A 40-year-old guest lecturer was allegedly murdered by her male friend, who later set her body on fire inside a car before dying by suicide, near Jinkebachchahalli village in Doddaballapur taluk on Saturday. The deceased has been identified as Saroja (40), a guest lecturer at a private college in Devanahalli. The accused, Ramanjinappa (45), a relator, is suspected to have died by suicide by jumping in front of a train. Ramajinappa was married Senior officer told reporters that Saroja and Ramanjinappa had been in a relationship for the past year. Police said Ramanjinappa had been pressuring her to marry him, but she refused. Saroja having a decent job, living with her with her family and the husband. Investigators believe that enraged by the rejection, Ramanjinappa planned the murder. On the day of the incident, he allegedly took Saroja on a long drive in a car borrowed from a friend. During the journey, an argument broke out, following which he is said to have attacked her with a hammer, killing her on the spot. Police said the accused then set the vehicle on fire in an attempt to destroy evidence and fled the scene. Passers-by noticed the burning car and alerted authorities. Personnel from Karnataka Fire and Emergency Services assisted the Doddaballapura Rural Police Station in dousing the fire. A charred body was later recovered from the backseat of the vehicle. The car was completely gutted and the police found the body in the backseat in a sleeping position and the jawline facing upwards, indicating that she was murdered before setting the car on fire the officer said. Using the chassis number, police traced the vehicle owner, identified as Suresh Kumar, who informed them that he had received an alert about an accident involving the car. His attempts to contact Ramanjinappa were unsuccessful. Later in the evening, railway police alerted local authorities about the recovery of a mangled body near the tracks near Bidadi. The decreased was identified as Ramanjinappa through his Aadhaar card and ATM card. Piecing together the sequence of events, police concluded that the accused murdered Saroja and later died by suicide while attempting to escape. A case of murder and suicide has been registered, and further investigation is underway.

Hate Detector 🔍

18,972 просмотров • 2 месяцев назад

🙏🇺🇸🙏 U.S. Air Force Captain Seth R. Koval — one of six Airmen who lost their lives while supporting Operation Epic Fury. For those who knew Seth, he was far more than a pilot or an officer in uniform. He was a husband, a father, a son, a brother, and a friend whose presence filled the lives of the people around him with love and strength. Seth grew up dreaming of becoming a pilot. That dream eventually became a life of service, one he carried with pride every time he put on his uniform. Those close to him say he loved what he did and felt honored to serve others through his work in the Air Force. But the people who knew him best remember something even greater than his career. They remember a man who was loving, generous, and kind-hearted. A man who always looked for ways to help others. Someone who could fix almost anything, who loved the outdoors, and who never hesitated to put the needs of others before his own. Above all, Seth was a devoted family man. His wife shared the heartbreak their family is now facing, describing the unimaginable pain of losing the person she loved most. In her words, Seth was not only an exceptional Airman, but the most incredible husband, father, son, brother, and friend anyone could ask for. She shared that one of the greatest honors of her life was standing beside him as he achieved the dream he had carried since childhood — becoming a pilot and serving his country. Though his life was cut far too short, Seth's legacy continues to live on through the family he loved deeply, especially in the smile of his young son who will carry a part of his father's spirit forward. For the Koval family, the days ahead will not be easy. Yet they have expressed deep gratitude for the love and support that has surrounded them during this painful time. Across communities and within the Air Force family, many people are remembering Captain Seth R. Koval not only for the uniform he wore, but for the life he lived - a life marked by service, faith, and love for others. Today we pause to honor him and to keep his family, friends, and fellow Airmen in our thoughts. - May Capt. Seth R. Koval rest in peace, and may his service and legacy never be forgotten 🙏🇺🇸🙏

G-PA

13,018 просмотров • 4 месяцев назад

In Remembrance of Hedy Lamarr. Born | November 9, 1914 in Vienna, Austria. Died | January 19, 2000 aged 85 in Casselberry, Florida, USA. Hedy Lamarr, the woman many critics and fans alike regard as the most beautiful ever to appear in films, was born Hedwig Eva Maria Kiesler in Vienna, Austria. She was the daughter of Gertrud (Lichtwitz), from Budapest, and Emil Kiesler, a banker from Lemberg (now known as Lviv). Her parents were both from Jewish families. Hedwig had a calm childhood, but it was cinema that fascinated her. By the time she was a teenager, she decided to drop out of school and seek fame as an actress, and was a student of theatre director Max Reinhardt in Berlin. Her first role was a bit part in the German film Geld auf der Straße (1930) (aka “Money on the Street”) in 1930. She was attractive and talented enough to be in three more German productions in 1931, but it would be her fifth film that catapulted her to worldwide fame. In 1932 she appeared in a Czech film called Ekstase (US title: “Ecstasy”) and had made the gutsy move to appear nude. It's the story of a young girl who is married to a gentleman much older than she, but she winds up falling in love with a young soldier. The film's nude scenes created a sensation all over the world. The scenes, very tame by today's standards, caused the film to be banned by the U.S. government at the time. Hedy soon married Fritz Mandl, a munitions manufacturer and a prominent Austrofascist. He attempted to buy up all the prints of “Ecstasy” he could lay his hands on (Italy's dictator, Benito Mussolini, had a copy but refused to sell it to Mandl), but to no avail (there are prints floating around the world today). The notoriety of the film brought Hollywood to her door. She was brought to the attention of MGM mogul Louis B. Mayer, who signed her to a contract (a notorious prude when it came to his studio's films, Mayer signed her against his better judgment, but the money he knew her notoriety would bring in to the studio overrode any moral concerns he may have had). However, he insisted she change her name and make good, wholesome films. Hedy starred in a series of exotic adventure epics. She made her American film debut as Gaby in Algiers (1938). This was followed a year later by Lady of the Tropics (1939). In 1942, she played the plum role of Tondelayo in the classic White Cargo (1942). After World War II, her career began to decline, and MGM decided it would be in the interest of all concerned if her contract were not renewed. Unfortunately for Hedy, she turned down the leads in both Gaslight (1940) and Casablanca (1942), both of which would have cemented her standing in the minds of the American public. At the beginning of World War II, along with composer George Antheil, Lamarr co-invented a radio guidance system for Allied torpedoes that used spread spectrum and frequency hopping technology to defeat the threat of radio jamming by the Axis powers. This approach, conceptualised as a “Secret Communication System”, was intended to provide secure, jam-resistant communication for weapon guidance by spreading the signal across multiple frequencies. Similar technology was used in operational systems only beginning in 1962, which was well after World War II and three years after the expiry of the Lamarr-Antheil patent. Frequency hopping, which existed and was utilised before the Lamarr-Antheil patent, is a foundational technology for spread spectrum communications. Its principles are utilised for secure wireless networking, including Bluetooth and early versions of Wi-Fi, which use variants of spread spectrum to protect data from interception and interference. In 1949, Hedy Lamarr starred as Delilah opposite Victor Mature's Samson in Cecil B. DeMille's epic Samson and Delilah (1949). This proved to be Paramount Pictures' then most profitable movie to date, bringing in $12 million in rental from theatres. The film's success led to more parts, but it was not enough to ease her financial crunch. She made only six more films between 1949 and 1957, the last being The Female Animal (1957). The 1970s was a decade of increasing seclusion for Lamarr. She was offered several scripts, television commercials, and stage projects, but none piqued her interest. In 1974, she filed a $10 million lawsuit against Warner Bros., claiming that the running parody of her name (“Hedley Lamarr”) in the Mel Brooks comedy Blazing Saddles infringed her right to privacy. Brooks said he was flattered. The studio settled out of court for an undisclosed nominal sum and an apology to Lamarr for “almost using her name”. Brooks said that Lamarr “never got the joke”. In 1981, with her eyesight failing, Lamarr retreated from public life and settled in Miami Beach, Florida. A large Corel-drawn image of Lamarr won CorelDRAW's yearly software suite cover design contest in 1996. For several years, beginning in 1997, it was featured on boxes of the software suite. Lamarr sued the company for using her image without her permission. Corel countered that she did not own rights to the image. The parties reached an undisclosed settlement in 1998. For her contribution to the motion picture industry, Lamarr has a star on the Hollywood Walk of Fame at 6247 Hollywood Boulevard adjacent to Vine Street where the walk is centered. Lamarr became estranged from her older son, James Lamarr Loder, when he was 12 years old. Their relationship ended abruptly, and he moved in with another family. They did not speak again for almost 50 years. Lamarr left James Loder out of her will, and he sued for control of the US$3.3 million estate left by Lamarr in 2000. He eventually settled for US$50,000. In her later years, Lamarr lived in Altamonte Springs, Florida, before moving to Casselberry, Florida, in the final months of her life. She communicated with family and friends almost exclusively by telephone. However, after moving to Casselberry, two friends who lived nearby would visit her at home to check on her a few times a week. On January 19, 2000, Lamarr was found dead at her home in Casselberry at the age of 85; the cause of death was heart disease. Her son Anthony Loder spread part of her ashes in Austria's Vienna Woods in accordance with her last wishes. In 2014, a memorial to Lamarr was unveiled in Vienna's Central Cemetery. The remainder of her ashes were buried there.

Hollywood Golden Age of Cinema

21,096 просмотров • 6 месяцев назад

The story goes that when Paolina Bonaparte, sister of Napoleon, was asked whether it had been uncomfortable to pose nearly naked for Antonio Canova, she answered with a line that has been repeated ever since: "All veils may fall before Canova." She had married into one of the great noble families of Rome, the Borghese, in 1803. Two years later, her husband Camillo commissioned the most celebrated sculptor in Europe to portray her in marble. Canova carved her between 1805 and 1808 as Venus Victrix — Venus the Victorious — reclining on a couch, semi-nude, holding the golden apple given to the goddess in the Judgement of Paris, when she was named the most beautiful of all the goddesses of Olympus. It scandalised Rome. Aristocratic women, especially the sister of an emperor, were not portrayed without drapery. The gossip was relentless, and the reply attributed to her became just as famous as the scandal itself... Canova carved her in white marble so finely that the mattress beneath her appears to give under her weight, and the surface of her skin glows in the light as though the stone were alive. She reclines today in the Galleria Borghese in Rome, where she has not moved in nearly two hundred years. "I can't read or write," Canova used to say, holding up his hammer and chisel, "but with these I can create poetry." If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: And if you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

151,931 просмотров • 2 месяцев назад

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 просмотров • 4 месяцев назад