正在加载视频...

视频加载失败

加载此视频时出现问题。这可能是由于临时网络问题，或视频可能不可用。

In Mission: Impossible (2011), Tom Cruise's uniform jacket was custom-built to flip completely inside out. Director Brad Bird shot the transformation in a single tracking shot — proving it was a 100% practical effect done live on camera without any CGI cuts.

Movies Scenes 🎫

114,588 subscribers

2,658,358 次观看 • 1 个月前 •via X (Twitter)

艺术科学技术旅游

Anya Rossi• Live Now

Private livecam show

0 条评论

暂无评论

原始帖子的评论将显示在这里

相关视频

The opening scene of the Amazon series The Boys, where A-Train kills Hughie’s girlfriend Robin, uses 100% CGI blood. It was stitched from 15 takes filmed with a robotic camera arm called ‘The Bolt’. That single shot took 8 months to finish.

The opening scene of the Amazon series The Boys, where A-Train kills Hughie’s girlfriend Robin, uses 100% CGI blood. It was stitched from 15 takes filmed with a robotic camera arm called ‘The Bolt’. That single shot took 8 months to finish.

Movies Scenes 🎫

50,533 次观看 • 9 个月前

The opening of CASINO ROYALE was shot 100 feet above ground, starring parkour co-founder Sébastien Foucan; the leap from one crane to another and then onto the roof was done in a single shot. Harnesses were digitally erased from the final cut.

The opening of CASINO ROYALE was shot 100 feet above ground, starring parkour co-founder Sébastien Foucan; the leap from one crane to another and then onto the roof was done in a single shot. Harnesses were digitally erased from the final cut.

cinesthetic.

153,488 次观看 • 7 个月前

this texas switch with a CGI body double in SOURCE CODE is crazy because it happens twice without a visible cut. it’s a really solid visual effect and i love the camera move from inside the train to the platform.

this texas switch with a CGI body double in SOURCE CODE is crazy because it happens twice without a visible cut. it’s a really solid visual effect and i love the camera move from inside the train to the platform.

patrick.

2,990,791 次观看 • 2 年前

A single prompt. A spark of an idea. And just like that, it evolves into a cinematic-level transformation. Built completely with Seedance 2.0 on Yapper, this shot went from a thought to something that feels straight out of a high-end VFX studio in minutes. No crew. No big production. Just AI bringing visuals to life.

A single prompt. A spark of an idea. And just like that, it evolves into a cinematic-level transformation. Built completely with Seedance 2.0 on Yapper, this shot went from a thought to something that feels straight out of a high-end VFX studio in minutes. No crew. No big production. Just AI bringing visuals to life.

Zara

10,281 次观看 • 5 个月前

“The Impossible” 1964 shot that reportedly left Martin Scorsese speechless. This stunning sequence from the 1964 film I Am Cuba (Soy Cuba) is still regarded as one of the most technically daring shots ever captured on camera. Long before CGI or stabilized drone systems existed, director Mikhail Kalatozov and cinematographer Sergey Urusevsky engineered the sequence using elaborate rigs of cables, pulleys, and custom-built camera setups. The camera begins at street level, ascends the exterior of a building, moves through a cigar factory, and then glides out over the city in a single continuous take, creating a fluid, gravity-defying movement that feels strikingly modern even by today’s standards. The shot is also renowned for its surreal visual quality. Shot on specialized infrared film, the vegetation appears almost luminous white against a deep black sky, giving the image an otherworldly, dreamlike atmosphere. Initially overlooked as Cold War propaganda, the film was rediscovered decades later and restored in the 1990s, after filmmakers like Martin Scorsese and Francis Ford Coppola praised its extraordinary craftsmanship. Even now, it remains a benchmark for what’s possible in practical cinematography.

“The Impossible” 1964 shot that reportedly left Martin Scorsese speechless. This stunning sequence from the 1964 film I Am Cuba (Soy Cuba) is still regarded as one of the most technically daring shots ever captured on camera. Long before CGI or stabilized drone systems existed, director Mikhail Kalatozov and cinematographer Sergey Urusevsky engineered the sequence using elaborate rigs of cables, pulleys, and custom-built camera setups. The camera begins at street level, ascends the exterior of a building, moves through a cigar factory, and then glides out over the city in a single continuous take, creating a fluid, gravity-defying movement that feels strikingly modern even by today’s standards. The shot is also renowned for its surreal visual quality. Shot on specialized infrared film, the vegetation appears almost luminous white against a deep black sky, giving the image an otherworldly, dreamlike atmosphere. Initially overlooked as Cold War propaganda, the film was rediscovered decades later and restored in the 1990s, after filmmakers like Martin Scorsese and Francis Ford Coppola praised its extraordinary craftsmanship. Even now, it remains a benchmark for what’s possible in practical cinematography.

Historic Vids

293,235 次观看 • 3 个月前

RJ Barrett: “Not to take anything away from the shot, very thankful, it was a great shot, I was really happy in the moment, but we’ve gotta move on. Gotta win tonight. The shot doesn’t really mean much if we don’t get the job done here tonight.”

RJ Barrett: “Not to take anything away from the shot, very thankful, it was a great shot, I was really happy in the moment, but we’ve gotta move on. Gotta win tonight. The shot doesn’t really mean much if we don’t get the job done here tonight.”

Josh Lewenberg

142,533 次观看 • 3 个月前

Michael Jordan's final shot in a Bulls uniform was a game-winner with 6.6 seconds left... on his way to going 6-for-6 in the NBA Finals🐐

Michael Jordan's final shot in a Bulls uniform was a game-winner with 6.6 seconds left... on his way to going 6-for-6 in the NBA Finals🐐

Wise Michael Jordan

15,952 次观看 • 11 天前

this shot was a “happy accident” caused by a glare in the camera lens but his face card is THAT unreal they had to use it in the final cut.

this shot was a “happy accident” caused by a glare in the camera lens but his face card is THAT unreal they had to use it in the final cut.

alexa

584,566 次观看 • 5 个月前

One camera. No limits. From the streets to the ocean, from a volcano to outer space — all in one impossible shot. The camera didn’t just record the movie… it became the movie. Cinema Studio 4.0 is out. Higgsfield AI 🧩 #CinemaStudio4

One camera. No limits. From the streets to the ocean, from a volcano to outer space — all in one impossible shot. The camera didn’t just record the movie… it became the movie. Cinema Studio 4.0 is out. Higgsfield AI 🧩 #CinemaStudio4

Luca Ai

16,259 次观看 • 5 天前

HE’S NOT HUMAN. - At 52 years old, Tom Cruise did the impossible. - An inverted, vertical pole climb. Handcuffed. - Zero CGI. No digital doubles. No shortcuts. - He spent five months mastering acrobatics for a single scene. The movement was so physically demanding that even the professional stunt team couldn't replicate it. - He nearly shattered his collarbone to get the shot. Is Tom Cruise the last real action star?

HE’S NOT HUMAN. - At 52 years old, Tom Cruise did the impossible. - An inverted, vertical pole climb. Handcuffed. - Zero CGI. No digital doubles. No shortcuts. - He spent five months mastering acrobatics for a single scene. The movement was so physically demanding that even the professional stunt team couldn't replicate it. - He nearly shattered his collarbone to get the shot. Is Tom Cruise the last real action star?

Wisdom

695,149 次观看 • 4 个月前

the older Zelda games had distinctive "zoom regions" where the camera pulls in or out depending on how cramped or open the space was - independent of camera collision. Not only practical, the effect gives a cool cinematic and extra-polished kind of feel

the older Zelda games had distinctive "zoom regions" where the camera pulls in or out depending on how cramped or open the space was - independent of camera collision. Not only practical, the effect gives a cool cinematic and extra-polished kind of feel

Benji

186,354 次观看 • 1 年前

Orbital Redux is our sci-fi web series about an ex-NASA astronaut on a transpo run to the moon! Fun fact: When Orbital Redux was shot, it was streamed live in one single take! Visit our linktree/LINKinBIO to watch the full series! #scifi #orbitalredux #webseries ButcherBirdStudios

Orbital Redux is our sci-fi web series about an ex-NASA astronaut on a transpo run to the moon! Fun fact: When Orbital Redux was shot, it was streamed live in one single take! Visit our linktree/LINKinBIO to watch the full series! #scifi #orbitalredux #webseries ButcherBirdStudios

Yuri Lowenthal 🇵🇸 🇺🇦 #ceasefirenow

41,790 次观看 • 1 年前

🚨🇬🇧 Meanwhile in Liverpool, UK Doorbell Camera capture the moment a Teen was shot this weekend. The UK isn’t used to seeing Live Shootings on the Streets, however as Society continues to crumble they are becoming increasingly more frequent.

🚨🇬🇧 Meanwhile in Liverpool, UK Doorbell Camera capture the moment a Teen was shot this weekend. The UK isn’t used to seeing Live Shootings on the Streets, however as Society continues to crumble they are becoming increasingly more frequent.

Concerned Citizen

1,606,225 次观看 • 9 个月前

Kling 3.0 Prompt: Shot 1: A medium shot of a stylish woman standing next to a motorcycle in Istanbul, with the iconic Galata Tower visible in the background. The camera slowly zooms in on her face. She looks directly at the camera, smiles, and says: "Hey! You have to see this shop I found, come with me." Shot 2: A tracking shot following the woman from behind as she walks away from the motorcycle and enters a nearby cozy shop. The shop is filled with shelves of colorful plush toys and bright lights. Shot 3: Inside the shop, a medium close-up of the woman holding a cute colorful plush toy. She hugs the toy tightly, looks at it with adoration, and says: "Oh my god, I love this one! It is so fluffy and cute."

Kling 3.0 Prompt: Shot 1: A medium shot of a stylish woman standing next to a motorcycle in Istanbul, with the iconic Galata Tower visible in the background. The camera slowly zooms in on her face. She looks directly at the camera, smiles, and says: "Hey! You have to see this shop I found, come with me." Shot 2: A tracking shot following the woman from behind as she walks away from the motorcycle and enters a nearby cozy shop. The shop is filled with shelves of colorful plush toys and bright lights. Shot 3: Inside the shop, a medium close-up of the woman holding a cute colorful plush toy. She hugs the toy tightly, looks at it with adoration, and says: "Oh my god, I love this one! It is so fluffy and cute."

Ozan Sihay

14,270 次观看 • 6 个月前

A 15-year-old boy was shot in the head & killed at 1 AM on Chicago’s West Side. Over 100 juveniles have already been shot in Chicago this year. Media silence. Where is the outrage? I’m sure Al Sharpton and our rich Black millionaires will fly in any second now to demand justice and march in the streets… right?

A 15-year-old boy was shot in the head & killed at 1 AM on Chicago’s West Side. Over 100 juveniles have already been shot in Chicago this year. Media silence. Where is the outrage? I’m sure Al Sharpton and our rich Black millionaires will fly in any second now to demand justice and march in the streets… right?

Matt Robinson

19,305 次观看 • 1 个月前

Got early access to MiniMax H3 and honestly... the output speaks for itself. 🔥 Tested out a multi-shot cyber-fashion teaser using the new Omni-Reference feature to keep the character and gritty neon vibe completely locked in across the cuts. What blew me away is that this dropped in a single pass with native stereo audio and sharp text rendering built right in—no separate sound design or post-editing mess. What do you guys think? Check it out MiniMax Design (H3) #MiniMaxH3

Got early access to MiniMax H3 and honestly... the output speaks for itself. 🔥 Tested out a multi-shot cyber-fashion teaser using the new Omni-Reference feature to keep the character and gritty neon vibe completely locked in across the cuts. What blew me away is that this dropped in a single pass with native stereo audio and sharp text rendering built right in—no separate sound design or post-editing mess. What do you guys think? Check it out MiniMax Design (H3) #MiniMaxH3

Arcane Ai

44,177 次观看 • 24 天前

This is a NeRF (Neural Radiance Field) and it's one of the coolest pieces of AI tech out there. To generate this scene, I shot a video on my iPhone, then uploaded to Luma Luma turned it into a NeRF, and then I directed the camera in their editor to create this shot. Don't sleep on NeRFs.

This is a NeRF (Neural Radiance Field) and it's one of the coolest pieces of AI tech out there. To generate this scene, I shot a video on my iPhone, then uploaded to Luma Luma turned it into a NeRF, and then I directed the camera in their editor to create this shot. Don't sleep on NeRFs.

Nick St. Pierre

1,026,518 次观看 • 3 年前

It was like walking through a portal coming out of The Kop on Sunday. Mad inside the ground obviously. But coming down the stairs it was comparatively subdued and sterile, single exit door partially open to lure you in then bang... I was not expecting it. Magic.

It was like walking through a portal coming out of The Kop on Sunday. Mad inside the ground obviously. But coming down the stairs it was comparatively subdued and sterile, single exit door partially open to lure you in then bang... I was not expecting it. Magic.

Daniel Nicolson

162,673 次观看 • 1 年前

This was on Harden to be the safety valve back and he doesn't get it done in a close out game

This was on Harden to be the safety valve back and he doesn't get it done in a close out game

BBALLBREAKDOWN

612,353 次观看 • 3 个月前