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Indha soothu avuthu patha epdi irukkum sample nude soothu Pic post pannunga , any similar look picture

Nonutnovember

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17,472 views • 1 year ago •via X (Twitter)

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Translation: Joong is stalking Dunk 😆 - Joong☀️: “Please look carefully at his latest post: a little bit of his eyes, focusing on his nose and a tiny bit of his mouth.” - Joong☀️: “You take a picture like this, how can you expect other people to see you as P’Dunk…” *big sigh* #จุงดัง #จุงอาเชน #dunknatachai I was somehow feeling so shy when Joong slowly described Dunk’s pic. Aaahhh, do you describe Dunk’s pic like this every time you look at it alone, Joong? 🫣💕 And why did you leave such a long sigh at the end? Hahaha. Does Dunk’s cuteness make you worry? 🤭

Translation: Joong is stalking Dunk 😆 - Joong☀️: “Please look carefully at his latest post: a little bit of his eyes, focusing on his nose and a tiny bit of his mouth.” - Joong☀️: “You take a picture like this, how can you expect other people to see you as P’Dunk…” big sigh #จุงดัง #จุงอาเชน #dunknatachai I was somehow feeling so shy when Joong slowly described Dunk’s pic. Aaahhh, do you describe Dunk’s pic like this every time you look at it alone, Joong? 🫣💕 And why did you leave such a long sigh at the end? Hahaha. Does Dunk’s cuteness make you worry? 🤭

Nia

31,351 views • 2 years ago

The LYING Headless Horseman of Candiland 🤥 Diligent Denizen 🇺🇸’s anonymous alleged witness (let’s call him the Headless Horseman of Candiland) claimed: “I wasn’t really paying attention to my phone that day (Sept. 10 - day CK was killed). I’d seen that Charlie had been shot and I didn’t really want to give any of my energy to it until I was done with work. The next morning (Sept. 11), I went to my other job and my co-worker was kind of talking to me about it. He pulled up a picture. He said I looked like I was a little shocked by it cause I ‘recognized’ the face”. Problem? It is IMPOSSIBLE that an alleged coworker showed him any pic as no pic was in the public domain at that time. The very first pic of a person of interest (wearing a hat, sunglasses and a long-sleeve black shirt - same pic that allowed Tyler’s parents to recognize their son) was release Sept. 11, 2025 - 7:55 PM (MT). 🤦‍♂️ This completely discredits the Headless Horseman of Candiland and shows that he is LYING. Great job by 0’Carl debunking / discrediting / invalidating the Headless Horseman of Candiland. Great post by Agent BEEZ🐝 inthetrap 🏆

The LYING Headless Horseman of Candiland 🤥 Diligent Denizen 🇺🇸’s anonymous alleged witness (let’s call him the Headless Horseman of Candiland) claimed: “I wasn’t really paying attention to my phone that day (Sept. 10 - day CK was killed). I’d seen that Charlie had been shot and I didn’t really want to give any of my energy to it until I was done with work. The next morning (Sept. 11), I went to my other job and my co-worker was kind of talking to me about it. He pulled up a picture. He said I looked like I was a little shocked by it cause I ‘recognized’ the face”. Problem? It is IMPOSSIBLE that an alleged coworker showed him any pic as no pic was in the public domain at that time. The very first pic of a person of interest (wearing a hat, sunglasses and a long-sleeve black shirt - same pic that allowed Tyler’s parents to recognize their son) was release Sept. 11, 2025 - 7:55 PM (MT). 🤦‍♂️ This completely discredits the Headless Horseman of Candiland and shows that he is LYING. Great job by 0’Carl debunking / discrediting / invalidating the Headless Horseman of Candiland. Great post by Agent BEEZ🐝 inthetrap 🏆

Mitch Mango 🥭

16,938 views • 2 months ago

“irene said you’re like a little sister” yea i saw that, she’s really like an ahjussi, i can finally get back at her! when i saw her today and she walked over she really looked like an ahjumma- an ahjussi, so i told her, noona, why are you walking like an ahjussi? and she said “do you want to d1e!” so i was like “look! which female idol is like you! you’re the only one!” my first xhs post i’m gonna post the pics i took at smtown with other idols & there’s the red velvet jiejies, and i took a pic w them yesterday, after we took i showed them, because they’re all very pretty in my eyes i don’t think they need editing but they were like “what is this! no letme retake” so i was thinking, “wow, we need to retake this too?” so i said “okok let’s retake tmr”, so i went to look for them today, and i’m using today’s picture, and i let them take a look and they said ok, so today’s picture was finally a pass! they’re really funny, they’re like my cousins, because i have a lot cousins, so just like my cousins i like to make them angry, their reactions are really funny

“irene said you’re like a little sister” yea i saw that, she’s really like an ahjussi, i can finally get back at her! when i saw her today and she walked over she really looked like an ahjumma- an ahjussi, so i told her, noona, why are you walking like an ahjussi? and she said “do you want to d1e!” so i was like “look! which female idol is like you! you’re the only one!” my first xhs post i’m gonna post the pics i took at smtown with other idols & there’s the red velvet jiejies, and i took a pic w them yesterday, after we took i showed them, because they’re all very pretty in my eyes i don’t think they need editing but they were like “what is this! no letme retake” so i was thinking, “wow, we need to retake this too?” so i said “okok let’s retake tmr”, so i went to look for them today, and i’m using today’s picture, and i let them take a look and they said ok, so today’s picture was finally a pass! they’re really funny, they’re like my cousins, because i have a lot cousins, so just like my cousins i like to make them angry, their reactions are really funny

ْ

405,939 views • 1 year ago

Greek Defence Minister Nikos Dendias: I am not in any way anti-Turk, and I do not believe Israel is anti-Turk at all. 20 years ago, 25 years ago—Israel and Türkiye were the best of friends and close allies. Israel was closer to Türkiye than it was to Greece. Türkiye was never an enemy to Greece, but it was not as close to Greece as it was to Israel. What has changed? Who is advocating for Hamas? Who has never expressed any regret for what happened on October 7 in Israel? Who hosts the Muslim Brotherhood? So let’s ask the Americans to produce a picture of the future—how they wish the Eastern Mediterranean and the Middle East to look in 10 years or 20 years, according to their interests. Then go to Ankara and ask the same question to President Erdogan: to project in a picture how he would like that region to look in 10 or 20 years. Now, how similar do you think those two pictures will be? I think they will not be similar at all. They will be totally different. So that’s my answer to the United States: what do you want? What serves your interest—the Israeli point of view or the Turkish point of view? Act according to your interests.

Greek Defence Minister Nikos Dendias: I am not in any way anti-Turk, and I do not believe Israel is anti-Turk at all. 20 years ago, 25 years ago—Israel and Türkiye were the best of friends and close allies. Israel was closer to Türkiye than it was to Greece. Türkiye was never an enemy to Greece, but it was not as close to Greece as it was to Israel. What has changed? Who is advocating for Hamas? Who has never expressed any regret for what happened on October 7 in Israel? Who hosts the Muslim Brotherhood? So let’s ask the Americans to produce a picture of the future—how they wish the Eastern Mediterranean and the Middle East to look in 10 years or 20 years, according to their interests. Then go to Ankara and ask the same question to President Erdogan: to project in a picture how he would like that region to look in 10 or 20 years. Now, how similar do you think those two pictures will be? I think they will not be similar at all. They will be totally different. So that’s my answer to the United States: what do you want? What serves your interest—the Israeli point of view or the Turkish point of view? Act according to your interests.

Clash Report

131,350 views • 8 months ago

Remember when Joe Rogan cancelled having me on even though I'm revealing the biggest verifiable conspiracy of all time? Instead he had on Kurt Metzger and discussed the videos without me on March 25th, 2024. Joe Rogan, the guy now posting about conspiracy theories believed some retards on youtube without any credentials who did no forensic analysis 'debunked' real leaked military videos because one frame looks vaguely similar after editing. The same guy who admits CNN edited his picture to make him look sicker couldn't realize the exact same thing some morons did to one frame in one of two perfectly in sync videos. Don't ask me to be nice to these people. Humans are retarded.

Remember when Joe Rogan cancelled having me on even though I'm revealing the biggest verifiable conspiracy of all time? Instead he had on Kurt Metzger and discussed the videos without me on March 25th, 2024. Joe Rogan, the guy now posting about conspiracy theories believed some retards on youtube without any credentials who did no forensic analysis 'debunked' real leaked military videos because one frame looks vaguely similar after editing. The same guy who admits CNN edited his picture to make him look sicker couldn't realize the exact same thing some morons did to one frame in one of two perfectly in sync videos. Don't ask me to be nice to these people. Humans are retarded.

Ashton Forbes

378,775 views • 1 year ago

yunah trying to snatch her kid pictures out of the hosts hands twice 😭 👤 yunah are you a foreigner? 👤 “where are you from?” 🐆 no i’m korean 👤 where is that face coming from? 🐆 i looked into my family lineage to see if there was any mix but there wasn’t 🐿️ she’s had distinct features ever since she was a baby 👤 she’s a perfectly sculpted beauty 👩🏻 so pretty 👤 *have to guess the members from baby pictures section* 👤 this one has a total exotic look 🐿️ that’s what i’m talking about, she is exactly the same as she was back then! 👩🏻 how were her features already completely defined? 👤 this is where things start to get wild 👤*picture with the red glasses* 🐆 *hides* 👤 didn’t she have a curious kid face? 👤 *yunah with a jasmine costume* 🐆 AH! AAH! AAAH!! 🐆 *tries to rip it out of his hands* 🐿️ isn’t she so pretty tho? 👤 minju’s skin is so white, have you ever been mistaken for a ghost? 👤ah i am shocked! *covers his face behind the yunah with red glasses pic* 🐆 *grabs the picture and puts it down* 👤 seriously? 🐆 *stands up* 👤 but it’s a good picture

yunah trying to snatch her kid pictures out of the hosts hands twice 😭 👤 yunah are you a foreigner? 👤 “where are you from?” 🐆 no i’m korean 👤 where is that face coming from? 🐆 i looked into my family lineage to see if there was any mix but there wasn’t 🐿️ she’s had distinct features ever since she was a baby 👤 she’s a perfectly sculpted beauty 👩🏻 so pretty 👤 have to guess the members from baby pictures section 👤 this one has a total exotic look 🐿️ that’s what i’m talking about, she is exactly the same as she was back then! 👩🏻 how were her features already completely defined? 👤 this is where things start to get wild 👤picture with the red glasses 🐆 hides 👤 didn’t she have a curious kid face? 👤 yunah with a jasmine costume 🐆 AH! AAH! AAAH!! 🐆 tries to rip it out of his hands 🐿️ isn’t she so pretty tho? 👤 minju’s skin is so white, have you ever been mistaken for a ghost? 👤ah i am shocked! covers his face behind the yunah with red glasses pic 🐆 grabs the picture and puts it down 👤 seriously? 🐆 stands up 👤 but it’s a good picture

steph

259,224 views • 3 months ago

$SPCX : Why the $152 Bounce is the Ultimate Trap Before the $77 Floor. 📉🚨 SpaceX is down from $225 to $152-trading right back near its IPO price. The timeline thinks the worst is over. They’re watching the wrong part of the script. The Post-IPO Mechanics: Phase 1 (Euphoria): $225 peak retail FOMO (Done) Phase 2 (Denial): Fading dead bounces (Done) Phase 3 (The Final Flush): Capitulation into $77–$85 🎯 (Pending) Phase 4 (The Base): 2–3 months of dead, low-volume sideways chop Phase 5 (The Markup): $80 ⟶ $130 ⟶ $180 ⟶ $250+ Any bounce into $120–$140 before the true low is pure exit liquidity for early insiders. Real bottoms don't look bullish—they look dead, flat, and completely abandoned by the media. The Bigger Picture: SpaceX + xAI + Starlink + Tesla + Robotics. Musk played this exact playbook with SolarCity: everyone hated it before Tesla went on one of the greatest runs in history. Retail sells in terror at $80 and chases it back above $200. Do not be their exit liquidity. Bookmark this post. Come back when $SPCX is in the $80s. Follow + 🔔. My first buy alert goes live here first.

$SPCX : Why the $152 Bounce is the Ultimate Trap Before the $77 Floor. 📉🚨 SpaceX is down from $225 to $152-trading right back near its IPO price. The timeline thinks the worst is over. They’re watching the wrong part of the script. The Post-IPO Mechanics: Phase 1 (Euphoria): $225 peak retail FOMO (Done) Phase 2 (Denial): Fading dead bounces (Done) Phase 3 (The Final Flush): Capitulation into $77–$85 🎯 (Pending) Phase 4 (The Base): 2–3 months of dead, low-volume sideways chop Phase 5 (The Markup): $80 ⟶ $130 ⟶ $180 ⟶ $250+ Any bounce into $120–$140 before the true low is pure exit liquidity for early insiders. Real bottoms don't look bullish—they look dead, flat, and completely abandoned by the media. The Bigger Picture: SpaceX + xAI + Starlink + Tesla + Robotics. Musk played this exact playbook with SolarCity: everyone hated it before Tesla went on one of the greatest runs in history. Retail sells in terror at $80 and chases it back above $200. Do not be their exit liquidity. Bookmark this post. Come back when $SPCX is in the $80s. Follow + 🔔. My first buy alert goes live here first.

darkfillnz

27,353 views • 17 days ago

#ริวจินแพทจิ #ryujinpatji 🪼: byebye~ 🐉: no bye! 🪼: huh 🐉: no bye 🪼: bye 🐉: no! (pung left) 🪼: aoo p’pung 🪼: you can go now 🐉: no 🪼: you can leave already 🐉: no! 🪼: you can leave now 🐉: ahh okay, i’ll leave 🪼: ok~ everyone please waiting to see couple show na kub. Please cheer on all the gen5 kids, and also 2 gen4 kids 🐉: uhm~ 🪼: if you don’t want to go out, then i won’t press (close live) 🐉: then i don’t press too 🪼: ohh .. you can leave now 🐉: you leave then. I won’t press 🪼: i won’t press too. I don’t have hands 🐉: i don’t have hands either. My hands are not free 🪼: your hands are free! at the behind! 🐉: i’m grabbing my hair, not free 🪼: faster 🐉: you press it then! 🪼: cannot! if i’m the one who open (live), then i have to be the last one too 🐉: cannot. If you don’t press, then i won’t press too. I don’t have hands to press. My hands are gone. Don’t have 🪼: you’re holding phone, aren’t you? 🪼: everyone. P’ryu is stubborn, scold him a little please 🐉: don’t have anymore 🪼: quickly press it, phi! you can leave already 🐉: no~ no~ i won’t go~ 🪼: i have to be the last one 🐉: i was the first one who came up, i have to be the last one to go out 🪼: no, but i’m the person who open the live 🐉: i don’t know. Just one minute more, pat! 🪼: phi can go now. Go go. If not, i’ll post your picture 🐉: what pic 🪼; your pic 🐉: which one 🪼: any picture is fine 🐉: ouiii, my net is bad .. 🪼: 5555555555 i’ll go now. Byebye~Good night 🫶🏻 i really go now~ //ryu so clingy ..😭

#ริวจินแพทจิ #ryujinpatji 🪼: byebye~ 🐉: no bye! 🪼: huh 🐉: no bye 🪼: bye 🐉: no! (pung left) 🪼: aoo p’pung 🪼: you can go now 🐉: no 🪼: you can leave already 🐉: no! 🪼: you can leave now 🐉: ahh okay, i’ll leave 🪼: ok~ everyone please waiting to see couple show na kub. Please cheer on all the gen5 kids, and also 2 gen4 kids 🐉: uhm~ 🪼: if you don’t want to go out, then i won’t press (close live) 🐉: then i don’t press too 🪼: ohh .. you can leave now 🐉: you leave then. I won’t press 🪼: i won’t press too. I don’t have hands 🐉: i don’t have hands either. My hands are not free 🪼: your hands are free! at the behind! 🐉: i’m grabbing my hair, not free 🪼: faster 🐉: you press it then! 🪼: cannot! if i’m the one who open (live), then i have to be the last one too 🐉: cannot. If you don’t press, then i won’t press too. I don’t have hands to press. My hands are gone. Don’t have 🪼: you’re holding phone, aren’t you? 🪼: everyone. P’ryu is stubborn, scold him a little please 🐉: don’t have anymore 🪼: quickly press it, phi! you can leave already 🐉: no~ no~ i won’t go~ 🪼: i have to be the last one 🐉: i was the first one who came up, i have to be the last one to go out 🪼: no, but i’m the person who open the live 🐉: i don’t know. Just one minute more, pat! 🪼: phi can go now. Go go. If not, i’ll post your picture 🐉: what pic 🪼; your pic 🐉: which one 🪼: any picture is fine 🐉: ouiii, my net is bad .. 🪼: 5555555555 i’ll go now. Byebye~Good night 🫶🏻 i really go now~ //ryu so clingy ..😭

YUN ☁️

18,342 views • 8 months ago

why did “JING JING” appear on the screen during “L.O.V.E.”? (#JanJingjing) CONTEXT 🩷 (vid 2) - jan and singto sang “L.O.V.E.” by X3 Super Gang during the university star contest scene in SOTUS ep 5. the lyrics to “L.O.V.E.” are: “oh baby, L - i look over there, but it isn’t there O - i look over here, but i can’t find it V - which way should i look to find it? E - where is this thing called love? i really want to encounter it” - notably, if we directly translate the last lyric, “อยากจะพบเจอจริง ๆ (yak-ja-phob-je-jing-jing),” word by word, it’ll be “want to encounter really.” - in other words, the pronouns are dropped in this lyric, as thai is a pro-drop language, whereas “really (jing-jing)” appears at the end of the lyric as an adverb SOTUS 10TH YEAR CONCERT 🩷 (pic 1) - combined with the current context (i.e., janjingjing as a pair), this lyric can also sound like, “i want to encounter jingjing.” therefore, it was a super smart and fun touch to have “JING JING” appear on the screen whenever jan sang this lyric while re-enacting the scene during the concert (( to note, while “really (จริง ๆ)” and “jingjing (name; จิงจิง)” sound the same, their spellings are different, as you can see. the “ๆ” in “really” is a repetition marker in thai, so jingjing sometimes types her name as “จิงๆ,” as you will see below )) 🩷 (vid 3) - as a result, the watermark clip went viral, where jan got teased on day 2 [💬: suay-jing-jing (“you’re really pretty”), but i don’t want to say too much. jingjing’s watermark was all over the screen yesterday 🦊: oh… 💬: rak-jing-jing (“love jingjing”). hashtag janjingjing] 🩷 (pic 4) - when jingjing replied to jan’s post about SOTUS 10th year concert, she referred back to this lyric, “want to encounter really (yak-ja-PHOB-JE-JING-JING)”: [🐯: ได้พบเจอจิงๆแล้วนะ (dai-PHOB-JE-JING-JING-laew-na; “you’ve finally encountered jingjing”)] - as noted above, jingjing typed her name as “จิงๆ” here instead of “จิงจิง,” which further emphasizes the wordplay SO YEAH 🤟🏻💕 (more similar wordplay involving “really” VS “jingjing” is included in the mentions ;p)

why did “JING JING” appear on the screen during “L.O.V.E.”? (#JanJingjing) CONTEXT 🩷 (vid 2) - jan and singto sang “L.O.V.E.” by X3 Super Gang during the university star contest scene in SOTUS ep 5. the lyrics to “L.O.V.E.” are: “oh baby, L - i look over there, but it isn’t there O - i look over here, but i can’t find it V - which way should i look to find it? E - where is this thing called love? i really want to encounter it” - notably, if we directly translate the last lyric, “อยากจะพบเจอจริง ๆ (yak-ja-phob-je-jing-jing),” word by word, it’ll be “want to encounter really.” - in other words, the pronouns are dropped in this lyric, as thai is a pro-drop language, whereas “really (jing-jing)” appears at the end of the lyric as an adverb SOTUS 10TH YEAR CONCERT 🩷 (pic 1) - combined with the current context (i.e., janjingjing as a pair), this lyric can also sound like, “i want to encounter jingjing.” therefore, it was a super smart and fun touch to have “JING JING” appear on the screen whenever jan sang this lyric while re-enacting the scene during the concert (( to note, while “really (จริง ๆ)” and “jingjing (name; จิงจิง)” sound the same, their spellings are different, as you can see. the “ๆ” in “really” is a repetition marker in thai, so jingjing sometimes types her name as “จิงๆ,” as you will see below )) 🩷 (vid 3) - as a result, the watermark clip went viral, where jan got teased on day 2 [💬: suay-jing-jing (“you’re really pretty”), but i don’t want to say too much. jingjing’s watermark was all over the screen yesterday 🦊: oh… 💬: rak-jing-jing (“love jingjing”). hashtag janjingjing] 🩷 (pic 4) - when jingjing replied to jan’s post about SOTUS 10th year concert, she referred back to this lyric, “want to encounter really (yak-ja-PHOB-JE-JING-JING)”: [🐯: ได้พบเจอจิงๆแล้วนะ (dai-PHOB-JE-JING-JING-laew-na; “you’ve finally encountered jingjing”)] - as noted above, jingjing typed her name as “จิงๆ” here instead of “จิงจิง,” which further emphasizes the wordplay SO YEAH 🤟🏻💕 (more similar wordplay involving “really” VS “jingjing” is included in the mentions ;p)

²²

21,334 views • 1 month ago

70% of second businesses fail after an exit. Anastasia Koroleva studied post exit founders for 13 years and came on Moneywise to explain why. Her exit: -Built a bootstrap company to a "nine-digit" exit (over $100M) -Lost half her net worth through divorce and "stupid mistakes" -Now worth high eight figures -Started a second business that failed miserably Her money setup: -Spends $650K-$1M annually for family of 5 -No wealth manager (tried many, didn't like any) -Portfolio: 65% liquid assets, 25% private credit, 10% private equity -Owns homes in London and South France But after studying hundreds of post-exit founders, she found many follow the same psychological pattern. The common traps: -Starting too soon (using business to escape identity crisis) -Starting too late (skills atrophy, relationships fade) -Naive industry jumps (no competitive advantage -Misunderstanding your strengths (creator vs. operator) -Sudden Wealth Syndrome (irrational fear of losing money) Her biggest insight? "Most of us don't actually look at the big picture, and because of that, we fall into a very predictable trap." She believes it takes about 10 years to fully adjust after a big exit, and everyone struggles during this period. There's no escaping it. What she recommends: -give yourself 1-2 years to let things sllow down -Rebuild your basics (community, purpose, health), which is what your company likely gave you -Attack the next thing with clear motivation Full pod is live. Harry said it's the most important episode we've done. Agree?

70% of second businesses fail after an exit. Anastasia Koroleva studied post exit founders for 13 years and came on Moneywise to explain why. Her exit: -Built a bootstrap company to a "nine-digit" exit (over $100M) -Lost half her net worth through divorce and "stupid mistakes" -Now worth high eight figures -Started a second business that failed miserably Her money setup: -Spends $650K-$1M annually for family of 5 -No wealth manager (tried many, didn't like any) -Portfolio: 65% liquid assets, 25% private credit, 10% private equity -Owns homes in London and South France But after studying hundreds of post-exit founders, she found many follow the same psychological pattern. The common traps: -Starting too soon (using business to escape identity crisis) -Starting too late (skills atrophy, relationships fade) -Naive industry jumps (no competitive advantage -Misunderstanding your strengths (creator vs. operator) -Sudden Wealth Syndrome (irrational fear of losing money) Her biggest insight? "Most of us don't actually look at the big picture, and because of that, we fall into a very predictable trap." She believes it takes about 10 years to fully adjust after a big exit, and everyone struggles during this period. There's no escaping it. What she recommends: -give yourself 1-2 years to let things sllow down -Rebuild your basics (community, purpose, health), which is what your company likely gave you -Attack the next thing with clear motivation Full pod is live. Harry said it's the most important episode we've done. Agree?

Sam Parr

42,820 views • 1 year ago

I built a Three.js rendering study inspired by Tiny Glade’s painterly aesthetic, and got it running at 120fps in the browser. Over the past few weeks, I’ve been studying how stylized games achieve that soft, handcrafted look in real time. Tiny Glade was a huge inspiration, and I wanted to use the browser as a constraint: no compute shaders, no native GPU access, and single-threaded JavaScript. As part of this study, I implemented: - GPU-driven instanced brick walls with procedural noise jitter and elastic build animations - Tree, bush, and flower rendering with billboard card expansion, wind sway, and grow animations - Procedural grass with terrain conformance and interactive push deformation - Animated water with layered noise, interactive ripples, and Fresnel-based reflections - Procedural terrain with slope-aware triplanar materials, dirt paths, and rocks - A 7-pass post-processing stack with TAA, bloom, depth of field, painterly filtering, ACES tonemapping, 3D LUT color grading, and film grain The hardest part wasn’t writing any single shader. It was making all of these systems work together at high frame rates inside WebGL, where every millisecond counts and performance problems compound quickly across animation, materials, post-processing, and scene management. Some techniques in this study were inspired by analyzing Tiny Glade’s rendering approach, while others were original implementations built from scratch from visual reference. That contrast taught me a lot: recreating an effect is one challenge, but designing your own shaders and systems to achieve a similar feel is a very different one. This is a private educational rendering study. Some temporary placeholder content is being used during the research phase, and any public or production version would use original or properly licensed assets. Huge credit to Pounce Light for the incredible art direction and rendering work in Tiny Glade: Three.js #gamedev #webgl #threejs #rendering #graphics #realtimerendering #shaderdev

I built a Three.js rendering study inspired by Tiny Glade’s painterly aesthetic, and got it running at 120fps in the browser. Over the past few weeks, I’ve been studying how stylized games achieve that soft, handcrafted look in real time. Tiny Glade was a huge inspiration, and I wanted to use the browser as a constraint: no compute shaders, no native GPU access, and single-threaded JavaScript. As part of this study, I implemented: - GPU-driven instanced brick walls with procedural noise jitter and elastic build animations - Tree, bush, and flower rendering with billboard card expansion, wind sway, and grow animations - Procedural grass with terrain conformance and interactive push deformation - Animated water with layered noise, interactive ripples, and Fresnel-based reflections - Procedural terrain with slope-aware triplanar materials, dirt paths, and rocks - A 7-pass post-processing stack with TAA, bloom, depth of field, painterly filtering, ACES tonemapping, 3D LUT color grading, and film grain The hardest part wasn’t writing any single shader. It was making all of these systems work together at high frame rates inside WebGL, where every millisecond counts and performance problems compound quickly across animation, materials, post-processing, and scene management. Some techniques in this study were inspired by analyzing Tiny Glade’s rendering approach, while others were original implementations built from scratch from visual reference. That contrast taught me a lot: recreating an effect is one challenge, but designing your own shaders and systems to achieve a similar feel is a very different one. This is a private educational rendering study. Some temporary placeholder content is being used during the research phase, and any public or production version would use original or properly licensed assets. Huge credit to Pounce Light for the incredible art direction and rendering work in Tiny Glade: Three.js #gamedev #webgl #threejs #rendering #graphics #realtimerendering #shaderdev

Ibrahim Boona

58,625 views • 6 months ago

This is Ozumba Mbadiwe way, a very strategic corridor of the state. See the beautiful buildings on the left and right. Just imagine if Julius Berger or even CECC were given the contract to revamp this road from bonny camp down to phase 1. Honestly, if you enter this district, you would think you are in heaven. Below is a picture of how this same place looked under Gov Fashola, and I will also post how it looked under Gov Ambode in the comments. Sometimes it's good to look at where you are coming from to know where you are going. Your past should not look better than your present. Lagos is a great city, but when people see lapses like these, that's why some talk about it with disdain. Every city in the world needs maintenance. If you don't maintain it, it won't look good to the eye. Lagos is a highly visited city for many reasons, and the state of its strategic infrastructure or likely visited parts matters a lot. In fact, it is one of the government's biggest selling points. I know a train is coming here, but trust me, that does not remove the urgent need to repair this road properly with a competent contractor, from Lekki Phase 1 all the way to Bonny Camp. E1 is coming in a few months, and we need to prepare and ensure everywhere looks its best. The high-rises are already there. The city just needs proper roads and greenery to make it truly breathtaking. Road infrastructure should never, ever be downplayed. It can give even a village a premium look, let alone such a strategic corridor. Look at another semi-coastal city like Kolkata. It has similar terrain to Lagos, yet see how they maintain their city. You see the same elements,bridges, metro systems, skyscrapers. That's what maintenance does to a city. It makes it look attractive, organised, and inviting. But when everywhere is left to become tattered, people will call it overrated. Everything is packaging, especially for a city that is constantly in the public eye. I know the governor has a lot on his plate, but this is urgent, especially with E1 only a few months away. The way the environment looks should be a top priority for the government, not only for residents but also because it helps sell the city positively to visitors, investors, and the rest of the world. The Lagos State Govt Lagostourism Babajide Sanwo-Olu 📷: F1: Current state of Ozumba Mbadiwe way F2-3: The city of Kolkata which looks a lot like Lagos just well maintained version F4: The same Ozumba Mbadiwe way under Gov Fashola 2014,well maintained for its time

This is Ozumba Mbadiwe way, a very strategic corridor of the state. See the beautiful buildings on the left and right. Just imagine if Julius Berger or even CECC were given the contract to revamp this road from bonny camp down to phase 1. Honestly, if you enter this district, you would think you are in heaven. Below is a picture of how this same place looked under Gov Fashola, and I will also post how it looked under Gov Ambode in the comments. Sometimes it's good to look at where you are coming from to know where you are going. Your past should not look better than your present. Lagos is a great city, but when people see lapses like these, that's why some talk about it with disdain. Every city in the world needs maintenance. If you don't maintain it, it won't look good to the eye. Lagos is a highly visited city for many reasons, and the state of its strategic infrastructure or likely visited parts matters a lot. In fact, it is one of the government's biggest selling points. I know a train is coming here, but trust me, that does not remove the urgent need to repair this road properly with a competent contractor, from Lekki Phase 1 all the way to Bonny Camp. E1 is coming in a few months, and we need to prepare and ensure everywhere looks its best. The high-rises are already there. The city just needs proper roads and greenery to make it truly breathtaking. Road infrastructure should never, ever be downplayed. It can give even a village a premium look, let alone such a strategic corridor. Look at another semi-coastal city like Kolkata. It has similar terrain to Lagos, yet see how they maintain their city. You see the same elements,bridges, metro systems, skyscrapers. That's what maintenance does to a city. It makes it look attractive, organised, and inviting. But when everywhere is left to become tattered, people will call it overrated. Everything is packaging, especially for a city that is constantly in the public eye. I know the governor has a lot on his plate, but this is urgent, especially with E1 only a few months away. The way the environment looks should be a top priority for the government, not only for residents but also because it helps sell the city positively to visitors, investors, and the rest of the world. The Lagos State Govt Lagostourism Babajide Sanwo-Olu 📷: F1: Current state of Ozumba Mbadiwe way F2-3: The city of Kolkata which looks a lot like Lagos just well maintained version F4: The same Ozumba Mbadiwe way under Gov Fashola 2014,well maintained for its time

Mide.O 🩷

23,247 views • 4 months ago

Eben Etzebeth's post on Instagram: Hey Everyone I've been quiet, but now that my hearing is done I think I owe everyone an explanation First of all, this is not a post to show that I was not guilty, I accept guilt. I made a mistake and I'm willing to serve a suspension which I deserve. I don't want young kids who look up to the Springboks to think that it's OK to eye gouge someone, because it's not, but unfortunately mistakes happen and I made a big one for which I'm sorry. But I'd like to answer the question - why did you do such a thing? It was a mistake caused by my reaction and other factors that played a role. Slide 1: The scuffle was basically over when Wales #7 struck me with an open hand to my chin/neck area, you can see me looking at the Assistant Referee and waiting for a reaction from him (it happened fast and it's understandable that he didn't see it) without reacting yet, I got another pull on my jersey, before I go in with the similar type of action. Slide 2: You can clearly see my first point of contact is against his shoulder with an open hand, just like he did, except he got me on the chin. Another thing worth mentioning, when he struck me, I was standing still with not a lot of movement or players trying to get involved. When I went for the same open hand towards his shoulder, you'll see 2 Welsh players changing the dynamic of the entire picture as well as one of my teammates pulling Wales #7 around his neck away from my hand and where my force is going. Slide 3: Another Camera Angle So why did I post this? To try and show people how everything happened and that it was never intentional. I would never do something like this on purpose, I know what the consequences will be after playing rugby for a few years. Thanks to everyone that stood by me and thought the best of me. I'm sorry for letting you and the game down. That was my first red card since I started playing. I want it to be my last. To the people that were angry and upset with my actions, I understand - because it didn't look good on the slow motion replay and hopefully you've got a bit more context now.

Eben Etzebeth's post on Instagram: Hey Everyone I've been quiet, but now that my hearing is done I think I owe everyone an explanation First of all, this is not a post to show that I was not guilty, I accept guilt. I made a mistake and I'm willing to serve a suspension which I deserve. I don't want young kids who look up to the Springboks to think that it's OK to eye gouge someone, because it's not, but unfortunately mistakes happen and I made a big one for which I'm sorry. But I'd like to answer the question - why did you do such a thing? It was a mistake caused by my reaction and other factors that played a role. Slide 1: The scuffle was basically over when Wales #7 struck me with an open hand to my chin/neck area, you can see me looking at the Assistant Referee and waiting for a reaction from him (it happened fast and it's understandable that he didn't see it) without reacting yet, I got another pull on my jersey, before I go in with the similar type of action. Slide 2: You can clearly see my first point of contact is against his shoulder with an open hand, just like he did, except he got me on the chin. Another thing worth mentioning, when he struck me, I was standing still with not a lot of movement or players trying to get involved. When I went for the same open hand towards his shoulder, you'll see 2 Welsh players changing the dynamic of the entire picture as well as one of my teammates pulling Wales #7 around his neck away from my hand and where my force is going. Slide 3: Another Camera Angle So why did I post this? To try and show people how everything happened and that it was never intentional. I would never do something like this on purpose, I know what the consequences will be after playing rugby for a few years. Thanks to everyone that stood by me and thought the best of me. I'm sorry for letting you and the game down. That was my first red card since I started playing. I want it to be my last. To the people that were angry and upset with my actions, I understand - because it didn't look good on the slow motion replay and hopefully you've got a bit more context now.

Jared Wright

512,517 views • 10 months ago

Gardaí investigating the death of Yves Sakila are now looking for DNA samples from his family members while a man claiming to be his father has said “I will fly to Ireland to fight for justice for my son.” Social media users in Ireland are calling into question the validity of the mans claims after seeing a picture of him in the sun newspaper online and realising that he appears to look younger than his son and has no resembling features either. Post mortem results have shown that the coroner found no physical injuries to contribute to his cause of death and are now awaiting the toxicology results for answers. These results basically clear the security of any wrongdoing in regards to causing his death. However that hasn't stopped his alleged family from hiring a solicitor in Ireland (to possibly make a monetary claim against Arnott's?) or members of the Congolese/African community in Ireland from protesting outside Arnott's chanting for people to boycott the place. Facts mean nothing to these people, they thrive on victimhood and cash in on it at any given opportunity. Africans are now lecturing the Irish in our own country about how we need to be "kinder and more loving". These same Africans have walked past this man on the street and done nothing to help him for the last 24 years while he was alive and homeless and addicted to drugs. They showed no kindness or love for him then, they just left him to rot. But now they're saying that the Irish need to be kinder after we've been feeding him, clothing him and keeping him alive since he got here over 2 decades ago. Entitled ingrates.

Gardaí investigating the death of Yves Sakila are now looking for DNA samples from his family members while a man claiming to be his father has said “I will fly to Ireland to fight for justice for my son.” Social media users in Ireland are calling into question the validity of the mans claims after seeing a picture of him in the sun newspaper online and realising that he appears to look younger than his son and has no resembling features either. Post mortem results have shown that the coroner found no physical injuries to contribute to his cause of death and are now awaiting the toxicology results for answers. These results basically clear the security of any wrongdoing in regards to causing his death. However that hasn't stopped his alleged family from hiring a solicitor in Ireland (to possibly make a monetary claim against Arnott's?) or members of the Congolese/African community in Ireland from protesting outside Arnott's chanting for people to boycott the place. Facts mean nothing to these people, they thrive on victimhood and cash in on it at any given opportunity. Africans are now lecturing the Irish in our own country about how we need to be "kinder and more loving". These same Africans have walked past this man on the street and done nothing to help him for the last 24 years while he was alive and homeless and addicted to drugs. They showed no kindness or love for him then, they just left him to rot. But now they're saying that the Irish need to be kinder after we've been feeding him, clothing him and keeping him alive since he got here over 2 decades ago. Entitled ingrates.

🇮🇪GutsOverFearPodcast🇮🇪

22,183 views • 4 months ago

This is a better and more challenging demonstration of my AI music theory cli tool and skills library. I told the agent only that I wanted to take the traditional Irish song, Clare's Dragoons, and to create a piano rendition of the main verse and chorus followed by a series of variations in the style of Mozart's famous "Twinkle Star Variations" (K. 265/300e), and that it should spawn Codex with the skills and prompt it to do that for me and to invoke any relevant skills in the system. This was in Codex with GPT-6 Astra xhigh and with the workspace loaded up with just the 320 skills that are part of the music AI skills library, and with the mtdt (music_theory_data_tool) cli tool available for use by the agent. The agent was able to find suitable sheet music for the Clare's Dragoons song and then used mtdt to convert that into its internal representation form, which makes it easy for the agent to work on the music and to convert it to any other desired format (like a PDF engraving, midi files, etc). It then researched the Twinkle Star variations and used various skills to compose and review and refine the variations. Why do I think this task is more demanding than writing a fugue in the style of Bach? Well, for one, it's a lot more structured, so you have much less flexibility and room for "artistic license." Ultimately, you have to render the original tune accurately, and then the variations have to sound similar enough to the original tune while introducing various creative musical manipulations to be interesting. It's pretty challenging to balance those two priorities: it's easy to lose the thread of the original tune, and easy to overcompensate for that and end up with something that only slightly tweaks one or two aspects of the original. Now, this is obviously not at the level of Mozart, but I think it's not that bad and will likely get much better over the next year as I improve the skills and tool and especially as models get better and more multimodal, so they can "listen" to the results in addition to reading the score. I'll provide the full prompt that the "controller" agent wrote for the agent that actually created the variations in a reply to this post. You can also see in the screenshots in this post the massive number of intermediate working files and artifacts created during the process, which gives a ton of visibility into how the agent did its work and reached its decisions. Not a black box! And I can assure you that I didn't mess with anything at all: this entire process was automated from start to finish and you're seeing the exact end product the agent produced without any revisions or feedback coming from me or any other human (the controller agent did ask for some revisions from the worker agent, which you can see in the final pic in this post). I'm trying to think of some other fun demonstrations. Maybe taking famous video game music (Mario 2? Ocarina of Time?) and making a version in the style of Schumann or Rachmaninoff. I'm open to suggestions!

This is a better and more challenging demonstration of my AI music theory cli tool and skills library. I told the agent only that I wanted to take the traditional Irish song, Clare's Dragoons, and to create a piano rendition of the main verse and chorus followed by a series of variations in the style of Mozart's famous "Twinkle Star Variations" (K. 265/300e), and that it should spawn Codex with the skills and prompt it to do that for me and to invoke any relevant skills in the system. This was in Codex with GPT-6 Astra xhigh and with the workspace loaded up with just the 320 skills that are part of the music AI skills library, and with the mtdt (music_theory_data_tool) cli tool available for use by the agent. The agent was able to find suitable sheet music for the Clare's Dragoons song and then used mtdt to convert that into its internal representation form, which makes it easy for the agent to work on the music and to convert it to any other desired format (like a PDF engraving, midi files, etc). It then researched the Twinkle Star variations and used various skills to compose and review and refine the variations. Why do I think this task is more demanding than writing a fugue in the style of Bach? Well, for one, it's a lot more structured, so you have much less flexibility and room for "artistic license." Ultimately, you have to render the original tune accurately, and then the variations have to sound similar enough to the original tune while introducing various creative musical manipulations to be interesting. It's pretty challenging to balance those two priorities: it's easy to lose the thread of the original tune, and easy to overcompensate for that and end up with something that only slightly tweaks one or two aspects of the original. Now, this is obviously not at the level of Mozart, but I think it's not that bad and will likely get much better over the next year as I improve the skills and tool and especially as models get better and more multimodal, so they can "listen" to the results in addition to reading the score. I'll provide the full prompt that the "controller" agent wrote for the agent that actually created the variations in a reply to this post. You can also see in the screenshots in this post the massive number of intermediate working files and artifacts created during the process, which gives a ton of visibility into how the agent did its work and reached its decisions. Not a black box! And I can assure you that I didn't mess with anything at all: this entire process was automated from start to finish and you're seeing the exact end product the agent produced without any revisions or feedback coming from me or any other human (the controller agent did ask for some revisions from the worker agent, which you can see in the final pic in this post). I'm trying to think of some other fun demonstrations. Maybe taking famous video game music (Mario 2? Ocarina of Time?) and making a version in the style of Schumann or Rachmaninoff. I'm open to suggestions!

Jeffrey Emanuel

12,829 views • 1 month ago