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[INFO] 260430—The choreography group TEAM SAME (led by Choi Youngjoon) has reportedly worked with AND2BLE Past Works: Super - SEVENTEEN Fighting! - BSS (SEVENTEEN) Catch Catch, Nemo Nemo - YENA En Garde, Say My Name, Jelly Pop - BOYS PLANET Fly Up - RIIZE Chill Kill - Red Velvet... show more
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![hoshi CL day 2 ment. 🐯 everyone, thank you so much for the great love you have given us for the past 10 years. Because of you, no matter where I go I often hear a lot of I love you's and i think its true. I really did grew up with so much love and i realized its all thanks to you. 🐯 and seriously, who would've thought we would be able to perform in such big stadiums, holding fanmeeting in stadium like this. 🐯 as yall know, the latest concerts, and this fanmeeting is the last for us the 96 liners. This is our last time for the time being, so thats why these performances are special. 🐯 we wanted to hold the fanmeeting in this big stadium like this with you all and carats who are watching online. I wanted to tell you all this since i know that waiting for our enlistment might be anxious for you. 🐯 jihoon and i have our enlistment dates already. There will be a notice for the exact dates later, we will be enlisting latter this year. So don't worry. 🐯 also to our members, we've been together for 10 years, i wanna say thank you and i think this is the first time im saying this to these true friends. 🐯 I really wanted to say thank you to S.COUPS who has led us to stay together. For the first time i want to say to hyung how thankful i am. 🐯 ah fr tho, idk if its bc the time (of enlistment) is approaching or what, but these days every performance feels so precious with these guys. 🐯 yall know this is not the end, right? We'll comeback and continue to work hard. 🐯 some said nothing lasts forever, and i used to think like that as well, but i want to take on the challenge and make seventeen lasts forever. Idk what will happen but we'll make sure to give it a try on that forever. Idk how as well and i think we surely need help from carats as well. 🐯 i too dont know whethere we'll be able to perform in such big venues again once we returned. So each stage is precious. Please take a good care of us. 🐯 finally, i wanna say thank you to hyung (scoups) 🐶 scoups is crying... 🦦 give him a hug~ 🐯 [hugs cheol] i love you. I love you. This is truly my first time. Seriously you've worked hard. Its amazing that we're stil together like this. Whenever we go out people would ask "howd you guys stay so close?". The members are nice and the leader has guided us well. Truly, when i look back, he truly guided us very well. 🍑 these days when i go out for broadcast or stuffs like that, ppl keep asking how can our team be able to stay like together. To others, these might seems ridiculous and impossible, that the idea of 13 of us still stick together, eat, and laught together. In their eyes, this seems impossible. So thats how I realized how precious we are all to each other. 🐯 i always wonder how much burden that this hyung (cheol) carried... of the 13 of us... ofc we said "hyung dont carry everything alone on your shoulder", that we are all on his side, but still, how must've he felt? So, thank you. Honestly we have our ups and downs, of course there are dark times lol but truly over the apst 10 years we've been through a lot together. Seriously. I love you. 🍒 [asking for hugs] 🐯 it's all thanks to you. [Inaccuracies may occurs. some are being shorten to context.]](https://image.24vids.com/tw-1903081559848309236/ext_tw_video_thumb/1903081031479214080/pu/img/BiG0j-u-2ja59PfV.jpg)
![Ever since I wired Claude Code to WhatsApp 3 weeks ago, I built a stupidly large infra around it. I mean, opus built it. No clue how the code even looks. The entire thing was vibe coded using my phone. I wanted to see how far I could push it without touching the computer. Everything via WhatsApp. Build what I need on the fly. So the resulting infrastructure will already be battle tested for software development. The entire thing was streamlined with nearly no manual interventions, everything was communicated via WhatsApp using a single script establishing this connection. If the script is down, I need to get home to start it again to resume the development. Claude was upgrading it, debugging it, restarting it while maintaining constant uptime so it could keep communicating with me. I stressed Claude about it, telling it that it will be “in the dark” and other words that deliberately sound scary about losing communications if the script dies. I also refused git and refused cloning the code, I wanted to see Claude adapting to work on a *LIVING* system. The way this whole thing works: Claude has its own dedicated phone number that I am paying for. A real WhatsApp account for it is installed on a real iPhone that is sitting on my desk. All is registered under my name, this is legit setup with no hacks and tricks. I’ve set up a WhatsApp “Community” and multiple different groups under it. Both me and Claude are the admins, so Claude could edit it on my behalf. Each group is a project I am working on and has its own isolated context. The Group description is a system prompt that gets auto-appended to the larger system prompt explaining this setup in general. When I send a message it’s an instant interrupt to Claude Code’s process, just like in the terminal. Voice notes are seamlessly transcribed with a local Whisper model. Images are used with multimodal reading in an isolated parallel session. Multiple groups running in parallel so I can work on all projects at the same time. No cross-talking, everything has an isolated context and history. And because it’s local on my own machine: Everything is REAL. The browser is REAL. I am connected as myself on it to all services because I actually use it in real life. Claude has unlimited internet access, just like humans who use actual browsers. It utilizes custom-made browser tools that I made to control any browser session it wants. Depending on the situation, it can either connect to my existing session or create one for its own. (You can tell it ‘look at my browser for a sec’ then talk about the current page you are on and it just works, pretty cool) My custom browser tools are not perfect (not by a long shot) but I managed to make them work well to the point they are somewhat reliable. This gives Claude full access to my real creds and all the services I actually use. I’m productive AS HELL with this. It really feels like a personal assistant. I ask it to read my emails and msgs, check x .com for news, research arxiv papers, write code, run experiments for me, investigate and reverse engineer github repos, even use my credit card and order things. [I try not to do this one a lot lol so far no disasters]. All from my phone. Super convenient. This is not a product or an open source project (maybe soon of it will make sense). This is just an ugly script I hacked the entire thing is ~600 lines. (ok maybe i did look at the code, but i swear i didn’t edit!) You can also vibe code this from scratch pretty fast and it will probably even end up better. This is just a cool thing so I’m sharing. It is a real speed booster for many things I do on daily basis, mostly boring things. Forcing my routine into some new “agent platform” just didn’t feel right for me. WhatsApp is where I already communicate and look for messages, so I decided that my agents will live there too. AGI in my pocket 24/7.](https://image.24vids.com/tw-2000642897402880491/amplify_video_thumb/2000642716951064582/img/ReuTixQFFAAQc_x0.jpg)
![🚨⚠️📢FOUND: SHOCKING VIDEO INTERVIEW ABOUT WILLIAM RUTO‼️Why is nobody talking about this⁉️Why are people not bringing this up⁉️This is such a damning "origin story"‼️For sure, William Ruto must not be on the 2027 ballot‼️Transcript below: Gachoka: Now, moving away from that. I also then want to say, as he retired, he left Rift Valley, without a leader to take his position. Over the years, there has been several attempts to take over the mantle. The late Nicolas Biwott. For example, your friend Senator Gideon Moi and now the DP, William Ruto. Let's now maybe agree that Ruto is the kingpin in the Rift Valley. How would you contrast the two? Jirongo: Yes. William Ruto could be the kingpin in Rift Valley today, but I think, it is a misplaced choice in my, blunt view. That, if I had to look at Gideon Moi, and look at William Ruto, they are far apart. Maybe William has learned to socialize, but he doesn't socialize genuinely. And, it is taking Gideon time to actually socialize. But the two are miles apart, one is a human being and another one is something else. Gachoka: Let's then, first of all, look at this man, William Ruto. Cyrus, people who are younger may not know of YK92 or your role when President Moi was fighting for political life, is that you are mobilizing the youth of Kenya and so forth, and you then got together with Ruto. Could you give us a synopsis of YK92 and how you met Ruto? Jirongo: YK92 was a lobby group, just eh young men coming together who were able and, they went flat out to try and mobilize the country for retired President Moi. Gachoka: What period was this Cyrus? Jirongo: This was 91. And, ending up in 92 and up to 93. The earlier parts of 93 after elections. And the purpose was that at one time there was serious agitation of multipartyism in the Republic. And, the agitation had gone on for quite some time. Repeal of section 2A so that multipartyism could be accepted in the Republic of Kenya. And it was not easy, particularly for the people. There were so many things going on, it was difficult from the Moi [era]. And we, we came in to try to, to, to to work with him. Gachoka: And let me then say, at that time, of 91 and so on. You were the chairman of YK92, what role was William Ruto in YK92? Because I'm trying to find out how your relationship began. Jirongo: William Ruto was never part of, Youth for KANU 92. William, William Ruto was one of the young men who spent their time at KICC, at the youth and the women's office with Doctor Julia Ojiambo. I actually came to know William Ruto, properly, after elections in 1993. We worked closely with Julia Ojiambo. And that is how, I ended up knowing Ruto. And specifically when he came in to try and get some orders to supply t-shirts and all those sorts of things. Gachoka: I see. So, in terms of the joining KANU as a party and becoming an operative, you were very close to President Moi. Obviously Ruto began his political life then, how did he enter into the Moi orbit? And, what do you remember... Jirongo: The truth be said, William Ruto. Then after the 1992, campaign where we lobbied, for votes for Moi, he then looked for friendship with me through Fred Amayo, and they pushed very hard. I was a bit hesitant, but, because of something that had happened and, I talked to Amayo, I told Fred Amayo, this young man, you brought him into my office and asked me to give him a contract to supply 10,000 T-shirts. You remember, he did not supply the 10,000. Instead, he brought a thousand T-shirts and repeatedly, delivered the same, t-shirts ten times. So we ended up paying, or I ended up paying him 1.2 million shillings because a t-shirt then was about, 120 shillings for the delivery of only a thousand shillings [t-shirts]. What he did was he tried and corrupted the young boys who were in the stores, and, he would deliver a thousand t-shirts. They give it back to him, he delivers again, and they give it back for him, ten times. And so I paid him, 1.2 million instead of, paying him for a thousand t-shirts, which would have been 120,000. And that is the reason why I resisted when Fred Amayo tried to push him, to become closer so that we work together after, disbanding YK92. Gachoka: Right. So the Kenyans can understand his journey after that. How did he then jump in to be an assistant minister in the Moi government? Jirongo: That is far much, much later we worked together then, Amayo succeeded Fred Amayo, and we worked together with William in the same office until 1997. And, some of the things I feared, when Amayo, was trying to push him closer, came to pass, including you agree with somebody, there is this work you need to do, He comes back and gives you the wrong quote. You give him money. The same money is discovered in his car in the evening. Those kind of things. Gachoka: You know Cyrus I bring this issue because, the deputy president, was quoted and, in, in a, in the function saying that the problem with you, you never, move from the past, ulikuwa mkubwa wake ama mdosi. Sasa wewe huwezi kukubali amekuwa mdosi. Jirongo: You see, Gachoka: I want Kenyans to understand that history. Jirongo: When you try to get to whatever position using whatever means, including fraud, deception, and which is a hallmark of a lot of politicians in this country. Unfortunately, I was not made like that. I do my things fairly, in a very straight way, I do not, take advantage of people. He does take advantage of people. He worked with President Moi, President Moi made him a deputy minister, and, he moved on. I introduced him to President Moi. After that, he got rid of Moi, Moi meant nothing. He became Raila’s friend. After that, Raila meant nothing. He stepped on Raila very roughly, tried to penetrate the Kibaki regime, finally ending up, through struggle because I know actually Uhuru resisted working with, with Ruto for quite a while through friends. Paul Ndungu tried to get him closer, Uhuru refused. It is, Wanjigi who finally managed to push Ruto through to Uhuru. But I think Uhuru also read that there is a bit of trouble here, because history could tell him that this is a man, if he has no respect for Jirongo. He has no respect for Moi. He has no respect, for Raila. And these are people who he has worked with in politics, and tried, these people have played a role in his political life. Who am I Uhuru Kenyatta, that this man is going to work with me and he respect me, and we will work together for the good of this country. Gachoka: So Jirongo, because this is Point Blank, Jirongo: Yes. Gachoka: Are you telling Kenyans, who are watching you today that Ruto and Uhuru are, it's not, it's not, it's not it's not working? Jirongo: They are not cut from the same leaf as I might say. They are totally two different people. You have somebody who is, deceptive and you have somebody who is genuine and straight. It's very difficult for the two of you to work together competently and efficiently. Gachoka: I have to ask you this because, from where you sit, there's confusing headlines every day. There's tanga tanga, kieleweke names that are all there out there in the media. But many times when the deputy president is speaking, he says nimetumwa na mdoss, he has sent me here with 5 million or a million, then tomorrow the headline they have fallen apart, they are not, you know Jirongo this country's in 2020, and I just would like you to tell Kenyans. Is it broken with Kenyatta and Ruto? Jirongo: I'm not seeing it working and I saw it not working from the word go. It can never work, because as I've told you, you are dealing with totally two different individuals. Gachoka: And then if that is the case, I wanted to say this, is it Kenyatta who betrayed Ruto? because at least where the news headlines are, is that Kenyatta na Ruto walikuwa pamoja na Kenyatta anadanganya Ruto, anampokonya, he is not keeping his word. Why do you think this has broken down? Jirongo: History can bear out, honorable Uhuru Kenyatta on this, one, William Ruto fell out with the retired president Moi, he fell out with Raila. He fell out with me. And, it is usual for him after he has used you and the thinks, you have no value anymore, the first time maybe, their first five years, Uhuru was useful. But for now, Uhuru is irrelevant as far as William is concerned, he wants to get to the next. And whoever he can use, that's why he's always in Central Province places. As a deputy president, if I'm going to my president’s turf, surely I need his blessings and tell him I'm going to your turf, What message do you give me? What I can tell you without, flinching an eye, most of those incursions Ruto has been making in, Central Province. There they stem from realizing, as far as he is concerned, that Uhuru is of no value to me anymore. Let me go. Let me see who I can groom, and, the people I’ll work with, to achieve my ends. And, of course, you expect Uhuru to be frustrated, other than the other issues that have, played out very loudly, including corruption. Gachoka: Well, Cyrus Jirongo says, retired President Daniel Arap Moi and the upcoming William Samoei arap Ruto are different people cut from different cloths. Jirongo contends that Ruto dumped him or used him, and he did the same to retired Prime Minister Raila Odinga. Is there more than meets the eye to William Ruto? You're watching KTN news. #RutoMustGo #RutoMustGoNow #GhostRuto #GhostRuto2026 #WANTAM](https://image.24vids.com/tw-2034679465830125789/amplify_video_thumb/2034667867610775553/img/ALnS1d4s6H4rX413.jpg)
![[KimSungSooTV] Misunderstandings and Truths About K-pop Demon Hunters!! What Should We Invest In Under the Changing Environment? Kim Sung-soo (current affairs and culture critic) and Kim Heon-sik (popular culture critic.) Praising K-DNA is just nationalistic hype (국뽕)? – An important case study analyzing the current state of industries related to K-DNA. Kim Heon-sik: No, that’s not it. Yes, so let me explain why the concept of “nationalistic pop” (국봉) came about. It was during the military regime that this idea was artificially pushed—basically to promote their own authority and propaganda. For example, under Park Chung-hee’s rule, there were forced attempts to instill pride in Korea through cultural support. But the truth is, there were also misunderstandings about Hallyu (the Korean Wave). For instance, I know someone who mistakenly presented this idea together with American scholars, and those papers are still circulating today. They argue that Hallyu was created by government support. And this keeps spreading overseas. So, people who study these things in an elite, academic context think they’re playing a decisive role—but the reality is, K-pop and K-content came about naturally as part of the market, in the private sector. To put it simply: it was made by fans. Fans created it. Fans are the most important part. As long as fans remain at the center, artists can keep creating content that fits the global environment. I’ve been asked the same question for 25 years: “How long will Hallyu last?” My answer is always that it’s not something forced or controlled from the top. It’s a cultural product born out of cultural democracy, with fans at the center. That’s why it has naturally earned respect. So to call it 국봉 (nationalistic pop)? That’s just not right. Then by that logic, is Britpop “nationalistic pop”? Honestly, what frustrates me is that people keep asking me questions like that… Kim Sung-soo: There were people who kept throwing questions at me and leaving nasty comments like that. Since I’ve been consistently defending NewJeans on broadcasts, they’d say things like, “Well, once NewJeans fades from memory, that’s it. That’s how pop culture works. Once they’re out of sight, they’re gone.” And they were saying that right in front of a cultural critic. Unbelievable. But look at reality now. Has NewJeans disappeared? No. The thirst for them has only grown stronger. Can a single capitalist suppress the massive yearning of so many fans? They can’t. It’s impossible. People still love The Beatles even now. Kim Heon-sik: Of course—that’s cultural DNA carrying on. Kim Sung-soo: If those people were right, The Beatles should have been forgotten long ago. Kim Heon-sik: But that’s just talking about the physical body. Cultural and artistic DNA endures, and NewJeans’ DNA is no different. Kim Sung-soo: NewJeans is a group that has completely changed the paradigm of Korean girl groups. If there are cultural critics who refuse to acknowledge that, you can just ignore them. Because before NewJeans, K-pop’s peak was defined by groups like KDH (K-pop Demon Hunters) and BLACKPINK, and even aespa can be counted at that summit. Idols used to be constructed as characters, tied to a fixed worldview and narrative, constantly producing music to match those characters. But NewJeans isn’t like that. They don’t come with a pre-packaged storyline. Instead, they build their stories out of everyday life. They’re lively, witty, talented teenagers you could easily find around you. So how can they be idols? Because in a prosumer society, if people around them think, “They’re cool,” society elevates them into idols. And that’s why those kinds of idols actually last longer—they were created by us, they resemble us, and they share our era. That’s why we can stay connected to them for longer. If idols are constructed as aliens or supernatural beings, eventually that feels unnatural. Kim Heon-sik: Ah, that connects back to what we could call the original SM model of K-pop. Idols who looked almost inhuman, like beings from the East, like gods, or like aespa—giving the feeling of aliens, even physically. That model still has its place, but it no longer dominates. New generations—especially Gen Alpha and Gen Z—align much more closely with the NewJeans paradigm. Now, if we connect this to the whole nationalistic hype (국뽕) debate: the funny thing is that there are actually more people overseas than in Korea who show respect (respec) for this culture. If it were just “nationalistic hype,” why would foreigners, who have no stake in Korean nationalism, be showing it? That would be contradictory, right? Kim Sung-soo: So, to put it simply, KDH (K-pop Demon Hunters) is an incredibly important case. It re-illuminates the cultural value we’re enjoying right now and proves just how many industries are possible under “K-DNA.” At the core of this, again, are the consumers — the fans. For example, from what I know, KDH was practically the only Netflix title that hit it big with almost no marketing. Kim Heon-sik: I’ll be honest: when they first announced it back in 2021 as a theatrical anime called K-pop Demon Hunters, and then no news followed, I thought it would be a flop. They barely promoted it, so I figured it wasn’t worth watching. But then, when it suddenly dropped in June, my phone was blowing up with messages, and I thought, “Fine, I’ll check it out.” And after watching — wow. It was a revolution. It was so well-made, completely unexpected. After that, a lot of things happened. Kim Sung-soo: In my case, I really felt how cut off from reality I’d become because of being blacklisted. Journalists only ever called me to talk about Korean dramas, never about K-pop or popular culture. It’s like the mainstream had erased my name. Nobody reached out to me about KDH (K-pop Demon Hunters). Then one day, my son just came out for dinner, turned on the TV, and started watching it. I knew the series had been released, but honestly, I thought, “That’s going to be a flop.” Still, since my son was watching, I sat with him. Eventually, he went back to his room to play games, but I stayed behind and watched until the end — then I even rewatched it by myself. I got choked up. That’s the kind of emotional impact it had. Kim Heon-sik: Even among my friends, I hear the same thing. Their kids enjoyed it so much, but when they themselves watched, they found it deeply moving too. That doesn’t mean the show itself is childish — it’s just that if you’re not usually paying attention, you won’t catch its layers. There’s a certain depth to it. Once you understand the broader context, it really clicks. Kim Sung-soo: K-pop, in fact, is a unique global genre. Yes, it was initially planned by producers, but it quickly grew beyond their control — maybe the first genre ever to do so. Kim Heon-sik: Today, it’s almost a living organism, self-sustaining. That’s why it’s dangerous to analyze it only from a producer’s perspective. When people say, “K-pop has problems,” yes, but the real issue lies with the capitalists — the management — not the artists or the content. That’s why now, more than ever, it’s important to support groups like NewJeans and works like KDH — they represent the healthier, fan-centered side of the culture. And KDH has something that speaks to all ages. Take Golden, sung by Huntrix — it reflects modern psychology precisely. Look at BTS’s message of “Love Yourself.” That’s not just a slogan; it’s rooted in psychology. Since the Renaissance, humans have emphasized the importance of selfhood. If you can’t love yourself, you can’t love others. If you love yourself, then you can love others, and from there you can love community, society, even humanity. Golden carries that exact same message. That’s why people who feel powerless or invisible in real life find healing through this work. Content like this isn’t just entertainment; it’s therapeutic. That’s why I don’t want people to see K-pop simply as “ours” or as nationalistic pride. At its core, cultural content is about healing, and that’s the perspective we need to adopt. Kim Sung-soo: For example — yes, spoiler here — Jinu could sacrifice himself in place of Rumi because he had already answered her question. Someone who doesn’t love themselves cannot sacrifice for another. Only someone who has achieved self-love can give themselves up. That’s why that scene hits so hard, especially for Western audiences. Sacrifice alone doesn’t move people; sacrifice rooted in self-understanding and love does. I even cried when Bada covered Golden ( At the end of her cover video, she says, “The person who wrote this really knows what despair is.” That’s why she cried too. And it’s the same for so many artists — S.E.S, Fin.K.L, and others — who endured hardships and pain yet remained. We shouldn’t objectify them just because they’re celebrities. Instead, we should recognize how the culture we share operates and heals us through those mechanisms. Kim Heon-sik: If I were to sum up K-pop’s worldview and identity: it’s centered on youth. It reflects their struggles and anxieties. Everyone was young once, and those feelings never completely disappear. Growth is key — growth through pain, through shortcomings, through personal and social struggles. Overcoming them and offering hope — that’s what K-pop tries to do. It doesn’t pretend the world is perfect; it says, “We can endure, and we can move forward together.” That’s why values like “we” and “togetherness” are always emphasized. So when music and content are created with that worldview — youth, growth, struggle, shared hope — that’s what makes it K-content, K-pop. It transcends nationality or ownership. It’s about establishing the identity of our content for what it is. Kim Sung-soo: Honestly, I hope these perspectives even reach our president. Kim Heon-sik: I was surprised when President Lee Jae-myung, unlike President Yoon’s administration which rushed to meet Netflix executives, instead chose to meet artists. The result of the meeting isn’t what matters — the signal it sends is. That’s the kind of precedent I hope continues. Kim Sung-soo: Our president must invest in people. Investments elsewhere are meaningless if not centered on people. Yet right now, there’s so little support for artists. So I’ll end with this: KDH is not “국뽕” (cheap nationalism). KDH is the culture itself — the culture we’re living and enjoying today. Watch the full video:](https://image.24vids.com/tw-1959263295426416869/amplify_video_thumb/1959262545061330944/img/qgOXFqyUyu97SeH3.jpg)
