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🔥 Introducing MVLift: Generate realistic 3D motion without any 3D training data - just using 2D poses from monocular videos! Applicable to human motion, human-object interaction & animal motion. Joint work w/ Jiajun Wu & Karen 💡 How? We reformulate 3D motion estimation as generating consistent multi-view 2D pose... show more

Jiaman Li

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15,886 次观看 • 1 年前 •via X (Twitter)

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Shashwat 的头像

Shashwat1 年前

@jiajunwu_cs how would it differentiate between a baby crawling and a dog crawling ? very creative though 👍

Jiaman Li 的头像

Jiaman Li1 年前

@jiajunwu_cs It requires training on specific types of 2D keypoints.

Digital Currency 的头像

Digital Currency2 年前

From 3D modeling to VR/AR development, our MSc in Metaverse program equips you with the technical skills to excel in the rapidly evolving digital world. Don't miss out—enroll today! #UNIC #MScMetaverse

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MVDream: Multi-view Diffusion for 3D Generation paper page: propose MVDream, a multi-view diffusion model that is able to generate geometrically consistent multi-view images from a given text prompt. By leveraging image diffusion models pre-trained on large-scale web datasets and a multi-view dataset rendered from 3D assets, the resulting multi-view diffusion model can achieve both the generalizability of 2D diffusion and the consistency of 3D data. Such a model can thus be applied as a multi-view prior for 3D generation via Score Distillation Sampling, where it greatly improves the stability of existing 2D-lifting methods by solving the 3D consistency problem. Finally, we show that the multi-view diffusion model can also be fine-tuned under a few shot setting for personalized 3D generation, i.e. DreamBooth3D application, where the consistency can be maintained after learning the subject identity.

MVDream: Multi-view Diffusion for 3D Generation paper page: propose MVDream, a multi-view diffusion model that is able to generate geometrically consistent multi-view images from a given text prompt. By leveraging image diffusion models pre-trained on large-scale web datasets and a multi-view dataset rendered from 3D assets, the resulting multi-view diffusion model can achieve both the generalizability of 2D diffusion and the consistency of 3D data. Such a model can thus be applied as a multi-view prior for 3D generation via Score Distillation Sampling, where it greatly improves the stability of existing 2D-lifting methods by solving the 3D consistency problem. Finally, we show that the multi-view diffusion model can also be fine-tuned under a few shot setting for personalized 3D generation, i.e. DreamBooth3D application, where the consistency can be maintained after learning the subject identity.

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Alibaba presents MIMO Controllable Character Video Synthesis with Spatial Decomposed Modeling Character video synthesis aims to produce realistic videos of animatable characters within lifelike scenes. As a fundamental problem in the computer vision and graphics community, 3D works typically require multi-view captures for per-case training, which severely limits their applicability of modeling arbitrary characters in a short time. Recent 2D methods break this limitation via pre-trained diffusion models, but they struggle for pose generality and scene interaction. To this end, we propose MIMO, a novel framework which can not only synthesize character videos with controllable attributes (i.e., character, motion and scene) provided by simple user inputs, but also simultaneously achieve advanced scalability to arbitrary characters, generality to novel 3D motions, and applicability to interactive real-world scenes in a unified framework. The core idea is to encode the 2D video to compact spatial codes, considering the inherent 3D nature of video occurrence. Concretely, we lift the 2D frame pixels into 3D using monocular depth estimators, and decompose the video clip to three spatial components (i.e., main human, underlying scene, and floating occlusion) in hierarchical layers based on the 3D depth. These components are further encoded to canonical identity code, structured motion code and full scene code, which are utilized as control signals of synthesis process. The design of spatial decomposed modeling enables flexible user control, complex motion expression, as well as 3D-aware synthesis for scene interactions. Experimental results demonstrate effectiveness and robustness of the proposed method.

Alibaba presents MIMO Controllable Character Video Synthesis with Spatial Decomposed Modeling Character video synthesis aims to produce realistic videos of animatable characters within lifelike scenes. As a fundamental problem in the computer vision and graphics community, 3D works typically require multi-view captures for per-case training, which severely limits their applicability of modeling arbitrary characters in a short time. Recent 2D methods break this limitation via pre-trained diffusion models, but they struggle for pose generality and scene interaction. To this end, we propose MIMO, a novel framework which can not only synthesize character videos with controllable attributes (i.e., character, motion and scene) provided by simple user inputs, but also simultaneously achieve advanced scalability to arbitrary characters, generality to novel 3D motions, and applicability to interactive real-world scenes in a unified framework. The core idea is to encode the 2D video to compact spatial codes, considering the inherent 3D nature of video occurrence. Concretely, we lift the 2D frame pixels into 3D using monocular depth estimators, and decompose the video clip to three spatial components (i.e., main human, underlying scene, and floating occlusion) in hierarchical layers based on the 3D depth. These components are further encoded to canonical identity code, structured motion code and full scene code, which are utilized as control signals of synthesis process. The design of spatial decomposed modeling enables flexible user control, complex motion expression, as well as 3D-aware synthesis for scene interactions. Experimental results demonstrate effectiveness and robustness of the proposed method.

AK

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38,853 次观看 • 2 年前

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MrNeRF

53,292 次观看 • 1 年前

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Matthias Niessner

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Michael Black

27,618 次观看 • 10 个月前

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AK

93,740 次观看 • 3 年前

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Matthias Niessner

25,345 次观看 • 2 个月前

We present EgoReAct: Real-time 3D human reaction generation from streaming egocentric video. 🌟Reacting to streaming egocentric video is something humans do every day. We hope EgoReAct makes human motion more human-like. 🔎 What we found: existing ego-reaction data can be spatially inconsistent (e.g., moving reactions paired with fixed-camera videos), which breaks 3D grounding. 📷 What we built: HRD, a spatially aligned egocentric video–reaction dataset (3,500 pairs, 32 categories), plus a spatially aligned ViMo fix for fair evaluation. (Instead of collecting expensive ground-truth motion, we employ VDM to generate the egocentric videos.) 👁️⚡🏃 Our simple yet effective pipeline: motion tokenization for compact discrete codes + an autoregressive Transformer for online, strictly-causal generation. Metric depth and head dynamics further improve 3D spatial consistency. Project Page: ArXiv: #HumanMotion #EgocentricVision #3D #ARVR #Animation #AIGC #DeepLearning #GenerativeAI #Graphics #ComputerVision #Motion

We present EgoReAct: Real-time 3D human reaction generation from streaming egocentric video. 🌟Reacting to streaming egocentric video is something humans do every day. We hope EgoReAct makes human motion more human-like. 🔎 What we found: existing ego-reaction data can be spatially inconsistent (e.g., moving reactions paired with fixed-camera videos), which breaks 3D grounding. 📷 What we built: HRD, a spatially aligned egocentric video–reaction dataset (3,500 pairs, 32 categories), plus a spatially aligned ViMo fix for fair evaluation. (Instead of collecting expensive ground-truth motion, we employ VDM to generate the egocentric videos.) 👁️⚡🏃 Our simple yet effective pipeline: motion tokenization for compact discrete codes + an autoregressive Transformer for online, strictly-causal generation. Metric depth and head dynamics further improve 3D spatial consistency. Project Page: ArXiv: #HumanMotion #EgocentricVision #3D #ARVR #Animation #AIGC #DeepLearning #GenerativeAI #Graphics #ComputerVision #Motion

Zhiyang (Frank) Dou

11,392 次观看 • 8 个月前

Magic123: One Image to High-Quality 3D Object Generation Using Both 2D and 3D Diffusion Priors paper page: present Magic123, a two-stage coarse-to-fine approach for high-quality, textured 3D meshes generation from a single unposed image in the wild using both2D and 3D priors. In the first stage, we optimize a neural radiance field to produce a coarse geometry. In the second stage, we adopt a memory-efficient differentiable mesh representation to yield a high-resolution mesh with a visually appealing texture. In both stages, the 3D content is learned through reference view supervision and novel views guided by a combination of 2D and 3D diffusion priors. We introduce a single trade-off parameter between the 2D and 3D priors to control exploration (more imaginative) and exploitation (more precise) of the generated geometry. Additionally, we employ textual inversion and monocular depth regularization to encourage consistent appearances across views and to prevent degenerate solutions, respectively. Magic123 demonstrates a significant improvement over previous image-to-3D techniques, as validated through extensive experiments on synthetic benchmarks and diverse real-world images.

Magic123: One Image to High-Quality 3D Object Generation Using Both 2D and 3D Diffusion Priors paper page: present Magic123, a two-stage coarse-to-fine approach for high-quality, textured 3D meshes generation from a single unposed image in the wild using both2D and 3D priors. In the first stage, we optimize a neural radiance field to produce a coarse geometry. In the second stage, we adopt a memory-efficient differentiable mesh representation to yield a high-resolution mesh with a visually appealing texture. In both stages, the 3D content is learned through reference view supervision and novel views guided by a combination of 2D and 3D diffusion priors. We introduce a single trade-off parameter between the 2D and 3D priors to control exploration (more imaginative) and exploitation (more precise) of the generated geometry. Additionally, we employ textual inversion and monocular depth regularization to encourage consistent appearances across views and to prevent degenerate solutions, respectively. Magic123 demonstrates a significant improvement over previous image-to-3D techniques, as validated through extensive experiments on synthetic benchmarks and diverse real-world images.

AK

305,704 次观看 • 3 年前

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Matthias Niessner

96,319 次观看 • 8 个月前

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PointOdyssey: A Large-Scale Synthetic Dataset for Long-Term Point Tracking paper page: introduce PointOdyssey, a large-scale synthetic dataset, and data generation framework, for the training and evaluation of long-term fine-grained tracking algorithms. Our goal is to advance the state-of-the-art by placing emphasis on long videos with naturalistic motion. Toward the goal of naturalism, we animate deformable characters using real-world motion capture data, we build 3D scenes to match the motion capture environments, and we render camera viewpoints using trajectories mined via structure-from-motion on real videos. We create combinatorial diversity by randomizing character appearance, motion profiles, materials, lighting, 3D assets, and atmospheric effects. Our dataset currently includes 104 videos, averaging 2,000 frames long, with orders of magnitude more correspondence annotations than prior work. We show that existing methods can be trained from scratch in our dataset and outperform the published variants. Finally, we introduce modifications to the PIPs point tracking method, greatly widening its temporal receptive field, which improves its performance on PointOdyssey as well as on two real-world benchmarks.

AK

122,567 次观看 • 3 年前

DreamCraft3D: Hierarchical 3D Generation with Bootstrapped Diffusion Prior paper page: present DreamCraft3D, a hierarchical 3D content generation method that produces high-fidelity and coherent 3D objects. We tackle the problem by leveraging a 2D reference image to guide the stages of geometry sculpting and texture boosting. A central focus of this work is to address the consistency issue that existing works encounter. To sculpt geometries that render coherently, we perform score distillation sampling via a view-dependent diffusion model. This 3D prior, alongside several training strategies, prioritizes the geometry consistency but compromises the texture fidelity. We further propose Bootstrapped Score Distillation to specifically boost the texture. We train a personalized diffusion model, Dreambooth, on the augmented renderings of the scene, imbuing it with 3D knowledge of the scene being optimized. The score distillation from this 3D-aware diffusion prior provides view-consistent guidance for the scene. Notably, through an alternating optimization of the diffusion prior and 3D scene representation, we achieve mutually reinforcing improvements: the optimized 3D scene aids in training the scene-specific diffusion model, which offers increasingly view-consistent guidance for 3D optimization. The optimization is thus bootstrapped and leads to substantial texture boosting. With tailored 3D priors throughout the hierarchical generation, DreamCraft3D generates coherent 3D objects with photorealistic renderings, advancing the state-of-the-art in 3D content generation.

DreamCraft3D: Hierarchical 3D Generation with Bootstrapped Diffusion Prior paper page: present DreamCraft3D, a hierarchical 3D content generation method that produces high-fidelity and coherent 3D objects. We tackle the problem by leveraging a 2D reference image to guide the stages of geometry sculpting and texture boosting. A central focus of this work is to address the consistency issue that existing works encounter. To sculpt geometries that render coherently, we perform score distillation sampling via a view-dependent diffusion model. This 3D prior, alongside several training strategies, prioritizes the geometry consistency but compromises the texture fidelity. We further propose Bootstrapped Score Distillation to specifically boost the texture. We train a personalized diffusion model, Dreambooth, on the augmented renderings of the scene, imbuing it with 3D knowledge of the scene being optimized. The score distillation from this 3D-aware diffusion prior provides view-consistent guidance for the scene. Notably, through an alternating optimization of the diffusion prior and 3D scene representation, we achieve mutually reinforcing improvements: the optimized 3D scene aids in training the scene-specific diffusion model, which offers increasingly view-consistent guidance for 3D optimization. The optimization is thus bootstrapped and leads to substantial texture boosting. With tailored 3D priors throughout the hierarchical generation, DreamCraft3D generates coherent 3D objects with photorealistic renderings, advancing the state-of-the-art in 3D content generation.

AK

161,530 次观看 • 2 年前

I’ve dreamt of creating a tool that could animate anyone with any motion from just ONE image… and now it’s a reality! 🎉 Super excited to introduce updated 3DHM: Synthesizing Moving People with 3D Control. 🕺💃3DHM can generate human videos from a single real or synthetic human image. #Animation #GenAI #AI #3DHM ✨ The magic of 3D control? Turning 2D pixels into lifelike, animated humans. 🎥 Check out our demo (and Merry Christmas)! Paper: Github: Webpage: Proudly working with the great Junming (Leo) Chen, , Yossi Gandelsman, Alyosha Efros and Jitendra MALIK😃 Kindly note: This video is intended solely for research purposes and is not authorized for commercial use.

I’ve dreamt of creating a tool that could animate anyone with any motion from just ONE image… and now it’s a reality! 🎉 Super excited to introduce updated 3DHM: Synthesizing Moving People with 3D Control. 🕺💃3DHM can generate human videos from a single real or synthetic human image. #Animation #GenAI #AI #3DHM ✨ The magic of 3D control? Turning 2D pixels into lifelike, animated humans. 🎥 Check out our demo (and Merry Christmas)! Paper: Github: Webpage: Proudly working with the great Junming (Leo) Chen, , Yossi Gandelsman, Alyosha Efros and Jitendra MALIK😃 Kindly note: This video is intended solely for research purposes and is not authorized for commercial use.

Boyi Li

52,482 次观看 • 1 年前

Tracking Everything Everywhere All at Once paper page: present a new test-time optimization method for estimating dense and long-range motion from a video sequence. Prior optical flow or particle video tracking algorithms typically operate within limited temporal windows, struggling to track through occlusions and maintain global consistency of estimated motion trajectories. We propose a complete and globally consistent motion representation, dubbed OmniMotion, that allows for accurate, full-length motion estimation of every pixel in a video. OmniMotion represents a video using a quasi-3D canonical volume and performs pixel-wise tracking via bijections between local and canonical space. This representation allows us to ensure global consistency, track through occlusions, and model any combination of camera and object motion. Extensive evaluations on the TAP-Vid benchmark and real-world footage show that our approach outperforms prior state-of-the-art methods by a large margin both quantitatively and qualitatively.

Tracking Everything Everywhere All at Once paper page: present a new test-time optimization method for estimating dense and long-range motion from a video sequence. Prior optical flow or particle video tracking algorithms typically operate within limited temporal windows, struggling to track through occlusions and maintain global consistency of estimated motion trajectories. We propose a complete and globally consistent motion representation, dubbed OmniMotion, that allows for accurate, full-length motion estimation of every pixel in a video. OmniMotion represents a video using a quasi-3D canonical volume and performs pixel-wise tracking via bijections between local and canonical space. This representation allows us to ensure global consistency, track through occlusions, and model any combination of camera and object motion. Extensive evaluations on the TAP-Vid benchmark and real-world footage show that our approach outperforms prior state-of-the-art methods by a large margin both quantitatively and qualitatively.

AK

280,570 次观看 • 3 年前

Drivable 3D Gaussian Avatars paper page: present Drivable 3D Gaussian Avatars (D3GA), the first 3D controllable model for human bodies rendered with Gaussian splats. Current photorealistic drivable avatars require either accurate 3D registrations during training, dense input images during testing, or both. The ones based on neural radiance fields also tend to be prohibitively slow for telepresence applications. This work uses the recently presented 3D Gaussian Splatting (3DGS) technique to render realistic humans at real-time framerates, using dense calibrated multi-view videos as input. To deform those primitives, we depart from the commonly used point deformation method of linear blend skinning (LBS) and use a classic volumetric deformation method: cage deformations. Given their smaller size, we drive these deformations with joint angles and keypoints, which are more suitable for communication applications. Our experiments on nine subjects with varied body shapes, clothes, and motions obtain higher-quality results than state-of-the-art methods when using the same training and test data.

Drivable 3D Gaussian Avatars paper page: present Drivable 3D Gaussian Avatars (D3GA), the first 3D controllable model for human bodies rendered with Gaussian splats. Current photorealistic drivable avatars require either accurate 3D registrations during training, dense input images during testing, or both. The ones based on neural radiance fields also tend to be prohibitively slow for telepresence applications. This work uses the recently presented 3D Gaussian Splatting (3DGS) technique to render realistic humans at real-time framerates, using dense calibrated multi-view videos as input. To deform those primitives, we depart from the commonly used point deformation method of linear blend skinning (LBS) and use a classic volumetric deformation method: cage deformations. Given their smaller size, we drive these deformations with joint angles and keypoints, which are more suitable for communication applications. Our experiments on nine subjects with varied body shapes, clothes, and motions obtain higher-quality results than state-of-the-art methods when using the same training and test data.

AK

327,308 次观看 • 2 年前

Tencent's Hunyuan 3D Studio is LIVE! 🎨 AI-powered 3D creation for professionals, slashing workflows from days to minutes.⚡️ Key Features: 🔹Text-to-3D: Generate controllable geometry (multi-view, multi-style, A pose, bbox-control) from text/images. 🔹Auto Part Split: Break models into 50+ editable components (hats, clothes, etc.) 🔹1-Min UV Unwrap: AI-driven, professional-grade UVs, no more manual fixes. 🔹PBR Textures: Precisely edit global or local textures with text or image prompts & professional material sphere generation. 🔹Auto Rigging: Quickly rig various characters, with specialized motion templates for human models. Hunyuan3D Studio is built to empower game developers, animators, and designers to create faster and smarter. 📄Tech Report: 👉🏻Try it now:

Tencent's Hunyuan 3D Studio is LIVE! 🎨 AI-powered 3D creation for professionals, slashing workflows from days to minutes.⚡️ Key Features: 🔹Text-to-3D: Generate controllable geometry (multi-view, multi-style, A pose, bbox-control) from text/images. 🔹Auto Part Split: Break models into 50+ editable components (hats, clothes, etc.) 🔹1-Min UV Unwrap: AI-driven, professional-grade UVs, no more manual fixes. 🔹PBR Textures: Precisely edit global or local textures with text or image prompts & professional material sphere generation. 🔹Auto Rigging: Quickly rig various characters, with specialized motion templates for human models. Hunyuan3D Studio is built to empower game developers, animators, and designers to create faster and smarter. 📄Tech Report: 👉🏻Try it now:

Tencent Hy

46,998 次观看 • 11 个月前

📢📢 𝐏𝐫𝐄𝐝𝐢𝐭𝐨𝐫𝟑𝐃: 𝐅𝐚𝐬𝐭 𝐚𝐧𝐝 𝐏𝐫𝐞𝐜𝐢𝐬𝐞 𝟑𝐃 𝐒𝐡𝐚𝐩𝐞 𝐄𝐝𝐢𝐭𝐢𝐧𝐠 📢📢 We propose a training-free 3D shape editing approach that rapidly and precisely edits the regions intended by the user and keeps the rest as is. Using a quickly brushed mask and a text prompt, we first apply multi-view editing in the 2D domain and then run our merging algorithm in the 3D feature space to ensure that the edited shape is loyal to the input shape. Project Page: Video: Great work by Ziya Erkoç Can Gümeli Chaoyang Wang Angela Dai Peter Wonka Hsin-Ying Lee Peiye Zhuang

📢📢 𝐏𝐫𝐄𝐝𝐢𝐭𝐨𝐫𝟑𝐃: 𝐅𝐚𝐬𝐭 𝐚𝐧𝐝 𝐏𝐫𝐞𝐜𝐢𝐬𝐞 𝟑𝐃 𝐒𝐡𝐚𝐩𝐞 𝐄𝐝𝐢𝐭𝐢𝐧𝐠 📢📢 We propose a training-free 3D shape editing approach that rapidly and precisely edits the regions intended by the user and keeps the rest as is. Using a quickly brushed mask and a text prompt, we first apply multi-view editing in the 2D domain and then run our merging algorithm in the 3D feature space to ensure that the edited shape is loyal to the input shape. Project Page: Video: Great work by Ziya Erkoç Can Gümeli Chaoyang Wang Angela Dai Peter Wonka Hsin-Ying Lee Peiye Zhuang

Matthias Niessner

13,141 次观看 • 1 年前

Seamless Human Motion Composition with Blended Positional Encodings Conditional human motion generation is an important topic with many applications in virtual reality, gaming, and robotics. While prior works have focused on generating motion guided by text, music, or scenes, these typically result in isolated motions confined to short durations. Instead, we address the generation of long, continuous sequences guided by a series of varying textual descriptions. In this context, we introduce FlowMDM, the first diffusion-based model that generates seamless Human Motion Compositions (HMC) without any postprocessing or redundant denoising steps. For this, we introduce the Blended Positional Encodings, a technique that leverages both absolute and relative positional encodings in the denoising chain. More specifically, global motion coherence is recovered at the absolute stage, whereas smooth and realistic transitions are built at the relative stage. As a result, we achieve state-of-the-art results in terms of accuracy, realism, and smoothness on the Babel and HumanML3D datasets. FlowMDM excels when trained with only a single description per motion sequence thanks to its Pose-Centric Cross-ATtention, which makes it robust against varying text descriptions at inference time. Finally, to address the limitations of existing HMC metrics, we propose two new metrics: the Peak Jerk and the Area Under the Jerk, to detect abrupt transitions.

Seamless Human Motion Composition with Blended Positional Encodings Conditional human motion generation is an important topic with many applications in virtual reality, gaming, and robotics. While prior works have focused on generating motion guided by text, music, or scenes, these typically result in isolated motions confined to short durations. Instead, we address the generation of long, continuous sequences guided by a series of varying textual descriptions. In this context, we introduce FlowMDM, the first diffusion-based model that generates seamless Human Motion Compositions (HMC) without any postprocessing or redundant denoising steps. For this, we introduce the Blended Positional Encodings, a technique that leverages both absolute and relative positional encodings in the denoising chain. More specifically, global motion coherence is recovered at the absolute stage, whereas smooth and realistic transitions are built at the relative stage. As a result, we achieve state-of-the-art results in terms of accuracy, realism, and smoothness on the Babel and HumanML3D datasets. FlowMDM excels when trained with only a single description per motion sequence thanks to its Pose-Centric Cross-ATtention, which makes it robust against varying text descriptions at inference time. Finally, to address the limitations of existing HMC metrics, we propose two new metrics: the Peak Jerk and the Area Under the Jerk, to detect abrupt transitions.

AK

30,878 次观看 • 2 年前