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Introducing VT FelixClick an Aimlabs pressure click-type scenario that involves targets peeking and strafing towards the player. - Created for Amped player Felix. - Great for practicing calm/composed aim, and micros. ✏️@Lowgravity56 | 🎙️ VT Matty | 💡 VT minigod

Voltaic

52,222 subscribers

16,174 просмотров • 2 лет назад •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

Комментарии: 8

Фото профиля Voltaic

Voltaic2 лет назад

To play go to and type in ''VT Felix Click'' all the scenario variants should show there! Task Variants: - VT Felix Click Easy (Bigger & Strafes slower) - VT Felix Click (Strafes) - VT Felix Click Harder (Strafes & Crouches) - VT Felix Click Insane (Strafes, Jumps & Crouches) - VT Felix Click Insane Harder (Same as previous, but faster) Bonus - Download Aimlabs - Aimlabs+ Code VOLTAIC50 for 50% OFF #aimlabspartner

Фото профиля VT LG56 🚀

VT LG56 🚀2 лет назад

@aimlab @Felix_6393 @Matty_OW @minigodcs my goat @minigodcs always makes me cook

Фото профиля Felix

Felix2 лет назад

@aimlab @lowgravity56 @Matty_OW @minigodcs Damnnnn okay 👀

Фото профиля bvop

bvop2 лет назад

@aimlab @Felix_6393 @lowgravity56 @Matty_OW @minigodcs oh my lordy lord. you have done it again voltaic 😻thank you for this wonderous scenario i can’t wait to play this and finally get calm radiant aim

Фото профиля VT Yrup

VT Yrup2 лет назад

@aimlab @Felix_6393 @lowgravity56 @Matty_OW @minigodcs Pewdiepie click sick!

Фото профиля smoke

smoke2 лет назад

@aimlab @Felix_6393 @lowgravity56 @Matty_OW @minigodcs W. I got 2 aces in valorant since this task came out 🔥(i didn't even played it yet but i will do it in a moment)

Фото профиля ✦ wapaam

✦ wapaam2 лет назад

@aimlab @Felix_6393 @lowgravity56 @Matty_OW @minigodcs super good scen

Фото профиля Sasà

Sasà2 лет назад

@aimlab @Felix_6393 @lowgravity56 @Matty_OW @minigodcs I've reached out on modmail to have my ban lifted for the Voltaic Discord server. My account was hijacked but since the day I appealed I haven't received any updates. I can't DM you since I don't have Premium.

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At Amped we create tailored Aimlabs tasks for all players — these tasks are also available to play for anyone in the community for free! Introducing: 🔻 VT SoftClick 🔻 VT BlinkClick 🔻 VT SiniClick Reflex 💡 VT minigod | ✏️ VT LG56 🚀 | 🖱️ VT zekee

At Amped we create tailored Aimlabs tasks for all players — these tasks are also available to play for anyone in the community for free! Introducing: 🔻 VT SoftClick 🔻 VT BlinkClick 🔻 VT SiniClick Reflex 💡 VT minigod | ✏️ VT LG56 🚀 | 🖱️ VT zekee

Voltaic

16,916 просмотров • 2 лет назад

Introducing VT Tensiontrack a cylindrical tracking scenario with a mix of fast, short & long strafes. Uniquely made on @Aimlab with an indicator that informs the player when to increase tension or loosen up. Great for practicing tension control! ✏️ @Lowgravity56 | 🎯 VT Matty

Introducing VT Tensiontrack a cylindrical tracking scenario with a mix of fast, short & long strafes. Uniquely made on @Aimlab with an indicator that informs the player when to increase tension or loosen up. Great for practicing tension control! ✏️ @Lowgravity56 | 🎯 VT Matty

Voltaic

27,068 просмотров • 2 лет назад

Introducing the VALORANT Aim Basics Routine 🎯 An official Aimlabs 24-minute playlist for all skill levels, featuring hand-picked scenarios to train VALORANT’s core aim fundamentals: Flicking, Micros, and Smoothness. Usable as a warmup or main training routine. Link below ⬇️

Introducing the VALORANT Aim Basics Routine 🎯 An official Aimlabs 24-minute playlist for all skill levels, featuring hand-picked scenarios to train VALORANT’s core aim fundamentals: Flicking, Micros, and Smoothness. Usable as a warmup or main training routine. Link below ⬇️

VT LG56 🚀

76,417 просмотров • 9 месяцев назад

COACHES: This is not a flashy clip but shows amazing breakout principles from each player on the ice. Great shoulder checks from D1 going back to get the puck on first touch, and then he activates up ice on the weak side. Great surf and defensive stick to force the dump from D2 - and then close support as D1 had heavy pressure. He's also shoulder checking. Great use of body to shield the puck from pinching D and outlet to C from the RW. Great low and slow support from the C behind the puck. Great job by the LW stretching out the opposing D creating the lane and space for D1 coming up the ice. Everyone shoulder checking. Everyone working to get up ice after their puck touch. If you go back and watch each player in this clip individually, it's beautiful. All of these little things add to a great breakout sequence that starts the play for the goal. An incredible clip to show your teams!!

COACHES: This is not a flashy clip but shows amazing breakout principles from each player on the ice. Great shoulder checks from D1 going back to get the puck on first touch, and then he activates up ice on the weak side. Great surf and defensive stick to force the dump from D2 - and then close support as D1 had heavy pressure. He's also shoulder checking. Great use of body to shield the puck from pinching D and outlet to C from the RW. Great low and slow support from the C behind the puck. Great job by the LW stretching out the opposing D creating the lane and space for D1 coming up the ice. Everyone shoulder checking. Everyone working to get up ice after their puck touch. If you go back and watch each player in this clip individually, it's beautiful. All of these little things add to a great breakout sequence that starts the play for the goal. An incredible clip to show your teams!!

Topher Scott

10,813 просмотров • 11 месяцев назад

🎙️ Josh Green on LaMelo Ball: "Some of the stuff he does is similar to Luka (Doncic)—it's a different type of feel for the game." "His best skill is his confidence. It's truly a skill to have that level of confidence to be able to do what you do on the court. It's impressive." "Honestly, he's just a great person to be around. He's always happy. He goes up and says, 'What's up?' and 'How are you?' to everybody. It was one of the first things I noticed, like, 'Wow, that's impressive.' He's a great guy, obviously an amazing basketball player, and a talent that doesn't come around often." Full interview on Run Your Race Podcast:

🎙️ Josh Green on LaMelo Ball: "Some of the stuff he does is similar to Luka (Doncic)—it's a different type of feel for the game." "His best skill is his confidence. It's truly a skill to have that level of confidence to be able to do what you do on the court. It's impressive." "Honestly, he's just a great person to be around. He's always happy. He goes up and says, 'What's up?' and 'How are you?' to everybody. It was one of the first things I noticed, like, 'Wow, that's impressive.' He's a great guy, obviously an amazing basketball player, and a talent that doesn't come around often." Full interview on Run Your Race Podcast:

r/CharlotteHornets

34,624 просмотров • 7 месяцев назад

The CS2 update we have been waiting for is finally here. Valve has created a Beta branch for animgraph2 for third person animations. This is NOT an April fools joke. While everyone was watching the launch of Artemis II, Valve suddenly released what they've been working on for the past couple of years. What this means is that the entire animation system for third person models has been completely redone. No longer does it use the unoptimized Half-Life: Alyx system. This significantly reduces packet size. You can now tell when someone is counter-strafing, and properly predict their movements based on visual feedback. Another massive change here is that the player's view now is accurate to the player model, meaning that we have a variable player height of +-4 units. You'll immediately notice that the player seems shorter. This completely changes many many angles, as well as many utility lineups, particularly when standing on slopes. Notice in my video example how you can no longer see over the Dust2 A site boxes from A ramp. The change is currently in Beta, so it's all subject to change. I will be testing it out extensively and making a video about my thoughts. First impressions: I am VERY excited about this, more so than the Artemis II rocket taking humans back to the moon for the first time in forever.

The CS2 update we have been waiting for is finally here. Valve has created a Beta branch for animgraph2 for third person animations. This is NOT an April fools joke. While everyone was watching the launch of Artemis II, Valve suddenly released what they've been working on for the past couple of years. What this means is that the entire animation system for third person models has been completely redone. No longer does it use the unoptimized Half-Life: Alyx system. This significantly reduces packet size. You can now tell when someone is counter-strafing, and properly predict their movements based on visual feedback. Another massive change here is that the player's view now is accurate to the player model, meaning that we have a variable player height of +-4 units. You'll immediately notice that the player seems shorter. This completely changes many many angles, as well as many utility lineups, particularly when standing on slopes. Notice in my video example how you can no longer see over the Dust2 A site boxes from A ramp. The change is currently in Beta, so it's all subject to change. I will be testing it out extensively and making a video about my thoughts. First impressions: I am VERY excited about this, more so than the Artemis II rocket taking humans back to the moon for the first time in forever.

WarOwl

451,158 просмотров • 5 месяцев назад

Cheryl Reeve on how Courtney Williams and Olivia Miles have created chemistry so quickly “I don’t know, Liv is just a great player, and they recognize it… chemistry can be fragile and there is no one walking around going “Olivia Miles is getting all the attention, everybody’s talking about Olivia Miles” nobody cares, and Liv notices, and she’s going “oh no it’s for real, their aren’t actually egos on this team” and she’s hasn’t even seen Napheesa Collier play yet(smiles). And so I think for her it’s a little surprising. Courtney doesn’t have an ego, as you guys know Coruney is Livs best hype person, wants her to go go go, and Mac is the what I call older sibling, who is trying to stay in her ear… and gives her a calm”

Cheryl Reeve on how Courtney Williams and Olivia Miles have created chemistry so quickly “I don’t know, Liv is just a great player, and they recognize it… chemistry can be fragile and there is no one walking around going “Olivia Miles is getting all the attention, everybody’s talking about Olivia Miles” nobody cares, and Liv notices, and she’s going “oh no it’s for real, their aren’t actually egos on this team” and she’s hasn’t even seen Napheesa Collier play yet(smiles). And so I think for her it’s a little surprising. Courtney doesn’t have an ego, as you guys know Coruney is Livs best hype person, wants her to go go go, and Mac is the what I call older sibling, who is trying to stay in her ear… and gives her a calm”

Andrew Dukowitz

47,307 просмотров • 3 месяцев назад

Let’s start with my experience first. I became All-State when I was supposed to give up the sport. - I became a College All-American when I was too short to have my hopes that high. - I scored 2,000 + points in college when I wasn’t supposed to ever drive to the basket amongst the “trees.” - After college, I became an All-Star in a professional league. - The training I created, FIRST worked for me. - Now, if you know me at all, I no longer really care about the playing career above. There are plenty who played at a higher level, and there are plenty who have more player accolades. - I personally don’t think it matters how good someone was as a player once you get into the training game. I literally could care less. I teach trainers all over the world, how to be legit despite their playing career!! - Don’t tell me how great of a player you were, tell me how you can help a player improve in their own body, with their own genetics, and with their own goals…… - With that said, the training methodology I created first worked for me, but in order for it to be proven, it had to THEN WORK FOR OTHERS. - It has. For over 17 years… - BUT! When all said and done, there are TONS of different ways that have proven to be effective. - We should be having more legitimate conversations about ALL the different ways people are finding success. And how those ways can be balanced together!

Let’s start with my experience first. I became All-State when I was supposed to give up the sport. - I became a College All-American when I was too short to have my hopes that high. - I scored 2,000 + points in college when I wasn’t supposed to ever drive to the basket amongst the “trees.” - After college, I became an All-Star in a professional league. - The training I created, FIRST worked for me. - Now, if you know me at all, I no longer really care about the playing career above. There are plenty who played at a higher level, and there are plenty who have more player accolades. - I personally don’t think it matters how good someone was as a player once you get into the training game. I literally could care less. I teach trainers all over the world, how to be legit despite their playing career!! - Don’t tell me how great of a player you were, tell me how you can help a player improve in their own body, with their own genetics, and with their own goals…… - With that said, the training methodology I created first worked for me, but in order for it to be proven, it had to THEN WORK FOR OTHERS. - It has. For over 17 years… - BUT! When all said and done, there are TONS of different ways that have proven to be effective. - We should be having more legitimate conversations about ALL the different ways people are finding success. And how those ways can be balanced together!

Micah Lancaster

205,420 просмотров • 3 лет назад

$Dr. David Chao on Mitchell Robinson's injury and limitations: "But here's the interesting part about surgery. There's the incision and you can't get an infection. Helps because the likelihood is the plate and screws that are put in stabilizes the fracture so it doesn't move around anymore." "The type of player that he has, I think it is going to be possible for him to play. As a defender, as a rebounder. I think that effect is hopefully mitigated and obviously they'll probably have a smaller splint on - ring finger to pinky finger." "Will he be 100%? No. Will he be swiping at balls with that hand? No. I'm leaning towards that he will play and be effective in his role. And of course he's going to say he's going to play." SOURCE: .David J. Chao - ProFootballDoc$

Dr. David Chao on Mitchell Robinson's injury and limitations: "But here's the interesting part about surgery. There's the incision and you can't get an infection. Helps because the likelihood is the plate and screws that are put in stabilizes the fracture so it doesn't move around anymore." "The type of player that he has, I think it is going to be possible for him to play. As a defender, as a rebounder. I think that effect is hopefully mitigated and obviously they'll probably have a smaller splint on - ring finger to pinky finger." "Will he be 100%? No. Will he be swiping at balls with that hand? No. I'm leaning towards that he will play and be effective in his role. And of course he's going to say he's going to play." SOURCE: .David J. Chao - ProFootballDoc

The Knicks Recap

86,948 просмотров • 3 месяцев назад

🚨 Reporter asks Ayyoub Bouaddi about his future after the 2026 FIFA World Cup and the club he dreams of playing for: 🎙️ Reporter: “Ayyoub, after the World Cup there will be a lot of clubs interested in you. Have you thought about your future?” 🗣️ Ayyoub Bouaddi: “My focus right now is completely on Morocco and the World Cup. This is the biggest tournament in football and I want to enjoy every moment of it. The future can wait.” 🎙️ Reporter: “But is there one club you dream of playing for?” 🗣️ Ayyoub Bouaddi: “I think every young player has a dream club. For me, Manchester United is a club that has always stood out. When you grow up watching football, you see the history, the atmosphere, the legends and everything that makes the club special. It is one of the biggest clubs in the world.” 🎙️ Reporter: “What attracts you to Manchester United?” 🗣️ Ayyoub Bouaddi: “The history. The supporters. The pressure that comes with wearing the shirt. I like challenges and Manchester United is the type of club where you have to prove yourself every single week. That motivates me. When I think about great midfielders, great European nights and the atmosphere at Old Trafford, it is something every footballer would love to experience.” 🎙️ Reporter: “So could you see yourself there one day?” 🗣️ Ayyoub Bouaddi: “Football is unpredictable, so you never know what will happen. But if you ask me honestly, Manchester United is definitely one of the clubs I would love to play for in the future. For now, though, my focus is helping Morocco have a great World Cup campaign “. {Radio Maisha }

🚨 Reporter asks Ayyoub Bouaddi about his future after the 2026 FIFA World Cup and the club he dreams of playing for: 🎙️ Reporter: “Ayyoub, after the World Cup there will be a lot of clubs interested in you. Have you thought about your future?” 🗣️ Ayyoub Bouaddi: “My focus right now is completely on Morocco and the World Cup. This is the biggest tournament in football and I want to enjoy every moment of it. The future can wait.” 🎙️ Reporter: “But is there one club you dream of playing for?” 🗣️ Ayyoub Bouaddi: “I think every young player has a dream club. For me, Manchester United is a club that has always stood out. When you grow up watching football, you see the history, the atmosphere, the legends and everything that makes the club special. It is one of the biggest clubs in the world.” 🎙️ Reporter: “What attracts you to Manchester United?” 🗣️ Ayyoub Bouaddi: “The history. The supporters. The pressure that comes with wearing the shirt. I like challenges and Manchester United is the type of club where you have to prove yourself every single week. That motivates me. When I think about great midfielders, great European nights and the atmosphere at Old Trafford, it is something every footballer would love to experience.” 🎙️ Reporter: “So could you see yourself there one day?” 🗣️ Ayyoub Bouaddi: “Football is unpredictable, so you never know what will happen. But if you ask me honestly, Manchester United is definitely one of the clubs I would love to play for in the future. For now, though, my focus is helping Morocco have a great World Cup campaign “. {Radio Maisha }

SethOfficial

190,155 просмотров • 3 месяцев назад

The Ghost in the Machine: How Player Pianos Sparked Protests, and What They Reveal About Our AI Future In the early 1900s, the player piano was a sensation. These self-playing instruments used perforated paper rolls fed through pneumatic mechanisms to reproduce complex piano performances automatically. By the 1910s to mid-1920s, they outsold ordinary pianos in many markets, filling American parlors, saloons, and theaters with ragtime, marches, and classical pieces. Great artists like Sergei Rachmaninoff and Ignace Paderewski cut rolls, preserving their interpretations for generations. It was automation that brought “live” music into every home, without the need for lessons or live performers. Yet this marvel triggered intense resistance. Composers and musicians saw it as an existential threat. In his fiery 1906 essay “The Menace of Mechanical Music,” bandleader and composer John Philip Sousa warned that player pianos and phonographs would “substitute machinery for the human soul.” He predicted the death of amateur music-making: children would stop learning instruments, families would stop gathering around the piano, and music would lose its emotional depth. Sousa testified before Congress, helping drive the 1909 Copyright Act, which created compulsory licensing so composers could earn royalties from mechanical reproductions, a landmark victory born from protest. As “talkies” and radio displaced theater orchestras in the late 1920s, the American Federation of Musicians (AFM) launched the Music Defense League in 1930. Funded by a tax on members, the union spent hundreds of thousands of dollars (millions in today’s dollars) on a national advertising blitz. Dramatic newspaper ads depicted sinister robots replacing human musicians, with slogans like “Is Art to Have a Tyrant?” and warnings that “canned music” would destroy jobs and degrade culture. The campaign targeted not just records but all mechanical music, including player pianos in public spaces. While there were no Luddite-style riots smashing machines (player pianos were mostly expensive home devices), the opposition was fierce: boycotts, lobbying, lawsuits, and cultural shaming of anyone who chose “the robot” over living performers. The protests did not kill the player piano. Record sales, radio, and the Great Depression did that by the early 1930s. But the episode left a lasting legacy: new copyright rules, heightened awareness of technology’s impact on artists, and a template for how workers respond to automation. We are living through the same story with AI and robotics. Generative models now compose music, write screenplays, generate art, and even perform. Musicians, writers, and visual artists are protesting in eerily familiar ways: lawsuits over unlicensed training data (the modern equivalent of the player-piano royalty fight), demands for “human-made” labels, strikes by Hollywood writers and actors, and public campaigns against “AI slop.” Fears echo Sousa’s exactly: loss of soul, authenticity, jobs, and human connection. “The robot is coming” ads of 1930 could run unchanged today, just swap “canned music” for “AI-generated content.” History’s lesson is nuanced. The player piano did not end music; it briefly coexisted with live performance before giving way to richer ecosystems. Rolls by legends now serve as priceless archives. Protests forced legal compromises that protected creators while allowing innovation. Yet real displacement happened. Thousands of theater musicians lost steady work, and the cultural shift toward passive consumption was real. Today’s AI moment carries higher stakes: it threatens not just one profession but broad swaths of cognitive and creative labor. Robots and AI could augment surgeons, drivers, teachers, and artists, or render many obsolete. The player-piano saga shows that raw Luddism rarely wins, We cannot stop technological progress, The music plays on. The question is: who, or what, plays it?

The Ghost in the Machine: How Player Pianos Sparked Protests, and What They Reveal About Our AI Future In the early 1900s, the player piano was a sensation. These self-playing instruments used perforated paper rolls fed through pneumatic mechanisms to reproduce complex piano performances automatically. By the 1910s to mid-1920s, they outsold ordinary pianos in many markets, filling American parlors, saloons, and theaters with ragtime, marches, and classical pieces. Great artists like Sergei Rachmaninoff and Ignace Paderewski cut rolls, preserving their interpretations for generations. It was automation that brought “live” music into every home, without the need for lessons or live performers. Yet this marvel triggered intense resistance. Composers and musicians saw it as an existential threat. In his fiery 1906 essay “The Menace of Mechanical Music,” bandleader and composer John Philip Sousa warned that player pianos and phonographs would “substitute machinery for the human soul.” He predicted the death of amateur music-making: children would stop learning instruments, families would stop gathering around the piano, and music would lose its emotional depth. Sousa testified before Congress, helping drive the 1909 Copyright Act, which created compulsory licensing so composers could earn royalties from mechanical reproductions, a landmark victory born from protest. As “talkies” and radio displaced theater orchestras in the late 1920s, the American Federation of Musicians (AFM) launched the Music Defense League in 1930. Funded by a tax on members, the union spent hundreds of thousands of dollars (millions in today’s dollars) on a national advertising blitz. Dramatic newspaper ads depicted sinister robots replacing human musicians, with slogans like “Is Art to Have a Tyrant?” and warnings that “canned music” would destroy jobs and degrade culture. The campaign targeted not just records but all mechanical music, including player pianos in public spaces. While there were no Luddite-style riots smashing machines (player pianos were mostly expensive home devices), the opposition was fierce: boycotts, lobbying, lawsuits, and cultural shaming of anyone who chose “the robot” over living performers. The protests did not kill the player piano. Record sales, radio, and the Great Depression did that by the early 1930s. But the episode left a lasting legacy: new copyright rules, heightened awareness of technology’s impact on artists, and a template for how workers respond to automation. We are living through the same story with AI and robotics. Generative models now compose music, write screenplays, generate art, and even perform. Musicians, writers, and visual artists are protesting in eerily familiar ways: lawsuits over unlicensed training data (the modern equivalent of the player-piano royalty fight), demands for “human-made” labels, strikes by Hollywood writers and actors, and public campaigns against “AI slop.” Fears echo Sousa’s exactly: loss of soul, authenticity, jobs, and human connection. “The robot is coming” ads of 1930 could run unchanged today, just swap “canned music” for “AI-generated content.” History’s lesson is nuanced. The player piano did not end music; it briefly coexisted with live performance before giving way to richer ecosystems. Rolls by legends now serve as priceless archives. Protests forced legal compromises that protected creators while allowing innovation. Yet real displacement happened. Thousands of theater musicians lost steady work, and the cultural shift toward passive consumption was real. Today’s AI moment carries higher stakes: it threatens not just one profession but broad swaths of cognitive and creative labor. Robots and AI could augment surgeons, drivers, teachers, and artists, or render many obsolete. The player-piano saga shows that raw Luddism rarely wins, We cannot stop technological progress, The music plays on. The question is: who, or what, plays it?

Brian Roemmele

118,152 просмотров • 4 месяцев назад

Uncut Hoops on Youtube breaks down how the Lakers ARE BETTER WITHOUT LEBRON and DONT NEED HIM 🔥🔥 -Points out that Lebron is FAKING an injury in an attempt to ruin their season but its backfiring -And the Lakers are a Top 10 offense without him and are ok on defense -The Lakers are doing great without Lebron and Rui who was a scapegoat for Lebron is playing great -Luka and AR are one of the best duos in the League because Lebron is not playing -Points out how Reaves,Luka,Rui, and AD all had a positive plus minus while Lebron was in the Negatives. Says the Lebron will ruin the Lakers and they have no chance of winning a title if he comes back Also points out how Lebron is not geared towards winning, hes all about getting his stats and is the 2nd Slowest player in the league and 4th slowest in offense and defense

Uncut Hoops on Youtube breaks down how the Lakers ARE BETTER WITHOUT LEBRON and DONT NEED HIM 🔥🔥 -Points out that Lebron is FAKING an injury in an attempt to ruin their season but its backfiring -And the Lakers are a Top 10 offense without him and are ok on defense -The Lakers are doing great without Lebron and Rui who was a scapegoat for Lebron is playing great -Luka and AR are one of the best duos in the League because Lebron is not playing -Points out how Reaves,Luka,Rui, and AD all had a positive plus minus while Lebron was in the Negatives. Says the Lebron will ruin the Lakers and they have no chance of winning a title if he comes back Also points out how Lebron is not geared towards winning, hes all about getting his stats and is the 2nd Slowest player in the league and 4th slowest in offense and defense

TheTruth

72,169 просмотров • 10 месяцев назад

🎙️Is Arda Güler your successor? And what do you think of his season so far? 🗣️Toni Kroos: “I was lucky to play with him for a year as well. People keep asking me if he’s my successor and how I see his performances this season at Real. I’m really happy that this year he’s finally getting a lot more playing time. I think he’s definitely a player you can build on for the future. I don’t really like to make comparisons – Arda is a different type of player than I am. His best position is clearly more attacking, so it’s not really about being a successor. But overall, I’m just really happy for him. He’s a great guy, and as I said, I played with him – he’s got such a fantastic touch on the ball, and he’s shown that several times already this season for Real. I just hope he keeps getting regular minutes, because that’s the only way to keep improving. And if he does, I’m sure he can have a long and successful career at Real.” • Toni Kroos Legend. 👑🇩🇪

🎙️Is Arda Güler your successor? And what do you think of his season so far? 🗣️Toni Kroos: “I was lucky to play with him for a year as well. People keep asking me if he’s my successor and how I see his performances this season at Real. I’m really happy that this year he’s finally getting a lot more playing time. I think he’s definitely a player you can build on for the future. I don’t really like to make comparisons – Arda is a different type of player than I am. His best position is clearly more attacking, so it’s not really about being a successor. But overall, I’m just really happy for him. He’s a great guy, and as I said, I played with him – he’s got such a fantastic touch on the ball, and he’s shown that several times already this season for Real. I just hope he keeps getting regular minutes, because that’s the only way to keep improving. And if he does, I’m sure he can have a long and successful career at Real.” • Toni Kroos Legend. 👑🇩🇪

Arda Güler (fan)

109,916 просмотров • 10 месяцев назад