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It’s out :3!!!!!!! Credits: Kaylin (me!!!): Character designs, Concepts, Writing, Character Modelling, (some) Environment Modelling, Texturing, Rigging, Animation, Rendering Jill: Editing, Promotional material Rabi: Extra help All music is not mine

Kaylin :3!

9,579 subscribers

12,651 views • 1 year ago •via X (Twitter)

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1 Comments

Bl00d Rose1 year ago

This is a very fresh and smooth animation ✨

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VANCE: “He was annoyed by the story. He was annoyed by the Dems accusing him of doing bad things.” DILLON, laughing: I mean, again, the demographic of ppl this appeals to… And it’s not even JD Vance’s fault. It is his fault, but it’s not his fault that he’s some uniquely terrible character. They’re all in the mafia. It’s just a mafia family. That’s all it is. You just go out and say, “Well, he didn’t do anything wrong. I looked at everything myself. He was with me the whole night, Your Honor. He didn’t kill…”

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The character we spent by far the longest creating for #Transformers ROTB was Air Razor. We spent over a year working on just her and her variants. The reason she took so long was because there was no unified vision for what she was supposed to look like. We had initial concepts but the leadership team from the studio wasn't happy with how she looked when we matched to them so we had to iterate and develop different styles until they were happy. Our asset supervisor did a mockup redesign of her head to look more like a golden eagle which they liked a lot, this is what the final head shape was decided to be. We opted to match her styling to a peregrine falcon as the animation director really liked the breakup and contrast that provided. She is the only hero character in the film without an alt mode. She only has her bird form. It was decided during the concepting stages of the film that she would not have a robot form. To make her talk, it was decided by the animation director early on that her beak would semi transform to enable some more expressive talking animations as opposed to her just opening and closing her beak. We spent a very long time on her feathers, in modelling, look development, and rigging, ensuring that we matched to the directors vision and that they looked good in shots. She had over 9 variants, each for a different part of the film. She had a battle mode, damage states, and a "virus" infected mode for when she was infected by Scourge. Each of these also had different variants, totalling the final 9 seen in the film. We added a lot of engraving details to her, each being in the official Maximal language, translated from English. For example, the engraving on her chest says "In the absence of light, darkness prevails" Air Razor was a big creative and technical challenge and a massive team effort to get right. We had plenty of sleepless nights while trying to figure her out. CREDITS: Video by Paramount, MPC, and WetaFX I was responsible for her primary texturing and look development and also served as the asset Lead alongside Tom Goodchild. Primary modeling by Simone Porchedda Final texturing & lookdev by Vipin Kabadi Primary rigging by Tom Goodchild Various other artists supported the modeling, texturing, and rigging of Air Razor, I unfortunately do not recall everyone's names - she was a big team effort.

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Rassoul Edji

83,554 views • 1 year ago

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DEDE ASHIOGWU🌻

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🚨 !! Winners Choice Giveaway !!🚨 We would like to giveaway an official Magic the Gathering Avatar playmat that was customized and foiled out by me. Winner will be able to choose one playmat from the 8 designs below. All you have to do is: 1. Follow us 2. Repost 3. Like the Post 4. Optional (Comment your favorite character or design) These will be available for purchase this Sunday on our website at 3pm central. Extremely limited supplies. I'll pick a random winner Sunday 1/4, Good luck to everyone! We are not affiliated with, endorsed by, or in any way officially connected to Wizards of the Coast, Hasbro, or Ultimate Guard.

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Stratosphere was our biggest and heaviest character on #Transformers ROTB. He was a real challenge to deal with on the Modeling, Texturing, and Rendering side. He had 1434 UDIMs due to his immense scale and was made up of tens of thousands of objects. His level of detail was truly something else. His vehicle form was also a behemoth. We had also built a mortar for his robot form and a cannon for his vehicle form but neither of these made it into the film as his part in the final battle was cut out. He was originally supposed to help out in the final battle, using both of these weapons against the Sweepers and Predacons. The decision to cut him from the final act came very late as all of his assets were final at that point. We were never told the reason why his role was cut from the film. I had to re-design my texturing system in Mari when working on him to ensure that it could handle such a complex and large character. I had to simplify a lot of the procedural systems and even had to branch off some of them into their own files to ensure that artists could work with somewhat decent performance. We ran into a lot of issues pushing him through our pipeline, both as a model as well as rendering him due to the sheer amount of objects and textures that had to be processed. For shots, it was requested by Lighting that we reduce his memory footprint as Google had complained he was taking up too much memory and their I/O for rendering on the cloud was being affected. The leadership team and I decided that the best way to do this was to half the texel density on the parts that wouldn't be visible in our approved shots and to also half the resolution of the textures in the parts not visible to camera. This allowed us to optimize his memory footprint both in shots as well as storage and I/O. It was massive technical undertaking working on Stratosphere, so much so that we had to delay getting him into shots as we simply couldn't push him through with our normal tooling. I really enjoyed the challenge that he posed for us as a team. CREDITS: Primary Modeling by Oscar Lowe Support Modeling by Arthur Grandjean and his team Final Texturing & Lookdev by Yaz Raji Video credits: Breakdown shot by MPC Film footage by Paramount

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Rassoul Edji

268,669 views • 1 year ago

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steal my full workflow to create ultra-realistic AI videos with GPT-6 Astra... higgsfield just released their API, so i took it into real conditions i generated a vlog-style video set in Paris... it looks like raw footage a friend shot on a phone here's the workflow, step by step: > step 1: steal the structure, not the pixels i captured 3-5 scenes from a hotels and river views, then pulled character inspiration from pinterest and real vlogs > step 2: analyze the reference with Gemini i sent Gemini everything i'd collected... videos, audio, keyframes and it gave me a shot-by-shot breakdown, i turned that into instructions > step 3: swap the world, keep the bones i changed a lot on the character and the environment until it felt like something of my own, not a copy > step 4: build reference images first, this is where you iterate images are cheap, video is expensive so i built a character sheet, one image per location in the same mood, then the exact start frame the video opens on, all Nano Banana Pro > step 5: one 30-second video run, not ten 3-second clips the full timestamped script goes to Seedance 2.5 through the API as ONE generation start frame as the anchor, one action per beat, camera and audio described concretely, identity locks at the end so her face, outfit and makeup is locked in Seedance handles the cuts internally > step 6: revise like a director, not a gambler the first cut came back good but not right instead of re-rolling the whole 30 seconds i regenerated only the scenes that needed changes as short clips from their own start frames, then cut them into the master with ffmpeg change one variable at a time, never re-roll what already works > step 7: finish like normal footage i assembled the final cut with ffmpeg from the best takes, added ambient music from a free library and done the rules that made it work: - the reference's structure is the asset, prompt archaeology beats prompt writing - iterate on images, commit on video, the start frame decides 80% of the shot - one action per timestamped beat, crowded beats get skipped or invented - lock identity explicitly or it drifts between cuts - fix failed shots by changing one variable, redo scenes, never the whole video - the last 10% is boring editing: trim, splice, music, encode (save this workflow)

Machina

24,863 views • 8 days ago

Zephyr Arland is a character who was always going to be made by me, one way or another, in some capacity. His golden heart and desire to help others is something I want to see more of in myself and in the world around me. He harkens back to an age of superheroes that was filled with hope, optimism, and fun. I spent countless hours on his supersuit design, something that was deeply important to me and which has landed with both fans, colleagues, and fellow creatives more spectacularly than I ever could have hoped for. I've been blessed with so many people who have believed in me and in this character and the stories I want to tell with him. Carrow Brown believed in it from Day One, and challenged me to challenge myself in my writing, and the character voice for Zephyr's best friend, Ian, is heavily credited to her influence. The number of artists who have been a part of this project, from talented line artists to vibrant colorists, is long but valued. RippaZine 5 CVR A - Geanes Holland & James Frank RippaZine 5 CVR B - Brandon Ward Arcstream: False Start 1 CVR A - Riccardo Cecchi & Sebastian Cheng Arcstream: False Start 1 CVR B - Ricardo Jaime - Comic Book Artist & Candice Han Arcstream: False Start 1 CVR C - Yevgeny_Sokolov_Art & Andrew Dalhouse 🇯🇲 Arcstream: False Start 1 CVR D - Megan Mushi & Marcos Martins And, of course, my incredible artist colleagues at the Rippaverse Comics, Caanan_White here to create and inspire!🤟🏾*, Igor (Chakal), Marcos J Rios, and Evan Scale Art whose designs, tweaks, and guidance helped optimize these characters into who they are. And a special thanks and shoutout to my brother and friend, Jason Griffith, the voice of Zephyr, whose performance brought my character to life in a way I could have only dreamt of. Thank you and bless you all 🙏🏻

Zephyr Arland is a character who was always going to be made by me, one way or another, in some capacity. His golden heart and desire to help others is something I want to see more of in myself and in the world around me. He harkens back to an age of superheroes that was filled with hope, optimism, and fun. I spent countless hours on his supersuit design, something that was deeply important to me and which has landed with both fans, colleagues, and fellow creatives more spectacularly than I ever could have hoped for. I've been blessed with so many people who have believed in me and in this character and the stories I want to tell with him. Carrow Brown believed in it from Day One, and challenged me to challenge myself in my writing, and the character voice for Zephyr's best friend, Ian, is heavily credited to her influence. The number of artists who have been a part of this project, from talented line artists to vibrant colorists, is long but valued. RippaZine 5 CVR A - Geanes Holland & James Frank RippaZine 5 CVR B - Brandon Ward Arcstream: False Start 1 CVR A - Riccardo Cecchi & Sebastian Cheng Arcstream: False Start 1 CVR B - Ricardo Jaime - Comic Book Artist & Candice Han Arcstream: False Start 1 CVR C - Yevgeny_Sokolov_Art & Andrew Dalhouse 🇯🇲 Arcstream: False Start 1 CVR D - Megan Mushi & Marcos Martins And, of course, my incredible artist colleagues at the Rippaverse Comics, Caanan_White here to create and inspire!🤟🏾*, Igor (Chakal), Marcos J Rios, and Evan Scale Art whose designs, tweaks, and guidance helped optimize these characters into who they are. And a special thanks and shoutout to my brother and friend, Jason Griffith, the voice of Zephyr, whose performance brought my character to life in a way I could have only dreamt of. Thank you and bless you all 🙏🏻

NDAndrew | Arcstream: False Start #2 is LIVE

11,837 views • 5 months ago

My Animated Channel Opening Is Here! Full Video: After 5 years of trying to get this made Its finally hear many setbacks its finally done this trailer is a representation of my channel for the almost 8 years, I've been creating content it features some of my original designs for characters also my OC Eschalot and also features the OCs of the two people I worked with the most and longest in my career. SSJ9K/SSJCarter and my brother ⚡️SLICK⚡️ I showed Reggie the progress long before he passed and after he was gone it was even more important to me to add more shots of Slick in honor of him. I couldn't have made this wonderful animation without the help of many talented people who worked hard on it over the years the animation team did wonderful on many parts of this process. (Animation Staff Credits) @franfuentesart Dindakai.jpg Sebs_8a 2Dolfin Studio Spider Albert2d YordiBlu ArtiMari rega1505(OPEN COMISSION) And I can't thank the music team of Bladevings and Gladius who made this amazing music theme thank you guys so much! And thank you fans for gracing me and supporting this journey of mine let this project be message to your dreams no matter how many setbacks are things that happen if you keep working at it any dream can become reality bless you and as my brother would say make moves.

My Animated Channel Opening Is Here! Full Video: After 5 years of trying to get this made Its finally hear many setbacks its finally done this trailer is a representation of my channel for the almost 8 years, I've been creating content it features some of my original designs for characters also my OC Eschalot and also features the OCs of the two people I worked with the most and longest in my career. SSJ9K/SSJCarter and my brother ⚡️SLICK⚡️ I showed Reggie the progress long before he passed and after he was gone it was even more important to me to add more shots of Slick in honor of him. I couldn't have made this wonderful animation without the help of many talented people who worked hard on it over the years the animation team did wonderful on many parts of this process. (Animation Staff Credits) @franfuentesart Dindakai.jpg Sebs_8a 2Dolfin Studio Spider Albert2d YordiBlu ArtiMari rega1505(OPEN COMISSION) And I can't thank the music team of Bladevings and Gladius who made this amazing music theme thank you guys so much! And thank you fans for gracing me and supporting this journey of mine let this project be message to your dreams no matter how many setbacks are things that happen if you keep working at it any dream can become reality bless you and as my brother would say make moves.

Prince Vegeta

194,999 views • 2 years ago

Uranus2324 Movie and Character relationship analysis 🪐🤿 [Note:] I’ll be using the extended version in my analysis for a few reasons. I’ve seen some people say that version felt too “fanservice-y,” which is apparently why they changed it, but I don’t agree. The extended cut includes extra scenes with Lin and her dad that I think are important, plus a few others that actually made this (admittedly confusing at times) movie make a lot more sense to me. So if you find yourself thinking, “Wait, I didn’t see that when I watched it,” you’re probably watching the unextended version. Uranus2324 is a movie loved by many FB fans, but it also sits on that shelf of “I’ll watch it once and probably not again” for a lot of people. With this analysis, I hope you come away with a better understanding of the film. If you’ve seen it before and didn’t quite get it, I really invite you to rewatch it through this lens. This movie admittedly has some editing choices that make it confusing at times. But after sitting down and watching it about five times now, I think I’ve finally figured out which universe is which and who’s who. I’ll explain that part in the solo character breakdowns I’ll be doing at the start. I’ll also be focusing on Kath and Lin’s relationship, but not on intimacy, since the love scene(s?) were cut from the final version. And I’m sorry, but if it’s not in the extended version, I won’t be including it in the analysis. HOWEVER, there is a scene in the WWII universe that’s extremely intimate without a single word of dialogue, and that’s one I’ll be digging into later. I’ll then finally finish on why I think Uranus2324 is a happy/bittersweet ending to ME. #freenbecky #uranus2324 #srchafreen #Beckysangels

Uranus2324 Movie and Character relationship analysis 🪐🤿 [Note:] I’ll be using the extended version in my analysis for a few reasons. I’ve seen some people say that version felt too “fanservice-y,” which is apparently why they changed it, but I don’t agree. The extended cut includes extra scenes with Lin and her dad that I think are important, plus a few others that actually made this (admittedly confusing at times) movie make a lot more sense to me. So if you find yourself thinking, “Wait, I didn’t see that when I watched it,” you’re probably watching the unextended version. Uranus2324 is a movie loved by many FB fans, but it also sits on that shelf of “I’ll watch it once and probably not again” for a lot of people. With this analysis, I hope you come away with a better understanding of the film. If you’ve seen it before and didn’t quite get it, I really invite you to rewatch it through this lens. This movie admittedly has some editing choices that make it confusing at times. But after sitting down and watching it about five times now, I think I’ve finally figured out which universe is which and who’s who. I’ll explain that part in the solo character breakdowns I’ll be doing at the start. I’ll also be focusing on Kath and Lin’s relationship, but not on intimacy, since the love scene(s?) were cut from the final version. And I’m sorry, but if it’s not in the extended version, I won’t be including it in the analysis. HOWEVER, there is a scene in the WWII universe that’s extremely intimate without a single word of dialogue, and that’s one I’ll be digging into later. I’ll then finally finish on why I think Uranus2324 is a happy/bittersweet ending to ME. #freenbecky #uranus2324 #srchafreen #Beckysangels

juno🥑

17,668 views • 10 months ago

Jayne Anne Phillips just won the Pulitzer Prize for her novel called "Night Watch." She’s written six books and founded the Rutgers-Newark MFA Program and this episode is all about her approach to writing. Some lessons below: 1. It's strange what you don't forget. Those things are a key to who you are and what really matters to you. 2. “When I’m writing, nothing is going through my head.” 3. Your job as a writer is to listen to the work itself because it'll tell you what to write next. 4. Every novel teaches its reader how to read it. It’s a unique world with its own rules, rhythm, relationships, and way of perceiving reality. 5. Writing is fundamentally about perception, and it's the author's job to show the reader how they perceive the world. 6. What's unique about children is the way they formulate their own conclusions by looking for truths that are truer than the ones they've been given. 7. We are creatures of narrative. We think in terms of words and in terms of images. 8. Small towns are webs of secrets beneath the surface: There's always a world underneath the world, and children hearing adult conversations know this better than anyone. 9. Jayne tells a story: “Someone said to me once: 'When I read your work, I don't feel as though I'm reading about something. I feel as though I'm inside it.' That is exactly what I want the reader to feel." 10. Find your writing allies. Some will be living writers, others will be dead ones, but no matter what, it’s worth reading all their work. 11. Language is like music. Every word is a different note, and the best way to find the flat notes is to read your writing out loud. 12. It's all intensely meaningful, no matter how terrible life can sometimes be. I've shared the full interview with Jayne Anne Phillips below. If you'd rather watch it on YouTube or listen on Apple or Spotify, check out the reply tweets. Enjoy!

Jayne Anne Phillips just won the Pulitzer Prize for her novel called "Night Watch." She’s written six books and founded the Rutgers-Newark MFA Program and this episode is all about her approach to writing. Some lessons below: 1. It's strange what you don't forget. Those things are a key to who you are and what really matters to you. 2. “When I’m writing, nothing is going through my head.” 3. Your job as a writer is to listen to the work itself because it'll tell you what to write next. 4. Every novel teaches its reader how to read it. It’s a unique world with its own rules, rhythm, relationships, and way of perceiving reality. 5. Writing is fundamentally about perception, and it's the author's job to show the reader how they perceive the world. 6. What's unique about children is the way they formulate their own conclusions by looking for truths that are truer than the ones they've been given. 7. We are creatures of narrative. We think in terms of words and in terms of images. 8. Small towns are webs of secrets beneath the surface: There's always a world underneath the world, and children hearing adult conversations know this better than anyone. 9. Jayne tells a story: “Someone said to me once: 'When I read your work, I don't feel as though I'm reading about something. I feel as though I'm inside it.' That is exactly what I want the reader to feel." 10. Find your writing allies. Some will be living writers, others will be dead ones, but no matter what, it’s worth reading all their work. 11. Language is like music. Every word is a different note, and the best way to find the flat notes is to read your writing out loud. 12. It's all intensely meaningful, no matter how terrible life can sometimes be. I've shared the full interview with Jayne Anne Phillips below. If you'd rather watch it on YouTube or listen on Apple or Spotify, check out the reply tweets. Enjoy!

David Perell

48,550 views • 1 year ago

THIS IS F**KING GOLD this 23-year-old made $30,000 this month and barely opens video editing software. she didn’t get better at keyframing. she stopped doing the manual labor. here’s what she actually built: ChatGPT as the brain, Picsart Flow as the animator. ChatGPT studies what’s working across viral kids’ content and turns those patterns into detailed visual prompts for her own character, feeds them into Picsart Flow running Kling 3.0, sets the render parameters, outputs full Pixar-style 3D clips. all from her browser, under 5 minutes per clip. 30 minutes a day, total. she’s not animating frame by frame. she’s orchestrating a pipeline. kids’ channels pull hundreds of millions of views on short-form content without her building a single 3D model. the cross-platform ad revenue math is what should actually get your attention: $2,500–$7,000 per million views on YouTube under 10 minutes render time per clip 2 to 3 videos posted daily across channels $15,000/month in passive revenue she’s not selling animation skill anymore. she’s selling volume. the character concept is hers. everything from prompt structure to final render is the AI’s job. most creators are still trying to figure out 3D modeling tools. she skipped that entirely and automated the production. full breakdown in the article below Bookmark and follow for more.

THIS IS F**KING GOLD this 23-year-old made $30,000 this month and barely opens video editing software. she didn’t get better at keyframing. she stopped doing the manual labor. here’s what she actually built: ChatGPT as the brain, Picsart Flow as the animator. ChatGPT studies what’s working across viral kids’ content and turns those patterns into detailed visual prompts for her own character, feeds them into Picsart Flow running Kling 3.0, sets the render parameters, outputs full Pixar-style 3D clips. all from her browser, under 5 minutes per clip. 30 minutes a day, total. she’s not animating frame by frame. she’s orchestrating a pipeline. kids’ channels pull hundreds of millions of views on short-form content without her building a single 3D model. the cross-platform ad revenue math is what should actually get your attention: $2,500–$7,000 per million views on YouTube under 10 minutes render time per clip 2 to 3 videos posted daily across channels $15,000/month in passive revenue she’s not selling animation skill anymore. she’s selling volume. the character concept is hers. everything from prompt structure to final render is the AI’s job. most creators are still trying to figure out 3D modeling tools. she skipped that entirely and automated the production. full breakdown in the article below Bookmark and follow for more.

Mayor.

80,166 views • 17 days ago

Inspired by Grok as a developer and a heavy gamer for over 15 years, I spent some time last week building a few things. Thrilled to unveil my latest creation: an infinite runner game built almost entirely by Grok from xAI! This project showcases the incredible power of AI in game development. Grok handled everything—from designing the game mechanics to writing the code and even helping me debug issues along the way. I brought it to life using some amazing free assets from a treasure trove for indie developers. You can play the game now at Elon Musk, I’d be honored if you checked it out. AI is revolutionizing game development, and Grok is at the forefront with its outstanding capabilities. It’s more than a tool—it’s like a tireless co-developer. Grok grasps complex concepts, provides suggestions, and turns rough ideas into working code fast. For this infinite runner, it crafted smooth player controls, randomized obstacle generation, and an engaging scoring system, letting me focus on the overall vision. And cross_protocol, founded by Henry @ONE is set to harness AI’s full potential in gaming, pushing the boundaries even further. This is just the beginning. With Grok’s help, I’m planning future projects: 1) Physics-based puzzle game where players tweak gravity and momentum to solve puzzles 2) 2D RPG with deep storytelling and branching dialogue 3) Fast-paced 3D shooter with immersive worlds Each genre requires unique skills, but Grok’s versatility makes it ideal for all of them. It adapts to any challenge—be it physics simulations, character AI, or level design—producing results that could rival a full dev team. AI like Grok is opening up creative doors I couldn’t tackle alone, and I can’t wait to see what’s next. Stay tuned for more.

Inspired by Grok as a developer and a heavy gamer for over 15 years, I spent some time last week building a few things. Thrilled to unveil my latest creation: an infinite runner game built almost entirely by Grok from xAI! This project showcases the incredible power of AI in game development. Grok handled everything—from designing the game mechanics to writing the code and even helping me debug issues along the way. I brought it to life using some amazing free assets from a treasure trove for indie developers. You can play the game now at Elon Musk, I’d be honored if you checked it out. AI is revolutionizing game development, and Grok is at the forefront with its outstanding capabilities. It’s more than a tool—it’s like a tireless co-developer. Grok grasps complex concepts, provides suggestions, and turns rough ideas into working code fast. For this infinite runner, it crafted smooth player controls, randomized obstacle generation, and an engaging scoring system, letting me focus on the overall vision. And cross_protocol, founded by Henry @ONE is set to harness AI’s full potential in gaming, pushing the boundaries even further. This is just the beginning. With Grok’s help, I’m planning future projects: 1) Physics-based puzzle game where players tweak gravity and momentum to solve puzzles 2) 2D RPG with deep storytelling and branching dialogue 3) Fast-paced 3D shooter with immersive worlds Each genre requires unique skills, but Grok’s versatility makes it ideal for all of them. It adapts to any challenge—be it physics simulations, character AI, or level design—producing results that could rival a full dev team. AI like Grok is opening up creative doors I couldn’t tackle alone, and I can’t wait to see what’s next. Stay tuned for more.

J

99,809 views • 1 year ago

I was sent some disturbing footage in the last few hours that has my stomach in knots and has me contemplating the internet. Thankful to have people that look out for me out here, but part of me would rather not even know. For all the “you need to let it go comments” … I’m still in awe of the blindsided betrayal by someone whom I thought was a friend, & the slander/defamation of character from said person that transpired on X last fall in the days after my suspension that was out of retaliation for the support I received from all of you, in addition to the fact I still occupy his thoughts and content. Guy even made a TikTok “stalker” video about me stating I need to sleep with one eye open because Mr. filthy is coming for me. I’ve never had someone obsess on me, watch my every move “Daddy sees it all”, slander me, and threaten to call my employer to play games with how I provide for my family. It’s a level of cyber-bullying I’ve never witnessed. Evidently he still watches me from a distance, has imaginary conversations with me when he streams, thinks of me when he urinates, and threatened to call my employer for streaming this week on YT (despite being off that afternoon.) This is just all too much. Gonna ghost for a while to protect my mentals and my family. This stress isn’t worth it.

I was sent some disturbing footage in the last few hours that has my stomach in knots and has me contemplating the internet. Thankful to have people that look out for me out here, but part of me would rather not even know. For all the “you need to let it go comments” … I’m still in awe of the blindsided betrayal by someone whom I thought was a friend, & the slander/defamation of character from said person that transpired on X last fall in the days after my suspension that was out of retaliation for the support I received from all of you, in addition to the fact I still occupy his thoughts and content. Guy even made a TikTok “stalker” video about me stating I need to sleep with one eye open because Mr. filthy is coming for me. I’ve never had someone obsess on me, watch my every move “Daddy sees it all”, slander me, and threaten to call my employer to play games with how I provide for my family. It’s a level of cyber-bullying I’ve never witnessed. Evidently he still watches me from a distance, has imaginary conversations with me when he streams, thinks of me when he urinates, and threatened to call my employer for streaming this week on YT (despite being off that afternoon.) This is just all too much. Gonna ghost for a while to protect my mentals and my family. This stress isn’t worth it.

RamboQB15

12,832 views • 1 year ago