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Its time to be caught watching sissy captions😳#captions #sissycaption #sissycaptions #feminization #femboy #sissyslut #beta #taboo #humiliation #facefuck #throated #blowjob #anal

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SissySugar

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59,341 Aufrufe • vor 25 Tagen •via X (Twitter)

NSFW#captions#sissycaption#sissycaptions#feminization#femboy#sissyslut#beta#taboo#humiliation#facefuck#throated#blowjob#anal
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i'm using ElevenLabs in my new app and it has never failed me once if you're building anything that requires transcribing speech to text, you gotta use 11labs i'm buiding an app that allows users to create really nice high quality videos for instagram / tiktok / yt shorts they gotta upload a video of themselves talking - the app then uses 11labs scribe model to transcribe the video and add captions to the video then the user can add broll, effects, audio, etc, to further elevate the video as a result the captions step (being the first) needs to be super good - esp. for a good first impression for new users if the transcription aint good, users will drop off the good thing is that this elevenlabs transcription model has got it correct >99% of the time every time i tried it so im basically relying on elevenlabs to help w/ CVR for my app + good first impressions in other words its basically a wigman for your first date in other words im glazing 11labs way too much but its well deserved speaking of the app, its launching very very soon so stay tuned my homies
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i'm using ElevenLabs in my new app and it has never failed me once if you're building anything that requires transcribing speech to text, you gotta use 11labs i'm buiding an app that allows users to create really nice high quality videos for instagram / tiktok / yt shorts they gotta upload a video of themselves talking - the app then uses 11labs scribe model to transcribe the video and add captions to the video then the user can add broll, effects, audio, etc, to further elevate the video as a result the captions step (being the first) needs to be super good - esp. for a good first impression for new users if the transcription aint good, users will drop off the good thing is that this elevenlabs transcription model has got it correct >99% of the time every time i tried it so im basically relying on elevenlabs to help w/ CVR for my app + good first impressions in other words its basically a wigman for your first date in other words im glazing 11labs way too much but its well deserved speaking of the app, its launching very very soon so stay tuned my homies

Rexan Wong

19,618 Aufrufe • vor 1 Jahr

WhatsApp is working on a feature to share spoiler messages! The demo video is OUT! WhatsApp will make it easier for users to send messages that can hide sensitive content behind a blurred layer. The video shows the new formatting tool that will allow users to hide selected text as spoiler content before sending a message. Recipients would be able to tap the message to reveal the text. This would help people share messages without immediately exposing the details. The feature will also reduce accidental spoilers in group chats where not everyone wants to see the same information at the same time. It will be compatible with text messages and media captions. In the future, it may support photo and video content as well. The feature is under testing, and it will be available to beta testers soon.
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WhatsApp is working on a feature to share spoiler messages! The demo video is OUT! WhatsApp will make it easier for users to send messages that can hide sensitive content behind a blurred layer. The video shows the new formatting tool that will allow users to hide selected text as spoiler content before sending a message. Recipients would be able to tap the message to reveal the text. This would help people share messages without immediately exposing the details. The feature will also reduce accidental spoilers in group chats where not everyone wants to see the same information at the same time. It will be compatible with text messages and media captions. In the future, it may support photo and video content as well. The feature is under testing, and it will be available to beta testers soon.

WABetaInfo

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Sigh, hidden comments should NEVER be clicked on. They protect us from meanies but curiosity got the best of me and some old Geezer called me that because of my “Gilmore Girls” video. If the shoe fits I’ll wear it. Do I dance along the line between ethical morals and impropriety…eh, sometimes, but I’m a good person at heart. Just more than a tad tired, literally and figuratively of everyone’s BS. If you can’t be kind to me, kindly go away. Life’s hard enough without people being mean for no reason. This is my last week working 60+ hours. Next week it goes back to 52 hrs between 2 jobs 🥴. Thanks for taking the time to read this and watching me being silly. I was going to scrap this video but kept the camera rolling. Hope you enjoy. #😊 #blogger #fyp #single #over40 #lauren #laurenslabyrinth79 #curvy #captions #nofilter
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Sigh, hidden comments should NEVER be clicked on. They protect us from meanies but curiosity got the best of me and some old Geezer called me that because of my “Gilmore Girls” video. If the shoe fits I’ll wear it. Do I dance along the line between ethical morals and impropriety…eh, sometimes, but I’m a good person at heart. Just more than a tad tired, literally and figuratively of everyone’s BS. If you can’t be kind to me, kindly go away. Life’s hard enough without people being mean for no reason. This is my last week working 60+ hours. Next week it goes back to 52 hrs between 2 jobs 🥴. Thanks for taking the time to read this and watching me being silly. I was going to scrap this video but kept the camera rolling. Hope you enjoy. #😊 #blogger #fyp #single #over40 #lauren #laurenslabyrinth79 #curvy #captions #nofilter

Lauren

11,783 Aufrufe • vor 5 Monaten

I spent 2 hours of my Saturday reviewing hundreds of charts. These are the setups that stood out and what you should focus on this week. Software and healthcare are starting to catch a bid. Semiconductors are showing fatigue. The next rotation may already be underway. 📼 Video attached (8m 25s) $SNOW is breaking higher from a strong earnings base. $PANW is reclaiming 300 and looks ready for continuation. $LLY continues to show exceptional relative strength. Here’s the watchlist and recording: $SPX: Still trapped in a range. 7338 remains the key support. Holding it keeps the higher-low thesis intact. Below 7236 opens downside toward 7150. Above 7500 would be a strong signal that the pullback is complete. $QQQ: Showing relative weakness versus SPX. Holding the 50-day moving average for now, but a break below 700 could open a move toward 685. $IWM: One of the strongest indices right now. Watching 300 closely. A breakout could trigger a move into all-time highs and potentially much higher. $SMH: Starting to roll over. Unable to hold the 9-day moving average. Below 600 could open a larger pullback toward 550. $IGV: One of the most interesting charts in the market. Software finally caught a strong bid on Friday after weeks of selling. Watching for continuation. $AAPL: Strong relative strength Friday. Above 286 could trigger a gap-fill toward 293. Above 302 would be very bullish. $MSFT: Potential swing low forming. Failed breakdown at yearly lows and a strong reversal Friday. Needs 376-380 reclaimed before confidence returns. $GOOGL: Nice bounce but still lacking a clear setup. Watching for follow-through from Friday’s strength. $AMZN: Still fighting with the 200-day moving average. Worth monitoring if the rotation into mega caps continues. $NFLX: One of the stronger recoveries. Holding 70 and reclaiming 75 could trigger a failed-breakdown move back toward highs. $NVDA: Still weak. Watching 109 and the 200-day moving average. A break there could lead to another leg lower. $TSLA: Remains difficult. Needs a move back above 400 before becoming interesting. Bigger level remains 418 near the 200-day moving average. $FCEL: Huge momentum. Watching a break above 25-26 for continuation. $MRNA: Healthcare remains strong. Watching above 68 for continuation. $NOW: Attempting to bottom. Watching for a reclaim of the 50-day moving average. $SNOW: One of the better software charts. Holding the earnings gap and breaking trend. Watching 248-250. $DDOG: Strong software setup. Holding its earnings gap and building a higher low. Watching 242. $BROS: Breaking a major daily trendline. Watching above 72 for continuation toward 80+. $CROX: Strong relative strength. Watching 130 for continuation. $LLY: One of the strongest charts in healthcare. Watching continuation above 1200 or a pullback into support. $UBER: Excellent recovery. Reclaimed the 50-day moving average. Watching 76.5-77. $XYZ: Strong close near range highs. Above 78 could open a move toward 82-85. $NET: Software leadership candidate. Watching above 240. $HUT: Strong setup. Watching a breakout above 127-130. $OKTA: Similar setup to SNOW and DDOG. Watching 125 for continuation. $OSCR: Healthcare continues to lead. Above 30 could open a move toward 37 and all-time highs. $XLV: One of the strongest sectors in the market. Healthcare continues to attract capital. $PANW: One of my favorite charts. Holding 300 and reclaiming 305-306 could trigger a major move. $CRWD: Looking constructive. Holding 700 is key. Watching 704-705. $ABNB: Watching the important 148-150 area. $SN: Strong trend. Watching 145-146 for continuation. $SPCX: Holding the 150 area. No trade for now unless it breaks below 148 or reclaims momentum higher. $MU: Pulling back after a huge run. Watching 1000 and 1100. $QCOM: Looking tired. A break below 186 could open further downside. $SNDK: Needs to hold 2000. Below that, 1850 becomes the next major area. Overall theme: Money appears to be rotating out of semiconductors and AI leaders. Software is finally showing signs of life. Healthcare continues to outperform. The best opportunities may no longer be where they’ve been for the last few months. SNOW, PANW, LLY, DDOG, CRWD, and FCEL are some of my favorite charts going into next week. If you like this, please like it ❤️
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I spent 2 hours of my Saturday reviewing hundreds of charts. These are the setups that stood out and what you should focus on this week. Software and healthcare are starting to catch a bid. Semiconductors are showing fatigue. The next rotation may already be underway. 📼 Video attached (8m 25s) $SNOW is breaking higher from a strong earnings base. $PANW is reclaiming 300 and looks ready for continuation. $LLY continues to show exceptional relative strength. Here’s the watchlist and recording: $SPX: Still trapped in a range. 7338 remains the key support. Holding it keeps the higher-low thesis intact. Below 7236 opens downside toward 7150. Above 7500 would be a strong signal that the pullback is complete. $QQQ: Showing relative weakness versus SPX. Holding the 50-day moving average for now, but a break below 700 could open a move toward 685. $IWM: One of the strongest indices right now. Watching 300 closely. A breakout could trigger a move into all-time highs and potentially much higher. $SMH: Starting to roll over. Unable to hold the 9-day moving average. Below 600 could open a larger pullback toward 550. $IGV: One of the most interesting charts in the market. Software finally caught a strong bid on Friday after weeks of selling. Watching for continuation. $AAPL: Strong relative strength Friday. Above 286 could trigger a gap-fill toward 293. Above 302 would be very bullish. $MSFT: Potential swing low forming. Failed breakdown at yearly lows and a strong reversal Friday. Needs 376-380 reclaimed before confidence returns. $GOOGL: Nice bounce but still lacking a clear setup. Watching for follow-through from Friday’s strength. $AMZN: Still fighting with the 200-day moving average. Worth monitoring if the rotation into mega caps continues. $NFLX: One of the stronger recoveries. Holding 70 and reclaiming 75 could trigger a failed-breakdown move back toward highs. $NVDA: Still weak. Watching 109 and the 200-day moving average. A break there could lead to another leg lower. $TSLA: Remains difficult. Needs a move back above 400 before becoming interesting. Bigger level remains 418 near the 200-day moving average. $FCEL: Huge momentum. Watching a break above 25-26 for continuation. $MRNA: Healthcare remains strong. Watching above 68 for continuation. $NOW: Attempting to bottom. Watching for a reclaim of the 50-day moving average. $SNOW: One of the better software charts. Holding the earnings gap and breaking trend. Watching 248-250. $DDOG: Strong software setup. Holding its earnings gap and building a higher low. Watching 242. $BROS: Breaking a major daily trendline. Watching above 72 for continuation toward 80+. $CROX: Strong relative strength. Watching 130 for continuation. $LLY: One of the strongest charts in healthcare. Watching continuation above 1200 or a pullback into support. $UBER: Excellent recovery. Reclaimed the 50-day moving average. Watching 76.5-77. $XYZ: Strong close near range highs. Above 78 could open a move toward 82-85. $NET: Software leadership candidate. Watching above 240. $HUT: Strong setup. Watching a breakout above 127-130. $OKTA: Similar setup to SNOW and DDOG. Watching 125 for continuation. $OSCR: Healthcare continues to lead. Above 30 could open a move toward 37 and all-time highs. $XLV: One of the strongest sectors in the market. Healthcare continues to attract capital. $PANW: One of my favorite charts. Holding 300 and reclaiming 305-306 could trigger a major move. $CRWD: Looking constructive. Holding 700 is key. Watching 704-705. $ABNB: Watching the important 148-150 area. $SN: Strong trend. Watching 145-146 for continuation. $SPCX: Holding the 150 area. No trade for now unless it breaks below 148 or reclaims momentum higher. $MU: Pulling back after a huge run. Watching 1000 and 1100. $QCOM: Looking tired. A break below 186 could open further downside. $SNDK: Needs to hold 2000. Below that, 1850 becomes the next major area. Overall theme: Money appears to be rotating out of semiconductors and AI leaders. Software is finally showing signs of life. Healthcare continues to outperform. The best opportunities may no longer be where they’ve been for the last few months. SNOW, PANW, LLY, DDOG, CRWD, and FCEL are some of my favorite charts going into next week. If you like this, please like it ❤️

spacemonkey

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I just vibe-coded a TikTok research AI agent in Claude Code 🤯 A complete research-to-brief pipeline that scrapes TikTok, analyzes video hooks with AI, and generates creative briefs on demand. All inside Claude Code. Perfect for creative agencies and DTC brands who are still turning competitor research into briefs manually. If you're spending hours scrolling TikTok "for research," watching videos one by one, screenshotting hooks, and rewriting briefs from scratch every time, this agent eliminates the entire loop: → Search TikTok by keyword, date range, and video count → Pull engagement metrics, captions, and thumbnails → Gemini watches the video and analyzes the hook → AI scrapes comments for common questions and insights → Generates a full creative brief from your template + brand bible No watching videos manually. No copying notes into docs. No rewriting briefs from scratch. What you control: - Multiple client projects with separate brand bibles - Your own creative brief template - Which videos to analyze and brief - Full customization through Replit's AI agent Research → Analysis → Brief. One workflow, running as a custom mini-SaaS inside your company. Every e-comm brand and agency should have at least one person who can vibe-code tools like this. It's becoming non-negotiable. I recorded a full walkthrough showing exactly how I built this from scratch. Want the full tutorial? > Like this post > Comment "CLAUDE" And I'll send it over (must be following so I can DM)
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I just vibe-coded a TikTok research AI agent in Claude Code 🤯 A complete research-to-brief pipeline that scrapes TikTok, analyzes video hooks with AI, and generates creative briefs on demand. All inside Claude Code. Perfect for creative agencies and DTC brands who are still turning competitor research into briefs manually. If you're spending hours scrolling TikTok "for research," watching videos one by one, screenshotting hooks, and rewriting briefs from scratch every time, this agent eliminates the entire loop: → Search TikTok by keyword, date range, and video count → Pull engagement metrics, captions, and thumbnails → Gemini watches the video and analyzes the hook → AI scrapes comments for common questions and insights → Generates a full creative brief from your template + brand bible No watching videos manually. No copying notes into docs. No rewriting briefs from scratch. What you control: - Multiple client projects with separate brand bibles - Your own creative brief template - Which videos to analyze and brief - Full customization through Replit's AI agent Research → Analysis → Brief. One workflow, running as a custom mini-SaaS inside your company. Every e-comm brand and agency should have at least one person who can vibe-code tools like this. It's becoming non-negotiable. I recorded a full walkthrough showing exactly how I built this from scratch. Want the full tutorial? > Like this post > Comment "CLAUDE" And I'll send it over (must be following so I can DM)

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97,593 Aufrufe • vor 6 Monaten

CBC contributor refuses to apologize over misinformation! Once again, the mainstream media has been caught lying—this time about Rebel News. When confronted, CBC contributor Chantal Hébert preferred to run away. Who still blindly trusts the mainstream media? Chances are, not you—after all, you're watching Rebel News, which means you already know that the mainstream media has abandoned its role as an impartial watchdog. They claim to be reliable news sources, but time and again, they prove otherwise. Conservative leader Pierre Poilievre has acknowledged that mainstream outlets, like CBC/Radio-Canada, act as mouthpieces for the Liberal government—pledging to defund the CBC. Meanwhile, the Liberals are doubling down on their propaganda machine. Heritage Minister Pascale St-Onge has even proposed enshrining CBC/Radio-Canada’s role as an official information source in law, while nearly doubling its per-capita funding. According to its own annual report, CBC/Radio-Canada received $1.4 billion in taxpayer funding last year. Under the Liberals’ plan, that could jump to $2.5 billion per year—money taken directly from Canadians, regardless of whether they watch or trust the network. One of CBC/Radio-Canada’s contributors, political commentator Chantal Hébert, regularly weighs in on politics and even gives speeches on “fake news.” But here’s the irony—Hébert herself has been caught spreading misinformation. When a journalist or commentator gets something wrong, the ethical response is to correct the record. But when Hébert claimed, “By maintaining our tariffs, it's not us who pay, it's them,” she ignored basic economics: tariffs are taxes imposed on a country’s own citizens. Then, on February 21st, during CBC/Radio-Canada’s OhDio Midi Info, Hébert falsely alleged that Rebel News was advocating for Canada to become the 51st U.S. state. This was not a mistake. It was a deliberate attempt to discredit us. The event she referenced was a press conference held by Pierre Poilievre on February 20th, where only five out of ten media outlets were allowed to ask questions. I confronted Hébert about her misleading claims. Her response? No apology, no correction—just an awkward reaction. This is the reality of mainstream media in Canada: taxpayer-funded, unaccountable, and willing to spread misinformation to protect their narrative. And they wonder why Canadians are tuning them out.
10:52

CBC contributor refuses to apologize over misinformation! Once again, the mainstream media has been caught lying—this time about Rebel News. When confronted, CBC contributor Chantal Hébert preferred to run away. Who still blindly trusts the mainstream media? Chances are, not you—after all, you're watching Rebel News, which means you already know that the mainstream media has abandoned its role as an impartial watchdog. They claim to be reliable news sources, but time and again, they prove otherwise. Conservative leader Pierre Poilievre has acknowledged that mainstream outlets, like CBC/Radio-Canada, act as mouthpieces for the Liberal government—pledging to defund the CBC. Meanwhile, the Liberals are doubling down on their propaganda machine. Heritage Minister Pascale St-Onge has even proposed enshrining CBC/Radio-Canada’s role as an official information source in law, while nearly doubling its per-capita funding. According to its own annual report, CBC/Radio-Canada received $1.4 billion in taxpayer funding last year. Under the Liberals’ plan, that could jump to $2.5 billion per year—money taken directly from Canadians, regardless of whether they watch or trust the network. One of CBC/Radio-Canada’s contributors, political commentator Chantal Hébert, regularly weighs in on politics and even gives speeches on “fake news.” But here’s the irony—Hébert herself has been caught spreading misinformation. When a journalist or commentator gets something wrong, the ethical response is to correct the record. But when Hébert claimed, “By maintaining our tariffs, it's not us who pay, it's them,” she ignored basic economics: tariffs are taxes imposed on a country’s own citizens. Then, on February 21st, during CBC/Radio-Canada’s OhDio Midi Info, Hébert falsely alleged that Rebel News was advocating for Canada to become the 51st U.S. state. This was not a mistake. It was a deliberate attempt to discredit us. The event she referenced was a press conference held by Pierre Poilievre on February 20th, where only five out of ten media outlets were allowed to ask questions. I confronted Hébert about her misleading claims. Her response? No apology, no correction—just an awkward reaction. This is the reality of mainstream media in Canada: taxpayer-funded, unaccountable, and willing to spread misinformation to protect their narrative. And they wonder why Canadians are tuning them out.

Alexandra Lavoie

324,144 Aufrufe • vor 1 Jahr

David Lean explains how one can learn Filmmaking by watching movies and what constitutes a good movie: "Interviewer: Do you believe that the same principles are involved in making a good amateur film as a good professional film? David Lean: Absolutely the same. The only difference lies in the ambitiousness of the production, but a good film is good on any level, amateur or professional. Interviewer: Then you believe that the amateur can learn something about film technique from watching good professional movies? David Lean: Certainly, if he watches them in the proper way. Interviewer: How would you advice an amateur to watch a film in order to learn from it? For example, how would you advise the amateur to watch 'Bridge on the River Kwai' (1957)? David Lean: I would hope that he would be quite incapable of appreciating the technique of the film. I think that really good filmmaking conceals technique. If a film is really successful, the audience should be so caught up in it that they do not notice how it was made. Interviewer: Do you think then that to really study a movie you should see it more than once, the first time for impact and to enjoy it, and the second time to learn from it? David Lean: This sounds like a plug, but I think so. To really study a film you should have reached the point where you are no longer involved in the dramatic action. In a sense you must become bored with the story before you can study the technique. Of course as you become more and more accustomed to watching films in this manner you will automatically become more sensitive to technique on the first viewing. Interviewer: Did you use this technique in learning? David Lean: In my younger days, I used to spend hours in movie houses to watch the cutting. Interviewer: From a Technical stand point what do you think is the mark of a good film? David Lean: It tells its story in pictures. This is always the problem of good filmmaking. This is one of the biggest things that can be learned from any good movie. The amateur who wants to learn from viewing the films should try to constantly notice how the director is telling his story in terms of visuals. 'How can I show it?' is the questing the director must constantly ask himself. Of course, it is faster in shooting and much easier to tell a story in dialogue, but it is not as effective. Dialogue compared to visuals is a bore; you are using a moving picture camera." (David Lean's interview with Charles Reynolds, 1958)
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David Lean explains how one can learn Filmmaking by watching movies and what constitutes a good movie: "Interviewer: Do you believe that the same principles are involved in making a good amateur film as a good professional film? David Lean: Absolutely the same. The only difference lies in the ambitiousness of the production, but a good film is good on any level, amateur or professional. Interviewer: Then you believe that the amateur can learn something about film technique from watching good professional movies? David Lean: Certainly, if he watches them in the proper way. Interviewer: How would you advice an amateur to watch a film in order to learn from it? For example, how would you advise the amateur to watch 'Bridge on the River Kwai' (1957)? David Lean: I would hope that he would be quite incapable of appreciating the technique of the film. I think that really good filmmaking conceals technique. If a film is really successful, the audience should be so caught up in it that they do not notice how it was made. Interviewer: Do you think then that to really study a movie you should see it more than once, the first time for impact and to enjoy it, and the second time to learn from it? David Lean: This sounds like a plug, but I think so. To really study a film you should have reached the point where you are no longer involved in the dramatic action. In a sense you must become bored with the story before you can study the technique. Of course as you become more and more accustomed to watching films in this manner you will automatically become more sensitive to technique on the first viewing. Interviewer: Did you use this technique in learning? David Lean: In my younger days, I used to spend hours in movie houses to watch the cutting. Interviewer: From a Technical stand point what do you think is the mark of a good film? David Lean: It tells its story in pictures. This is always the problem of good filmmaking. This is one of the biggest things that can be learned from any good movie. The amateur who wants to learn from viewing the films should try to constantly notice how the director is telling his story in terms of visuals. 'How can I show it?' is the questing the director must constantly ask himself. Of course, it is faster in shooting and much easier to tell a story in dialogue, but it is not as effective. Dialogue compared to visuals is a bore; you are using a moving picture camera." (David Lean's interview with Charles Reynolds, 1958)

DepressedBergman

91,395 Aufrufe • vor 9 Monaten

This dog had just been abandoned by the person it trusted most. Even after being left behind, it kept running after the owner’s car. When the car stopped at a red light, the poor dog caught up and stood beside it, almost as if it was begging to be taken back home. But the moment the light turned green, the car drove off again. The dog was left standing there alone, confused and heartbroken. A man nearby had seen everything. He couldn’t just leave the dog there, so he got out, gave it some water, and decided to take it home. But adjusting to a new family wasn’t easy. The dog spent most of its time curled up in a corner. It barely ate or drank and didn’t seem ready to trust anyone again. The man gave it space, but he also kept showing it kindness. He cleaned its ears, cared for it, and slowly started bringing out its playful side. One day, they even had a little noodle-eating competition, with a roast chicken as the prize. But the man jokingly grabbed the chicken before the competition was over. The dog was clearly not impressed. Little moments like this slowly helped it feel comfortable again. Before long, it was eating, playing, and finally starting to feel like part of the family. Then the couple had a baby. And that’s when the dog showed just how special it really was. It followed the baby everywhere and always seemed to be watching over him. But the couple noticed something strange. Whenever the baby crawled toward the hallway or kitchen, the dog would gently stop him and guide him back to one particular corner of the living room. At first, they couldn’t understand why. Then one day, the wife watched closely and finally figured it out. The hallway floor was wet. So was the kitchen floor. Those areas took longer to dry after cleaning, making them slippery for the baby. That little corner of the living room was the only completely dry and safe place. The dog knew. After being abandoned by the person it loved, this dog was given a second chance. And in return, it became the baby’s most loyal little guardian. ❤️
1:34

This dog had just been abandoned by the person it trusted most. Even after being left behind, it kept running after the owner’s car. When the car stopped at a red light, the poor dog caught up and stood beside it, almost as if it was begging to be taken back home. But the moment the light turned green, the car drove off again. The dog was left standing there alone, confused and heartbroken. A man nearby had seen everything. He couldn’t just leave the dog there, so he got out, gave it some water, and decided to take it home. But adjusting to a new family wasn’t easy. The dog spent most of its time curled up in a corner. It barely ate or drank and didn’t seem ready to trust anyone again. The man gave it space, but he also kept showing it kindness. He cleaned its ears, cared for it, and slowly started bringing out its playful side. One day, they even had a little noodle-eating competition, with a roast chicken as the prize. But the man jokingly grabbed the chicken before the competition was over. The dog was clearly not impressed. Little moments like this slowly helped it feel comfortable again. Before long, it was eating, playing, and finally starting to feel like part of the family. Then the couple had a baby. And that’s when the dog showed just how special it really was. It followed the baby everywhere and always seemed to be watching over him. But the couple noticed something strange. Whenever the baby crawled toward the hallway or kitchen, the dog would gently stop him and guide him back to one particular corner of the living room. At first, they couldn’t understand why. Then one day, the wife watched closely and finally figured it out. The hallway floor was wet. So was the kitchen floor. Those areas took longer to dry after cleaning, making them slippery for the baby. That little corner of the living room was the only completely dry and safe place. The dog knew. After being abandoned by the person it loved, this dog was given a second chance. And in return, it became the baby’s most loyal little guardian. ❤️

Rescue Hearts

17,701 Aufrufe • vor 16 Tagen

🚨 SHOCKING MOMENT WOMAN PETS WILD RAT IN HANTAVIRUS GROUND ZERO — “I SURVIVED” A hiker in Argentina is going viral after casually filming herself picking up, petting, and handling a wild rat in Bariloche, a region tied to the Andes strain of hantavirus. And the video somehow keeps getting worse. Viewers watch her continue letting the animal crawl across her bare hands while captions explain the virus can spread through rodent saliva, urine, and droppings. The timing is what’s making people freak out even more. Bariloche and the surrounding Patagonia region have reportedly dealt with hantavirus outbreaks for years, with the Andes strain considered one of the deadliest versions of the virus. The woman later admitted she had no idea the animal was a “colilargo mouse” linked to hantavirus and claimed she only realized the seriousness after learning people had reportedly died from an outbreak in the area that same week. Her response? “Spoiler: I survived.” People watching the footage are absolutely stunned by how calm she is the entire time, wearing no gloves, showing no panic, and casually petting a wild rat in the middle of a hantavirus zone. Now the internet is going completely feral over the footage: • “Natural selection is working overtime.” • “Why is she touching it like it’s a Disney character?” • “This is exactly how zombie movies start.” • “The rat looked more concerned than she did.” • “We survived COVID just for people to start petting plague rats.” The rat barely even tries to escape… which somehow makes the whole video feel even more disturbing. Be honest... are people freaking out for no reason here… or is this “how pandemics start” behavior? 📹: TikTok/marina_korb
0:46

🚨 SHOCKING MOMENT WOMAN PETS WILD RAT IN HANTAVIRUS GROUND ZERO — “I SURVIVED” A hiker in Argentina is going viral after casually filming herself picking up, petting, and handling a wild rat in Bariloche, a region tied to the Andes strain of hantavirus. And the video somehow keeps getting worse. Viewers watch her continue letting the animal crawl across her bare hands while captions explain the virus can spread through rodent saliva, urine, and droppings. The timing is what’s making people freak out even more. Bariloche and the surrounding Patagonia region have reportedly dealt with hantavirus outbreaks for years, with the Andes strain considered one of the deadliest versions of the virus. The woman later admitted she had no idea the animal was a “colilargo mouse” linked to hantavirus and claimed she only realized the seriousness after learning people had reportedly died from an outbreak in the area that same week. Her response? “Spoiler: I survived.” People watching the footage are absolutely stunned by how calm she is the entire time, wearing no gloves, showing no panic, and casually petting a wild rat in the middle of a hantavirus zone. Now the internet is going completely feral over the footage: • “Natural selection is working overtime.” • “Why is she touching it like it’s a Disney character?” • “This is exactly how zombie movies start.” • “The rat looked more concerned than she did.” • “We survived COVID just for people to start petting plague rats.” The rat barely even tries to escape… which somehow makes the whole video feel even more disturbing. Be honest... are people freaking out for no reason here… or is this “how pandemics start” behavior? 📹: TikTok/marina_korb

HustleBitch

30,957 Aufrufe • vor 3 Monaten

YouTube JUST announced this new thing called Hype and it's lowkey genius imagine you're scrolling and see a wonderful video from some small creator. you wanna do more than just like or share. enter Hype. okay, here's how it works you get 3 "Hypes" a week to boost videos you dig. it's like a supercharged upvote. more Hypes = higher on a special leaderboard. but here's the thing it only works for creators under 500K subs and vids less than a week old. plus there's a "small creator bonus" so the little guys can compete. why's this smart 1. turns passive viewers into active supporters (people want to support the up and comers!) 2. gives smaller creators a shot at blowing up 3. YouTube gets more engagement without messing with the algorithm 4. promotes niches so everything isn't watching the same thing (increase watch time) "In just the first four weeks of our beta tests in Turkey, Taiwan, and Brazil, users hyped over 5 million times across more than 50,000 unique channels" - YT Team it's not about killing the big creators. it's about giving the underdogs a chance to be seen. it currently being tested let's be real, social's been feeling stale. same big accounts, same content, rinse and repeat. you either dont get seen or you go ballistic. Hype. it's like CPR for the internet dream. suddenly, that person making weird videos in their bedroom could be tomorrow's viral sensation. just like the good ole days. it's bringing back that wild west vibe of early YouTube. when any random video could blow up overnight. i totally can see a hype-type feature for platforms like X/Twitter too. i hope it takes off. it's about keeping the internet weird, creative, and unpredictable. so yeah, Hype might just save us from an endless feed of polished corporate content and put the "social" back in social media. maybe its the domino we need to get other social platforms to do the same. let's see who/what the internet decides to make famous next. time to make the internet weird again.
0:24

YouTube JUST announced this new thing called Hype and it's lowkey genius imagine you're scrolling and see a wonderful video from some small creator. you wanna do more than just like or share. enter Hype. okay, here's how it works you get 3 "Hypes" a week to boost videos you dig. it's like a supercharged upvote. more Hypes = higher on a special leaderboard. but here's the thing it only works for creators under 500K subs and vids less than a week old. plus there's a "small creator bonus" so the little guys can compete. why's this smart 1. turns passive viewers into active supporters (people want to support the up and comers!) 2. gives smaller creators a shot at blowing up 3. YouTube gets more engagement without messing with the algorithm 4. promotes niches so everything isn't watching the same thing (increase watch time) "In just the first four weeks of our beta tests in Turkey, Taiwan, and Brazil, users hyped over 5 million times across more than 50,000 unique channels" - YT Team it's not about killing the big creators. it's about giving the underdogs a chance to be seen. it currently being tested let's be real, social's been feeling stale. same big accounts, same content, rinse and repeat. you either dont get seen or you go ballistic. Hype. it's like CPR for the internet dream. suddenly, that person making weird videos in their bedroom could be tomorrow's viral sensation. just like the good ole days. it's bringing back that wild west vibe of early YouTube. when any random video could blow up overnight. i totally can see a hype-type feature for platforms like X/Twitter too. i hope it takes off. it's about keeping the internet weird, creative, and unpredictable. so yeah, Hype might just save us from an endless feed of polished corporate content and put the "social" back in social media. maybe its the domino we need to get other social platforms to do the same. let's see who/what the internet decides to make famous next. time to make the internet weird again.

GREG ISENBERG

755,656 Aufrufe • vor 1 Jahr

This has very special meaning to me: in the lobby of our hotel in Changchun, we just saw two of the original drums that were used for the opening ceremony of the 2008 Beijing Olympics. Watching that opening ceremony back then from Switzerland is actually the very moment I started to see China differently, away from the cartoonish image almost everyone in the West has about the country. I remember the moment extremely well: we were in our living room watching the ceremony with my wife (then girlfriend) and she started crying. Now my wife is anything but an emotional person; in fact she's easily one of the most pragmatic and level-headed persons I've ever met. So seeing her cry, which I think was the first time in our relationship of 2-year back then, was a huge surprise to me. Why was she crying? Because to her that ceremony symbolized one thing: that China, her country, had finally regained its pride after about 200 years of unbelievable hardship. China finally held its head high on the world stage. And I bet a significant proportion of Chinese people watching the ceremony that day were crying too, for the exact same reason. This wasn't a political thing, my wife couldn't care less about politics, it was much much deeper than this: a very profound attachment to her country and people that transcends governments and systems, reaching into the very soul of Chinese civilization. And in that moment I also realized another thing, which hasn't left me since: I realized our pettiness at reducing China to simplified - and overwhelmingly critical - headlines and convenient narratives. I realized how we actually completely miss the deeply human story under it, of a people who endured colonial humiliation and devastating wars finally writing their own story again. I realized how shameful our condescension and all-too-easy judgements were, while failing to recognize the profound dignity in China's collective journey. That's the lesson this 2008 Olympics ceremony taught me: that nations, like people, deserve to be seen in their full humanity, not just through the convenient lens of our own self-serving narratives. Seventeen years later, standing today with my wife and daughters before these drums in Changchun, I'm struck again by how a single moment of empathy changed my entire worldview—proving that sometimes our most profound lessons aren't taught in classrooms or books, but in quiet moments when we allow ourselves to see the world through someone else's tears.
3:36

This has very special meaning to me: in the lobby of our hotel in Changchun, we just saw two of the original drums that were used for the opening ceremony of the 2008 Beijing Olympics. Watching that opening ceremony back then from Switzerland is actually the very moment I started to see China differently, away from the cartoonish image almost everyone in the West has about the country. I remember the moment extremely well: we were in our living room watching the ceremony with my wife (then girlfriend) and she started crying. Now my wife is anything but an emotional person; in fact she's easily one of the most pragmatic and level-headed persons I've ever met. So seeing her cry, which I think was the first time in our relationship of 2-year back then, was a huge surprise to me. Why was she crying? Because to her that ceremony symbolized one thing: that China, her country, had finally regained its pride after about 200 years of unbelievable hardship. China finally held its head high on the world stage. And I bet a significant proportion of Chinese people watching the ceremony that day were crying too, for the exact same reason. This wasn't a political thing, my wife couldn't care less about politics, it was much much deeper than this: a very profound attachment to her country and people that transcends governments and systems, reaching into the very soul of Chinese civilization. And in that moment I also realized another thing, which hasn't left me since: I realized our pettiness at reducing China to simplified - and overwhelmingly critical - headlines and convenient narratives. I realized how we actually completely miss the deeply human story under it, of a people who endured colonial humiliation and devastating wars finally writing their own story again. I realized how shameful our condescension and all-too-easy judgements were, while failing to recognize the profound dignity in China's collective journey. That's the lesson this 2008 Olympics ceremony taught me: that nations, like people, deserve to be seen in their full humanity, not just through the convenient lens of our own self-serving narratives. Seventeen years later, standing today with my wife and daughters before these drums in Changchun, I'm struck again by how a single moment of empathy changed my entire worldview—proving that sometimes our most profound lessons aren't taught in classrooms or books, but in quiet moments when we allow ourselves to see the world through someone else's tears.

Arnaud Bertrand

69,882 Aufrufe • vor 1 Jahr

What if an Allied soldier were caught on video taking a sledgehammer to a Hitler monument? How would Americans react? I imagine there would be claps on the back, perhaps even applause. After all, that’s his job. So imagine the outrage among Israelis after an Israeli soldier, caught on camera destroying a monument to Yasser Arafat, was punished with a suspension. This may sound extreme to Western ears, but you must understand who Arafat is to Israelis. The world’s memory of Arafat is the Arab man in fatigues, wrapped in a white and black keffiyeh shaking hands with Yitzhak Rabin on the White House lawn, but Israel’s memory is longer. Israelis remember the thirty years before—and the ten years after—the Middle East’s version of Chamberlain’s “peace in our time.” Let’s begin before the handshake. From the birth of the PLO in 1965 until its supposed “moderation” in 1993, Arafat was the smiling face behind every infiltration, every bombing, every hijacking that plagued Israel. Arafat was Israel’s arch-terrorist, responsible for more Jewish deaths than anyone between Hitler and Sinwar. Arafat was also the first “foreign leader” to visit Israel’s current arch-enemy, the Islamic Republic, after the revolution. The meeting between radical secularists and radical zealots was made warm by their mutual aim: the destruction of Israel. One operative in his PLO, Anis Naccache, even claims credit for proposing the idea that later became the IRGC. Then came the First Intifada and the secret discussions that led to the White House lawn. Rabin initially refused to extend his hand to Arafat and required Bill Clinton to nudge him into initiating the handshake. Rabin’s pained expression tells much about Israel’s perception of the terrorist, and he would later recall being physically ill at the act. But the picture came out clean, and the world cemented Arafat in its consciousness as a moderate. Then the peace process. He raised Israel’s hopes to unprecedented heights only to walk away from the table and, at least in Israeli memory, reward their efforts at peace with a years-long rolling October 7. Buses and hotels exploded across Israel. Thousands of innocents were killed in the Second Intifada. All the while, the once “partner in peace” sat in his compound in Ramallah, watching his bloody creation. In an image representative of Israel’s complex relationship with the man, then–Prime Minister Ariel Sharon sat in his office beneath a photograph of Arafat shaking Rabin’s hand while shouting orders to besiege his Ramallah compound during Operation Defensive Shield in 2002. That brings us to today. Whatever one may think about the desecration of monuments, Israelis saw something different. Much like an Allied soldier smashing a Hitler monument, what Israelis saw was the IDF doing its job: eliminating terrorists. To read the rest of today's newsletter click here.
0:28

What if an Allied soldier were caught on video taking a sledgehammer to a Hitler monument? How would Americans react? I imagine there would be claps on the back, perhaps even applause. After all, that’s his job. So imagine the outrage among Israelis after an Israeli soldier, caught on camera destroying a monument to Yasser Arafat, was punished with a suspension. This may sound extreme to Western ears, but you must understand who Arafat is to Israelis. The world’s memory of Arafat is the Arab man in fatigues, wrapped in a white and black keffiyeh shaking hands with Yitzhak Rabin on the White House lawn, but Israel’s memory is longer. Israelis remember the thirty years before—and the ten years after—the Middle East’s version of Chamberlain’s “peace in our time.” Let’s begin before the handshake. From the birth of the PLO in 1965 until its supposed “moderation” in 1993, Arafat was the smiling face behind every infiltration, every bombing, every hijacking that plagued Israel. Arafat was Israel’s arch-terrorist, responsible for more Jewish deaths than anyone between Hitler and Sinwar. Arafat was also the first “foreign leader” to visit Israel’s current arch-enemy, the Islamic Republic, after the revolution. The meeting between radical secularists and radical zealots was made warm by their mutual aim: the destruction of Israel. One operative in his PLO, Anis Naccache, even claims credit for proposing the idea that later became the IRGC. Then came the First Intifada and the secret discussions that led to the White House lawn. Rabin initially refused to extend his hand to Arafat and required Bill Clinton to nudge him into initiating the handshake. Rabin’s pained expression tells much about Israel’s perception of the terrorist, and he would later recall being physically ill at the act. But the picture came out clean, and the world cemented Arafat in its consciousness as a moderate. Then the peace process. He raised Israel’s hopes to unprecedented heights only to walk away from the table and, at least in Israeli memory, reward their efforts at peace with a years-long rolling October 7. Buses and hotels exploded across Israel. Thousands of innocents were killed in the Second Intifada. All the while, the once “partner in peace” sat in his compound in Ramallah, watching his bloody creation. In an image representative of Israel’s complex relationship with the man, then–Prime Minister Ariel Sharon sat in his office beneath a photograph of Arafat shaking Rabin’s hand while shouting orders to besiege his Ramallah compound during Operation Defensive Shield in 2002. That brings us to today. Whatever one may think about the desecration of monuments, Israelis saw something different. Much like an Allied soldier smashing a Hitler monument, what Israelis saw was the IDF doing its job: eliminating terrorists. To read the rest of today's newsletter click here.

Amit Segal

21,107 Aufrufe • vor 5 Monaten

Here you go 🤍 This collab has felt special since day one! like something LingOrm fans were always meant to wait for. I wrote a little song inspired for/by the Keep The Wonder collection and their captions, the quiet magic, connection beyond words, the pauses between moments, "the presence that remains even in silence" 👌 , and that kind of love that speaks without ever needing to say anything. Also inspired by each one of you … the waiting, the refreshing, the adrenaline, the emotional damage of sold-out screens 😅 That feeling of wanting everything and watching it disappear in one minute. From now until Jan 29 at 11:27, our hearts are already racing. Lyrics KEEP THE WONDER When Keep Silent starts to whisper low, Always Wonder lets the magic flow, No need for words, the feeling grows, Hearts already know what silence shows. A gentle knock, a hidden sign. One door opens , your world meets mine, Two paths crossing at perfect time, Fate says yes, no need for a line. Keep the Wonder , feel it grow, Shades of love we don’t need to show, No loud words, just energy flow, Presence speaks… you already know. When Ling shines like silver light, When Orm sparks fire in the quiet night, Two souls meet, the timing’s right, Love speaks softly… but hits us tight. Silence keeps the fire alive, Every quiet moment survives, Not everything needs to be shown, Keep the Wonder , let it always be known Limited drop, adrenaline rise, Crowds lining up with hopeful eyes, No pre-order , just pray and try. One minute later… sold out, goodbye. We’re not poor, we’re just too slow, Blink once and the stock will go, Laugh through tears, but still we know, Next collab soon , it’s what we hope. When Keep Silent and Always Wonder unite, When LingOrm shine in the same light, We don’t need words, we feel the spark, Keep the Wonder glowing in the dark! (Justine Debs) AlwaysWonder x Keep Silent #KeepTheWonder #AlwaysWonderWithKeepSilent #AlwaysWonder #KeepSilentCo #LingOrm #หลิงออม #LinglingKwong #หลิงหลิงคอง #OrmKornnaphat #ออมกรณ์นภัส orm kornnaphat🌈 linglingsirilak
2:32

Here you go 🤍 This collab has felt special since day one! like something LingOrm fans were always meant to wait for. I wrote a little song inspired for/by the Keep The Wonder collection and their captions, the quiet magic, connection beyond words, the pauses between moments, "the presence that remains even in silence" 👌 , and that kind of love that speaks without ever needing to say anything. Also inspired by each one of you … the waiting, the refreshing, the adrenaline, the emotional damage of sold-out screens 😅 That feeling of wanting everything and watching it disappear in one minute. From now until Jan 29 at 11:27, our hearts are already racing. Lyrics KEEP THE WONDER When Keep Silent starts to whisper low, Always Wonder lets the magic flow, No need for words, the feeling grows, Hearts already know what silence shows. A gentle knock, a hidden sign. One door opens , your world meets mine, Two paths crossing at perfect time, Fate says yes, no need for a line. Keep the Wonder , feel it grow, Shades of love we don’t need to show, No loud words, just energy flow, Presence speaks… you already know. When Ling shines like silver light, When Orm sparks fire in the quiet night, Two souls meet, the timing’s right, Love speaks softly… but hits us tight. Silence keeps the fire alive, Every quiet moment survives, Not everything needs to be shown, Keep the Wonder , let it always be known Limited drop, adrenaline rise, Crowds lining up with hopeful eyes, No pre-order , just pray and try. One minute later… sold out, goodbye. We’re not poor, we’re just too slow, Blink once and the stock will go, Laugh through tears, but still we know, Next collab soon , it’s what we hope. When Keep Silent and Always Wonder unite, When LingOrm shine in the same light, We don’t need words, we feel the spark, Keep the Wonder glowing in the dark! (Justine Debs) AlwaysWonder x Keep Silent #KeepTheWonder #AlwaysWonderWithKeepSilent #AlwaysWonder #KeepSilentCo #LingOrm #หลิงออม #LinglingKwong #หลิงหลิงคอง #OrmKornnaphat #ออมกรณ์นภัส orm kornnaphat🌈 linglingsirilak

justine debs

25,256 Aufrufe • vor 7 Monaten

#VRA has been bombarded with FUD posters for the past few days and we have seen the price of $VRA drop considerably. However you need to understand that Verasity | PLRL is going to continue to work on its business regardless of FUD, regardless of short term price action. VRA price action follows Bitcoin price action as does the whole crypto market. FUDDERs have a very small impact on a short term basis ! They go away when the market is up and price is going higher. They come back when the price drops and their unrealised profits go down. Verasity | PLRL has a relatively low cap and is subject to extreme volatility in either direction. It’s a player in a massive market of tens of thousands of different crypto token projects. It has to compete within the market and attract investors who see the potential for long term growth. This happens over time and we are not a project that has paid influencers shilling the token every few weeks so despite the recent FUD and despite the volatility in the market VRA staking is still remarkably full with only 0.5% available capacity at this moment. This shows that “Long Term” holders are still sticking with #VRA and are not going anywhere . They are patient and will allow the team to continue developing the project and growing their client base and delivering on the road map. The Tokenomics which is still the main source of FEAR UNCERTAINTY and DOUBT will eventually be resolved in a matter of weeks as we have been told thar testing continues with the new POV token chain and we will soon go into BETA Testing the new chain for POV. What we can guarantee is that over the coming months there will be more token burns further reducing the tradable supply and there will be more development of the business and as the market rebounds once again so will $VRA price. If you are watching price every day then all you are doing is creating short term stress for yourself. Simply stake your tokens and collect your rewards and wait for the team to do their job. I am chilled 😎 watching and waiting and buying the dips at every opportunity I can. I do expect a significant bounce back upwards over the next few months as we approach the halving event and I am DCAing these dips in price. Remember the main bull run is many months away and really doesn’t normally kick off until several months after the BTC halving if you check back over the history of the previous halvings. Usually you see a short spike upwards then a correction and then the start of the FOMO ! It’s highly likely this process will repeat so stay focused.
0:41

#VRA has been bombarded with FUD posters for the past few days and we have seen the price of $VRA drop considerably. However you need to understand that Verasity | PLRL is going to continue to work on its business regardless of FUD, regardless of short term price action. VRA price action follows Bitcoin price action as does the whole crypto market. FUDDERs have a very small impact on a short term basis ! They go away when the market is up and price is going higher. They come back when the price drops and their unrealised profits go down. Verasity | PLRL has a relatively low cap and is subject to extreme volatility in either direction. It’s a player in a massive market of tens of thousands of different crypto token projects. It has to compete within the market and attract investors who see the potential for long term growth. This happens over time and we are not a project that has paid influencers shilling the token every few weeks so despite the recent FUD and despite the volatility in the market VRA staking is still remarkably full with only 0.5% available capacity at this moment. This shows that “Long Term” holders are still sticking with #VRA and are not going anywhere . They are patient and will allow the team to continue developing the project and growing their client base and delivering on the road map. The Tokenomics which is still the main source of FEAR UNCERTAINTY and DOUBT will eventually be resolved in a matter of weeks as we have been told thar testing continues with the new POV token chain and we will soon go into BETA Testing the new chain for POV. What we can guarantee is that over the coming months there will be more token burns further reducing the tradable supply and there will be more development of the business and as the market rebounds once again so will $VRA price. If you are watching price every day then all you are doing is creating short term stress for yourself. Simply stake your tokens and collect your rewards and wait for the team to do their job. I am chilled 😎 watching and waiting and buying the dips at every opportunity I can. I do expect a significant bounce back upwards over the next few months as we approach the halving event and I am DCAing these dips in price. Remember the main bull run is many months away and really doesn’t normally kick off until several months after the BTC halving if you check back over the history of the previous halvings. Usually you see a short spike upwards then a correction and then the start of the FOMO ! It’s highly likely this process will repeat so stay focused.

Never Give Up

16,166 Aufrufe • vor 2 Jahren

When a Disco Song Makes the Whole Room Want to Dance🎶💃🕺 That was exactly how I felt watching Tina Charles perform “I Love to Love (But My Baby Loves to Dance)” on television on July 10, 1976. The first thing that caught my attention was not her outfit or the stage. It was Tina Charles herself. She appeared with a natural smile and a bright, energetic voice. She did not need complicated choreography to command attention. A little movement with the rhythm, a hand gesture, a smile, and the way she let her voice blend with the live band behind her were enough to bring the whole performance to life. And then I realized: the beauty of this performance is in its simplicity. This was music from a time when television performances did not depend so heavily on visual effects. Behind Tina Charles was a full band, with strings, horns, guitar and percussion. Together, they created a rich and lively Disco sound without overwhelming the singer. The rhythm of the song is clever too. It tells a rather funny story about love: the woman wants affection, closeness and romantic moments, while her boyfriend seems much more interested in dancing whenever the music starts. That contrast is what makes the song so charming. What I especially like is the way Tina Charles sings it. She does not turn the story into some dramatic love tragedy. Instead, she delivers it with playfulness and joy, almost as if she were saying: “Go ahead and dance, but I still want you to love me!” Perhaps that is what Disco did so well. It did not always need to deliver a profound message. Sometimes, the purpose of a song was simply to help people forget their worries for a few minutes and allow themselves to enjoy life. Watching these images from 1976, there is something else I appreciate: the people in the video do not seem to be trying to become perfect versions of themselves. They are simply performing, playing music and enjoying the moment. Today, we may have bigger stages, more sophisticated lighting and better technology. But that does not necessarily mean music carries more emotion. There are some things technology cannot create. A genuine smile. A real voice. A live band playing together. And that feeling of joy passing directly from the performer to the audience. That is what I think I see in this performance. “I Love to Love” is more than a Disco song from 1976. It is a reminder that sometimes the best music does not need to make us think too much. It simply needs to make us smile, get up and dance. If you could go back to one night in the 1970s, would you rather sit and listen to a song like this, or step onto the dance floor and join everyone else?
3:03

When a Disco Song Makes the Whole Room Want to Dance🎶💃🕺 That was exactly how I felt watching Tina Charles perform “I Love to Love (But My Baby Loves to Dance)” on television on July 10, 1976. The first thing that caught my attention was not her outfit or the stage. It was Tina Charles herself. She appeared with a natural smile and a bright, energetic voice. She did not need complicated choreography to command attention. A little movement with the rhythm, a hand gesture, a smile, and the way she let her voice blend with the live band behind her were enough to bring the whole performance to life. And then I realized: the beauty of this performance is in its simplicity. This was music from a time when television performances did not depend so heavily on visual effects. Behind Tina Charles was a full band, with strings, horns, guitar and percussion. Together, they created a rich and lively Disco sound without overwhelming the singer. The rhythm of the song is clever too. It tells a rather funny story about love: the woman wants affection, closeness and romantic moments, while her boyfriend seems much more interested in dancing whenever the music starts. That contrast is what makes the song so charming. What I especially like is the way Tina Charles sings it. She does not turn the story into some dramatic love tragedy. Instead, she delivers it with playfulness and joy, almost as if she were saying: “Go ahead and dance, but I still want you to love me!” Perhaps that is what Disco did so well. It did not always need to deliver a profound message. Sometimes, the purpose of a song was simply to help people forget their worries for a few minutes and allow themselves to enjoy life. Watching these images from 1976, there is something else I appreciate: the people in the video do not seem to be trying to become perfect versions of themselves. They are simply performing, playing music and enjoying the moment. Today, we may have bigger stages, more sophisticated lighting and better technology. But that does not necessarily mean music carries more emotion. There are some things technology cannot create. A genuine smile. A real voice. A live band playing together. And that feeling of joy passing directly from the performer to the audience. That is what I think I see in this performance. “I Love to Love” is more than a Disco song from 1976. It is a reminder that sometimes the best music does not need to make us think too much. It simply needs to make us smile, get up and dance. If you could go back to one night in the 1970s, would you rather sit and listen to a song like this, or step onto the dance floor and join everyone else?

Music over time🎻

89,824 Aufrufe • vor 10 Tagen

Sorry to talk more about this, but I felt it was important to discuss. Also, I am sorry I also sound so garbage, the flu is hitting hard. Scripted Captions: Hey. I need to talk about what happened yesterday, and honestly what’s been happening for a bit now, because it’s not only inaccurate… it’s starting to affect my ability to create. Also, I caught the flu, so if I sound rough, that’s why. Bare with me. And yes, this is scripted, because my brain is running on fumes and I want to say this clearly. First, thank you, seriously. To everyone who reached out, commented, sent dms, and just… reminded me I’m not crazy for feeling stressed, thank you. I’ve been trying to keep it together behind the scenes, and your kindness genuinely helped. Here’s what’s going on, as plainly as I can put it, my newer posts on Twitter are being reported for sexual content. My profile pictures on IRIAM are being reported and my IRIAM account has been getting reported. And the reason people keep circling is basically, my vtuber model has boobs and cleavage, and there’s a wardrobe detail on the model that is showing underwear lines. I want to be really, really clear here, I am a seiso creator. I don’t post explicit content. I don’t make sexual content. My streams and posts are not sexual. And yes, I understand that IRIAM’s current review guidelines can flag things like visible underwear details and certain levels of chest exposure, and that profile icons get reviewed even more conservatively. My honest take is I don’t personally agree with how strict that is, especially when the model I’m using is one IRIAM provided me through their system, but I’m not here to wage war with platform rules. I’m here to create so I’m adapting. I’m changing how I crop images. I’m changing what I use for icons. And I’m already working on my 2.0 so it’s clearly safe under the current standards, even if that means my 2.0 ends up less showy than I originally wanted. That part is frustrating. But I’m doing it anyway. What this feels like on the back end is targeted harassment. It’s exhausting, it’s time consuming, and it creates this constant anxiety of “is my account going to get hit again today?” “Am I going to get suspended?” Etc. And on top of that, there’s been misinformation being spread about me as a creator, and that part has honestly been the most draining. I’m not going to name names. I’m not here to start a dogpile. That’s not who I am, and it’s not what I want my community to do. But I am going to say this, using report tools as a weapon to punish someone you don’t like is not “protecting the platform.” It’s bullying. So here’s my boundary and my ask, if you don’t like my design, my vibe, my content, that’s okay. You can mute, block, scroll, disengage. No hard feelings. But please stop trying to take away someone’s platform because you personally don’t approve of their body type or character design. If you genuinely believe something violates guidelines, report it once and let moderation do their job. Don’t turn it into a campaign. That’s not accountability. That’s not “keeping things safe.” That’s just trying to control other creators. I’m going to be honest: this has made me pull back. I had plans to connect people, collaborate more openly, and build more bridges, I’ve even paused any work I had planned to do for the Unofficial IRIAM zine… and I’ve been more cautious lately because I’ve needed to protect my mental health. So if I seem a bit more skittish to work openly with creators going forward, this is the reason why. I still want all of us to succeed. I still want creators to support creators. But I can’t keep putting myself in situations where I’m constantly being targeted. Right now, I’m handling things through the proper channels and documenting everything on my end. I’m going to keep creating, I’m going to keep being me, and I’m not going to let bad-faith reporting rewrite who I am as a creator. To everyone who’s been supportive, I appreciate you more than I can say. And I want to say this clearly one more time; you can disagree with a creator’s design and still behave like an adult. Bodies aren’t automatically sexual. And using reports as a weapon helps nobody, it just makes people afraid to exist. Please be kind to each other. Please don’t use TOS or report tools as a battering ram. It doesn’t make the community safer, it just makes people afraid to create. I’m going to rest, drink something hot, and try to kick this flu. Thank you for hearing me out. I love you guys. See you soon. And as always, Be Kind. p.s. Shoutout to my protect goat. Thank you for always having my back girly.
5:05

Sorry to talk more about this, but I felt it was important to discuss. Also, I am sorry I also sound so garbage, the flu is hitting hard. Scripted Captions: Hey. I need to talk about what happened yesterday, and honestly what’s been happening for a bit now, because it’s not only inaccurate… it’s starting to affect my ability to create. Also, I caught the flu, so if I sound rough, that’s why. Bare with me. And yes, this is scripted, because my brain is running on fumes and I want to say this clearly. First, thank you, seriously. To everyone who reached out, commented, sent dms, and just… reminded me I’m not crazy for feeling stressed, thank you. I’ve been trying to keep it together behind the scenes, and your kindness genuinely helped. Here’s what’s going on, as plainly as I can put it, my newer posts on Twitter are being reported for sexual content. My profile pictures on IRIAM are being reported and my IRIAM account has been getting reported. And the reason people keep circling is basically, my vtuber model has boobs and cleavage, and there’s a wardrobe detail on the model that is showing underwear lines. I want to be really, really clear here, I am a seiso creator. I don’t post explicit content. I don’t make sexual content. My streams and posts are not sexual. And yes, I understand that IRIAM’s current review guidelines can flag things like visible underwear details and certain levels of chest exposure, and that profile icons get reviewed even more conservatively. My honest take is I don’t personally agree with how strict that is, especially when the model I’m using is one IRIAM provided me through their system, but I’m not here to wage war with platform rules. I’m here to create so I’m adapting. I’m changing how I crop images. I’m changing what I use for icons. And I’m already working on my 2.0 so it’s clearly safe under the current standards, even if that means my 2.0 ends up less showy than I originally wanted. That part is frustrating. But I’m doing it anyway. What this feels like on the back end is targeted harassment. It’s exhausting, it’s time consuming, and it creates this constant anxiety of “is my account going to get hit again today?” “Am I going to get suspended?” Etc. And on top of that, there’s been misinformation being spread about me as a creator, and that part has honestly been the most draining. I’m not going to name names. I’m not here to start a dogpile. That’s not who I am, and it’s not what I want my community to do. But I am going to say this, using report tools as a weapon to punish someone you don’t like is not “protecting the platform.” It’s bullying. So here’s my boundary and my ask, if you don’t like my design, my vibe, my content, that’s okay. You can mute, block, scroll, disengage. No hard feelings. But please stop trying to take away someone’s platform because you personally don’t approve of their body type or character design. If you genuinely believe something violates guidelines, report it once and let moderation do their job. Don’t turn it into a campaign. That’s not accountability. That’s not “keeping things safe.” That’s just trying to control other creators. I’m going to be honest: this has made me pull back. I had plans to connect people, collaborate more openly, and build more bridges, I’ve even paused any work I had planned to do for the Unofficial IRIAM zine… and I’ve been more cautious lately because I’ve needed to protect my mental health. So if I seem a bit more skittish to work openly with creators going forward, this is the reason why. I still want all of us to succeed. I still want creators to support creators. But I can’t keep putting myself in situations where I’m constantly being targeted. Right now, I’m handling things through the proper channels and documenting everything on my end. I’m going to keep creating, I’m going to keep being me, and I’m not going to let bad-faith reporting rewrite who I am as a creator. To everyone who’s been supportive, I appreciate you more than I can say. And I want to say this clearly one more time; you can disagree with a creator’s design and still behave like an adult. Bodies aren’t automatically sexual. And using reports as a weapon helps nobody, it just makes people afraid to exist. Please be kind to each other. Please don’t use TOS or report tools as a battering ram. It doesn’t make the community safer, it just makes people afraid to create. I’m going to rest, drink something hot, and try to kick this flu. Thank you for hearing me out. I love you guys. See you soon. And as always, Be Kind. p.s. Shoutout to my protect goat. Thank you for always having my back girly.

Celes Aurion 🐾🎧

28,569 Aufrufe • vor 7 Monaten

The Tokyo Game Show was a humbling yet uplifting experience. We booked early and got a pretty decent sized booth in the middle of the main hall, hoping we could make some noise in Asia's most prestigious web2 game show... But the moment I arrived to the venue, it made me realize just how small Apeiron and web3 gaming still really is. We were surrounded by the giants of the industry, their sheer size, quality and scope are next level, and I genuinely feel like a bucket in an ocean.💧 I was also hoping we would have gotten more to show by this time as well, that our mobile game would be ready and the game economy would be blossoming. Sadly, it's quite the opposite, and it made me wonder if we are ready for such a big stage. But times don't wait and opportunities always come and go, so we'll just have to present the work we've done so far with the doodiest attitude and let the show go on.🙌 Each morning there would be a giant rush as early participants run through the venue to collect time slotted entry tickets from giant publishers to make sure they can experience upcoming AAA titles like Monster Hunter Wilds (MH is actually where Apeiron normal attacks are inspired from). Most of the giant booths don't actually give out much merchandise or ingame rewards, and the only real offer they have is for their fans to playtest the latest games, watch unrevealed trailers or take photos with cosplayers/mascots/diorama. Having been in web3 for a while, this is a good reminder that, out there, there is a massive and genuine love for gaming beyond incentives. And this is the intrinsic value of games that we hope to deliver🥰 After the initial rush, the traffick will eventually disperse and trickle towards other booths, I remember watching our line build up each day, finding different ways to attract passerbys to get a leaflet, to pre-register and to playtest our game, it took 2 hours to fill up the lines on the first day, and by the 4th day the lines filled up in 30 minutes. We got a pretty good strategy going, the models posed for a wall of photographers to block the path, while the mascot and plushies drew people in. big sword | Apeiron found it more effective to wave sealed packaged plushies instead of opened plushies to let ppl know it is actually something they can obtain and take away, small but very effective difference!🧸 Our line extended each day, and the booth was constantly surrounded by curious passerbys asking what game this is...what is the name of that cute mascot... when is it launching... After each playtest our Japanese community doods, such as mino.ron 🍊 who helped us man the battle stations would ask the player for their feedback, many of whom had to que for over an hour to try our game... and the feedback we got were very positive! The emotions I see on their face as they play the game, fighting the first boss and winning their first pvp matches... were all of genuine excitement and happiness. I watched a lot of gamers from around the world play Aperion for the first time, and I have to say this gaming nation really does pick up Apeiron faster compared to other regions, or hopefully, its because of the new tutorial we put in place.🤞 We were visited by many of the major booth's representatives, countless PR/Broadcasting outlets and a handful of mobile game publishers. A lot of them told me they were attracted to our booth's colorful design. We would mention the crypto elements of the game but most of the interest is centered around the cute dood, the colorful artwork and the unique gameplay. I literally got over 200+ business cards during these 4 days (though bulk of them are marketing agencies lol) and my email and telegram is absolutely flooded.💦 We may be a bucket in the ocean, and there is still a lot of work that needs to be done, but amidst the giants out there, the appeal of Apeiron is still here. Our uniqueness and quality is what sets us apart even amongst web2 peers. I don't know how much longer it will take for Apeiron to be ready to compete with the giants up there, but I know I want to be up there one day, and I have a target I really want to aim for.🎯 During those 4 days, while I was giving out flyers and waving plushies towards smiling japanese doods in real life, I was also messaging back in omega channel to a group of upset holders who were concerned with our token performance. It's quite a surreal and contrasting experience. But yes I understand the performance of our token and assets also stands in stark contrast to what we are trying to present in real life. But with all the lesson we've learnt in crypto over the past 3 years... is that we must be patient and conserve ammunition during market downturns. We have not sold any APRS since TGE, we have only been accumulating steadily, we will stage our comeback when the mobile game is ready, when we have the means to acquire and onramp retail users (i beleive this is the sacred duty of web3 games), and hopefully but not absolutely necessarily, with healthier market conditions.💱 We are so close now, and as cheesy as it sounds, its darkest before dawn, we have witnessed this in Apeiron's ecosystem before the Ronin migration, we will build, we will survive, and we will thrive. What's most important now, is to focus on creating the best gaming experience for new users coming in. Our closed mobile beta testing on google play will begin next week, together with a new bug report flow, we will need all the help we can get to eliminate those bugs and issues and more suggestions to help build a better Apeiron.🙇‍♂️
0:35

The Tokyo Game Show was a humbling yet uplifting experience. We booked early and got a pretty decent sized booth in the middle of the main hall, hoping we could make some noise in Asia's most prestigious web2 game show... But the moment I arrived to the venue, it made me realize just how small Apeiron and web3 gaming still really is. We were surrounded by the giants of the industry, their sheer size, quality and scope are next level, and I genuinely feel like a bucket in an ocean.💧 I was also hoping we would have gotten more to show by this time as well, that our mobile game would be ready and the game economy would be blossoming. Sadly, it's quite the opposite, and it made me wonder if we are ready for such a big stage. But times don't wait and opportunities always come and go, so we'll just have to present the work we've done so far with the doodiest attitude and let the show go on.🙌 Each morning there would be a giant rush as early participants run through the venue to collect time slotted entry tickets from giant publishers to make sure they can experience upcoming AAA titles like Monster Hunter Wilds (MH is actually where Apeiron normal attacks are inspired from). Most of the giant booths don't actually give out much merchandise or ingame rewards, and the only real offer they have is for their fans to playtest the latest games, watch unrevealed trailers or take photos with cosplayers/mascots/diorama. Having been in web3 for a while, this is a good reminder that, out there, there is a massive and genuine love for gaming beyond incentives. And this is the intrinsic value of games that we hope to deliver🥰 After the initial rush, the traffick will eventually disperse and trickle towards other booths, I remember watching our line build up each day, finding different ways to attract passerbys to get a leaflet, to pre-register and to playtest our game, it took 2 hours to fill up the lines on the first day, and by the 4th day the lines filled up in 30 minutes. We got a pretty good strategy going, the models posed for a wall of photographers to block the path, while the mascot and plushies drew people in. big sword | Apeiron found it more effective to wave sealed packaged plushies instead of opened plushies to let ppl know it is actually something they can obtain and take away, small but very effective difference!🧸 Our line extended each day, and the booth was constantly surrounded by curious passerbys asking what game this is...what is the name of that cute mascot... when is it launching... After each playtest our Japanese community doods, such as mino.ron 🍊 who helped us man the battle stations would ask the player for their feedback, many of whom had to que for over an hour to try our game... and the feedback we got were very positive! The emotions I see on their face as they play the game, fighting the first boss and winning their first pvp matches... were all of genuine excitement and happiness. I watched a lot of gamers from around the world play Aperion for the first time, and I have to say this gaming nation really does pick up Apeiron faster compared to other regions, or hopefully, its because of the new tutorial we put in place.🤞 We were visited by many of the major booth's representatives, countless PR/Broadcasting outlets and a handful of mobile game publishers. A lot of them told me they were attracted to our booth's colorful design. We would mention the crypto elements of the game but most of the interest is centered around the cute dood, the colorful artwork and the unique gameplay. I literally got over 200+ business cards during these 4 days (though bulk of them are marketing agencies lol) and my email and telegram is absolutely flooded.💦 We may be a bucket in the ocean, and there is still a lot of work that needs to be done, but amidst the giants out there, the appeal of Apeiron is still here. Our uniqueness and quality is what sets us apart even amongst web2 peers. I don't know how much longer it will take for Apeiron to be ready to compete with the giants up there, but I know I want to be up there one day, and I have a target I really want to aim for.🎯 During those 4 days, while I was giving out flyers and waving plushies towards smiling japanese doods in real life, I was also messaging back in omega channel to a group of upset holders who were concerned with our token performance. It's quite a surreal and contrasting experience. But yes I understand the performance of our token and assets also stands in stark contrast to what we are trying to present in real life. But with all the lesson we've learnt in crypto over the past 3 years... is that we must be patient and conserve ammunition during market downturns. We have not sold any APRS since TGE, we have only been accumulating steadily, we will stage our comeback when the mobile game is ready, when we have the means to acquire and onramp retail users (i beleive this is the sacred duty of web3 games), and hopefully but not absolutely necessarily, with healthier market conditions.💱 We are so close now, and as cheesy as it sounds, its darkest before dawn, we have witnessed this in Apeiron's ecosystem before the Ronin migration, we will build, we will survive, and we will thrive. What's most important now, is to focus on creating the best gaming experience for new users coming in. Our closed mobile beta testing on google play will begin next week, together with a new bug report flow, we will need all the help we can get to eliminate those bugs and issues and more suggestions to help build a better Apeiron.🙇‍♂️

LoreKeeper

28,962 Aufrufe • vor 1 Jahr

2001. Larry Page and Sergey Brin sit for their first-ever television interview. Google has 200 employees. They explain that the company almost didn't get off the ground because they couldn't cash a check. The check was for $100,000. It came from Andy Bechtolsheim, one of the co-founders of Sun Microsystems. Page and Brin showed him what they'd built. He said, "This is great, how about I write you a check?" and just wrote it out. Made it out to Google. The problem was that Google didn't exist as a company yet. There was no bank account. No lawyers. No incorporation paperwork. The check sat in Larry Page's desk drawer for a month. They literally could not deposit it. They're both in their late twenties in this interview. They met at Stanford as PhD students and, by their own account, disliked each other from the start. Brin says Page is "kind of obnoxious." Page doesn't disagree. Brin says they argued about everything, debated every single point, and then realized that was their commonality. They became friends, started building a search engine they never planned to build, and put their PhDs on hold to get it out into the world. The part that stings watching this in 2026 is the rejection tour. Before starting Google, they approached existing search companies to sell or license the technology. They went to Yahoo. David Filo, one of Yahoo's founders, told them, "This is great search technology. Why don't you guys make a company, and maybe we'll use you someday?" They went to Excite. They went to InfoSeek. Same response. Page says a CEO at one of those companies told them: "If our search is 85% as good as the next guy's, that's good enough for us." Page and Brin didn't buy that. They thought the search was too important to be 85% as good. So they started Google. No marketing. No ad campaign. They launched it at Stanford, and it grew 20% per month, every single month, for three years straight. Pure word of mouth. By the time of this interview, they're handling over 100 million searches a day. They get 500 resumes in the mail every single day. The office space around them is 30% vacant because the dot-com bubble just popped, but Google is profitable. Page makes a point of this: "We've been really interested in being profitable, like long before it was fashionable." They'd also just hired Eric Schmidt, former CTO of Sun, as CEO. Brin's explanation for why: "Parental supervision, to be honest." Page adds that they're "past the age where we're rebellious" and that running a search engine used by 100 million people a day with 200 employees is "a large responsibility." The number that caught my eye: when Google started in 1998, it indexed 30 million web pages. At the time of this interview, three years later, they indexed 1.3 billion. The page says that if you printed them all out and stacked the paper, it would be about 70 miles high. And it was doubling every year. Every search company they approached turned them down. Yahoo eventually came back and hired Google to power its own search results. The CEO who thought 85% was good enough ran a company that no longer exists. Alphabet, Google's parent company, is worth about $3.6 trillion today. It has about 190,000 employees. That $100,000 check sat in a desk drawer because nobody had incorporated the company. Bechtolsheim's stake from that investment is now worth billions.
14:09

2001. Larry Page and Sergey Brin sit for their first-ever television interview. Google has 200 employees. They explain that the company almost didn't get off the ground because they couldn't cash a check. The check was for $100,000. It came from Andy Bechtolsheim, one of the co-founders of Sun Microsystems. Page and Brin showed him what they'd built. He said, "This is great, how about I write you a check?" and just wrote it out. Made it out to Google. The problem was that Google didn't exist as a company yet. There was no bank account. No lawyers. No incorporation paperwork. The check sat in Larry Page's desk drawer for a month. They literally could not deposit it. They're both in their late twenties in this interview. They met at Stanford as PhD students and, by their own account, disliked each other from the start. Brin says Page is "kind of obnoxious." Page doesn't disagree. Brin says they argued about everything, debated every single point, and then realized that was their commonality. They became friends, started building a search engine they never planned to build, and put their PhDs on hold to get it out into the world. The part that stings watching this in 2026 is the rejection tour. Before starting Google, they approached existing search companies to sell or license the technology. They went to Yahoo. David Filo, one of Yahoo's founders, told them, "This is great search technology. Why don't you guys make a company, and maybe we'll use you someday?" They went to Excite. They went to InfoSeek. Same response. Page says a CEO at one of those companies told them: "If our search is 85% as good as the next guy's, that's good enough for us." Page and Brin didn't buy that. They thought the search was too important to be 85% as good. So they started Google. No marketing. No ad campaign. They launched it at Stanford, and it grew 20% per month, every single month, for three years straight. Pure word of mouth. By the time of this interview, they're handling over 100 million searches a day. They get 500 resumes in the mail every single day. The office space around them is 30% vacant because the dot-com bubble just popped, but Google is profitable. Page makes a point of this: "We've been really interested in being profitable, like long before it was fashionable." They'd also just hired Eric Schmidt, former CTO of Sun, as CEO. Brin's explanation for why: "Parental supervision, to be honest." Page adds that they're "past the age where we're rebellious" and that running a search engine used by 100 million people a day with 200 employees is "a large responsibility." The number that caught my eye: when Google started in 1998, it indexed 30 million web pages. At the time of this interview, three years later, they indexed 1.3 billion. The page says that if you printed them all out and stacked the paper, it would be about 70 miles high. And it was doubling every year. Every search company they approached turned them down. Yahoo eventually came back and hired Google to power its own search results. The CEO who thought 85% was good enough ran a company that no longer exists. Alphabet, Google's parent company, is worth about $3.6 trillion today. It has about 190,000 employees. That $100,000 check sat in a desk drawer because nobody had incorporated the company. Bechtolsheim's stake from that investment is now worth billions.

Anish Moonka

12,042 Aufrufe • vor 5 Monaten